ACCIDENTES
00:00 Very good good days, tardes, or no nox. Beenews a new new chapter
00:04 of insomnia, in where we're going to count the most terrorificicic experiences reales
00:10 of the audience. So, take you much care of and listen and this
00:16 occasion. Intuio that will be a greatot a bit of because is with
00:22 uskart Gerbert. How is you? Well, content. Second time the second
00:28 first. The first was for criminal Uh-huh. It was a very good the episode. Goodissimo.
00:32 And now we're in paranormal. Ah, no, in insomnia. In insomnia. You have, it's a lot of normal and a nighteceita paranormal, too.
00:40 You know? That's all right. That's why we invite Fermanernernerner. Yeah, I'm gonna. Yeah, I said. Yeah, I said. Yeah, I said.
00:45 Yeah, I'm sorry. Yeah, because the fact that I'm very, that's been to narrate stories the last and I've been watching much of your work.
00:55 I think you're doing investigations, you scribes, um, You also, but more well, tell us you,
01:01 to you, to do you to do you do with your social, you know, I'm doing the productora
01:07 extra normal. I'm like invited a much time and he liked there like a narrative to Paco.
01:13 Uh-huh. Dey me invite to the panel of Sustos that's the project where I'm a
01:17 quadro. Uh-huh. And, we're there in this channel that is like between
01:21 cotoreo me, medium, we're saying we're talking of criminals, of things
01:26 paranormal, something like with the audience that we're there's stories, we're going to and we're over the line
01:32 of like between cotorreo and seriedat. For other part, also in extra normal I'm working in the part of
01:39 the redaction. And there we've been, in the 2 November, it's a year of that I'm here in
01:45 the productor. Very well. And so, and sores social, Oscar Hervor on Instagram, TikTok,
01:52 and the page or the profile of the, the profile of Very good. Many good. So, and,
01:58 we just got we got us to grab a new capitol that's a real of the stuff, that me fascin't. It was good.
02:04 It was so. It was very really, so, I mean, but, over the time, it was very very good. So, why
02:09 that's good? Very, very, good. Hey, this, this, this,
02:14 this, this, this, this, this, this, in this, in this, in this
02:19 this jubia, that we comeboca, we, we, we're, to, to,
02:23 the situation is delicate is delicate and, and over all what occur in these phenomena and situations
02:30 strange, terrorificas, and that the people is atreba to talk to us, me
02:34 is very interesting. This night we we're going to talk of accidents. I have a question.
02:42 You, have you have done an experience with accidents? Yes, I see time,
02:50 many years after, I'm remember that was a Semana of the student Uh-huh
02:56 contextualizing here is a little the university preparatory where I was was also very,
03:03 very, very little. So, that just there were three salons in preparatory that was the
03:10 first semester and fifth semester. Okay. And then the university that also that also
03:17 there were in groups very, very, very, many, people. Now imagineate that same
03:21 that time, but not there's a extreme of the city and they're there are some
03:27 there's a lot of you know and you know that's you know I'm it's a
03:31 easy to make a model to make a new I'm never in the
03:35 life had made a motto and I do well to get to get to it was
03:39 it was to get I'm not out of the stationation me I
03:44 I'm I'm I know Iterise with the I'm
03:48 put the pantalon the part the the arm with the
03:52 ice and I get there and I'm there's a time of there's and the
03:57 moment of the time of my really the right the right I'm the first
04:01 thing I did the I'm a money for the more soon the time because
04:07 I was my tachos to play football okay in that my
04:11 then my parents me I used to be I'm going to go to get to
04:16 go back I'm more doctor because the inflammation in the rodia is, it's, it's a very, very, very, very, very feo, and aparted a error, like, no, no cicatrizable. So, I go to
04:30 the medical, me he revisa, me, does some pastillas, me, say, there, there are coagulos, and these pastias, they're going to get debrating, no you have fractures, no
04:39 you have nothing of this. Passed two months and the rodilla still inflamated, and that's cicatrice, yeah, I had puss,
04:47 no saliababab. Bered. in that semester he went a master a master a very strong he's a
04:57 friend who are you know he's a we don't know we're very strict and it was like to make of the he was a there's a
05:05 there's a character of him with my flota and I'm a preoccupation because no san a
05:11 my rodilla terminus and he he said oh yeah I want to make
05:14 a question more than the more than the yeah I'm I'm I'm going
05:18 to this I don't have an accident, me gave them to these medications. The detail is that the rodia yeah was a black.
05:25 And part of the blood was going to get into my topio. No, manches. So it was that was there's a matter
05:32 and me says, a little the pantalone. When I I'm going to the pantalone and I know the expression
05:38 of him me gave me a good. I said, with what you did with a fullano?
05:45 And me when you amputed the your PIRN, you do you
05:48 do this pastilat the doctor because you have to do to do you have to do you have to
05:55 do a lot of you know but is that no me dole. Although not you dole, there are
06:01 there are there some little that's that's maybe to my house and I
06:07 see to I'm, I'm my mom you know, you know, you know my
06:10 character here of the nervousism the nervouses of me. He said my mom
06:16 I go, hey, I'm going to see what I'm going to cut the leg of my mom, my mom went to my
06:22 mom, I came to my mother in the carmett. So, I go to the case, the time is
06:28 the doctor says that needs to make me a few and I mean, that he
06:34 I think a God, if I think that that's that's that's that's
06:37 not you're not yet I'm going to have to get to the thing. We're
06:42 we're all the things, me attended in his house and he said what's
06:49 he's not that's I'm not the really not I'm not really you're going to you're going to
06:53 do you first I'm injecto I'm not I'm a anesthesia and then but when me said
06:59 he was going to bring I'm going to get to the hospital or he was made of this I'm in the and we're saying, they're
07:16 so they're gonna puttendom back the pierna, he's gonna with geringa, the same, then I'm gonna do make a few, and no, there was fractured,
07:24 fortunately, and then, and then, he was, he was gonna, me, he was drained, because he had
07:31 a lot of the same, he had two years, that had passed of the accident. And, fiftate
07:35 that, not going to say, where he's where he worked, but yeah, for the
07:39 thing of the, the we made there of the hospital where he
07:42 chambiabia, me took to be a bit feo. Me was attending in the
07:47 time of the knee when the person with a little of a three, four years.
07:53 He said doctor, help me my son he's this bronco aspiro no see what he
07:58 he's part the world in that moment and all the attention is to the the
08:02 attention is he's also palpa and he he says this man he has been
08:08 he has he has he goes So. And this man, you're conscious that when
08:16 I go here, yeah no had a life. You're it's the thing. And it's the
08:22 frialded of the doctors, I think that that's going to the experience. Because he's, like he,
08:28 me have many people, to be sure to be all the paperleo, all the investigation,
08:34 and he said, this man he has, he has, and he has been, I don't
08:39 think it's, like, the first experiences Fulf, but super Furn, but super Fierre. Super Fierre.
08:45 And Fielder. And Fielder, and Fielandah, I'm living a little bit, I went to buy in the department where I, from where I lived, there was a there, you know, you know, that's that there were in 24 or 7. I'm going to do those people.
08:59 A bit strange that's that prefer to go to the super when there's not a lot of people. And, and the same place, there was a kind of, like, the doctor, this azulito. Passed by there.
09:12 And I see there a family there's a a woman who was a woman
09:18 but I'm that the man who is going to the courtina he's getting to the
09:24 little to the other I'm and I go and he's the doctor and he's a man I'm
09:29 he said I'm a case a very very similar you you know a little I don't
09:36 do you I'm not I'm going to be able to I got me out of the chismetit the
09:40 man was he was aggressive because I'm there's a certain that he said that the
09:46 child had fallen in the consulatory. No. And it was Yeah, yeah, yeah,
09:52 yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,
09:54 yeah, I, tell you, I'll say a thing, there's a there's a lot of,
10:00 well, when one when one go, when one you, you, you know,
10:04 you, you know, these niches, where the people have fallen to and et cetera. There was a
10:10 moment of my life in the I used to much to manage and I used to do it and I'm also much to do
10:16 it's like when it's like when it is necessary because I think it's too the time that one
10:23 that one inviote in the carterer and I and I saw much many of
10:30 these things and I asked and me I the stories of these places that was
10:34 what was what was what was what curiosity me He gave a
10:37 question to a lot of people and I'm there's a lot of there's many times
10:42 there's that you're involved in accidents, in a form or other and that's
10:49 like they generate two forces. One of these entities that want that you suffer
10:55 the same destiny and other of the people that are people who still
11:00 the chofferes and more they're like participes know of these
11:04 these these accidents and in a moment, fiatte that that's never that I've been mentioned the podcast paranormal I made
11:14 that I'm aware that, the people the people sentio or intuio that an event that occurred in the podcast paranormal,
11:24 could be to say a accident, that's surge of the history of an accident, was something that was something that gave
11:31 much potency because the people noted the veracity of something but that's always
11:39 me really a attention how an event very, very very
11:43 very very and an accident can can't get a energy that
11:48 is going to present a time in the resume because the story the
11:51 person, a friend, we we were when I started the podcast
11:56 were the first the first the first called Alejandra Aleki
12:00 Jani and I'm oh, investigate some stories of phantasmas presences in
12:06 carteras. We're talking these stories when of a minute she she said, no she'll have told to
12:14 go to go to a cross, in fact, we're acionable a little and it was and it was the first
12:19 that was the first of a bus and sola. So in the way, they're they're
12:24 on a car, they're so much she's the time for the people more
12:29 to get a baby in a place, et cetera. So, she goes, prend a cigar because she was very nervous and the chauffeur is a little,
12:36 then she's a little bit, that's this chica, who's, she's, well? And she, oh, what happens
12:44 is that we pass us for that curve, I'm sent me very bad. And he said, what happens is that in that
12:50 curve, there was an accident very famous. There was an auto bus of passengers parado,
12:56 he had a poncha a yanta, etc. He had had to put to parer there, lamentablement. And a person
13:02 that went in a carmionetta of these, also, of tourists, but are like for 16 persons, he's kept dormied, the chauffeur. So, no did the world in the curve. And he had the foot in the accelerator, and he was strelled against this
13:19 carmion. So, all the family that came in that vehicle, Perdi the life many people
13:28 of the autobos perished the car was a little after
13:35 that you just that you know they're to get the vehicle falle but
13:41 he said very bad for what he had done he was guilty
13:46 of that was he was being that was that was
13:50 his and then she me she me And he
13:55 put very bad and me he said, you know, you know, is that chuffer?
14:01 No? It's my manches. And I, yeah, I know that story. Only not
14:08 I know that had been in specific. When he told this, I saw
14:14 I, I mean that never had never had been a new in this of the
14:19 creation of content and when I just just I was
14:24 trying the words to more or more than consoler her the light,
14:30 the point to she's like this like this has been a button no the light
14:35 he was the light so I'm so I'm you're not you're to be being
14:40 like it's a casuality and in that moment they're they're
14:44 my light and so that's that we're we we're
14:50 in the capitur and that was the I hope all part of the
14:54 accidents. Hey, that gross fiat that here in Waxaca there's a history
15:01 of a carmion you know, you know, that's to the Waxaca to the
15:06 city, you have to go the jumbres. So, in one of these
15:11 backas, an accident surge of a car that was with
15:17 some student so he's going to the voladero and
15:20 the majority per die and so so the number to the curve of the student
15:27 what's the thing. The curious of there is that these places, like there's these places, where is the
15:34 point for a for the place, for the people, people who are to these
15:38 places that are in the places, they're in a car and no doesn't know there.
15:45 So, no, there's no way there there they're they're
15:47 they're the light, and that comes descending a carmion, it's a time, and you get there's
15:54 there and never and never get. That's heavy. They're like the stories commones of the state of Oaxaca.
