How To Fail With Elizabeth Day - Fern Brady - ‘I make more money in comedy than I ever did from stripping‘
Episode Date: July 30, 2025In this searingly funny and deeply affecting live conversation, Elizabeth speaks to stand-up comedian, author and Taskmaster favourite Fern Brady about her autism diagnosis, her working-class roots, a...nd the failures that shaped her award-winning memoir Strong Female Character. Fern opens up about late diagnosis, social masking, and stripping to fund her education - all delivered with the brutal honesty and whip-smart humour that’s made her one of the most exciting voices in comedy today. A powerful exploration of identity, feminism, and finding your voice. What stood out for you in this episode? Leave us a comment. ✨ IN THIS EPISODE: 00:00 Intro 01:58 Autism Diagnosis and Masking 04:40 Experiences on Taskmaster 11:40 University Struggles and Stripping 17:33 Challenges of Writing a Memoir 20:03 Reflections on Edinburgh 21:49 Struggles with Mental Health and Misdiagnosis 22:35 University Challenges and Autistic Shutdowns 23:25 Extreme Stress and Physical Symptoms 24:34 Breaking into Comedy and Facing Limitations 26:05 Overcoming Self-Limiting Beliefs 27:55 Navigating the Comedy Industry 34:02 Rejecting Mainstream Entertainment 37:21 Celebrity Bakeoff Experience 💬 QUOTES TO REMEMBER: “Even when people don’t know you’re autistic, they know you’re autistic. They pick up on something different about you.”“Comedy radicalised me as a feminist. And so did working in a strip club.”“I was told I had the wrong energy for QI. I think that was a coded way to say I was too common.”“Autistic people are always learning to speak neurotypical. All we’re asking is for a bit of that in return.” 🔗 LINKS + MENTIONS: Fern’s memoir Strong Female Character is out now! @fernfrombathgate Fern is a the Edinburgh Fringe: fernbrady.co.uk/gigs Elizabeth’s upcoming one-off show at Cadogan Hall on 21 Sep for her new novel One of Us: https://www.fane.co.uk/elizabeth-day Elizabeth’s Substack: https://theelizabethday.substack.com/ Join the How To Fail community: https://howtofail.supportingcast.fm/#content 📚 WANT MORE? Christine McGuinness on autism, calm and self-acceptance Caitlin Moran on feminism, girls and mental health Miriam Margolyes on difference, defiance and not caring what people think 💌 LOVE THIS EPISODE? Subscribe on Spotify, Apple or wherever you get your podcasts Leave a 5⭐ review – it helps more people discover these stories Share with someone exploring neurodiversity or recovering their voice 👋 Follow How To Fail & Elizabeth: Instagram: @elizabday TikTok: Podcast Instagram: @howtofailpod Website: www.elizabethday.org Substack: https://theelizabethday.substack.com/ Elizabeth and Fern answer YOUR questions live in Edinburgh in our subscriber series, Failing with Friends. Join our community of subscribers here: Have a failure you’re trying to work through for Elizabeth to discuss? Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Live Show Engineer: Will Kontargyris Sound Engineer: Matias Torres Assistant Producer: Suhaar Ali Senior Producer: Hannah Talbot Executive Producer: Carly Maile How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
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Hello wonderful listeners and viewers. Don't forget about my subscriber show Failing with Friends
where my brilliant guests get to be agony arts, uncles or non-binary advice-givers.
You can learn how to cope with a friendship breakup with Cynthia Nixon,
feeling calm with Christine McGuinness and how to recover from a broken heart with Danny Minogue.
Join the family, just follow the link in the show notes.
Minogue. Join the family. Just follow the link in the show notes.
Welcome to this super special episode of How to Fail with Fern Brady, live from Usher Hall in Edinburgh. Thank you so much for listening.
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My guest tonight is Fern Brady, a stand-up comedian and award-winning author born in
Bathgate, West Lothian in 1986.
Her parents are working class, her dad worked for a haulage company while her mom worked
at Tesco, and Brady was raised in a household with two brothers.
