Huberman Lab - Essentials: How Hearing & Balance Enhance Focus & Learning
Episode Date: May 8, 2025In this Huberman Lab Essentials episode, I explore how the auditory and vestibular (balance) systems are essential for enhancing learning and improving focus. I explain how the auditory system captur...es sound waves and how the brain interprets these signals to make sense of the environment. I also discuss the use of white noise and binaural beats to support brain states conducive to learning, focus and relaxation. Additionally, I explain how the vestibular system helps maintain balance and examine practical tools to enhance auditory learning, cognitive performance and mood. Read the episode show notes at hubermanlab.com. Thank you to our sponsors AG1: https://drinkag1.com/huberman Eight Sleep: https://eightsleep.com/huberman Function: https://functionhealth.com/huberman Timestamps 00:00:00 Huberman Lab Essentials; Hearing & Balance 00:00:55 Sponsor: AG1 00:02:55 Ears, Sound Waves, Cochlea 00:06:42 Sound & Direction, Ventriloquism Effect, Cupping Ears 00:10:09 Sponsor: Eight Sleep 00:11:45 Binaural Beats, Alertness, Calmness, Learning, Anxiety 00:16:03 Tool: White Noise & Learning 00:19:31 White Noise, Hearing Loss & Child Development 00:22:38 Sponsor: Function 00:25:26 Auditory Learning, Cocktail Party Effect, Tool: Remember New Names 00:29:31 Balance, Ears, Vestibular System 00:34:42 Improve Dynamic Balance, Tool: Improve Mood & Learning, Tilted Exercise 00:37:35 Recap & Key Takeaways Disclaimer & Disclosures
Transcript
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Welcome to Huberman Lab Essentials,
where we revisit past episodes
for the most potent and actionable science-based tools
for mental health, physical health, and performance.
I'm Andrew Huberman,
and I'm a professor of neurobiology and ophthalmology
at Stanford School of Medicine.
Today, we're going to talk all about hearing and balance
and how you can use your ability to hear specific things
and your balance system
in order to learn anything faster.
The auditory system, meaning the hearing system
and your balance system,
which is called the vestibular system,
interact with all the other systems of the brain and body
and used properly can allow you
to learn information more quickly,
remember that information longer and with more ease.
And you can also improve the way you can hear.
You can improve your balance.
We're going to talk about tools for all of that.
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Can you hear me?
Can you hear me?
Okay, well, if you can hear me, that's amazing
because what it means is that my voice
is causing little tiny changes in the airwaves,
wherever you happen to be, and that your ears
and whatever's contained in those ears and in your brain
can take those sound waves and make sense of them.
And that is an absolutely fantastic
and staggering feat of biology.
And yet we understand a lot about how that process works.
So what we call ears have a technical name.
That technical name is oracles,
but more often they're called pinna.
The pinna, P-I-N-N-A, pinna.
And the pinna of your ears,
this outer part that is made of cartilage and stuff,
is arranged such that it can capture sound
in the best way for your head size.
So the shape of these ears that we have
is such that it amplifies high-frequency sounds.
High-frequency sounds as the name suggests
is the squeakier stuff.
So we have low-frequency sounds and high-frequency sounds
and everything in between.
And those sound waves, for those of you that don't
maybe fully conceptualize sound waves,
are literally just fluctuations or shifts
in the way that air is moving toward your ear
and through space.
In the same way that water can have waves,
the air can have waves, okay?
So it's reverberation of air.
Those come in through your ears
and you have what's called your eardrum.
And on the inside of your eardrum,
there's a little bony thing that shaped like a little hammer.
So attached to that eardrum, which can move back and forth
like a drum, it's like a little membrane, you got this hammer attached to that eardrum, which can move back and forth like a drum, it's like a little membrane,
you've got this hammer attached to it.
And that hammer has three parts.
For those of you that want to know,
those three parts are called the malleus,
incus and stapes.
But basically you can just think about it as a hammer.
So you've got this eardrum and then a hammer,
and then that hammer has to hammer on something.
And what it does is it hammers on a little coiled piece
of tissue that we call the cochlea.
So this snail shape structure in your inner ear
is where sound gets converted into electrical signals
that the brain can understand.
Now, the cochlea at one end is more rigid than the other.
So one part can move really easily
and the other part doesn't move very easily.
And that turns out to be very important for decoding
or separating sounds that are low frequency
and sounds that are of high frequency,
like a shriek or a shrill.