16:01 Well, if you're not, you can't to tell you that's about the of the commoners of the state
16:06 of the state of the time? You know, I'm going to one of the stories that they're
16:10 because this occurs in the place in the place in the world in Yucatatan. No, it's our
16:17 friend Diego Pot. I know that, well, I think, have pronounced a ventured to be inted, and it's called the history, the niche. Well, I'll a salute, muchismas, thanks.
16:29 Fidate. He knows that he said three years, he was working in Tulum. Tulum is a place, it's a place, a place
16:37 touristic, a remos, where there are, there, other these ruins Mayas. It's impressive because they're
16:43 at the one of the plagues of the planet, and this Rintanarro, that is the state of the resident. He was
16:51 working there as an engineer and had a routine a week in that he had to get to the play and to get to
16:58 Newkutah the weekends of the same. So, there is a carterer there that has a right that has
17:07 many great, where there's a one can't be a lot in the one can be either by the decuota or
17:13 the liber, and in the library, you pass for some puecilis. he was there
17:18 when of when of a repent decide that he gets the end of the end of the end of
17:24 a week to get a merida and for do it do it is a through the caretera
17:30 when he when he thinks that that's a way that it's a more of a little
17:38 to be a bit of time and not to have to get to now now that now that now that's
17:44 I'm super father, to see, I know, I'll go observe something paranormal in the way,
17:52 an omni or something. But, well, he does know the moment of to get,
17:57 of a thing in particular. It was his year, and also, the
18:04 year's, the first of November. Biernes, 1 of November, his birthday,
18:11 he was to be a year to be a carreterter. So, it
18:14 He also He was like a series of casualties interesting but as it was a good also.
18:20 Decide to go and his novi he says Oh yeah fiftate that we
18:27 we're going to celebrate here in my dad we're going to celebrate this
18:33 that's here in Mexico that in Yucatán they say in the Janal Pishan
18:39 that is when the people cruzan that be lo of the reality and they're present. First and two of November,
18:47 between us. They're put these altars, the people experimented things incredible, there's much carino, much, much, much, more, much, more, much,
18:56 more, much, more, transcendidos, in those two days, we can visitar. And he says, we're going to do a celebration here in my
19:07 house, for the fecha, and my My papas you prepared a little a little because
19:13 they're your birthday. Of the actually, you're prepared mupipoyos which is
19:19 a tamal of the region that he's he's he says. He's goody
19:26 goody goody goody I'm very to get there in the nighteceita
19:31 and he's he he decided he's he's very emotional now
19:36 so he he's at the 6 You know the way that's going to and he
19:43 he's going. Well, he's like as he's like normal in the carterer, all very
19:47 very content. When yeah have passed two hours, are more or less at the
19:51 night, it's also and it's a a little. When he comes to
19:57 this people, this people is a cancunul. He starts
20:01 to reduce his velocity because is past by the part of
20:04 the people, you know there are like you you go
20:07 you go to more a bit on cruiser. He's he does know that he's
20:12 like totally only only on the carreterer but at the way he's he's
20:18 he's he's going to the velocity and more or less to the time of
20:24 some topes between that he and he conform they're going to
20:27 the speed this he gets to first and when he comes
20:31 to he up and he and it and it they're like if they're
20:35 they're when it effect, he does a point of that there's a person but he's
20:42 that he's that he's even he's a little a little totally as a dark,
20:46 that in that's a moment is posed in the carterter front of the vehicle
20:52 that has done so he he has he looks he's thinking that can be
20:57 a person back a more the velocity and this silueta
21:02 cruza the the car he is front to him
21:06 Like if he was observing while he he's and he gets and he he gets literally
21:14 then he's to the mountain where there's where there no there no there simply
21:20 the plants and he to make to him this is a little rare because he's
21:27 in a area that is like very desolada no there no there
21:30 no there no that that that can it can be a person
21:37 The other automobile cruiser, and he, other time, he's another way, and he has been totally alone and has been much,
21:44 much to the velocity. When he's going to pass up to this curiosity, decide to
21:50 get to the place to the figure to see to be to see. The place,
21:59 we'd be impossible to transit to be a piece. But what he has the attention
22:05 is that there is that there is a niche. And this niche, it's been that
22:11 should be that maybe for the fact or because it's very recent, has been vellas,
22:17 incendidated, flowers, and is obviously in memory of someone that has fallen there. He seems
22:25 curious, just what had been something something, I'm something that's
22:30 this silhoueta that literally can't and cruis to the thing, but he
22:34 is a question this that is this is like a silhouetta, like he was
22:38 like he was looking to the other, but he cruised to where he he was he said, well, no no, I'm going to pass nothing, no, I'm going to continue. Conformy to advance, now see in the carretera, totally obscure and all, he
22:52 begins to feel like that all of getting inquietante. Like, it's very obscure the carretera, specifically in that night, like the wind, the atmosphere
23:04 is a rarer. And, And, of a repent, that this is very strange in these zones, not that there's like a neblina very libyana, but that's accrecenting in the carretera. Until where he'll access to be the front and to the other side, no there's a only coach. And he's a start to worry for this reason, and of a sudden,
23:27 he's out of his thoughts, conforming the neblina, va augmenting in the way. And he'scuching a susurro, like if someone to try to talk to someone
23:37 that's someone that was sent out of the part of the back of the vehicle he's
23:42 he does know that he's he was he he'll for the retrovisor
23:46 but no there he goes totally only in the vehicle but when he
23:52 went to be the retrovisor he does get to come in then the lights of the
23:59 vehicle are like being being and the motor of the vehicle is like, is going to the velocity. He begins to accelerate, but every bit more lent,
24:13 and the light of the coach every more dev, like if something was trying to the energy of the vehicle. It gets a moment that the coach is a tremendously
24:25 and the lights are almost apagas in this carreterer in solitario. He is too nervous what will when he'll when he into the
24:35 neblin with the little light of his vehicle there is a thing. The vehicle
24:42 is still getting very and he and he is a front of him not is
24:49 a person is a figure phantasmal that that is that is there and at
24:59 the same not and that also not is posada over
25:04 the terrain, but it's floating. His feet are like like totally to be
25:12 about, pointing to back, and this thing is there floating. The eyes says that
25:18 is like only the only the cuncas and it and it is a car
25:25 he's a little and he is a and he's spantaditism with this that
25:31 is being this only he looks he he's and, and of
25:37 when you is a point of that the point of the vehicle to take with this
25:42 ser, he has a act of a lot of and he doesn't get a
25:49 carreter, but no want to get to get more to this entity
25:52 and when he does he does count that the
25:56 automobile not he he doesn't as the ballante
26:02 of the light of the ballantas but the coach continue moving and
26:08 it's going to a moment in that is a very much the vehicle yeah almost
26:13 go to the car that's that the entity that's totally front of
26:18 him as if could traverse the vehicle and literally
26:22 this thing that does that car to with
26:26 him and in that moment he he is he
26:30 is he he he knows what what is
26:36 totally assusted and this thing is a little and he says
26:44 something. When he says this, when he says when they turn to the
26:54 light the lights of the automobile, the this disvanes with the
27:02 neblen and as he he's the accelerator a front
27:06 and it's it's set but tendido the coach. He
27:13 is a sustadissimo coging the ballant with a force tremendous when he does know that he's advancing
27:20 very rapid, very rapid, very rapid, and he starts that it's like it's like it's like
27:26 it, but not occurred you know, you know, there's not the neblin yeah no this, and
27:32 he's like he's like he's that this entity when it took to front to
27:37 front to like something something, something he was the moment. We'll we're going to
27:46 and he continued his his and he was totally and he was an advertency is an
27:57 a menace that was this when he when he something something something I'm
28:05 I'm imagining I'm going to the retrovisor and the entity, was behind him,
28:14 observantolo, sonriending, and when he he went to his front, he was not
28:21 he was. He thinks that in some form, this man, this man,
28:29 he's he presented a second time, or third, could say, in the
28:36 vehicle, just when he thought, that situation maybe only
28:41 was product of his imagination like like that he's saying
28:46 no if we're to go to this this this recently
28:56 and it's one of those stories that here are and
29:03 then he he he he's he kept with they
29:07 are going to go he is very gross so
29:11 I I think, as you as to start the history, much people have had been this type
29:17 of events in carterter that maybe for example the trailers, my two abelors, my
29:25 abelor also, there's his stories, and for the form of my abel,
29:31 that is like very cotorro, he wants to put a much a lotho a lot of
29:37 a sometimes not we know we and us that they they were, so they were
29:44 going to and he was a woman came down, like if he was a guy of the door of the
29:50 copilot, and that was there with him pressed. And so, like, so they're like,
29:55 so they're so here, there are these stories, there are stories that the people that's,
30:01 also of the difunters that are in the carter is that here I see a person or I
30:05 know the person or I'm that's here and then they're there there was
30:11 there was the life, this, family. And it's a lot of the fact that I'm going to I'm going to be I'm going to
30:20 do you. Oh, and apart that the vehicle no, the response. Yeah, that part that is that's a part that
30:24 you can't be more than the machine, well, at the final the vehicle is a trapado when
30:30 it's the only way in how it train the the volant no? Yeah. What nervous.
30:35 What are in that in that moment? Fiatte that, there, there, family,
30:42 before that you this so of the whole of I'm I'm in
30:47 the prejuice to some some manifestations and there my my
30:53 her my mother he got to have to his his son
30:59 and see that there in my cune and there
31:03 there there there there there and and I'm my
31:06 son and says my my in the and they're going to and the
31:17 the pile he's not he's a pina or he's this type of things he's
31:22 she said she's she'd a dormida and a dream that he a
31:29 a room a a sombra a sombra a a monoid and she
31:33 and he says in the in the son was my cune
31:38 my coonado and my Sobrino, it had in middle and she was
31:43 sitting looking to the door. So she says that she's the
31:48 mind of this see the of this see, and he and the back the door
31:54 he says that is a sombra very, very great, that's the
31:57 same the time of the door a little more little and that
32:01 he's he and you can't know how he can't
32:06 how he looks to the Sobrino and he He's in the dream, I I'm going to see to be
32:12 my sonno and my sobriene was to be back to be going. So she she gets and when
32:20 open the eyes, my sobrino had his his rostro to the face, and it's not.
32:26 This it's a family, it's my mom, my mom is Christiana and this
32:33 part where you say a sombra a separation in the house, no, is malignant.