She went to Edinburgh University where she was editor of the student newspaper
and won a scholarship to train as a reporter in England. For one assignment, Brady was sent to
try out stand-up comedy. After performing her first show, she experienced a feeling, as she puts it,
akin to the early bit of falling in love. Since then, her career has seen her tour internationally,
reached the finals of So You Think You're Funny,
appear on multiple panel shows,
including 8 Out of 10 Cats and Taskmaster.
Last year, she got her own Netflix comedy special,
and she's about to go to North America with her tour,
I Gave You Milk to Drink,
which has already played to sell out crowds here.
But her impressive career has not been
without its challenges.
From an early age, Brady earned the reputation
of being difficult at home because of frequent meltdowns
and ended up attending a teenage mental health unit
at the age of 16.
It wasn't until 2021 that Brady was finally given a late autism diagnosis at the age of 16. It wasn't until 2021 that Brady was finally given
a late autism diagnosis at the age of 34.
The diagnosis made sense of much of her life,
experiences she wrote about with candor and humor
in her award-winning 2023 memoir, Strong Female Character.
Often I get told my standup is uncompromising, Brady says,
which is funny to me because I'm constantly compromising.
Edinburgh, please welcome the one and only fan, Brady.
CHEERING
Sounds mad when you read it out like that.
How are you feeling?
How's the squirm level?
Yeah, that was more embarrassing than I thought it would be.
I wanted to end on that quote, that idea of being told that your comedy is uncompromising,
but you having to compromise a lot.
Because I think it really speaks to something that you write about so brilliantly in Strong
Female Character about the way that girls and young women often mask autism and therefore
don't get diagnosed in time. Could you just speak a bit about masking and how that manifested
for you?
In case anyone doesn't know what autistic masking is, It's hiding your autistic traits in order to fit in with other
people. So I think I present that I'm pretty sociable and I'll chat to anyone but when I was
five I found it difficult to speak at school and I used to come home and have these massive
meltdowns after not speaking in school. And then gradually over time you, I mean
especially in high school, you look at what other people are doing and try and
find ways to fit in and by the time I got diagnosed I had a few years of people
telling me they thought I was autistic. I thought I was autistic but I got into my
head that I could try and fix it and just learn the right things to say to people
and almost learn social skills as if I was learning a foreign language.
And that's called social perfectionism and a lot of autistics have that and it's really damaging
for you. It's much better to be able to be your true self than try and mask. If I was to give an example of masking it would be
things like, like I find hugging strangers difficult or people touching me
lightly on the arm feels like bugs on my skin or I would have difficulty with
studio lights at TV jobs and I kind of quickly learned that you have to not
mention that or you're gonna be seen as difficult. When Taskmaster came out actually, I'd not long been diagnosed and I thought on Taskmaster
it's going to take a lot of effort to mask, right? So I'm just going to be myself and
not worry too much about masking. And that meant I would shift around in my chair a lot
during the studio shows, just the chairs are uncomfortable. I'd rather sit on the floor. A lot of things, right?
And when the show came out, there was comments from people online being like,
why is she, is her skirt too short? Why is she tugging it down?
Because I was just naturally fidgeting a lot.
There were also a lot of messages from people who recognised themselves
seeing you on screen, weren't there?
Oh, I mean, yeah, that was the most touching thing.
There was a lot of times this happened, but someone messaged saying,
my son's autistic and he loves you on Taskmaster
and he recognizes himself in you.
Because you know the phrase, real, recognize real?
I feel like autistics recognize autistics.
And it's often been said that other
autistic people are better at spotting autism than doctors. I mean a lot of people I know who got
diagnosed after me, I wasn't surprised at all. But yeah. The other weird thing was since the book
came out, I wrote the book to be really specific and I wrote a lot of embarrassing stuff in it that
I thought was unique to me.
And then I've had so many people come up to me, like so many people come up to me saying
that this is like my life. And when I went on tour to America, there was one woman came
up to me after a gig and said, this is like my life, except I did foot porn instead of
being a stripper. The level of specificity I really appreciated in your memoir,
which is just a brilliant book, if you haven't read it, you must.
Because we were talking about this backstage,
I had never come across the word,
a-list-ic, to describe a neurotypical person.
