IMO with Michelle Obama and Craig Robinson - Hoard Memories with Loved Ones with Dave Chappelle
Episode Date: May 6, 2026Legendary comedian Dave Chappelle joins Michelle and Craig from WYSO, the public radio station in Dave's hometown, Yellow Springs, Ohio. Dave dishes about growing up with a double life -- one... in a small town and one in a city -- what he's learned about himself as a dad, how crucial it is to live in community, and how his mom taught him to not fear being great. Have a question you want answered? Write to us at imopod.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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I used to shout on my dad around town.
He had this thing he would do.
Not with everybody with certain people.
Hey, how are you doing?
I'm good, man.
And he would look at him and be like, how are you doing?
And then they'd, well, you know, then they'd say what the real thing was.
But then it taught me again.
Everyone's like a book that I haven't read.
Yes.
And, man, sometimes I can get past the cover.
And, man, I learned so much from so many unlikely people.
So, and then, of course, I take those lessons around the world and make millions of dollars.
This episode is brought to you by Chase Home Lending.
Hey, little girl. How are you doing?
Well, I'm doing just fine. We've got a special episode ahead.
We are out of the studio, and we are in Ohio in a beautiful town.
Yellow Springs.
I was going to, you know, our guest is not supposed to be here.
And he's not supposed to be talking.
He failed the first test.
He's not supposed to be here.
But it's good to see you.
I haven't seen you in a couple of weeks.
I know.
It feels like months I haven't seen you.
It has been months.
Now that we've been doing this podcast, I get to see my lovely sister at least once a month.
But I've been really busy the last couple of months and she's been vacationing in Hawaii.
I haven't been vacationing.
That's where I live.
You know, see, this is how, I mean, dude, you know, I work almost every day, almost.
Do you?
No, not really.
That's what I thought.
But we have a special guest.
We do.
And we should do a proper introduction.
Okay, take it away.
And I know this will sound familiar, but we've got Dave Chappelle, who is, I am such a huge fan of Dave Chappelle.
And I'm going to read him his bio, but I want to tell you,
Two things about meeting him for the first time.
One is Dave Chappelle is one of those people who makes me laugh just by thinking about them.
I can think somebody or someone says Dave Chappelle and I'll start giggling.
And I'm going to tell, I mentioned this to Dave in the car or when we were riding around.
Everybody knows Dave smokes.
No.
I hadn't smelled smoke since our mom passed away.
And it was such...
Our mom smoked, by the way.
This sounds weird.
But our mom smoked.
And being around Dave gave me this warm feeling...
That nicotine love.
Of being around my mom.
Yeah, he told me that this morning.
And I was like, really?
You're really going to tell that story?
I am.
I am, because I think people relate.
something like that. Okay, all right. Well, let's introduce Dave. Come on. Dave Chappelle is one of the
greatest comedians this country has ever produced. Full stop. Multiple Grammy Awards, the Mark Twain
Prize for American Humor, the highest honor in comedy, a voice that has shaped culture,
challenged power, and made the whole world laugh and think at the same time. This man is a legend.
So it is a genuine joy, a personal honor for the both of us to introduce a man who is not only the most important artist of our generation, but a true neighbor to this community.
Oh, H.
Oh, yeah, y'all thought I didn't know about that, didn't.
Welcome Dave Chappelle, Dave.
Oh, Dave, Chappelle.
Thank you.
Dave, thank you.
Thank you.
Thank you for inviting us here to Yellow Springs, your home.
The tour, as Craig was saying, we got in our cars.
They were about eight of them, and we drove around,
and we saw all the wonderful sites,
had the opportunity to stop by your mom's house.
Dr. Cian, thank you.
Just a beautiful, beautiful.
Why was it important for you to have us here?
Well, you know, being yourself, being Michelle Obama, I'm sure it's not lost on you that this community feels seen by the world if it's seen by you.
And unbeknownst to, maybe you know, this community, you have an enormous amount of support.
You know, Ohio elected your husband twice.
and hear locally,
you know, the message of hope
and change resonated profoundly.
And I was telling you earlier,
and I think you guys would agree
when Obama was running for president,
it felt as if he lived in Ohio
because the presence of his ground team was so strong.
And this radio station is our communities,
like lifeblood to us.
It's our connective tissue.
And we got to be a lot of,
We got close to losing them to Dayton, Ohio.
And, you know, we were able to work things out and get this building built.
And this is the first time I think this room has ever been used in any actual recording capacity.
And, man, I can't think of a better way to inaugurate any room, but with you and your brother here amongst us and our friends and family.
And it means the world to us.
It means the world to me.
But all of us, I could say without a doubt, are elated that you're here.
That there was driving around, I told you I got this familiar sense.
I mean, one of the greatest privileges of my life was not just serving as First Lady of this country,
but getting to campaign throughout this country.
And what I saw on the campaign trail is very reminiscent of what I felt here driving around your community.
and it is just a decency and an openness
and a willingness to connect with people
and as Luke said, to accept people for who they are.
And I always want to translate that to people across the country
because in a time when we don't feel like we see each other,
you know, I just want to remind people that communities like this one
is really the truth of what I saw in America.
It was the America I was representing.
And I felt that, you know.
I mean, it was oozing in every stop that we made.
And I think it's important for our listeners to understand that that America has not disappeared.
It is here alive and well and thriving throughout this country.
So it's just been a thrill for me to be back on soil like this.
But you were raised here.
This was your community.
Oh, absolutely.
Or you've had your connection to Yellow Springs.
Can you talk to us about why this community is so important to you?
I think my presence, my family's presence in this community is an extension of like my father's life work.
He lived here all my life and a lot of the ethics of community.
you know, I learned from him.
My mother and he are both from Washington, D.C.,
so I would mostly live with my mother.
But Christmas time and summertime,
I would come out to Yellow Springs,
and it was so much different in D.C.
And also kind of prepare me for what my life would be like,
because I was a kid with two lives.
I had friends from out here,
and I had friends in D.C.
And, you know, D.C. is like, you know, it's black.
very right but this town is white and I would come I would come out here and play DC records for them and they'd be like what is this music and then I go home play rock and roll stuff in DC and they're like what is this music but I felt like before there was an internet I got a good sampling of culture that way and that upbringing really did kind of help me become the type of comedian I am it made me less afraid of people
and this is going to sound weird here,
but it made me not afraid of white people.
So in comedy, in like say the 80s, really the 90s,
comedy circuits were segregated,
and people don't know that.
The black comedians played one set of rooms,
and white comedians played one set of rooms,
and Washington, which was a majority black city,
didn't have any black clubs until a few years into my career.
Not to say that it was always like that.
But for just like full-time comedy rooms, you know, I started out in what they would call white rooms.
I can remember one of the owners saying when I started out that he didn't like more than one black comic on the show because he said it would offend his audience.
It's like, dude, it's Washington.
Right.
Right.
But I always played anywhere that anyone would listen.
And I didn't realize that I was a little older when I would see some comedians hit like an invisible.
wall. They would never play
Sunset Boulevard or they'd never go
play Greenwich Village or certain
like, you know, comedy staples
that they just considered
white rooms. They felt safer on
Crenshaw or on this place or that place.
They thought they wouldn't be understood.
And I thought that the challenge of
art was no matter where you go,
you should try to be
understood. And that
I don't know.
Something about that upbringing,
the duality between
Ohio and Washington, I think made me game to become what I became.
What are some of your fondest memories?
When you think of the time with your father, your friendships here,
how old were you when, what was your age range when you were spending time here?
It was summers.
It was holidays.
My parents split up when I was two.
I don't think they actually got divorced until I was five,
but they split up when I was two.
What did your mom refer to your dad as the gentleman?
The gentleman that I was married to.
We went to my mom's house today and she said, yes, my ex-husband used to live around here.
I'm like, dad.
She's like, she said, the gentleman I was married to.
The gentleman I was once married to.
It's like, oh, okay.
Sounds like your dad.
Yeah.
You can see where he gets those comments chops from, huh?
You know, it's funny.
Okay, I don't have any memories of them married.