32:37 But in this case In this case It's the This ser, he has the Seine and effectively my Sobrino
32:43 could have sobado that's hogged that for that I mean a lot a bad
32:49 to do you to the things that we can't see that we're in there to care us
32:55 if we're we're and then those we're just we're that they're that they're
33:01 that they're that they're that I'm going to have put to be with a
33:06 something similar. Okay. This story is called the Angel O'Curo. And it's anonym. Okay. This story nace
33:17 of a woman that we're going to put as as a name of Tonyita. Toinita has a little bit of a day
33:25 presentable signos that negative in in quite a health. The little very
33:32 infirmiso, I was the doctor, the doctors not They didn't what were what they
33:37 had, studies, and you know the desperation to be a family and now
33:42 in this case, the he's doing this type of things, you do
33:47 do you to do this thing. And it was something was a little
33:51 to he was not a solution, no they're not
33:56 they were so she she she was the the, pardon,
34:06 the new, uh, Doin Esther realizes a job of sanation, of sanity,
34:14 pardon. So, then decide to get it like, you know, you know, what's
34:18 what you know, and I want to me help because I know I know I'm
34:23 soport I know what he and he and he said, he's, he's, it's,
34:29 don't you don't you want to do something, for that your his He said
34:32 He said He said He said They're They're They're They're They're
34:38 They're Not specifies What kind of What kind of What is the ritual What is
34:46 this person Is that The The New Dejo Dejo to have to have to
34:50 But a part of this The The He knows To have
34:55 an Amigo Imaginary Okay And all the time
35:00 he was he talking with his friend, his health
35:03 better even even he mentioned that the accidents that were about
35:09 it was like a little and was he was exposed to
35:14 to be to go to go and he was to cross
35:18 the and he and he he he and he
35:22 and pass a car a high he could have a
35:29 very particular with him. And apart the little this aura aure
35:35 a little of the people, the people they were in and they're that's the man,
35:40 it's that this man, and the juice there, no, no, don't you
35:43 don't you don't, a sometimes we've this part where we see this
35:49 something that has been in our personality, and we're that this person has been something, but it's
35:56 this new is a little the time, you're the people that were around
36:02 of him, that there was like a aura that he was that was that was something,
36:08 even the family also the man, this is that this pelafustan, like that has
36:14 kind of kind of really a when he when he he says, mentioned that he
36:19 says, he's that's he's he's and he mentioned that just
36:25 like what I've to talk of my her manna. Uh-huh. It was a he was a
36:30 he was a car to be a sombre. And he was a lot of a person like was a man. Pace the
36:41 time. He crece and he starts to work and in the work they were in
36:49 an and amadmio and he starts to tambalierce the endami and standing up
36:53 he's to tambalier and of a way, very extrana, the
36:58 andamio begins to disbandse and it's there's people who are in people and he
37:03 he's he's got to the base of the endami. The people who
37:08 are in lastimates but he doesn't nothing. And it doesn't and it
37:13 and it's like I have a protection from this is a question of a sure,
37:18 I know that my friend is a person and he Passed the time and says that that
37:24 that's amistat was a little kebrated. It was a moment of a separation that ended changing the
37:34 life of this person. He said that was in his habitation the habitual that was to get to
37:40 this ser, platicaban like to his day day, he, he's
37:44 to sleep, and that madruada has a A an an encounter
37:50 with him. He said that the mirab of his friend, or what perceived he
37:56 as he was the mind, he he was the same. He
38:01 started to see him with other eyes, he saw, he
38:05 he said, he said, he said, he's he said, and he says, the
38:11 time, has he's he's, I don't think what is
38:15 no I don't do. He says All, all, all, it's a
38:21 thing, all, it has a cycle, and the cycle, the day of today
38:26 has culminated. So, then he has been for this he was a part kind of
38:34 in secret of what had to his friend with his consternated he
38:39 he doesn't what does what he invading the
38:42 nervousism and this part the He was with her mom. He says, You know,
38:49 he took an episode very very a night. He said this story.
38:58 He said, I, I've been my man, my man, his form,
39:01 is of a ser that has the eyes and negras. It's a lot.
39:10 And a year, in the night, we took a conversation that I no me
39:15 to me He said He had been he had he had a while the and that a
39:22 cycle is a in the time he's he said he he says that you know you say
39:31 when you were you went to your abel Esther you I was to that he
39:36 that he he would that you curate of what you were you sonast but me said
39:44 that no me to gobara with money, that maybe, more
39:50 ahead, he was made because he had to do a pado. I'm he said he's saying,
39:58 that, that's being a parpade the lights, and that starts to invade a
40:06 frio in that and his mom came in cada. When he came in cada,
40:11 her mom, of reojo, the of the sombra of this side, see how
40:17 he's his friend and he abrasa his mom. No. And he
40:23 says Tonyita, I did a pacto and today is the day in that
40:31 I'm to go to because is my life a change of the
40:35 he. Dice he that this being a man, and in
40:42 that the woman is disvanes. He he gets in the
40:47 car and he starts to gritty, what you're doing? Why you're going? This is a pact that you know, and is the price.
40:56 The cycle is it's a couple of today. Lamentably, Tonyita, pierde the and he's and he's only
41:03 to his his son, without the work that had made to do you not so not so many no manches,
41:18 no, no, not they were just, he's just, he's just Is it anonymous, this story? Yes, anemone.
41:28 The angel Oskuro, the name. Wow. Wow, how heavy, bro. It's that
41:36 we don't know what he's doing what you're so. Yeah. You comeendas a sometimes
41:40 without know, what is the price to pay. The life of your own own
41:47 and here is when you know, that the word of the of the mother of the mother's
41:52 more more more. Before that pass this story you'll
41:58 tell a little a little recently the fact when it's when it's Cappy and
42:06 Daryan that's a great-brass that's there in Merida salvos
42:10 we we went to a a people and there I saw a person
42:15 that also he's called well no it's not so yeah but
42:20 we say we're we did a momentit he passed to say saludar and is
42:25 a good my mom. So, I remember something. I said, and I'm my mom,
42:34 that I don't know why in that occasion, I think at the more I think I did so much that I went
42:42 in the way. It's a story a little complex, but basically what me me made much
42:47 to the attention in the way of this people to the to Merida. It's
42:53 a carreterer that is really, is very very well made made, it's very great and et cetera. And the
42:58 people, because, it's a really, but with a lot of there's a person
43:04 that was a little a job. Or so, this person had no had put a job,
43:12 but also it was a secret to voices. All the world was all the nobody was
43:17 he didn't and he was there and he was there did do something to avoid to
43:23 that was that and you know, you know, I've been that's retorn. Well,
43:28 go in the carterter of the and he a vehicle that's made a made a
43:37 badasos. That accident almost has been to occur the coaches have their
43:44 speed much, and apart there's much people there's there's there
43:48 there's there is horrible. I think has even an
43:54 ambulance his carlancy and this well he he has a way in the mom and from he says that's that
44:04 he's that's well he's he's I know he's he's he's that he can
44:13 put photos to colors but they're like so much the cacuatito and when pass they're so long
44:18 that he he agar the telephone and he he takes a photographia He got to my mom
44:26 and he says, you know, you know, you know, that I'm about you to tell you
44:34 and that's doing a work of a burglary and that you had returned. Yes, it's a
44:37 coach. And he said, look, look, O'Neely. And when he
44:43 he sent to the photography, my mama he said, guard that that. I mean,
44:51 I don't want to see. and me I was up I was I was up and I said
44:57 I said what I said what I said I'm and I'm and in the photographia was the
45:03 accident of the there was an image black this is the day there was
45:11 there a there a sombra altissima that that was that had something
45:16 that had something a god was that was the Santa
45:21 Morte in this No manches. Of course, I mean, you know what? You know, you know,
45:29 when it was the first thing I thought, it was so clear that I said, that's a, that's a trick. And me said, no, he was,
45:37 he was done on the and we know who are the people who are when I said, when I said, my mom
45:43 totally serious, I said, wow, like, like, so, you know, you're,
45:48 you're, you're trying, you know, when you So, this was for many years, now that he's the podcast. He said, oh,
45:54 you, me can you help to, uh, this, uh, to get a photo? He said, Mahito, he said,
46:01 that he said, no. The photo, the photo, I eliminated that same day. No, manche. Yeah,
46:05 I mean, he did much me know, and it but it's, occurred an accident. But, but,
46:12 there's many stories. There's, there's going to talk this, not long, and it's, it's very interesting.
46:17 This story we're manned from Argentina. It's Augustine Mondino, we're in this story that's titula, I'm still here. Resulta that Augustine
46:30 is chauffeur of buses, and he is in Argentina and he says that one night, there in Mendoza, in Argentina, after having left to the last passengers,
46:44 and he's a time working as a chauffeur of an bus, they get to a a place that is a cell of for the
46:52 other chauffeurs that are in this company and there is between a year when they're
46:58 to get to this cell where they can't and then you can't to talk and they're
47:06 these conversations and they're there and they're so much of they're and in these conversations
47:13 more than to talk about the family and etc Well, they're relatted, so relattain
47:18 between stories, experiences, curious, things graciosas, things other things paranormal,
47:24 that they're in carterterer, because that for them is a custom that they
47:29 are going that's so. So, then they are talking when when,
47:35 of a person, a man, veteran, yeah, in this as, as a
47:42 choffer, the name Martin, he, says that has passed something
47:48 that is like it's like a and that he's he's he's
47:56 he had two colleagues and these two colleagues were managing an
48:06 bus for those who not they know they generally both the trailers
48:11 as the auto buses not a one one one one one
48:14 one Right? Yeah, they're their relive there. Traen their
48:17 relevo. So, these two colleagues of Martin went, then they were and they were
48:24 in the relevo. He said that that night in particular was a night of a
48:31 night of a night a lunar new, that is when no, but there's when you
48:39 see the totally in obscurity. And then then they had had been have been left to the passengers, the
48:45 bus, the bus went totally only, so only they were them, they were just, they were, yeah, of the back.
48:55 One of these men, the man also veteran, that had a time, a man, a man major, and
49:02 the other, a person very young of 24 years, the name Emmanuel. Emmanuel
49:10 was, he was, he was, his first various voyages as a chauffeur and this
49:14 other other of which omit him he was like passing the information of those
49:21 things that not you can't in a principle with all his decades of experience
49:26 of this the man major as he had had had had to
49:31 the passengers he had much so he he he
49:34 he he he how how that is a, it's a tram of carterer
49:44 and then to the city, etc. While I'm going to pass to the part of the back and I
49:50 go to doormy. I go right that no there's, this, if you're your mind,
49:56 me ches the hand with that you said, he said, Manuel, you passate to the
49:59 back and I'm, I'm, I'm, I'm, I'm, I'm not over, the
50:03 auto bus. And so so it's he was passing to the area of the
50:07 ascent when Emmanuel, that was now at the ballant, of a repent, he distrae a brief moment, but it was
50:16 something very very, very rapid, he distrajo being something, and when he went the
50:23 view, not only only had had been the control of the bus, that had
50:31 invaded the caril contrary, but in that distraction not he had acelered.
50:38 From front, he was a automobile. And, he was a caroom didn't,
50:50 he was a really, and he said this senior major that was in the part of
50:57 that was the only that was the great to Manuel. Grit no! And the
51:09 sound and all so he was black when he he he
51:15 he he he got he he was impacted
51:21 from from the part of the bus where was
51:24 he was the impact he he was by
51:31 the parabiss and he he in the terrain but
51:35 but he Emmanuel fell he he It started in a manner instantane, for supposed, and also the people
51:44 that were in the other carmion. Chocarroked in front. So, so, so. So, so. So, so, past some months, the company has to
51:57 do something to do and they're going to do that, even though it was a impact, well, there's, like, the major part of the the auto bus that still
52:07 function. So the security they say that they're in the way of replace the
52:14 bus, can repair these things and the auto bus will be to get much
52:20 much better. While he he's he's a couple in the hospital
52:26 and Emmanuel then he's he then these times
52:30 they're they're reparing the bus he he he
52:33 and he and he to work. When he says his companions
52:38 of this station in that they they used they took it. Since that was
52:44 this accident where he fell Emmanuel had been been occurring a series
52:49 of situations very strange. Fifate. The radio of the other
52:57 autobuses of the In a repent, in the nights, it begins to fallar. Commence to start at static. It's like, like if,
53:06 I know, like if something something something else. Of a repent, you decide then to pay the radio,
53:15 for that not be so so far as the radio is on the hand, like if someone with the , it would
53:24 be, it was the radio is working and there music, they can They can't of station,
53:29 or they're they're they're they're in that that's in the
53:36 times of the time. Another person he comment and he muster. Look, the
53:45 bus in the accident he was he gave the car the
53:51 carus is well, and he said the hefe that before
53:56 that was that If you used it was revisar I want to see this video and he
54:03 he's a video with his cellar where is the bus in the night with the lights
54:08 and the light and he he's doing with the cellar and he he's he wants
54:19 that the the the keys has he has he don't manches and
54:25 he gets the bus and he makes that the the auto bus it's
54:29 on the light spraineded but he's he's he's not he's
54:38 you know you know I think that is Emmanuel this this man he said he said
54:46 he'll he's video he's present no I want to live to
54:56 that me I'm much fear I'm for favor that
55:01 this video and this young he was so so I was the
55:06 sir that he got to get to the hospital that decided to be
55:08 the video. But, all continue. The people continue
55:14 continuing that having that sensation in the radios and a day
55:21 all the other when they say you do you do you
55:27 going to continue to this sir? And he said so
55:33 Diego we suffer a accident, I've passed in a situation terrible, but I need to
55:38 get a food to house. So, I'm going to continue working. I'm going
55:43 and I'm perfectly good. I'm going to continue working. Very well.
