INSOMNIO - BRUJAS: Historias REALES de TERROR
Episode Date: September 4, 20256 historias de brujas reales, siniestras y escalofriantes que te harán dudar😈Acompáñanos junto a Lulú Aponte en estos aterradores relatos, basados en hechos reales, experiencias paranormales. H...istorias que no vas a poder olvidar. 👹Te hablaremos de Engendros, la maldición familiar que nunca terminó; El Secreto de Ana, la historia real de una mujer que se transformaba en algo inhumano; y Hilo Viscoso, la espeluznante leyenda de una bruja que intentaba alimentarse de recién nacidos.También conocerás la historia de Don Genaro, el hombre que enfrentó a una bruja para salvar a un bebé; y Garras Invisibles, un perturbador caso de entes paranormales.Un episodio lleno de misterio, experiencias basadas en hechos reales y relatos escalofriantes que podrían hacerte dormir con la luz encendida o con un ojo abierto.👉 Si te gustan los podcast de terror, las historias reales, lo paranormal, suscríbete, activa la campanita 🔔 y comparte este video para que más personas se unan.👻Host: FepoFelipe Arellano (@fepomx)Fepo (@fepomx) on X👻 Redes del invitado:Síguenos en redes sociales para más contenido:Insomnio on TikTokInsomnioInsomnio Paranormal (@podcast.insomnio)👻 Comparte Historias, Memes y Evidencias Paranormales📝Cuéntanos tus historias: Principal - Insomnio fepo@podcastparanormal.com✨Grupo oficial de Facebook: PODCAST PARANORMAL comunidad👽 | Facebook💬Grupo oficial de Telegram: Comunidad Podcast Paranormal 🖖🏼👽🛒Compra Merch Exclusiva aquí👇🏼 Tienda📧 Consultas empresariales: negocios@podcastparanormal.com#brujasmexico #brujeria #Fepo #HistoriasFamiliares #terror #miedo #historiasdeterror #leyendas #brujas #rituales #misterios #casosreales #relatos #creepy #Insomnio #FantasmasReales #paranormalactivity #horror #viral #creepy #podcastparanormal #historiasdeterror #paranormalstories #spooky #hechosreales #scary #paranormalpodcast #horrorcommunity #historiasdeterror #paranormal #terrorreal #Historias #PactosOscuros #HistoriasDeMiedo #Miedo #Paranormal #Misterio #Brujeria #LeyendasUrbanas #RelatosDeTerror #CuentosDeTerror #Fantasmas #Espiritus #RelatosParanormales
Transcript
Discussion (0)
Very good days,
tardes or noches.
Be welcome to a new
chapter of insomnia,
in where we're going to
narrate the most
terrorifices experiences
reales of the audience.
So,
listen them if
they're trying.
And in this occasion
is with us,
my dearerprima,
Lulu,
Aponte.
How are you?
Well, how you're
very well, very
very happy, very content.
Good nights,
good days,
good days,
good, good,
and all of you.
It's a gustavent
to be here.
Prima, me
It's a good
that you've
realized.
We're a
other than we
think it's
like a
designated by
entities of
all the types
that's
that's for
you.
I'm going
to say
one other
that I'm
that I
have realized
of insomnia,
and
that I'm
very content
of that
has
realized
that I'm
I think
that we
we're
that we
don't even in
the
stories that
me
I don't
I'm
I think we're
against
maybe the
experiences
reales of the
audience,
of the most
impactants that
me have
to have taken
to the
moment,
to learn a
thing,
a really
that'sombrose.
And I
know that you
about you
about what you
do you do
what you're
about
those stories?
No,
man,
are spelunate
the mias.
The fact,
yes,
yes,
they're like,
like,
like,
like,
they're,
but,
if they're
midas
ferticits.
Well,
I'm
for those
that you
know,
I'm
know that's
I'm
in the tarot
and my
Correo
is Lulua
Ponte
paranormal
arrobaum
and my
Instagram
is Lulua
Pondey
Bajom
for normal
for
the
that I
have got
much time
of time
for
favor
so I
have you
have
I'm
to
but I'm
but
I'm
doing
I'm
I'm
I'm
there
I'm
very
Very well.