And that's because within that little coiled thing
we call the cochlea, you have all these tiny little,
what are called hair cells.
Now they look like hairs, but they're not at all related
to the hairs on your head or elsewhere on your body.
They're just shaped like hairs, so we call them hair cells.
Those hair cells, if they move, send signals into the brain
that a particular sound is in our environment.
Now, this should stagger your mind.
If it doesn't already, it should,
because what this means is that everything
that's happening around us,
whether or not it's music or voices,
all of that is being broken down into its component parts.
And then your brain is making sense of what it means.
Your cochlea essentially acts as a prism.
It takes all the sound in your environment
and it splits up those sounds into different frequencies.
And then the brain takes that information
and puts it back together and makes sense of it.
So those hair cells in each of your two cochlea,
because you have two ears, you also have two cochlea,
send little wires, what we call axons,
that convey their patterns of activity into the brain.
And there are a number of different stations
within the brain that information arrives at
before it gets up to the parts of your brain
where you are consciously aware.
And there is a good reason for that,
which is that more important than knowing
what you're hearing, you need to know
where it's coming from.
And our visual system can help with that,
but our auditory and our visual system collaborate
to help us find and locate the position of things in space.
That should come as no surprise.
If you hear somebody talking off to your right,
you tend to turn to your right, not to your left.
If you see somebody's mouth moving in front of you,
you tend to assume that the sound is going to come
from right in front of you.
Disruptions in this auditory hearing and visual matching
are actually the basis of what's called
the ventriloquism effect.
The ventriloquism effect can basically be described
in simple terms as when you essentially think
that a sound is coming from a location
that it's not actually coming from.
The way you know where things are coming from,
what direction a car or a bus or a person is coming from
is because the sound lands in one ear before the other.
And you have stations in your brain,
meaning you have neurons in your brain
that calculate the difference in time of arrival
for those sound waves in your right versus your left ear.
And if they arrive at the same time,
you assume that thing is making noise right in front of you.
If it's off to your right,
you assume it's over on your right.
And if the sound arrives first to your left ear,
you assume quite correctly
that the thing is coming toward your left ear.
But what about up and down?
If you think about it,
a sound coming from above is going to land on your right ear
and your left ear at the same time. A sound from above is going to land on your right ear and your left ear at the same time.
A sound from below is going to land on your right ear
and your left ear at the same time.
So the way that we know where things are
in terms of what's called elevation,
where they are in the up and down plane
is by the frequencies.
The shape of your ears actually modifies the sound
depending on whether or not it's coming straight at you
from the floor or from high above.
Now this all happens very, very fast and subconscious,
but now you know why.
If people really want to hear something,
they make a cup around their ear.
They essentially make their ear
into more of a fennec fox type ear.
If you've ever seen those cute little fennec fox things,
they have these big spiky ears.
They kind of look like a French bulldog,
although they're kind of the fox version
of the French bulldog.
These big, big tall ears
and they have excellent sound localization.
And so when people lean in with their hand like this,
if you're listening to this,
I'm just cupping my hand at my ear.
I'm giving myself a bigger pinna.
Oh yeah, and if I do it on the left side,
I can do this side.
And if I really want to hear something,
I do it on both sides.
Okay, so this isn't just gesturing.
This actually serves a mechanical role.
And actually, if you want to hear where things
are coming from with a much greater degree of accuracy,
this can actually help
because you're capturing sound waves
and funneling them better.
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So now I want to shift to talking about ways to leverage
your hearing system, your auditory system,
so that you can learn anything,
not just auditory information, but anything faster.
I get a lot of questions about so-called binaural beats.
Binaural beats, as their name suggests,
involve playing one frequency of sound to one ear
and a different frequency of sound to the other ear.
And the idea is that the brain will take those two
frequencies of sound and because the pathways
that bring information from the ears into the brain
eventually cross over, they actually share that information
with both sides of the brain,
that the brain will average that information
and come up with a sort of intermediate frequency.
And the rationale is that those intermediate frequencies
place the brain into a state that is better for learning.
And when I say better for learning,
I want to be precise about what I mean.
That could mean more focus for encoding
or bringing the information in.
As you may have heard me say before,
we have to be alert and focused in order to learn.
So can binaural beats make us more focused?
Can binaural beats allow us to relax more if we're anxious?
So what are the scientific data say about binaural beats?
The science on binaural beats is actually quite extensive
and very precise.
So sound waves are measured
typically in Hertz or kilohertz.
