BRUJAS: Historias REALES de TERROR
00:00Very good days,tardes or noches.Be welcome to a newchapter of insomnia,in where we're going tonarrate the mostterrorifices experiencesreales of the audience.
00:10So,listen them ifthey're trying.And in this occasionis with us,my dearerprima,Lulu,Aponte.
00:19How are you?Well, how you'revery well, veryvery happy, very content.Good nights,good days,good days,good, good,
00:25and all of you.It's a gustaventto be here.Prima, meIt's a goodthat you'verealized.We're a
00:33other than wethink it'slike adesignated byentities ofall the typesthat'sthat's for
00:41you.I'm goingto sayone otherthat I'mthat Ihave realizedof insomnia,
00:47andthat I'mvery contentof thathasrealizedthat I'mI think
00:51that wewe'rethat wedon't even inthestories thatmeI don't
00:58I'mI think we'reagainstmaybe theexperiencesreales of theaudience,of the most
01:07impactants thatme haveto have takento themoment,to learn athing,a really
01:13that'sombrose.And Iknow that youabout youabout what youdo you dowhat you'reabout
01:19those stories?No,man,are spelunatethe mias.The fact,yes,yes,
01:23they're like,like,like,like,they're,but,if they'remidas
01:28ferticits.Well,I'mfor thosethat youknow,I'mknow that's
01:32I'min the tarotand myCorreois LuluaPonteparanormalarrobaum
01:40and myInstagramis LuluaPondeyBajomfor normalforthe
01:45that Ihave gotmuch timeof timeforfavorso Ihave you
01:49haveI'mtobut I'mbutI'mdoingI'm
01:54I'mI'mthereI'mveryVery well.Muchismas.Of all the most,
01:59remember,in the panelyou're seeingthe correctonline, we'reon the radiosocials toa click
02:04at a time.Where you'relisteningwatching this.If youstill haven'tsubscribed,this is the
02:09moment.Dehenyourpoweroslike,youryour pull up.Comment.
02:15Cone.In thecomments,you know,tell usthose storiesmore impactantbecause the
02:19themein thisoccasion isone particular.You knowthey've beenin theminiature.
02:25Today we're going toaboutto beabout thebruchas.No,becausealways
02:30me to talkthesethings.And notthey're ofthe bruchasgood.No,
02:34no,not.These arebutimpressiveso,no,no,
02:40not,not,not,they'renot,they'rethese,these
02:45can I'mgot tocontrol.Yes,oh,yeah,beforeto come
02:49we'reto give,to giveto dowe'rewhen we'rewe'rewe're
02:53You know, has some experienceyour, ofsome of those,well, of thepeople withthat you,that's it,some experience
03:04that you want toto get usto get us incontext of thething?Well,fiftatethat there
03:08really hassome type,the typical ofall,that if thespheres,that if theballs of
03:15the fire,that normallythey'revery constantlythe people,because, well, I have several that havebeen seen, various things,like, medias raras in house,
03:28of that, then,they're doing the things,of that,especially when there arechildren,or babies,or persons embarrassed,is when really,
03:38they're in this type of eventsor are more,like,they're like,they're like a immancito,and they'reto halleer all thatin communities,
03:49in ranches,not so in thecity asas well in theprovinceesbut stillstill are reallyvery,
03:56very arrailedall that'sthey're reallymany thingsand mediasespelunatebut soare not
04:06not you'renot you're going totell usbecause I thinkthewe're notno no nono no
04:10no we'reI'mI'm sorrybutyou can'toneoneone just
04:15or youwant toyoulet melet methinkthatthat
04:19talkingof thisa theme of bruchas,not so whatis referred tobrugheria.Ultimately, I'vebeen receiving
04:29messagesof some peoplethat arethat I'veknown in Mitz,that I'veknown inin the
04:36, I'veknown, forexample,in this ofthethe aperture ofthe thirdojo.
04:41And meI'vemadethat therethere'slikean ideageneral
04:45of theconcept ofthatthatnot isstillstill catalogedfor the
04:49science,andthe personare experimentingcertain typeof situationswith entitiesof a
04:56type or ofother typeand weare theexperimenters,those and theexperimenterers,those that
05:02we decidedas wecall us.When werefer uswe'vedefended thefact of
05:07that we'retalking aboutpeople likeyou,like mymom,like,as many
05:11peoplewho havebeenhere,womenwho haveaknow
05:17occultedthat theyusuallyfor thegood,but there arepeoplethey're
05:21for theand thereand I'mreferring tothis thingthose people,thethings, I'm, you're, I'm, you're,
05:46spheres thatare likelikeof thefirethat forsome reasonthey're
05:54to maketo doto themorelittlethey'redoingin the
05:59communitiesin thefamiliesevenfor exampleinall whathas to
06:04doin thecan'tin thein what heseeberand thenthey
06:09they'retheyor beingof apersonthat ofsomethat
06:13hashashasthecapacityof changeyourbody,
06:19his materialin somethinginexplicableand oralsocreaturessimplydisconocid.
06:28One personof thewhich Iwill talkafter thechannelof thepodcast
06:34Paranormalof manyof thestories thatI'vebeenin amoment
06:39he tookarevelationwith aentitydistinct.Something likea duende
06:50but that justnow in thischapter with mymom, thelast weabout this entityrara,someone
06:57me put aterm.I just,when Iwhen Iwas Ifelt like thetone that
07:03I usedwas anquestion Isaid he wasoffended andI said,and I'mall right
07:09all rightto dothis is theother andit's allno.Nome
07:14wasburlano. I was trying tosay that there are many commentsabout about the firstthat I thought it was totallyasserted. It's a commentary that saidno is a bruise, thatthey have done a manor,
07:28no is a ronauter, no is aarcoonte, no isa duende. It'sa djinn. The djinnare those that we're inthis region of the worldwe knowce as a genie inthe United
07:42in English,and inMexico andLatin Americaor in theSpanish,the genie.The Dijing
07:49are theseentities,the turvante,that can'tconceder adesire away, andthey're in
08:00the next life.And I thinkthat's theterminocorrect.I thinkthat whenwe're
08:03we're notwe're notto theseentities.And thispersonsaw aone entity
08:08of thistype,butafterof thatsee thisentityand they
08:13desapinga lotof qualitiesto seethese typeof entitiesand hefour or five
08:20dayshe startedto send himwhere hethere is athere's acrossvery famous
08:26there in thecity ofMexicois thetheof therightto do what is
08:32rightwe saywhat iswellfromfromfromfrom the
08:35wellit'swellthecrossI'mmade aa
08:41something in that in that region,they're saying brujas.When the people see,in the other to grab them,or,go to see what is what iswhat is going todecide not grab
08:52because they say thatthey're the registerin photography or videoof a brouca,and me refer to thesespheres as ofthe fire, isdangerous, and if
09:00they'rethese things,that you areseeing,and you'redoing, they'regetting, you'relooking,
09:05you'rethey'reto see,I'm going tosee tosee thevideo,is a
09:10Sferra, that'smovingthere, andI'm going toa message,he said,revise,if, as
09:15the night,no is justin theserro,if someonewas in thecarreterterthat's the
09:21buses of thecoaches ofthe coaches,they canget toto get tothe serro,if there's
09:26there's aairport ordrones, etc.I said,I said,an applicationthat couldgo to
09:32see some satirites,estreels,et cetera,and it'sand he'sand meto send aother video.
09:38And mesaid,lookthis is aphotographiaof howit's acarreau
09:43in the dayso yousee thatno there'sa carretererthat not is aavionesnot an airport
09:52of thatnot that's ahelicopterbut not forthe movementsnot for themovementsthe time
09:59and thedistanceetcme madeanotherI'mI'mwell it's
10:04well it'sthat'scan be alot ofthingsand ofsoSo they're
10:08And then...And they're...And they're...Like if it would havePrended oneon the other thatwas neverto have been to
10:15this movementthat's likeintelligent,like playing,like moving usbetween thearvoles andthen they're
10:22and evenhe said,I'm going toget toget me,but all thepeople of thisregion
10:29they're sayingthat's veryso youyou think?Well,for something,no?As you
10:34when the riversuen isbecausethe wateris.So, more valid, because noyou know, you know, how you say,how can't reactioner.
10:42And for what,you know, you're going toyou can't get it?So, so is.So, so is.So, then,so it's more validthat, you get lehito is
10:50all, no?Look, if you want to start,or do you start, if you'll start you, I'll start.You're going to start?As you want, as you want, as you want,I'm going to start.And at a riteito, you'll tell us a experience.At least, I'll tell you to be able to tell you.
11:04Because, curiously, thislittle story that you try go,this,is related to the history number one.With this, that you're going tocall it now.So, I'll asker the same theme,but curiously, too, um,
11:20coincide.Coincide.But, well,to be.Well,resulta thatthis storyis called
11:28Sferasof Crystal.This isanonim.It's achild.Anonymous.And he
11:37he,he,he, he,thisdid he,this isthat hesaid,
11:42that todayof dayofhe notknowif effectivelywasa brujeria
11:46ora spiritor something.Hehad threeyears of age whenhe succeeded this.A young
11:53very scepticalbecause heno creednothing in this.That wasin thePueblitoin the
11:58state ofMexiconear toToloca.He'sthere,obviously,in that
12:04community,they wereof theof thetypical,all thestories ofthe
12:09the people,thepeople,manystories thatwerethat wereabout
12:12ofbruchasandofthingssoparanormalbut
12:18thatinanoccasionhisfather,he bought theterrain that
12:23was at oneside.He boughtthe terrain andhe's tobuild.And theabacina
12:29of thatthearea,she molestomuch,but muchwas amolesto
12:35much,that inonea occasionhestarted andhesaid,
12:40sayingthat thatthatwashe perteneandthatthey
12:44couldtheyweretheywasit,it wasit
12:48was ofitwasShe obsesionedso muchwith thetruththe truth
12:53they're notchism,sir,she's alittle bitI'm going todo you knowlet's
12:57to make sureto make youimagineateno butthen sheshe'sshe said shebegan to
13:04mandersand maldictionand malditchtheearththenhe saidthat
13:10he'sthey wereto repentof allwhat theyweredoingand that
13:16he'sthattheynow in theother in thethey're going toout oftheir
13:21house.No,they saidas youdid itdid notnohappened
13:28to buildthe houseand theychangedand saidthat thehousehad
13:33alittlewindowsandthesunthehouse
13:38wasand thatcuriousanditwasavery
13:45averyveryextrano, atthe grade ofthat hehad tohave to
13:50have tohave tohave tothe frieof thehouse.I know,we know,
13:56we'renot exaggerated,butwell,no,no,exaggerated,no.
