Heart Starts Pounding: Horrors, Hauntings, and Mysteries - 156. Lost Media Vol. 2: Missing Holiday Media
Episode Date: December 16, 2025Go to https://kachava.com and use code HSP for 15% off your next order. What happens when beloved holiday entertainment crosses the line? From Disney's The Santa Clause hiding adult Easter eggs that ...horrified parents, to the 1997 Macy's Day Parade disaster NBC tried to erase, to Vincent Price's final grief-stricken performance that Disney deemed "unusable". These aren't just missing tapes; they're pieces of holiday history someone decided we shouldn't remember. TW: Graphic Description of injury Subscribe on Patreon to become a member of our Rogue Detecting Society and enjoy ad-free listening, monthly bonus content, merch discounts and more. Members of our High Council on Patreon also have access to our weekly after-show, Footnotes, where I share my case file with our producer, Matt. You can also enjoy many of these same perks, including ad-free listening and bonus content when you subscribe on Apple Podcasts . Follow on Tik Tok and Instagram for a daily dose of horror. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
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What would cause a piece of media to become lost?
Throughout history, before things could really become cataloged on the internet,
it wasn't uncommon for a piece of media to just vanish,
leaving behind a weird ghost in our memories.
Some was just never aired again.
Some was accidentally damaged,
but some of it was intentionally destroyed,
all because someone didn't want the public to see it.
This is Hard Starts Founding.
I'm your archivist today, Kaylin Moore.
Now, I spend most of my time on this show hunting
down information. I have subscriptions to newspapers and languages I can't read. I hunt down old
books that were once banned by different governments. I even reach out to journalists and authors
for more information a lot of the times. I even sometimes get resources from you guys, which I wanted
to give a shout out to Bill, our mountaineering listener, who sent me some really interesting books to
check out after we did our episode on Mount Everest. My reading list right now is really all books
that you guys have sent me, and I absolutely love that. My point being, it's rare that I can't find
thing. And I think that's why I'm so obsessed with media that becomes lost, which is what I
want to tell you about today. As a reminder, if you like mysteries of the internet disappearances
that make you question everything, and if you have an otherwise dark curiosity, you are in the
right place because you are just like me. We put out episodes once a week, so make sure you're
subscribed or you're following along or leaving comments wherever you listen so you don't miss out.
Okay, let's get back into it.
It's when your heart starts pounding.
Now maybe you're like me and you watched Disney's 1994 holiday classic the Santa Claus growing up.
The movie is pretty wholesome family fun, I would describe it as.
Tim Allen plays his character, Scott Calvin, a divorced dad who accidentally causes Santa Claus to fall off of his roof on Christmas Eve.
When Scott puts on Santa's suit, he magically becomes the new Santa.
This, of course, allows him to reconnect with his son.
and learn the true meaning of Christmas.
It's very sweet.
But what have I told you that there is something cut out of the movie
that is not so sweet?
Actually, it had parents clutching their pearls and horrors
to the point where Disney had to make some scenes disappear forever.
See, when the Santa Claus was re-released for its 30th anniversary
on Christmas Day, 2024,
these eagle-eyed viewers noticed something strange
in the original theatrical trailer.
There were scenes like quick flashes of moments that just didn't exist in the movie that they had watched growing up.
There was a voice they could hear saying, who's down there?
Followed by this unmistakable sound of a shotgun being loaded that they didn't remember from the movie.
There was also a part where Tim Allen was grinning maniacally in front of what appeared to be children behind two-way glass.
And so people started wondering what happened to those scenes.
Why would they be in the trailer and not the movie itself?
And most importantly, why was one specific scene that they remembered being in the original version no longer in the re-release?
Well, let me tell you a little story.
Back in 1994, Shirley Dirt, a grandmother in Cleveland, took her young grandchildren to see the Santa Claus in theaters.
The kids loved the movie, but there was one scene that they really clung to, and they couldn't stop talking about it.
It's a scene where Scott's wife hands him a handwritten phone number, and Scott looks at it and recites a fake number out loud.
as this, like, adult joke that's supposed to fly over the children's head.
It happens so quickly you could almost miss it.
The number that he recites is 1-800 Spank Me.
After the movie got out, the kids kept repeating that number out loud and laughing about it.