Muchismas.
Of all the most,
remember,
in the panel
you're seeing
the correct
online, we're
on the radio
socials to
a click
at a time.
Where you're
listening
watching this.
If you
still haven't
subscribed,
this is the
moment.
Dehen
your
poweros
like,
your
your pull up.
Comment.
Cone.
In the
comments,
you know,
tell us
those stories
more impactant
because the
theme
in this
occasion is
one particular.
You know
they've been
in the
miniature.
Today we're going to
about
to be
about the
bruchas.
No,
because
always
me to talk
these
things.
And not
they're of
the bruchas
good.
No,
no,
not.
These are
but
impressive
so,
no,
no,
not,
not,
not,
they're
not,
they're
these,
these
can I'm
got to
control.
Yes,
oh,
yeah,
before
to come
we're
to give,
to give
to do
we're
when we're
we're
we're
You know, has some experience
your, of
some of those,
well, of the
people with
that you,
that's it,
some experience
that you want to
to get us
to get us in
context of the
thing?
Well,
fiftate
that there
really has
some type,
the typical of
all,
that if the
spheres,
that if the
balls of
the fire,
that normally
they're
very constantly
the people,
because, well, I have several that have
been seen, various things,
like, medias raras in house,
of that, then,
they're doing the things,
of that,
especially when there are
children,
or babies,
or persons embarrassed,
is when really,
they're in this type of events
or are more,
like,
they're like,
they're like a immancito,
and they're
to halleer all that
in communities,
in ranches,
not so in the
city as
as well in the
provincees
but still
still are really
very,
very arrailed
all that's
they're really
many things
and medias
espelunate
but so
are not
not you're
not you're going to
tell us
because I think
the
we're not
no no no
no no
no we're
I'm
I'm sorry
but
you can't
one
one
one just
or you
want to
you
let me
let me
think
that
that
talking
of this
a theme of bruchas,
not so what
is referred to
brugheria.
Ultimately, I've
been receiving
messages
of some people
that are
that I've
known in Mitz,
that I've
known in
in the
, I've
known, for
example,
in this of
the
the aperture of
the third
ojo.
And me
I've
made
that there
there's
like
an idea
general
of the
concept of
that
that
not is
still
still cataloged
for the
science,
and
the person
are experimenting
certain type
of situations
with entities
of a
type or of
other type
and we
are the
experimenters,
those and the
experimenterers,
those that
we decided
as we
call us.
When we
refer us
we've
defended the
fact of
that we're
talking about
people like
you,
like my
mom,
like,
as many
people
who have
been
here,
women
who have
a
know
occulted
that they
usually
for the
good,
but there are
people
they're
for the
and there
and I'm
referring to
this thing
those people,
the
things, I'm, you're, I'm, you're,
spheres that
are like
like
of the
fire
that for
some reason
they're
to make
to do
to the
more
little
they're
doing
in the
communities
in the
families
even
for example
in
all what
has to
do
in the
can't
in the
in what he
seeber
and then
they
they're
they
or being
of a
person
that of
some
that
has
has
has
the
capacity
of change
your
body,
his material
in something
inexplicable
and or
also
creatures
simply
disconocid.
One person
of the
which I
will talk
after the
channel
of the
podcast
Paranormal
of many
of the
stories that
I've
been
in a
moment
he took
a
revelation
with a
entity
distinct.
Something like
a duende
but that just
now in this
chapter with my
mom, the
last we
about this entity
rara,
someone
me put a
term.
I just,
when I
when I
was I
felt like the
tone that
I used
was an
question I
said he was
offended and
I said,
and I'm
all right
all right
to do
this is the
other and
it's all
no.
No
me
was
burlano. I was trying to
say that there are many comments
about about the first
that I thought it was totally
asserted. It's a commentary that said
no is a bruise, that
they have done a manor,
no is a ronauter, no is a
arcoonte, no is
a duende. It's
a djinn. The djinn
are those that we're in
this region of the world
we knowce as a genie in
the United
in English,
and in
Mexico and
Latin America
or in the
Spanish,
the genie.
