How To Fail With Elizabeth Day - BONUS EPISODE! How To Fail x Happy Place: The Ultimate Podcast Collab
Episode Date: April 3, 2023Welcome to a very special episode of How To Fail where we join forces with one of our favourite podcasts, Happy Place. The wonderful Fearne Cotton and I sit down to chat about three of our personal hi...ghlights from each of our respective back catalogues. You'll hear from Emily Ratajowski, Mo Gawdat, Roman Kemp, Phoebe Waller-Bridge and more. We'll talk about mental health, feminism, race, step-parenting and an unforgettable comedy encounter involving apple crumble and Meryl Streep...This was such a joy to record. I met Fearne through podcasting and she's become a dear friend. She's been a trailblazer in opening up vulnerable spaces for others and I'm so grateful to her for leading the way. We hope you enjoy this very special chat!--My new book, FRIENDAHOLIC: Confessions of a Friendship Addict, is out now and available to purchase here.--How To Fail With Elizabeth Day is hosted and produced by Elizabeth Day. To contact us, email howtofailpod@gmail.com--Social Media:Elizabeth Day @elizabdayHow To Fail @howtofailpodFearne Cotton @fearnecottonHappy Place @happyplaceofficial Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
Discussion (0)
Make your nights unforgettable with American Express.
Unmissable show coming up?
Good news.
We've got access to pre-sale tickets so you don't miss it.
Meeting with friends before the show?
We can book your reservation.
And when you get to the main event,
skip to the good bit using the card member entrance.
Let's go seize the night.
That's the powerful backing of American Express.
Visit amex.ca slash yamex. Benefits vary by car and other conditions apply.
Hello and welcome to a unique episode of How to Fail in collaboration with Happy Place. I'm so excited that we got the chance to do this. So it's not a conventional format, this episode. Instead,
Fern Cotton and I challenged each other to come up with three clips from our back catalogues
that had some kind of meaningful
impact on us, whether it's because of the conversations it sparked, whether it's because
of the response we had from listeners, or whether it's because it actually changed the way that we
lived our lives. It is such a brilliant conversation. I really enjoyed it. And I also
love and adore Fern Cotton and everything that she has done
with Happy Place. We met through podcasts, we've become dear friends through podcasts,
and I just hugely respect her because she is one of the podcast pioneers. She genuinely is one of
the first people who opened up these kinds of spaces where we can have conversations about vulnerability
and we can have conversations about finding our true selves.
So I want to say thank you to Fern for that and for giving me the opportunity to do this.
We always have a great natter when we get together.
This one involved fewer margaritas than normal, but we did have a great, great chat.
And there are some laughs in there too.
So I hope you enjoy this very special episode of How to Fail in collaboration with Happy Place.
This is nice. I'm so excited. A, to see you. B, to be in your little podcast hut.
It's a bit hot in here today. I'm really sorry about that.
That's just me. It is.
It's just your beauty and gloriousness emanating.
It's so lovely to do this today.
Obviously, we've been friends for quite a while now
and we usually enjoy this sort of discussion
with a margarita in hand
whilst having our little dinner dates that we have.
Oh no, the best dinner dates.
But so lovely.
But I thought it'd be really nice today
for us to
look back at some of the episodes of How to Fail and Happy Place that we feel respectively have
impacted us the most and just sort of discuss it and have a big old chinwag.
I can't wait. And thank you so much for suggesting this because it was actually
podcasts that brought us together. This is the friendship that podcasts forged.
It's like a really beautiful circular thing. So I'm just so delighted to be here.
That's because the podcast world is the friendliest.
So true.
It just is. It's this gorgeous ecosystem where everyone supports each other. And this is not
just sort of making it sound all fanciful and Disney-like. It is a really beautiful,
supportive place. That's why lots of us get on and do this
sort of thing. It's gorgeous. I know. It really struck me coming from conventional media,
how supportive. Which let's face it, is bloody toxic a lot of the time.
Actually full of people who don't want you to succeed. Yes. Whereas podcasting is so much more
democratic and equitable. And you're right. I've met so many amazing people either because I've
been on their podcast or they've come on mine and they've become genuine friends. And you're right. I've met so many amazing people, either because I've been on their
podcast or they've come on mine and they've become genuine friends and we're all really
supportive of each other. So it's just lovely to raise a rising tide raises all boats.
Oh, isn't that beautiful? Two old boats sat chatting about life. Let's crack on. So I have
chosen to kick off with Emily Ratajkowski, who came on Happy Place a little while ago.
I found this conversation fascinating because I'm deeply intrigued about, I guess, what it is to be a woman in the modern world.
And we are often presented with these thoughts that women can have it all and do it all.
And we're confused whether that's a feminist thing to say
or an anti-feminist thing to say.
I never like to put labels on things too much,
but I think it's a really good discussion point.
So in this, we chat a bit about if it's possible to be
an overtly sexy woman and be taken seriously.
You are objectified.