And when they got home, one of them thought it would be funny to pick up their landline and call it.
Shirley walked into her kitchen to see her young granddaughter on the phone,
her eyes wide in horror.
And through the receiver, Shirley could hear soft.
jazz music playing in the background and the sound of a woman moaning. Yes, I'm sure you could
maybe guess, but 1-800 Spank Me was an active phone sex hotline and Disney had just broadcast it
to millions of children. And of course, Shirley's grandchildren were not the only children
to call this line after seeing the movie. Kids legitimately thought that this was an Easter egg
that would allow them to call Santa's workshop. Parents would either walk in on their children
making these calls to the hotline
or they would get their bone bills
at the end of the month
and be absolutely horrified.
I read about this one child in Washington
who racked up $400 worth of charges
from calling the line.
And honestly, I remember watching those infomercials
growing up, $400 feels like it would be on the low end.
Shirley was later interviewed by the Associated Press
where she was quoted as saying,
quote, I don't think children need to be exposed to that.
And I think that's putting it lightly.
Now, we've talked about it before on the show.
you guys know this, but when the mouse wants something gone, it can legitimately be erased forever.
So by 1999, Disney had seemingly scrubbed this scene from existence.
I'm talking every DVD, every Blu-ray, every broadcast version.
The number was gone.
They changed it to one 800 pound.
I think that's because they wanted to keep the adult joke in the film without actually linking it to an active phone sex hotline.
And so the original scene has become somewhat lost media, but some people do still have the
original VHS tapes, the ones from around 1994 that have the original number in it, which from
my research is actually still active today over 30 years later. So do with that information
what you want. Now, there's also darker moments from the Santa Claus that never actually made
it into the movie in the first place. And that's what people were seeing when they watched the
trailer and notice that there were scenes in the trailer that weren't in the actual film.
So according to Tim Allen when he was speaking on The Tonight Show in 2018, the original script
for this movie was much, much darker.
In the first draft, Scott Calvin didn't accidentally knock Santa off the roof.
He shot him.
And exec had to basically jump in at the time and say, we can't show kids a movie where
a man shoots Santa Claus in Cold Blood here at Disney.
And so the scene was changed to Santa.
to accidentally falling off the roof and also dying,
which is still morbid in its own way,
don't get me wrong.
And initially, they wanted Bill Murray
to star as the lead in the film
because they thought that he could carry a darker tone
in a movie, a more adult tone too,
but eventually it was decided that Tim Allen would be the lead
and the script would be sanitized,
though there are still some adult humor moments
like the phone number that still made it into the final cut.
The last media wiki has been tracking
these deleted scenes from the trailer,
the one where Scott hears a shotgun get loaded and the one where he's grinning through the two-way
mirror, you can actually see them in the trailer at the 134 and 141 mark of the original theatrical
trailer, but it seems like the full scenes are forever lost as well, though it might just be
for less nefarious reasons. One theory is that the original cut of the movie was just too long
and so they needed to cut a couple scenes from it. It's just a fun reminder that at Disney,
nothing is forever, unless it's a phone sex hotline that is still active.
to this day. That apparently is.
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Now, as far as lost media goes, the Santa Claus is mostly harmless.
Was it maybe traumatizing for some children?
Absolutely. But today, a lot of those kids just look back on it and laugh at the whole thing.
But that is not the case with this next piece of lost media that I have for you.
This piece of lost media is borderline crime scene footage taken from a very popular Thanksgiving broadcast, the Macy's Day Parade.
Every Thanksgiving, millions of Americans tune in to watch the Macy's Day parade.
If you're not familiar, it's a massive parade that happens in New York City that features floats gliding down Manhattan streets, Santa arriving in his sleigh.
and giant balloons of various cartoon characters and other icons of pop culture.
It is really the perfect start to the holiday season.
I watch it every year.
But on Thanksgiving Day, 1997, a horrible incident happened that NBC desperately tried to hide from viewers,
something that left one woman fighting for her life and honestly changed the parade forever.
And here's the thing about it.
Despite the fact that cameras were rolling from every angle,
despite thousands of witnesses lining the streets,
The footage of what really happened that day seems to have been scrubbed, edited, and lost to time.
Let me set the same.
November 27, 1997.