The Dijing
are these
entities,
the turvante,
that can't
conceder a
desire a
way, and
they're in
the next life.
And I think
that's the
termino
correct.
I think
that when
we're
we're not
we're not
to these
entities.
And this
person
saw a
one entity
of this
type,
but
after
of that
see this
entity
and they
desaping
a lot
of qualities
to see
these type
of entities
and he
four or five
days
he started
to send him
where he
there is a
there's a
cross
very famous
there in the
city of
Mexico
is the
the
of the
right
to do what is
right
we say
what is
well
from
from
from
from the
well
it's
well
the
cross
I'm
made a
a
something in that in that region,
they're saying brujas.
When the people see,
in the other to grab them,
or,
go to see what is what is
what is going to
decide not grab
because they say that
they're the register
in photography or video
of a brouca,
and me refer to these
spheres as of
the fire, is
dangerous, and if
they're
these things,
that you are
seeing,
and you're
doing, they're
getting, you're
looking,
you're
they're
to see,
I'm going to
see to
see the
video,
is a
Sferra, that's
moving
there, and
I'm going to
a message,
he said,
revise,
if, as
the night,
no is just
in the
serro,
if someone
was in the
carreterter
that's the
buses of the
coaches of
the coaches,
they can
get to
to get to
the serro,
if there's
there's a
airport or
drones, etc.
I said,
I said,
an application
that could
go to
see some satirites,
estreels,
et cetera,
and it's
and he's
and me
to send a
other video.
And me
said,
look
this is a
photographia
of how
it's a
carreau
in the day
so you
see that
no there's
a carreterer
that not is a
aviones
not an airport
of that
not that's a
helicopter
but not for
the movements
not for the
movements
the time
and the
distance
etc
me made
another
I'm
I'm
well it's
well it's
that's
can be a
lot of
things
and of
so
So they're
And then...
And they're...
And they're...
Like if it would have
Prended one
on the other that
was never
to have been to
this movement
that's like
intelligent,
like playing,
like moving us
between the
arvoles and
then they're
and even
he said,
I'm going to
get to
get me,
but all the
people of this
region
they're saying
that's very
so you
you think?
Well,
for something,
no?
As you
when the river
suen is
because
the water
is.
So, more valid, because no
you know, you know, how you say,
how can't reactioner.
And for what,
you know, you're going to
you can't get it?
So, so is.
So, so is.
So, then,
so it's more valid
that, you get lehito is
all, no?
Look, if you want to start,
or do you start, if you'll start you, I'll start.
You're going to start?
As you want, as you want, as you want,
I'm going to start.
And at a riteito, you'll tell us a experience.
At least, I'll tell you to be able to tell you.
Because, curiously, this
little story that you try go,
this,
is related to the history number one.
With this, that you're going to
call it now.
So, I'll asker the same theme,
but curiously, too, um,
coincide.
Coincide.
But, well,
to be.
Well,
resulta that
this story
is called
Sferas
of Crystal.
This is
anonim.
It's a
child.
Anonymous.
And he
he,
he,
he, he,
this
did he,
this is
that he
said,
that today
of day
of
he not
know
if effectively
was
a brujeria
or
a spirit
or something.
He
had three
years of age when
he succeeded this.
A young
very sceptical
because he
no creed
nothing in this.
That was
in the
Pueblito
in the
state of
Mexico
near to
Toloca.
He's
there,
obviously,
in that
community,
they were
of the
of the
typical,
all the
stories of
the
the people,
the
people,
many
stories that
were
that were
about
of
bruchas
and
of
things
so
paranormal
but
that
in
an
occasion
his
father,
he bought the
terrain that
was at one
side.
He bought
the terrain and
he's to
build.