And I really valued that you used that. Why did you
choose to use it? In the book I talk about autistics and elistics because I
more and more these days I see people using really vague terms in an effort to
be polite when talking about autism. I think people are still quite squeamish
when it comes to talking about autism.
So people will often call me neurodivergent and I understand the reasoning behind that,
but it's such an umbrella term that covers everything from dyslexia to ADHD, all sorts of things.
And autistic people, I can only speak for myself but I prefer specificity
so that's why I tried to use really specific terms to say that I was talking
about non-autistic people in the book. And you also talk about how living with
autism is a bit like having an Android phone and trying to communicate with an iPhone.
So people talk about autistic people as if we're terrible at communicating, but there
was some study that showed that when autistic people work together as a group, we get on
fine.
It's when we try and work with non-autistic people there's a bit of a communication difference. So we're always making the effort to speak in
neurotypical and all the autism advocacy movement is asking for is for a bit of
that in return. But when I read that that autistic people get on with other
autistic people it made so much sense because I started
to think back over like the number of times I've met someone and thought I
think I'm in love with this person I have to leave my boyfriend for them and
then they got diagnosed autistic a few years later. Like when I meet other
autistic people just most of the time it just feels like this effortless
communication.
By the way, the Android versus iPhone thing, that's not, I didn't come up with that, I
don't want to take credit for it. I think that was an author called Steve Silberman
that wrote a book called Neuro Tribes. It's very good if you haven't read it.
There's this very funny story in your memoir, which like many of your anecdotes is funny, but
has this darkness to it that also makes it delicious.
Oh no.
It's a don't worry.
It's about you working in boots.
Oh great.
Yes.
And the badge.
Will you tell us that story?
Oh listen, I've done about 50 jobs and I worked in every strip club in this area, RIP Liquors Club and Bottoms Up.
And yeah, to this day, working in Boots Bathgate was one of the most harrowing jobs I've ever done.
It was awful.
Because when you don't know you're autistic, you just, I used to think, oh it I'm just this big, tall lump, and other women just don't like me.
And I don't know why I feel like this.
Misfit all the time.
But even when people don't know you're autistic,
they know you're autistic, if that makes sense.
They pick up on something different about you,
just something just slightly off about you,
whether it's the way you move or talk
or you blurt out these unacceptable things at weird times and the women in boots picked up on that
it's like an animal instinct and I just had such a miserable time there like I
remember one time boots it was the week before Christmas we all had to dress up
in Christmas themed outfits and everyone came in with these delicate little
reindeer antlers and tiny little angels wings.
I genuinely turned up with these wings that spanned my back, these enormous wings,
just trying to restock the pile cream going, sweeping everything off the shelves.
And that made them hate me more but I also took things very literally it
always felt like no matter how hard I tried and in these jobs like I would get
sacked from jobs all the time and not know why so we had to wear this badge
that said ask me about the new number 7 mascara and people on the check out
would say well tell me about the new number 7 mascara. I'd go, it's terrible, you have to get the L'Oreal one instead, it's much better. And my boss
took me aside and was like, what are you doing? There's a promo on the number 7
mascara. So I never was able to read between the lines and every week I would
get pulled into the office for another thing and another thing and it's just
amazing to see something like that finally.
What mascara are you wearing tonight Fern?
Oh, Benefit.
Very loyal to that brand.
Your first failure is your first year at university and you say that you did it three times.
Yeah, wedge tape.
Well, these are your words.
You say you did it three times because I kept ending up in court cases and it was quite
distracting.
Tell us about university because there was a sense wasn't there that you didn't quite
know how to do it but your identity up to that point was wrapped up in being clever and good at
exams. Yeah I used to just think and again this is common with autistic
people with I've got what they used to call Asperger's but is now called ASD1
so that this is common with my flavor of autism is they get called little professors
in school and a lot of their eccentricities just gets written off as, oh they're clever.
So a lot of the strange things I did when I was little, my parents were like, oh she's
just clever, she'll be fine once she goes to uni. So I had really high hopes that I
was going to get to Edinburgh Uni and everything was going to be great. We were all going to talk about books and the life of the mind. Like I was
going to find my people there. And then I got there. And I remember being in the queue
for Freshers Week and I was talking to my flatmate who was from the Shetlands and these
girls in front of us went, what's that smell? Smells like commoners.
