History That Doesn't Suck - 141: Wartime Interlude
Episode Date: August 28, 2023Time to review! Greg and Kelsi talk through the main takeaways of the American story in World War I to date, from causes to new inventions and social changes. We get a little behind the scenes on epis...odes, a few stories that didn’t make in, and set the stage for the last battle of the Great War. ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. Learn more about your ad choices. Visit megaphone.fm/adchoices
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The Civil War and Reconstruction was a pivotal era in American history.
When a war was fought to save the Union and to free the slaves.
And when the work to rebuild the nation after that war was over
turned into a struggle to guarantee liberty and justice for all Americans.
I'm Tracy.
And I'm Rich.
And we want to invite you to join us as we take an in-depth look
at this pivotal era in American history.
Look for The Civil War and Reconstruction wherever you find your podcasts.
The French Revolution set Europe ablaze.
It was an age of enlightenment and progress, but also of tyranny and oppression.
It was an age of glory and an age of tragedy.
One man stood above it all. This was an age of glory and an age of tragedy. One man stood above it all.
This was the age of Napoleon. I'm Everett Rummage, host of the Age of Napoleon podcast.
Join me as I examine the life and times of one of the most fascinating and enigmatic characters
in modern history. Look for the Age of Napoleon wherever you find your podcasts.
Welcome to History That Doesn't Suck. I'm your professor, Greg Jackson, and I'd like to tell you a story. Today, however, I'm pleased to share an
interview with a special guest versus my normal storytelling. Regular listeners of HTDS know that
we do this occasionally to recap and give some broader context of an era explored over a series
of preceding narrative episodes. If you're new to HTDS, welcome, and you may want to jump back a
couple of
episodes to hear the stories leading up to this epilogue. Now, on with the show. Hello, my friends, and welcome to an interlude.
Not a full-on epilogue, but an interlude.
We're taking a little breather from our usual narrative story of the United States
to digest all the ridiculous amount of world war one history
we've gotten through of late and there is a lot of it to digest there is so very much joined of
course by my friend kelsey dines hey y'all there it is for the texan family yep y'all um we've got
one little one little thing one one little note yeah, and then a bit of news to
fill everyone in on, and then we need to dive
into all this
World War I-ness, because we got plenty.
Yep. So, we
would like to give our
gratitude to Jeffrey from
Southern Illinois, who has brought
to my attention that it is indeed Southern
Illinois. Not South Illinois.
It's Southern Illinois.
So thank you. You know, the things you just don't know when your state's away.
We got a few other emails that kind of in the tomato, tomato camp, not ignoring, but I would
actually like to take the moment to highlight this kind of points out just how diverse the
various dialects of the United States really are. So we try to get as local of a pronunciation as possible, but we're definitely not going
to be able to get that for everything.
And I mean, I'm a Westerner, so not like calling out the East Coast.
I don't even know if that's where some of those necessarily are coming from or from
Midwest.
But yeah, that's worth keeping in mind.
I know that I definitely show my roots i think when
i talk yeah so yeah i think most of us do i think so so that's okay um anyhow thank you jeffrey and
we got things lots of things lots of things but first well yes mean, by things, I did mean this tour that has come together.
I've really been blown away by your support.
I mean.
We have had so many people.
Showing up.
Yeah.
Sending emails saying, come to our city.
And we would love to come to all of them.
All the cities.
Yes.
So.
Maybe one day.
We'll be able to get to some of these other places.
Oh, absolutely.
That's the hope.
So at this point, well, I'll let you know that, again, this live show that you may have seen, whether it's on our social media feeds or mentioned in a few other epilogues here and there.
Interludes.
We're interluding.
We're interluding.
We're interluding.
But the show is its own thing.
It will never be published on the RSS feed.
It's intended as a live theatrical experience slash podcast-ish lecture.
Yeah, it's hard to know quite where it falls, but.
But I'm really enjoying doing it.
Yeah.
Whatever the right term is for it.
And being able to have an excuse to pull my guitar out while talking history.
I've found my spot.
There you go.
So, I mean, we're heading to Montana.
We're bringing the show right here to my backyard, to Utah Valley University, Utah, for Veterans Day.
We're heading to York, Pennsylvania, Mesa, Arizona.
We've got Modesto, so kind of wine country area in California, Schaumburg, Illinois.
And there are a slew of other places in the works.
I mean, it's actually, I find it, yeah, this is just a crazy experience.
No one told me that this was one of the options when I got a PhD in history.
Well, now you know.
Yeah.
And now I do.
Probably, disclaimer, don't want to plan on this.
Yeah.
Yeah, I'm honored.
Thank you for coming to this.
I'm loving meeting people after the show.
It's been phenomenal.
It's been really fun.
Yeah.
All of the theaters that we currently are for sure
going to have links to their box offices on our website.
You just go to HTDS podcast dot com slash tour and they all show up there.
I have checked all the links multiple times.
They all work.
Yeah.
Feel free to check out the website if you want to follow.
See if your your town is showing up.
And we'll definitely be updating that on our social media as well when slash if new cities are added.
So that's exciting.
So is World War I.
That's true.
Let's get into some of this material, shall we, Kelsey?
We've had a lot of really exciting stuff happen.
Yes, we have.
It has been a while since we have sat down.
It has.
I had a few cool conversations.
Captain Mac Caldwell definitely covered Bella Wood for us, so we won't go down that road again.
And he did a really good job with it.
He was awesome.
Yeah.
Yeah.
That was a good conversation.
The captain's become a friend.
Good.
Yeah.
I like that guy a lot.
But let's go ahead and get back to U.S. entry into World War I.
We covered that thoroughly.
Don't want to do a rehash, but a few things that as the weeks and frankly months now have passed since that episode, the things that I would hope listeners really understand, retain.
So on that, the Lusitania itself, the sinking, I think it's often lost on, you know, I'm just thinking through
my students in the classroom and experiences I've seen there. We talk about the Lusitania
being sunk and there's kind of this almost void expression feel. Not that it's a lack of sympathy,
but it's stories that make these sorts of tragic things come to life, right?
Yeah.
When you feel a personal connection, now it's devastating.
It's not just this headline in the news that someone shrugs at, even though it's terrible human loss, right?
But somehow it's like our brain disassociates.
So the thing that was then and is, again, on my mind is the Titanic.