I have a couple memories of them being married.
But I have a lot of memories when they were together.
And it was always very polite.
They never spoke ill of each other.
They always found something good to say, you know.
And knowing both of you, I don't hope you don't mind why I say this, mom,
I can see exactly why they fell in love.
And I can see why it wouldn't work.
Exactly like time.
Time, let's call this.
You know what I mean?
And I think one of the funest, most interesting parts about becoming an adult is learning what the adults in your life were actually like.
You know what I mean?
And getting past the role of them being a senior and just people that came before you that were trying to figure things out.
So I always joke with my wife, Elaine, and I'm like, you know, I don't feel like I'm getting older, but the kids are catching up.
You know what I mean?
It's like, when'd you get so old?
Yeah.
It's just like, but I have incredibly fond memories of living here.
Now, when I was younger, I should tell you, this place was different because Antioch College was a much stronger force in the town.
And your viewers aren't going to know.
Antioch College, if you think of the most radical leftist politics, go left of that.
And that's what this is what this stuff.
town was about.
There was a policy that Antioch made years ago
that everyone used to make fun of called Ask Every Step
It Away. This was 30 years before the Me Too movement.
That was like if you were getting ready to, you know, you know.
Yeah.
We know.
And then he would be like, well, may I kiss you or may I do this or that or the other?
You would ask.
Right.
And man, the whole country was laughing at that policy.
And even I was like, because I'm watching,
I was living in New York at the time watching the news.
oh, we're making funny old springs.
And so I came home for Thanksgiving.
And I found out that my father's widow
wrote the policy.
Wow.
He was alive at the time.
And I asked him, like, yo, Joan, what was that?
And she explained to me the reasons for the policy.
And I laugh about it now because it's so much like
what Hollywood just went through, all this weird ambiguity.
And it's like, how do you teach young adults
how murky sexual contracts are?
Because if you make them correctly, no one should see you make them.
And, you know, as odd as it sounds, it worked.
The problem was that people on the campus were, there was like an astronomical amount of sexual assault accusations.
And she says, like, is an administrator by the numbers you have to recognize that can't all of these be true, but you can't dismiss any of them.
We have to teach them what it is, and it worked.
Those same numbers plummeted.
So Yellow Springs, I say, that's a say, has been on the cutting edge of solving certain
types of problems that Americans face all the time.
This is a thinking person's town.
I love doing all kinds of stuff.
But, man, and this is going to sound crazy.
I have the most joy thinking.
I told my wife years ago, I know you remember, I said, babe, if you ever see it, you ever see,
me staring off in the space, don't bother me, because I'm working.
If you see me writing something down, I've already done the hard part.
I'm going to try that with the rock.
Don't bother me.
I'm working.
It is like that.
Be like, you can blame Dave for that movie.
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You know, this is such a wonderful place.
I've only been here a couple of days.
I went to get coffee this morning and I must have seen four or five folks.
They all said hello as if they had seen me before.
Thank you for that.
But I think our listeners and viewers want to know
what's a typical day for Dave Chappelle in Yellow Springs
when you're not thinking.
Well, I was going to say, I get up at 4 a.m.
They're all in the space.
They're all in the space.
Well, okay, this question is actually at the core of why I like it here.
Because the days are predictable and they're simple.
You know, not, you mean, look, the rest of a public person's life, it's like circus fodder.
Not nearly what I've experienced with you today, because I can't even imagine having that many people have to be involved.
every move you make.
But public life is not an easy life.
But for me, here, like, everyone's as famous as I am here.
We all kind of know each other.
We all see each other every day.
So, you know, I know a lot of names.
I know a lot of faces.
I have people here that I love.
I have people here that I love not liking.
If something bad would have happened to him, I miss.
Not like that.
Man, I would love to find a person or cold show of this person.
But it's that kind of culture.
And, you know, like I'm not that old, 50 years old,
but there's a whole generation of kids that I watch go from, like,
nothing to adults to, like, strong, really wise adults.
It's just, it's irreplaceable.
It really does.
remind you of the value of people.
And I think most people don't, you know,
I'm lucky because I get to be celebrated for what I do.
But I think most people forget how much they influence the people around them.
And there's people here that I'll see and I'll know from the rumor mill
that they're going through something terrible and I'll see them smile through it.
And hey, Dave, good morning.
And I admire that.
It reminds me to be the same.
And then when I go out in the world, I can be more courageous
because I know I have a place where if I completely wiped
and came back here, they'd just be like,
they'd all smile.
Good morning.
Even though they knew I wiped.
And I'd be like, hey.
And that's just why I love it here.
I mean, it's so important to kind of emphasize that point of simplicity
in a time where especially young people,
are, you know, they're suffocating themselves with so much stuff. And I just want listeners and
folks to hear this from one of the most famous men, you know, because I know I feel that way.
I know Barack feels that way is that, you know, we're striving for fame, for notoriety, for all the
wrong things. And the truth of the matter is that life is about that small stuff. You know,
It's the small connections that you make with people.
It's about relationships with your neighbors and your family members, and you can't get that by holding a phone.
And it is so important when we look at rates of depression and anxiety that our young people are feeling.
It's because they've moved away from the simple, you know.
Just the, you told us about how, you know, every morning you walk out of your house and you go over the red bridge
and you walk down the bike path,
and, you know, you know your neighbors,
and you see those rolling hills and the trees,
and you take in the air.
It's like hearing you, Dave Chappelle,
say that that is the key to your joy and your sanity
is powerful.
I mean, it means everything, you know, especially with comedians, right?
So fame is one of the worst things
that can happen to a comedian as an artist,
because you're sequestered, you know, life is, you know, this is not my case, but
it's not authentic your life.
You know, the yes people or whatever, the cliches are.
But this place, man, this place does not do that.
Like, man, at times I really wish that they would.
They don't, though.
I just don't.
And I wouldn't trade it.
And the other thing is that I do get to just talk to people,
which a lot of people, you know,
ambitious people especially,
you're going to forget how much you need to just talk to people.
I used to shout on my dad around town.
He had this thing he would do.
Not with everybody with certain people,
hey, how are you doing?
I'm good, man.
And he would look at him and be like,
now, how are you doing?
And then they'd, well, yeah.
You know, and then they'd say what the real thing was.
But then it taught me again.
Everyone's like a book that I haven't read.
Yes.
And, man, sometimes I can get past the cover.
And, man, I learned so much from so many unlikely people.
So, and then, of course, I take those lessons around the world
and make millions and millions of dollars.
I was kidding.
It shouldn't be a surprise to anybody.
You know, Dave, you're not just one of the funniest people out here,
but you were one of the smartest men that is on the public stage.
Way to go, Mom.
So it's no surprise that your parents are badasses,
especially your mom.
Mom is, yeah.
Can you talk a bit about her, your relationship with her, as you said earlier?
What did you say she championed you?
You had a way to.
I said she put that battery in my back.
That's that battery in your back.
My mom is, I called her a greatness whisperer.
That's it, a greatness whisperer.
Yeah, she would say things that I still meditate on, that made me not want to be great as much as,
This is going to sound arrogant, but it's not as arrogant as it sounds.
Almost, but not quite.
You made me not afraid to be great.
I think so many people who have greatness inside of them are timid or don't shine as much
or don't want to out-exceed anybody.
I don't want to be noticed because there's a target on you that comes with that.
And my mom kind of put the soul in my back.
If someone said, or else, my mom would teach me and say,
oh, or else what?
You know what I mean?
Just ask or just move or just take the step.
If you feel, but it was very moral.
She also gave me lessons in what humility actually is.
And she gave me antidotes for self-loathing.
I feel like people just swim in a broth of like just shame
and self-loathing.
a lot.
How did she make me not?
How did she?
What was that antidote?
Well, I mean, there's one I mentioned
when I got the Twain Prize,
and I said, this really moved
people, but something she used to say to me all the time,
she said, sometimes you have to be a lion
so you can
be the lamb that you really are,
because she saw me being timid,
and she was like, it's okay.
She used to tell me not to be afraid to fight.