And that was when I was like, oh shit,
this is setting the tone for the next four years.
And even lecturers as well.
I mean, you might have seen, it's been in the news recently,
it was in the Times that Edinburgh Uni has a real problem
with English students being, not all of them,
but some of them being horrible, the Scottish students.
So it's good to know I wasn't the only one.
But yeah, I found uni very, very difficult because students tend to,
they tend to get advice from their peers if they don't know where they're going,
they get advice from their peers and eventually everything sort of falls into place.
But there is a really high dropout rate for autistic students.
And there was also a high dropout rate for working class students from my area.
I mean, at the time I went to uni, they were very good at encouraging a lot of people from
my school to go, but it's tricky if your parents haven't been and if you don't have a lot of
peers or people in your family that have gone.
And I remember a lot of clever people from my school dropped out after the first year.
So yeah, my first year of Yeni, I did Arabic and Persian with Islamic history.
I quickly realized that was a mistake because it's very hard.
Although you can still say one phrase in Persian, can't you?
Oh haram an-nordarad.
That means my sister.
I'm so attracted to you right now.
That was so beautiful. That was like ASMR. I'm so attracted to you right now.
That was so beautiful.
That was like ASMR.
I'm worried there's going to be an Iranian in here who's like, the pronunciation is wrong.
That means my sister has a pomegranate.
So you talk there about some of the challenges being at university and one of the very real
challenges was there not being enough money.
Yeah.
So the stripping. Tell us about that.
So, after I failed first year and second year,
first year I got in trouble with the police first, I was 17.
Second year, I had a bad boyfriend to put it lightly as in the book and then it
just became I was working in a bookies and it just was becoming clear that
there wasn't gonna be enough money to keep doing uni and have a go at getting
into student journalism. Everyone else seemed to either have no job at all or
the uni said like you could only work a certain number of hours.
And then there was this article in the student newspaper that was like
student strippers make cash doing lap dances or what it was a snappier headline than that.
And it was meant to be discouraging people from going into stripping.
But the number of strippers that I met that got into it from that article. Because strippers always like a lot of strippers lie and
mention like their best night when they talk to journalists. So this girl was
like I make a thousand pounds a night and it's terrible to say that I make more
money in comedy than I ever did from stripping. That's how bad I was at
stripping. You have to have a certain personality for it and it involves a degree of openness and good
will towards men. And that's why you need to be like 19 or 20 when you're
doing it because you've still got that hope in your eyes and that you don't know that men are bad.
And then very quickly I got cynical
and I remember one guy just throwing money at my face
and storming out,
because he didn't want a lap dance.
Yeah, but I enjoyed writing about it in the book.
You say it radicalized you as a feminist.
Yeah.
Yeah.
Because I remember reading Feminist Theory, I switched, I dropped out Arabic and switched
to English Lit, so you do all the feminist theory.
And I remember reading it and being like, I don't know how this applies to me.
And then started working in the strip clubs and I was like oh yeah I'm
big enough, feminism now. That sort of suspicion, I'd say a healthy suspicion
about what guys intentions are has stayed with me forever. Well at the same
time as that kind of radicalization was happening you touched on it there that
one of the court cases involved an ex and I know we have to be careful how we talk about it.
Yeah, this was the worst bit of writing the book, easily.
I can't even imagine how horrendous that was to live through and then how horrendous it
was to live through it again when you were writing about it. It was a very violent assault. And I wonder whether you feel like there was any part of your autism that made you more
exploitable by someone like that?
Yeah, so I found out that lots of autistic women are much more likely to end up in abusive
relationships and there's actually just been a newspaper story about this, it's so sad, this girl she was groomed by Nazis in America and thought
she was in a relationship with one of them online. I mean I could give you dozens of
examples of stories like that where you just, you don't see the danger, you don't see a
lot of red flags coming.
So the chapter about that relationship was the first one I wrote for the book,
or it was one of the sample chapters that I sent in.
And it was weird because I hadn't been planning on writing a book,
and then something triggered on memory about that time,
and I just sat down and started writing it.