You, you know, you're sexualized at maybe very
young, even if you're a woman who's, you know, done a bunch of amazing journalistic work, like
there is kind of this push to be also hot and celebrated in that way. And then on the other
side of it, there's this sort of shaming that comes with it of like, well, now nobody's going
to take you seriously because, you know, you're a slut, quote unquote,
or even from feminists, I think that there's this feeling of like, well, now you've played
into the male gaze. So therefore you're not progressive. You're not helping women. That's
been my experience even before I was a model or in the public spotlight, just, you know,
as a 13 year old getting dressed and kind of like having a new body and having a woman's body for
the first time and feeling the attention from men when I dressed a certain way. Also like feeling afraid because of
the attention, also feeling validated because of the attention, then, you know, having teachers
snap my bra strap and feeling like I was typecast in a certain way because of, you know, the way I
was presenting myself. So it's complicated. And I
think it's something we just get it from all sides, really. Yeah. And, you know, is there a
conclusion? Because I think that's the question that I kept asking myself when I was reading your
book is, but wait, can a woman and I want the answer to be yes, as a feminist, but can, can a
woman show her sexiness? Can she express her sexual desires, dress in an
overtly sexy way and be listened to and be taken seriously and be respected? I don't know if that
is true in the day and age that we're in today. Yeah, I don't think it is. I think it's really
complicated. I think there are examples of women who've managed it.
Jane Fonda is somebody who's done done both. There are examples for sure.
I even think like Megan Thee Stallion is somebody who, you know, people respect.
But she also I mean, music is kind of its own category, interestingly, but there are examples.
I would even say Cardi B is a great example I mean against all odds she's had to fight
and work for it and she deals with race which is a whole other factor of people not taking you
seriously but uh I think the issue is that you know what a lot of feminists would say is like
doing something to feel good if it's playing into the male gaze then it's ultimately actually
hurtful and harmful to women my issue is like god doesn't kind of everything we do, like in some ways play into that?
Like even just putting on mascara in the morning and making sure that like our skin looks a
certain way.
And one of the episodes I'm doing, the question I'm asking is, can you be a feminist and get
plastic surgery?
Because I'm just interested in the kind of lines that women draw around what they feel is feminist and
is okay and how you know just what kind of shirt you wear on a given day to work or just not even
to work just out on the streets in public so you know it's something I'm really fascinated by and
I would say that I don't have an answer basically we can't win we can't but one of the things I'm
most impressed about is how you
pronounced her surname you nailed that i practiced it in the mirror a lot it wasn't even a stumble
i'm not gonna lie it's a great surname it is it is i found it so interesting this episode
because as i was walking down the street listening to it and i remember this
i felt that i knew how i thought about these issues. And then
I would question what I thought I knew. Because we all live in such an imperfect world that has
been built around patriarchal foundations. And so we can't ever remove ourselves from that context
in a way. But my position is being a feminist is about believing in equal rights for women and men.
So if you believe that and you live your life according to that premise, you are a feminist
and it sort of doesn't matter what else you do on top of that, as long as that's a fundamental
belief that you pursue. I agree. But you really have to look at your own opinions and really excavate them and this episode made me do that massively
and I think even since that episode I've found situations really interesting the other day
I was in a discussion online about body image for women specifically because that's the only
perception I have and the life experience and I had given the example of another male host
presenter and talked about the fact that they wouldn't have such a spotlight on their body or
what they're wearing or what their body looked like, et cetera. And somebody had commented on
that post saying, yeah, but I don't see him posting pictures of himself in the mirror with
an outfit on. I don't think they were meaning to sound particularly punchy, but my thought process having spoken to Emily was,
so, okay, so we have to play to male standards or norms to be taken seriously.
Yeah. And also it depends which men we're looking at because there are men who do that. There are
men who are creatively fueled and Tom Daley has a
passion for knitting and has fantastic outfits that he posts. So I think it's more about how
we express our creativity. And I know that's partly how you express yours. The way that you
dress, the way that you present yourself, the phenomenal way you do your makeup, which we were
chatting about before, that's all driven by your interest in art and connection
through art yeah and so I totally get it and I think it's more interesting that that's the
response of someone looking at you doing that that that response is conditioned by the society that
they've grown up in yeah and it would be really great not only to question the context that we're
in when we make decisions but also the context that we're in when we make decisions, but also the context that we're in when we have responses to other women.
Totally.
But I think going back to your first reaction to that clip,
it's just do what makes you feel good.
And we've just got to stop judging other people.
And therefore, we'll end up judging ourselves less.
That's the beauty of that one.
Yes.
You stop judging other people and then you have much more self-compassion
and you're less judgmental towards your own actions, which is always a plus, preach. So
which episode would you like to dig into from How to Fail? I have chosen one of my favourite
episodes of all time, which genuinely changed my life. And it is with Mo Gowdat, who came on
How to Fail way back in 2019 in season four.
The type of thought that makes us unhappy is incessant thinking. Incessant thinking is basically
your brain sounding the siren. Something's wrong. Something's wrong. Something's wrong.
That incessant thinking doesn't lead to anything, doesn't change anything in the real world.
It happens in the midline areas of your brain. There are two other types of thoughts that are useful. One of them is insightful thinking, and the other is experiential
thinking. Insightful thinking is when you solve a problem. Experiential thinking is when you observe
the world as it is. Okay? Those happen mostly on the right-hand side of the brain, some in the
prefrontal cortex, some in the insula, and so on. Those kinds of thoughts are the thoughts you should
allow your brain to give you.
And by the way, that's the attitude we use at work. If someone walks into my office and complains,
I don't let them complain incessantly. Midway, I say, is there any information we're missing about this? Should we look at this differently? This is insightful thinking, okay? And experiential
thinking. This is basically looking at the world as it is. Then I ask, what can we do about it?
And that's exactly what I do with my brain. Ali, my son, leaves our world. Okay? People think that I'm not given a choice. I am given two choices. One of them is to cry for the rest of my life.
