How to Be a Better Human - How to think critically about history -- and why it matters (w/ David Ikard) (Re-release)
Episode Date: January 15, 2024Have you ever recalled a story only to have someone point out "that's not how it went"? Well, what happens when what we misrepresent are our historical narratives? David Ikard is a Professor of Africa...n American and Diaspora Studies at Vanderbilt University. In this episode, he talks about the societal and personal dangers of inaccurate history knowledge, and uncovers the real story of one of history’s most iconic figures. For the full text transcript, visit go.ted.com/BHTranscripts Hosted on Acast. See acast.com/privacy for more information.
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How to Be a Better Human is still on our season break,
but we wanted to share a special episode from the archive today.
This is a conversation with Professor David Eichardt.
And we are going to be back with all new episodes in season four starting next week.
You're listening to How to Be a Better Human. I'm your host, Chris Duffy.
Growing up, I remember learning a pretty standard by-the-book explanation of American history,
which means that now, as an adult, I'm frequently surprised to find out that the stories I thought
I knew I actually had all wrong.
For example, I always thought that the story of Rosa Parks was of an older woman who decided that she'd had enough and she refused to give up her seat at the front of a bus to a white man because she was tired after a long day of work.
But as today's guest, Professor David Eichert, explains in his talk at TEDx Nashville, that is not how things actually happened.
Here's a clip.
I am the proud father of two beautiful children.
When Elijah was in the fourth grade, he came to me, came home from school, bubbling over with excitement about what he had learned that day about African-American history.
Now, I'm an African-American cultural studies professor. And so as you can imagine, African-American culture is kind of
serious around my home. So I was very proud that my son was excited about what he had learned that
day in school. So I said, well, what'd you learn? He said, I learned about Rosa Parks. I said, well, what'd you learn? He said, I learned about Rosa Parks.
I said, okay, what did you learn about Rosa Parks?
He said, I learned that Rosa Parks was this frail old black woman in the 1950s in Montgomery, Alabama.
And she sat down on this bus and she had tired feet.
this bus and she had tired feet. And when the bus driver told her to give up her seat to a white patron, she refused because she had tired feet and it had been a long day and she was tired of
oppression and she didn't give up her seat. And she marched with Martin Luther King and she believed
in nonviolence. And I guess he must've looked at my face and saw that I was a little less than impressed by his history lesson.
And so he stopped and he's like, Dad, what's wrong? What did I get wrong?
I said, son, you didn't get anything wrong, but I think your teacher got a whole lot of things wrong.
He said, what? I said, yes. Rosa Parks was only 42 years old.
Yeah, you're shocked, right? Never heard that. Rosa Parks was only 42 years old.
She had only worked six hours that day, and she was a seamstress, and her feet were just fine.
The only thing that she was tired of was she was tired of inequality. She was tired of oppression.
And my son said, well, why would my teacher, you know, tell me this thing? You know, this is
confusing for me because he loved this teacher. And she was a good teacher, a youngish, you know,
20-something white woman, really, really smart, pushed him. So I liked her as well.
But he was confused.
Why would she tell me this, he said.
He said, Dad, tell me more.
Tell me more.
Tell me more about Rosa Parks.
And I said, son, I'll do you one better.
He was like, what?
I said, I'm going to buy her autobiography, and I'm going to let you read it yourself.
That is for sure how you know your dad is a professor, when he has you reading the primary
sources. But in all seriousness, listening to Dr. Eichardt correct the record about Rosa Parks,
it makes me wonder what other moments from history I've been taking for granted.
What are the historical details that we might be getting wrong? And why is it so important to
question those narratives and get them right? Those are the questions that we're going to
be diving into in this episode, right after this break. It has the biggest display ever. It's also the thinnest Apple Watch ever,
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My name is David Eichert.
I am professor of African-American DAS for studies at Vanderbilt University and the proud father of Elijah Eichert, 19, and Octavia Eichert, 15.
So, Professor Eichert, thank you so much for being here.
In your TEDx talk, you broke down how the story of Rosa Parks that many people learn,
right, that there was this tired old woman who didn't want to give up her seat after
a long day of work, that that's actually a fiction.
That's a misrepresentation of who Rosa Parks was.
Right.
A complete fiction.
