How to Be a Better Human - How to tell your authentic story (with Noor Tagouri)
Episode Date: October 17, 2022Do you remember a time you ACTUALLY felt represented in pop culture? For Libyan American journalist Noor Tagouri, those moments of being portrayed in a way that feels real can actually be an important... catalyst for positive social change. Noor has spent the last decade of her career in journalism, uncovering hidden stories and challenging biases in the mainstream. In this episode, she talks about the importance of telling a story from all angles–and why searching for truth despite pushback is a scary but necessary part of being human. Hosted on Acast. See acast.com/privacy for more information.
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will vary. You're listening to How to Be a Better Human.
I'm your host, Chris Duffy. And on today's episode, we're talking about the importance of being able to own and tell your story in an authentic way.
Our guest today, Noor Tajouri, tells stories across all different forms of media, whether it's videos, podcasts, writing, or on TV.
And in 2022, Noor launched her investigative series,
Rep. It's a podcast which starts with her examining the stories from her own Libyan-American family,
and then expands outward into a constellation of other voices. For Noor, the process of finding
her voice and figuring out how to express herself is a process that started at a very early age.
And she got her inspiration from a somewhat unexpected mentor.
Here's a clip from her TED Talk.
So my personal legend showed up when I was about eight years old.
I would come home from school, toss my book bag on the floor,
and rush to the living room to watch Oprah with my mom,
4 p.m. sharp, every single day.
Now I know everybody loves Oprah, like you, but I really loved Oprah. How she asked questions,
how she prompted people to share their most vulnerable stories and how she made everybody so comfortable in their chair.
I wanted to do that.
I wanted to be her.
I had this fiery passion for asking questions and telling stories.
We're going to take a quick break.
But when we come back, we are going to dive deep into how Noor was able to take that inspiration and that passion and build a platform dedicated to dismantling misrepresentations of Muslims.
And we're going to talk about how in doing so,
she's helping all of us to see a fuller, more complex picture of the United States and the world.
We've got a lot to dive into, so don't go anywhere.
We'll be right back. Whether you're in your running era, Pilates era or yoga era,
dive into Peloton workouts that work with you. From meditating at your kid's game to mastering
a strength program, they've got everything you need to keep knocking down your goals.
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Just workouts and classes to strengthen who you are.
So no matter your era,
make it your best with Peloton.
Find your push.
Find your power.
Peloton.
Visit Peloton at onepeloton.ca.
The Apple Watch Series 10 is here.
It has the biggest display ever.
It's also the thinnest Apple Watch ever, making it. It has the biggest display ever.
It's also the thinnest Apple Watch ever,
making it even more comfortable on your wrist,
whether you're running, swimming, or sleeping.
And it's the fastest-charging Apple Watch,
getting you eight hours of charge in just 15 minutes.
The Apple Watch Series 10.
Available for the first time in glossy jet black aluminum.
Compared to previous generations,
iPhone XS or later required.
Charge time and actual results will vary.
And we are back.
On today's episode, we're talking about representation and how to find your voice.
Our guest is Noor Tajouri.
Hey, y'all.
My name is Noor Tajouri. I am a storyteller, an investigative
journalist. So I wonder, how did you think about developing your own personal form of journalism?
Because I do think it is a unique form to you. Wow, Chris, what an honor to hear that. Thank you.
Because honestly, I wanted to be a journalist since I was a child. There's videos of me doing my news, putting my fist up to my mouth and reporting my news to my parents when I was in single digits. And so this is all I ever knew I wanted to do. I wanted to ask questions.
when I was about 15 or 16 years old, that I was taking a step towards figuring out who I was,
but I was putting a lot of pressure on it because I had never seen a Muslim woman wearing a hijab on television reporting the news. So funny enough, I got the job shortly after I started
wearing the hijab. So I started in print and then radio, local television, digital and so on. And it was in my reporting that I was so
strict about, you know, being objective and doing all of the things that my journalism professors
told me to do and never including myself in the story, almost from this place of an insecurity because I
had so many professors or mentors or quote unquote mentors or people tell me, you know,
you can never be objective with that thing on your head. You just can't. It already puts an
opinion on the story. And it just never made sense to me because I was like, what is what I have,
what I'm wearing have to do with a story about a water main break?