And then 27 years later, when I'm on my deathbed, Ali will still not be there. Is that a wise
choice? The other is to do something about it
that doesn't bring him back. Nothing's going to bring him back. It's the truth. He left, right?
But what I can do is I at least can make my life a little better and his life and the life of a
billion people a little better than the day he left. Isn't that a better way of doing it? Now, of course, I feel
pain. I miss him tremendously. But pain doesn't dictate how my brain tortures me. Pain is different
than suffering. Pain is I remember him, I feel that I miss him. Suffering is my brain telling me
you should have driven him to another hospital. And my brain did, by the way.
Okay.
I allow my brain only two types of thought.
One is useful thinking and the other is joyful thinking.
Anything else I say, Becky, stop, behave.
Useful thinking.
If my brain tells me you should have driven him to another hospital,
I basically say to my brain, I cannot do this right now. Do you have something
you want to tell me that I can do? I wish I could, but I cannot. Give me a useful thought.
So my brain says, why don't we write the happiness model we learned with him,
share it with 10 million people was the original target, and make 10 million people remember him
and love him and send him a happy wish. That would be a good way to honor him. Great. That's a great idea, brain. Thank you. That's how we should think, right?
Or a joyful thought. Until today, I promise you, three to four times a week, I wake up in the
morning or I go to bed at night, and the only thought that comes to my head is Ali died.
He's part of my heart. It's just, I feel that part of me is missing, right? I answer in a very simple way and I say, yes, brain, but Ali also lived.
Do you understand that?
Ali died is a horribly painful thought.
Ali lived is the same thought, but it's a beautiful thought.
It's 21 years of joy, of wisdom, of learning, of insightful discoveries, of memories of him taking care of
Aya, taking care of me, taking care of his mother, that I wouldn't replace for anything. Honestly,
even if you tell me, we'll take away your pain for losing your son, I wouldn't say, no, no, no,
hold on. I want him. I want the 21 years. Don't lie to me, brain.
Don't lie to me. But think about those. Because when I say Ali lived, I start to get memories
that are all happy, all joyful, all things that we did together. That's me being the boss. That's
me telling my brain to take charge so that if there is something we can do, we do it. If there isn't, then don't
torture me because there is no point to torture me if there is nothing I can do about it.
I chose that clip because it changed the way that I think about thinking. And you can hear there how
well Mo explains quite profound concepts. And to give it a bit of context, he's talking there about his
late son, Ali, who died aged 21 during a routine operation. And the Becky that he mentions briefly
is his Becky brain. So Mo calls the incessant anxious brain that is constantly pointing out
the things that might go wrong. He calls that brain Becky after a girl at his school who did
the same thing.
So great.
With apologies for any Beckys listening. But there's something about that technique, which sounds so simple, but it's genuinely life changing because it separates you from that part
of your brain. You feel then that you can have a conversation with your anxious thoughts rather
than being wholly defined by them and swallowed up by them.
And it's a technique that I use and that I find immensely helpful.
And I'm just so grateful to Mo for sharing that.
Yeah, I think that episode will have helped so many people
because we all get stuck in that negative loop
where an issue from the past or something you're worrying about in the future
is obsessional and you just get stuck in it. So I think being able to see the difference between sort of rational thought and
what you know to be true versus that worry and I really found it interesting hearing him talk about
the difference between pain and suffering yes that is a game changer I never really thought of it
like that before that the goal isn't to sort of rid yourself of pain in life because it's a given that we're all
going to experience pain but suffering that's perhaps optional in terms of the varying degrees
of suffering you're willing to put yourself through. I think it's having the awareness of
that isn't it? Yeah and it sounds very difficult and it is very difficult to make that choice but
the one way of putting it is you experience pain when you drink a cup of tea
that's too hot you burn your tongue that's the pain the suffering is then for weeks and months
afterwards to go what a stupid person I am to have made my tea so hot yeah that I burnt my tongue
and you're piling self-loathing on top of everything else and it's absolutely very hard to
do in a much deeper context if you've suffered great loss or you're going through a really difficult time or you've
just been diagnosed with a terrible illness, it's an incredibly difficult, challenging thing to do.
And it is one of those things that needs to become a daily practice, I believe, because it won't be
easy to begin with. But if you keep in dialogue with your Becky brain or with your Jennifer brain or with your think of another Kevin brain, then my experience is that that has really helped me.
If I've just kept at it, it has actually helped.
You can build up resilience like a muscle.
So brilliant.
I've picked this next episode because it's a conversation that you and I have had in real life quite often because we are both part of a blended family.
Sometimes I feel weird saying that word blended, but I think it's probably the truest sort of
description you can give a family where you've merged pre-existing families, kids, whatever.
And obviously Rio and Kate Ferdinand have made a beautiful documentary about this. They've
been very generous in sharing their experiences of it and continue to do so.
And I learned a lot and implemented some of my learnings into how I go about running a home
that's blended and dealing with the challenges that you face having a blended family.
Then all of a sudden I found myself here with three stepchildren think wow there's a big turnaround I didn't really like you naively
think too much about it I just thought I'm nice it's gonna be okay I'll manage it and I get
through everything I didn't really think of the dynamics that go with with it even moving in this
house showering and the kids knocking the door and you've got no clothes on just mad stuff that I didn't even think about I think it's only when I moved in and I thought wow this is hard there's
a lot there's a lot to think about different areas that people don't even see um it was tough
wasn't it I think discipline's a huge one because yeah in each household discipline is different
different and we used to have loads of conversations about how far can I go?
How loud should I shout?