The morning started sunny, temperatures were in the 50s, it was perfect parade weather, except for one thing, the winds.
Meteorologists called them gale force winds, gusts up to 45 miles an hour.
A woman named Kathleen had brought her eight-month-old son to his first ever Thanksgiving parade.
She and her husband, Massimo, had actually met on Thanksgiving years before, so this was also their anniversary.
They even brought their video camera to capture the whole thing on tape, titling the tape, quote, our first Thanksgiving with the baby.
The family hurried across Central Park that morning.
The baby bundled in his brand new red and white ski suit.
They found the perfect spot near 72nd Street and Central Park West.
It would give them a great view of the whole parade, but it was a very highly coveted spot.
So the couple really couldn't leave from where they were seen.
seated. Masimo and Kathleen kept switching between who would hold the camera and who would hold
the baby, making sure that they both appeared in the footage with their son. But as the day progressed,
the wind kept getting worse. Most of the parade was unaffected by this, but the big balloons
were starting to get really tossed around in the wind. And then, a little after 10 a.m.,
the cat and the hat balloon came into view. Now, this was a massive balloon. It was six stories
tall and its big red and white striped hat was bobbing in the wind. Down on the ground,
there was a group of people in charge of holding onto the ropes that were keeping the balloon
from flying away. And they were really starting to struggle. The wind was picking up and they
were holding on with all of their might to make sure that the balloon just didn't drift off or become
unruly. And what happened next really happened in an instant. A massive gust sent the balloon
careening forward towards the crowd. The handlers tried to pull back, but the
They weren't strong enough, and the giant cat in the hat lurched towards a lampposts
that was right at the corner where Kathleen and her family were standing.
They didn't even have time to react.
The impact was so severe.
It sheared the top section of the lamp post off.
It was this four-foot metal pole that came crashing down into the crowd below.
Massimo would later describe the incident to reporters, quote,
One second, Kathy was there with a camera, and the next second, she was down on the sidewalk,
blood coming from her head. The camera smashed. It was instantaneous. A young girl named Tracy was
also interviewed on the scene. The pole had barely missed her. A chunk hit her foot as she jumped
out of the way. Four people in total were injured in this event, but Kathleen definitely got the
worst of it. She was on the sidewalk, completely unconscious and a giant crowd of people after she
got hit in the head by the pole. And to make things worse, more balloons were coming down the street.
point, some of the police officers who were standing guard by the side of the parade
that actually pulled out knives that they had on them and were charging the balloons that
were heading towards the crowd. They were just slashing at them to let air out so that they
would come down more gently. There was a pink panther balloon that collapsed very quickly
onto its handlers when its tail was slashed by an officer. An unconfirmed report state that
a handler was knocked unconscious in the event. Now, probably in an ironic twist, the most
most unruly balloon at the parade was the Barney balloon, which at one point crashed so hard
into a lamp post, it was completely shredded from one side. The lamppost left this huge gash
all down Barney's right side, and then it just fell onto the handlers as they used all of their
strength to keep him from careening into the crowd. As one handler reported, quote, everything
went purple. Now, to get the balloon down as gently as possible, officers swarmed Barney and
started stabbing the fabric with as much force as they could, really tearing him into bits
in front of a crowd of children. Eventually, Barney fully deflated and became this puddle on the
street. And there was a choir of kids that could be heard screaming and crying that Bernie had been
killed. And while Barney was being sent to an early death by the New York Police Department,
Kathleen was rushed to the hospital. There was a neurosurgeon on call at St. Luke's hospital
that day who would later call it quote one of the worst crush injuries of the skull i have ever seen
her nose and her facial bones were broken the junctures of her skull bones as one doctor put it quote
had been sprung open there was damage to her frontal lobe to both temporal lobes and those are areas
that control memory speech and personality she would go on to remain in a coma for 24 days
her 34th birthday came and went while she was laying there unconscious however she would
would wake up and start making a recovery.
But here's the thing that makes us even more disturbing.
So after the cat in the hat knocked down that lamp post,
after multiple people were rushed to the hospital,
after Kathleen was fighting for her life,
they let the parade continue on.
The deflated cat in the hat,
its striped hat hanging limp and torn,
kept floating down the route to Times Square.
You can see it in some of the footage that surfaced from the actual parade.