What does that have to do with anything?
I struggled a lot with that.
There was this story that I really wanted to tell, which was about an institution that
housed people with intellectual disabilities.
The case that shut the institution down was still open.
So there were people who are now in their 80s and 90s who had been housed in this facility. It was called Forest Haven, who had never received justice. And I really wanted to tell the story because I had trespassed and gone to the facility and I had found all of these medical records on the ground that had people's names on it that had their their bathroom behavior listed out or any any temper tantrum, whatever it was, it was listed out,
just thrown, discarded for anybody like me to see. And so I followed, I wanted to follow that story
and find the people that I had read about. And my news director at the time did not feel comfortable
with me covering this story. And I just quit because I decided
this is why I got into journalism. I don't want to ask people how they feel after they lost their
house to a fire or just read off press releases from the police telling us about a crime. I want to go and do the investigating. And so I self-produced this documentary
and I didn't have anybody tell me, oh, no, you can't wear that color headscarf or you can't
report it this way or you need to do. I just intuitively began to report. I intuitively
found myself making the intention that the story that I was going to produce was going to be a form
of justice for these people. So it was with that documentary that really everything changed.
You know, it's interesting because I've heard you say many times that you grew up
loving Oprah and really like wanting to emulate Oprah. And I think that one of the things that Oprah certainly
did and continues to do is bring herself to journalism and to asking questions, right?
Is we know who she is. She's not just like a blank slate that then the other person is
reflected on, but she also gets really revealing answers out of people by bringing herself.
It was also a part of Oprah's experience that I remember hearing about that helped me make
sense of what it was I was trying to do because she worked as a local news reporter at a Baltimore
station. I'm from Maryland. So immediately there's that connection. And she was covering a fire
and she brought blankets to the family whose house burnt down and that had lost their house.
And she got in trouble for it by, I believe, the news director who was saying like,
that's not our job as journalists. And she was like, well, if I'm not allowed to bring
blankets to a family that just lost their house, then why am I doing this? And that always stuck with me
because as somebody who wants people
to connect with the story,
it disconnects me from the story.
It disconnects me from people.
We are not talking heads and we are not robots.
That's why I really worked very hard
to not have a traditional reporting voice
because I found myself tuning out
when people were speaking, when I was watching the
news because I caught on to their cadence. So I was listening to their cadence more than I was
listening to their words. And for me, I felt like it was really important that I connect with
a viewer or a listener or a person because I have something really important to share with you.
I have a story I really think that you need to hear. And I'm going to be as open and as raw as I possibly can be so that you can
connect with something that's going to be so powerful. And not only your connection be of
service to the people that we're talking to, but also to you, because that's what connection does,
is it allows us to expand our own worldview that we have so that we can
live with less fear, really. One of the reasons why I wanted to start by kind of talking about
the idea of objectivity and subjectivity in journalism is because there's this really,
I think, fascinating and beautiful moment in the first episode of your podcast,
Rep, where you have a debate in the show, basically, with your dad. And your dad is
kind of on the side of like, our story shouldn't be in here because it limits the ability to tell
an objective story about these important events.
And you, I think, make a really compelling case to him that by people knowing you and me and what
we've gone through and our family history, it makes it so that the story is actually much more
relatable and will get out to people in a different way. You know, my dad did not say yes to doing
that interview at first for that reason like that's how much he
he he cares about objectivity he takes the news very very seriously hey now that i think about
it he also may be why i struggled with that in my own coming of age journalism story because
because i really did think about how people would speak to sticking to the facts.