I know many of you aren't familiar with thinking
about things in Hertz or kilohertz,
but again, just remember those waves on a pond,
those ripples on a pond,
if they're close together,
then they are of high frequency.
And if they're far apart, then they are low frequency.
So if it's many more kilohertz,
then it's much higher frequency
than if it's fewer hertz or kilohertz.
And so you may have heard of these things as delta waves
or theta waves or alpha waves or beta waves, et cetera.
Delta waves would be big slow waves, so low frequency.
And indeed there is quality evidence
from peer reviewed studies that tell us that delta waves
like one to four hertz, so very low frequency sounds
can help in the transition to sleep and for staying asleep.
And that theta rhythms, which are more like 48 Hertz,
can bring the brain into a state of subtle sleep
or meditation.
So deeply relaxed, but not fully asleep.
And you'll find evidence that alpha waves,
eight to 13 Hertz can increase alertness to a moderate level.
That's a great state for the brain to be in
for recall of existing information.
And that beta waves, 15 to 20 Hertz,
are great for bringing the brain into focus states
for sustained thought or for incorporating new information.
And especially gamma waves, the highest frequency,
the most frequent ripples of sound, so to speak,
32 to 100 Hertz for learning and problem solving.
Here, we're talking about the use of binaural beats
in order to increase our level of alertness
or our level of calmness.
Now, that's important to underscore
because it's not that there's something
fundamentally important about the binaural beats.
They are yet another way of bringing the brain
into states of deep relaxation through low frequency sound
or highly alert states for focused learning
with more high frequency sound.
They're effective,
but it's not that they're uniquely special for learning.
It's just that they can help some people
bring their brain
into the state that allows them to learn better.
There's very good evidence for anxiety reduction
from the use of binaural beats.
And what's interesting is the anxiety reduction
seems to be most effective when the binaural beats
are bringing the brain into Delta.
So those slow big waves like sleep, theta and alpha states.
There's good evidence that binaural beats
can be used to treat pain, chronic pain.
But the real boost from binaural beats
appears to be for anxiety reduction and pain reduction.
Many people like binaural beats
and say that they benefit from them,
especially while studying or learning.
I think part of the reason for that relates
to the ability to channel our focus
when we have some background noise.
And this is something I also get asked about a lot.
Is it better to listen to music and have background noise
when studying or is it better to have complete silence?
Well, there's actually a quite good literature on this
as well, but not so much as it relates to binaural beats,
but rather whether or not people are listening to music,
so-called white noise, brown noise,
believe it or not, there's white noise
and there's brown noise, there's even pink noise.
I want to be very clear that white noise has been shown
to really enhance brain states for learning
in certain individuals, in particular in adults,
but white noise actually can have a detrimental effect
on auditory learning and maybe even the development
of the auditory system in very young children,
in particular in infants.
So first I'd like to talk about the beneficial effects
of white noise on learning.
There are some really excellent studies on this.
The first one that I'd like to just highlight
is one that's entitled,
"'Low Intensity White Noise Improves Performance
in Auditory Working Memory Task,' an fMRI study."
This is a study that explored whether or not learning
could be enhanced by playing white noise in the background.
But the strength of the study is that they looked
at some of the underlying neural circuitry
and the activation of the neural circuitry in these people
as they did the learning task.
And what it essentially illustrates is that white noise,
provided that white noise is of low enough intensity,
meaning not super loud,
it actually could enhance learning to a significant degree.
And this has been shown now for a huge number
of different types of learning.
I was very relieved to find,
or I should say excited to find this study published
in the Journal of Cognitive Neuroscience.
This is a 2014 paper.
White noise improves learning by modulating activity
in dopaminergic midbrain regions
and the right superior temporal sulcus.
I don't expect you to know what the dopamine midbrain region
is, but if you're like me,
you probably took highlighted notice
of the word dopaminergic.
Dopamine is a neuromodulator,
meaning it's a chemical that's released in our brain
and body, but mostly in our brain,
that modulates, meaning controls the likelihood
that certain brain areas will be active
and other brain areas won't be active.
And dopamine is associated with motivation,
dopamine is associated with craving, dopamine is associated with craving.
But what's so interesting to me is that it appears
that white noise itself can raise
the what we call the basal,
the baseline levels of dopamine
that are being released from this area,
the substantia nigra.
So now we're starting to get a more full picture
of how particular sounds in our environment
can increase learning.
And that's in part, I believe,
through the release of dopamine from Substantia Nigra.