And the
abacina
of that
the
area,
she molesto
much,
but much
was a
molesto
much,
that in
one
a occasion
he
started and
he
said,
saying
that that
that
was
he pertene
and
that
they
could
they
were
they
was
it,
it was
it
was of
it
was
She obsesioned
so much
with the
truth
the truth
they're not
chism,
sir,
she's a
little bit
I'm going to
do you know
let's
to make sure
to make you
imagineate
no but
then she
she's
she said she
began to
manders
and maldiction
and malditch
the
earth
then
he said
that
he's
they were
to repent
of all
what they
were
doing
and that
he's
that
they
now in the
other in the
they're going to
out of
their
house.
No,
they said
as you
did it
did not
no
happened
to build
the house
and they
changed
and said
that the
house
had
a
little
windows
and
the
sun
the
house
was
and that
curious
and
it
was
a
very
a
very
very
extrano, at
the grade of
that he
had to
have to
have to
have to
have to
the frie
of the
house.
I know,
we know,
we're
not exaggerated,
but
well,
no,
no,
exaggerated,
no.
He was
always to
always
always
always
all sepulted
in the
cobbils,
no?
And of
one's a
first is
a night
standing
dormido?
Sintio
clearly
how the
colchon
and he
he started to
somebody
or something
was
sitting at
a one
because
he sent you
the colchon
he
was paralyzed
he gave
much
his
he was
he
he was
uped
he
got
he got
done
but this
was
repetitive
one
and
another
and other
and other
and
at
this
passed all the nights,
to the grade
that in a
occasion,
you know,
not just
they were
acariceable
in the
night.
They were
acacying and
they were
and they were
and so
that one day
he said,
he said,
now so,
me going to
arm
to do that
and I'm
to get
the covichas
and I
go to
see,
and I'm
he's trying.
He has to
come,
he has to
come,
he,
And effectively,
the rathiton,
the colchon
again,
he gotchew,
and they started
to cariciar.
He, in that moment,
he wanted
to make a hand
to make the
the cobbyses
and see what
was going to.
But no
he got to.
He paralyzed.
Yeah,
now,
I don't know
could get,
then he was
kept quiet,
and,
and, of
a great
back,
regress to
his state
normal,
and like
he went.
But in
that moment,
something,
something,
he
he came to
he came to
the
head,
over the
colchon.
On him
completely
was this
thing,
or what
was doing,
he was
not even
to be
even to
because he
was completely
pressionable
in the
colchon
in the
way that
he can
make a
a man
to try
to get
that thing
to get us the
what the only thing is to start to
start a
a ball of
pelons,
anudad,
frios,
all unudas
like if were
pacha or mechate
or something for the
style and
in the
the
pelons
he sent you
a
skeletto
frio
with a
piel
wrugated
completely
viscosa
and alad
humed
in that moment
that he
he sentio
that he
he was out of
so he
he's called
a moment that
he's called a
struend
tremendous
when he
when he
was going to the
door
in that moment
he
he got
he went
the papa
and he
he saw
what he
he said
to he
he said he
he was
he was
he was spantado
and he
was
He also went out of the
house.
Ah, no,
it'sapparition?
No,
it's all
going to.
He's all
he's all
other day
they're going
to be
to be the
person of
the people
that said
much of
these things
and all
and she
had
all what
had succeeded.
And then
he said
he said
that this
thing
was a
book.
He was
to make
a little
a
house and
all
the
house
colgo
spheres
of crystal
in
the
house
and he
said
when
the
spheres
are
because
this
entity
is because
this
is far
or
and it
has
gone
that
not you
don't
they
there
there
is
the
wind
that
that
that
a
thing
or
something
okay
okay
is
then
then
then
then
then
then
then
then
then
they were going to go to
and start
the spheres
trin,
train, trin,
trin,
mowing
and they were
and they
were doing
and they were
in the
house,
all the
windows
in the
doors
closed,
obviously
not they
couldn't
do that
night,
of the
the stust
that they had
and
total,
the
as they
calmered
tanted
and they
began to
out of
the lobe
the
perros
and
and it
and it
was
in the
part
of
the
out of
a
arid
of a
woman
giving
gritos
alarid
by the
door
on the
the
the
door,
they're
to
come to
and to
rascar
the
the
door.