Or how firm should I be?
Like, it's so many.
And there ain't really a dial on the wall that you just say,
go at number six and that'll be fine.
Do you know what I mean?
It's so much trial and error.
And you're scared of getting stuff wrong.
You never want to get it wrong because you're a perfectionist in that sense.
Yeah, and I also think it's more you as a family had your own way of doing things and I grew up with this
way that I thought I would be a parent and that I would do and one of the main ones is Rio allowed
the children to play football in the house and from when I was interesting yes from this beautiful
gorgeous house with gorgeous stuff everywhere exactly my point. But when I was a kid,
I was never allowed to play the ball in the house.
And that is something that just,
I said, Ria, I can't cope with this.
And he said, but this is what we do.
And there sort of had to be a thing
that now is the new thing that we do.
But that was hard.
It was hard, wasn't it?
Football played in the house for about a year.
And then one day I said,
guys, I can't cope with this anymore.
You've got three stepchildren.
How have you approached discipline? I struggle with this one hugely. It's so difficult
and that's why I'm so thrilled that you picked this clip because it's very rare that you get
step parents who feel able to talk openly and publicly and that's partly because we're all so
aware that we have lots of other people's lives taken into consideration
when we open up this conversation, discipline is one of the hardest things. I am really quite
lucky now in that my stepchildren are that bit older, so they're all teenagers. I was married
before and I was also a stepmother then and the children were much younger and it was a
dysfunctional relationship for me in many ways. And my experience of that
relationship was that I was not allowed to have my own opinion about what went on in our house.
And that was really, really difficult for me. And I think that it really depends for step-parents on
how well navigated or not well navigated the divorce has been. Because if it hasn't been
that well navigated, often the knock-on effect is that one parent feels really guilty and therefore
that parent doesn't want to discipline their kids when they come and stay. And that's a very
tricky thing for a new partner to know how to deal with. And also because at the time that that happens, the new partner is
probably resented, understandably, by the children in question. My situation now is so much better
because my husband and his ex have done an incredible job of co-parenting and navigating
the end of their marriage. And their children are great. And actually,
they don't need me that much. And in a way, that's very liberating. So I never once would
make the mistake of thinking that I'm in any way their parent. I'm absolutely not. I hope I'm
someone who they can turn to and who offers a different perspective on life. And the thing that I've noticed has really
helped with this time round is that my husband and I, like Kate and Rio, I feel really able to
talk to my husband about things and we have great chats about it. And he respects my opinion. That's
key. It's key. It's key. And also because I'm a woman without children of her own, very often I
feel that my opinion can be very easily dismissed by other parents.
My husband never does that.
And I've never felt like that in that family unit.
So I think what Kate and Rio went on to say,
that they have a daily debrief, don't they, before they go to bed.
And I loved that idea.
And for Kate, it's so much more challenging or differently challenging in many ways,
because very sadly
Rio's first wife died yeah and so to be stepping into that it's huge is huge and a whole different
dynamic how are you finding it for I have you know what it's really varied over the years because
when I met my husband Arthur and Lola my step my stepkids, were five and nine. So they were quite tiny.
And it was a real novelty.
And I just thought, this is fun.
We get to go to the cinema and go to adventure playgrounds.
I'd never done that as an adult.
So I just thought it was all fun.
And I think over the years, I realized the seriousness of it in terms of the impact that I would have on them growing up and navigating the world.
And I feel very similarly to you.
I'm not trying to be another parent.
I sort of have found the language maybe like guide you.
So I want to be a guide in their life.
That's a great, great term.
Yeah, I want to, like you, I want to be someone that they turn to
if they feel they need help or advice.
And luckily that has happened.
And it's been like the most special
moments where I feel like so included in their life and big moments which is you know I cherish
our relationship so much you know for as a step-parent and that it's one of the most glorious
things that it's taken a lot of hard work it's taken a lot of discussions with me and Jesse who
was that dad at the start, who felt guilty and all
of those things and, you know, wanted the kids just to be happy all the time. But we've navigated
it together. And all of us have changed how we parent and deal with the ever changing family
dynamics. And my stepkids are now 21 and nearly 18. And we're probably in a place where we sort of have you know decent conversations
have fun it's less about sort of discipline and homework and bedtime and all the stuff that we've
had sort of trudged through previously so I think for anyone going through that transition now
in a cliche way it does get easier it does get better. I was about to better exactly the same thing because my stepchildren are 19 16 and 13 and it's
really lovely with the 19 year old having an independent relationship yes with him and I just
wanted to say exactly the same thing that it's such a difficult thing sometimes to go through
when they're younger yeah but as they get older even though you might never feel appreciated I
promise you that as they get older, you end up
understanding that you are. You are. And they understand the relationship with more clarity.
I think like my stepson, who's at university, will like call me out of the blue. And I could
like weep when I see his name on the phone, like he's called me. Oh, my God, that would never have
happened five years ago. I think it does take you know a sort
of level of maturity and them sort of understanding it which just happens to all kids that they have
probably a different perspective of parents step-parents as they get older but anyone going
through it please listen to that chat because I think it was just very helpful for me and I've of learnings from it.
Will no one rid me of this troublesome priest?
This is a time of great foreboding. These words supposedly uttered by a king over 800 years ago. These words supposedly uttered by a king over 800 years ago set in motion a chain of gruesome events and sparked cult-like devotion across the world.
I'm Matt Lewis.