And that's because the way that NBC handles accident,
and mishaps that happened during the parade
while making it a live broadcast
is really interesting.
See, when a float doesn't make it
into the parade for whatever reason,
NBC has this trick they can do.
They splice in footage from previous years.
So editors work frantically,
cutting around disasters,
replacing damaged balloons
with pristine footage from years past.
Most viewers at home never know the difference.
And because of that,
barely any of the balloon massacre
made it into the real broadcast.
It was all being edited in real time.
People at home could see that the cat in the hat balloon was coming down the street with his hat deflated,
but they did not see what caused it, and they missed out on a lot of the worst of the balloon disasters.
So while a full broadcast was eventually found and it was placed on YouTube, the incident has largely become lost media.
Clips from the day have surfaced on the internet over the years.
There is footage of the Barney incident that someone captured from a nearby building,
and the comments on the video are very funny.
a lot of millennials saying, do you guys remember when we all watched Barney die on live TV?
There's also some camcorder footage of the cat and the hat incident that even shows him
knocking over the lamp post. However, all of this has to be pieced together. It's not in the
original broadcast. A Reddit user claims to have footage from someone in a high rise who captured
a Macy's tragedy right in front of them right around 1015. But when you click the link now,
it's been totally removed from YouTube and you can't see it.
However, there is one piece of media from the day
that will probably be remained lost media forever,
even as all of these other clips and camcorder footage comes forward.
The police confiscated Kathleen's smashed video camera as evidence,
and it seems like this footage not only captured the cat in the hat balloon going down,
but Kathleen's accident as well.
Her husband, Massimo, did get the tape back eventually,
but he's never watched it.
He said, quote,
I'm afraid to see it.
I mean, I don't blame him.
I wouldn't watch that either.
When Kathleen finally came out of her coma
on December 21st, right before Christmas,
her doctors called it
something of a holiday miracle.
She remembered the Barney balloon
passing by that morning,
but does not remember anything else
from the rest of the parade.
It has, at least to her,
become lost media
like it's become for many of us.
She ended up suing Macy's
and the city for 390,
million dollars, and she settled for an undisclosed amount in 2001.
That wasn't even the end of her story.
Because as I was researching Kathleen's story, I found another really scary incident from her life that I thought you guys might find interesting.
So nine years after the Macy's Day parade, Yankees pitcher Corey Liddell's private plane crashed into her building on the Upper East Side.
The engine landed in Kathleen's bedroom and set it on fire just minutes before she arrived home with her family.
Once again, she narrowly escaped death in New York City both times on 72nd Street.
And I don't know after reading all of this if she is incredibly lucky or incredibly unlucky.
Now, this next piece of lost media is a little different because it isn't actually lost anymore.
It was found this year.
So if you've seen The Shining, you probably remember the ending image, even if you've forgotten everything else.
Jack Nicholson's character, Jack Torrance, has just chased his family through the haunted,
Overlook Hotel completely unraveled, and then, after all of the chaos, the movie ends in this
eerily still way, a black and white photograph of a crowded party, dozens of people, frozen
mid-celebration, all dressed in 1920's evening wear, and at the very center of this crowd is Jack,
smiling straight into the camera like he's always been there. The caption at the bottom reads,
Overlook Hotel, July 4th Ball, 1921.
Now, this final shot has driven fans a little bit insane for decades.
What does it really mean?
Was Jack always part of the hotel?
Is the Overlook some kind of time loop?
People have truly picked apart every pixel of this photo.
Some people even thought the guests looked suspiciously
like members of Woodrow Wilson's family and cabinet.
Wilson left office in 1921, so maybe the date at the bottom was a clue.
Other people really fixated on Jack's pose in the photo.
he has one arm raised and one arm lowered,
which is a pose that some people say resembles the demon Baphimet.
Was that Kubrick's way of hinting at the fact that there were satanic undertones in the movie?
That's all fun, and I've gone down so many YouTube rabbit holes reading into this image.
But I will say, the real mystery isn't necessarily the meaning of the photo.
It was the photo itself.
Because that party scene at the end of the shining, that wasn't a set.
It was a real photograph.
And on a 1980 commentary track, Stanley Kubrick had explained that he hadn't staged the image with extras for the movie at all.
He said, quote, they were in a photograph taken in 1921, which we found in a picture library.