So I'm not trying to shift you away from binaural beats
if that's your thing,
but it does appear that turning on white noise
at a low level, but not too loud,
can allow you to learn better
because of the ways that it's modulating
your brain chemistry.
So what about white noise and hearing loss in development?
I know a lot of people with children
have these kind of noise machines,
like sound waves and things like that,
that help the kids sleep.
And look, I think kids getting good sleep
and parents getting good sleep is vital to physical
and mental health and family health.
So I certainly sympathize with those needs.
However, there are data that indicate that white noise
during development can be detrimental
to the auditory system.
I don't want to frighten any parents
if you played white noise to your kids. This doesn't mean that their auditory system or I don't want to frighten any parents. If you played white noise to your kids,
this doesn't mean that their auditory system
or their speech patterns are going to be disrupted
or that their interpretation of speech
is going to be disrupted forever.
But there are data published in the journal science
some years ago showing that when they exposed
very young animals to this white noise,
it actually disrupted the maps of the auditory world within the brain.
So auditory information goes up into our cortex
into essentially the outside portion of our brain
that's responsible for all of our higher level cognition,
our planning, our decision-making, et cetera, creativity.
And up there we have what are called tonotopic maps.
What's a tonotopic map?
Well, remember the cochlea, how it's coiled
and at one end it responds to high frequencies
and the other end it responds to low frequencies.
Sort of like a piano.
In the auditory system we have what are called
tonotopic maps where frequency, high frequency
to low frequency and everything in between
is organized
in a very systematic way.
Now, our experience of life from the time we're a baby
until the time that we die is not systematic.
We don't hear low frequencies at one part of the room
or at one part of the day and high frequencies
in another part of the room, another part of the day.
They're all intermixed.
But if you remember, the cochlea separates them out
just like a prism of light separates out
the different wavelengths of light,
the cochlea separates out the different frequencies.
And the developing brain takes those separated out
frequencies and learns this relationship between itself,
meaning the child and the outside world.
White noise essentially contains no tonotopic information.
The frequencies are all intermixed.
It's just noise.
So, one of the reasons why hearing a lot of white noise
during development for long periods of time
can be detrimental to the development
of the auditory system is that these tonotopic maps don't form normally.
At least they don't in experimental animals.
Now the reason I'm raising this is that many people I know in particular friends who have
small children, they say, I want to use a white noise machine while I sleep, but is
it okay for my baby to use a white noise machine?
And I consulted with various people, scientists about this,
and they said, well, you know,
the baby is also hearing the parents' voices
and is hearing music and is hearing the dog bark.
So it's not the only thing they're hearing.
However, every single person that I consulted with said,
but you know, there's neuroplasticity during sleep.
That's when the kid is sleeping.
And I don't know that you'd want to expose a child
to white noise the entire night
because it might degrade that tonotopic map.
It might not destroy it.
It might not eliminate it,
but it could make it a little less clear,
like sort of taking the keys on the piano
and taping a few of them together.
Once your auditory system has formed,
once it's established these tonotopic maps,
then the presence of background white noise
should not be a problem at all.
In fact, it shouldn't be a problem at all
because you're also not attending to it.
The idea is that it's playing at a low enough volume
that you kind of forget it in the background
and that it's supporting learning
by bringing your brain into a heightened state of alertness
and especially this heightened state of dopamine,
dopaminergic activation of the brain,
which will make it easier to learn faster
and easier to learn the information.
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So now I want to talk about auditory learning
and actually how you can get better
at learning information that you hear,
not just information that you see on a page
or motor skill learning.
So there's a phenomenon called the cocktail party effect.
Now, even if you've never been to a cocktail party,
you've experienced and participated
in what's called the cocktail party effect.
The cocktail party effect is where you are
in an environment that's rich with sound,
many sound waves coming from many different sources,
many different things.
So in a city, in a classroom, in a car
that contains people having various conversations,
you somehow need to be able to attend
to specific components of those sound waves,
meaning you need to hear certain people and not others.
You and your brain are exquisitely good
at creating a cone of auditory attention,
a narrow band of attention
with which you can extract the information you care about
and wipe away or erase all the rest.
Now, this takes work, it takes attention.
One of the reasons why you might come home
from a loud gathering, maybe a stadium, a sports event,
or a cocktail party for that matter,
and feel just exhausted is because
if you were listening to conversations there
or trying to listen to those conversations
while watching the game, it takes attentional effort.