14:00He wasalways toalwaysalwaysalwaysall sepultedin thecobbils,
14:06no?And ofone's afirst isa nightstandingdormido?Sintio
14:11clearlyhow thecolchonand hehe started tosomebodyor somethingwas
14:20sitting ata onebecausehe sent youthe colchonhewas paralyzedhe gave
14:28muchhishe washehe wasupedhegot
14:34he gotdonebut thiswasrepetitiveoneandanother
14:38and otherand otherandatthispassed all the nights,to the gradethat in a
14:47occasion,you know,not justthey wereacariceablein thenight.They were
14:54acacying andthey wereand they wereand sothat one dayhe said,he said,now so,
15:01me going toarmto do thatand I'mto getthe covichasand Igo to
15:05see,and I'mhe's trying.He has tocome,he has tocome,he,
15:15And effectively,the rathiton,the colchonagain,he gotchew,and they startedto cariciar.He, in that moment,
15:24he wantedto make a handto make thethe cobbysesand see whatwas going to.But nohe got to.
15:31He paralyzed.Yeah,now,I don't knowcould get,then he waskept quiet,and,
15:36and, ofa greatback,regress tohis statenormal,and likehe went.
15:44But inthat moment,something,something,hehe came tohe came tothe
15:51head,over thecolchon.On himcompletelywas thisthing,or what
15:58was doing,he wasnot evento beeven tobecause hewas completelypressionable
16:04in thecolchonin theway thathe canmake aa manto try
16:10to getthat thingto get us thewhat the only thing is to start tostart aa ball ofpelons,anudad,
16:20frios,all unudaslike if werepacha or mechateor something for thestyle andin thethe
16:30pelonshe sent youaskelettofriowith apielwrugated
16:37completelyviscosaand aladhumedin that momentthat hehe sentiothat he
16:48he was out ofso hehe's calleda moment thathe's called astruendtremendouswhen he
16:57when hewas going to thedoorin that momenthehe gothe wentthe papa
17:04and hehe sawwhat hehe saidto hehe said hehe washe was
17:10he was spantadoand hewasHe also went out of thehouse.Ah, no,it'sapparition?No,
17:16it's allgoing to.He's allhe's allother daythey're goingto beto be the
17:24person ofthe peoplethat saidmuch ofthese thingsand alland shehad
17:30all whathad succeeded.And thenhe saidhe saidthat thisthingwas a
17:37book.He wasto makea littleahouse andallthe
17:41housecolgospheresof crystalinthehouseand he
17:46saidwhenthespheresarebecausethisentity
17:53is becausethisis farorand ithasgonethat
17:58not youdon'ttheytherethereisthewind
18:02thatthatthatathingorsomethingokay
18:06okayisthenthenthenthenthenthen
18:09thenthenthenthey were going to go toand startthe spherestrin,train, trin,
18:14trin,mowingand they wereand theywere doingand they werein thehouse,
18:20all thewindowsin thedoorsclosed,obviouslynot theycouldn't
18:25do thatnight,of thethe stustthat they hadandtotal,the
18:30as theycalmeredtantedand theybegan toout ofthe lobethe
18:34perrosandand itand itwasin thepartof
18:39theout ofaaridof awomangivinggritos
18:44alaridby thedooron thethethedoor,they're
18:49tocome toand torascarthethedoor.I think
18:55thatI thinkto begoing toenterand theywereall
18:59spantadissiveuntilthatthatthejustdisappeared
19:04andyouallcalmerthethingsunfortunatelynot
19:11he wasnot usedto hearin thehouseeventuallythey werein the
19:18spheresbut inthe windowthey raskedtheone dayhe wasa
19:28one dayneverneverneverneverhe wasbutthe
19:32fatherthatalsohe washe washe wasrunningto be
19:36who wasthismalditadesgraciated,still rondingfor thehouse.But no
19:44she simplyand simplyand simplyround aboutthe houseand I'muntilto the
19:51little tothey'reto get tolet'sand theday oftoday oftoday
19:55stillhe saidthateventuallythespheressomove
20:01andthey'removingsohowhowhowyou?
20:08Thatfeono?That descriptionthatdidof theentity
20:12I'mI'mOh,is thatjust thatI'mjustI'm just
20:19I'm going toI'mimaginelike I'mwith thepiawrugatedviscosa
20:27skeletosaummedafull ofafull ofyeahpahalike pahosos
20:33oh noimagineit's allunudatedallI'mudableII mean
20:38he wantedhe wantedhe neverheneverBut you imaginethat he would haveseen?
20:46You traumas?If so,what he took,how he put?Imagineateif hehad seen.I'm going
20:55to proponean ideathat surelyis an ideathatthat is aidea thatthat is
21:00thereI'veheard muchin one ofthethings thatmostthat is
21:05theof theextraterrestresand it'saquestiontooif
21:10we'reif thepeopleHe'sHe'sHe'sHe'sIf there's
21:17ExeterrestresbetweenusinfiltratedAnd neverI'veput tothink in the
21:23idea ofand ifwell,as theotherof theextraterrestresor no
21:30ifthere'sothertype ofentitiesbetweenwe don'twe
21:33don'twe'rewe'resosometimesandyouyou
21:37andyoutheretheretheretheretherethere
21:40theregoesbutrightsoFor that, for so meIsacoonded when
21:46you said,I thought,I thought,no,he went toand he went toand he wentphysically
21:52exist.Yes.Ah,because,also,let mesay,that time
21:57afterthe timeafter,he,he,also,very peggedthere,
22:06the sameway,he startedto buildhis house,he cameand hein one
22:10nighthehe'sso goodthat'sthey'rein thefeet.
22:15It's liketo theson.Nothingmore thantheman orthe
22:19man,he washe washe wasso thatwhen hewas ahe
22:26was aheto beto beto beandheand he
22:31sawsomethingthathehehehehe went
22:36to thehehe washewasaa wall, likeif
22:39were amuneco.And inthat momentthatthing wasout ofthe window
22:43it'sthat itwas aguajoloteblackwith theeyesand with the
22:52eyesand with thesalisand itwas awindowand hewent to
22:59buthumanoidnot becausehe hadhandsto workalsoalso
23:04they werethatwhentheseentitiesare discovered.Uh-huh.Toman the
23:11pariancy,in this case,in thisplace, in theplace,of GuajoloteNegro.Ah,
23:17yeah,I'm eriso.Wow.So,and thisstory,not we'regoing to
23:24talk about.Oh,that'swe were,we were,we were,we're,and there's
23:29a personfor otherthings,and,and,and,and,and,
23:34I said,me,I'm,afriend. And I said, oh, hello, asir. And mesaid, no, but I don't,but he said to this sir,
23:43tell him of yourabuel. Tell her of yourfather. The abuelwas a brute. It was agruho.So,imagineate this,eh? The
23:54abuel hadmoney. Andhad manywomen, many.All werevery young.And when Irefer to very
24:01young,I mean,I'm referring tothat he,at the morehe hadfifty-six,and his
24:07newnewnewshe was a new new newwhen she wascouvered one, she wascoulding. And thenand you'd say, well, then it was a multi-millionary. No, no, no, no, I'm not a type of a year, but no, no, I'm not yet a lot to be able to. I mean, it's, it'sI was in thehand and
24:40I wasI'm overtein thebilletsOh,I'ma carrablea barrow
24:44and heand I'mand I'mthose pedacitosthoseput in yourhand andwhen I was
24:51so they'resomonadersthenthen hesaidI'mI'm gonna
24:55I'mI'mand they'reand he said nonome payyou knowyou know
25:00you'reyou'reand let'sno nonomy moneyalsono sir
25:04yourmoneynoso if youyou'reyou're athe type, because when thepeople had the money, it was to guardable, and at
25:11a rata, there were nojas of an arrable.There were pheasos of barro.So, atfinal, for that I said, I mean, I don'thave, so, if I had much, what hecould have done, a arbor of naranhas?In a moment,it was being perseilling, the policeia,
25:30and he entered to thehouse of the last woman thatwas a great, this man.He was trying to be, and he wasing to the policefor somethingthat'ssomething.So,
25:39he's goingthe spousewas there,it was a chosita.So,like,no,there was not
25:46any,not quite,no,no,a room in,and a roomof theseredonditas,
25:51so with,theof,this,the,uh,the ojas,like a
25:57a palapita,moreor less,and therewas in theanafre,theyoung,
26:02a man,was therewas therewas therealittle,when thistype
26:05went,andpressio the police, what, what, so?And, of a repent, p, p, p, p, p, p, p, p,so. So, you just,you just, yeah, he's par,he, he's not the police,a, but I don't know,
26:20and I was the police,and I know, they're molest,what's, what's thething?Well, where's the,well, you're gonna,you know,he's gonna,
26:31how I'm gonna go tosee, sir,pass, and revise,and pass,and the only placeto be to be able tobe behind theand literally,
26:40a camita there,She, they were upedars, moved.And, she kept the police's confused,because, surely, they're going to enter.He's another door to go.No, sir.Here, no, no, I'm, I'm just, I'm just sola.No, well, disculpe, you know, we're going.
27:00Adelante, adios.And when they're going to say,no, look, no, we're a,one thingita of platanos?Yes, of the that you've been here.Ah, yeah, take those that you want.The big of thebag of the
27:17wall,there was apencats ofplatanos,two,de chas.And thesequats
27:25gothrated thepenca,or the policeia,rancaa pencacomplete,so withall the
27:32with thewith theplatoons.With allthe hands ofthe plattas.Abriornliterally one,
27:38they wereto come in,and they werecoming in.And shewent,where?And where
27:43did onlythey weretheseplato?Where did theyThese potatoes?Well,he went,
27:48the policeand he wasthe door, andhe said theman,these kidsof thetoastada
27:57and heand he wasback and he wasbackhandsand he washe washe said,what happened?
28:07What,what?What?What?I'm disfrasedof...Penca of platanosand,
28:13becausenot,they weremyroba.Thatthatwas disfrasable,
28:21I'm sayingso,so,so I'mgoing toconvert themthe things,it was not in
28:27one,in variousanimals.Imagineate.Whatbarbarity.Be tocreate
28:36as afilmof sciencefiction.And Istillstill ismore
28:40that story,butthen youwill beyou'll bethat.Yeah,then
28:45thenYou're going to tella story,my first storythat wesend ourfriend ourfriend our
28:50friendthisstory is thename is thesecret toAnna.I'm justto just to
28:58make aclear for thepeople,especially thosewho don'tlive in theRepublicMexican
29:04just forthat theyhave aquestion.TheRepublicMexican isvery
29:07great.Basicallywe're goingwe'rewe'rewe'rewe'rewe're
29:11in threeareas.North,center andwe'rewe'rewe'rewe
29:14we'reBut, well, many great friends andfriends are there in the north.A little of the community of Monterey,a little of the community of Guadalajara, and more.Fiat.In this place of the north,there are places that,
29:30I've been,since much time,are very dangerous.And,and so,so, there are still moremore dangerous.So, if there are
29:40places dangerous,there are places very,very dangerous.And I know manypersons of theseplaces thatI wantmuch,
29:47me havetalked aboutstoriesaboutquitecruentas.One ofthese
29:53personsthat istheactualof thisplace,is aborga
29:58that'sin Sonora.OurfriendAnna Sallasshe isoriginariaof Caborca
30:04Sonora.Yeahnolive there.Andhe saidin anoccasion
30:08in achapterthatwe'rethatcriminalwhenstill
30:13werea hostofcriminallyThe house in thewe'vehad theaghors
30:19of impacts ofthe ballasin thein myquarterthere weresiximpacts of this
30:32piece ofmetalimagineokaythisthis occurredinCaborca
30:37Sonorain theyears90swasyeahwas akind
30:43the issueokayjustI needthat they have thatin mind,because it'svery important.