Join us as we unwrap the enigma and get to the heart of what really happened to Thomas Beckett byisoft podcast brought to you by History Hit. Join me and world
leading experts every week as we explore the incredible real life history that inspires the
locations, the characters and the storylines of Assassin's Creed. Listen and follow Echoes of
History, a Ubisoft podcast brought to you by History Hit, wherever you get your podcasts.
So who are you going to chat about next?
I am going to chat about the wonderful Alexandra Burke, the singer Alexandra Burke, who came on season 10 of How to Fail.
And the reason I've picked this clip is because you and I both remember the 90s and the early 2000s. And the way that women,
and particularly women of colour, and particularly women of colour in the music industry were treated
is something that looking back on, I am astonished that we let society get away with.
And Alexandra came on and just spoke so openly
and vulnerably about that, that I wanted to share it. I was sat down and told you're never going to
be good enough because of your colour. You're never going to sell a certain amount of records
because you may not appeal to a certain audience. And I was told to bleach my skin and you're never
going to perform on the Brits because they wouldn't have a black artist perform on the Brits.
The most you're going to do is just one X factor and that's the biggest it will get for you and
all of that is bullshit excuse my French it's just ridiculous because I was never brave enough to say
that 10 years ago when I was told that I sat there and thought well if that's the case I'm just going
to work really hard so that I can achieve everything you've told me that I can't and you
know granted yes I haven't performed on the Brits before, but I've been nominated.
And that in itself is a huge honour. And all the little things about not selling music,
well, that's rubbish too, because I have sold. So all the little things that I was told that
you can't do this and you can't do that. Well, no, I have proved you wrong in some kind of way,
because I've worked really hard to try my best to achieve things that I'm proud of.
But if it wasn't for my family, if it wasn't for my mum in particular, for my amazing,
beautiful friends and the team I currently have around me, I don't know where I'd be mentally. If I'm honest with you, I don't know where I'd be because keeping that strong face
and keeping that strong spirit up, don't get me wrong, I'm a very positive person,
but it's very
difficult to keep it up when you are feeling at your lowest but also you know and being made to
feel literally like you can't be yourself yes you're too much of something in this way or that
way I find it so depressing and flabbergasting that this was only 10 years ago that people were talking to
you in these terms and I feel angry on your behalf and you sound really mature and measured about it
but do you think were you I'm guessing you weren't allowed to be angry no but where did
did you feel anger and where did it go I think me, so it takes a lot to really pee me off.
Bless her. It's mad. It is so mad. And I, it really opened my eyes to what she went through.
She came onto How To Fail so ready and willing to be unbelievably vulnerable. She also talked
about the death of her mother and how that impacted her and how she kept on working right up to the last minute because it was sort of her way of coping.
And how she was portrayed in the press and the tabloid press in a certain way as being a massive
diva on X Factor and placing lots of demands. And I was speaking to this woman who was just
so wonderful. You can hear it there. there oh she's an angel she really is there's a real honesty
to her and such a level of openness that actually in the middle of that interview I was like is this
ethical for me to be doing this interview because she was so raw and then it was such a beautiful
experience putting that episode out there to see the response that it had and how loved I think
she felt as a result of it
and we've become friends subsequently we're talking earlier about making podcast friends
and I just really respect her for having kept her head high through all of that and I wanted to talk
to you about it because of the way you were portrayed or you felt you had to handle the
tabloid press at a certain time in your life when you're also searching for your identity and how difficult that was and how I hope it's changing.
I think it is but I think the press are always going to be just without a moral compass and
you know tarnish people with certain brushes very flippantly and it is part and parcel very sadly
of being in the public eye and we've seen the extreme detriments that that leads to you know people taking their own lives and and then
it still doesn't change so for someone like Alexandra to have been through that the the
extremities of of the discrimination and the language used against her it's just I mean thank god that she's just still using that incredible voice that she's
got to entertain people to soothe people I once went on a this is quite random I trekked to
Machu Picchu with Alexandra that is so random it's so random yeah myself and Denise went out
and organized a trek for several breast cancer charities and Alexandra
willingly said yes and we had this incredible experience when we trekked for about a week
together and she would occasionally just sort of burst into song and you'd be like walking past a
couple of llamas on a field in Peru and then all of a sudden this voice I mean she's just pure raw talent and it's like how can
you we're wearing sort of dirty trekking clothes and peeing behind rocks there she is with this
angelic voice just sort of soothing us all it was she's a remarkable person I think yes sadly
probably the music industry is still more toxic than others in terms of the expectations upon
female artists but I'm glad when anyone
speaks up like Alexandra, they're helping to break down those barriers. And as painful as it is to
talk about for Alex, brilliant that she's, you know, courageous enough to do so.
Couldn't agree more. And if you haven't seen her X Factor final performance with
Beyonce. Do you remember Beyonce came on British X Factor?
You have to go and YouTube it right now. That one and the other one that I was obsessed with was when she did the Christina Aguilera song. And she was dressed up in, what was that song called? Anyway, she was dressed up in this kind of navy type uniform. And she did this incredibly hectic, sort of foot perfect dance routine. And her singing was completely on point as well. well yeah like she actually danced and sang at the same time she's remarkable we love you Alex you're the best
so next up I have chosen to go with the episode where Roman Kemp came on Happy Place this one
impacted me greatly because obviously they're all subject matters you know that he was discussing
that I'm deeply interested in whether whether it's depression, suicide, just general mental health, his own. And obviously
he lost one of his dear friends and radio producer who took his own life. And Roman has really faced
that pain fully by talking about that period of his life. And he goes around schools relentlessly
talking to kids. and that's the bit
that really impacted me how we talk to kids about mental health because I've been very
cagey to talk to my own kids about depression anxiety we I've been fearful to do so I'm not
even sure why I just thought I can't use those words in front of them and he directly said the
absolute opposite which i found fascinating
you know we're sitting here now and less than 50 of schools in the uk
have some form of outlet in terms of a therapist or a counselor that means it's over 50 that don't
and it's like one thing that is is so prevalent and and is so tough is that I hear a lot of people, parents that I've certainly spoken to that have had kids that have taken their own life.