Right. was then and is again on my mind is uh the titanic right how it was this huge thing and there's so many like personal stories of people who survived it and i don't feel like
that's something you see with the lusitania as much either i mean maybe james cameron needed to
make a movie about that one yeah um and and then we'd feel that same sort of oh my goodness that emotional
connection yeah but you know if you recall the cold open from that episode i mean not to get
into the gory details again but like babies and wicker baskets yeah you know sinking into the
ocean you realize this was an ocean liner This wasn't some dinky little ship.
Yeah, it was like a cruise ship type thing, essentially.
Yeah, I mean, it was one of the biggest, baddest of the day. I mean that in the, you know.
Yeah, yeah.
Older millennial way that I do, in a positive way when I say bad.
And of course, on the other side of it, I mean, we don't, most people do not feel particular
sympathies for Germany when we talk about the world wars.
True, true.
And, you know, it's with pretty good reason there.
But understanding, you know, that very different narrative where the Germans are seeing their
children starve.
Yeah, because of the blockades that are happening.
So they're willing to do pretty much anything to break that.
Yeah.
And I think those are things that, as I reflect on, when you're getting through this material
in the classroom or you're just getting through a textbook, those are things that don't jump
out as much.
No.
You catch the Lusitania sunk and that somehow is why we go to war.
Two years later.
Two freaking years later, right?
But when you slow down and you think about really what the devastating loss of life happened when the Lusitania went under.
Yeah.
This blockade, the way that was playing out, this give and take on the unrestricted warfare.
Because they started unrestricted and then they stopped for a while
and then they started back up again.
Yep, and hence we get that big gap, right?
And there's Woodrow Wilson like,
okay, we're not going to go to war.
We're not going to go to war.
They've stopped with-
Crisis averted.
Yeah.
But I mean, as he said,
and I quote him in the episode, right?
Like he knew it's just one tragic accident away
from basically having to go to war. And I mean, ultimately that's where the episode, right? Like he knew it's just one tragic accident away from basically having to go to war.
And I mean, ultimately that's where it went, right?
The Germans went ahead and returned to unrestricted warfare
and Woodrow knew he was toast.
He could not play neutral anymore.
He was done.
I think the story that really drove it home for me a little bit
was the guy that was standing there and for me a little bit was the guy that
was standing there and like watching the torpedo coming towards the boat and like there's nothing
you can do yes nothing you do is going to be able to stop it or make it our irish-american
protagonist yeah yeah so i'm just like okay well hopefully you have a life jacket or something
imagine being in that moment right and yeah here he is enjoying a smoke on the upper deck.
I mean, whether you smoke or not, right?
But you're just there enjoying being in there.
You can put yourself in those shoes.
Yeah, you're having a stroll.
And then suddenly you see this thing.
Yeah, and just watching it come at you.
Well, because didn't you think it was like a dolphin or something at first?
Initially, yeah.
And then realizes it's very much like a dolphin or something at first initially and then realizes
it's very much not a dolphin right uh yeah well so that wasn't i i can't recall off the top of my
head hey go back and listen if it was him uh it was a different sea creature and it's i'm gonna
remember as soon as we get off yeah the mics but but yeah the the whole crowd up there, you know, they're like, what is that?
And then you see that little, you know, line, that little bead moving through the water towards you.
Oh, my.
Yeah, you can't.
Like, running away does nothing.
No.
You're on a boat.
Words fail to describe what that must feel like.
Yeah.
Total helplessness.
Well, so we'll, if James cameron's listening we look forward to that
fourth that would be an amazing on the lusitania please do that yeah um okay well as the germans
do return to their unrestricted warfare and that that really you know throws things a bit a bit
further uh the zimmerman telegram also just note that very quickly, because that's often blown off as well.
Yeah, I think it's a mention.
But it's not something that I think a lot of people go deep on the background of why that was such a big deal.
Well, I'd hope that for all of you who are listening, that you were having some flashbacks there all the way back to those four episodes done years ago on the Mexican-American War.
Yeah.
You know, the territory that.
It was less than 100 years before this.
It was.
Yeah.
So, you know, that history again casts its shadow and comes to bear.
So the Mexican-American War indirectly, you know,
I'm not going to call it.
Yeah, it plays a part.
I don't know exactly which verb I'd want to go for,
but it's got a connection to World War I,
to the U.S. entering World War I.
Okay, so I feel like those are like the big.
Yeah, those are.
The big things that often get lost on people that I would hope we keep with us.
Part of the building blocks to the U.S. entry
that tend to.
Get left out.
Yeah.
Kind of tossed to the side,
vague mention and moving on.
So now as we enter this war though,
and this does connect with
that unrestricted submarine warfare that the Germans go diving into.
No pun intended, but it worked great.
We're going to run with that.
Yeah.
Yeah.
Is the belief that the United States cannot get a military together fast enough.
Because they didn't have one.
Virtually.
Right.
When you're the 17th, you know know i mean that that's not on the rankings
there you know you're yeah you're behind serbia let's remember that when world war one began
russia was charging in saying i'm here to protect poor little serbia our military was smaller than
that of serbia's which i think is something that we don't really think about, right? Because we think about, oh, well, we had the Civil War.
There were obviously a lot of soldiers there.
So why do we not still have this big military?
It just wasn't a priority.
And let's keep in mind the way that the military had functioned up to World War I.
The idea to throw all the way back to the early republic is that you have state militias.
It's not a standing full-time.
The U.S. Army is at times like 10,000 guys.
It's so small.
The real idea is that in the event of an emergency, of an invasion, and that was kind of the thought, right?
This is a defensive force.
The militias, at the very least, can handle the start of things while the United States builds up a force. And, of course, the Civil War, yeah, there was a large military, but it was in many ways dismantled.
I mean, we saw a lot of that force put to use in the Indian Wars and Western expansion.
After the Civil War, we had episodes on that. But yeah, this large, massive military, no, it
largely-
Went away.
Yeah, it went away. We returned to, and so that's where the National Guard is,
you know, about as big, a little bit more than the U.S. Army at the start of World War I. We're
still in that old tradition. And this is something where, you know, you can see World War I
creating our modern world in many ways. You know, that most Americans, we think of our military as,
well, it's up there. It's huge, right?
Yeah.
Whatever your feelings are on it, right?
Whether you're pro or not a fan of that, that's understood.
Everyone knows that the U.S. has a massive military.