30:48Now,in thatplace,in thatthe personthat wasa person thatwas very,
30:57very young,was ayoung,was anyoung,today,is an adult.He'd
31:03with hispapas.Hehad alife normallikeanyor a
31:10childe,and nothe wasnot toknow,and sohe wasBut,
31:14but if I sawwho werethosebesiners,thepeople werethehouse of
31:20Alado,was acouple ofa couplein thatthat wasthat wasthis
31:26parjawas formedby Ferminwhowas amasterruraland
31:31Annathatwaslikethesamein thatthis
31:35thisthispartnernothe wasnottheone
31:40thatallthosethat livefamilies.And obviouslythe peoplemore than
31:48know themthose knowlike thea pairhathat hasa family thathas lived aside of your
31:55house.This storyshe knowsvery wellbecause thisstorywas directlyto the
32:03father.Fiatte.This familyis afamily isa motherand isa family
32:11that isa family that isafamily that isAll the days, thisMr.this man,say,
32:16we know,theMonday towhen he'swhen he'swhen hea school,he's to
32:20this schoolthat's inwhat is theplay.I think theregion whereis theplace.
32:29For theyeah,he had toall thedays,I'mgoing tothe classes,
32:33then youterminasat themedoddyand,he's,he's,and you
32:39want to be,and thenhe was,he regressa.In theway,I waskind of
32:44the time ofthe time.To get ahouse andjust toget atime.When he
32:48had,he hadmore orto theafternoon.He'dwas ahouse and
32:53was aroutineall thetheday ofand thenhe'dreceiveia,
32:58and hehad prepareda coffeelike hehe'dhe'dbecause thetracus
33:05to goand goandthe timewith thetime,he'ddo a much
33:09a dream. So, no, I'd like togo to do a coffee, and soit was a coffee, and sohe'd like a few, and while he'd tombe tosome coffee, agrived,some gadgets, and he'd comeia one of those gadgets,and he'd get a time totake a coffee to his gadgets, and see a telenovela
33:25that he loved a much.To the senior Fermil, he loved very much of atelenovela. So he'd be his telenovela,his coffeecitos, his gadgets, andhis wife, Anna, well,said, ah, those things, no?And thenthe telenovela
33:38converseda littleshehad adinnerand shethey had theand they
33:43they wereto goand he'she saidthe coffeehe wasa littlebut he
33:50was todo notto beand itwas aroutineofthe
33:53dayone ofone ofthesehehehe comeshe
33:58he'shehe washe wasfeelingalittlea
34:02littleSo when sheWhen you startto take thecoffee,then it'sto feel likelike gruas
34:07irritated.Irritated?So,so I'mto get tolike that'slikeso much.
34:11Irritatedand all.And he's,no,he's got tothe coffee.In thekitchen?
34:23In thekitchen.In thecoffee and itcomes tohis gadgets.No,he says
34:27nothing,of thatshe'snot,no,hisA womanHe says,
34:32Yeah, theCenaA,Senta,Senta,Senta.And say,That's,
34:38I'mthat'sI'm going tomake ofthecoffee,becauseI'm still
34:40thatirritation.Well,you're goingtodo you,and asno,
34:46he washe washe had thestomachirritated,nohe washe was
34:52there,I'mwith theeyeswith thesun, but,no,he was
34:57he wasto beto beto be,and heHe still, he's worried because the daythe next thing he had to be able togo to get all over the bed, I'm going to say a little bit.
35:05And, of the moment,he's a movement in the car.Rar.And then,he's a point of that hishusband, that'ssitting and he'sand he's up until,
35:17and he's simplyhe kept with theeyes closed,nodid nothingheingedto bedone to
35:27like tocause asome problemto histhat's athat'sthat'sthat's
35:34that theyput upto bethatthat hewasbecause he wasirritated
35:37becausehe wasjustjustkind ofdoingthewoman
35:44and thewomanand he'sthere'stherehe'sa littlethe point
35:50thetheThe door principal is your house.It's open and itCere.That hassaid to mymy wife.
36:01No?And thenthere'sthere's notthe door?So then itwent to see tothe other
36:16window andthere'sand there'shis motherin the patio?What'swhat's goingthere?
36:24That's thequietingbecausemore thanbecause more thanhe causescuriosityand what
36:29he sawoh,oh,God,oh, Godwhat heHe wanted.And I want to
36:36think in thethething.It's thewomanthathe's thewoman
36:43that's thewomanwith theway thatshea questionand thehe's
36:53he'she saysthat'sin hiscamisoneandshegillosand there
37:05afewmetersof himofSo,it'slike toqueath
37:13theand thesaffatheand hesee howis arancandola
37:26withoutthat'sthat'slike sent outin thesoiland whenthe
37:33hala andhe hehehe putsonon thepieceso like
37:38very delicatelyandAnd he, I'mI'm imagining.And pass to thenext andit's,it's,
37:47it's,it's notbut,oh,no,he's gotwith thelittle
37:53thethethethethe end ofalwayshad beenanother
37:58a pyrna.Like awant.Likeif it wasabut,but a
38:02grouse.Becausewhatwas inapatablackwith garras,
38:10like theof aaof apyrna of abut moregreat andthe color
38:16blackin thewhen shewas going towhen she wasgoing tothethe
38:22patitawas stiradamoviahisdeadand hestiraand
38:29heand thenand thenhehe getsandhe getsmore
38:35backitabecausehasnow thesePiernasNegrasaAbe
38:40He startsRecogethePiernasHormin'To cometo whereis the
38:46lavaderoandthe lavaderoand downthe lavatorand heputtasand then
38:54he'llput it asCubetasasto tapthat nobodythat theysee that
38:58they'rebeingthisatonitobecauseaftertheThe woman,
39:08andhe retina thecapisone,it'sa little,butyeah islike
39:15a obscure,like atexture,that heeven evencan'tto knowthat is,
39:21and hestyrthe handsthat notare theareas.Alaslike with
39:28the heados,andhe stiraand heis apatioand he'sgoing.
39:35And he'll be this and heHe's in panicAnd he knows whatAnd he doesn't know whatDo you know whatAnd thenHe thinksWho is?
39:50What is that?And if whenI getHe'sHe knowsWhat I'm going toAnd the onlyThat's he
40:01It'sIt's justGuardarSilencioCalmarseAnd startToTranquilis
40:07AndAndtranquillizeandno,no,no,you know,
40:10no,you know,what's whathe haswhat youdo with,and thenhe's
40:15he's notto be inhis time,to getto get amorningwhen heand he's
40:20his motherthere'slike,he'sin thecamera.He'sand he
40:25is alittlehis wifehishishishishis
40:30hisYou prepare thisfor that youto get to yourwork.He saidthe lunche.You know the
40:44and I saidYeah,yeah,I'm goingI'm going,I'm going to,here you gothe rattito.
40:51Tomashis things?He said,No,you're going todo you?Oh,so,
40:56and he says,he says,he doesa,he doesbe a bit?Yes,yes,
41:02this,it's that,I'm,I'm,but,but,I'm doing,I'm,
41:06I'm,well, we'll see a rato.He's going.But,but correending.That day in yourjob,was horrible,
41:16horrible.So,I'll say,I'm saying,I'm going toimagine ifhe passed,regress to
41:25his house,he getsactinglike,you know,your day,very well,the
41:34you're doing,perfect.Here's yourcoffee, mymore.Ah,yeah,I'm going
41:38to grabmy gadgets.Avers his gadgets,Prend the television,commenced the telenovela,he's there being it,but is prezoned attention to herwoman.
41:48Of a sudden,he'll get to thedoor,and he goes,and then he takesall the coffeein the lavato.He'll eat.
42:01He'll come his gadgets.At a riteitohe said to anew novela.Ah, vent'n't.Let's set.Oh, very well.Cena, and everything.
42:10You got to your coffee?delicious.I'm gonnabe veryrapid.That's good,that'sgoing to
42:17do not.Goodnights,good nights,and hefing hehad to bedormied.
42:22And whenhe'ssupposedlyhe'she'she'sanother dayand he
42:28gets,he'sback,and hedoor todoor tocome.It's
42:33in thepatio.And hehe'shehe doesn'tno second.It's
42:38totallylucid.So,And he'llAnd thenAnd thenAnd thenHe'll have the
42:46PISO,ArrankhandsArrankhandsWith thesepatitasThere's thereThere's thereTheabas
42:54The capisoneYeah,He has beenAlasAnd he'sHe's goingHe goesAnd he
43:01He goes toHe'll beNo can'tIt can'tThere'sThere'sOn theAs a side
43:07ThePyrna'sHis MugureHe said that'sAsco, he did.No, I couldbelieve whathe was going.
43:16He went to thekitchen,hearred abox of thesegreat,of plasticor costal,I know,
43:24because notI wasbecause Iand withmuchcare,met youthe
43:30little thebox.He dida new,and thenhe said,what I'mgoing to
43:35do this?He wentto thehouse withthebox,in thenight
43:41nothere wasnobodyand hethere'sthere's alot ofvaldio
43:45that'sat thekind ofhe'sa littlemove therea littlea bit
43:53a bit oftheballsohe threwthethetopas he
43:59wasgoing tohe washe leftandhe washe got toand
44:04he'stoget totogettothe morningbut her
44:12but her notin thekitchenwas atabedcoveredto be
44:19covered toup upand hehe noticedthe figurethat wasthereshe took
44:28over thesabanaand hesaidmymydo youdo you
44:34andshe'ssheshe'ssheshesheno
44:38noI'mI'mI'mI'myou can'tdo youcan't do
44:43youforfavor?Yes?No, youdon't youdon'tshe
44:52did,she waswhat I'mwhat I'mand what Ido?And ofhe said
44:58she's sheor Iand hesaid,I'm goingto gomylove
45:05me askmybestlove isI'mthat I'mso I'mso I'm
45:11he'she got thesabanaandI'mIShe, she'llthe gulpe.
45:17And that wasthat wasthat's,if it washerbut amediumconvertive.
45:25Somethethat werenot they werenotthe partasthecar
45:32was literallythemiddlethe middleoflike thebackup to
45:38uphumanandandheretobackwas
45:43likewaslikeblack,like aHe begantoHe began to
45:47And he wasHe hadsome ofsome partswith garrasnegrasAnd whenshe was
45:57She keptlookingNo,he saidAnd hesaid thatIt wasaterrador
46:03or ripilanteBut hesaid toThisCoaseCoseI.I know
46:11what youAnd sheHe said to talk.No, no, no, no.No.No, don'tgrites.Your
46:21yourfeet are not here.And ifyou want tosee them,more youwant to bea year.