And I mean, I think in some ways it reflects on our current moment, right up to the current moment, where there are two interesting things that I'm dealing with as an academic right now that speaks to this particular dynamic of history as this kind of constructed reality, as opposed to this kind of fixed, you know, factual, empirical thing,
right? Our ability to be able to delve into the intricacies and the not-so-flattering aspects of
American genocide and violence and the ways in which we've engaged in certain forms of apartheid
ourselves and oppression and what have you. And so we're
at this interesting moment in which there's a desire by one youthful part of our population
to hear the truth and deal and grapple with it. And then another part of our society, in many cases,
an older aspect of our society that is terrified of what those troops will reveal and how they will impact this myth of
American inclusivity and upward mobility and the American dream. So it's an interesting time to
kind of have this very conversation about whitewashing history. So starting with that,
the fact that there's this whitewash narrative that has been taught for decades and continues to be taught in many places, the idea that there are students,
white students, but students of all races who are pushing for more inclusive education,
for more accurate education, that seems like one very concrete thing that people can be
doing to try and get a more accurate understanding of history and challenge some of these myths.
What are other things that listeners could do to try and challenge some of these aspects
of the histories that were taught that aren't actually factual?
We really depend on the younger generations to hold our feet to the fire about what we
say we want to be as a country, what we say we want to be as a global community in our best light.
So I see this primarily as a, as a moment in which, you know,
those old heads like myself, we're going to have to support.
Sometimes it's not even about having to take a stand,
but really support those younger generations of folks who are not afraid and
who are, who are trying to to make this thing a reality. We like the anonymity
of staying on the sidelines of controversial issues because we don't want the stress and the
strain. But what often that means is you tacitly support the status quo. So this is obviously right in your wheelhouse because,
you know, so many of your books and so much of your writing is about this too, right?
In Lovable Racists and Blinded by the Whites, right? You talk about and you take apart the
desire on the part of many white people to avoid talking about race or to believe that we live in
a post-racial America. And I think that kind of what you just said seems to hit at the heart of
what you've written about in a lot of these books, that it's not necessarily
that you're against it, but that by wanting to do nothing, by feeling like the work has already been
done, that is actually worse. It feels like a lot of why re-evaluating history and re-evaluating
the narratives that we've been taught can be painful is because there are these truths that we cling to, the stories that we've told ourselves that
we want to be true. And it can be very painful to have the rug pulled out and to all of a sudden
have to see the world, you know, to have the scales fall from your eyes. So I'm curious,
in your opinion as a historian, right, as a professional here, how do we get a sense of
an accurate history?
Like what needs to be at the core of our understanding of historical events so that
we know we are telling the right narratives and to avoid having that clinging on to something
where the rug's going to get pulled down from under us?
You know, we had began the conversation by pointing out that history is in fact a construction
of perspectives that are kind of weaved together.
It's socially constructed. So I think we're at a moment now where we're and I think it's very important that we're starting to consider like, well, what what was the experience of women during the Civil War?
What was the experience of black folks doing the American Revolution? How did those folks who were on the margins, the queer folks,
the trans, how did they figure into this? Because we know all of these folks were there and all of
them play a role in that history. And now the challenge is to recover that.
It's interesting because I hadn't ever thought of it this way before we had this conversation
just now. But it's funny when sometimes something small will happen with me and my wife and then we'll be out at a dinner with someone else and we'll try and tell the story and I'll tell my version and she'll go, no, no, that's not what happened.
And we'll both be like, no, come on.
Right.
Exactly.
And when you think about it, right, like we're telling the story of a guy we drove past on the street who's wearing a costume.
And we can't even agree on the smallest of the facts on that.
When you think about how history is really the idea that there's one definitive narrative.
That is something I'd never thought about before, that it's really right.
Each person sees it in their own way and brings a new piece.
Absolutely. And we never can. Right.
We never can fully get back to that moment where, like, because we exist as
subjective beings, everything that we see is filtered through an interpretive lens,
right? Whether I'm a Christian or a Muslim, whether I'm straight or queer, whether I'm,
like, rich or poor, all of that informs what we see and what we do not see.
So maybe then I'm asking the wrong question in the first place when I'm saying,
how can we get to a more accurate history?
Maybe it's like, how can we complicate the historical stories?
I think so. I think that's, yeah. Yes. And I think that's right.
I think that, and I think that's also the scary part of it,
because there is a political utility to history, right?
I mean, if you come to the South,
if you spend any time in the South,
you'll see hotels that are plantation this
and plantation that and old South
and Dixie this and Dixie that.