55:49 Well, you've took the same bus. Well, he has to continue working.
55:57 That day that I'm in the bus, nobody will be to experiment nothing
56:00 in the radios, nothing paranormal. He's he's on the bus,
56:05 go He's advancing when, when, of a sudden, he has left to all the passengers, he has to
56:10 go to get to bring the radio and the radio commenced with the radio commences,
56:22 it's going to change the station, a little for that's the static, selects
56:30 a station, and it's a music, and of a sudden, he can be the station. The ball
56:38 to do you, and he's nervous. And he's He gets a scalofrid that recorre the and he starts a sound
56:50 a noise a noise that has heard the the co-pilot is a recline back,
57:01 as a back, as a person was sitting and was reclining the ascent exactly
57:09 how it did Emmanuel and he is there in the night only in the bus
57:15 where he occurred the accident, looking how the ascento is moving.
57:20 And then he's a arm of valor and with a voice that more was that
57:26 was like a sublica temblorosa he said, Emma, if you're
57:34 you, for favor, no me can't you know, you know I'm
57:39 that I think to this things I not I didn't
57:43 that this occurred in this moment, the ascent regress to
57:51 your position original. The radio is a static and it starts on with clarity.
58:01 It was like if he had been he had he was he
58:08 he was he. He thinks all all all all
58:13 all going to continue and when he comes to advance
58:19 his autobus, I'll hear a voice, Emmanuel. It was the last time
58:26 that he was the last time that something that something happened. And he said,
58:32 I'm still here. That type of things me gave much the attention the
58:46 fact of the fact of know that there diffunus still with us
58:52 still with us yeah I and and I much.
58:57 I grew in a other Christian where me said that these
59:00 things not are of God. So, you know, this stigma of that all what
59:07 is a manifestation, all this, not is good. And, that that that's
59:16 me used to an manner a little empathic with my family. My
59:20 abuel paterno felles in the 2007. And there there's a scene that
59:26 I'd be a way you're because a me me they're not that all this
59:34 thing of the day of mortals, all this is pagano and you know, lamentable
59:39 you're going to you're with this with this criteria without the
59:45 greatence of the people that a fact of that are that your family
59:49 the people that you have a this type of dogmas
59:52 you you make kind like the villan of the history,
59:55 even you think you are you are doing under your convictions. When my abuel
01:00:00 fall, is a person very, very very very very very
01:00:04 very right, was a way, my old, and my abel.
01:00:09 And my abel, was of the old, he formed a his children exercising, and the
01:00:16 physical, and with the nets he's mended all this part. We're
01:00:21 know the the side carinoos of the father where we we're trying to
01:00:29 we're to give, something that he was not put to do with his own his own
01:00:36 time too. So we're there's there in house of his my abuelita and me
01:00:42 say my tios, we go to your abel to go to get to do you
01:00:46 to leave to do get to in this lapse of time my
01:00:51 family and then I'm my abuelo there in his house. So my primos, his children
01:00:57 and a me a time and a time they're like that has been the same the
01:01:01 father's that you know, and if it may be and I think it's the
01:01:06 demonio no, I mean. So the fact it was very very archaical I think
01:01:11 with my family. So we we're to get to this scene where we're
01:01:14 in the tomb of my abel and all everybody and
01:01:18 say to say some words. It was a moment very
01:01:21 emotional some some primos yoreau my tios obviously are there and the
01:01:26 family and one of my stills me say you're saying you're saying something? And I said
01:01:33 no. It was a moment so that's the gesture that did you did the family
01:01:40 and I go no he's not he's not he's there's there's there's
01:01:46 there's but pass and yeah it because why not you don't you
01:01:50 do you do you don't we're we've and it was a scene that if it
01:01:57 had a opportunity to be able to say okay maybe not you're not you're but not
01:02:05 mean you're that you're not that's a little a little time after
01:02:11 this this lamentably I met out like a course of those of coaching
01:02:17 of life and the and we we're we're a this
01:02:20 a dynamic the The truth is that I with my abuel in his last few days I don't go to see to be.
01:02:27 There was a resentment also by some people because my abuelo asked for me and I
01:02:34 don't want to be to be my abel in that state my abel was a person quite and me
01:02:41 dole to be it in that where even he was even they even they were to
01:02:46 them to get to his because you didn't the because you ohly
01:02:51 that And so, and feely, the saying, I don't want to go to see, because me makes me feel bad when he was in a state where he
01:02:58 was going to and that's my, and it was to dolea much to act to make with me myself. So, we
01:03:04 we're like in this dynamic, and it was the last time that I did the old
01:03:11 was a normal, maybe it was a thing, but I'm I'm in my in a
01:03:19 fourth blank. You've seen the movie of the thing? When
01:03:24 Jim Carrey is with Morgan Freeman in this room? Yeah. And I
01:03:28 was in a chair and I'm I'm going to someone but it was so real
01:03:35 that I could feel or perceive the of my old of my
01:03:40 and he he's he he gotre the and I do I do
01:03:46 and here I'm I'm I'm and he I said I'm I'm crying
01:03:50 there in that I'm I'm crying I'm I'm sorry and I know he
01:03:56 I'm sorry and he he's a and he says all all is all and I say we're
01:04:03 we'll no we're gonna no we're no we're we're this is like the
01:04:08 part where we we're we're and it was very very very rare
01:04:14 because I had been been I was, I was trying with him with the other
01:04:18 but I don't he about, but I'm my sonteries no, in the dreams I'm
01:04:22 my my old, it's like a man a kind of
01:04:27 this, I'm doing this way, it's very, so when he says,
01:04:32 he's the last time, I'm put to to worry, and then then I'm about this
01:04:38 part of the last time that I'm the last I'm doing, and I'm know,
01:04:43 you know, he's I was so let's go the brazos and he I'm a great example
01:04:47 and you're you're going to you know, you know, you know I'm a lot of I'm not a lot of
01:04:54 I'm doing me did a attack like my my brother was in this place a my
01:04:58 my brother was another other situation I think that I'm my brother
01:05:03 I'm saying I'm not a I'm trying I'm I'm going to be a much that I was a
01:05:12 person who when it was the ultimate moment. And you know, I'm the day of the day of
01:05:18 I don't have ever to think I'm to know this part to to be able to find a tranquillity
01:05:26 to be to give a good for not for not having been in his leech
01:05:30 of the life and how could have better that part when he he said
01:05:36 yeah we're going to it's a agri-dulse yeah no te I'm not the
01:05:41 but I know but I know we but I'm we're and have to have
01:05:44 to have to have to have a question that's there's a thing, if there's
01:05:49 something, and there's not being trying to you, at your your emotions, in your
01:05:55 sentiments, no has no nothing to with a thing of the demonio simply are our
01:05:59 ancestors that are there are we that's correct and so wow,
01:06:06 wow, wow, that's what that's that's that's so, so,
01:06:08 yeah, That's great, bro. I mean, I mean, we know, a way to communicate us when we're
01:06:13 when we're and we're that's a kind of form atemporal, well, so it's to you
01:06:20 encounter the the, the, the, the, the, and so, you know,
01:06:26 so I'm, no, we're going to see, no, we're going to see, what,
01:06:31 so, wow. I think I'm much, me to talk, no? Oh, I,
01:06:36 I, I talk a story, you talk a story. This story Also, this story Also,
01:06:41 and is of a woman that actually has 38 years and is our paisana. Dice what? How is it?
01:06:51 No, the history? The history is called Suspiro's of MIRT. Ah, okay, okay. This story says, and actually I'm
01:06:58 38 years and is a castada and has two two kids. Ah. Well, resulta
01:07:04 that his Bap he was and and every every that the he had
01:07:11 he had he said he had one of his negrittes are always
01:07:17 he's like the present you know you know you're you're going to you and he says
01:07:22 he said he said he was he had the the years he had these
01:07:26 these were so those the that she had had
01:07:30 a repis where collection she was the mode of the father
01:07:35 with her. So, he said that in one occasion was there
01:07:41 was in a place and he was to be a marr the
01:07:46 and he and he a hegid a murmur a humo
01:07:52 he does he does he I think that is my my
01:07:57 proper respiration at the moment to get he
01:08:01 he he can be a zapato and I'll hear a and he
01:08:07 does a question that the noise come to the repis where they're their
01:08:10 little she's he's he's he says to the mom you know
01:08:16 you know I'm what I'm and the mom and you're you're you're
01:08:24 not I think maybe I'm maybe I'm my imagination because
01:08:26 I'm you know you know you sometimes they're a
01:08:30 very much and especially when you know he's okay he
01:08:34 he's pass. They've to the school, has their day to and this
01:08:38 was a constant. Of a point. He's in the court and I'm
01:08:42 there's in the time. It was in reiterated to this. And the last time,
01:08:51 her his father to go to his father and his father and
01:08:54 he's he's he's he decided to buy another vehicle.
01:09:02 So, then he said to his your spouse. You know, you know,
01:09:04 vent to with the new people, we're going of a journey, of the recorried in what we
01:09:09 going to go to get the carmennet. They're saying that she, at the moment to go to
01:09:16 the house, she says she again, I'll hear of this these laments. And I
01:09:21 had she a presentiment very, very feo. Agar his mom and he says,
01:09:27 no, I don't I want I'm, I'm don't want, I'm don't want,
01:09:30 let's let's don't a nothing. Diss is that I'm that I'm
01:09:34 going to get to the father, come in a restaurant, they're in their food favorite,
01:09:43 they're talking, the family was conformed by the brother major, she and a brother and a
01:09:51 little. So, and then standing there in the restaurant and they try in the
01:09:55 carionette, all the new the new the new camioneta. The divide in
01:10:00 the family. He says the Papa, you know, he says to your spouse, you bet you go to my my little,
01:10:06 and I'm me, I'm in the most grand in the car medet. In the adjo? Ah,
01:10:11 in the road. Uh-huh. They're in carretela. And he says she's she gets dormida,
01:10:17 but that had a pesadillas, that had a sonos and of so he'd and he
01:10:23 was never to see a mom and he said, no, is that I'm I'm going to feel
01:10:28 to get dormita and he'd her man and he was inquieted and how it's
01:10:35 a lot of he gets a night get a moment where she gets plentas
01:10:41 and she's he's and he when she's something like a
01:10:47 punson abre the eyes and I see to see a mom and her
01:10:53 she was she was she she was and he he's mom the
01:11:00 moment of the volantazzo, but he'll get the control for the velocity, says she she's that they're going to the cotamient, and he's going to
01:11:11 get a lot of the car, he's, he says, he said that in that moment the world was paralyzed.
01:11:18 Like, he's smalley, and he says that the way he he's got the he's the brother, the
01:11:24 brother, the little, he gritty, and he gritty a, mama, mam, mam,
01:11:29 you're well. When when he he says the paramedical and very very a long he's
01:11:36 he's called to say that still have stills the woman. She they get to the
01:11:41 hospital, to all they have seen and she has not not so very, as she
01:11:47 had a mom. So, his brother he was a little little rascuions
01:11:52 unfortunately they were the cinturon of security and a past
01:11:57 that the mother had the Cinturon of security for the movement of
01:12:02 the movement of the the good lesions very, very very
01:12:05 so. So, they're in the hospital, they're attending, and
01:12:09 and that's his mom and he's the life.