But what are the facts? I believe in using fact. I think it's really, really important for us to have
the time and the place and the why, the who, what, when, where, why, and how. Those things are really important. And I believe that we are in a time where so many people have gotten used to suppressing
their own truths because we have been told that there's a motive behind their truth,
that there's a motive behind the story, that there's a motive behind the story, that it
immediately creates a bias. But in order for there to be a bias in how we decide what stories are
important to tell, there needs to be a default. And that default has traditionally been cis,
het, white, Christian, male. That is typically the default. That is who my journalism
professors were. That's who I was learning about objectivity from. So if I was to tell them,
you know, I really think that this is an important story to cover. And it was a story that was
happening in my community. And I remember this happening. I'm just realizing this.
When it was like a Muslim or Arab related story that did not have to do with national security, with terrorism or with fear, the story was seen as not important. I don't think our viewers or our listeners would want to hear that.
considering what they want to hear now, and we are constantly bombarding them with these stories that are rooted in fear, then we really have to ask about what our intentions are. Because if I'm
presenting to you just good stories that happen to be stories that would humanize the people that
have been dehumanized, and to you that humanization is a bias bias then you're looking at me as a side and not a
person and that's the problem like that i just wrote about this in a story that i'm feeling
pretty nervous about because it's it's about public opinion but the approach to it is
the creation of the middle easterner this concept of the Middle Easterner,
and specifically my experience and the experience of others in
how we have self-censored when talking about Palestine specifically. That story,
like growing up, was a story that I always
Heard people say don't talk about that
At work don't talk about that at school
Don't talk about that here don't talk about you if you want to
Keep it don't talk so the point where like
I had seen
Fellow journalists or colleagues
Lose their job
For saying anything
Them being Palestinian themselves so they were just
Talking about their family's stories
And people tell me that they They were only given the job because anything them being Palestinian themselves. So they were just talking about their family's stories.
And people tell me that they were only given the job because they essentially agreed to never talk about it. And it was this weird thing because it never made sense to me. And I realized, okay,
what are the questions that I've been too afraid to ask? Because every time you ask the question
that I've been too afraid to ask.
Because every time you ask the question that scares you,
no matter what the response or the results to that question is, even if it feels not great,
it will only propel you closer
to a more authentic version of yourself,
to a more truthful, open life. And if that's what you want,
then go down that road. And if you want to feel safe and afraid and controlled,
then look the other way. Well, if you're comfortable, I'd love to know what one of
those questions that you've been afraid to ask that then has led to that more fully realized version of yourself?
So one of the questions that I asked of myself early on that was hard,
that led me to where I am today, and I would say early on in rep is,
why do I feel like the stories that I share about myself need to be framed from a victim perspective in order for them to be worthy? Because I literally was told, unless the story
is about terrorism or national security or whatever, this, this, and this,
we don't need to hear it.
So that was already ingrained in my mind.
So I had to ask myself, what role do I play in that?
And if the stories that I share about myself
also echo a victim mindset,
then I'm doing exactly what I claim to hate.
I'm misrepresenting myself without even realizing it
because maybe I did see myself that way.
And now I'm seeing myself as someone who is free
and has made choices.
And those choices have led them to being able
to tell stories in a brave way.
We're gonna take a quick break,
but when we come back, we will hear more from Noor about
how the stories we tell ourselves impact what we believe to be true and what it is we can do
to help shift those internal narratives. Don't go anywhere. Whether you're in your running era, Pilates era, or yoga era,
dive into Peloton workouts that work with you.
From meditating at your kid's game to mastering a strength program,
they've got everything you need to keep knocking down your goals.
No pressure to be who you're not.
Just workouts and classes to strengthen who you are.
So no matter your era, make it your best with Peloton.
Find your push. Find your push.
Find your power.
Peloton.
Visit Peloton at onepeloton.ca.
The Apple Watch Series 10 is here.
It has the biggest display ever.
It's also the thinnest Apple Watch ever, making it even more comfortable on your wrist,
whether you're running, swimming, or sleeping.
And it's the fastest-charging Apple Watch, we're talking with Noor Tajouri about representation. And we are back.
So on today's episode, we're talking with Noor Tajouri about representation and being your authentic self.
And as Noor has gotten a larger platform and more visibility, she's often talked about the responsibility she feels now to dispel harmful stereotypes and lift up the truth.