Let your hands go.
Can't win fight without your hands go.
Okay, Mom.
Okay.
But for real, she taught me, this is going to sound, it's not going to sound, I can't explain
this, but she taught me how to not be afraid of getting in trouble.
Because she was my authority figure.
So you're his problem.
But she was a loving authority figure.
And to both my parents' credit, they didn't just bombard me with rules.
they helped me understand the rules had reasons.
And we didn't agree.
You're young people.
Don't we snap for this?
Yeah, the rules had reasons.
I know you know about that.
I see an activist in the front roads.
But that sounds so much like our parents.
I mean, we were talking in the car about how blessed we were to have two parents who loved us.
You know, mother and a father,
that poured into us.
But a big thing was, I talk about this all the time,
our mom loved our voices, you know?
I mean, she just loved our dirty draws
and loved everything that came out of our mouths.
And she was interested and curious.
Our parents both were.
And it's that pouring into us,
but the humility that comes with, you know,
you don't just tell a kid no.
You tell a kid why and how.
And we got that every step of the way.
And it's amazing how that little simple thing of seeing a child valuing their voice, giving them some boundaries, giving them some humility.
Like, that's better than stuff.
That's better than iPhones and new cars and the best sneakers and contacts and connections.
We didn't have any of that.
Right.
in our back. And even if we, this, what I remember is it didn't matter how ridiculous the things
we said. She didn't, what she did was she would ask questions to encourage us to get to the point
we were trying to make. And that patience is what I remember. And what I think gave me the confidence
to be intellectual and successful that way.
And you were south side of Chicago intellectual.
Oh, yeah.
Were you ostracines for, no disrespect,
but you're renowned nerds, both of you.
Well, you had to learn how to fake the font.
You had to talk two languages.
You had to talk the language of, I got an A,
but let's not talk about it,
because I got to get home too.
and you had to, you know, own your intelligence.
Now, my brother had basketball to help him.
He had sports.
Everybody loved you.
Oh, my God, yes.
You just played every sport and throw out the N-word every now and then.
Yeah, yeah, it works.
You know, that always works.
Show that I'm a little hard.
But don't tell my mom, I said that.
You didn't have to fight because you were a baller.
Everyone loves a baller.
Everybody loved ballers, but I didn't become a baller until I was about 12.
So I had my share fights before I was 12 years old.
Right.
And unlike your mom, my mom would be like, be careful fighting because you're bigger than everybody.
Oh, man.
My mom was like, he better bite, naked.
He better fight.
If your mom was at my house, there would have been a couple ass-wop the things going on.
But you know what else it was about you, mom, that I love is.
okay, my mom's laugh is like music.
You know, and her mom's laugh was like music.
And my grandfather, her dad's laugh is like music, man.
And I think that's another thing that made me want to be funny.
Just hearing that music come out of them, it made me feel joyful.
At what age did you realize that?
Because one of the questions I was thinking about when we were talking about talking to you is,
you were smart enough and talent enough
to pick a whole lot of different
avenues
but you picked comedy
so okay yeah
or I don't know if I picked it
okay so I can't
remember a time when I didn't feel like I was a funny guy
or some kind of equivalent of like
yeah I was so like that was my thing
but I didn't know that was a thing
when I was eight years old
my grandmother had a friend come visit
who was a jazz singer
Johnny Hartman, the famous jazz saying
one of the only vocalists that John Coltrane
has ever recorded with beautiful voice
smoked cigarettes, his voice sound like
velvet, so smooth
and I
remember I had just done a book report on Dr. Charles
Drew. How old were you?
I was eight and I was
thinking, you know, I was going to be a doctor
and
and I showed the guy
the book report and
And he goes, man, he goes, that's good.
I'm going to be a doctor.
He goes, nah, he said, because I was cutting up all day.
I was eight, he said, you're going to be a comedian.
Wow.
And I go, what's that?
He said, well, you know, like Red Fox or Richard Pryor, you know who that is?
I'm like, yeah, yeah, I was.
You know, from Sanford and son.
I don't know him like he knows him.
He said, he said, it's a person that's funny for money.
He goes, you're going to be one of those.
And I thought about that.
I think about it every once in a while.
I'll think about because, you know, he's long past away, God rest of the soul, but whatever he saw me that day, he saw it so clear that it scares me to think back at it.
Oh, I'm like, so like, did I choose this or did I?
But when I finally did do stand-up, well, you know, to me it feels like a lifetime way.
It was only six years from eight to, well, I was 14 when I started.
14.
Yeah.
Which didn't seem crazy at the time.
Yeah.
Yesterday I got a text message from a comedian I started out with.
He's kind of famous guy, Patten Oswald.
Yeah, yeah.
He sent me a video that one of his fans that sent him.
And I couldn't understand they were in some like dilapidated a room.
And then he pans over and I look and it's the stage that we both started on.
Was it in D.C.?
On 14th, Nell, Northwest is ironically, drum roll please.
it's a gay club now.
Yeah, but it gave me chills just to see it
because it's, it all happened so fast.
I can't believe how far I can't.
You know, something I love about this show
is getting to hear so many different people's stories.
It's so inspiring to research each guest
and discover their backstory.
All the hard work and big swings
that went into their success.
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There are a lot of creative kids in communities.
across the land.
Being a creative, going to do show business,
I mean, for most black parents,
they'd be like, you better get you a good job.
What are you talking about?
Yes, exactly.
You know, but your mom did the exact opposite.
I mean, she got you on stage.
She thought about the education that you would need.
Wasn't she the one that suggested that you go to
one of my favorite high schools on the planet?
Duke Ellington and Washington, D.C.
Yes, she was.
I think, you know, not just that.
She would sit with me, you know, after school, she'd meet me.
We'd go to the comedy club.
We'd sit there all night.
Your mom would go to the comedy club with you.
After she had been working and doing whatever it was, she did that day.
And I didn't realize it at the time.
But, you know, she's a mom.
she was auditing the scene.
Now, I don't think she necessarily thought
I was going to be a famous comedian,
but at that time, the crack epidemic
and everything, all the bad things
I could be doing,
and I expressed such as earnest interest
in being a comedian,
and so she shepherded me.
She figured out who's trustworthy
and not trustworthy,
and okay, could you come get my baby a ride home
if I leave early and that kind of thing?
And then by the time I was 16,
I was professional.
Like, I would get gigs.
and make money and I didn't need her to go as much.
And then that was kind of sad
because her baby was growing up.
But the big one was not going to college
because I'm the first person since slavery in our family
to make that choice.
Like everyone's educated.
Way to break the cycle of education.
Someone needs to break this cycle of learning.
But I ended up moving to New York
And honestly, maybe
It was the best education
A person could ever get
But the guardrails of that education
Was ambitious
Ambition, not just like
Really artistic ambition
I was enamored
I always looked at comedy like
What else can it do?
And I still experiment with it
Which is more dangerous now
But no less rewarding
This job never gets easy.
easier. It's never, it's never not fulfilling and it's never not challenging.
So at 16, you're a professional on the road, on your own. Who were your influences?
Who were your, did you have any mentors? Did you do it solely by yourself?
No, no. Okay, so the local scene in D.C. was popping. Like I said, Patton, who went on to be
famous, he was there. A guy named Tony Woods was one of the big guys on the scene. B.E.T. had just
started and it was local in DEC. So Chris Thomas was doing all these things on BET.
Tommy Davidson was on in living color, but he was from our local scene. Martin Lawrence was
just getting big, but these were all local guys. So I wasn't on the road yet. I would get a
road gig here or there. And the principal at Ellington used to give me excused absences. If I left on
Friday to go on the road because it was an artistic pursuit.
And I'd catch the train up the Eastern Seaboard and get a gig here or there.
But it was mostly happening in town, in Washington.
And the scene was very experimental and very competitive, but there was a lot of camaraderie on that scene.
New York was different, but, man, D.C. was, I think, the perfect place to start.
because I had enough for them to get good.
Is there a point in a comedian's development
where they determine what kind of comic they want to be?