I originally planned to use extras, but it proved impossible to make them look as good as the people in the photograph.
So if that was true, then the question had changed.
If this hadn't been created for the movie, if it was not, Kubrick's way of putting Easter eggs in at the end,
of the film, where had this photograph come from? And who were all those people? And who was the man
that Jack Nicholson had replaced in the center of the image? And that is where the lost media
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So hidden inside of this obscure 1985 book called The Complete Airbrush and Photo Retouching Manual,
it's basically a how to Photoshop before Photoshop guide.
That's where the first clue was.
Tucked into one of the book's examples on how to do Photoshop was a big bombshell for Shining
fans.
It was a side-by-side comparison of the Overlook Party photo from the end of the movie.
On one side was the version that everyone knew with Jack Nicholson, grinning at the center.
on the other side was the original image.
It's the same ballroom as the same crowd,
but at the center stood a different man.
He looked young, maybe mid-20s, a little short.
He had dark hair and what appeared to be scars around his nose.
The book explained how Jack Nicholson's face
had been airbrushed onto this man's using a retouching technique that was new at the time.
But the man's name was not included.
And then there was one more twist that was found in the book.
the caption dated the photo to 1923 and not 1921 like Kubrick had said.
So now there were two mysteries.
Who was the original man at the center of the photo?
And when and where had this party actually been held?
Reddit, of course, took that as a challenge, as they always do.
There's this user named AI 89 Nut who posted the image to the Lost Media subreddit
and started treating it honestly like a crime scene photo.
They zoomed in on the smallest details.
and the crowd slowly began giving up a few more clues.
First of all, no one was holding a drink in the image, not one glass in sight.
For a party that crowded, that was pretty odd.
Maybe the photo had been taken during prohibition in a place where alcohol was banned in public.
That would have pointed to the United States.
Okay, so maybe the image was taken in New York or Los Angeles.
And then there were the accessories.
Several women seemed to be wearing heart-shaped pendants in their hair,
which made it seem like it was a Valentine's Day event.
There was also a big palm frond in the background of the image,
exactly the kind of decorative plant that had been really popular
and fancy hotel ballrooms in the 1920s.
The angle that the shot was taken at also suggested that the photographer
was slightly elevated above everyone.
So maybe they were up on a stage looking down at a dance floor.
And then there was this diamond-pattered tiling on the walls,
which would make it a lot easier to recognize if someone,
saw exactly where the picture had been taken.
Each of these details was really tiny on its own,
but together they started to paint a picture
of some kind of formal celebration
in a grand ballroom,
probably in a major city
and most likely around Valentine's Day.
But still, that didn't tell you
who the man at the center of the photo was.
To solve that, another Reddit user
ran his face through a facial recognition tool
called PIME eyes.
The software spat back
Only one match, a ballroom dancer born in 1898, whose life story kind of read like fiction itself.
Three different names, a military plane crash that had left distinctive scars on his face,
and a connection to London's underground dance halls of the 1920s.
It was a ballroom dancer named Santos Cassani.
The user who ran the search was pretty sure that this was a false positive,
but AI 89 nut couldn't shake it, and they started digging into.
to this Santos Cassani person anyways.
And what they found pretty much lined up
to the man in the photo.
Cassani was, in fact, a professional ballroom dancer
who became quite well known in the 1920s and 30s.
He judged competitions, he owned his own dance clubs around London.
He had been born in South Africa,
and in 1919 while he was serving in the military,
he had survived an airplane crash that left scars on his face,
especially around his nose,
just like the man seen in the original Overlook photo.
At a certain point, it stopped feeling like it was a coincidence.
If that really was Santos Cassani in the center of the frame,
then the photo probably hadn't been taken in Los Angeles or New York.
It had to have been taken in London.
But identifying the man was only half of the battle.
Now the hunt became, could anyone actually find the original photograph?
So AI 89 Nut teamed up with a visual investigations journalist from the New York Times named Eric Toller.
And together they began this kind of archival detective story.
They combed through old newspaper clippings and photo archives looking for images of Cassani.
They hoped that they could build a list of clubs that he had owned and hotels that he had performed in,
maybe ballrooms he had frequented in the early 1920s.