And I had this really
mad physical feeling when I was writing it. And then when it came to publishing the book,
we had to cut so much out. I had to prove certain things had happened, which obviously
you have to not get sued. But it felt like it was happening all over again. Like I started having these physical feelings that I hadn't had for years.
But it was important to put it in because I read this book called Asper Girls that someone
from my audience told me to read.
It's a good book but it's quite dry.
It's not a memoir.
It just lists examples of stuff that can happen to autistic women. So we're more vulnerable
to things like grooming, more vulnerable to violent relationships, school bullying,
blah, blah, blah. And as I was reading the book, I was like, this is like a point by
point list of things that have happened to me. So I thought it might be more effective
to write it as a memoir. But yeah, that was by far the hardest bit of the book coming out, by far.
I'm so sorry you went through that.
And I'm so grateful that you had the courage to write about it and to withstand it,
because I know so many people will feel seen by your words and it will give them...
Yeah.
That's all right.
Like, I still feel uneasy talking about it in Edinburgh because it
all happened in Edinburgh. Yeah. I've never said this before, the first one of
the first times I was ever on TV was, I got on it quite early, I was on 8 out of 10
Cats or something and I'm so awkward on panel shows,
it does just seem like, how have they put this person on?
And on the Eight Out Of Ten Cats Facebook page,
this guy that I went out with,
one of his relatives commented,
why is she on it?
Has she won a competition?
Is it April Fool's Day?
And I just had this such a strong reaction
of wanting to be like, please leave me alone.
And yeah, like Edinburgh's such a beautiful place,
but whenever I come back, it's so bittersweet
because there's so many parts of the place
that are tainted with memories of it.
I mean, I came to the Usher Hall
with that guy that was in the book
and have a bad memory from there. memories of it. I mean, I came to the Usher Hall with that guy that was in the book and
have a bad memory from there. So it is like I would never live in Edinburgh again because
I have these really vivid memories of the stuff that happened there.
Yeah, of course you do. And I really hope that tonight we can create a completely different
memory. Cheers. Yeah. Honestly. thank you for talking about that.
And I want you to know that you're safe here.
Yeah.
It's such a strange feeling.
So university, it ended up with a shutdown.
You describe it as a sort of autistic shutdown where you went to the doctor and you had weeping
sores over your body.
Yeah that was a different time. Is this still a university though?
This is starting to sound quite Dickensian. And then you went to the work house.
But what did the doctor say to you when he saw your skin?
That was a bad week in the strip club with my weeping sores. So before uni I'd done my hires in a CAMS unit which is like a teenage psych unit that
you go to during the day instead of going for school.
Again the number of autistic people that I've met that end up in CAMS not knowing they're
autistic is unbelievable.
So I'd kind of formed this identity where I thought, oh I guess
I'm mentally ill and I'll always be mentally ill and I'm always gonna be
depressed because they told me in the unit you've you're depressed you've got
OCD which was a misdiagnosis. So when I went to uni I kept having these I would
work really hard and then I would have these times where I would just take to
my bed and I couldn't leave the flat and I couldn't get up and I couldn't really seem to
function and I had to get signed off of uni and I now think of these as autistic
shutdowns but I just didn't know it at the time I just thought oh well I guess
this is just always gonna be my life and I don't have things like since I don't
want to say getting the diagnosis
fixed stuff overnight, because it didn't.
It's taken years and years.
Like all the stuff I talk about in the book,
it's taken so, so many trial and error things
to try and reduce it.
But I think if I'd had that help earlier,
it would have been second nature
and I would have been able to prevent a lot of that.
These weeping sores that I'm fixated with, the doctor said this is normally a symptom of extreme grief.
Oh that was my boyfriend when I was in my final year, cheated on me with a torii.
Okay fine, we don't need any further explanation, you're done, draw a line under that.
You're done. Draw a line under that.
And I was so shocked.
I was so, so shocked.
I'll tell you, because he was Scottish as well.
He was like...
He was like...
But he was quite a posh, Glaswegian guy.
And then, basically,
we'd met in a class called working class fiction.
And we were like, oh, there's loads of posh people ahead of the bra isn't there and then we split up but we were still getting on okay and then I found out he was sleeping with this really posh girl and
the shock made me sick to my stomach and the next day I woke up with these sores
all over my body, impetigo and I. And I wasn't clarity or anything.