And the only, and it's a clear kind of nostalgia
for the past, right?
Where things were so, you know,
simpler and more wholesome and whatever. And in order for that narrative to be sold and celebrated and commodified, you have to sanitize all of the lynchings and all of the violence and all of the sexual assault and all of the bloodiness that came with that culture. And so there's a need to romanticize it,
not because that had anything to do with the actual history,
but because we use those notions to help us feel good about ourselves.
Right?
So we need them because we need that version of the past
for this version of our romanticized
present.
It seems like we simplify things, you know, and I say this as a white person.
I think often a lot of the historical misinformation or whitewashing happens because white people
are trying to avoid discomfort or acknowledging historical mistakes and present day mistakes
too.
But it does seem like there's a sense in which sometimes we can go one way and say, like,
no, it was all good back then.
We don't want to hear about the problems.
And then there's this other way where we say, like, that person was all bad and they were
just an evil person in history.
And we don't see, like, well, you know, there were positive changes that came out of this
horrible event as well.
And that's difficult, right?
That's a lot harder than just being like, they were good, they were bad, done.
Let's move on.
So it's not a balance to be like,
oh, let's balance it here.
No, the scales have been so warped.
But what we really need to do,
and we see this in TV, right?
We see, well, we're going to get this side
of the political issue and that,
and we're like,
but that doesn't really get us at the truth
or at least the truth of the moment, which is that this is such an imbalanced thing that we don't have to go like, hey, what about straight people's rights?
Yeah.
Right.
That's what we learn about.
Why isn't there a straight history month?
We don't need that.
The rest of the months are straight history.
Exactly.
Exactly.
Right.
Yeah.
I mean, it's the same impulse. It's interesting because a lot of your writing and your earlier books have to push against a movement like Black Lives Matter by saying all lives matter, right? Like it's the
same thing that you're saying right now, where it's like that side is getting pushed so much.
We don't need to repush that side. That is not correcting the scale, right? We're trying to fix
an injustice, not just reiterate. Absolutely. There's a perfect cartoon that illustrates this where there's somebody with a water hose who's hosing down a house that's not on fire. And then there's a house that's on fire that's not getting any water at all. And the caption is all houses matter.
You're giving water to the house that's not on fire while you're watching the other one burn.
And I think that's exactly right. You know, and I think that's how we've engaged.
That's how we you know, we avoid dealing with the hard stuff. Right.
That's a way to deflect. That's a way to obscure.
That's a way to try to get us away from what's at the core. But at the end of the day, as James Baldwin would say, that type of obfuscation also hurts white people. That type of whitewashing also means that they're
not in touch, not only with the reality of marginalized people, but with their own reality.
We are going to have so much more conversation with Dr. David Eichard in just one moment,
but first, we're going to take a short break. We'll be right back. It's also the thinnest Apple Watch ever, making it even more comfortable on your wrist, whether you're running, swimming, or sleeping.
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And we are back.
So thinking in practical terms,
what are some of the best resources that you found
and you would recommend to parents
trying to talk to their kids about this stuff,
to parents trying to educate themselves,
to people who don't have kids trying to educate themselves?
What are some of the resources you found
that you feel like are the most helpful around this? One of the things I,
you know, when I was talking about in my TED talk was that Rosa Parks, contrary to all of these
prevailing myths about her, actually wrote an autobiography dispelling the very myths that were
not only alive after she passed on, but were very much alive while she was alive, right?
And that's why she wrote the autobiography.
It's called Rosa Parks, My Story.
So what I would employ parents to do
is to start doing their own homework
because there's a lot of resources out there
that help to demystify some of these things about the civil rights movement or children books about the civil rights movement, children's books about Rosa Parks and many, you know, many other figures that oftentimes either don't get taught in school or get taught in a way that is actually twisted and misinformed.
It feels like a big piece, too, that can shift things a little bit is rather than having
someone else digest the information for you to look for the primary source, right?
To hear Rosa Parks in her own words rather than read the book that someone else wrote
about her.
Read Martin Luther King's letter to a Birmingham jail, but also read the letter from the white clergy
that he was responding to, right? All of that is a simple Google click away, right? And I,
when I teach it, I try and teach both so that students can see, because, you know, you have a
bunch of white clergy, you know, you have, you know, rabbis and you have Catholic priests and
you have Protestant ministers who will all get together and say, look, Martin Luther King, we believe in your movement. We believe all the things you're
saying, but we just think that if you will just, you know, give it time, right, and let the system
work itself out. And Martin Luther King was like, when has that ever moved the needle on any type of issues of social justice? And so it's important to try to like put things in conversation.