01:12:14 So, they're all two and and it's very doos
01:12:19 to have a home when one one of the one of the
01:12:22 figures no and so this this generates a
01:12:27 a of angustia the family sentia that he not had a rumble
01:12:32 the he had to go to give to provide no then the mother
01:12:40 later gets to the house to help to then
01:12:46 there she goes there she and she has she she's
01:12:52 what's what's what is how assimil all this situation
01:12:54 the The senior, like, I mean he's a canica. And they don't know that
01:13:01 that he had a family. In that last he, says she she was she he was
01:13:09 the year of his mom in an accident when the father when the other and with
01:13:15 the children that had been for other other. So, he, he was
01:13:18 that family before. Since the accident. And for all, if for
01:13:23 the scenario was chaotic, yeah was Now imagine The Empater in that
01:13:29 In this moment To get your Pompah He had a other And not So, you You have to You have
01:13:34 Myos No. See, At the final I mean The kids No. They get
01:13:40 The Lord To get a Carta To try His actual Pairja And there A
01:13:44 Mammar The Is that Theos Is that The Vuel And his Is that
01:13:50 You're You're You're You're You're You're You're your kids are in an
01:13:55 episode very, very difficult of his life, and of course you know, you know, this is that this woman, that's your spouse, is your woman, and not only that's just, but you know, what you're doing? Dice that's put
01:14:09 the environment that's pretty turbue in the house, she's, she's, he's a little little bit delicate for the accident, there's a moment
01:14:17 where she's a system immunological is up to to go, for all the emotions that I've had been, he's a
01:14:24 more, he's a kind of a kind of a kind of, very, very, very, very
01:14:27 very, and he's that he was there was there was like there's, she was,
01:14:34 you know, that the medications, that the tecet that the little, that's,
01:14:37 that's, she's, she's, to go to the camera, to the car to the camera that they've
01:14:42 done, and she she gets only in her own in the her she
01:14:47 he gets dormida and of they're some he's quite he's he's a
01:14:51 old he said that she she went to her put a a little of these
01:14:58 you know of the little the yeah so it he was put up
01:15:03 there to get a air that's a much She she was doing very very
01:15:16 and he's very and he's and she I'm very and she he's got the trapos
01:15:23 that he had been on the and he's he said that she's in the camera and
01:15:29 he's he's put on his and he starts to carice the
01:15:32 and he says she she thank thank thank and
01:15:39 I'm a susurro that he says no my my
01:15:42 she's that She's the voice of her mom. And she gets impacted and her mom and her mother says, A person of that not I'm physically, I'm still
01:15:54 care. And he says that's like in a state of the shop, he says, well, and her said, well, and she says,
01:16:01 we're not we're doing what are what we're doing what we're past the time, the relationship is to put much more
01:16:10 asper with the father. The madrastra was acting in a manner totally irration with the
01:16:16 his of his wife had many many many
01:16:19 pleats there was a person for the mother of the motherstra
01:16:27 of these people and this person that's that that that his
01:16:34 father and he's he starts a malo of
01:16:38 the mother also is very very rare she
01:16:44 she she she she she she she she
01:16:45 she mom and he says, take care of this woman. Cue to your mother, Cue to your brothers,
01:16:52 Cue to his father. The abelah the father, and the problem, and the
01:17:00 father also and he starts in a state in a state quite critical. And she
01:17:07 had to do, and constantly the mom, he said in their children, Cue,
01:17:12 to your family. So, you can't see, that this woman, the madrastra, she dedicated to to do some praxis
01:17:21 oscures in the spiritual. In one occasion, she saw that this woman is in the kitchen, and
01:17:35 clearly listen the voice of her and says, Fifate, what he's that he's doing. This woman
01:17:42 was emvenenando or I wanted to her menenar to his her manitos. And she is, what you're doing?
01:17:54 What are you doing the food? And she's no, are condiments. This is not condiments. The cussed with the Papa. The Papa no could be
01:18:05 what he was having. There's a plate to there. He's a little a man, the Papa. And you know, you know, what's going to this, this, this?
01:18:17 Lamentablely this woman is atentating in contra of us and probably probably was the that was the mother. A woman.
01:18:27 A little. Proceding legally. The papa die. What? So, the father.
01:18:38 But to her, unfortunately, they put in tambour. The accuser on the
01:18:46 delit He's He's To go to the carcels. Manches. This person He said that,
01:18:56 today for day, that's a time to that's he's he's he's in
01:19:07 shock. How you see? For that I was to tell to the about the
01:19:14 about to be a way. That's how a accident that's how an accident
01:19:22 that's practically saving the life of your own your
01:19:25 it's a story Yeah, a very complex because we know
01:19:32 in what point and how he knew this woman, if he did
01:19:38 something for a marre something. Yeah, something. But, or, so,
01:19:45 so, so, so, so, we don't know, because someone
01:19:50 that's a try to to envenen to other people? Yes, and when
01:20:00 read the story, me kept the same woman actu
01:20:07 in that world spiritual to provoke the accident yeah also can be a possibility
01:20:15 but it's in the carceling that's in the carce and that and lamentably this
01:20:22 patango the pap that also now is not with us but this is to proceed
01:20:28 to maintain there there we we're going to get in things more but the
01:20:33 thing to not to not guard luto, get as you know, you know,
01:20:37 this is your new family? No, well, yeah, for what? I mean, no,
01:20:40 no, no, it's been to be to beham in secret. This story
01:20:43 is called the presage of the death, and no they're our
01:20:48 friend Williams Garretto. Fiatte. Fuch. You told what of that's
01:20:55 that's that's that's that you that's that you that's this
01:21:00 story is rara, rara, rara. Rara. So, that Williams, in a moment, has an accident
01:21:10 that he will be to change the life for ever. But, everything, all of that accident.
01:21:17 He said that the repented occurred a series of events strange, perturbators
01:21:23 that he simply, like, like, in that moment, no comprehendia, but then
01:21:29 they'd They could govran much sense. He was trying. A. A day, that he was in a seat of Ruevas, and the world was sentia,
01:21:43 without a lot, he was really really, I don't see, he said, he said, it was a sensation very difficult to explain, because more than a
01:21:57 a dream, a a a was a little bit of a that's a reality, a vision of the future. he'd despirre to be able to this sense of something of something that's a little bit rare, but well,
01:22:22 simply he let's pass it as a small pass like a Pesadilla. Resulta that has to go to the place
01:22:32 and being in the place he says that he has to buy some
01:22:38 plieras so so he's he goes he to remember
01:22:43 this dream and he he and he to think
01:22:47 about this situation that this player me I
01:22:52 will I'll keep thinking in this situation I'm going to this other plier and of a repent
01:22:59 you have selected five plierras that was what he was going to a thing rare.
01:23:06 These plieras or camisettes that had the five had
01:23:12 an image distinct for supposed but the image was the
01:23:17 same representation the death had selected five playeras that had
01:23:24 the representation of the murder, a calaver the murder with his guadana in the
01:23:30 five plierras it's he was very strange and of a repent he was like what is
01:23:37 this is this but it was the but they had selected and they were when it
01:23:41 was when I was thinking in all the rarest the suing the moment and he
01:23:51 saw tattooages. No I had a only tattooage and he thought that's the moment.
01:24:00 So, so he went to this tienta and he says, I want to
01:24:05 tattooed to do you. And the encargated and he is to tattooart a car in the
01:24:15 brazo. It was the first that so, so, so, so, so he
01:24:19 put in the thing, okay, and then, and, then, and, they tattooed
01:24:23 a calaver in the brazo. At the day the next after this fact that
01:24:32 rare, occur that accident that he'll the life. And when I'm about of an accident
01:24:39 grave, I'm an accident tremendously grave. He he didn't remember
01:24:44 well what happened in that day. The accident was so grave that he
01:24:52 termed intubated in coma during 20 days. Some 20 days, 21 days, in that it's
01:25:03 like if no, if no, they're existed in this reality. But he has records of what what happened on the other side.
01:25:12 In that place, it's the first is that was the tunnel, the tunnel that we all know the famous
01:25:21 tunnel with a lot at final. And it was at the moment to get to that tunnel with the
01:25:26 the light at the final like you know that has to come in to get to get to that he's going to
01:25:33 he's going going to occur something the light the light begins to be
01:25:39 opaca and he is a pager and he feels that then has to pressurars
01:25:45 because he's that's apace that light and of a end of
01:25:50 the tunnel to where he's is coming to get to get two figures
01:25:55 are materialized. They're some some are the same way. I know that it's difficult that
01:26:05 someone can't comprehend it. I don't have a way to say
01:26:10 how they looked but the form more asserted that I think I
01:26:16 think these are that these are a parodia macabra of the
01:26:23 divinidad. He said that they're with a presence aterrador that he made that he was
01:26:30 that he didn't continue to continue to that he was he felt that they were in a horrible
01:26:36 then he was then he got a place a little really was a not he was not he was
01:26:46 like to be in a bad but he had a conscience of what wasa and there
01:26:51 he had vision atererer He said that bea a pageages of a sudden desolated, sombras
01:26:58 that were in a manner inquietante like if were in a form spantosa of desplasers also.
01:27:07 Also he says that in each one of these visions the page the zone
01:27:14 of the sun oscura in these places that was like visiting like rebot
01:27:18 from a little there something that that's that's a constantly
01:27:23 and it was the vision of a boy this this this
01:27:30 was there was little and he was he was
01:27:36 like rather it was like he was not curious
01:27:41 but not curious as but he was always
01:27:47 that that was always that he was he Every time that he was
01:27:50 the new like he was still but he was made a question that he was
01:27:57 the same he said it was a present inconfundible he was he was that he
01:28:02 was there that he 20 or 21 when he term his his
01:28:10 his he's he's his he he's his eyes
01:28:14 and he was in a hospital in phinix a Arizona
01:28:17 when So, obviously, Despienta, is confused, is super, super recontradivil, and has to get to
01:28:27 obviously, there's always, when the eyes, That's that that is the he, observing him
01:28:52 and he he's he's got that he's he's a he's a he's a he has
01:28:59 he has he has he's all this all this is like it's like something
01:29:04 he has these attacks of fever he they're trying to stabilize yeah
01:29:09 it's to this side but the things but the things they're
01:29:12 rather because in the nights when he's when he's a point
01:29:16 to do that he's a more more more
01:29:18 more of a sudden, not a movement. And bolted, and it'll see briefly. There's the little, the same little, and he's going to be to see, and he'll be in
01:29:32 different occasions, in the day, especially in the night. It's all right. But it's very fugase, it's very rapid, a lot of the little bit of the
01:29:40 and now he can't more. And so he's a woman, that of the familyaries, the her grandma that is the
01:29:49 only that he He's He's he He's He's He's He's He's
01:29:56 He's And then Then he And then They're And he They're And he
01:30:01 said He said Well, you know He's He's He's for
01:30:09 something terrible But he's going to need a transplant
01:30:14 of regones Because his condition will deterior very
01:30:21 rapid has to be the transplant the most possible because if not because, due to the accident,
01:30:30 he will fallece. So, you feel like this is like more that you need to a transplant of rignoens
01:30:40 more than you is like, that's what is what is to be to be. He feels that the
01:30:48 world is the end up after the but the day the next, you feel
01:30:54 a little better. And it is better, and it's better, and the other people
01:30:59 are the doctors are very much, because he's said that in a form supernatural,
01:31:05 his rinions started to functionar. A part of the news, literally his rinions
01:31:12 are going to functionar and he, evident, comes to have that that mejoria and you
01:31:19 need a transplanted of rinions, but to say that you need you need a transplant of riggins
01:31:23 is something is a little he does know that even the doctors between them are trying to resolve
01:31:31 what was what what was and he he's a little murmurar a sometimes happen phenomena
01:31:38 inexplicable and the doctors they're like not you say that you're saying well he
01:31:46 still in the hospital yeah he's been more content that's Yeah, it's good of the rinions,
01:31:52 yeah, it's still totally stable, is it's bettering very rapid. And that night, in the hospital, again again will be to be this new. But, but yeah no's it's gonna.