46:30She saidthere,he washer backtheher own.No,he simply
46:37got thosethings andhe said,and hewent,thedoor.But in
46:43theotherto goto theschool,was andandwent and
46:47he went tothe patioof thehousethe houseof theperson thatwas made
46:53thestorytook to thedoorand hehe openedthethe person
47:00that theperson thathe waswhat hethisthetheno
47:06sopewith whoI needI needI needtotell yousomething
47:10comelet'sitveryveryHecerno,he closed thedoor
47:16and thisman,Fermin,he said tohim,yorent,you're trying,what he
47:25said,he said,Anna,or whatthat is thatis that,is there,in my
47:32house,but Ican'tgo back.He's,but,Fermin,what's
47:36you're saying?No,I know,noknow,but Ihave togo,
47:43I have togo.Calmate. No, no, no.For favor,help me.Tranquil.I'll be to help.Calamate.
47:56Well, Fermin,he took to go to the schoolto say that notto go back.When he goes tohe says,"'Aulam, for a while.Yes?
48:11And, well, the papawas like, what on?And they entered to the house,and no, no, not,No, there was Anna.No, there was nobody.And Fermin, rapid,he gotro what he could.
48:23Rop, papers,joys,money,what could be.And he said,I don't know can't be here.I don't be here?Well,
48:31that was the last daythat they saw.And a Anna?No,they've never been.The houseliterally,they abandoned.
48:43But,ojo and attentionwith this.Fermin'sHe was. Annadisappeared.All right.All right
48:52had beenlike astory ofsomeone thatwas notnot wasbad at thehead.
49:00Someone whosawand hesaw.Two daysaftertwo daysof the kinder,
49:11they wereplaying,they werethey werethey gotto beand theystarted to
49:18get toand theysaid tothepeoplethatAnd they called to the police.Because those
49:24childrenencounteredin a bolsatwopiernashumanas.You're going tosay other
49:38thing.Is that?What historyis,or no?But wherewasAnna?
49:51What was?Why don'the askeda little?No,well,I,to me,
49:56what youdo you do?What is?I wouldhave askedwhat it was.Orwhat he
50:02or whator what he needsbecauseall thelife hedid ithe'she's been
50:09he's got tolove thatshe'sa womanyeahyeahwell inhis
50:14disfrasof humanbutno mancheswith whoyouyou'reyou're
50:20you'renotyou meandoes itdoes youmeanhas tonecessarily
50:27becauseyou knownotthey werenotthey'reandand for
50:31soohobecauseforfor theplaceand theEpoca is a
50:37story terriblethatthey'veencounteredsomea pairof thepair of
50:41and we'resaying,yes,well,for thethings thatthat'sthe other.
50:48Sure.Claro.It'sthat'sthat's,that's,that's,you know,
50:54then itmeans thathe wasthat sheput ain the cafeforthat's
50:57exactlyexactly.Exactly.And shecould beto getto do it.And
51:05notso I don't knowtostartbutnothat'swow,
51:09what thelookurawellchispasyou knowthat'snot thatcan be
51:15barbarousoh boythat's meso methat'swe're goingtowe're
51:20to knowtothistimethisthis storyiswell
51:26this story isvery goodtothisstorynosheno it's
51:32And thehistoryis calledDon Genaro.Don Genaro.We saidJenny thatthis
51:43happened in theyear of1999.Well,really notreally notin alittle bit.
51:49In aMaldalena Chichaspain thestate ofMexico.Shehashas a
51:57childthat isforto comea yearof ayear.It's a
52:01babyitastillandwas aAnd I was in thekitchenwith themom and with
52:07a womanthat'sbecause in thethen thenthen therewasn't in thekitchenbecause they were
52:14preparingthethe dinnerfor the 15of Septembersothey werethey're cooking
52:21for thefor thethewhat of theandthisand thenso he
52:28subeto goto thehouseof twopiecesin thepart of
52:31thepart oftheright ofthree recamaras andto the baby just in the recamarathat's in the part ofthe right of the corner,
52:40just in the part of theroom, is just in the part of thecamera, accommodo thelittle, he put to his covice,he put a almoaditas, so on aside, for the one side,for the one of the road,he left her dormitia,
52:51and he was tohelp to helpto the people to bepreparing the food.When, of awhen of a repent,when they startedto hear, Jenny,
53:02he, he,he,and he'sstasin theescalator,lentas,but
53:08furs.Typicalof therechinidof themadera,like crugiawhen,
53:15when youdidand thenshe said,he said,it's mypapa,that she
53:22will beto beto beand thenthebecinathat'she's
53:28he saidTerehesaid,youryour papa? If yourpapa is sat sat in theroom, watching the
53:35television. In thatmoment, shesold thecuchara thathad theman,he wentand in
53:44that momententer to theroom tolook to thehouse.The camerawas perfectlywell-tendied.
53:50Thealmovaswere accommodatedwell intheir positionas theyhad left,but the
53:56little shewas neverwas.He wasstartedShe was her desperately and sheshe found heron the piece
54:03above of the cab.Enwilted inher cobiha,the littlesheepirta,withoutto cry,with the
54:11eyes completelyabirtosbutwas wellunfortunately.She wasshe backher all
54:20spantadaandshe'sto tellto allwhat hadsucceeded.All
54:27MundoHe gotcallied?Paled?They'veturned tosee all.And Tere,
54:35thevicina,sailedrunning.Regresssa fewmorelater,
54:42with hisSuego.DonGenaro.He getswith DonGenaroand he
54:48they'reallwhathadsucceeded.DonGenaroentered to
54:54thehousewithamacheteinthehand.
54:57Aman,well,yeah,grand,of thepeople,with his
55:04sombrero,you know,the sabio,that allknow,withouthave readbooks,
55:09but allthey'rethey'reto tellall whatwasto dothe
55:15and thethethenoise,thethereally,absolutely
55:19absolutelyall,and thenthemanhe said,andhe said,
55:25it wasabrao.And he's been,he's been,I've beenheardhere
55:33in thepublic,and he'sthat heis aroundawoman,and he
55:37getting toget toget tothechildren.So,obviously,all of
55:42all ofall right,but hecamehe camewithhis machete.Aorita
55:48I'm goingto doto beto bethehouse,he gothis
55:53machete,heHe came to thehouse and in all thecorners,he gotro the macheteand he was togoate the
56:06ground,gopear thecorners andwas up andhe'd be,and he'dand he'dto say,
56:16"'Maldita,Bruja!No, you're goingto get to theNya andlet's get tohere!And so
56:22he started tothe house.And thenhe was to clavarsomecuchillos.Some chuchillos,some chichios
56:28oldthat werelikefull ofcerawith aliquidand then
56:37he washe wasto clavisin all thehouseto doaritual,
56:43and hewent tomakeapreparedthathad aalpiste
56:47likewithmostasahehehehegot
56:50someheputsomehehehehe made
56:55otherotherliquidsthatthereheandhe
56:57He said,This is forthat yousee you.This isfor that youdon't whelasand this
57:06is forthat younot cruces.Andhe set youthewindows.So,
57:12enter,he,he,he,he,put some,therecamara of
57:20thenew-one,another inthedoor oftheentrance
57:24principal,and aJennyheHe gave two morralitos,amarrows withsome listones rogers.And he said,
57:33This is forthat you put downto your camera.And this isfor that youput you in thecune of theyoung.
57:41With this,he willprotect.And muchcareful,for favor,with whatyou know,
57:47you're prohibitto open them?Well,she,she, sheobeyed allthe instructions.And,
57:54well,beforeto go tothedooranotherotherother
57:58othernoifif itgetsto appearin thenight
58:04notyou knowyounot youseeand rezathethe sir
58:12Isowowsoyeahsois thatit's
58:16thathisinstructionsnowelltotalyouyou
58:20imagineyouyouimagine youyouAllthey werein veal
58:25but curiouslyin thenightdid theythey'reto starttothings
58:29notraskedthewindowsin thesoteain thein the
58:35thehousehadthetherehadmanymany
58:38manyandtheyweretheythey'rethethe
58:44laminesofthethethethesethelast
58:48thethecarliketheytheyThey were raven, the perros ladra-frable.It was all a chaos.
58:58It was a moment,before that it was never beforethat were just-prendingthe lamines of the techo.No manches.When they started tostart the first rays of the sun,that thing infurecida,
59:13he launched an al-arid,impressive, andhe went to cross and,and he went to the mountain.Then, the thingssothey alleverything
59:26didin thenormalityallwas goodnodid notto
59:31do thatthat wasthatneverneverregressservedthe
59:38ritualthatdidJennyusthattodaytoday
59:43herhas23yearsnohasnothinghas
59:51allandwith thisser.Butshe saysthat everythat she
01:00:02she'scompletelygratefulwithDonDon Genarobecausehe's
01:00:08he'shis lifeto thelife toand thathe'saa brauca
01:00:14thatshe wasthat shehe'sand everythatshe doesn'the
01:00:19he appearsDon Genarowithhis macheteinhissoI'm
01:00:24Wow, aBraujas.A casabrujas.No.Oh, wow.You know,we'll tell usa story in the
01:00:34nightparanormalof a legendthat therein aplace ina place ina place.
01:00:41There's aplace.And in thisplace,that's thePlazaAltabrisa,they're in
01:00:46a seba.And therethere's alegend.The people,the person,the persona man in a cabo
01:00:55that's going to bea man to have been acaro, in a place, in acentral commercial, and herespect them to the seba.That man thatis the spirit, is thephantasm of a
01:01:06cedarer.A man,that in thatall thosethose terrainswere of theirproperty, aganadero.
01:01:15And thebruchasstarted toto set tothe people andthe family.And thesir,
01:01:19he becamein acastor ofbruchasand hehad overthere with his machete and hisplantas and things
01:01:26like, casano,like,like,like Don Genaro.Casabrujas.Wow.And I'm going tofind out,
01:01:36but howhe'd confrontable?I mean,what temple youneed tobe to beto be thatright?