I mean, you are a gifted storyteller
weaving in life and observation
and, you know, taking us full circle.
Did you have to become that?
Did you know that as a kid?
You know, that's how I was.
want to make people laugh.
That's a very good question.
Thank you.
No, that's like a very good question.
There are certain, you know, people ask me, who are your favorite comedians?
And it's not like that.
In my mind, it's a dunk reel of just different comedians doing different things that
amaze me, some more consistently than others.
But, man, any night, it could be just some guy who just says the thing of that night.
But, man, when I was in high school, and I can't remember who I said.
saw do it first. The first
time I saw a guy do what we
called callback a joke, make reference
to something they referenced before.
I'm like, wait a minute.
You do the same joke twice.
And from then on, man, I'm telling
you, I'm like those guys can draw
perfect circle free hand.
If I went on stage with no material,
I would just know what to do. But I've been doing
this so long,
comedy, it's almost
like a language that I know how to speak.
can say anything in this language.
But there are real parameters
and it's like
music. You also want to break out of
those parameters. Like a
bebop guy. Like I don't want to play
the same stuff everybody plays.
But that being said,
man, in my life, man,
I've seen some of the greatest
comedy ever done.
And I feel so lucky
to have seen all of it.
But what made me want to be what I'm
like is a long story.
Tell it.
Please.
This is your interview, Dave Chappelle.
Please, take your time.
Tell you slowly.
I have so many questions.
It feels dumb talking about myself around y'all.
But I'll try.
Okay, the single most impactful thing that I've ever seen, I was maybe 19 years old.
I opened for Richard Pryor at Newark Symphony Hall.
And I got there early, and I met Mr. Prior before the show, and I could see, like, I was eyeballing him that he's not, he wasn't feeling well.
Now, by this time, everyone knew he had MS and all that.
I just don't know what MS does to people, but I knew that whatever it does, it was doing it.
And so I say to myself, you know what?
Like, I want to do good, but let me just take it easy because it's like a legend.
So I just did the housekeeping job.
I got the crowd good and warm, and they didn't want to see me anyway.
They wanted to see him.
And then I go and I get off the stage.
He had the intro where his man goes,
Ladies and gentlemen, the most two beautiful words in comedy,
Richard Pryor.
Man, man, crowd goes nuts.
And he goes out there.
And you could tell early on that this was not his night.
And maybe 30 minutes into his set, he stops.
And it's something I wouldn't even know you could do.
He looks at crying and goes, look, he goes, I want to do this for you guys.
But he goes, I'm not feeling well.
He said, I'm sorry.
He goes, I don't got it in me tonight.
I'm sorry.
Just like that.
And man, you could hear like a pin drop.
And then this guy in the back of the room jumps to his feet like that.
He jumps up.
He goes, we love you, Richard.
and the place exploded.
Longest, loudest ovation, like, man, it went on and on,
and he stood there.
And then, okay, I'm young, right?
But then I realize what I'm looking at,
that this is his last show for them.
They probably will never see him live again.
And people were crying and wiping tears out their eyes,
and he looked a little emotional.
And to me, it was the first time I had seen, like, actual love, like bouncing off the walls.
Like, man, they love this person.
And if I had never seen that, I wouldn't even know that's something to want because no, no one has it like Richard like that.
And when I saw that, more than any type of style, I'm like, man, I want to be like that.
And that notion made me work, I think, more patiently than I would have.
But that was the moment I knew that fame was one of the things I wanted.
But whatever the hell that thing Richard had, that moment.
So then what does it feel like when it doesn't work?
Now it doesn't, now, man, okay, this is a good question.
You mean like if I do a show and it doesn't go well?
You know, that and when the love doesn't come and the opposite comes.
Oh, okay.
Well, okay.
Okay.
It could be both and.
Yeah, maybe it's more like, in my experience it was both because I was doing jokes that some people thought were controversial and some people didn't.
But that experience from my perspective is much different than what it must.
have been like watching it.
Because, you know, listen, people would think it's me versus the gay community.
I never looked at it like that.
I always thought it was corporate interest in culture negotiating itself.
So, you know, most of those people who were critical of what I was doing didn't seem like they were of it.
It's like they had their faces pressed against the glass commenting on what we were doing in there.
want and they're doing it.
And I think I spoke to you about this earlier.
Every opinion you can think of is represented in a comedy club.
Every type of person you can imagine does stand-up comedy, transgender stand-up comics,
black, white, Asian, every kind of perspective.
And we all champion, whatever opinion we champion, we would never think to silence one another.
We might duke it out on stage in the sense of like
If someone says something racist and I get mad
I'd be like, yo, put me up next
Because I'm going to say something about what he said
But silencing that person wouldn't be anything
And then after the show we all be upstairs drinking
And we might still talk about it
Or argue about it
But that's our life
And we're artists and that's what we do
And we have this outlet
So for a media outlet
To speculate on a comedy show that they warn at
Or misinterpret a joke
or like, you know, nothing makes a comedian matter
than reading his joke wrong in the paper.
And reading a joke is nothing like hearing one or being one.
And the intention of a comedy show is a very unique intention.
We're playing with whatever the culture is made of.
And we break it down and we get it right or we get it wrong.
But in all art, if it's going to be,
good or even hopefully great, you've got to have a margin of error.
And what they were doing was acting like thought or speech was binary.
Like there's only, everything's either this or that.
But all art is in between it.
It's all nuance.
So when they take nuance out of words and just like, did you hear what he said?
He said, it's like, yeah, but that's not what I was saying.
So.
We talked about, you know, the,
the first time I realized, oh my gosh, I'm in politics was, you know, my husband's running for president.
I was campaigning heavily for him, but my experiences campaigning were in communities like this.
It started small and then it grew from there.
And all my conversations would be like this, extemporaneous, talking to a group, introducing myself, telling a joke, trying to humanize.
myself and my husband introducing us as real people, but not on script.
And there's a difference in how you would see the crowd respond right here.
We're all in the room together.
You know, maybe the words wouldn't be exact, but we would all be able to feel it, you know.
And that feeling wouldn't just be a small group.
It could expand into a stadium, you know, an arena.
The people there could feel the intent.
But then I realized, oh, it's not about the people here.
It's about the people with their faces pressed against the wall,
interpreting what I said without being there.
Or even more insidious trying to bend what you say to make it more interesting or salacious or because they have a different,
I don't know.
I don't know why they do all stuff.
they do. But I do know in recent years, it's, you know, you'll hear a lot of comedians complain about that.
And what they'll say is, we can't say anything. That's not true. You can say anything that you can get away with.
And that's the skill. You know, the negotiation with the audience of what's acceptable is what makes the, the genre
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just how you like. Well, you said younger comedians are a little bit different because they're not,
their audience isn't in their room.
No, they're internet people.
They're internet people.
And, you know, it goes back to, you know, the whole point of community.
You know, it's like sharing a space with people is really important to connection and understanding.
And it's no wonder why we feel so divided is because all of our interaction is happening without this heart-to-heart-heart feeling, this even seeing somebody's,
face,
nod and, oh, you get it, or maybe you don't.
We're losing that.
And you said young comedians nowadays have a different ethos
because they're not in the room.
Negative, too.
Yeah.
Because it gets more engagement.
If they talk bad about somebody,
they'll get more clicks or more engagement.
So everything's a disc record now.
And it used to be, it's not like that.
Can we talk about the Chappelle show?
Oh, yeah.
Oh yeah, yeah, sure.
Yeah, really.
I just, what I think about you doing that show,
I think about how much fun it must have been
just sitting around with your friends and your boys
thinking up ideas to be on the Chappelle show.
Man, that's the truth.
I had one guy that I primarily wrote the show with, Neil Brennan,
and we're still friends.
But one of the things we would do
is we would take submissions.
We'd always rewrite the submissions,
but God gives an idea.
Like, oh, that's funny.
We'll write it up.
And if we use it, we pay them.
But it was also.
That was the thing I would have been submitting some stuff.
Man, it was fun.
But it was my first time being corporately funny.
And it got me ready for the next time
because it was always a negotiation with the network.