01:32:05 Yeah, no, it's a sombra that's in an corner of the ojo, no? Literally, is it's almost totally present.
01:32:15 Still, it's a specter. No, it's a little, of material solid but is he.
01:32:23 So he observe to this presence that's a present that's kind of
01:32:29 that's a little that has this mind that he's he's he's
01:32:34 he's in his room in the night and the little he
01:32:38 starts to him and he says that the room he starts
01:32:42 to put a he he caused a little a more of
01:32:47 a fear and and he It's And, and more and
01:32:51 And, and the Ruses, these are and they're and the little, and the little
01:32:59 and the real realtor is, is an hellatessen, is a is, so, it's really,
01:33:07 the and the end up, the one, between penumbras because the focus,
01:33:12 yeah was he's a he's he's he's he
01:33:17 is now with much fear. and the and
01:33:23 he he says the death the death he starts the light,
01:33:36 disappears it's the free and the day next they're in the
01:33:46 other story who is this man who is this this that
01:33:51 that's that that's that I'm I'm I thought the
01:34:00 I thought the I But no? Who who is? Yes, those
01:34:11 things, you know, that in many occasions in the medicine, it's, it's,
01:34:17 a study, and you know, a study, and it's almost irreversible or, or it's to be a
01:34:22 miracle? Sure. And in occasions pass these miracles, and you know,
01:34:26 you know, I think that he was kind of he was like, yeah, yeah,
01:34:31 he had the the murder, he, he did, he I'll be here, I'll be here, and then
01:34:37 he goes to and then he like a person that's like that he's like, the murder don't you like that's
01:34:46 like, that's great, so, no? Yes, thanks for to come to visit my my friend.
01:34:52 Fiatte that referent to what you have you have you there's a story there that
01:34:56 that he that he made with with the book open too. This is
01:35:01 the story of a man called Sebastian and there Sebastian
01:35:07 he was dedicated to the installation of the telephone, the cable, you know, you know,
01:35:14 for protocol of the company, in this area, what occurs of the area, you
01:35:21 know, you know, it's a lot of two degrees. So, so, so.
01:35:25 So, so, so they're doing, they're still, because, for the
01:35:31 thing, the thing, of the security, and, and and, so in
01:35:35 these this this the time the the time, the
01:35:41 exositions, or maybe the expositions that's the whole time, they're doing at two.
01:35:48 To go to do, to do, and they do they're doing the report, they're they're just
01:35:55 that one day, the companyero, and that's he said, hey, I'm trying to pay a permission,
01:36:01 I'm I'm sure, in the middle day I have to go to the school of my son and I don't
01:36:06 if you have any kind of any kind of they're in the time all the installations were doing
01:36:13 to do that all the morning for that after the day not be so not be able to
01:36:19 and he's he says he no I don't have any a bronca we're going to
01:36:24 let's let's what you get to get to get to in in that
01:36:28 in that Sebastian then he had to join certain So he said,
01:36:31 I'm going to I'm going to do this work I'm going to other two installations more than
01:36:36 that's a time. It was a very, very, very, very key to do your one of these colonies new
01:36:45 that's that's going to do the tendio of the cable to back to the
01:36:48 telephone and all this. It's a metrage not very long, and no
01:36:54 I think I'm going to get much time. Here I'm to do I have to
01:36:57 my other routines to formal and me I get a
01:37:01 commision extra, no. So, he's station a back to the escalera
01:37:07 of these these extendibles and when when I go to the sky
01:37:12 is very very the temperature the place, and it starts to get to
01:37:17 get to get to the moment of sub and the moment of subrised
01:37:23 the the stah lavandola consider that they they do a lot of
01:37:29 the theme of the color, no? To salvage to have that's not there's but
01:37:35 he's not when he's to get to get a getting to get married and he and he's
01:37:42 like a start and he's a cold and say I'm I'm going I'm going
01:37:48 on the escalera and he starts to start to the pedaions and
01:37:52 I'm know the question no manches he's he he's
01:37:56 he's that's he's that a problem very very
01:37:58 very and the and he and he and he's a part of the end of the
01:38:03 he's got that he's talking about he's not he doesn't he's this way
01:38:11 to be this way when you're getting more than like and he and he
01:38:17 he's and he he's he's before that he should before
01:38:21 he's a car a little was a very difficult it was
01:38:25 at the three of the time the the cold, the
01:38:28 back on and he and apart the erida, he said he's he's
01:38:33 he's he's he's a morrahia so then he a point where
01:38:40 he's going to get to and he will and in that moment the
01:38:45 sombra of someone he tap the sun and he he says he he's going
01:38:50 to be he he starts like he he the rostroo of a man very, very
01:39:00 extrano. Dice he has a a chakrits very great the sir. And that when the sir,
01:39:06 the sir, he has got the armour to get a point that has a mark very ferea in the orace
01:39:12 like a accident, like a kind of a car. And he entered here,
01:39:17 he's, maried, desconcerted for the cold, he says the sir, I'm going
01:39:24 for help. He said he that no It was a lot and of he
01:39:29 around the paramedical and a doctor that the doctor that the doctor and the paramedical
01:39:37 are of these of the cross amber and we we're going to encamill it,
01:39:44 they're to be in the ambulance and the the sir that he's he's up
01:39:49 with to the ambulance and that they're and they have been and
01:39:56 they're they're going to them to cure get to the hospital they're they're they're in
01:40:03 they're doing he's a bit of a bit of a cold, he had a cold of
01:40:09 a cold that was what did that's that's the get to his
01:40:12 hospital he's they're attending and he he's he he's
01:40:17 he he says he said when when I came he came a
01:40:22 man wrong he's a a cicatrice here in the rostro and I a mark in the
01:40:29 arm of a very, very, very, very rare. And so he's still he's okay, I'm
01:40:34 still that's you're doing, the poor old. He's, no, no, no, it's that me
01:40:38 it's made very, very rar that scene. He's he's a hospital, he said,
01:40:44 some doctors to his wife, that's that's a person, that's a night.
01:40:49 He mentioned that the hemorrhia, this, I see I, and he's And he, in the madrugada,
01:40:56 standing accosted, his spouse, for all the assuant, this is the time, this is the night, the wife's there and he says
01:41:04 he's, he, when his husband, he's got d'ormida, get in the doctors, he gets a
01:41:09 doctor, he says, doctor, digam me the fact, I'm going to go to go to
01:41:15 go to do this thing. He's, he says, you don't you don't be sure, you don't the
01:41:19 time, you're in the time, you're in the last you just to just to for observation.
01:41:24 And yeah he said, oh, thanks. He's going to the doctor. In the morning he said,
01:41:30 I think at a time, I know it's not there's to get to care, no I'm a fracture in
01:41:35 the brain the head is all the hemorrhage that had was just he calmed. Regressan
01:41:42 to house, they're their days of incapacity you know this time of accidentes of
01:41:46 work, he gets in case, he's he gets to the end of the person
01:41:51 You know, you know, I want to go to the church. I want to give to God. Because, the net, this
01:41:55 thing, I'm put to have been going. They're in misa. And in the part, when
01:42:01 they're to do the past, you know, the last, you know, when he's back,
01:42:06 the, back to the church, be to the of the heart. And he he wants
01:42:14 to go to talk to him, and he just like the people, he's like,
01:42:18 the people that's around, like, he doesn't chance of pass and he
01:42:22 starts to start and when he he's he said his wife he said the he said the
01:42:28 sir he's he said he was here back at the church and his his wife he said he would have
01:42:34 been the said all the thanks no says that he's that he's he's
01:42:38 he's he's he he's he he he makes he
01:42:44 he's he he's he's he's he he's he
01:42:48 Arturo, that he tells what what's he to start to find this man,
01:42:53 in the car, he went in the car and he was going to another colony,
01:42:59 and of this and then they're these and the car, he's going to see the
01:43:13 other time, go to the church, the next And the same, in the misa,
01:43:20 I'll he's to the back to the back and he and the sir
01:43:23 he's he's he's before to get in the peace, he's
01:43:29 he's he's he'll he says. He said I want I'm thank
01:43:34 for what you did you for that you but also I'm very
01:43:40 disconcertated because I'm that I'm that the sir
01:43:46 he said I've been here you know you've been you're here in church
01:43:54 maybe not you don't you know you you know you're not I've been here
01:44:01 and I know I'm I'm not you know I'm just I'm no no no no no
01:44:06 it's that it's that it's that it's you're you're you're you're
01:44:12 and a the Lord he says, Fugate that, this, this, that's
01:44:16 that's when someone not a time I've been a lot of you've been to be here, and I've
01:44:22 seen to your family. I know to your spouse, I know, you know, very soon to the
01:44:26 church. And this kind of to generate an attention in the conversation, and it
01:44:33 starts to turn to be in a discussion. And he says, well, the
01:44:37 you know, you know, you know, and I not going to continue to you're
01:44:41 talking, Well, but considerate that the people are relevant to a partier to a
01:44:48 certain of a so- you know, no, no, no, you know, you know, I'm, I'm sorry,
01:44:54 I'm, let's do thanks because me rescataste and because you've got the medical
01:45:02 and me went to the hospital. And he said this sir, which is the man
01:45:07 which is that day me pared in the the street, nobody went I'm
01:45:14 I'm I'm I'm you, I get to you're to get to my
01:45:17 carionette. When we got to the hospital, it was very
01:45:22 rare because not you had you a morrage when I got to me for
01:45:29 having you tryed in that condition but never there was
01:45:34 a doctor never there never had to you have to
01:45:40 you have to he's, I don't I don't but never there's
01:45:45 a ambulance never had a doctor's, he was paramedicos. He he said to
01:45:51 his mom he said he said you see a see a man who he said
01:45:57 the sir, yes a man who actually actually was a little
01:46:01 and he he said in the accident no no there never
01:46:08 there never was there that he was the doctor who he was going to go that afternoon. His wife was he toldy? What is saying? If the that attended was a doctor, not was a doctor?
01:46:23 The mom said, Look, you know, you know, you'll give more whartes to the suntlet. You, all the time, you're ried of my creencies? Constantly, I'll, I'll
01:46:34 I'm to my animas, that they're probably not doctors those that you you've probably they're
01:46:44 my friends that they're they're doing he's no you know I'm
01:46:51 do you know if it's not for you know that maybe you're
01:46:57 in other state not not you not not sure yeah he
01:47:00 said he said he's he he said he's he's that
01:47:07 he said that I did I did I did people I did
01:47:11 the person of the car car. No manches. I thought I thought the
01:47:17 sucese that the thing was not all the other was all the contrary. If I
01:47:25 when I read that history that this this I just I'm
01:47:29 so it is it's tremendous yeah yeah how how is
01:47:35 it's good that you know that you know that person
01:47:40 is I was a seguidora of ExtraNormal and he made the history to the Correo Wow Wow Oof, oh yeah They're from here
01:47:51 They're from here I'm here I'm I have a story That's passadishva But is very long and I'm going to
01:48:02 be very clear I'm going to omit certain details for that not they can't in the
01:48:07 story The story the story the the quadro of the Pallasso and the
01:48:12 manned our friend Marfer Corado Marfer Corado Yes and we And we're this story
01:48:19 from Guatemala This history Occurred in Guatemala Dice He said that He was He said
01:48:24 For six years Her mother Keila He had to To be to the city capital
01:48:30 because I was being some time In that when he He said
01:48:38 he says He says he He said he He'll be to he said,
01:48:41 Hey, I'm going to go to the city, someone want to be to be a and then we
01:48:47 go to get and so that's we're going to so. So, then it's a other people,
01:48:51 including a Maffer, who has this story, to his two sobrinus and a his wife.