And it's important to do that work on your own.
It's about like, if I don't know about how to treat you fairly, then that's not on me, that's on you.
And that's the mindset I want us to kind of move away from and to start taking ownership of educating ourselves and not putting the onus on the people who are marginalized to
also do the work of teaching people how not to oppress them.
Yeah, it's interesting.
I mean, I'm hearing a couple of, I think, really important pieces here, right?
One is like, listen to people in their own words.
The other is be curious about what you don't know. Be curious about yourself. And then the third one I love, which I've actually
never heard someone say in these terms before, but it's like, hey, Google it. Like you don't
need to ask someone. It's out there. They've written books. There are podcasts. There are
movies. Yeah. It's out there. You can find the answer yourself. Oh, it's out there.
One of the things that I'm curious about is I sometimes find myself under that rock of like,
what rock have I been living under?
How do I not know this stuff?
Right.
And, you know, there's the research to be done.
Right.
And there's the books to be read and there's the primary sources to listen to.
Sometimes I think it can be a challenge.
And I wonder if this happens to you, too, to know what questions to ask yourself.
So I wonder, like, when you encounter a historical story or depiction of a historical event for the first time, what do you ask
yourself? What are the kind of ways in which you approach a new story? Well, I mean, that,
I mean, one of the things I try to, I'm also someone that studies and writes about black
feminism. Yes. And so a wonderful book about this. spouted off thinking I knew what I was talking about and just found myself sitting down being quiet and feeling very, very dumb, but also recognizing that I had more work to do and that
there's always this slippage that even when you get educated, you start believing your own,
drinking your own Kool-Aid. And true social transformation requires a level of humility
by those that are in need of education. And so there's
always these points in which you think, oh, I've arrived at a certain kind of thing, but you can
never get to the point where you're not actually listening to those people who have that lived
experience, that embodied experience, who have to live in that skin every single day and are going to have a unique purchase,
a unique insight that you will never attain
regardless of how much you read,
how many podcasts you listen to.
And so sometimes, you know,
the best move is to just listen and try to absorb.
And again, I think when you use your platforms
and you use your energy and you use your leverage to bring attention to that, which I think a show like this is absolutely trying to do, then that's a different type of labor than someone who is lazy and they basically want you to give them the answers without having to do any work.
I think there's a fundamental difference in that and kind of what we're doing in terms of creating an opportunity for there to be real conversation and education.
Yeah, I think it's a very important idea that none of us are above criticism or above improvement.
It actually makes me think, you know, in a way that is kind of a little to the side, but I think is a relevant example is right.
As a writer, sometimes I send my writing out to people who are friends
to get feedback.
And you think that what you want is someone who says, this is great and that's perfect.
But I have a few friends where when I send my writing to them, they say, oh, I love this.
And I stop sending it to them because that's not helpful.
Right.
What you want is the friend who doesn't say it's all bad or all good.
They say, here's the ways you can make this writing better.
Yes.
And I think the more that we see ourselves, and I say this as a white person,
who I think we, especially as white people, need to view ourselves this way as like,
it's not you're good or you're bad. It's like you can be improved and you need to keep working to
do the improvement. That seems like a very big shift that a lot of us need to make. And for
myself too. Yeah. I think you see this in parenting, right? I think-
Yes. I want to talk about the way you parent your children because I feel like that's a big piece of this.
I mean, I think the best parents that I experience
are the ones who constantly worry
about being bad parents, right?
They're like, you know, you see these incredible parents
and they're doing all this work
and they're listening to their children
and they're trying to engage their kids
and they're pushing their kids.
And you go say, John, you know, you see this, you know, great father.
You're like, dude, how are you doing? Man, I don't know, man.
I hope I don't screw up my kids because I've, you know,
flustered little Johnny the other day for like not washing the dishes.
And, you know, but that that the reason why that's so hard is that requires vulnerability in our minds.
We've been taught that we're the parents,
we're the authority figure.
So if we show inconsistency or weakness,
then we're gonna lose the respect,
the authority respect with our children.
When in fact, what we're actually doing
is modeling for them how to behave,
how to be humble, how to make mistakes.