It's hard to imagine a time where that wasn't the case.
And that is indeed the case just a century ago.
Yeah.
Yeah.
So World War I is that big change. And poor Black Jack Pershing, right? time where that wasn't the case and that is indeed the case just a century ago yeah yeah so world war
one's that big change and uh poor black jack pershing right i'm trying to imagine what that
would be like to like you are in charge of this group that's not really oh it's not even a group
though right like like yeah build this build it make it happen take this military while we're at war yes like well and and this is
where i i mean i get where the germans thought to themselves yeah it's not a big deal unrestricted
submarine warfare we're gonna break this blockade uh and we're gonna push through and america
yeah they'll get mad yeah whatever they can't send enough to make a difference.
It's fine.
This is an incredible feat.
Yeah.
And, you know, it's I've really been just kind of amazed as I've had the privilege of going deeper into this story than I ever had been able to earlier in my career and seeing all these firsts happen as.
Yeah, it's been really cool to witness it. Like, seeing all these firsts happen as. Yeah.
It's been really cool to witness it like,
you know,
as much as we obviously can.
Yes.
But, but slowly building up right to where,
I mean,
months in France before we even had little,
frankly,
little in,
in,
in the big picture of things,
a battle of Cantigny.
Yeah.
I'm not even going to try and pronounce that.
See the, the, the graduate degree in degree in French, it finally pays off.
It was worth it.
It was worth it.
Yes.
So, you know, as we are now approaching the end of the war, and yet, Muz is gonna is a massive offensive where we're gonna spend
more than one episode on that yeah it's huge there's just no way to cover it in just one oh
my goodness no not at all uh i mean this this is the end of the war and it's quite the throwdown
um but um as we go into muse argon blackjack now has this seven digit, you know, I mean, millions strong U.S. military, the American Expeditionary Force or AEF, as everyone has probably gotten used to hearing me say at this point.
I mean, it is an extraordinary undertaking.
And it's worth noting that this is the one, I guess, I know we just breezed through.
I don't think there's much value in us today, like giving a line by line.
Yeah, play by play.
But thematically, right, talking about this, building this up the whole time, fighting against his own allies, this idea of amalgamation.
Oh, yeah.
Playing that level of politics would drive me
absolutely insane i would not be able to do it while trying to build the organization right
and he's trying to make sure that what he does is in the best interest of the american men there
yes uh i mean that that's one thing i've really enjoyed a blackjack getting to you know
as i like to think of these historical figures as getting to know them as i'm reading his memoirs
and yeah reading some excellent uh biographies that have been written on him um the guy's sincere
you know yeah he really he wants to do it well. Yes. And the Allies might all agree that they want to stop Germany, but, you know, they've all got their own angle, too.
And as the war is going to wrap up, each nation is also looking for their best interests.
Yes.
So, you know, France and Britain both wanting, I'll define the term yet again, forgive me.
It's an important one, though, so I hope people have really absorbed it.
But that amalgamation, the splitting up American forces, basically just sending the doughboys into the ranks of the French, British.
I mean, it makes sense on paper, right?
These are.
Yeah, it does.
They're functional units and talk about training going fast.
They've also been doing this for quite a while at this point.
But, you know, even beyond preserving American prestige and power in peace talks to come, which those let's not pretend those are not serious considerations.
They are important issues.
But Blackjack's also thinking about his boys because, I mean, frankly, he can't and doesn't expect the commanders of foreign armies to value their lives the way he will.
So it's multifaceted.
And poor Blackjack has got to deal with that while he's trying to build this force.
Supplies are struggling.
And not that he is perfect.
Well, no.
But he, I think he did a really good job.
I'm impressed.
With all of the crazy that got thrown at him.
Like, I probably would have just curled up into a ball and cried.
So we will not be sending you off to command any...
Not anything important.
Duly noted, Kelsey.
One of my favorite scenes, I want to wrap this point up on this, is his interaction.
I told this story early on in this volume with a young captain, George C. Marshall.
Yes.
I mean, you know, temper's flair, right?
This is hard stuff.
He's humble.
I did really like that story.
Yeah. I thought that it showed because it's easy as a leader to just get really angry and push back.
Especially in, and I'm going to caveat here, I have not served in the US Army.
But hierarchical organizations, it makes it easier than, you know, more like an academia where we tend to, someone's a chair of the department, but they're going to go back to faculty and it changes the dynamic where you're like rotating leadership.
That's not so much the case.
Yeah.
And it's very strict about it.
But I appreciated that he took that and didn't, you know, make a huge deal out of it. Fun, fun fact there.
Not only does that moment not destroy young George's career, as he feared.
I mean, spoiler alert, the dude is the man behind the Marshall Plan post-World War II, right?
George C. Marshall is going to go do some things.
He's coming back.
Yes.
And that is-
In a big way.
And that's another important thing that I'll point out really briefly is
some of these names, I've very intentionally made sure to tell their stories in these episodes.
George C. Marshall, Douglas MacArthur, George Patton.
Because we're going to see him again.
Yeah, I mean, World War I is, I mean, it's awful and terrible that
this war happened and then an even deadlier follow-up, right? World War II. This is the
training ground though. Yeah. These big names are getting that firsthand experience that they will
then use in the war to come. So these relatively young bucks, I mean, obviously some of them are younger or older than others, but within that 20s up to about 40 range, come World War II, they are now those seasoned, you know, older generals that are leading the charge.
Yeah. But the one fun little fact I wanted to drop before we close the chapter on George Marshall, not only did this not end his career, Blackjack is later his best man at his wedding.
Oh, really?
Yeah.
I didn't know that.
Yeah.
I love those fun little connections.
I wanted to work that into an episode.
There's just no meaningful way.
We want to work a lot of things in and it just doesn't always work out that way.
But look, hey, that's, that is our very rapid, quick look at key things to remember on the
U.S. entry into World War I, amalgamation, the challenges of building this military,
the training ground that it is for
the Second War. So let's go ahead and take a break. And when we come back,
time to talk about Harlem Hellfires. I'm excited to do that. Let's do it.
When Johann Rall received the letter on Christmas Day 1776, he put it away to read later.
Maybe he thought it was a season's greeting and wanted to save it for the fireside.
But what it actually was, was a warning, delivered to the Hessian colonel,
letting him know that General George Washington was crossing the Delaware and would soon attack his forces.