And when I say kids, I mean like nine years old, 10 years old, happy kids, had children.
Do you know what I mean?
You know, and they've then gone and lied to their friends about how they've died.
And that's because of this weird shame thing.
Again, you know, this unacceptance of what's happened.
And then you have to think about all the friends in that school year.
You have to think about, you know, okay, how is that going to affect them moving forward?
You know, how is that trauma going to affect them?
You know, I'm a nearly 30-year-old man and mine has messed me up big time forward you know how is that trauma going to affect them you know i'm a nearly 30 year old man and mine has messed me up big time you know so i can only imagine how it would affect
kids so i think that when people start realizing the reality of this isn't just men now it's men
and boys yeah you know the problem with suicide is, is children. Like it's, that's, that's where it needs to be stopped. You know, if you can get into people about before that age of 16, where they've made that conscious decision to open up as much as they possibly can, you know, five years old, you know, I went to a school in Birmingham and they're a school that practice, you know mental health at quite a high level
with their pupils almost like a test run thing and i had a five-year-old talk to me about what
depression is and it was the most amazing thing i've ever seen because i know for a fact that
that five-year-old you don't sit there and tell them this but i know for a fact that that five-year-old, you don't sit there and tell them this, but I know for a fact that that five-year-old at some point in their life will experience some form of depression.
And they will go back to those things that they learned at school and go, this is normal to have.
This is OK. I can do this.
Yeah, that really just changed my mind on so much.
And interestingly, I probably still have a level of fear when talking to my kids about
any mental health issue I need to get over that because that's quite literally all I talk about
in my in some work capacity but it still feels treacherous for some reason I need to work that
out and um I've talked to Rex a little bit about anxiety and he already knew the word they talk about that sort of thing
at school not even a teacher-led sort of situation but amongst friends I think they're much more
savvy than we were as kids because the language is more ubiquitous and and used so we've I've
tentatively started walking towards that because I really, you know, if this is sort of
like what I'm dedicating my life to this kind of conversation, I've got to implement it in my own
home. And I think it always feels much more intimate and terrifying at times, I think,
to have those sorts of chats. But I think, I don't think we should be shying away from it,
whether it's with friends, even our parents. I think that's a whole other thing. Sort of talking to people where there are barriers up when it comes to mental health.
We've got to just knock all of those barriers down. And it is really scary.
I think the closest example I can come to in my own life is fertility. And the realisation I had
when I started talking openly about the fact that I'd had miscarriages and unsuccessful fertility treatment,
I was really scared because there is still so much misplaced stigma and shame around that,
particularly for women, because you feel wrongly that you might have failed your biological role as a woman. And I'm saying that's the wrong thing to feel. And it's understandable that you do.
And I definitely internalize that.
But as soon as I started, actually, I started writing about it openly before I started speaking about it openly. I was so heartened by the knock-on effect because it turned out that
lots of other people had experienced something similar and felt able to connect with me over
that. And now I feel really passionate about it. That's different
from talking to younger children about things that you don't want to freak them out. And I
suppose it's also different when you're suffering something yourself, when you're living with all
of these issues. Because as a parent, I imagine you want to be the strong one, the one who has
it sorted, the one who protects your beloved kids. And that must be
a very difficult line to tread. So yes, you Fern can talk about mental health as it pertains to
the wider world, but how much do you tell your child about your own mental health journey?
Yeah. And also I've still got stigma around it because clearly that fear is driven by the stigma.
Even I place upon my own situations I've been through
issues that I still have you know sort of panic attacks or insomnia that can lead to panic I
still feel like there's a sense of failure there definitely so I think that stops me from having
decent chats with my kids about it because if I was truly at peace with it which I think is a very
big ask with any of these issues whether it's with it which I think is a very big ask with any of these
issues whether it's fertility mental health I think it's a big ask to have full acceptance of
where you're at I think it's a life's work if I did have that full acceptance maybe I could
walk into that conversation more courageously because there'd be nothing to lose there's
nothing to worry about if you experience this to my kids whatever you know these are tricky
conversations hence why we both like having them.
If this was easy, we wouldn't be doing it.
We have chosen to dive into subjects that feel painful, sometimes gritty, extremely personal,
but ultimately are so connective.
And that's what I got from talking to Roman was that you have to bypass that fear
to get to that ultimate connection of having a chat with whether it's your own kid or kids in schools or other members of your family or friends the other part of that conversation
was checking in with friends to the level where you don't give up if you feel something's a little
bit off that you bypass again that fear to connect with them truly to work out if they're okay or not
I have to say just speaking, that you're an amazing
friend in the way that you do that. And you've done that for me at some really low points,
including sending me this jumper that I'm currently wearing. And I so appreciate it because
the way you check in is incredibly generous and thoughtful, and it doesn't come with any
expectation of a reply. And sometimes you need to hear from your friend and you need to just reassure yourself that they're okay.