If they could match one of those interiors, the diamond pattern walls, the balcony angle, the palm fronds,
to a real place they might be able to locate the exact place where the photo had been taken.
At the same time, AI 89 Nut started reaching out to.
anyone connected with The Shining, who might remember where production had gotten the image from.
There was an interview with a woman named Joan Smith, who was the artist who actually
superimposed Jack Nicholson into the photo. She believed that the image had come from a Warner
Brothers archive. So AI 89 nut tracked down another person from the film, Murray Close, the
onset photographer who had taken the original picture of Jack Nicholson that eventually got
pasted into the scene. And Murray had something surprising to say. He said,
there was no such thing as the Warner Brothers photo archive, at least not in the way that people
were imagining it. But he said that he remembered the photo being licensed from somewhere else,
the BBC Hulton Picture Library. It's one of those massive historic photo archives that holds
everything from Victorian portraits to mid-century news shots. And if that was true, then the photo
was definitely out there, but it was buried amongst millions of other images that this
archive owned. And not only that, when they did a search of the Holton archive for Santos
Cassani, nothing came up. It was like the photo never existed. But there was one guy who worked
at the archive, this guy Matt Batson. He was the vice president, and once he heard about the
mystery, he also became totally obsessed with it and he did some digging. He confirmed that
at one point, the archive had licensed at least one image of Santos Cassani to Stanley Kubrick's production
company back in 1979.
That was a good sign.
They were clearly looking in the right place.
But when he pulled the record, the photo attached wasn't the overlooked party image.
It was a completely different shot.
Good news, though, they had proven that Cassani was in the archive and that Kubrick's team
had licensed photos of him from it.
But bad news was the specific photo they were looking for might have been misfiled or
just gone completely.
If it had never been returned after filming or had gotten recategoried,
under the wrong name, finding it would have meant manually searching through millions of glass
plate negatives one by one. And it was honestly starting to feel like the original overlook party
image might be lost for good. However, Matt Butson just could not let this mystery go. In April of this
year, he decided he was going to widen his search. He started looking through another collection,
the topical press archive. It's this older trove of photographs that had been partially absorbed
into the Holton archive back in the 1950s,
and he ran a new query for images licensed
to Stanley Kubrick's production company
around the same time.
And that is when he got a hit.
Sitting in the topical press files
was a glass plate negative.
And when he held it up so he could see
what the image was of,
he saw a crowded ballroom,
people, an evening dress,
women with heart-shaped accessories in their hair,
a palm frond in the background.
and that distinctive diamond pattern on the wall.
And in the very center,
grinning directly at the camera,
was the man from the airbrushing manual.
Not Jack Torrance, not Santos Cassani, at least not yet.
The name on the accompanying note card said John Goldman,
and as it turned out,
Santos Cassani had been born as Joseph Goldman,
and when he had moved to the UK in 1915 to serve an infantry,
he changed his name to John Goldman.
And later, when he reinvented himself as a dancer, he changed his name again to Santos Gassani.
So the archive card had recorded him at this in-between moment in his life when he was still halfway between identities.
The photo itself was labeled, though, as being taken at the Royal Palace Hotel in London during a Valentine's Day ball on February 15, 1921.
So the internet slews had gotten a lot about this mystery, right, just from seeing.
that screenshot of the image on Reddit.
It had been a grand ballroom.
It had been a Valentine's Day celebration.
The Royal Palace Hotel had been demolished, actually, in 1961, so you couldn't walk into
that same ballroom anymore.
Santos Cassani had also died in relative obscurity in 1983, but now he has the credit he
deserves as being somewhat of a ghost inside of the Shining movie, hidden under Jack
Nicholson's face in, honestly, one of the most famous horror endings of all time.
But even though they had found the original photos, there's still a couple things about the image that don't really add up.
First of all, no one ever had a satisfying explanation for why no one in the room seemed to be holding a drink,
even though there hadn't been prohibition in London at the time.
For a Valentine's Day ball and a luxury hotel, the empty hands felt very strange.
And some people aren't satisfied with the Baphimet pose that they thought they saw at the end,
the one raised arm and the one lowered arm.
Turns out that wasn't really a demonic Easter egg that was placed there by Stanley Kubrick.
Jack was just mimicking the exact pose that Cassani had struck in the original photo.