The next day, when Rall lost the Battle of Trenton and died from two colonial Boxing Day musket balls,
the letter was found, unopened in his vest pocket.
As someone with 15,000 unread emails in his inbox, I feel like there's a lesson there.
Oh well, this is The Constant, a history of getting things wrong.
I'm Mark Chrysler.
Every episode, we look at the bad ideas, mistakes, and accidents that misshaped our world.
Find us at ConstantPodcast.com or wherever you get your podcasts.
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decisions for your life. Listen to NerdWallet's Smart Money Podcast wherever you get your podcasts. so harlem hellfighters i've been actually really excited about this because we we had an email
sent to us before we wrote this episode saying that we need to do an episode about the harlem
hellfighters did you tell me about this this email i think i did you did but it has been a while it was on the it was
on the docket to reassure this listener but the thing is i had never heard of it before oh you
had no so i was like i don't know what this is like when did this happen what are you talking
about it's all good kelsey that that's not your that's my job yeah and it's been really fun like
fun i don't know if that's the right word, but really.
Rewarding.
Interesting to kind of be able to learn about this all as a brand new thing.
Sure.
Never having heard of it before.
Wow.
So.
There you go.
I liked it.
And I don't remember who wrote that email, but we have that episode now.
There you go.
Yeah.
It is kind of fun sometimes i i love the excitement
when we're kind of getting to a phase and and we'll come in an email like are you going to
cover this you're going to cover this yeah but it's actually still eight months out like we will
get there there are actually a lot of other things just to lay the groundwork yeah uh and you know
when it comes to organization there were a few different ways that, of course, we thought about going with World War I. And I'm very pleased with what we landed on.
I am too. Following that whole story of fighting amalgamation, trying to build the AEF. That to me is kind of foundational so that when we got to these last few episodes, three episodes that were thematic.
Yes.
Right.
Harlem Hellfighters, women, American women in particular in World War I and then aviation.
The foundation, it was there.
Yeah.
You know.
Because you needed a lot of that background, that bottom layer to understand some of the stuff that you came along on this journey. Those who
are faithful listeners, I'm not going to rehash. You put in a lot of work getting to this point,
if you've started from the beginning. Well, I like to think I put a little bit of work into
making this. I guess you did too. No, but you did, right? Like you've put a lot of time into it and I'm not going to waste our time
telling you something five times, right?
Exactly.
So I like that by the time we get to the Harlem Hellfighters,
the average listener,
sure, you might not be able to recall
from the top of your head
what a Lewis machine gun is
or the various mortars or the French 75 gun.
Right.
But when I say these words, they're clicking.
So now you recognize you've heard them before.
Yes.
Yeah.
OK.
And you've got to feel for, you know, OK, guns fire rapidly.
Maybe you're not a military type or... Remembering exactly
how many bullets per second.
Sure.
But you get,
like, these rifles
are a hell of a lot more...
Powerful.
Faster, stronger,
all the things
than they were
a few decades ago.
Yeah.
Right?
So, you know,
in an episode like this,
I want to be able to focus
on the story of Jim Europe.
I want to be able to focus
on the story of Henry Johnson. I don't want to be able to focus on the story of Jim Europe. I want to be able to focus on the story of Henry Johnson.
I don't want to be pausing.
Go now.
Real quick.
Here's how the trenches work.
Yeah.
Well,
all that said,
Jim Europe,
I feel like that's where you got.
I mean,
it's where we started the episode.
It's where you got to start though.
Yeah.
I thought it was really interesting to see him go from band conductor.
Just, you know, that's his, that's what he's known for, to I'm a soldier, but then also asked to once again be a band conductor.
And, you know, I really... Using that celebrity status. to right yeah the army basically says please please do it beg and plead and so okay he's in
case this was lost on anyone he's not officially the band director he's unofficially the band
director he's the best in the regiment right and he's the one who put together this amazing band
so officially though he's a machine gun officer right right? This is Lieutenant James Europe. He is a soldier who was just kind of begged and pleaded into also providing entertainment in a way that he knows how.
Yeah.
And I love that he just makes the most ridiculous asks thinking like, this will sink it.
This will get me off.
And they're like, all right.
Whatever you want.
Here are all the things.
Yes. off and they're like all right whatever you want here's all here are all the things yes fly down to puerto rico and go recruit uh the the top percussionist whatever you want you can have just
be the band director but i'm sure that the people that they played for appreciated it i mean he
introduces so let's define terms a little bit.
I tried to make sure this was woven into the narrative, but it's always just a little bit easier in these conversational settings.
So he is at the kind of the transition phase between ragtime and jazz.
And those are distinctly different types of music.
They are, of course, quite related. I think they have similarities right yeah think of well as i would
put it and i'll you know preface with music history is not my specialty as a historian but
um and i you know i i do to get later down that that mix i do love swing music because i grew up
in the 90s in that five minute period when swing was popular again oh yeah yeah yeah so but i i got into all those classics so um you know cab calloway
is uh his particular favorite of mine but things to come yes things to come but you know jim europe
i mean he's one of these crucial figures who is really creating this. It's largely coming out of America's black community.
And it is, I loved,
and now I can't remember the author.
I mean, I cited him.
I cited this historian in that episode,
but I thought it was so well put
that how he said black American music
is kind of the most American music.
And it's creating this very new and different
genre that's taking these european uh instruments uh and mixing it with uh culture and traditions
that go all the way back to africa and it's it is unique and new it is and it's really impressive. And we are all, I can't help but think we've all lost out because a drummer lost his temper.
Right?
That was crazy to me.
And that was, I think, what was that?
The mini episode that you did for that.
Yeah, I went into much more detail in the mini.
We gave it, it was acknowledged in the main episode.
Yeah, it was. yeah it was a little more
episode and listening to that i just i can't imagine getting to that point where i'm that
upset yeah you know like that that drummer was yeah like that drummer was i know i know and
because of that we lose this oh this musical gift to humanity yeah yeah this modern day mozart if
you if you will um i also loved that we were able to get some a recording of the music that he
wrote that clef club march let's just go ahead and say again we mentioned in the credits of
that episode but yeah the paragon ragtime orchestra so in that
episode we heard a lot of real music there yeah uh that in the in the cold open the song that
that's being played that was the actual song by jim europe that i mentioned in the storytelling
the recording is is not original.
We don't have an original of it.
Yeah.