But you will just do something really lovely
and send a text saying, I love you, mate.
And it means so much because in that moment,
I feel less isolated, less confused, less sad, less alone.
And so I just want to pay tribute to you on a personal level
for being one of those people.
Well, that honestly makes me want to cry it means a lot because I know the power and the
impact that has when people do that for you when you're very low and I also know how awful it is
when nobody texts you in those moments which I've also experienced in times where people don't know
what to say to you and that fear of getting it wrong puts them off saying anything.
That is a lonely place to be.
So I would say, even if you use clumsy language or you get it wrong,
you say the wrong thing, reach out.
Even if it is just to tell someone you love them,
it makes the world of difference.
Definitely. Just say I'm thinking of you.
Or in my case, leave a 10 minute rambling voice note. Or send a jumper. Another option.
Oh, this jumper's my favourite. Thank you. So we've got a last clip from you. And you know
that I'm the biggest fangirl of this person. I'm just going to sit here now and swoon as I listen
to you chat. I picked this one because I wanted to have something lighthearted because we do have
such deep and meaningful conversations all the time. And I love that one because I wanted to have something lighthearted because we do have such deep and meaningful conversations all the time and I love that but I wanted an opportunity
to laugh and also. Levity is so important. It is. Light and shade. Yes. Yin and yang.
I also chose this because it's the first episode of How to Fail ever. What? I didn't know that.
Yes. So it's season one, episode one and I interviewed Phoebe Waller-Bridge
who is famous as Fleabag and less famously also a good friend of mine and so she agreed to be one
of my first ever guests and I'm forever grateful to her for taking that risk and she spoke about
a time when she really embarrassed herself in front of Meryl Streep. I was really excited to meet Meryl Streep when I was doing The Iron Lady.
Was she?
I was weird with her, though.
I go weird around celebrities and always in a very individual way for each celebrity.
I should just not be around them.
What did you say to Meryl Streep that was weird?
Meryl Streep was doing the Iron Lady and she was in this
prosthetic sort of whole body face scenario the lights were so hot so whenever she was on set she
didn't she couldn't really speak in between so much energy was taken up and just like acting
through this you know mask and everything so when the light so she would never say anything in
between cuts and we always knew and she was always like I'm really sorry but I just can't I know I
just need to like power down have a glass of like sip some water through
this straw but there was one day when uh the lights went off they called cut and then she
just turned around to this room of people and went you know in her Margaret Thatcher voice and just
went hey how's everybody's day and everyone just freaked out everyone's like froze in the room
because they were like oh my god everyone at the same time like we were like vultures just like
this is our moment to have to share words with Meryl Streep and uh so everyone sort of was being very casual and it was
the scene was like a drinks party or something but edging towards her with this kind of wild
look in their eye and everyone was trying to have some some personal bants with uh with Meza so she
was just opening the conversation and then it was getting like weirdly competitive we were like
crowding around her but everyone was trying to be very casual and then she started up this conversation about something
anyway i tried a joke and it landed and she laughed and she was like oh and everyone else
just looked at me with steel and an ashen face and fury and i was like i've won it she's mine
she's mine so she was mine but after that i was like she's totally mine she's totally mine we're
gonna have a day together we're gonna like like nod to each other
respectfully in the corridors we're gonna we may even like you know graduate to a drink at some
point and then um at lunchtime I was sitting at this table with everybody and I was eating this
apple crumble and she came down the stairs she was feeling lively this day uh obviously outside
of the prosthetic she came down the stairs and she was walking towards me i was like oh my god oh my god like she's going
to come to the table and we're friends now because i was the one that made her laugh and she walked
up to the table and she put her hand on my shoulder and she said uh oh what are you eating
i have never answered why this i got so excited about the banter with meleryl that I flung my apple crumble straight into my chest.
My costume chest.
And I literally squawked,
my apple crumble!
And she went, oh.
And then she went back
to her American accent
which she hadn't done
for the whole time.
And she went,
I wasn't going to take it from you you and I was just holding this awful like dripping pudding over my cut my beautiful silk
shirt and I'm just holding it there really tightly not letting it go I was just like oh my god
everyone's doing like what was that that was the strangest response and then she was like okay
and then she she moved off and then I had to go and apologize costume thing so just weird stuff like that you made her break character you made meryl streep break character i've gone all hot
honestly the amount of times people will message me or come up to me and say the apple crumble
story my apple crumble and it just i mean phoebe's an amazing storyteller as we all know and it has me in
hysterics every time I listen to it but it also I think you know the reason I started How To Fail
is because I wanted to make it clear that we all fail and even people that we look up to and admire
who seem to have it all sorted who are famous in their own rights even they embarrass themselves
in the most ridiculous ways.
Yes, I think it's really interesting when you start to talk to famous people,
people in the public eye, that you realise that many of them,
definitely myself included, don't feel part of that gang.
Like when I meet famous people, I see them as like otherworldly.
And I do, just like Phoebe, weird shit, say weird things, do weird things.
As I was listening to that, I thought,
I've done so many strange things.
Some I had to block out because they've been so weird.
But I remember once interviewing Clint Eastwood.
I interviewed Clint Eastwood?
How did I know you were going to say that?
This is how connected we are.
Oh my God.
And I was so nervous
when I did.
Did you know?
Same.
Well, of course,
it's Clint fucking Eastwood.
And I,
after the interview,
sort of took his champagne
out of his hand
and drank it.
That is so cheap.
It's not okay.
No, it's not.