01:01:44You're going tosee, whowhat,what goes,Genaro,the casabruhas.The casabruhas.The casabruhas,
01:01:50that's goodon.Yeah.I've heard, well, you know,well, you know, there's a lot ofmovies, too.Also, Casa vampires,casas,
01:01:56casas,a lot of all right?Casa-fantasmas.The casas-novias.The casan-novias.There's a movie.This,this is that I'm going to
01:02:05tell you,I'll be able to start aloton.The nextstory is calledEngendros.Uff, no.And it's anonym
01:02:14sped,and just,wait,just, just,just,just,just,just,
01:02:16just,you know,just,see,this,we're,to talkconverser a little
01:02:22at the final,you'll see.The personthat'sa storyis a womanthat has decidedto maintain
01:02:28the anonymat.He's,in thishistory,what heoccurred toher andher family
01:02:37is afactquite unusual.When,well,morewhen,she was
01:02:43that shewas alittlemany,has somerare of herbecause herHer mother was like a good
01:02:50on the onerbut when theystartthat they're notbabies,they're notthe babyes,they're not
01:03:00they're toget them,yeah nothey'rebecausethey're abecause they'regoing to
01:03:07they'reand they'reand they'rethey'rethey'reto be ableto her.But not
01:03:14only onlythey'rethey're totheirsustenttoeconomic.And literally theabuela
01:03:21said thathis nietswere anengendros.Ah, well.That theywere beingthe
01:03:29carino ofhis kids andof hisand fortheir money.Therecords thatshe has
01:03:36of thisabelis thatthewas thathe wasallthat had
01:03:40to bewithwithwithwithritualsandthings
01:03:43thatthat aonefamilyora personthatthis
01:03:48typeof the topicnotknowsand that'smorea peggedto the
01:03:51religionarelikesuperstitionsand thingsand thingsanda
01:03:55abelhe'sthethingthethingthenot
01:04:00agoodrelationshiptheandtheandthe
01:04:04andtheandhisownandtheystarted
01:04:08togettobecausetheyknowtheythere
01:04:12wasawoman thatwasalwaysthatTo theof his
01:04:18childrenengendrosNocrittatingand doingthings thingsfeasbecause
01:04:23a littlea littlethey'reawayfrom heralexandoof her.One day
01:04:27one ofhistiasisis aembarrassedwillto do
01:04:33tohisrealshe'sa littlemoregreatand
01:04:39allin thefamilyareveryarethey'regoing to
01:04:42thisnewnewnewwhenwhenhethis
01:04:46this child,apennaswhen,during theendarison,that'sbeen doing,the child
01:04:54was said, theman,he's very,and it'sgood,his heartis good,et cetera,
01:05:00et cetera.Whennace,thethe medicalthey'rethat somethingthat's
01:05:06bad.But,no knowwhat is?And simplyjust,afterafter
01:05:12thelast,the questionisthis.Well, obviously,something,something happened that the
01:05:20baby,but at final,then,there's a lot ofthings,not?For the causes?Well,
01:05:30more than tosee,the familyhas to receivethe littlebody,and, well,there's
01:05:36or theendierro,or whatevery onedecided,no?But themedics
01:05:42were verynervousos.Because the body, in question literal,of the part of hours that had passedsince that was from the enderick of the body,they were agoncathed,and not saw how to explain it.The baby was chuped.
01:06:11Like......sookioned?...had been...normal andit was likelike ifif ita year
01:06:23there's ait'sit's ait's anhorrible andnot had anexplanationthe medical
01:06:30thepeople didn'tan explain togive itto give toa familythat has afamily that
01:06:37has aafter aperson and thenthen he wasa personand it wasvery difficultfor his family
01:06:43was goodand nothere wasno therean explanation.After this,they didcount the
01:06:50nietos and thenietasthat weresome thingsthat were veryrare.In all thehouses,
01:06:56that o'clock,not they'dlive with theirfamily.In allthe houses,commashappened to
01:07:01occur in aseries ofeventsstrangeto thefallacimentoof thisbaby.
01:07:07Ruidosinexplicable.But,no, no,they werenot, no,they wereRuidos inexplicables, but
01:07:13of a form in specific. And I know that manypeople are to understandto what I refer. In themadera, in the doors, in thechasso,Lento. In thepiso, in the passages,like if someone caminara,
01:07:38but at caminorwere arrastraing a cadena.The ruses ofthings that were to get in, but notwhateverthing.The onlythat was
01:07:51he was inthekitchen andwereand werecuthills.Couchillosthat
01:07:58came tothe piece.Nocuchars,no tenedores,novases, noplato,
01:08:03cuchillos,onlycuchillos.In thecaseparticular ofshe, thatalso
01:08:10of theseone day,and shewas alittle moretheparentswere
01:08:15going totheandthey werewithher,and theyThey asked her
01:08:19They asked herThat's justOne timeThat'sTo be able toOr somethingYeah, ISo, I'm
01:08:25Just likeI'm justYeah, I'mNot I'm aI'm notI'm eight yearsI'm aAudecate
01:08:31You canSo can'tShe goes, sheTo stay alone, and then,So, in theQuartetInmediate toWhen are
01:08:41The Ruees?When are theRuiz?Oh, yeahThey're anotherThat'sThat's it'sthose,
01:08:48thecadenasthat'sthat'sthey'reand thekitchenthe kitchen
01:08:53thethethethesilenceand theand thenand she
01:09:12I thinkI thinkI thinkI'mthere'sthere'stherethere's
01:09:17thereanotherothertodo youand heopenedthe
01:09:22and hehewasandhe saidbutnot wasof a
01:09:30partexternalofthehouseIt was of thePardthat's
01:09:34the door thatwas in thehouseand thennow I'mvery nervouswhen I'mwhen he
01:09:40a fewwhen afamilyhe'sto talk toand one ofhisprimos
01:09:46he saidis thatI'vebeenexperimentingsomethingaboutthe
01:09:51othertheotherof thetheotherthat toothat
01:09:54alsothatwhenwhen Igotodowhen I
01:09:59I'm still I'mI'm just gettingthat I'm sittingin my camerathat'sacericingBut yousee,
01:10:08butme isonly thenot thenot aother part oftheother part of the
01:10:16and theother nightI wasI'mthe otherand I'mand I'ma bit of
01:10:30a entitysentadaacaricially me theand when I wasand when Ishe didhe wasbut I'm
01:10:44oh nobut nothe primemajorhe saidnoit can'tnot
01:10:55it canbecauseI hearbecause Ihear thebut II'mthat in my
01:11:03courtwhere isthe ropererI'mI'mI'm justI'mI'm
01:11:09And,and in the ropero,there's a womanthat firstand I'mI'm feelingaterrada,and no I'm
01:11:33able to move.And,and the prupto,the doorsof the roperoare going to beand in a silhouettelike a
01:11:48woman,something,but nohas a rostroand I'mso,they're talkingthis,
01:11:58when ofwhen they'resaying,hey,beganse.It wasthePankas.
01:12:05So,they'reall forthe photofamiliar,to take thephotography.When they
01:12:11take thephotography,well,they'reone of thesecamerasof theother of the
01:12:19otherand whenthe photo,betweenall thepeople thatare there,all the
01:12:25families,there'sthere's asilhouettein theobscuridadbut it'snot.
01:12:32It'ssomethinglike awomanthat'sis there, that's thereonly the eyes and thesmile.
01:12:40But it'sso dark that'sthat it's a impressionthat no hasthe rostro.When they'rewhen, thepanico
01:12:50is presentfor a reason.It's exactlythe same entitythat he hasseen his primand thathas seen the
01:12:57prima.It's thewoman ofthetheand thenthey're goingto say,
01:13:04no, that thewoman,that is thethat we'retheTos?ABha.
01:13:10A bit.Bha.This is because,look,the lightdoes thatblah, blah, blah, blah.But what
01:13:20you're saying?But ifsee,it's like tothe eyes?No.This,this,
01:13:26it's,it's,it's,it's,they're,what?What arewhat?
01:13:33What is?What is?What is?A bit,what is?A bit,is athing?
01:13:36and he isnecio,necio,and he's sayingoh,look,look,I'm going to
01:13:42send to thetelevision and hestarts toand he'sto be toand he'sto be amoment
01:13:47in the momentthatall theadultsandand notthey'rethey're
01:13:53in thethey'renot eventhey'renotbecausealsothe
01:13:56people who areevenI'veheardin myhousetheI've
01:14:00heardwhen I'mwhen I'mwhen I'mwhenAnd I'm sorry. No, no, no, no.Kittem me thatThat's the night
01:14:09When that'sTio, he goes to hishouse,he begins tohear, the unas,the chadenas, andof a prong,the chichios.
01:14:20And he'she, he sayshis wife.No,butall you're allyou're so-stsso-lokos,
01:14:27my love.They'reto do notto do.At the night,the motherso muchhe's got
01:14:38grittando.What's theWhat's theWhat's theface?I'm going toa womanor something
01:14:55she sent tohere atthe end of thecameraand Isaw itand youI don't
01:15:00moveand hehehe startedover meohsountil that
01:15:07he washe put heretoandstandingtherehe washe
01:15:11he wentbeingand merancothecarandAnd then, wait, and all that...
01:15:21He went to do.He said, you know,you know,what you've got to haveeaten a lot of pastel.At that time,every one, two or three days,medianoche
01:15:41of the woman,the naris,chorreinghe,he had tothat thisthing,the rancor the rostro.
01:15:51And thenall sothey're goingto knowwhat'sgoing tobut inthe inter
01:15:56but it'sa familythere'sthere'sthere'sand whenthey'reto start
01:16:05in one ofthe photosof eacheventfamilytherethere'sthere
01:16:11doletowhat youwant toyouwant tobut in one of thephotos
01:16:16therethere'sthereand thenthey'rethey'resaying what'swhat's
01:16:20andthereanotherpersonthat'sembarrassed.So,one of
01:16:27the tiassays,a littlelet's be,let'sgo topass all thephotos,
01:16:34what are,okay,how many,so much,so much,so much.She'sto the
01:16:39place,where shewas here,and thereis awomanthat thiswoman is
01:16:45thewoman,and hesays,oh,blah, blah,blah,I know
01:16:51that youknow youareverygood,Sientate becauseyou're going tosay what I
01:16:54have to say,what's theand he'sto tell herand hehe's aphotographies.And this
01:17:02woman,when shethe photographsno,wait,wait,wait,what's the
01:17:08what's thecall you,I'm going tobecauseis what I'mdoing.And ifis
01:17:22the factor no,thatthat's notme tome.That'sthat's
01:17:29that'sthere,nois aspirit.is aBruchaEnviada
01:17:37this isan entityand isan entityand isit's apersonthat person
01:17:54thatdid sothis entityis ofhisand meathis is
01:18:14thisis mymomis my momallthosephotoseliminate them
01:18:29themthemdestroy thembecause ifthe photoexiststhe entityexists
01:18:36for afavor beyou knowyou haveto helpbut isthat is whatI can
01:18:45do youbut forfavorgo backthisto mewhathe's
01:18:55got thethosethingstheythey'retheythey'rethere
01:18:59a photothathe hadone ofone of thesobrinoinhis
01:19:05familyAnd just in this momentwas theTiosaying that,well,that he'sthat he's
01:19:12that he'sthat helook at the photo,and is thathe's thehe's thehe's thehe said,
01:19:21let melet me see herlet mesee herand hehe's isbeingand when
01:19:29he'swhen he'shehe'shehe'sparalyzedof the
01:19:35thelike whenwhen it'stheHe was dead.And he'sthey're going tosay, hey, hey,
01:19:42what youhe's going tohe?Like,he can'the's, like,he's, he'she said,
01:19:49he's got tohe, hehe's goingto be able toback andhe came,like,like,
01:19:55like,like,he,what's,what you'reto get,he, they'reto get to
01:20:00get to,and hestartedto get,and hehe was like,so,just the
01:20:04only theonly theeyes, all theeyes,and of theand thehe canmove,
01:20:10he'she'she'she's going,what youwhat'swhat youand he
01:20:13is aman,the manchwhenthey'rewhen theydo theydo they
01:20:20he saysthat thatwas in thephotographywhen hewas goinghe washe was
01:20:26a movementhe wentthehe went tothephotographiafront ofhim
01:20:32beingheinthat'swithoutRostro,theeyes there
01:20:36and youcan'tmove.And ofthisthing,it'sabented
01:20:41on thesoil,he wason thehe'sand hehe said,and he
01:20:50said,yourbloodmygood.Oh,no.Yeah,
01:20:55I'vetried,but I'mgot aterrible inthepecho,that they
01:21:02got toget togetwith awithamedical.He
01:21:05hadhadlikehehad thetheTiahe
01:21:10Tell whatwhathasWhat'sBORNthe photo,borren the photo.But is
01:21:14that no, no,no, no.What evidenceand thatborrren it?Borrren allthe photos.And he says,
01:21:21Dile toall the family.Dile toall the familythat haveto borrow the photos.Empeasto be able to
01:21:26all.And theperson thatis in barrasasto the hospital.My baby,my baby,my baby,
01:21:34my babywhen my babycamewell,no,signora.The babyThe baby is perfectly well.