Here's another clip from Noor's TED Talk.
stereotypes and lift up the truth. Here's another clip from Noor's TED Talk.
I really understood that my job and duty as a Muslim Arab American journalist goes far beyond correcting the pronunciations of Middle Eastern names. I am the voice that explains my religion,
that clarifies the context of cultural nuances, and that makes sure that when we are reporting
stories regarding terrorist groups like Isis that we are reporting it in a way
that does not generalize the Muslim population and put them in any
association with these awful groups and that especially that this scarf on my
head does not mean that I am submissive or that I am being oppressed. In fact, it empowers me in demystifying
the stigma that surrounds Muslim women. So for those people who haven't already heard,
can you just give us a quick overview of what the podcast rep is about?
So the podcast rep started as a question, which was, how has the misrepresentation of Muslims and Arabs in
American media impacted our culture and society as a whole? And then when I committed to being
open throughout this journey, that question became too small because it wasn't about how
the misrepresentation of one person or one group impacted all of us.
The quest led to the question of
how is our relationship with the stories
we tell ourselves about ourselves
impact what we believe to be true,
what we believe to be fiction,
and our relationship with our politics,
our pop culture,
and the opinions we contribute to the public.
Because that was essentially the dynamic that we were looking at from the beginning of Rep until the end.
What is the dynamic between what we're calling the three Ps, politics, pop culture, and public
opinion? And how can we use this tool? How can we use that tool
to decode the power dynamics in our own stories? Because if you want to investigate something,
the fastest way to revelation, in my opinion, is investigating your personal role in that first.
And that's why when it came to representation, the story that I had to start with in my opinion, is investigating your personal role in that first.
And that's why when it came to representation, the story that I had to start with first was the story in my own family that felt the most untrue.
What was that family story that felt the most untrue?
So the family story goes like this. In 1986, the United States conducted an airstrike in Libya,
which is where my family is from, in an attempt
to assassinate the dictator, Muammar Gaddafi. And the airstrike ended up hitting a civilian
apartment complex that killed five of our family members. And the way my family found out was my
great uncle, who is obsessed with watching the news, was watching the 7 p.m.
news on a two-inch portable television that he got from New York. He was watching it in Tulsa,
Oklahoma during his son's baseball game. And he saw that the French embassy had been hit in the
air raid. And so he called his sister, who was sleeping because it was in the middle of the night,
sister who was sleeping because it was in the middle of the night. And he told her, go to our family's house that was half a mile away and go check on them. She said, why? Why? What's going
on? He said, did you hear anything? And she said, the windows, something exploded, the windows in
our house all shattered. And then he said, I'm afraid that your family has vanished. That was a story that I had heard my whole life because it only happened 36 years ago.
And one of our favorite childhood films as a family is Back to the Future.
And in Back to the Future, the opening scene is Doc and Marty running from Libyan terrorists.
So out of curiosity, when I heard that my little brother watched it for like
the ninth time, I decided to check what year that film came out and had come out less than a year
before the airstrike. And so that's what led to me trying to start piecing things together and
realizing, oh, I think we can do this with all of our stories. I think when there are certain
points of trauma in our lives, we can try to find connections
between what was going on in politics and pop culture, what the people were already
thinking, and see how those powers influenced the stories, our stories, and in turn influenced
us as people.
Well, I'm curious, since you have done this work and you've done it in a very public way,
if someone is listening and thinking like, wow, I need to think about the stories that my family tells or that are told
about me and whatever the representation that they're trying to challenge, what advice do you
have for them on how they can change those stories, both on the societal level and on the very
personal level? Well, first is to buckle up because it is not easy. I mean, the amount of I just started calling them breakthroughs, but formerly known as breakdowns. But I had a lot of breakthroughs in this. And now my breakthroughs come like every day. Because what I realized is when you start on this quest of questions, you're becoming a clear enough vessel so that you're able to receive your
breakthroughs or downloads or whatever you want to call them in a much more fluid way.
So the first thing that I would say is to really sit with yourself and sit in silence.