It's really common,
which is what I am.
It's really not okay.
Were you interviewing him
for TV or radio?
Yeah, it was for the Oscars.
I was in Los Angeles.
It sounds very glamorous.
But again, I was in the room going,
I shouldn't be here.
This is completely absurd
that I am in a room full of people like Clint Eastwood.
So I behave strangely
because I don't know how to contain that,
that sort of pulsating energy of like,
I need to jump out of my own skin.
That's so, thank you for sharing that. That makes all the rest of us, to jump out of my own skin that's so thank you for
sharing that that's so it makes all the rest of us I think feel loads better it's fascinating
I honestly think I've sort of blocked them out in a PTSD yeah mind blank I interviewed Clint Eastwood
way back when I worked for the Observer and it was the first major interview that they trusted me with
and it was a film junket for a film starring Angelina Jolie called The Changeling that he directed. I was given a grand total of 20 minutes,
which for radio and TV sounds like a lot. For print journalist is just not very much at all.
I was so nervous and I really crafted my questions and all that. Walked in, he could not have been
more charming or more charismatic. He was 78 at the time. He was so lovely to me. But I remember asking him if it was true that he was a 20 pound baby
because that was on his Wikipedia page.
He was like, no, I was not.
That would be physically impossible.
But I think I was quite big.
Like that's how nice he was.
He was along with it.
I'm having flashbacks.
Now we're on this subject that are making my toes curl
I've had another one
this was so bad
it's not even bad
like traumatic
it's just so weird
okay
oh so odd
so I was interviewing
Kings of Leon
who I love
I'm a fan
a mega fan
and I've loved
every single album
I've sort of studied lyrics like I'm obsessed with them I've seen them live countless times and I've I've loved every single album I've sort of studied lyrics like I'm
obsessed with seeing them live countless times and I've interviewed them a few times but on
one occasion it was probably one of the the earlier interviews I'd done with them it could
have even been the first and it was Caleb and Nathan and we were chatting and the interview
wrapped up and we ended up getting on to subject of tattoos. I don't know how.
And I... No, don't.
No, I know where it's going.
It's so bad.
So I started sort of
getting overexcited
and when obviously
I'm nervous,
I just talk
and I don't stop.
And I was sort of listing
all of my tattoos
and I was like,
oh, and the biggest ones
were my foot.
Then I reached down.
I had laced up Converse on
so it's quite a palaver
to get them off.
I unlaced the whole shoe.
They just sat there watching me silently,
take my shoe off, take my sock off,
then sort of showing them my bare foot in an interview setting.
But it was the sort of 30-second silence that felt like an hour
where I was unlacing my shoe.
And they're probably thinking, why is she doing this?
This has gone off the rails hasn't it
we don't need to see her foot and we don't care and we've probably got eight other junket
interviews to do can you get this mad fan out like oh fun but do you know what i think is
especially in those junket settings you and i strive for connection in all aspects of our life
here's my foot yeah and in the junket it's actually really hard because you're part of
this conveyor belt it is literally like that that Hugh Grant scene in Notting Hill.
It is.
So you're just like, here, love me, love my foot.
Oh, I'm awful.
But do you know what's interesting?
I can't bear it.
So Phoebe was my first ever guest.
So that was July 2018, that episode went out.
And Fleabag season one had aired.
But she obviously then went on to become like a mega star. So Fleabag
season two came out, Killing Eve came out, all of the other amazing stuff that she's done.
And she came back on How to Fail two years after that first episode to talk about what that level
of success was really like and how actually there are failures within that. And it was super
interesting. I've only ever had a handful of guests back on, but it was so interesting to have someone who had experienced
this kind of global level of fame and success and to have someone so self-aware and so insightful
that she could really analyse all of that and say, well, actually, I regret this and I feel
I failed at that. It's so interesting because we still collectively have
this belief that when you reach a certain level of success or whether it is as sort of vapid as
it being just fame that we're going to feel complete and everything's going to be all right
and that we put those people on a pedestal that they're untouchable that they could never sort of
feel pain or experience anything
awful and it's all it's total nonsense yeah but it's hard even I fall into that trap and I interview
people who are really famous all the time and I still think they're better than me they're more
together than me they don't you know show people their bare foot in interview settings you know
they might do Shania Twain might do that all the time, just as a little warm-up intro.
Oh, I can't bear it. I learned a big lesson there. This has been very insightful, I would say. I love listening to your podcast as a fan, so I'm constantly learning from the work that you do.
But it's so nice to really hone in on certain life lessons and things that we've respectively taken away and I think if anything
I feel more motivated to go and do that and also I think listening to these clips has made me really
realize what a privilege it is to interview people I never and I know you feel the same I never take
it for granted that I get to have a deep deep conversation with someone. We're asking people, strangers often,
questions that we don't ask our own friends.
So it's a total privilege.
It really, really is.
I want to thank you for having this idea.
I've loved doing it.
It was so wonderful trawling through our respective back catalogues.
And actually, we didn't discuss which clips we were going to choose,
but it flowed together so
beautifully and I think that we've covered so much ground and I just want to thank you also
for opening up these kind of conversations because you are the OG of the podcasting world
and we're not for fern cotton we wouldn't a vast majority of us wouldn't be having these
kind of conversations so thank you for the work that you do and I love you do. And I love you, mate. Mate, I love you so much.
If you enjoyed this episode of How to Fail with Elizabeth Day, I would so appreciate it if you
could rate, review and subscribe. Apparently, it helps other people know that we exist.