01:21:38No,theMy babymy baby,that'sthat'she's,he's,
01:21:45he's,he's perfectno.At alittle timethe storyis repite.The
01:21:56medicsnot knowwhatsay,not they'rehe's gotchupedmummified
01:22:03inquestion ofhoursand thefamilyis ofwhat'swe're
01:22:08going.We'retotalkwith theShe was her.Fyce the abuela.And all of
01:22:26and all ofHe was he was withHe felledAnd thenSo they'redoing theSuyoFuneral of the
01:22:43BuelaFuneral of theotherBebeMuch ofeveryto get tohis house
01:22:51So in thenightsThe onethecaricening hertheThe thingis
01:23:03talking fromShe in herhouse,looking theand hehe'she'show he's
01:23:09readingon the otherotherhe'she'sthat he'she'she's
01:23:20he'speoplein thereunionsfamilyallhaveall
01:23:25hasallallto bethat'sthatcan'tbecause
01:23:31there'saproblemthisthiswomansheshe
01:23:36shetheThe abuela, he'saworkto attractto anentity
01:23:45verypowerfulthat wouldthat wouldend of thebloodof herblood.
01:23:53He saidthat themotherhasfive years.Hehad beena baby
01:24:03thatliterallyyou caneven evenget tothemoment ofthat
01:24:10thatwhateveris,it'sthey'rethey'retheyare
01:24:13in thevintre. And terminatesaying,I'll tell my storyto knowif someoneknows howdesacers of
01:24:29this entity,of thiswitch, thatmy abuelus leftas aherencia.Because
01:24:37the timestill going.Theembarasosare stillperadingin myfamily.
01:24:44And Iwant tohavechildren.And ina littletimeI can
01:24:50docouldbe amaliceion veryveryveryveryapparently
01:25:11I'm surehere the solutionis thatnobodywill beto havebecause therecan't
01:25:17but nomanchisuntil thatallobviouslythey'regoing togo to
01:25:23thathis familymaldikohishis ownhis ownhis ownhis
01:25:26whatI'mI'mI'mI'mwhen Iwhen I'mwhen I'm
01:25:34buthow is theabuelathat'spresent. No, no, is theBuela. The Bula stillstill still stillalive.
01:25:39No, is thathe put soit was imposedwhat he put.Imagineate,or so,that youmyself
01:25:46you put ajob to yourand to thechildren and theand it'sand you'restill, you'renot doing your
01:25:56condition is there.But I thinkit's beento beto be torturingin themismissimingin the sameissimo
01:26:02infirm,but theThe damage, it was.But if you can'tdo something.Hjol is thatis thatshould be
01:26:10a lot ofthat's aotherwoman, thethat was likea woman,said,no,
01:26:19quit itto do ithere.No,well,is thatyou,how,
01:26:21you know,how youtake asuggestionvery strong,no?Who,who's
01:26:29to beto beto beso,for youdo youbuta,
01:26:33but atthemoreyoucanyoucan'tto engage.
01:26:37That notthat'stheof theblood,but thehusbandwith
01:26:42his semenand athethebodybecauseyeah nohis
01:26:50hishishishishisbecausewe'reof the
01:26:56theirof thetheirchildrenof thechildrensoall
01:27:00forsobutthosetheesposor theespos
01:27:04or thesposososnotSure, but, well, yes.Entientes?So, are the kids or the kids?The, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, theso, you know, so, you know, so, so. So, you know, because no, no, no, no, I'm the
01:27:26same. I, you, I, you, just, I, you, just ever, like, there were, a, a little form ofTo be able to kill a maldiction.It's veryvery strong.It's that youknow, you know,so you know,that's just
01:27:37only withmagicnegative.I don't know.So,you know,you know,you know,
01:27:41you know,to attract thatthing,and then youget toget itand get itto the
01:27:48portal ofwhere it'sbut tostart,no,put itthat who'sthat can't
01:27:56be,so, how you'regoing todo you'realso,it's asamebecause not
01:28:01Not just a veryin one.So,attack thisman.Despiredto all.A the
01:28:07spouse of thehe waswas therewas overmendarvarioustimes.Yes,is very
01:28:14methodical.And inall thehousesis doingthe same.It'sis going to
01:28:19be thatcan'tbe aor desplasbecausenormallywhen theresomething there
01:28:24not ahouse,no,it'snot outand here.And hereis
01:28:29in variouscases.Ofshedidthenatation,we've been in
01:28:32casesin differentplaces.For that Ithink.At thesame time.In two
01:28:38twodreams, presentin one thathe'sto haveto benot done.What,
01:28:44what?What,that's sothat'sthat's away tothat'sthat way?
01:28:50And thatat thehour ofthe day,and thehour ofthismanches.
01:28:57No,manches.It'sthat,if it'sVery veryThat's...So, yeah.
01:29:01So I thinkthat you'retalking aboutof thewords ofpeople.Who'sgoing to
01:29:05do ado?So,Don'tGenar.Don'tGenar?Well,
01:29:12well,I thinkbetweenUnicornioand Christianor...Who?Who?
01:29:19The LegionParanormalwe've been.No,no,no,I,no, I
01:29:23no,I justI'mso I'mknowbecause I'veknown asthe malditions
01:29:30generational and are superdifficult.Yes.So,so I'm notfor that.But,but,
01:29:35but,also,not justthat's that'sthat's nota thing,is that's amaldition
01:29:42because youmaldices.Three,five,seven generations.So,so,all they're
01:29:48going to begoing to be.No,but here is,heis,it's,it's,
01:29:50it'sand,impusiste,and notany,or,orany
01:29:55that'sit'sa lotthat hasa wayto get avarioushouses,
01:30:01posseerand toand sayand you knowso tothis manhe saidthat he
01:30:07said,he said,you know,he said,you know,so literallybecausehe has
01:30:14provable theother,the of thosethat of thosewho nacesno,what'sbecause
01:30:20also in thewaythat theywerethat'sliterallychupedhis energy
01:30:25andthatAnd that word, and thatAnd that word,She, theShe used to thatword.Those chuped.
01:30:35Those chuped.Like you said,You chuped theBruja, no,I didn't knowto what I'mto say.And you know,
01:30:40and said,And so,sure,sure.F!A lot offorces.So is that
01:30:45for security,moreis it moreis that no.And asI'm,I don't say,who not
01:30:50the sameof thelineage ofall ofall ofinseminationand youYou can't have
01:30:56I'mThat's difficultNo,that difficult.So,so,that's,there's
01:31:01you're,there'sbutunfortunately,even ifyou can'tyou can'tget to
01:31:05and you'rethat,that thing,that's going tothat'sthat way,so that'sso,
01:31:09if not youand we'reto do thisform,insimination,blah, blah,blah,blah,
01:31:13and if it'sthat'sthat'sthat'sso it'sso that'sso that'sthat's so
01:31:21you'rebecause youknow,you know,imagineatehowwill beto
01:31:26transcurring yourembarazzo?No, no, no, no,no,no, but the otherchica,yeah,I was going to
01:31:31the hospitalso, my babycame to bebad, my babycame tono, no,she'sa baby is
01:31:34good.Adoption?And,so,no,so,so,so,
01:31:41so,so,so,so,oh,oh,I,was,
01:31:46I was,yeah,that's,that's,what,so,well,so,
01:31:52so,they're,so,they're,so,and asame family, eh?Always the
01:31:57workesgenerally,the workgenerally, thejobs are thefamily.You know,Prima.
01:32:06Your ultimatestory.There's,I justI felt Ifelt a thing inthe box ofthe stomach.
01:32:10Dole thisstory?Oh, yeah,not it'snot that I'mgoing to getthe feet ofthe
01:32:16legs.Alex,he'sa littlethelegs.Oh, Alex.Oh,
01:32:22well.Some'spiernit.So,so,soof pollito.A
01:32:26Oh, if myPirenasare myPyrnas of Poy.Oh,no,well,imagineate,
01:32:30like patasof poe.No,I'm going toput infoot likelike thatI'm going to
01:32:34put ina bit ofall rightallent,allentpream.Thisstory
01:32:42is calledgarrasinvisibleare theyare gettingthis muchof colorof the
01:32:50person tothemannedFranciscoJavierMartinesallhis
01:32:55name ushe knowshe knowshehe livesin thestate ofKere
01:33:02okayhe'swith hishusbandin ahouse oftwo-pissosand
01:33:09his wifeis anend upthree fiveand sixmonths ofsoso good
01:33:17allallallsoa nightofthen theythen
01:33:21theycan'tthey'retheystart andthey'resolike
01:33:26whatthingsmediasRarasAnd thenthey'reThey'reThey're
01:33:32They'reThey'reThey'reLikeLike aPiedritasIn theTecho
01:33:37of theOf theThe houseOf thePisaOf thePiedritasCae
01:33:43PiedritasAt aRatoarePiedrasmoreGrandesAt a
01:33:50RatoSoHe'sHeThey'reArrastraSomethingAnd
01:33:53AndAnd Franciscosays,there arethese,there aretheseare going to
01:34:01be comingup thereto be away, oh,can besome ofa midnightand how
01:34:07they're upto thehouse,but whatthe curiousof all isthat allwas that
01:34:13all ofthe sidewherewasa costadatohernot of
01:34:19he,so.So,if therea lineof thisline,to her. Exactly. There's exactly. There's
01:34:25there. And, of a repent.And, de facto,he's desperer, Francisco.He gets aopen the ventana, and hestarted to grittonial and maldecille,and amentar, madres andall. Hes!
01:34:38Toar, get to-car,and then,the window.All so, he calmed.All right. Everythingall in peace.They were backto costar. They were
01:34:51a little inquietos,but as the 20, 30minutes,and they were more calmadosand stillhe went to Franciscoto revisit the houseall over
01:35:03obscurawas to bring thethe light of thekitchen,she regress,she acuestaand yeahalmost
01:35:09were gettingdormiedwhen ofwhen of arepentFranciscohe'sa
01:35:14and whenhe opensthemanigaof thedoorhe didcount. And, of a
01:35:25repent,BAM!So,it'sopen thedoor,going tothe
01:35:31house, thewoman,she'sup bygritts oftheso-and-he's
01:35:37up atimmediate,preender thelight?But ifwas opento thedoor?
01:35:43It wasopen tothedoor,but nohad anothing.It's
01:35:45hewent tothe house,preendall thelights,absolutelynothing.