But that fantastic recording was played
by the Paragon Ragtime Orchestra, their website.
And of course, they're on social media.
They were kind enough to let us use that recording
for free even.
So I-
And it really, I think, brought a lot to the episode.
Oh, so-
Having access to that.
I'm so pleased to be able to do that.
Yeah.
It was fantastic.
So my immense gratitude to them.
Again, if you enjoyed that or if you enjoy this style of music, their website, that's P-A-R-A-G-O-N and then time, T-I-M-E dot com, paragon time dot com.
Check them out.
Anyhow, Jim Europe, I mean, he basically introduces ragtime slash jazz to France.
And he played such a crucial role in bringing it, as we saw in New York, bringing it into white america yeah as well um it was something now that everyone enjoyed yeah instead
of it being one one group of people he was able to bring it out and make it fun for everyone to
listen to the and you're mentioning uh kelsey we were talking off mic earlier um how i mean painful difficult or maybe the respect you had for for him yeah um
right the the hotel scene yes how you know it it wasn't something that we would really even think
of as a as a big deal um but they go in and the hotel owner is pretty ticked off and they're expected to just not react
because if they do it's going to be vastly worse for them than it would be for anybody else
this is so this very blatant disrespect yeah that is dished out on them right so here's noble sis being assaulted yeah essentially um yeah
right i mean he's being kicked repeatedly and yet he doesn't dare fight back fight back because
he knows frankly that could get him killed yeah uh and i mean it's kind of not taken away from that abuse.
It's sort of a heartwarming ish response to see him charge out and all the soldiers, black and white responding.
Right.
Charging in like, no, no, no, no, no.
Excuse you.
Yeah.
This was maybe that's how you think things work here in, in,
in this town,
but New Yorkers are here and we're not going to stand for that.
Yeah.
Right.
So it,
but you know,
that's for every one of those scenes.
That's the reality.
How many unrecorded scenes are there where there,
there isn't,
you know,
this group of other soldiers to back you up.
Yeah.
Yeah.
And,
you know,
and frankly, the episode ends on that note, right?
Yeah.
We saw Leroy Johnston, a veteran of World War I, that the man survives the front lines of Germany only to die with his brothers amid mid jim crow violence and uh you know he he's the story that i told and
but i want to say um don't quote me on this i'm pulling from recollection now but i believe there
are nine uh black soldiers total who uh black world war one veterans who were killed in jim crow violence
after they came home i mean that's like these are legitimate heroes they've been given
medals of recognition by france well in particular yes this unit right there yeah the the 15th new
york as they prefer to be called it really is right? They're the 369th of the Harlem Hellfighters in everyone's minds.
But they prefer the 15th New York.
The 15th New York.
But like, they are decorated war heroes.
Yes.
And yet they're still subject to all of this.
And yeah, I mean, this is the Jim Crow era.
And I'm not saying that like, excusing it. I'm saying that this is the Jim Crow era. And I'm not saying that like excusing it.
I'm saying this is the reality.
Yeah.
You know, and so that's why I mean, those are those are important stories to tell, because that is what was very truly.
Yeah, that's what they experienced.
And just in case.
There's any confusion, I always want to be particularly clear, the nine that, I'm pretty sure it was nine, that are lynched, killed, that goes across all units.
Yeah, it's not just.
It's not just the 369.
To use the term people are more familiar with.
But still. 369 to use the term people are more familiar with um but but still i mean they these were still
people that went to europe and even if they weren't largely doing construction yeah even if
they weren't in the frontline fighting units they still were putting their lives at risk
right and serving their country exactly um i mean that's not to get ahead of ourselves, but that's one of the key things that I liked about doing the episode on women in World War I, realizing just how much of the infrastructure is actually sitting on the shoulders of American women.
And yeah, I won't get ahead of myself, but.
We'll get there.
Yeah.
These supportive roles.
They're part of what makes the giant machine work.
Exactly.
Without them, it doesn't work.
Yeah.
And so often they get overlooked a little bit.
You know, and I guess one of the things that is perhaps worth touching on is the man, you know, the fact that there's so many dichotomies here.
These men are American, right?
And they feel their American-ness.
And Noble's sis, I mean, his comment about feeling his American identity
ripped away from him as he's put into the French military and given French.
I mean, imagine this, right?
You're firing a different rifle.
Okay, that might not sound like a big deal.
But it is. Especially when the French rifle. If it's not one you're familiar with the french rifle also sucks
i'm sorry but uh la belle rifle uh it's three rounds versus five yeah no thank you um so it's
you don't need those extra two sure yeah who needs that when you got machine guns flying at you?
So it's unfamiliar, you know, equipment.
It's why it's such a big deal to them to get their helmets back.
Yeah.
You know, this is familiar stuff.
And they're dealing with the language barrier, right?
Suddenly they're up command.
These are probably not people who have put a lot of effort into learning French.
It's probably not super useful in their everyday lives.
You got, by and large, a bunch of New Yorkers who are working for railroads.
There are bellhops.
Yeah.
I mean, where would they-
Where are you going to use French?
Now, sure.
I'm willing to bet that-
I mean, they probably knew some.
There had to be some who spoke it.
Connections down to Louisiana.
There's still some, you know, some French speaking there to this day.
So, sure.
But that was a really painful thing for them, you know, corner to turn.
And yet, you know, Pershing, you know, I thought it was important to kind of get all the framing there, right there, where there's, um, where our, our commander, uh, William, big bill, right.
Uh, big bill Hayward, you know, he, he feels like Pershing's just offloaded, basically a quote unquote problem, right.
Dealing with what do I do with combat trained black troops in Jim Crow America's military where he's got to deal with the segregation divide. And yet also, frankly, crediting the fact that while, yeah, on the one hand, it is kind of a, he's discharging a problem he's also as a man who did command black troops previously and is
honestly he's ahead of his time yeah on race sex on a number of things um realizing that this is
also an opportunity for them that there are things he cannot do and he's being told this very directly. You will not put black troops into combat under the U.S. flag.
Well, okay.
Okay, then.
Here, France wants troops.
We'll do it under the French flag.
Yeah.
They can fight.
They will fight over here.
But amidst all that, even as that allowed these troops to shine as they wanted to and and prove their worth, it also robbed them of their American identity.
So, I mean, it's it's a complicated and messy, which I mean, that's history.
Right.
But that episode, perhaps in particular, really highlights it.