It wasn't from, the doctor was like,
we've seen people get this from extreme stress.
And I was like, yes, this is it.
Correct.
Yeah.
Listen, there's no seamless link from Empitygo
to your second failure.
So.
But your second failure is believing quite limiting stuff about what you can do in comedy
if you're a woman, if you're working class, or if you have a regional accent.
Yeah, back time.
And you go on that you've got pointlessly annoyed or bitter about this in the past and
that wastes time when you could be creating stuff.
So after university, you get the scholarship to study journalism, but you discover stand-up comedy,
you love it and you drop out of the journalism side of things.
And now you've built this incredible career in comedy.
So talk to me about where that idea
of self-limitation came from.
Who was it who told you?
It's not one person that told me.
But when I started in comedy there were
so few women doing it because I started up here just as I'd finished uni and
then I was only here for a couple of months and I moved down to England but
I was in the north of England and there was so few women on lineups that we
would often say that we never met each other unless we were doing all female
gigs and I remember there being gigs that I thought, oh it's just the male comedians get to do them.
Like there's gigs that you can do in Dubai and different gigs in the Middle East.
And I thought, oh those are just for the men.
And I mean I've since done those gigs.
It's not that exciting.
I've since done the gigs in Dubai.
Anyone can do them.
But that's one of like dozens of examples where I thought, oh I've believed that I can't do this
and you actually can. And then, I mean you read out in the introduction that I've been on panel
shows, I've actually not been on very many. I've mostly just on stand-up on TV because I'm very
comfortable saying a
scripted thing I like saying the same thing at the same time every night same
same same who would have thought I was autistic but there was a few years in
a comedy I just I wasn't getting booked for most stuff I was only really getting
booked to do stand-up on things and I got told I had the wrong
energy for QI. My agent said you've got the wrong energy for QI and I
thought is that West Lovian energy? I think this is a coded way to say you're too common.
And I just had this realization of I kind of looked at who was getting on
TV and I thought do you know the comedian Lemmy?
Like I love Lemmy, but one of the only times I saw him on British TV was he was on the IT crowd
and he was this inarticulate window cleaner that no one could understand because no one can
understand their accents and I just thought there's not to be that many Scottish comedians on TV. Like we've got Kevin and Frankie. That's it. That's it. It's done.
And I sort of thought I should maybe try and gig in other countries and see how that goes.
And then I started gigging in more countries and it really boosted my confidence massively.
And it just made me start thinking, stop wasting time getting annoyed about not getting on programs
that you don't watch. I've got this real bee in my bonnet about not getting on
QI but I've never seen an episode of QI. Yeah, me neither. Right, I basically
realized one day I should try and be in the stuff that I enjoy consuming,
because I know I like working in the arts,
but I never watch panel shows
and I don't watch most mainstream entertainment.
So I thought, well, what do I like?
I love listening to podcasts.
I listen to tons of podcasts and I love reading books
and I love watching comedy dramas.
So I'm just gonna put my energy into doing scripts.
I'll have a go at doing a book and then I had a podcast with my best friend during lockdown
that went better than expected.
And since once I started doing that, everything just fell into place.
And I actually got Taskmaster at the point where I had stopped caring about getting on
any TV.
But Taskmaster is such a unique program.
It unintentionally caters to ADHD and autistic people really well
and there's never going to be a show like that.
I'm never going to have a job like that again.
So even after Taskmaster I turned down quite a few TV things
because I don't... I just realised that...
It's weird, it's like once I got a taste
of getting recognized from comedy and stuff, I realized that wasn't the thing I got the
most gratification from. And once I started getting the response to the book that I did,
I got so many messages within the first week of it coming out and people telling their
own stories. I thought, oh, maybe I am good at writing. This is going to sound shit.
The horrible boyfriend that I had said I was shit at writing.
So I had kind of given up on serious writing.
It put a real dent in my confidence.
And I think that was why it took me so long to get going again.
Yeah. Does comedy still have a problem with sexism and elitism?
I think elitism, yes, but it's tricky to criticise because I've got so many posh friends in comedy
and I've so many friends who are ex-footlights people now and I genuinely don't think they
realise they're doing it.