And the brain uses up a lot of energy just at rest,
but it uses up even more energy
when you are paying strong attention to something,
literally caloric energy, burning up things
like glucose, et cetera.
Even if you're ketogenic, it's burning up energy.
So the cocktail party effect has been studied extensively
in the field of neuroscience.
And we now know at a mechanistic level
how one accomplishes this feat of attending
to certain sounds, despite the fact
that we are being bombarded with all sorts of other sounds.
So there are a couple of ways that we do this.
First of all, much as with our visual system,
we can expand or contract our visual field of view.
Okay, we can do that.
We can expand and contract our visual field of view.
Well, we can expand and contract our auditory field of view,
so to speak, or our auditory window.
We can really hear one person or a small number of people amidst a huge background of view, so to speak, or our auditory window. We can really hear one person or a small number of people
amidst a huge background of chatter
because we pay attention to the onset of words,
but also to the offset of words.
So one of the more common phenomena
that I think we all experience is you go to a party
and or you meet somebody new
and you say, hi, I would say, hi, I'm Andrew.
And they'd say, hi, I'm Jeff, for instance.
And I, great, great to meet you.
And then a minute later, I can't remember the guy's name.
Now, is it because I don't care what his name is?
No, somehow the presence of other auditory information
interfered.
It's not that my mind was necessarily someplace else.
It's that the signal to noise, as we say,
wasn't high enough.
Somehow the way he said it or the way it landed on my ears,
which is really all that matters, right?
When it comes down to learning is such that
it just didn't achieve high enough signal to noise.
So the next time you ask somebody's name,
remember, listen to the onset of what they say
and the offsets.
It would be paying attention to the je, in jeff,
and it would be paying attention to the th in F,
in jeff, excuse me.
All right?
And chances are, you'll be able to remember that name.
Now I do acknowledge that trying to learn every word
in a sentence by paying attention to its onset and offset
could actually be kind of disruptive
to the learning process.
So this would be more for specific attention.
Using the attentional system,
we can actually learn much faster
and we can actually activate neuroplasticity
in the adult brain, something that's very challenging to do
and that the auditory system is one of the main ways
in which we can access neuroplasticity more broadly.
I'd like to now talk about balance
and our sense of balance, which is controlled by,
believe it or not, our ears and things in our ears,
as well as by our brain and elements of our spinal cord.
The reason why we're talking about balance
and how to get better at balancing
in the episode about hearing is that all the goodies
that are going to allow you to do that are in your ears.
They're also in your brain,
but they're mostly in your ears.
So as you recall from the beginning of this episode,
you have two cochlea, cochleas,
that are one on each side of your head.
And that's a little spiral snail shaped thing
that converts sound waves into electrical signals
that the rest of your brain can understand.
Right next to those,
you have what are called semi-circular canals.
The semi-circular canals can be best visualized
as thinking about three hula hoops with marbles in them.
So imagine that you have a hula hoop
and it's not filled with marbles all the way around.
It's just got some marbles down there at the base.
Okay, so if you were to move that hula hoop around,
one of those hula hoops is positioned vertically
with respect to gravity, but basically it's upright.
Another one of those hula hoops
is basically at a 90 degree angle,
basically parallel to the floor,
if you're standing upright now, if you're seated.
Okay.
And the other one is kind of tilted
about 45 degrees in between those.
Now, why is the system there?
Well, those marbles within each one of those hula hoops
can move around, but they'll only move around
if your head moves in a particular way.
And there are three planes or three ways
that your head can move.
Your head can move up and down like I'm nodding right now.
So that's called pitch or I can shake my head no,
side to side, that's called yaw.
And then there's roll, tilting the head from side to side,
the way that a cute puppy might look at you
from side to side.
Pitch, yaw and roll are the movements of the head
in each of the three major planes of motion, as we say.
And each one of those causes those marbles to move
in one or two of the various hula hoops, okay?
They aren't actually marbles, by the way.
These are little, kind of like little stones, basically,
little calcium-like deposits.
And when they roll back and forth,
they deflect little hairs, little hair cells
that aren't like the hair cells
that we use for measuring sound waves,
but they're basically rolling past these little hair cells
and causing them to deflect.
And when they deflect downward,
the neurons, because hair cells are neurons,
send information up to the brain.
So if I move my head like this,
there's a physical movement of these little stones
in this hula hoop, as I'm referring to it,
but they deflect these hairs,
send those hairs, which are neurons,
those hair cells send information off to the brain.