It's true.
I think there were just a lot of crazy things.
Yeah, there's plenty to say on that one. Why don't we go ahead and take one more breather,
and then let's talk about killers in ancient Greece and Rome?
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Let's talk about women in World War I.
Let's do that.
Which, again, is a topic not fully, not covered very well.
I think we hear a lot about women in World War II and you have Rosie the Riveter and all this stuff.
But we don't think about World War I was very similar to that.
I do think, yes.
I mean, first of all, let me not blow past your point.
Yes.
Emphatically, right?
We mentioned, didn't have a good story to like highlight that part per se, but that there were women in factories.
They take all the jobs that are now vacated.
I loved the women alls.
Yep.
I was not aware of that before i wasn't either
yeah the the women alls that's uh that's great um i don't think my daughter's listened to this
episode yet she does faithfully listen to all of them she's uh she's just a little history fiend
yeah chip off the old block i know when she hears that one there will no longer be overalls in our
house it'll be woman alls it's how i'll know she got to it yeah yeah that's just that's exactly what that
will be from here on out um well then at least you know she's listening that's exactly right
yeah um but uh yeah i think that gets back to our let me speak out both sides of my mouth here because really that's how history often goes
yeah uh world war one we play such a minor role compared to world war ii when we show up in 1917
we're there for right here exactly but even at the same time as we say that we're losing sight
of what a massive sacrifice it actually was yeah the U.S. And I mean,
in some ways, I almost wonder if you could magically bring someone back to life from,
say, the 1920s or 1930s, I think it would blow people's minds that Black Jack Pershing is not
a common household name the way George Washington or Ulysses S. Grant are.
Yeah, that's true because he was such an important figure.
Right.
Like, I'm not saying that people would know his life story backwards and forwards, but frankly, people don't know.
Grant or even Washington's story backwards and forwards.
Yeah.
But it's a name they'd be like, yeah, yeah, I recognize.
I know who that guy is.
These guys were, yeah, generals at the very least, right?
Generals and presidents of note in American history.
And, you know.
Yet we don't.
No.
It's, it really, World War II just eclipses.
Overshadows.
Yes.
So much.
Yeah.
I think we talk about, we're like, oh yeah, World War I happened.
But let's get on to the big one.
It truly is, right?
It's like, it's a footnote.
It's called the great
war but really well the one they thought it was right and they were right at the time yeah it was
the one that's the war right when you talk about they served in the war a lot of people typically
are talking about like my grandparents were in the war as yep as world war two yeah right world war two i mean
my grandparents helped build airplanes for the war and provided cows but that was provided cows
my my grand my dad's dad is a rancher was a rancher so you know food for the war and that
stuff but like you don't think about how world war one was very similar in a lot of ways as far as what happened here at home to World War II.
Yeah, so we talk about World War II as this giant thing that kind of overshadows World War I.
And I think it's important to recognize the similarities there, especially for women. Yeah. Because like, well, just as World War I kind of births a larger military force, it really has a sizable impact on women's roles in the military, for instance.
Yeah. And I do think it's important to keep in mind, and I very much tried to frame the episode this way, that World War I is not this moment where the war itself is necessarily the catalyst of change.
I like the way, and I'm not original in saying this.
I want to be very clear.
This is pretty much what every scholar who specializes in this, yeah, it's their language.
But calling it an accelerant.
Yeah.
These things were happening.
But the new woman.
This just made it happen faster.
Yes.
Yeah.
It kicked it into high gear.
Yeah.
I mean, it's fascinating to watch necessity bring the Navy to say, hey, look at this law.
Actually, it doesn't use the word man.
It doesn't use the word man in it.
Yeoman F is created, right?
And then to see the Marines follow.
Yeah.
I do want to kind of just take a moment and really highlight the hello girls because I'm just so personally impressed.
Yeah.
With them. hello girls because i'm just so personally impressed yeah with them that to be able to
i mean i look at pictures of switchboards and i think oh my god how how do you know where each
little pin goes right but to do that in a war situation where you're like you have to get it
to the right person especially quickly i wouldn't be able to hold up under that pressure. That last story I told about them where they're at Samiel.
They're at the, you know.
Yeah.
Obviously, they're not in a trench, but they're close enough to the front lines.
I mean, they can hear the bombardment out there, right?
Even if it's more of a distant echo.
Perhaps feel the shake.
Yeah.
You're not far removed from it.
They're flying.
I mean, they're connecting.
Tens of thousands of men are moving
and it's being orchestrated and it's happening.
This is an American and a French attack.
Every time they're plugging in,
they don't even know which language
they're about to hear and speak.
And I'm grateful in this moment to be bilingual
and be able to say, that's a frustrating moment.
You know, honestly, it's easier and perhaps someone who's better at their second language than me, but I'm pretty decent, they tell me.
You know, when you're flipping back and forth, back and forth, that's, it's mentally fatiguing.
And these women were doing 12 hour shifts
it's incredible they can't get a thing wrong and let's remember they're doing they're speaking in
codes to boot yeah right not only are they speaking in multiple languages multiple languages
flipping back and forth throw codes in code connect everything properly hours and hours
every day in a high stress situation where you've got to get it to the right person.
Yeah.
No, I mean, lies are on the line.
I don't think that's an exaggeration to say.
Like the amount of pressure.
And it really does, it chaps my hide that they are then told, but you weren't technically an officer or enlisted so no pension for no pension for you
um yeah yeah that was really frustrating for me too i'm glad the marines and navy
but yeah but that uh that was truly frustrating yeah um i did love that the radium girls got
talked about a little bit i'm reading the book are. Very slowly because it's a sad story.
Yeah.
Like, and they go into a lot of detail about what happened to these girls in the book.
And it's just really sad.
Oh, yeah.
I'm trying to imagine they're like, your bones are like breaking and you have no idea why.
Yeah.
They didn't know why because radium was supposed to be this miracle.
You know, and we can look back and say,
oh my gosh, how did they not know that?
But we've done this many times over.
Yeah.
It's you only know what you know.
Exactly.
Well, and that's what they were being told, right?
Radium is this magical thing.
If you're being told.
You can drink it and it's going to be great for you.
And look at how beautiful you look when you get this dust all over you.
Imagine what your friends will think when you go out.
Like nobody is thinking, oh, if I put this in my mouth, it's going to make my jaw fall apart and I'll die.
And there they are.