But something that inspires me is that people now can get big outside of legacy
media by making little videos online or having their own podcasts. So I find it really inspiring
seeing people get ahead in that way. Because fundamentally people want to listen to and
watch comedians who sound like them and talk about
the things they relate to.
You asked about sexism.
So the other night I went out with a bunch of female comedians in Glasgow.
I did look around and think, God, things have changed so much.
And they were all talking about helping each other out at the Fringe.
They were like, oh, I'm going to share this email of PR advice for the Fringe.
Whereas when I started, there were so few women that we had this thing called,
I think it's called Highlander Syndrome, where it's like, there can only be one.
There can only be one female comedian and it's going to be me.
So I'm going to hate every other woman that gets in my way.
Yeah, so it was really lovely. and it's going to be me. So I'm going to hate every other woman that gets in my way.
Yeah, so it was really lovely.
Can you explain to me why there is such a stranglehold
for panel shows in comedy?
Why are we so obsessed with panel shows?
See, I don't think we are anymore because everyone's watching things on their phone.
And it used to be the thing that when you did live at the Apollo, you'd be so excited
to watch it go out on TV. Whereas everyone I know now who does it, they are waiting for
it to come out so they can get the clip of it and then upload it to Instagram
in the hope that it goes viral. Most comedians I know now don't care about getting on TV,
they just film a clip of themselves at a comedy club and hope that that goes viral.
And it does mean that you get a wider range of comedians coming through.
Yeah. There's this bit in the book where you talk about how being autistic, it helps you go
against some of the fairly overwhelming messages that you shouldn't speak up as a woman and
as a working class woman, but also that you struggled to pick up social cues when people
kept wanting to have meetings and what meetings were.
Can you tell us about that?
Yeah.
I mean, I literally used to go in and
you have to have a lot of pointless meetings with TV producers and comedy.
And I used to go into meetings and say,
so why are we having this meeting?
And you're not meant to say that.
Or I'd say, what's the point of this meeting?
Because I just wanted to know if I was getting money.
And you can't say that.
You have to play a game of social niceties.
And I did try it.
I sort of tried to refine it over the years,
but I found playing the game frustrating.
And I'm surprised I've got as far as I have
without playing games, because I still,
I don't like going to industry
parties. I mean I didn't even have a party for my own book because I was like
why would I have a book party for a book about autism? Why would autistic
people want to come to that? We should have it online as a zoom conference girl.
But also when I was when I was pitching the, I could see it very clearly in my mind's eye that
I couldn't really separate what bits of my life experience are impacted by being working
class women and what is impacted by being autistic.
And I think being autistic helped me push myself forward to do stand-up where I might not have.
Because when I think of all the women in my family there's like a lot of very
funny, very very like blunt women in my family who never went into stand-up and
I feel bad for them because it was seen as bad to not speak up.
Your final failure is trying to second guess
what you wanted to do on the basis of what other people
thought you were supposed to do.
For example, entertainment programs.
Yeah.
So you haven't done strictly Fern Brady.
Yeah.
Tell us why you haven't done strictly.
Because I don't want to do a poignant dance
about being autistic.
Oh my gosh, don't you?
An interpretive, interpretive pasodobly about my autism.
My agent was really saying, oh you know, you charmed them on Taskmaster,
maybe you'll charm them on this. And the only reason I could think to do it was my kitchen was being done
up at the time and I thought maybe they'll put me in a hotel if I do
strictly and that'll overlap with the building work and then I told my agent
that and he was like that's the only reason you can think to do it and I also
screenshotted this newspaper story that said,
well, Young, I fantasized about breaking my own legs during the making of Strickland.
And I sent it to my agent.
Also, because all the building work was going on when I had a call with them,
I kind of just wanted to get on the Zoom and get off.
So I hadn't done very much research for it.
This is me being bad at meetings again.
And they were like, so Fern, you're able to do live comedy
and you're confident with that,
but how do you think you would cope with live dancing?
And I went, well, the first couple of weeks
looks pretty easy.
They were like, it's actually very hard, very intense dance training. I felt like,
go on, I don't care, just shutting the laptop. Going back to making tea for the builders.