But I like, in hindsight, because we had pitched that show to HBO.
And, boy, they turn it down in spectacular fashion.
Because at that time, they had the Chris Rock show,
and they felt like they were invincible.
Man, but we went on Comedy Central and shot lights out.
And I think the show was better on Comedy Central
because there was an era of you shouldn't be able to say these things.
HBO looked like you just do anything anyway.
But on Comedy Central, that dance around standards and practices
was joyful.
And shout out to South Park.
Because I remember one time I did a
Tyrone Bigham's character I played on the show
who had an addiction problem.
He, he, well, there's no nice way to say it, Craig.
He takes a shit in the alley.
Yeah.
And the Renee, the Standers and Practices lady
calls me upstairs, and she's like, look,
you can't have Tyrone take a shit in the alley.
And it was gross too
because we took like a baby Ruth bar
and like melted it.
And then we just dropped it in the frame.
It was really gross.
But really funny.
She goes, you can't do that.
And I go, I don't know.
How about this, Renee?
What if I put a Christmas hat on it
and make it sing a Christmas carol?
And then she goes, okay, okay.
So we got away with a lot of stuff
because South Park pushed boundaries
and people got away with stuff
because we pushed boundaries.
But it was all about just kind of, you know,
making room for everything.
And to their credit,
especially at that time,
at that time television was governed the opposite of the internet.
It was called least objectionable programming.
How do we make sure everybody likes everything everyone says?
And that's obviously impossible.
But they were brave.
in the sense that they would let us challenge a lot of convention.
Chappelle's show was fun.
Charlie Murphy.
Oh, my gosh.
Yeah.
You know.
May you rest of the easy.
Yeah.
You know, I used to see Charlie Murphy in Hollywood at parties.
I shouldn't say this, but one night I, man, I'm sorry, Mom.
I was high on mushrooms.
And I went to some place.
It's okay now, though.
And I'm fine.
I'm fine.
But I say that to say, if you were how much, him ran into a personality as intense as Charlie Murphy, it's like, don't.
He's got, he talks to his teeth and he.
What's going on, man?
He's real gangster.
He got that growl.
But, man, this one night I ran into him, and the whole night just became about watching this guy, Charlie Murphy.
Now, I didn't know in the near future we would work together.
such an intimate capacity, but that night I could see something great about him.
And he would always talk about Eddie, but he always go, my brother, my brother, this man.
And if anyone said anything bad about Eddie, at any point in his life, he'd smack the shit out of him.
He loved his brother so much.
But what I learned that night, because he was always a villain in movies, he was hilarious.
He was like an artful storyteller.
His stories had all this texture.
And then one day on the set, we were doing some sketch.
And Charlie is telling us all these stories about coming with Eddie.
And in the middle of the lunch, he goes,
someone said something about Rick James.
And he said, man, I fought Rick James on five different occasions.
And we were like,
what?
And, man, he started telling us all the times he beat, in every story,
he beat up Rick James and all this.
And, man, we were dying laughing.
And we pulled inside and like, man, can we do that on the show?
They, wait, wait, wait, you want me to beat up?
Rick James on the show?
I'm like, not really.
Like, and we just had them tell the stories.
And we dramatized them.
Now, and now you think, you know, and now as we're shooting it, like,
yo, this is like, like, because we were on a set, dying laughing.
And then here's the kick.
And then we're on the set and Charlie goes, I bet you I can get Rick to come for this.
and he did
he did
we ended up doing one sketch
with Rick James
and then another sketch
about Prince
and I asked Prince
to do the sketch
and he was like no
but then when he saw it
he said he wished he had
and by all accounts
like by his own account
he loved that sketch
so it's just one of those things
where it's like
and the other thing about that
Rick James
sketch. Last thing about it is Charlie made us show it to Eddie first. So I'd never been to Eddie
Murphy's house, but when we go to it was with his brother, and Eddie has this big screen and
room in it downstairs, and he's sitting in like a big armchair with his back to us. And no one's
seen the sketch, so there's no laugh track on it. Shepel's shot a real laugh track. And man, he
didn't laugh once. And a sketch was like 10 minutes long. And man, I'm, I'm, I'm
sitting behind him with the pit my son of it and then the sketch
goes off and he doesn't even turn around
but from behind him I see him raise his
arms like this
and then he turns around and goes
it was a red couch and Rick had on Capizios
that's what he said
and he gave us the green light and he let us
do it and to me it's one of the greatest
sketches ever on any show
I mean I think I watched that once a month
at least once a month
well being from Chicago
the player's ball is lights out and so accurate.
You know what's funny, when people ask me, to me, that was my favorite day of shooting.
Really?
I laughed more on that.
Not necessarily my favorite sketch, but those characters are the ones I revisit the most.
And it's not as fun to do without Charlie, but it's still fun to do.
And, man, that was like Patrice O'Neill, who was a great, great comedian.
He and I used to, like, hate each other because he's an asshole, man.
And I only said it because he's dead, but he, you know, and Kevin Hardin and everyone get mad when I say that because they love Patrice so much.
I love him.
I love, I got there.
But at that time, I was the guy.
a beat and Patrice was new in town
so he would always, he was
like before an internet, he was
a perfect troll. And there's
a few people I've met in my life
that just knew how to push my buttons.
And man, Patrice could play me
like a keyboard. He just knew how to make me mad.
And then one day I snapped and when I
finally yelled at him about it, he was like,
Dave, Dave, Dave, he goes, Dave, date, date.
Think about it, man. Think about it.
I talk to everybody this way.
And I'm like, that's true.
And now I started laughing.
Get over your
Yeah, he was that guy.
And then that same week, I'm like, you know, we wrote the sketch, and I'm like, yo, let's call Patrice.
And he was great.
And one of the things that made me love him for doing the sketch is that when he showed up, he was nervous, which was very, was a huge honor that he cared as much as I cared.
And, man, we were good.
Up until they died, we were good.
And are you guys, when I say guys, men and women comedians, how do you train yourselves to be such good actors?
Well, I don't know that everyone can do it.
I'm not going to say any names, but I think for me it was definitely Allington.
Okay.
You know, there's a vulnerability than an actor has to have that I don't know that comedians are necessarily vulnerable the same way.
and with the mercy of a script.
Like, you know, unless you're working on something flexible,
you got to service the writer's words.
But acting is an amazing skill.
Now, this has nothing to do with me,
but the fact that it's one of my favorite performances I've ever seen.
And I think I told you about this.
I saw you once in Martha's.
Denzel Washington and Training Day is like watching
the most technically perfect
it's like everything
I learned in school
he executes perfectly
like if you know what you're looking at
it's amazing
and in the Academy Museum in L.A.
They have his script
with the marked up margins and I saw
it and it just reminded me of how much
work this guy puts into acting
and how serious he is
and I don't think a lot of comedians would be that
serious but Richard
Pryor was a great actor because he was vulnerable
Cat Williams is a guy
Every time I see him act
I'm like man he should do that more
Because he's like he's great at it
It's surprisingly great at it
And he never studied a day in his life
I don't know how he knows how to do that
I went to school
I was read books and I can do it like
You know but some people can
It's like music some people can just play
I don't know how
Do you feel like
You tap into that vulnerability
Well I do
I think I'm more vulnerable on stage than most comedians.
You know, I'll say anything when people feel like they can't say anything,
which is a vulnerable position to put myself in.
But some jokes, it's like I just want to see if it works.
I don't want to not try.
And I think that I've over the years cultivated an audience that's more forgiving
than most people's.
than a casual comedy observer would be.
These people I think almost come to experience the danger
because the audience is also vulnerable.
Yeah.
If you're taking it out of bounds.
Yeah.
Yeah.
I don't know.
So there's much talk about you walking away from the show.
It's been discussed.
But I find it, I was reading something where you said,
you know, you just went out the country.
country for a week or so.
Has this gone for two weeks?
It's just like, you know, what do you think it was about that time that made people lose
their minds over you making a decision that was preserving yourself?