I spend a lot of time, like most of rep is actually done out of my cabin that has no internet.
a lot of time, like most of rep is actually done out of my cabin that has no internet.
I'm usually painting. I know that people can't see it, but I'm working on my finale. And this is what I painted yesterday. I just paint like a stream of, what is it called?
Stream of consciousness.
Stream of consciousness. I paint my stream of consciousness. And yesterday after meditating,
the first thing that came to mind was
what has rep taught me about being alive? And so I write questions are quests that lead to
more questions that lead to stories that populate our worldview. Questions promise nothing but good
trouble. You want to know how I am in my fullest purpose. When a question leads to, I've never shared that before. To share is to breathe oxygen into your stories and to keep them alive. And you are infinitely alive.
to, which is when you sit with yourself, when you let yourself write what you need to write,
when you cry it out, when you paint it out, when you dance it out, when you express, when you just get it all out, what I find at the end of the day is that our commitment to that
process, our commitment to knowing our stories, our commitment to asking the question and
to asking our family or the
people that raised us to tell us their stories and to document them. That is how we keep stories
alive. And if we do not keep our stories alive, then someone else will write them for us. And
typically those who have written our history are our conquerors our colonizers or our oppressors
So it is on you. It is a revolutionary act for you to commit to the quest of question
And to ask the ones that are hard
And to be open to whatever comes your way to however you're challenged and the last thing that i'll say is
that being open
Is mandatory because if you try to control the story, which is what I did at the beginning of Rep, I had every episode planned wall of what I thought rep was going to look
like. Even though that was great in theory as a concept, I was controlling the story.
The interviews weren't working out. I was on a wild deadline, which really was what lit a fire
under me. And I realized there's nothing for me to do
except to completely surrender, let go of control
and let the stories reveal themselves to me.
Let your stories reveal themselves to you.
Don't try to control how you figure them out.
Your only job is to be an open vessel willing to receive
because you need to be open and as clear as
possible because receiving the truth is really, really big. It's why we shake. It's why we get
nervous. It's why we get anxious. And so the more you can ground yourself and be open and be clear,
the easier it will be to lift it. And the more you say, I refuse to control this story,
no matter how challenging the questions that arise come up,
welcome them because the questions are only there
to be companions, to lead you to more infinitely alive
version of yourself,
which is the breakthrough that I had yesterday.
So thinking about these stories
and the idea of trying to find representation
that feels real and accurate and honest.
When is the first time, or has there been a time,
that you felt represented in pop culture or media?
The first time that I had realized
that I didn't even know what representation actually felt like
was when I watched my friend Rami's show that's on Hulu.
One of my favorite TV shows of all time.
Yeah.
He had sent Adam and I the episodes.
We sat and we watched them all in silence.
And I looked at him.
I looked at Adam and I said, I feel like I was just spied on.
That like someone just peered into my life like i feel like i'm gonna get in trouble
for this and that i was like wow this is what people feel when they watch friends or sex in
the city or sign but like that's what they're feeling no wonder no wonder they're so attached
i'm attached to characters from those shows but i but now I'm realizing there was always a limitation.
And it almost shows me too, like, I love television.
I think television is such a beautiful medium of storytelling.
And it was through Rami and also through my friend Minhal Baig's film Hala, which is the first time I'd ever seen a Muslim woman represented in a film
that way. That was the first time where I was like, oh, we're allowed to be ourselves and we
don't have to be defined through this national security lens. We can just be. And those stories
are incredibly valid and also really amazing to watch and to connect with. They're just great
stories. Well, I feel like one thing that we don't often see and we don't often talk about in the public
sphere is faith. And I think, you know, obviously like the hijab is a public sign of faith, but
it's also like, we just don't often talk about the ways in which belief influences our lives.
So I'm curious, how does it play out in your day-to-day life?
Oh, Chris, I wish more people asked questions like that.
It's so true.
And I didn't know or realize it
until a friend of mine told me that she was like,
faith is such a big part of your process
and you don't really talk about it.