So when they go out in the world and they make a mistake,
they're gonna be able to come back to us and say, yo, dad, I did this. And I'm ashamed
of it. They're not going to be like, I'm not going to tell my dad. He never makes mistakes.
And if he finds out that I flunked calculus or I skipped school or whatever, I mean, he's going
to think I'm the worst person in the world. I've never thought about the concept of intellectual
vulnerability before, but it feels like that's at the core of a lot of what we're talking about, the humility there.
Look, so long as you recognize that the path to the intellectual understanding is about revision,
I know this now, but then I've learned something else. So now I have to revise what I thought I
knew, have to revise the questions and the assumptions because now I've learned something new and that now changes everything.
So long as you stay humble to the information and you stop and you don't get the point where like,
well, I invented critical race theory and therefore you can never bow down to me. So long
as you remain thirsty and humble and you're always understanding that what you have say today
is subject to revision, then you're actually doing real good scholarship.
The moment you feel that somehow you have arrived and that everybody needs to listen
to everything that you have to say, or they're just uninformed, then that's when you're
starting to become full of yourself and you stop being useful.
What are the ways that we can shape the way that historical narratives are recorded?
I'm thinking about recording family histories, writing memoirs, constructing genealogies.
What are the pieces that are most useful for people to do when they're thinking about adding
their own voices to history?
Well, first and foremost, I will say, based on what we know about African-American history and how that history was literally kept alive by a handful of people and how we've seen, you know, one or two people have seismic ability to change historical narrative through roads, parts of the world, for example, it means that there is no type of social historically
ratio that is insurmountable, that you can, despite the way it may look that your history
or your perspective will be forever lost, your voice does matter.
Agitation does matter.
Pushing back does matter.
So I think what I would emphasize more so than the do this or do that
is understand that whatever you do, you're not wasting your time.
Joyner Hirstons, Their Eyes Were Watching God had gone out of print in like the 1950s,
about the 1960s out of print. And a group of black feminist scholars got a hold of an old
copy of Their Eyes Were Watching God. And because it
was out of print, they literally had to photocopy the whole novel and spread it to the, and give it
to the class in order to teach it and put it on their syllabus. Now, Their Eyes Were Watching
God is considered one of the most important American novels in American letters, right?
And those handful of women, right, along with Alice Walker,
who wrote that very important piece on Zora Hurston, have now brought her back into view
and put her in her rightful place at the top of the heap of American letters. And it was literally done by a handful of women who just would not let her
legacy die. Right. So it's just a constant reminder that like it matters, whatever you do,
however you try to recover that, however you, whether you're writing poetry or writing your
own personal history, whether you put it on Twitter, whether you put it on Facebook or Instagram,
it matters.
Never give up.
Always push.
Always have your, you know,
push for your voice to be heard.
Well, I feel like I could genuinely talk to you
for six more days
rather than just six more minutes.
But what is one idea?
It could be a book, movie, piece of music, play, anything.
What's one thing that has made you a better human?
My children.
I think it's one thing to kid yourself that you're the greatest scholar, blah, blah, blah,
because you get accolades from your student or you get accolades from your profession
and you get tenure and you get these positions and everybody tells you you're great, but your, your children know you, they know you when the lights dim and when you're
at home and you're in your real, you know, your real light. And I think my kids hold me accountable.
They, they, they, they hold me to the things that I say that I am. And it's a humbling experience that makes all the stuff that we do worthwhile.
And it keeps you sharp.
It keeps you hungry.
And you know that it's important for you to be a good human being because there are human
beings that you have had a hand in creating that are looking at you as a role model.
And I take that absolutely, crucially seriously.
Well, Professor David Eichardt, thank you so much. It has been an absolute pleasure. You've given
so much to think about, and I hope that people will read your books and dive even deeper into
your work. Absolutely. Thanks for having me. That is it for today's episode of How to Be a
Better Human. Thank you so much for listening, and of How to Be a Better Human.
Thank you so much for listening.
And thank you to our guest, Dr. David Eichert.
On the TED side, How to Be a Better Human is brought to you by Abhimanyu Das,
Daniela Balarezo, Frederica Elizabeth Yosefov, Anne Powers, and Karen Newman.
From PRX Productions, our show is brought to you by Jocelyn Gonzalez,
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We will be back with another episode next week,
but in the meantime,
please share our show with someone who you think would enjoy it.
And thank you again for listening.
Have a great week.
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