But the fact that you were on that Zoom call, I find it very funny that there's a sort
of pre-preparation Zoom call even to get the offer to be on Strictly. But the fact that you were on that Zoom call, was that part of you second guessing your natural instinct?
So after Taskmaster I got more offers of things to do but I also started to get
recognised a bit more like Kieran there and my boyfriend had said for years like when I started
Stand Up he said you better hope you never become famous because you go daft if people are just
looking at you on the train and you don't like it and he said if you got
recognizable it would be like that all the time and I was like shut up it's
definitely gonna fill the emptiness inside and then when I did start getting
recognized a little bit I was like oh, oh, yeah, he was right.
So it basically felt like I was at a fork in the road where I could keep doing tour shows
and just have my own little audience who I love, or I could choose to attempt to go down this path of more mainstream entertainment,
which I know I wouldn't be good at and I know it's not what I want
to pursue. And as time goes on as well, it really sharpens your focus as you get older
because you think, if there's certain things I want to do, I want to really start concentrating
on it now. And I've got another two books that I want to write, one I'm contractually
obliged to write.
Will you tell us the story of Celebrity Bake Off,
which is one of the light entertainment shows
that you did to, yeah.
That ruined bacon for me.
Did it? You can't watch it anymore.
Oh, I never watched it before I did it.
Okay.
That was one of the bits where I went wrong
was not watching Bake Off before I did it.
But one of the funny things about that
is because obviously it was raising funds for
Stand Up to Cancer.
Yes.
And you kept being asked if you knew anyone with cancer.
Oh, God.
Tell us a story.
Yeah, do you know about this?
Yeah.
Yeah.
Yeah.
Yeah.
Tell us that story, Fern.
Yeah, this is another thing where it would be good to just have made something up.
Yeah, my mate Phil did the latest series of it and I went, oh did they keep asking you
if anyone had died in your family?
And he was like, yeah, my grandma.
And I was like, so jealous, which is terrible.
But they really put you on the spot.
Oh, come on, for anyone at all, can you think of anyone?
Anyone had cancer? And I was like, no, no! And then finally, because I wanted to be good
and give them something, I said, oh, God forgive me, I said, oh, Rod Gilbert is a
comedian who's had it and we've been so sad for, but I've only met Rod Gilbert once. So I thought all I have to do is make friends with him
between finishing filming and the program coming out,
and this is going to be okay.
But I went on Bake Off as if I was on the actual baking competition.
I went in with an attitude of, I didn't come here to make friends.
And, erm, Dermot O'Leary was on my episode and he's like the nicest man ever.
And he kept coming over to my island being like, oh how's it going friend? What are you up to?
And this is so embarrassing. So I think he was doing, I haven't seen the show but I would imagine part of the format
is going over to fellow contestants and talking to them and I just was like what are you doing I've only got another hour to make this
roulette. So I started shooing them away and then Mel B who was like my favorite
Spice Girl of all time, I got my tongue pierced for her when I was 14 on
Coburn Street so Mel B she was one of the other contestants on it and I
actually was, I was crying that I'd met her at the end of the day of filming. I was crying on
the phone to my boyfriend. I was like, you don't know how much this means to me.
But Mel B is a whirlwind of a lady. She's very distractible and she kept trying to
ask me how to turn on the blender, help
it out with stuff and I never thought I would see a day where I would be like
would you ever get away from my kitchen island, get back to your own baking
because she couldn't do anything she couldn't even she could obviously because
she's been like a multi-millionaire since the 20s. She couldn't cook anything. Oh my gosh, so you won't be doing that again. But I do have one question for you.
Are you friends with Rod Gilbert now?
Oh, yeah, I don't think he would mind. I mean, I've
messaged his partner on Twitter, so it's probably okay.
But have you met him? But you haven't met him again?
No.
Oh, Fern Brady, you've been a total delight.
I just want to say another thank you Fern for your candour, your humour and the beauty
that comes from your vulnerability and your strength and the work that you do not only
entertains, but it also really helps so many other people feel seen and
understood. So I just want to add another thank you for you for coming on How To Fail. Thank you, Fern Brady.
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