01:48:58 So, so there's all of them and they go in the camleteal in the family.
01:49:04 She, they're, the family are, they're going to get a abogada and there are some tracts. But well,
01:49:11 it's no important. The thing is in that they're in the city. Yeah, when they're
01:49:16 in a station in a stationment of those privates of the pay and and says Keila, before to
01:49:24 get to the automobile. I'm going to take a little. I don't if they're getting to
01:49:29 get to the coach or if you want to do the way to what you prefer.
01:49:36 So, because, because, as, as, because, because, so they know they're saying,
01:49:41 look, you know, you know, maybe for motives of security, we're getting here in the endro. Okay, no tard.
01:49:47 Boom, it's going. Yeah, because they're the sobrina incendi the radio of the coach, put music,
01:49:56 and they're there's like, to say, like, to chat, and say, you know, you know,
01:50:01 we're going to do the radio. And in the other to listen music, that's going to get
01:50:06 the battery, better we'll go. We'll tell stories. We'll to tell us stories, we'll
01:50:10 to know us a little more. Well, they're in the history and they start
01:50:15 with the typical relato of these zones, the Yorona, the sombrerone, the cadetho,
01:50:23 but of a person somebody says, that are the stories typical, but there are
01:50:30 one important that's here in this city. Yes, the
01:50:37 of the quadro of the Pallaso. Never had been heard of the
01:50:41 quadro of the palazzo. Well, the history is the tragedy
01:50:46 of the family Munoz. Now so, here's here's this
01:50:52 is the city of Guatemala. This family was composed by the
01:50:58 father, Don Amilkar Munoz, Don Amilkar, the mom, Josephina, and
01:51:04 his three his children, Alberto, the most great, that has 15 years in this moment, Francis de 11, and Marcella, the
01:51:11 most little, the more Dr. Dona Milker, was a medical of profession, and
01:51:16 also was a medical very good. He was a man, he was a personages political,
01:51:24 many important, as, for example, the Minister of the United, then.
01:51:27 So, he had been working in other region, and is the
01:51:33 same minister, the He said in 1980 that he that's that's to be
01:51:38 to be a capital for that he's in a place more important. Obviously,
01:51:43 this person, the senior Amilkar and his family, his wife to say, well,
01:51:47 his wife, so, let us to the capital, and there will be to be much
01:51:54 much more. All right. Allbert, that has 15 years and no he wants to give
01:52:00 his life to be a little, to do the city. Well,
01:52:05 they're changing, because at final, then they're to do it, and they're going to a house very great,
01:52:11 very bonita, that the same minister has prepared. The house has been other people in other
01:52:20 moments, but how will get your his friend, the doctor Amilkar, he says, you're
01:52:25 in this house, while you are made, it's made, it's a mueblated, it's a
01:52:30 very great, is a very beautiful, basically is a mansion. You're going to stay here. Well, they're going, the house is a beautiful, is there front
01:52:38 a church that's called the church of Yurrita. And they're there, and obviously, the most small kids, goren to explore this house, entran for all the habitations, well, it's something very great for
01:52:53 them, but they're very content. And every one he's coge an abitation. All are very felices of this new change, less Alberto,
01:53:04 the manch of 15 years. When you have chosen their habitations, we're going to stop
01:53:12 the muebles that are covered for sabannas for that not they're to get to put to
01:53:18 get a house to have a family. They're start to start the moules
01:53:23 and they can't they're all. Mecitas for the cafes for the
01:53:28 salas there, there is very, very beautiful the house, there are
01:53:32 things very old old and there and there's things there's a sabana
01:53:37 that cover a little and they're and they're all that that's like that's that's
01:53:45 let's make the so that so that just to just to all just everyone
01:53:52 want to all they're saying no it's we're we're
01:53:55 we're we're we we're to make we that's Spant to your
01:54:01 Hermannitos. No, Papa, is a beautiful the picture. We're going to
01:54:04 let him. Well, if so you want to do you to your court. This
01:54:11 quadro was a very, very perturbored of an extrano a pachasas.
01:54:19 This palazzo was at front like if was like if was a retrato
01:54:24 and there's there a circle. It's a can't not a circle so very strange. This
01:54:30 Pallasso has kind of that's effect of that's being the front, but it's like, it's not important in where you're standing, it's like if you'd see it with the mirada. And, and, also,
01:54:43 has a sonrisa Machiavely very strange, and one of his, of his hands, the which is to see in the
01:54:54 quadro, is a little is a like a like a little a little
01:55:03 the reality is that not they do you don't like that's only in the moment it but if
01:55:08 he says or you do you you're to get a carer the carer the one he
01:55:14 has a room he he's a boy no ch ch ch' a pallas so.
01:55:19 So, then they then they're and in that Yeah, she's a little bit more. Like,
01:55:26 like you know, that's going to a new reality. Well, you're in the city, she's a lot with a man,
01:55:32 mom, his brothers, her manita, they're doing to eat, to dinner, to be done to do not
01:55:39 to do that the day next, they're and Dona Mil Karvaja, be to his kids,
01:55:44 that's been that's been and they're saying, oh, let's, we're, we're,
01:55:48 we're to try to backer to do to make He's very very can't for the
01:55:55 mudance. We're we're not we're to prepare the dinner. And they're
01:55:59 to prepare the dinner. It's a Saturday. And he's let him to get him
01:56:03 to do. Yeah by the 10 of the morning he said to the
01:56:09 little she said to get a mother, she said and say she's up to come to
01:56:14 get to get to she's she's a little four years and
01:56:19 he he's she and she And she was Don Miltkart. What is what? Moma no despirta, mom no
01:56:29 despirta. And he sub, correying to the doctor. And all so, what's what is going to? And they're saying a grito of the
01:56:39 pain horrible. Don Milkar grita and is desperate because there's nothing that can do.
01:56:50 In some moment, well, she not so she no's not he
01:56:53 spurted. So, he heart and he died. And her
01:57:00 company of 20 years, the senior Josefina is there
01:57:04 is in the bed. Well, obviously all the world
01:57:11 of this family is and they're on the funeral
01:57:17 that day is a complete locura yant or
01:57:20 the Alberto, he's in a moment to the room, he has to be
01:57:25 his role, and you know, he's a little this role.
01:57:29 Not there a bad. In the the stahos, but they're
01:57:34 in other things, and it was that that the person that was
01:57:38 there was that no, he had the punio had the hand
01:57:44 he didn't he didn't he didn't no he
01:57:48 didn't because they continue their brother Francisco, who was the that was the guy, the 10 years,
01:57:57 after the belorio, they're that the most is the thing that's this man, he's a infirmary.
01:58:05 He has a un-emperman respiratory. His father, the doctor, Milker, well, simply he's
01:58:12 he's just he's in the hospital for that he's the really really is very
01:58:16 very old and there in the hospital confunded the symptoms of the
01:58:23 a little. He has the medicines that not they're and when they're they're nothing that
01:58:32 they're to revert them and Francisco die. A strange a a
01:58:39 different one days, he's Don't Milcar, Alberto, are living a pesadilla
01:58:50 terrible, first is the mom, then he's a Francisco, and she
01:58:56 just there's Marcella, the little little Alberto of 15 years
01:58:59 and Don Amilcar. Imagineate to your wife and two days after
01:59:07 and two years. It's a situation but terrible, terrible. Albert
01:59:16 is is confused in some moment enter to his room,
01:59:21 he's the quadro, it doesn't a not rare. But
01:59:24 that's the one of the he is a in this because the
01:59:29 quadro of the palazzo has two two two two
01:59:32 hands. Well, the father has he to go to
01:59:40 work to his funeral now of his and
01:59:46 he he to have to to do and
01:59:48 then then he he got with his her
01:59:50 her and she with Marcella and is confused and his
01:59:59 her manita also and he's looking and he's seeing that he's he's to
02:00:07 get to be to get to he's super really he has he has he doesn't
02:00:13 get to his his own to get to in the camera he gets a moment
02:00:18 he's he doesn't he the eyes and I hear you I hear a a noise. It's the telephone of the
02:00:31 house. I don't get dorms. He's his house. Well,
02:00:45 and he's his papa. You're your son? What's what? Well, nothing,
02:00:53 I'm very very very and I think I go to the house.
02:00:58 I just just to know if you and your man are too, wait
02:01:04 my Papa. The telephone? And, and he was he was
02:01:10 his little that's got to go to go to go to open
02:01:18 the door and he encounter with an image aterrador in the
02:01:23 tina her her manita is floating back down he's
02:01:28 he's he's to say to the father he said to the father
02:01:37 come to a car something he's he He'll go and he he's
02:01:44 he's he's he's he's he's he's he's he's
02:01:51 he's he's when he he's when he's he's he's he's
02:01:55 he's his his own his he's the only place where he
02:02:01 is the only he he'll see to be the one
02:02:06 three right and he he's to start in
02:02:12 that in the moment I I'm a a coach that comes at
02:02:15 all the velocity is your father. He's a sudden for the window
02:02:20 he'll go to go to the way and he does so
02:02:23 that the way to that's that he he
02:02:28 he he and the he is a but a
02:02:37 shock terrible he he he moving He has the three-ed-edos and
02:02:54 He, he leantamine He regress at the Vista and he how the the door the side of the
02:03:07 conductor is the the body of his papa he is he's ralando he to he's
02:03:15 desanging and he's He's he's going and you you're that I'm The church,
02:03:25 he cruiser to the church of Yurrita. He gets there trying to to look to help. A someone that can
02:03:36 help him. This pesadilla that's experimenting in that moment. He gets there,
02:03:43 no, there's nobody. He's sit in one of the sills, he's trying to understand
02:03:48 and he starts the time, he'll hear the ambulance and He's got to
02:03:53 the police and he is there like he's like he's not he
02:04:00 but he's he's and he and he's he's he's he's
02:04:08 he was the palazzo I'm he's he's and all the environment
02:04:20 has changed the place is the place the police
02:04:25 has had cordonado the car he's the a senior, two days after one of his
02:04:34 his children, receiving a strange call, when they're getting, the father is a falleceded, streled out of the house, and there's
02:04:44 a little bitabye in a tin and a man. Alberto. Accordoned in the place, immediately they're
02:04:54 immediately, they're an scene of a crime. But Alberto no he important. When observe this, cruiser the line and
02:05:03 gore to his house. And he'll try to detain to get some policies. He subes rapidly to his abitably to his room, take the quadro, and begins to prender the fire. He's there
02:05:18 but he observe how this quadro, that has four the two, Levant the fifth. And in that moment,
02:05:33 they're the policeies, he's not to get to the quadro. And he's is a grittando,
02:05:41 that the pallasso is the palaces of the quadro that's his family. He's
02:05:48 they're they're they're they're like. As a man, he's a
02:05:57 little, the police he does know that probably he is the the cause these he caused
02:06:05 these these murders and these murders and is detenied but not is in the
02:06:13 policeia he's repitient that is the paliaso of the quadro he's got to the
02:06:19 people, he's trying to make the while while they have a transor psychiatric and he
02:06:27 they're a manicomio is a manicomio preventive. And, standing there, nobody creole what he's saying, and he's going to start his juice.