I think
that
I think
to be
going to
enter
and they
were
all
spantad
issive
until
that
that
the
just
disappeared
and
you
all
calmer
the
things
unfortunately
not
he was
not used
to hear
in the
house
eventually
they were
in the
spheres
but in
the window
they rasked
the
one day
he was
a
one day
never
never
never
never
he was
but
the
father
that
also
he was
he was
he was
running
to be
who was
this
maldita
desgraciated,
still ronding
for the
house.
But no
she simply
and simply
and simply
round about
the house
and I'm
until
to the
little to
they're
to get to
let's
and the
day of
today of
today
still
he said
that
eventually
the
spheres
so
move
and
they're
moving
so
how
how
how
you?
That
feo
no?
That description
that
did
of the
entity
I'm
I'm
Oh,
is that
just that
I'm
just
I'm just
I'm going to
I'm
imagine
like I'm
with the
pia
wrugated
viscosa
skeletosa
ummeda
full of
a
full of
yeah
paha
like pahosos
oh no
imagine
it's all
unudated
all
I'mudable
I
I mean
he wanted
he wanted
he never
he
never
But you imagine
that he would have
seen?
You traumas?
If so,
what he took,
how he put?
Imagineate
if he
had seen.
I'm going
to propone
an idea
that surely
is an idea
that
that is a
idea that
that is
there
I've
heard much
in one of
the
things that
most
that is
the
of the
extraterrestres
and it's
a
question
too
if
we're
if the
people
He's
He's
He's
He's
If there's
Exeterrestres
between
us
infiltrated
And never
I've
put to
think in the
idea of
and if
well,
as the
other
of the
extraterrestres
or no
if
there's
other
type of
entities
between
we don't
we
don't
we're
we're
so
sometimes
and
you
you
and
you
there
there
there
there
there
there
there
goes
but
right
so
For that, for so me
I
sacoonded when
you said,
I thought,
I thought,
no,
he went to
and he went to
and he went
physically
exist.
Yes.
Ah,
because,
also,
let me
say,
that time
after
the time
after,
he,
he,
also,
very pegged
there,
the same
way,
he started
to build
his house,
he came
and he
in one
night
he
he's
so good
that's
they're
in the
feet.
It's like
to the
son.
Nothing
more than
the
man or
the
man,
he was
he was
he was
so that
when he
was a
he
was a
he
to be
to be
to be
and
he
and he
saw
something
that
he
he
he
he
he went
to the
he
he was
he
was
a
a wall, like
if
were a
muneco.
And in
that moment
that
thing was
out of
the window
it's
that it
was a
guajolote
black
with the
eyes
and with the
eyes
and with the
salis
and it
was a
window
and he
went to
but
humanoid
not because
he had
hands
to work
also
also
they were
that
when
these
entities
are discovered.
Uh-huh.
Toman the
pariancy,
in this case,
in this
place, in the
place,
of Guajolote
Negro.
Ah,
yeah,
I'm eriso.
Wow.
So,
and this
story,
not we're
going to
talk about.
Oh,
that's
we were,
we were,
we were,
we're,
and there's
a person
for other
things,
and,
and,
and,
and,
and,
I said,
me,
I'm,
a
friend. And I said, oh, hello, a
sir. And me
said, no, but I don't,
but he said to this sir,
tell him of your
abuel. Tell her of your
father. The abuel
was a brute. It was a
gruho.
So,
imagineate this,
eh? The
abuel had
money. And
had many
women, many.
All were
very young.
And when I
refer to very
young,
I mean,
I'm referring to
that he,
at the more
he had
fifty-six,
and his
new
new
new
she was a new new new
when she wascouvered one, she wascoulding. And then
and you'd say, well, then it was a multi-millionary. No, no, no, no, I'm not a type of a year, but no, no, I'm not yet a lot to be able to. I mean, it's, it's
I was in the
hand and
I was
I'm overte
in the
billets
Oh,
I'm
a carrable
a barrow
and he
and I'm
and I'm
those pedacitos
those
put in your
hand and
when I was
so they're
so
monaders
then
then he
said
I'm
I'm gonna
I'm
I'm
and they're
and he said no
no
me pay
you know
you know
you're
you're
and let's
no no
no
my money
also
no sir
your
money
no
so if you
you're
you're a
the type, because when the
people had the money, it was to guardable, and at
a rata, there were nojas of an arrable.