And licking those camel hair bristles to get it nice and sharp so they can get that very straight, perfect one millimeter line on that future dough boy's wristwatch.
Yeah.
Yeah.
It was just.
That's why I have to read it very slowly because it just makes me sad.
And I know I say this about whether I say it in an epilogue or, you know, you hear me opine about this every single episode,
right?
Oh, so many things I wanted to include.
Oh, yeah.
Right?
Oh, yeah.
But I will make my lamentations yet again here because this was definitely one of those.
I mean, an embarrassment of riches.
The Radium Girls could have been an episode by themselves, right?
Oh, absolutely.
And this is where it's painful to me at times to like-
Have to pick and choose. Yes, because I also know what I can't do like World War One. We could do forever. That's true. There are other podcasts that do. Yeah. So we're one forever. So no, like Sam yells one that battles one episode and we're moving on. And, you know, similarly, like, no, I can't indulge. I never can indulge as much as I want to. Yeah. Basically what I'm saying. Yeah. And it is hard. Very, very few episodes are just like this nice, neat little package that just perfectly fit within the allotted, you know, number of words to make the right length. Yeah. It's always like, ah. But this one was this one is a hard one to truly to not dive a little that deeper dive
that you want to do but it was fun to be able to to sprinkle and rapidly show i mean everything from
it's so it was so fun getting uh this is let's just give due note to will king our uh You know, to Will King, our researcher and writer here now. Amazing Will King.
Love will to death.
He's the one who found the Atlantic Constitution newspaper articles describing the city's first barbaress.
Oh, yeah. And just seeing these changes and also seeing how all these things are both challenging gender roles and yet reinforcing gender roles.
Yeah.
I thought that's a fascinating dichotomy.
It is.
Because it's not something that we're as familiar with, I think, because it's not.
The world's changed.
Yeah, the world has changed.
And so you think about what these women went through grown up in and lived in yeah went through to like experience
both sides of this coin and i love the barber s right yeah the newspaper's term where they're just
like men don't argue when she has the razor against their neck
i probably wouldn't either that was fantastic um One thing that, of course, didn't make it in the episode because, I mean, well, I'll note quickly, Edith Cavill, I was very happy to include because, wow, what a powerful story.
Yeah.
And she does play British.
She plays a meaningful role in impacting the United States' continuing souring perception of Germany.
So I didn't feel like I was cheating too much.
No, because, right, this story gets circulated in the United States. empowering perception of germany yeah so i i didn't feel like i was cheating too much no because
you write this story gets circulated yeah in the united states and even though she's not american
she's a nurse yep like she's not there to fight which yeah the the nation of clara barton can
certainly appreciate exactly yeah and so to kind of that story tugs at your heartstrings as you know, because's the one who brought this story to my attention.
I wish I could have justified this one, but there were women soldiers.
They were on the other front.
Russia, Bulgaria, they had troops.
And in fact, this is really fun.
In 1917, Russia actually creates a,
I'm quoting here, the Women's Battalion of Death.
These are shock troops,
a battalion of women shock troops.
And just to remind you,
a shock troop is someone who goes in on that first wave.
The first wave.
Yeah, they're your badasses.
Yeah.
And to get back to the idea of how this war
both challenges gender norms and yet reinforces them.
So obviously it's a challenge in that, right?
Here's a whole freaking battalion of women soldiers.
At the same time, it is quite literally created to shame Russian men who are not fighting.
Look at what you're making these women do.
Right.
Right.
And so in this mindset, right?
Like they are more manly than you.
So yeah, it's fascinating.
They were pretty.
But yeah, you can Google that later if you're interested in looking into the women's battalion of death.
Okay.
We really need to wrap up.
But briefly, aviation.
We can't blow it off.
We cannot.
Probably because I just love it.
You can tell I love trains and planes.
Trains and planes.
The things I do like work into.
I was a little bit surprised that aviation was only one episode.
I was expecting another four part.
Like I said, I got a railroad.
Okay.
But now that I would argue
is that the transcontinental railroad
is such a
you know what
I won't
I'm gonna contain myself
I mean
that was worth it Kelsey
was it
oh
you're damn right it was
all three of those episodes
um
but aviation
I mean
I got
my fix on the Wright brothers
yes
right so that
that already
in a way
you could kind of call us a two-parter.
Kind of.
And this episode, I did start by saying, hey, I mean, we got to go back to Kitty Hawk.
That's true.
That's true.
Because really, it's incredible.
We go from celebrating an under one minute flight.
And not very high.
No.
To just a little over a decade later, you have, in fact, let's
dispel one myth of World War I. These planes, they're not fragile. They aren't these dinky
little like. No, they're pulling these crazy stunts and machine gun dogfights. I mean,
they're not comfortable, but yeah, these are legit, very real, solid, robust-
Airplanes.
Yes.
They're flying, literally,
but I meant it speed-wise, right?
There's zipping over 100 miles per hour,
10,000 plus feet in the air.
I mean, the interrupter gear,
that alone, I think is just mind-blowing.
So because I knew this episode was coming, my husband and I watched Flyboys, right?
And his first question is, why did the bullets not hit the propeller?
Because that's a legit thought, right?
Like it's behind the propeller.
Yeah.
You're going to, you're going to shoot your propeller to pieces.
And so seeing people try and develop this technology that allows you to use a machine gun behind the propeller is I mean, it made the science in me very happy.
Yes. And of course, I love the workaround for the allies.
Like, I can't figure this crap out. We're just going to put it on top.
Pull the string, guys.
It's all good.
You've got this.
I'm trying to imagine when it jammed, how did you- They'd stand up.
No, I'm not kidding.
And this is, remember, I made this point in the episode.
Like, these guys are amazing.
You know, they're treated like rock stars.
But frankly, I would say justifiably so.
Not to take away from the soldiers on the ground. Oh, absolutely not. Terrifying what they're doing in rock stars but frankly i would say justifiably so not to take away from the soldiers on the ground absolutely terrifying what they're doing in the trenches right this is
also terrifying yes you and there's no parachutes so your plane isn't that insane that they exist
right but and i didn't get to go into this as much as i wanted to in the episode um again right like yeah trying to create
the narrative and and and be mindful of time but um that you you had commanders there are a few
reasons why parachutes were were cut uh or not given to them um and one of them was that they
feared pilots would unnecessarily abandon these expensive planes right because they just get
scared to be like oh screw this yeah so no don't give them parachutes like under the idea that basically instead let's just let
them die if their plane explodes yeah yeah well you know i'm sure they're thinking like well if
the plane explodes they were toast anyway but this will keep them from bailing on a plane that could
be saved like yeah no there's a big gray area in there there is
there are things in between those yeah and you know i'm i'm grateful that that's something that
dawned on the air force and crew yeah later on um but really i mean the dexterity the
oh yeah no the the calm, cool mind.