And I think that that was because my hijab was
always politicized and talked about. And to me, hijab is actually the most private and personal
thing. Like you happen to be able to see it, but it was never about anyone except for me.
I think the reasons that I wear hijab are always changing and they change every time I
have a breakthrough, really. And now reflecting on the role faith played in rep, I mean, the whole
series was based on faith. It was based on trust and surrendering that the stories would reveal
themselves. I had no control over this journey. There's so many times where I just had to sit and
meditate and just the entire practice of my day would be to let go of every single ounce of fear
and control that I had with a story that I knew was on deadline. And I'm like, I know something
big isn't going to happen. And I don't want to try to just do a last minute interview or try to
control this. I know that my job right now is just to sit and to let go
and I know it'll fall into place.
That has never let me down.
It's no longer about what you believe,
how you practice what you believe.
It is existing as belief.
It is just exist.
It's being and embodying belief
and the concept of it as a person who walks this earth.
So it's how I see everything now.
It's what has made me more patient, less angry, more understanding.
It's what has allowed me to realize that nothing is ever personal.
Nothing is about me.
Even when somebody tells me, you are this, I don't hear it as you anymore.
I hear it as, I am hurting because of this.
So faith is also a protection for me because I feel like it protects my humanity to myself
to remind me, you are not that victim that they told you that you were.
You are not this terrorist that they told you that you were. You are none of these things.
You are just Nur. And your job is to figure out who Nur is in this world. Everything else is none of your business. So faith has really been the path beneath my feet that feels a little bit softer than the concrete sometimes.
Well, the show's called How to Be a Better Human.
Yeah.
So what is one thing that you personally are working on to try and be a better human right now?
What is something that I am personally working on to be a better human right now?
I am working on self-censorship. I'm working on being more open
and transparent with how I feel and what I believe and just honest in my communication
with people. I didn't realize that I had a tendency, have had a tendency for self-censorship. And it's nothing
dramatic because I actually think I'm one of the most open people that I know. But I think it's
because I'm one of the most open people that I know that I'm constantly like, how can I be even
more? And so then I'm noticing, oh, there are certain things that maybe I didn't say anything, not because I didn't want
to, but because I felt like I wasn't supposed to. Fascinating. That's really fascinating.
Well, Noor, thank you so much for being on the show. It has been such a pleasure talking to you.
Oh my gosh, Chris, this is so fun. Thanks for giving me the space to reflect on the most
important work I've ever done in my life. That is our show for today.
Thank you so much for listening to How to Be a Better Human.
I am your host, Chris Duffy.
A big thank you to today's guest, Noor Tajouri.
Her podcast is called REP, that's R-E-P,
and you can find it wherever you're listening
to this podcast.
As for our show, from TED, our show is brought to you
by Jimmy Gutierrez, Anna Phelan, Erica Yoon,
and Julia Dickerson.
That is a group of people who always ask tough questions.
Tough questions like, Chris, why do you always lump us together as a group of people?
And from Transmitter Media, we are brought to you by Greta Cohn and Farrah DeGrange,
who are bringing their full selves to work.
At least I assume they are.
We work remotely, so I don't know if they even go into the office at all.
But if they did, I would assume that they're bringing their full selves there.
And from PRX, Jocelyn Gonzalez and Sandra Lopez-Monsalve,
who have decided to trade self-censorship
for the ability to censor me.
Watch as I say,
I wasn't even saying anything at all offensive
and they beat me.
Thanks most of all to you for listening to our show.
We would not be able to do this show without your support.
Please share our podcast with a friend,
forward this episode to someone who you think would like it,
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Thank you so much for listening,
and we will be back with more next week.
The Apple Watch Series X is here.
It has the biggest display ever.
It's also the thinnest Apple Watch ever,
making it even more comfortable on your wrist,
whether you're running, swimming, or sleeping.
And it's the fastest-charging Apple Watch,
getting you 8 hours of charge in just 15 minutes.
The Apple Watch Series X.
Available for the first time in glossy jet
black aluminum. Compared to previous generations, iPhone Xs are later required. Charge time and
actual results will vary.