There were pheasos of barro.
So, at
final, for that I said, I mean, I don't
have, so, if I had much, what he
could have done, a arbor of naranhas?
In a moment,
it was being perseilling, the policeia,
and he entered to the
house of the last woman that
was a great, this man.
He was trying to be, and he wasing to the police
for something
that's
something.
So,
he's going
the spouse
was there,
it was a chosita.
So,
like,
no,
there was not
any,
not quite,
no,
no,
a room in,
and a room
of these
redonditas,
so with,
the
of,
this,
the,
uh,
the ojas,
like a
a palapita,
more
or less,
and there
was in the
anafre,
the
young,
a man,
was there
was there
was there
a
little,
when this
type
went,
and
pressio the police, what, what, so?
And, of a repent, p, p, p, p, p, p, p, p,
so. So, you just,
you just, yeah, he's par,
he, he's not the police,
a, but I don't know,
and I was the police,
and I know, they're molest,
what's, what's the
thing?
Well, where's the,
well, you're gonna,
you know,
he's gonna,
how I'm gonna go to
see, sir,
pass, and revise,
and pass,
and the only place
to be to be able to
be behind the
and literally,
a camita there,
She, they were upedars, moved.
And, she kept the police's confused,
because, surely, they're going to enter.
He's another door to go.
No, sir.
Here, no, no, I'm, I'm just, I'm just sola.
No, well, disculpe, you know, we're going.
Adelante, adios.
And when they're going to say,
no, look, no, we're a,
one thingita of platanos?
Yes, of the that you've been here.
Ah, yeah, take those that you want.
The big of the
bag of the
wall,
there was a
pencats of
platanos,
two,
de chas.
And these
quats
gothrated the
penca,
or the policeia,
ranca
a penca
complete,
so with
all the
with the
with the
platoons.
With all
the hands of
the plattas.
Abriorn
literally one,
they were
to come in,
and they were
coming in.
And she
went,
where?
And where
did only
they were
these
plato?
Where did they
These potatoes?
Well,
he went,
the police
and he was
the door, and
he said the
man,
these kids
of the
toastada
and he
and he was
back and he was
backhands
and he was
he was
he said,
what happened?
What,
what?
What?
What?
I'm disfrased
of...
Penca of platanos
and,
because
not,
they were
my
roba.
That
that
was disfrasable,
I'm saying
so,
so,
so I'm
going to
convert them
the things,
it was not in
one,
in various
animals.
Imagineate.
What
barbarity.
Be to
create
as a
film
of science
fiction.
And I
still
still is
more
that story,
but
then you
will be
you'll be
that.
Yeah,
then
then
You're going to tell
a story,
my first story
that we
send our
friend our
friend our
friend
this
story is the
name is the
secret to
Anna.
I'm just
to just to
make a
clear for the
people,
especially those
who don't
live in the
Republic
Mexican
just for
that they
have a
question.
The
Republic
Mexican is
very
great.
Basically
we're going
we're
we're
we're
we're
we're
in three
areas.
North,
center and
we're
we're
we're
we
we're
But, well, many great friends and
friends are there in the north.
A little of the community of Monterey,
a little of the community of Guadalajara, and more.
Fiat.
In this place of the north,
there are places that,
I've been,
since much time,
are very dangerous.
And,
and so,
so, there are still more
more dangerous.
So, if there are
places dangerous,
there are places very,
very dangerous.
And I know many
persons of these
places that
I want
much,
me have
talked about
stories
about
quite
cruentas.
One of
these
persons
that is
the
actual
of this
place,
is a
borga
that's
in Sonora.