And that's where these guys, yeah, they are definitely living high on the hog compared to troops.
Poor Harry S. Truman.
I really enjoyed being able to quote the future president there.
Yeah, he did over-exaggerate a little bit.
And by the way, we'll get more of him, right?
We're going into Musargon.
So, you know, we'll have a little more of an opportunity to meet uh
the young officer that is this future president but really these guys are this is a torturous
battle in their heads again not to take away from the troops they've got ptsd as well yeah um
oh my goodness well i'm trying to imagine it would be like, not only are you potentially going to be shot, but like after, if your plane loses, like your engine dies, like you just have to sit in it until you crash.
Yeah.
And you might die, but you might not, but then they might come and use their machine gun to shoot you while you're on the ground.
You know, it's a rough life
with a very high mortality rate yeah um that was something that kind of shocked me
yeah was just how i mean i guess shocked maybe isn't the right word but like
something you didn't think about yeah i didn't think about it before how
basically short the life expectancy was for some
of these pilots well to be fair that wasn't highlighted too much in james franco's adaptation
either well they did say they did say six weeks oh they did they did i'll dial that back i mean
there was not a lot of that's a fun movie i want to be oh i love it it's a fun movie it is art it
is not history oh no but it's such a fun movie yeah yeah
i by the way really appreciate anyone who's seen that movie yeah whiskey and soda they only used
whiskey and he was a much larger lion yes yeah in the movie than he probably was otherwise he was a
cub when they got him and he's like halfway grown when he kind of tackles they had to be terrified
this oh this french commander i would have been terrified like yeah that is a that's a moment if
i if i'm picking like a light moment from history to go back and and witness not like that one
serious moment that might have been it to just see this like tough french commander just get
nailed by this charging half-grown line that just starts licking his face.
Like a dog, right?
Like, yeah, you have dogs will jump up on you.
Yep.
I imagine it's probably a little bit scarier when a lion does it.
But yeah, I would think so.
The but, you know, the thing I love about their freaking pets, their mascots, Whiskey and Soda, the name even, right?
Yeah.
It just highlights what rock stars, you know, what, like, who these guys were.
I mean, they are kind of a little nuts.
A little bit.
I think you kind of have to be a little bit to be able to get into basically brand new technology.
That's crucial.
Yeah.
Because this isn't just, I mean, mad respect to those who are in the Air Force today, but
they're getting into planes that are really well established.
Yeah.
This is literally the very beginning of being able to fly like an airplane like that.
I'll go up in that.
Also, just put a machine gun up top.
I'm just going to give me some grenades or something.
I'll just drop them over the side.
Like, no, it is insane, really.
And some of them, I mean, they're just so they're aggressive.
I mean, Kiffin Rockwell.
So patron patrons at Patreon also got more of his backstory.
I did his death as the the mini.
I want to put that one into the main episode it's a heart-wrenching one yeah i'll leave it at that but um yeah yeah they're
they're aggressive and i mean they kind of have to be yes and you know for all of that though
uh this is another thing that didn't make it in. Only about 200 pilots in the war are doing most of the, I mean, aerial victories, to use the euphemism, but, you know, the killing.
So you've got the Red Baron.
Far and away.
Yeah, 80 aerial victories.
More than everybody else.
And, you know, and then you've got so many other pilots.
And that's just confirmed kills.
Yes.
And that, again, we touched on briefly, but to have a confirmed kill, it's got to be witnessed.
It's got to be taken prisoner.
Yeah, you can't just say, oh, I totally got that guy and have everybody believe you.
No, no.
And you, of course, have the pilots who come back.
They're like, no, I super, guys, no, believe me.
I shut down like four. Yeah. And of course, and of course they're all but nobody else saw it it's basically the equivalent
of today when someone's like yeah photo or it didn't happen like that's that's essentially
what except they don't have smartphones or cameras that they can take up there to prove it
yeah i mean nothing can work that right yeah right yeah because they got the cameras for
surveillance but yeah it, it's...
It's a little different.
A little different, yeah.
In a dog fight.
Yeah.
Okay, well...
It was a really fun episode, though.
It was.
As much as I was really angry
that Flyboys led me astray,
I'm glad to be set right
and still
and be able to enjoy that movie.
Yes, continue to enjoy it.
I still think it's fun to watch.
It's a great movie to watch.
Even if they took eugene
bollard and threw him into l'escadrille afayette instead of you know his actual unit yes yes so
he's and we'll end on that the key thing to remember despite what we all caught in that
really fun hollywood film you've got lafayette escadrille, the Lafayette Squadron. There are 38 pilots total that flew in that. Of the total 269 Americans who flew for France, they are collectively referred to as the Lafayette Flying Corps. And that does include the Lafayette Escadrille. They're under that umbrella. yeah that's where our buddy eugene falls american fly
boys were part of that one specific squadron exactly but what a legacy they left behind uh
the expertise they took into this burgeoning frankly no disrespect but joke of an air service
as again i mean we don't need to go down that road again
that's another element i also appreciated that they were willing to go and join france essentially
yeah i mean and you know it's it is very uh romantic and of course there are there's plenty
of ego and you know like these are all type a's absolutely and in fact
there i didn't have the time to get into that but there's some serious personality they get along
they have their great moments but they also have serious personality conflicts you're the type of
person who goes my country's not at war but i want to go across the ocean and i'm going to get a
freaking plane which was like invented yesterday and shoot machine guns and You have to be a certain type of person to be able to do that.
And all of those similar strong personalities.
All in one place.
Yeah, they might be living under a nice roof, generally speaking, but that's one roof.
And there's some conflict.
Yeah, for sure.
We'll leave it there.
All right, Kelsey.
Hey, thanks for joining me.
Always happy to do it.
Well, as fun as ever.
And join me in two weeks.
I'd like to tell you a story. And a special thanks to our members whose monthly gift puts them at producer status. Thank you.