01:35:54Heregress,She'sHe'stoHe'ddo withIn the
01:35:59morningHe'sHe'sHe'sHe'sHe'sHe'sHe's
01:36:03He'sHe'sHe'sHe'sHe'sHis carBut theTwo
01:36:10ChantasTheThey'reThey'reThey'reCompletelyrasgadasCompletely
01:36:16RasHe saidHe'sNoIt'sIt'sHe'sHe's
01:36:19He'sHe'sHeHe'sHeHe'sHeI came with the bicycle,
01:36:24I recarguewhere always,and theyandaswere good.That's strange.He's gotto the
01:36:32other than theand thehe's goingto be able towhat wasgoing to becineabecause thekind of a lot of
01:36:43things liketo be abig of avery sure you.It's afor what youbring yourspouse in the
01:36:51vintryfor herPutsomecrossesaroundof yourhouse
01:36:59threeone ofone ofanother ofanotherat athreethat's
01:37:05that'syou'recompletelythehouseandshenot
01:37:08cangetsohehedidheput
01:37:13theallallandthenightthe nighttranquil. No
01:37:19no, nonothing,dormieredveryveryallother dayagain,
01:37:24againalland allthenext dayhehe sayshe says
01:37:33hethen hehe'sthebackof hisvintreand
01:37:38hethreearraeossoaslike sarpasos,no sangravan,no he'dolia,
01:37:46no ardued,but they werevery profound.They wereto seeto see theand the doctorsaid,
01:37:54no,the truth isthat allis thatthe baby isyou're doing,so you'renot,
01:38:01no,no,it has to berasguu-with something.And shehe said,you know,
01:38:05I don'twant tothe house.I'mvery spantada,noI wantto go to
01:38:11it's allthenthencethey'reto haveto havethe fatherof the
01:38:15she'swell I'mright I'mgoing tohave tobring acar ofthe house
01:38:19forto bethere'ssomeyesso hesohe's
01:38:24when hehe getsto thehousehehe'stoget to
01:38:29get tosomehehehe'smuchtheattention
01:38:32thatthatonthecamerawasthethe
01:38:36thingtheYeah, no, hegot tonothing of that.He starteda presencea very
01:38:45very much.Of immediate,I got amallet,he got two,threethings,the more
01:38:50that hegot toand hewent toand hewent tothe house,never more,
01:38:58neither,nor herwife.At alittle time,he,he,nace the baby,
01:39:04sano,tranquilo,all inorder,and inthis momentheSintzio alibiado.
01:39:11Because he said that,well, nowhave beenthe baby,then thenno he was togo toget to get a
01:39:16to get abrother.Oh!But,fiatte,how hewanted toget to
01:39:25that hehad to beto do youto do a doctor,not?So,the,I don't
01:39:32do you know,I'm going todo you.But whatcurious ofall,is thatalways those
01:39:39those rassguothosearraeosareMeadows, no?And thethat'sthat's
01:39:43theand thething.Yes.So,that's,that's,that's,
01:39:50it's likea ritual,no?Well,I thinkis that,yes,so the,
01:39:56the,the,the,those,those,those,very speciales,no
01:40:01are,not are,not,so,so is,so is.Identificas,de
01:40:05mediat,you'rethat'ssecondthat,that's,that'sthat's
01:40:11that sensationof thatyousee thesub theheartto theheart
01:40:15to thething.The effectMickey Mouse.Why Mickey Mouse?So,they'reon the
01:40:24ears?Yes,up tosay thatis it.That'sa little.Ah,
01:40:34no.Why?No,because, no,so it's awell,it's a lot.Echallel.
01:40:43I'mmakingeverythingI caninventingthisthisthis next
01:40:51storyiscalledishiloviscosandalso
01:40:59is ananonymousthispersonisto visittoValle
01:41:06ofhere inMexicoalsoplacepredilectofof
01:41:11duendand moreValleofB'BB'B'AB'Ade Brabo
01:41:16He gets there with a tiaThis tia isThe Valle de BravoBut, of actuallyLike the person thatThe storyNever had been in Valle de BravoHe said that his family
01:41:32Is of the Valle de BravoBut he never had been thereHe's there to visitAnd the tiaHe comes to tellThings of the placeWhere are theyAnd there is a story
01:41:42MaravisosaBetween these storieshe comments that onea very timea familyhis familyhishis family
01:41:52he'din thatregionand hishishe was aexperiencetremendous
01:42:00sothatthatthatthat'sthat'sstillthe day
01:42:04oftodayin Valleofabut itis alegend
01:42:07it'sarealthequestion isthisthisfamily
01:42:15then therehis casitaand in thatthen thosethe caseswas notlike theday of
01:42:20today.So,especially forthe regionthehouses inthatwere made
01:42:25made in amannermuch morerusticandnot wasa regionthat
01:42:29was atimemuch moneyso muchmoney.So,the peoplewere
01:42:34theirhousesbasicallywithwhat theycouldobtainof the
01:42:38naturaltroncosramasand youyoucouldeven if youyou're
01:42:45to come toa houseto seethe interiorof thehousein thesespaces
01:42:49that arein thelittlein thein thein thein thepoblado
01:42:55wherewe'rewe'rethat they'repeoplebegan toto talkto a
01:43:03rumorthe rumorthatthere wasthat therehad tohave tohave to
01:43:09have tohave tohave tothewomenembarrassedand thebabies. Because what the brujas
01:43:14are therecent-naciditos or thosethat's chiquititit. So, there was to have to haveto have much, much, careful. And well,the truth is that this type of things,histories of duendes,in agnahuas, and it was, it was acommon, especially in that kind of
01:43:31no, no, but thissenior, familiar of them,no, no? And so, what would bethe problem? And so, what was thewoman was not even barraised? So, noBut,but they'renew people
01:43:44a new person tolive toa woman.A manand awoman.And thewoman
01:43:48had beenembarrassedand hehad apointitoto give alight.They got
01:43:54to conditiontheirhouse andthey wereto doa loose.So thatfamily
01:44:00was of threepersons.And therewere normallittlethat'swhatthat's
01:44:04thatthatthat'sthatwas thefirstit waswell. And then
01:44:13he started to put like palidito.And you know,you know, so you know,at the beginning, like, they werelike to rechonchitos.And this was he wasflaquito,palid.
01:44:25It was a devil. And thesame people of the poorhe said,get it, well,with the curandero,or get therea lot to beyou can, with the
01:44:34medical and thatyou can't.And, well,obviously,they've got tohave afirst child,that they were
01:44:40And they were going to the curanderoThe curanderoThe chicaner,no, well,no, I knowthat's a littlehis son.Well,
01:44:47they wereto get to,the medical.The medicalhe was doingand said,no,well,
01:44:53who has tohave tohave tohave to beand startthe pendentno?Well,
01:44:59the papaand themom werebeingpreoccupied forthe baby,butvery preoccupied
01:45:02for thebaby.The questionwas,in thatthey'rein that they'rethey're
01:45:07they'rethey'rethey'rethe momshe kept therejustjust yeahvery
01:45:12very tiredvending tosee ifwas going tosee if it'she'she went toI'm going to
01:45:19get toI'm going toget toget tohis sonthe babysaid thatin the
01:45:30son said thatthere wasthere waslike avoicebut nothe waslike a sensation
01:45:36like asome familytranscendedor something,that'sthat wasurgiening,parat,
01:45:44parat,up,get up,get,get,and so,so,so,
01:45:48he'sso I,what,what's,what is,what is,what is,she's,
01:45:52she's,a womandormida,and thefirst thing,is mybaby.So,
01:45:57then,and tryingto notdoing,not doing,because he's,because he's,and the
01:46:01woman,and thecune,there,there is something that'swhat is this?It was like a little,that was there
01:46:17was a little,a little,like from thetecho of thehouse,that was,and she wasto be a bit
01:46:29to be a lotbecause just thatnight was a nightof the moonand thenthat was thatlike, thatwas like,
01:46:36reflected the light,and he said,a,it was a,the arana, of ana ravene, andhe started toget more close
01:46:48of the hill, andhe was, no, no,was a little,it was moremore than alittle bit ofa cordon,and it was
01:47:01viscos,baboso,so thatthat reflectedthe light of themoon,and he wentto up,
01:47:10and soHe came from the techo and he wassiding and he wasjust in the front ofhis son.And he'she went looking this andsaw his son, to his baby
01:47:28that was likealmostalmostalmostalmosthe was herejust the front ofthe third ojo, there
01:47:39was and ofand of agot a lot ofa littlelikeas abut moreit's like
01:47:48he camein thefront ofthe babyand hehehe sawwhat he's
01:47:57what iswhat iswhat iswhat issomethoseoxidasthat were
01:48:01therethosetookandtheyandhehe
01:48:06hehehehe washewhen hehehe was
01:48:10hesohe'sAnd thereabovehe'sheard alike
01:48:23like abut athingthat's ago to getmy techoand he'she's going to
01:48:30goreauit cametheshe camethe otherhe gotro thehe gotro thebaby
01:48:35and hestillhe stillhehe saidhe saidthere wasthat there
01:48:43had beena littlehehe wasI'mmy babymy babyand he
01:48:46heand whenhe washehe caninthatwhen
01:48:51when itSo, the babystartsto cry,respirate,what is this?What is this?No,
01:49:01I know.But evenhe saysthat eventhat's thebabyhad acolorcito.
01:49:06And thenthe daythe daythe babywas better.They said,what happened?And all
01:49:14were allthey wereso onand theman,well,obviouslyhe told
01:49:17to thepeople.There werelike alittlesogross and I was so I wasI think there was an
01:49:25animal because hegritted and he'she fell and he wentto goreting to the bush. And thepeople of the poor and said no no no nono no. That was an animalthat was a woman.It was a dragon and
01:49:36but how?I mean it was a girl?No, how can't be?No, no it could be thatstory.And between the people thatheardthe
01:49:49relatowas thefamilyand he'she keptthinkinglike thatthat's
01:49:56that'sthat'sthat'she's going togo todo thathe went toand he
01:50:05was going tothe nighthewas upand hehehe wentto see
01:50:12upand hecamesolike thepartofthe
01:50:17techoofthetherewastheretherethere
01:50:23wasaWell, yeah, it's more time.So, literally, he hada touch to the topto you could go toand come down.So, he kept
01:50:36thinking that overthere's up,like a guajolote,or something.He gotro his machete,he went tohis house,he was in the
01:50:49light of the lunarfull, I mean,I don't know,I was just alittle moon, no?So he was just going toand I'm going tothe machete
01:51:01here at the cintura,he subiofor an escaleritathat had putta,sheisom a womantherea woman
01:51:12ancianain cucklillasofback,so,sir,sheora,sheora,
01:51:25is youare yoube in?And sheshe wasso she wassosheora,
01:51:35sheorasheorashe canhelpI?andcan'the
01:51:44heheheAnd he noHe was theThis typeHe saidHe said
01:51:56Oh,malHe was what heHe saidHe said that was aA ladyA lady,And that's
01:52:07There's a boyNeverThey neverBut heBut heHe sawHe wasHe was
01:52:13He wasHe wasSo,SoxionerHe wasWas heWas heWas
01:52:18Succionable?He wassoxioningthelife.From thetechowith a
01:52:25linguayeah,wow.Oh,oh,that'swhat I'mthat's
01:52:38what I'mwhat canbe sobutbutwhere doesthisno manches
01:52:47fornot tonot gotothatthatshe said thatshe
01:52:52said thatshedidn'tthatsaid thatsaid thatYou kept there, like, the,and now is it like in a maldiction
01:53:01looking his language.Well, yes.Now, because,because, the part that theywere cuter on here.And apart the place, eh?Yeah, well, yeah.Imagineate where he's succioning.