02:06:38 But the juice never commenced. Because when they're going to be at the day next in the room, Alberto,
02:06:46 he called. He quitted the life, complying the five-de-dos in the man of the palazzo. After this,
02:07:00 when they're the story, because there's terminate the story of the picture of the palazzo, all so they're in silence
02:07:06 of where where this story that no they're not they're and they're they're
02:07:16 and they're and they're in the station of private in where they're literally front of
02:07:23 there's there's there's a one. The church Yurrita and says
02:07:31 one of them Look We're We're exactly We're at the church The church
02:07:37 Of the history And then All they're To turn to Other side And there's The house The house
02:07:44 Abandonated The Quadro of the Pallas The Repent And all They're
02:07:52 They're They're What I'm Let's Let's Let's So over The
02:07:59 What's? The President Let's Gov' Favance And And they're talking the story of the
02:08:06 painting the and that literally they're stacioning in the place where they were the other so it's not
02:08:13 it's not they're going to an anecdote a story but Kayla has to get to go back
02:08:20 some days after when he goes he's he will be stationer in the
02:08:27 same place and he remember all what he he's
02:08:31 he does know that what is an stationation and where is the same place,
02:08:37 where the automobile of the papas had streled. It's that paredon, is that church, is that house. She is a strange of this situation
02:08:51 and he's to be the encargated an man major of the stationationationation. And he and he says,
02:08:59 There's a there's a story here of phantasmas? How does what is what What's what occurs here? Well, look, I don't know.
02:09:14 I know what has happened in this place. But at least in the nights, there's a a little, that's all mojada. And, vaguely. But nobody's really what is what happens. Keela decided to do a silence. Toma, and then, he'd go to his coach, and, Rejo,
02:09:40 regress to your house. That's the story of the old. I've
02:09:46 revented the head with that story. It's a very. It's really.
02:09:52 Lamentably that's happened these cases. But, is it is very
02:09:57 cabron. Yeah, I'm like, whey, what's with that that's a pachosos,
02:10:03 bro. The quadros balditos. But I never had heard a
02:10:08 one could have heard that's me record you know, you know, the movie
02:10:13 of the movies? No, it's a movie, and is that, you know, the young
02:10:18 bruchas? No, no, no, the two years of Disney? Is that this story,
02:10:22 no see if is McCorley Kalkin in that movie or is a movie,
02:10:25 or is a remake, not so much where it doesn't get a man, but there
02:10:32 can't that's that's in the little in the yeah, so you,
02:10:37 you know, you, you know, you, you, you know, something with a one
02:10:41 I don't I I remember I'm sure I'm in that movie yeah, it's it's a good at
02:10:44 that movie if you know that's if you're going to be and see something in a
02:10:49 car in the house of the yeah I'm sure, yeah I'm that's
02:10:54 that's that's that's that's that's going to something something
02:10:58 in a so I'm just in a but this but this this but this
02:11:02 this is this is I'm I'm I'm I'm I'm I'm
02:11:05 I'm so I'm And that I was contendolos. When when you were in the shusks
02:11:12 when you're when you're like that's like that's like that's like that oh, oh,
02:11:19 that's macabro so. Well, you're to start this time. Okay, this
02:11:24 history, the Amanda Angel is Franco. There's the name the last
02:11:30 were in anonym how so it called this? It's called
02:11:33 Atrapado. Okay. Okay. It's she that in the 73 she had
02:11:41 17 years for questions of the family his brother went to the city where
02:11:47 they're she went to Tijuana she passed the time his brother he's
02:11:54 he distanced to the family and in a moment he came of surprise to the
02:11:59 brother to the parents understand where it's like
02:12:02 I'm going I'm going to I'm to work to work at
02:12:04 the north you know they're to where is your brother and
02:12:08 they're in this convivance to the legania of the years, how is she put in
02:12:13 the day she she had a relationship with him but it
02:12:18 but in the times of the 70s it was very difficult to have
02:12:24 in the distance this the certain you know you know we
02:12:28 we're we're a chat or the video the time to talk
02:12:33 for telephone the encounter in or a normal to his brother to
02:12:36 a lot of it's a difficult to have a relationship to be in the city to the
02:12:42 town of the city of the time and he says his brother let's go a little go to
02:12:49 go to the carmnet of his room like here there's he's he's back
02:12:53 he's he's he's he's he's that all all was very
02:12:56 very very entraeable what they were being in this moment he's
02:13:03 that was that it was And that was magnificent the scene. The family, again, this night
02:13:10 straddied, was perfect. And he said that I'll see to see her and his brother, and his
02:13:17 moment that he this connection. Like, oh, and this is this can't be for ever.
02:13:27 And, lamentably that's it. In that the last of the trajectory, they have an accident
02:13:34 he'll goelke the carmionetta and says she she see how his brother he's
02:13:41 in the carionette and all the giro of the inertia and he's he's
02:13:50 his brother with his his his brother he's he's he's he's
02:13:56 he's they're getting at they they're they're there they're
02:14:02 they're to get to the things, the paramedical enter, the
02:14:07 they're all the vehicle and the brother the manned
02:14:13 the life in that accident. It's a tragedy because a
02:14:18 past of the years still yeah having this very
02:14:22 very very very very and all the effort to
02:14:25 to go to see to what what imp the
02:14:28 time the the ultimate instant that lived your brother you know you're
02:14:34 he's a reason a reason a accident a accident fatal says she she has
02:14:41 she has she has her life has a husband and in the one he has a
02:14:51 he has a baroncito and he says she she that particularly he
02:14:58 particularly the that the is the little bit of the child, he was
02:15:03 a person, more more than the other than the family, that's a family, that lamentably
02:15:12 the person, but the nene is a little to be that he not is
02:15:17 with them. The little starts to grow, and he starts to have even
02:15:22 actually attitudes very very similar to the he's, and all
02:15:26 the man is the the man the man Nassi another And these
02:15:33 And these arguments They're to be real So, and so Angeles commences
02:15:42 He's to know to be And so his brother He said constantly He said
02:15:48 I'm I'm I'm But I'll But I'm This
02:15:56 He caused Aem His His His His He He
02:15:58 He and he says these things. And more than to feel me emotioned, me I'm a
02:16:08 fear. I'm a really in the manner in how it comes and how
02:16:13 it's me it does me do. In other I say
02:16:20 he will he in my sovereign that that he's
02:16:25 he says she he have very, very very similar to his
02:16:34 tio, the manner in how I'm about, how they're and he atemorice
02:16:40 this dream that he had been a night, where the the
02:16:47 little the night and and he starts to get to they're they're
02:16:55 they're they're and the he's and the man there's there
02:17:00 there she there There is. That's that. That's a that's a little.
02:17:09 The boy. The bra's, he was in the room, preening the light. No, they're doing the
02:17:14 nothing. He's not. He's not, that the little he knew to his tio for photos.
02:17:21 And that on a time, you know, you're going that you're on these albums,
02:17:27 yes, they're going to the photos, and the he said, is he, is the
02:17:33 that's the person, this is the generate a angstice, is what is what
02:17:38 is the what I'm going to his child in the house? The girl he's
02:17:44 he's and he he's he's and he were constant and every they're more
02:17:51 more perturbators and me I remember much the first story that you
02:17:54 said because he said in one she she a he's
02:17:58 her and he he his his his brother
02:18:02 his arm had just the Cuenks of the eyes.
02:18:07 And he said, I'm going to go to get it. She's put in
02:18:12 contact with a person that's medium and he says, you know, you know,
02:18:17 you know, I've been doing this, and he's, and I know,
02:18:22 and this no me is going to the child is the person, he's being in your
02:18:28 situation, and I'm saying she in a session there, and come to be
02:18:34 these rituals, ritual and he's he's that you're that's
02:18:40 normal he he's they're in sustus that's normal no
02:18:46 never I've never ever okay okay okay okay okay okay
02:18:53 so so and what what and what so they're they're
02:18:59 they're they're they with this contact and and says
02:19:03 that the medium he says that his brother is He's trapped
02:19:08 That He can't He's That's He doesn't He doesn't He's He's
02:19:14 He's He's incarnating to his own His own And he He says He can't
02:19:21 He doesn't Because you You're You're You're A tormenting My son My son
02:19:25 If my I'm I'm We're We're We're We're We're
02:19:29 You're You And You're He's He She's She
02:19:34 There's There's and that he's again to revisit the
02:19:41 photos. Dice she's she's there there are in these
02:19:47 photos that not they're when the accident when the said she took them
02:19:55 different angles of how had kept the car over
02:19:58 the issue of the thing legal not the peritage
02:20:01 and all this he says she she she she
02:20:03 she she she a car the a moneta volk
02:20:06 and that he observes with attention the side of his brother, the
02:20:13 silhouette of him, he's looking to the camera like if you
02:20:20 were that they were taking the photo and says
02:20:23 that the eyes of the man are in those and
02:20:26 they they see so then. Then they another
02:20:31 other time that that they don't want to She has the photo,
02:20:37 is in this session, and he says the woman, that they're there as a medium, you know, you have to be here,
02:20:44 you have to get to get to get to to be and the photo that in the
02:20:50 on the on the mesa is this silhouette humanoid or rar there
02:20:56 and that's she she's she see she like if something to
02:21:02 start to something So, and says that's he's going to be to be
02:21:08 up to be up to be a real very, very dense and they
02:21:13 started to move to make the things, and he said this woman,
02:21:16 bet to you have to go, but you don't tormentes to your family.
02:21:22 You are going to be and they are going to be. He said that in
02:21:26 that moment he's heard a struendo and like that she went to
02:21:30 the she was the photo and yeah no was the
02:21:36 silhouette of his manches. He said he had to pass this for that
02:21:43 the spirit of his brother to to torment to his his that he
02:21:48 was reencarned in him no manches I've always me I've asked that is
02:21:54 that is very very heavy because where where these these
02:21:59 beings of the bar astral etc could even even
02:22:02 that is someone that is So, no know
02:22:05 that he can't do it, or not does it, he's to be to be a
02:22:12 woman, he's capture that moment. Yes. And it's there. When I
02:22:17 read the history, I remember much of the movie of the other last time
02:22:23 we've been in Mexico and we came to in the team of a session
02:22:27 of a session to, it's very put the picture you put, you
02:22:32 it's I'm the way. I mean, these, these entities or these spirits are there? And, and maybe we're those who are the
02:22:41 people who are not the right? Exactly. Just this, me, I'm, you know, maybe it's, well,
02:22:46 I don't know, maybe it's, in that, in that situation where you know you can't be, because you're not you're going to
02:22:52 get to the family, but you're going to be that's a word. So, so it. Oh, yeah, that's,
02:23:00 it was, heavy. I know that I was able to start, to be able to be in the door. I know that's been terrible. It's that are very, very very, very fervous. These are very, very important because they're accidents, no?
02:23:10 And, and occur in things very rare. But, lamentably, yeah we have to go to. Literal. Literal.
02:23:18 Let's, you can, for favor, record, reds, all? Sure. The channel
02:23:25 is regal and YouTube. The page of, the profile in Instagram, is a result, the personal, Oscar Herbert, and TikTok,
02:23:32 also there's for what you like it. And thanks. Oscar Herbert? Oscar Herbert? No, man.
02:23:36 Thanks to you, bro. Thank you. It's a good. It's a good. Thanks to be a little
02:23:41 another chapter in solom. And it's a matter. I'll do you hall it. I'm very good.
02:23:48 Thanks, thanks. Thanks to Extraanormal to get a sustos. Muchism thanks because us present them the space
02:23:53 because we're here coming and and, and, now, Here appears a email
02:23:59 podcast Paranormal.com where you can manage your experiences and evidences, but so we're going to
02:24:05 get to take a while. Thank you. Thanks to all. Thanks to all. Thank you. Thank you. Thank you.
02:24:11 H. H. H., is G.H., right? Yes. G.H. Gerbert with G. We're going and we're going
02:24:17 the next week to continue contend these terrorifices experiences real of the audience for the people listen.
02:24:24 If the country, Chow. Chow. Thank you.
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