I think at that time, it was the idea that the money, you know, comedians weren't getting
$50 million checks that I had heard of.
I think it was the money, and at that time the show was wildly popular,
and it was all of a sudden it was just gone.
And, you know, I got to tell you the truth.
When I quit, I thought, you know, maybe I'll go back.
But it took some time from me to realize, like, oh, I'm never going back, maybe like a year.
And then I thought my career was over.
I believe that for a few more years.
so I went through the whole process of mourning the narrative that I had in my head of being a big star.
And at that time, I was just back in Yellow Springs.
You know, Yellow Springs is welcome back, superstar.
I was like, oh, man.
It's like, no, how are you really?
Yeah.
Perfect Colbert.
Took me, I don't know, we think,
like maybe four years to get over it.
But, man, imagine how liberating that is
to believe that it's over.
And I got over it.
And then I just went back to work.
I still needed money.
And I could still fill rooms up
because people like the show.
And, like, I started back in comedy clubs,
And then I did this big tour
And the tour was tough for me
Because the show was like, it's a festival thing
It was like a five-hour show
That I'd have to close
It was tough
But it got me back out there
And then when I left that big festival thing
And just did my own thing
I was just in the pocket again
And then like a few years after that
Someone would call me and be like, congratulations
What, what? You just got tour of the year
I'm like, I did.
I wouldn't have a few years.
never even pay attention. And one time somebody called me
and said, congratulations. I said, for what?
Like, he just made Forbes list. And I was like, what?
And I looked and, because I don't
just count the money as it comes in. And I looked there and said, like,
Deja Pell, man, I don't know what it was that year that is.
I'd never, I'd made $8 million. I'm like, oh.
And I looked at, I said, well, who? I was 10th
in the top 10. And then I looked at the other nine names and I'm like,
I should come back.
It's like, I think I can do this now.
I wish Elaine was miced up now
because I want to be like, what was he like during that period?
Were you staring off into space and telling them,
don't talk to me?
Now.
What were you like then?
Because Elaine does not have a mic.
She was the person that really helped me get over myself.
Let's give a round of applause to the land.
Girl.
And I got to tell you, especially if you want...
Nice move, by the way.
Yeah, you know what it is, Craig.
You know what it is.
But, you know, I think at that time, maybe I did, you know,
you almost have to fight the urge to feel sorry for yourself if you're more of your career.
And she's not that kind of person.
She just always keeps it moving.
Almost, I mean, it's like too much sometimes.
Like, will you slow now?
But she just, you know, and our kids were young.
And so she was just like, come on, man, get over that.
Now, I got to tell you, a friend of mine that was famous passed away recently.
And one of the things that he said, as he was dying, and, man, he knew.
He was dying.
He said, I'll never forget this.
He said, man, he said, I took myself too seriously.
Man, that really resonated with me because it's such an easy trap to fall for.
And nobody sets that trap for you better than yourself.
So it's good to have somebody that, you know, I mean, not to say she didn't let me mourn my career,
but she also helped remind me
that my life is about
more than myself.
And for someone that's like,
you know, your wife ideally,
the best of the time she's at your shoulder,
and for someone at your shoulder
to remind you of that.
And it's like, you know,
and I had the thing about it, like, well, I guess technically
she lost the money too.
I bet she knew what number you were
on the Forbes list.
She's like,
Eight million?
Okay, check.
And you know what?
We also always had what we needed.
You know, I never really worried about money.
Now, what happens is when a guy gets famous, they upgrade everything.
That's when they get a new wife and a new house and a new this and a new that.
Man, we everything the same, which allowed us to do stuff like this when we did get money.
It's like, you know, why upgrade our house when we can upgrade the town we're living in?
You said something really lovely about Elaine
because Elaine, you grew up in, you were New Yorker.
You're not from Yellow Springs.
This is, this is, this is new, but I asked you how she felt about moving here
and why you chose here.
Can you talk a bit about, do you remember that conversation, Dave?
Yeah, I said something to the effect.
And it's true.
At that time, my idea was we should build a lifestyle that I can feel more secure in maintaining
so that I can, you know, be courageous.
And, you know, she's from Brooklyn.
She didn't have any friends out here like that or any of that stuff.
And we moved down here.
And, you know, at first it was just me and her and our kids.
And that's, I'm sure, that's tough giving up your social life.
And, you know, and New York City in and of itself, if you live in New York, it's hard to live.
I mean, I'm from here, and it was hard to come back here after living in New York.
But, man, but she did it, man, she learned a way around.
She found everything that she wanted.
And eventually, as the years went on, she made her life here.
We have, you know, she has friends and I have friends, but, you know, she, you know, she,
she was
a pioneer.
And even now,
like, I'm more
inside. And, you know, a lot of
people in the community don't reach
out to me directly. They
go through her because she's...
A lot of head shaking here. We're like, yeah, Dave,
you can't count on date for nothing.
No.
No, you can't.
But she's outside
and, you know, she's very
kind person, but she's also
she can hold a line
because everybody asks us for everything.
And, you know,
it's part of being in a community.
Everyone's like that.
But she's been
amazing at helping me
do all of the things we've been
doing in the community and
you know,
having a relationship with the community.
When I go travel, she's
the one that tells me what's going on at town.
Yeah. Yeah. Well, you're
You're a father of three.
Oh, yeah.
What's Dave the father like?
Hmm.
Can we get the mic too?
You know, if my kids were vegetables, they'd be organically grown.
I don't, I don't, I don't, I don't, I don't, that's got a big definition in the organic community.
Okay, well, meaning number, well, number one is,
the soil, which would be Yellow Springs.
This is a place where they can independently learn to be courageous.
And like I learned before them, no offense again, to not be afraid of white people.
My kids are unlike me.
They're mixed race, right?
Their mom is Asian.
Their dad is black.
But their generation, I don't think, thinks of anything like that.
In a town like Yellow Springs, a young person,
can use their time more the way they want to,
because there's not so many immediate dangers.
And it is a community.
If my kids are messing up somebody in town who tells me,
hey, I saw your kid doing this or that.
Correct.
But, you know, my parents weren't, like, heavy on rules.
In fact, looking back, and I hope this doesn't upset you, Mom.
I looked at my parents as reference books.
You get the most out of them if you're interested.
My mother has amazing stories about her life.
My father, you tell me amazing stories about his life,
but they also gave me a weird context about my life.
They didn't police me as much as they guided me or horse whist me.
I would think it was my idea, but it was them.
And I think a parent in a similar style.
I'm the invisible hand dad.
You know, I'm there.
And, you know, I think my oldest son has figured it out, like everything.
He figures everything out first.
But he's, I think, uses the resource of me as like a wiser person than him the most.
He's the one that calls me just to chew on something.
I'm trying to figure something out.
What do you think of this?
What do you think of that?
I don't know.
we're all happy.
We laugh together.
What have you learned about yourself?
Being a parent?
That's a great question.
Another one.
Yeah, man.
I think I'm keeping count.
That was three.
Yeah.
No, that is, and I don't mean that in the meet the press.
Thank you for your question, Scott.
What have I learned about myself?
probably that I'm more courageous than I believe myself to be.
And also being a parent,
you got to, again, like Elaine,
you got to forgive yourself or get over yourself.
And I think that being a parent for anybody is very humbling.
But if you have all the money in the world,
it doesn't make you a good parent, you know,
like in the beginning I think I've got to provide for my family
and all that stuff.
But I've realized my time was,
it was way more valuable than I have understood when I had three people that needed it.
You know what I mean?
So maybe that.
And I learned that I learned that I'm a happier person than I thought.
And really, COVID was when I really learned that because we were all like trapped in our choices.
Yes.
And I remember at one point just being in the house like, this is not that bad.
Like I like these people, everyone's comfortable, it was safe.
and I could walk around town
and we all be going through COVID together
and I recognized everybody
and then all those choices that I made
like moving to Ohio and stuff
that people laughed at me about
now I felt vindicated about each and every one of them
because the world shut down
and just for a minute I'm absolutely right
and it felt great.
Do your kids find your humor
engage?
Do they think you're funny?