01:53:16But then when hehe cuta, he tookerthe part that he had to bethe part that he'dhe'll.But I'll go to this.If theythey'd have
01:53:28beento bewhat theywere thecertainlywas the partthe part ofthe end of
01:53:35the legummannato thebut howis that possible?But I meanit's itput it
01:53:42to do youput aa barraa barra'sa serviettaand itand youknow
01:53:46you knowyou knowso youknowwhat'sin whatshedon't have
01:53:50thelanguagewellhe'sanoand howyou
01:53:53don'tAnd,unfortunately,vaguely,they're going,like theyorona,looking the
01:54:00language.In thiscase,oh,but now Ihave aquestion.That's a
01:54:06human,or is somethingthat's athing?No,is athing,that's a
01:54:10thing,that's aperson,so,can't bea matter ofcan beyour
01:54:16body?It'sthat youthinkthere,there,it'sthat person
01:54:20lived intheperson,aThe Bruchy of the people.It was a bigilla thatI lived thereand she
01:54:28kept herenergy,her own,her soul,and all right,butshe wasshe was
01:54:34she wasshe was adecenia ofbruchasof theseof thesebecause forsomething you
01:54:41have toeat tothat youknow?Sure.And thenthen,all
01:54:45to cut herthelanguageyeahnothe wasnotoh,
01:54:50that'swhat horror.AndthenthenWell, for that'sI'm trying,but,
01:54:54but I don'tthey've beento be,but I thinkwhat'sthat's like,it's likehis phantasm
01:55:01or,or something.Oh,but it'sthat I'mup to mytecho,and I
01:55:07see aand I'mdoing a lot of,and I'mgoing todo that'sto do you?And,
01:55:12and also,how can Iknow,how can I'mup you?And at what?Because heput the
01:55:17escalera.How'show she subiothe bigita there?Whereappearedor?
01:55:23Withwithout lingoethere,babbeatingliquidnegro?No,no,
01:55:27no,well,imagineate,because ofthat I,oh,what athing.
01:55:32Oh,mylanguage.And veryveryso much.So,so it's
01:55:38pretty,so muchare sovery heavy.Butyou'reto tellsomething,
01:55:41notso,so,so,I,but,I'm going totell a
01:55:47the other daywe wentto know,you know,thelagunaof baccalaar,better
01:55:53known as thelaguna ofthe laguna ofthe lagoon ofthe lagoon ofa placebeautiful.Hermosissim
01:56:00for sure.For sureabeautiful.You knowthat inthat lagunathere's
01:56:06three cenotesthat'sthat's extraordinarilybecausesee a linehere youhave ameter of
01:56:13profound andhere youyou'rethree hundredand itand it'smark witha line
01:56:16one ofthesonotesthey'rethesonotethesonote of the
01:56:22Brouca.And thehistory ofthat'ssonotereallythey'rethis was
01:56:28more orin thetime ofthewar oftheyear ofthe
01:56:33yearwhere thiswomanwas aamajorshewas
01:56:40wasand hehadhisterritoryandhishouse
01:56:44andand thepenotetothesonotethered
01:56:47allallworldsawin thepeople,that thewoman
01:56:51was thatthework ofmagicand ritualsandthingsand then
01:56:58what Ineed todoallallwasalleverything
01:57:04thatwastowhateverwasthatwasthat
01:57:08butwhenwhenthisoftheofthe
01:57:10castastheystarttogettothethings
01:57:13andtheyandtheytheytheywerea
01:57:17school there andthey started tothat part of theterrains and to herthey were they wantedto get her.So, obviouslyshe didn't
01:57:27she didn'tand no shehad togive herand, wellthen they werethey're cutandoselbut
01:57:37not sincethey're amalditionto theearth andto thecenote.So in
01:57:45thecenoteHe said that onea yearsomeonewas tofalleceerthere and
01:57:58he was toget aoneoneoneone of yearand in theearth
01:58:04alsohe saidthat thepeople thatthe people thatthat wouldbe toquit to the
01:58:13lifeorwas toto die of causesverygrave.Thewoman
01:58:20fallece.TheBruchaand whenwhen they'reto maketheconstruction of
01:58:26thisschool,they startedtostart thingslike veryrare.They're
01:58:32they'rethe excavationsandthey'reto findthethethe
01:58:38thingsthattoorareasand thefactthat theywere
01:58:42susitmanythingsmotivatedfor thatthey werea chaman anda sacerdote
01:58:50and didsome type ofritualboth tothecenoteas theland
01:58:54totheconstructionof theschoolbecausenot justthat's
01:59:00that theythey wereperfectlywellthat thisshe wasthethe famous
01:59:06thewomanwashad thecapacitytoconvertin what
01:59:13theycalled the Wachkeken,which isa cerdogreat andblack, andwell, until the day of today,there's, school, and
01:59:27then, well, it's just,the history. But not so they'regoing to do the life every year?For that they're, they're going to do the rituals.Because if it was happening?Because they were happening. Becausethey're going to do things when they startedthe construction, for the maldiction that manned to the
01:59:41the earth andand thesonote.So youknow,you know,the pointare the
01:59:46end ofthose aresothey wereto dodo therituals.And well,
01:59:51I go,eventuallyaresome zonesverygood-cidatedasas a
01:59:57type ofsituations,butif they'reto happen.Yes,so,so is.
02:00:03Uh-huh.How is?For thatsaid,I'msaid,theBruch of
02:00:09theBruch-I love and I adoreto doinsohn.I'mI'm too.And I'malso.
02:00:16I mean, I guess.I'm very.You've got to.Becauseit's able toopen theonly orso it's over
02:00:22a little?Well,yes, becausealso theyspanned out.I'm spanned.I'm scared.It's that
02:00:30is that youknow, youknow,you know,you're going toyou're going toyou're going tosee a
02:00:36movie,my mindis,so,so passing the videoof all what you're sayingof all the thing,and then when you
02:00:44get a gritty,you know,oh,no,wait a minute!I'm,I'm sorry,that I'm,
02:00:51I'm seeing,like, I'm,I'm trying tosee, the door.So,I said, no,you know,you're saying, no,
02:00:56you pass.And,and you,and you,and you're,you're going toyou know,that one thing is
02:01:03that you're,like,like,like,like,like,like,you're,
02:01:07you'reimaginingthatthat movie,all thatsceneof thestuff,
02:01:10even thecolorof thestuff,you know,you knowyou imaginethat for
02:01:15that'sthat youimpact,no?There'sa thingthat'ssuper,
02:01:21superpadre,I'mrecommendmuchif youlike thestories of
02:01:24terror.It'scalledSinistro.And inseriousthat everythat we
02:01:29every timewe'rethe chat,I'mfull ofemoliesso.Weltos
02:01:36because they'rebecause they'rereallyaterradorersbrutally atterradoris thatlet mesay that this
02:01:42story thatyou'rethe familyof thehouseI'm surethat'sfor a
02:01:47yeahyeahit'sit's forayeahit'sa
02:01:51meI'mthatshewellall ofthat'sof a
02:01:56moviethat'stheone of thetheone ofthethe
02:02:00what thewhatthewhatthethethethe
02:02:04casabruasohyesDon Genaro.Sir, Don Genaro.It's a genial.That's a barbar.In the future, in the future, in the future,
02:02:12someone will say,like,I don't know ifexist in the podcastand YouTube andso, but Ithink that will getlike an issue
02:02:22and they'rea little bit.But,but fichitehow coincidedwith yourwith yourstory also
02:02:28because alsosomeonesomeone whogot amachete.Ah,yeah,because he
02:02:32heard themusicwith thebruchettes.With thewith themachetes.And what he did this
02:02:37Lord Don Genaro in theventanas,I know that thesemilla of themoustazais put in thewindows whenthere are babies
02:02:46or whenthere are peopleinbarasasasto avoid thatthe brusasend up.Oh, andI'll repeat,
02:02:52I'll do solike disclaimer.When we'rewe're justwe're justwe're justwe're notto these entities.
02:02:58Yes,no, no.So, is thatreally I thinkare two conceptsdifferent, no?Sure.We'd have to
02:03:04useother conceptis very arraigated.Yes, I don't know,to some monster,some sort,some entity,some,
02:03:12um,a demonia.Who,who knows what is?Who knows,but well.But I thinkfor the aspect,
02:03:20no,more thanand for whatwe've seen,demoniac.Always we'vealways seen thepeople,
02:03:25the bruchas,who are,the barrow,the cada rugata,the,the,the,the,
02:03:30the,the,the,the,the,the,Man, I know the brusque arerewapas.
02:03:36Well,I'm amaledficatOh, well.Chuladaof bruce.Oh,I mean,
02:03:41for favor,for favor,you know,do you know,let us do yourcorrect electoraland yourradio social.
02:03:49LuluAponteponormalarraubahgmail.comand theInstagramis LuluUponte
02:03:57guionBajoparanormal.AndalalI'mhave toget tomy accordion.
02:04:02Veryvery.Very good, veryvery good.Prima,muchthanks.No,
02:04:05the contrary.So,like,like a brouca,despideteof us.So,the ecstice.
02:04:16Do youyou know,that saidthat therewas aprogramof theextraterrestres
02:04:20that youbecausenotdon't doblea dedito?Whichnot theydolear?
02:04:25The chiquito,the mechke.The mechke.So,not they,no,not they'renot they're
02:04:31so itidentifications.Oh,well,I just,I justI'm justI'm just
02:04:40for a favor,forfavor,scondance inthe comments.Dheenthere,those experiences
02:04:45of familyor ofyou've beenin somemoment withtheseentities thatthe people
02:04:52should callbruchas,that areotherother thing.Forfavor,leave it
02:04:56in thecomments,count themwithlittlelittlelittleto let us
02:04:59let us let uslet uslet's make a clavadoin theseand those that'sgoing tofor favorto come your
02:05:06coffee-ciceto do youdon't knowI said I saidI said thecoffee forcoffee forit's like
02:05:13it wasit was towho saidwho wasthat you knowthat's going towho'sfor your coffee-sit
02:05:21so you can'tmake youyou knowthe time youknow thethis is I'mgoing to omitmuch times
02:05:28my radio socialsalso alsowe're going tosee thenext weekour next weektimePrima.
02:05:35I'm surethat thenext timeI'm going toput a superterrorificicichere ininsomnia
02:05:40where wegoing tonarrate themostterrorificicexperiencesrealesof the
02:05:43audienceand youlistenthemand youtry
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