But for an image that had launched a thousand theories about demons and haunted hotels and Woodrow Wilson Easter eggs,
turns out it started as a very ordinary photograph of people just having a good time.
And somehow, when it slipped into the shining, it became something else entirely.
Okay, guys, our final piece of lost media comes from another one of my favorite holiday movies.
It's the 1993 film The Nightmare Before Christmas.
So every year, there is very heated online debate over whether this is a Christmas movie or a Halloween movie.
I actually say it's technically a Halloween movie, but I'm going to let you guys decide in the comments if I'm right or wrong about that.
The movie, which is produced by Tim Burton and directed by Henry Selleck, was not very popular when it first came out, but over the last 30-odd years, it has become
somewhat of a cult classic. The film started as a poem Tim Burton wrote 11 years earlier,
back when he was just an apprentice animator at Disney from 1979 to 1984, and the poem was
pretty dark even by Burton's standards. Jack Skellington, the Pumpkin King, had grown tired
of Halloween, deciding to kidnap Santa and take over Christmas for himself. Burton had sketched
out the whole story, these twisted characters with their hollow eyes and stitched smiles. But there is
a ghost that haunts this film. Not one of the singing spirits of Halloween Town, but the actual
ghost of horror royalty. Vincent Price's lost performance as Santa Claus. Now Vincent Price was one of
the kings of horror in House of Wax. He's a murderous Wax museum owner. In The Fly, he watched
his brother transform into a monster. He had also just played Edward Sizerhans' inventor in the movie
for Tim Burton. So when he was approached to voice Santa Claus in another Tim Burton movie,
Price did not hesitate at the opportunity. Other actors were actually offended by the offer.
They thought playing Santa in a gothic stop motion film was totally beneath them. But Price had a
vision. He understood what Burton was creating. So he went into the studio and he started recording
Santa's voice, filtered through Vincent Price's distinctive theatrical drawl. It would be amazing to hear
if only we were able to.
Only a handful of people
would ever get to hear these recordings
because soon after, tragedy struck.
Vincent Price's wife,
Coral, a renowned actress in her own right,
passed away while he was recording for Tim Burton.
And the grief really, really affected him.
When he returned to the recording studio
to finish his work,
he seemed despondent, according to the director.
His voice, which was once booming
and proud had become really frail and weak.
The man who had terrified audiences for decades
could barely speak above a whisper.
Disney heard these tapes
and they decided that the recordings
were completely unusable.
And unfortunately, it just kind of gets more tragic from there.
I don't think anyone would have guessed it,
but that would go on to be Vincent Price's final performance ever.
He died of lung cancer that very same year.
So you would think that those recordings
would have become memorialized in some way, but they're gone, vanished.
Director Henry Selleck says that he doesn't even know where they went, and Disney is at least
claiming that they don't have them anymore. Eventually, the role was recast, and a local San Francisco
actor named Ed Ivory went on to play Santa Claus, not knowing that the role was really intended
for another actor, one that will never be able to hear the recordings of. To this day, no one
really knows how much of Vincent Price's voice was recorded or where those tapes are. But we can only
hope that one day there's a version that's put out using the tape so we can hear the final
performance from Vincent. All right, guys, that is all I have for you today in our lost media
episode. What media do you remember from the holidays that's been completely lost a time?
Producer Matt was just telling me about an Ewok special apparently from Star Wars that aired.
That was so bad. It was scrapped by Disney forever. So very curious.
if you guys know of any other ones. And as always, you can also join me over on the High Council
tier on Patreon to check out some more information that didn't make it into the episode, maybe some
other pieces of lost media that didn't make it in. Maybe we'll talk about that EWalk special. I'll
have Matt show me some stuff. But I also want to share on that footnotes episode a little bit of
Mariah Carey lost media that I think I found while I was doing the research for this episode. So join
me over there. I will see you next week. And until then, stay curious.
Ooh.
Heart starts pounding is written and produced by me.
Kaila Moore.
Heart size pounding is also produced by Matt Brown.
Our associate producer is Juno Hobbs.
Sound design and mixed by P.Streys Sound.
Special thanks to Travis Dunlop,
Grayson, Journey, again,
the team at WME and Ben Jaffe.
Have a heart pounding story or a case request?
Check out heartsartspounding.com.