Oh, yeah.
Oh, yeah.
Maybe not around the house, but like, like,
I remember when they were kids,
we were talking about Tyrone Biggams earlier,
and that was the first time they were in the back seat,
like cracking and I'm laughing,
watching something on the iPad.
I said, but you all that laughing.
And it was that Tyrone Biggams sketch.
And I was thinking of my mind,
I told you that poop was funny.
Spangeree.
Renee?
Renee.
You told you that shit.
joke would work.
Yeah, I don't know.
It is humbling
having kids, and
you know, I see time
on them, you know,
as they grow and become, and
it is just like,
it's so precious.
Isn't it fun watching them become
people? Yeah, it is. Right before your
very eyes. And scary.
Yeah, oh my God, the most terrifying
thing. So I tell people,
it makes sense not to have kids.
It's absolute, complete, emotional sense.
Don't do it.
Yeah, that's right.
And you know it's funny, I think now with AI and all these things,
I don't know what you would tell a kid about how to prepare for the next 10 years.
Like what kind of jobs there will be or how those jobs will be done?
What does a lawyer do in the AI age or any of us?
And I think, I don't know, it's interesting.
But I'm amazed at how sophisticated the kids' minds are,
that they can sift through an avalanche of information,
and they can say, I'll send them videos and be like,
Dad, that's not real and say I'm like, sorry.
I think, you know, I'm getting that a lot.
I am so foolish.
I believe all this stuff is a shame.
I have the worst.
But it's also a reminder of why we have to train them up
and move out of the way.
I mean, it's the organic parenting piece of it.
We've got to trust that they have to find the courage now to figure it out.
It's not our courage anymore.
You know, we can't supplant our courage for theirs, and these times are going to be,
that's going to play itself out.
I mean, we're moving into something that we don't understand.
We don't know AI.
We can't figure it out, and it may seem scary.
now, but we have to have faith that they will figure this out and be able to tap into the values
that we've instilled in them in communities like this, that they'll remember humility and boundaries
and love and trust and all of that, that compassion has to go into whatever the solution is.
That's right.
You know.
Yeah, well, you know, in the last, you know, a big part of their,
lifetime my kids. Maybe my
daughter's entire lifetime.
I was trying to explain to somebody.
I'm like, you know, my daughter is 16.
So Donald Trump is like the first
white president she's ever seen.
I know, right?
Yeah.
I know, right?
Yeah.
And my baby's like, oh, no, they're not good
at it, Daddy.
It's a hard.
It's a hard job.
job. It's a hard job.
Trying to tell the people.
It's a hard.
It's a hard job.
It looks hard from the outside.
But to that end, just so I make sure I say this,
your family was so incredibly graceful.
This is a long way to go.
But you know what remind me of seeing you guys is that black dude on that
Artemis ship.
Uh-huh.
You remind me of that.
You experience something in a social space program.
And it's so sequestered and you see all these amazing things
and come back and you share all that information.
But whatever you had to go through, to get in that spacecraft,
and the pilot through all of that.
You know, as I go on in public life and see more,
I have a greater appreciation of what I saw during the presidency.
And you use the word I always think of.
You in particular, I believe, did more to humanize what a presidency is than maybe anybody ever.
That you're the first person that I feel like I could know that's been in that space and, you know, survived it and came out as gracefully as you went in.
So I really, really, really appreciate you and your family.
What's right?
Well, I wanted to ask.
Go ahead.
You ask and then I'll go.
What do you think, how do you feel about where we are now in society?
You know, just some Dave Chappelle thoughts about.
And while you're thinking, please know that your voice means a lot to a lot of people.
people are age and younger.
Because, you know, I've got four kids,
and they range from 34 now down to 14.
He's the head of the ODC, the old dad's club.
I'm the head of the old.
Actually, I am the vice chair.
There's one guy who is above me,
but your voice cares.
carries a lot of weight.
I personally could hear it every night.
Oh, man.
Thank you, bro.
Like, you know, it's funny.
I think, you know, last week I was in L.A.
And I performed a nightclub on Venture Boulevard.
I'd never been to.
This for me is a big treat.
If I get to test drive, like a new venue.
And I love the club.
It's called, what's it called?
Katie's, I think it's called.
So shout out to Katie's.
This great, great room.
But I bring it up because on a night like that,
I'll try out mostly new jokes just to see, you know,
where I'm at and where people are.
And you're right.
People, it's not that my voice is important,
but now it's like somewhere.
The crowd is coming almost like church.
they're not coming to hear me say anything important
but they're coming to
lay down a burden so to speak
and so a show like that
was incredibly fun to do
but what it tells me about where people are
and remember this is this is in North Hollywood
so everyone's doing pretty good out there
is that these times aren't certain
that there's an emotional content or pain.
Or some people come to counteract a numbness.
They just want to laugh so they can feel something.
But it's never really been quite like this before,
where everyone feels like we're on the precipice
of some amazing change.
And every day the new cycling is more appalling than the last day.
And it doesn't seem like it's ever going to end.
And every week I learn some new word like straight of Harmoos or blah blah.
And it's such an avalanche that it is fun, even for me now, to watch comedians contextualize this stuff.
Someone asked me about my transgender jokes.
You know, you've got in a lot of trouble for those transgender jokes.
And I go, ah, the good old days.
So much has happened so quickly.
And, but, okay, I'm hopeful.
As a matter of practice, this building opening up and being completed,
and it makes me hopeful.
Having my own comedy club, finally, after all these years, that makes me hopeful.
You guys being here with us, it's like a dream comes true.
It makes me hopeful.
my community coming together in tough times.
You know, our family, we have tremendous losses recently.
People in our family passed away.
And the community, you know, picked us up.
That made me hopeful.
The little things mean so much more now.
And I would want to remind anybody that's listening to this show,
man, that, man, that smile.
you must have when it hurts the smile, this is priceless right now.
Anything you can do to let each other know you're safe or that you're okay,
it means everything right now because otherwise this is intolerable.
It's insufferable what's happening right now.
Thank you.
Thank you.
Thank you.
But I, you know, I'm hopeful too.
And this day with you, with this community here in this space, gives me a whole lot of hope.
You know, I mean, as my husband says, we have overcome worse.
But we overcome it by pulling together and not feeding on each other.
That's just the thing that we have to remember.
We have to remind our young people, you know, because this.
internet kind of conversation.
We're playing in that space a little bit too much.
And I don't want young folks to get comfortable with that,
that dissing mentality.
What'd you say?
Everything's a diss record.
Everything's a dis.
Yeah, you just play in that space and you mistake those for real feelings and
truth.
And this is what's real, you know.
What you feel in the room when you're with people,
you know, you were showing us the videos of the jukechrist.
joint gatherings and the, you know, the cornfield.
You know, people of all races and ages and with different cultural proclivities all dancing
to the same beat and smiling and moving together.
It's like that's the power of gathering.
You know, the power of gathering is that we are reminded of our similarities and we forget
the minor little stupid differences that is tearing this country and this world apart.
And I want more young people to fight for the gathering, you know?
Fight for coming off on your phone, finding community being reminded of who we are as people
and do not let the algorithm separate us from one another.
that's the danger of AI.
You know, that's, that's, you know,
but that's in our control.
You know, that's something we built.
I could text message argue with an AI bot all day.
Like if I thought it was a person,
I would fuss with the thing all day.
It feels, it does feel good to be outside.
You know, my son told me,
it's a trend with him and his friends.
Like, they ditch their phones just so they can be outside.
my daughter got a CD player for her birthday
and went through the roof
because she couldn't believe that she could hold the music in her hands.
The kids are nostalgic for something
that they haven't really lived through or seen.
And I think, you know, the OGs got to let them know
how good an analog life feels.
You know, and I do think that that pendulum will swing back,
at least in the culture.
Somehow as an elective.
But yeah, the technology
I'm overwhelmed by it.
And I think the point that you,
the decisions that you made
to live in a way that allowed you to be
courageous, you know,
another way of saying that is to
start out living
small, you know.
We're a culture where everybody is promoting.