Any animal that has a jaw has this so-called balance system,
which we call the vestibular system.
One of the more important things to know
about the vestibular, the balance system,
is that it works together with the visual system.
Let's say I hear something off to my left
and I swing my head over to the left to see what it is.
There are two sources of information about where my head is relative to my left and I swing my head over to the left to see what it is. There are two sources of information about where my head is
relative to my body.
And I need to know that.
First of all, when I quickly move my head to the side,
those little stones, as I'm referring to them,
they quickly activate those hair cells
in that one semicircular canal
and send a signal off to my brain
that my head just moved to the side.
But also visual information slid past my field of view.
I didn't have to think about it,
but just slid past my field of view.
And when those two signals combine,
my eyes then locked to a particular location.
Now, if this is at all complicated,
you can actually uncouple these things.
It's very easy to do.
If you get the opportunity,
you can do this safely wherever you are.
You're going to stand up
and you're going to look forward about 10, 12 feet.
You can pick a point on a wall,
stand on one leg and lift up the other leg.
You can bend your knee if you like,
and just look off into the distance about 10, 12 feet.
If you can do that, if you can stand on one leg,
now close your eyes.
Chances are you're going to suddenly feel
what scientists call postural sway.
It is very hard to balance with your eyes closed.
You might think, well, and if you think about that,
it's like, why is that?
That's crazy.
Why would it be that it's hard to balance
with your eyes closed?
Well, information about the visual world
also feeds back onto this vestibular system.
So the vestibular system informs your vision
and tells you where to move your eyes
and your eyes and their positioning
tell your balance system, your vestibular system,
how it should function.
So up until now, I've been talking about balance
only in the static sense,
like standing on one leg,
for instance, but that's a very artificial situation.
Even though you can train balance that way,
most people who want to enhance their sense of balance
for sport or dance or some other endeavor,
want to engage balance in a dynamic way,
meaning moving through lots of different planes of movement.
For that, we need to consider that the vestibular system
also cares about acceleration.
So it cares about head position,
it cares about eye position and where the eyes are
and where you're looking,
but it also cares about what direction you're moving
and how fast.
And one of the best things that you can do
to enhance your sense of balance
is to start to bring together your visual system,
the semicircular canals of the inner ear,
and what we call linear acceleration.
So if I move forward in space rigidly upright,
it's a vastly different situation
than if I'm leaning to the side.
One of the best ways to cultivate a better sense of balance,
literally, within the sense organs and the neurons
and the biology of the brain
is to get into modes where we are accelerating forward,
typically it's forward,
while also tilted with respect to gravity.
Now, this would be the carve on a skateboard
or on a surfboard or a snowboard.
This would be the taking a corner on a bike
while being able to lean safely, of course,
lean into the turn so that your head is actually tilted
with respect to the earth.
The head being tilted and the body being tilted
while in acceleration, typically forward acceleration,
but sometimes side to side has a profound
and positive effect on our sense of mood and wellbeing.
And as I talked about in previous episode,
it can also enhance our ability to learn information
in the period after generating those tilts
and the acceleration.
And that's because the cerebellum has these outputs
to these areas of the brain
that release these neuromodulators like serotonin
and dopamine, and they make us feel really good.
Those modes of exercise seem to have an outsized effect,
both on our wellbeing and our ability to translate
the vestibular balance that we achieve in those endeavors
to our ability to balance while doing other things.
So I encourage people to get into modes of acceleration
while tilted every once in a while,
provided you can do it safely.
It's an immensely powerful way to build up your skills
in the realm of balance.
And it's also, for most people, very, very pleasing.
It feels really good because of the chemical relationship
between forward acceleration and head tilt and body tilt.
Once again, we've covered a tremendous amount
of information.
Now you know how you hear,
how you make sense of the sounds in your environment,
how those come into your ears
and how your brain processes them.
In addition, we talked about things
like low-level white noise and even binaural beats,
which can be used to enhance certain brain states,
certain rhythms within the brain
and even dopamine release
in ways that allow you to learn better.
And we talked about the balance system
and this incredible relationship
between your vestibular apparatus,
meaning the portions of your inner ear
that are responsible for balance
and your visual system and gravity.
And you can use those to enhance your learning as well,
as well as just to enhance your sense of balance.
Last but not least,
I'd like to thank you for your time and attention
and desire and willingness to learn
about vision and balance. And of course, thank you for your time and attention and desire and willingness to learn about vision and balance.
And of course, thank you for your interest in science.