You start our big, you know,
even watching HGTV,
Everybody wants a big tray ceilings.
They want the man cave.
They want everything now.
It's like it's your starter home.
You know?
Why does everybody think they deserve a granite countertop?
You know?
Yeah.
We've just lost the script.
It's like, you know, we grew up in a one and a half
bedroom apartment over our aunt's house.
My father got a new car.
occasionally.
You know, we got three gifts at Christmas.
Our parents didn't believe in stuff.
And now everybody's promoting the bling, the this,
the that.
And look, there is nothing wrong with making a good living,
with, you know, living well.
But I try to tell my kids, learn to live small
because that's, you know,
you're happier if you can live within a thing you can control.
You know, you're not reaching for something that's not even that important.
That is not the thing that's going to make you happy.
You asked what was it like living in the White House.
You know, it was a house because that's all a house is.
What made it a home was what we brought to it.
You know, I love the people we brought in it, how we opened it up,
how we shared it with other people, how we made sure that we got every black entertainer that would never get invited back in there, how we brought in Duke Ellington school, how we touched young people.
That's what made that house a home.
It wasn't the size of it, the color of it.
And that's, you know, what I want young people to understand in this pursuit of fame and fortune.
It's a lie, you know.
It is, you know, we've lived it.
But it's not the thing that is going to bring you joy.
That's right.
Yeah.
To that in, I once got to go to one of your parties there.
Yeah.
It was your birthday.
Yeah.
We were talking about it.
Yeah.
One of the things that, okay, you know, obviously I love smoking cigarettes.
That's my mother.
But I asked somebody, I go, where can I smoke a cigarette around here?
And one of the butlers took me down by the kitchen.
and I saw your dog, Bo, like, getting walked.
I'm like, oh, there's that dog.
I've seen that dog on TV.
And I'm like, can I get his autograph?
They're like, he bites.
And the dog walked by her.
And in the kitchen was like a Jew Banc's kitchen.
And I'm like, man, it's the kitchen at the warehouse.
And I said, I wonder what they're cooking in there?
And I look, fried chicken.
I said, man, it does be like home.
There was some greens, some fried chicken going.
I said, man.
Lots of bacon.
And one of the chefs was Filipino.
I'm like, man, this is just like home.
We used to call those white house parties.
Yeah.
They were so good, though, man.
And that particular night was one of the last, actually that weekend was the last time I'd ever seen Prince Alive.
And he was playing.
And he was a surprise guest.
I didn't know he was there.
And he came out.
As soon as he saw me standing out there, he was like,
I should have done that sketch.
It was so great, though.
A lot of special nights, yeah.
A lot of joy.
But one of the, I forgot to tell you this,
one of the greatest highlights of, like, my life as I'm standing,
I'm like, man, I can't believe it.
And I'm shy.
I was just standing in the corner.
And I feel this hand on my shoulder.
I look over and it was you.
And you go, are you having a good time?
And I was like, I'm working.
Way to go.
Close the loops.
Way to go.
Man, oh, man.
Well, Dave, talk about joy, man.
You and this community have brought us a lot of joy.
So thank you so much for inviting us.
I do have one more question.
This is what she does.
I know.
This is what she does to me.
I know.
I know.
I know.
But we talked about this.
It's like, you know, because we're on the same.
You know, you have invested.
it so much in supporting this community, you know.
And we're in the process of opening up our presidential center in June, on June
teeth, by the way.
So I know I've been spending a lot of time thinking about what his legacy, what does it mean?
I don't know.
How do you think about legacy and your legacy in particular?
Well, okay, first of all, that's not apples, apples.
But the goal is the same.
I mean, we're opening up this center on the south side of Chicago for a reason
because it is our community.
It is our place.
And the same way we're making that investment, you know.
So I think it's maybe it's red apples to green apples.
I think recently because I'm getting older and I lost friends.
Like, you know, the worst part of getting older is you start, you get those phone calls more often.
And, and I don't think he would mind me saying this, but last week when I was in L.A., I hit up Eddie Murphy out of the blue.
It's not something I do often, but when I do it, it's almost just because, could I just call Eddie Murphy?
It turns out I could.
And I say, you mind if I just stopped by and want to just talk to you?
for a little while and he was like, sure.
And I went by and I didn't realize it was his birthday
or the day before it had been his birthday.
You know, Eddie's a beautiful house, obviously.
He's a family guy, so, you know,
we're sitting on his back patio.
And the music in the background is his grandkids
joyfully playing in his pool.
And he was wistful.
And we're talking.
And I realized that it's the first time
since his brother passed,
He and I had just spoke about Charlie or things like that.
And this is to the legacy part.
And I say, hey, can I use your restaurant?
I walking to the restaurant.
I saw a picture of Eddie, holding us Mark Twain Prize with your husband.
And it was probably featuring in his home.
And then I'm like, man, I would wear that as a T-shirt.
I'm thinking to myself.
And then it's going to be.
sound weird, but it dawned
on me, like, I'm Dave
Chappelle hanging out
with Eddie Murphy on his birthday.
It's just two of us.
And that's important.
Another time, I chase
Bob Dylan down
for a meeting, and when he got
there, he don't know me at all, but I guess
someone told him, like, you should meet with this guy, and he was
like, yeah, so he goes, yeah, man, what are we talking about?
Anyway, he was like, real
standoffish, and I just kept asking
them questions, and it took him a while,
to realize like, oh man, you just say
you want to know that stuff? And I'd be like, what about the
60s? He goes, man, I don't want to talk about the 60s
man, he would say, but
by the end of it, you know,
Bob Dylan was explaining
Dave Chappelle what many Bruce was
like.
So when I think about legacy,
it's always in these
moments where I meet
the first
black first lady
of the United States and her
brother. And I'm like, you know, as simple as these meetings are, they're important. They happen.
Corretta Scott King went to college here. And then she went off and married Martin Luther King.
And a few years after she graduated from Antioch, her husband came back with her and they did the commencement
address at Antioch College. And that's just, you know, at the time, it was just another day in Yale Springs. But now,
You know, I've never met any of these people, but I know Annie O'Conck, and it's our history.
So I think the buildings encapsulate the message of what our lives have been, that you, you know, I've got to spend all day with Mr. Robinson and Ms. Obama, and I feel like I've known you for years.
I feel like when you speak of your mother, I can just see her vividly.
and it makes me want to smoke.
But as simple as it all is,
what you've accomplished with your life
and how you've gone about it,
is, you know, very well will live far beyond our bodies.
And so for me, more than money or anything,
I hoard memories.
today is like a memory
I'll close my eyes
and I'll treasure the day
for the rest of my life
even if we became the best of friends
this time
was such a special time
to be together
so you know
I also look at it
like when I meet people
I try now
and it used to not be like this
but I try to remember
it by myself
because I had made fun
of a comedian once
who was younger than me
just busting his balls
but he got really hurt
and he did all this press about how
bad I was
and I was mad at first
and then I called him up like
why do you say all those things about me
he said well you forgot that you said this
in the other mind and then don't have me like
oh it never occurred to me that this person
might look up to me
that's just another person I'd see at the comedy club
so now I'm more mindful
in that regard
so I mean you know
one day at a time
one foot in front of the other
I look back only at the places where the treasures buried,
but I look back at all the shadows and the scary faces,
and I just try to just, you know,
I'm just hoping that my legacy is something like
that applause break Richard Pryor in Newark.
Well, you're well on your way, for sure.
Thank you. Thank you.
Thank you.
Man, what an honor. Thank you.
It's been a special visit for us, really.
It really has.
You all should be proud of the community you built.
All of you.
Oh, man.
Appreciate you.
Thanks for having us.
Yeah, I guess I have to officially close it out now.
So we really appreciate it, man.
And it's been a wonderful couple of days.
And thank you all for being so welcoming to me and my sister
and our colleagues.
It's been absolutely wonderful.
Man, Craig, don't be freaked out.
I know you don't know that well,
but you'll see you in time.
I love you, Craig.
I love you, too, Dave.
I love you, Dave.