Our
friend
Anna Sallas
she is
originaria
of Caborca
Sonora.
Yeah
no
live there.
And
he said
in an
occasion
in a
chapter
that
we're
that
criminal
when
still
were
a host
of
criminally
The house in the
we've
had the
aghors
of impacts of
the ballas
in the
in my
quarter
there were
six
impacts of this
piece of
metal
imagine
okay
this
this occurred
in
Caborca
Sonora
in the
years
90s
was
yeah
was a
kind
the issue
okay
just
I need
that they have that
in mind,
because it's
very important.
Now,
in that
place,
in that
the person
that was
a person that
was very,
very young,
was a
young,
was an
young,
today,
is an adult.
He'd
with his
papas.
He
had a
life normal
like
any
or a
childe,
and not
he was
not to
know,
and so
he was
But,
but if I saw
who were
those
besiners,
the
people were
the
house of
Alado,
was a
couple of
a couple
in that
that was
that was
this
parja
was formed
by Fermin
who
was a
master
rural
and
Anna
that
was
like
the
same
in that
this
this
this
partner
not
he was
not
the
one
that
all
those
that live
families.
And obviously
the people
more than
know them
those know
like the
a pairha
that has
a family that
has lived a
side of your
house.
This story
she knows
very well
because this
story
was directly
to the
father.
Fiatte.
This family
is a
family is
a mother
and is
a family
that is
a family that is
a
family that is
All the days, this
Mr.
this man,
say,
we know,
the
Monday to
when he's
when he's
when he
a school,
he's to
this school
that's in
what is the
play.
I think the
region where
is the
place.
For the
yeah,
he had to
all the
days,
I'm
going to
the classes,
then you
terminas
at the
medoddy
and,
he's,
he's,
and you
want to be,
and then
he was,
he regressa.
In the
way,
I was
kind of
the time of
the time.
To get a
house and
just to
get a
time.
When he
had,
he had
more or
to the
afternoon.
He'd
was a
house and
was a
routine
all the
the
day of
and then
he'd
receiveia,
and he
had prepared
a coffee
like he
he'd
he'd
because the
tracus
to go
and go
and
the time
with the
time,
he'd
do a much
a dream. So, no, I'd like to
go to do a coffee, and so
it was a coffee, and so
he'd like a few, and while he'd tombe to
some coffee, agrived,
some gadgets, and he'd comeia one of those gadgets,
and he'd get a time to
take a coffee to his gadgets, and see a telenovela
that he loved a much.
To the senior Fermil, he loved very much of a
telenovela. So he'd be his telenovela,
his coffeecitos, his gadgets, and
his wife, Anna, well,
said, ah, those things, no?
And then
the telenovela
conversed
a little
she
had a
dinner
and she
they had the
and they
they were
to go
and he's
he said
the coffee
he was
a little
but he
was to
do not
to be
and it
was a
routine
of
the
day
one of
one of
these
he
he
he comes
he
he's
he
he was
he was
feeling
a
little
a
little
So when she
When you start
to take the
coffee,
then it's
to feel like
like gruas
irritated.
Irritated?
So,
so I'm
to get to
like that's
like
so much.
Irritated
and all.
And he's,
no,
he's got to
the coffee.
In the
kitchen?
In the
kitchen.
In the
coffee and it
comes to
his gadgets.
No,
he says
nothing,
of that
she's
not,
no,
his
A woman
He says,
Yeah, the
Cena
A,
Senta,
Senta,
Senta.
And say,
That's,
I'm
that's
I'm going to
make of
the
coffee,
because
I'm still
that
irritation.
Well,
you're going
to
do you,
and as
no,
he was
he was
he had the
stomach
irritated,
no
he was
he was
there,
I'm
with the
eyes
with the
sun, but,
no,
he was
he was
to be
to be
to be,
and he
He still, he's worried because the day
the next thing he had to be able to
go to get all over the bed, I'm going to say a little bit.
And, of the moment,
he's a movement in the car.
Rar.
And then,
he's a point of that his
husband, that's
sitting and he's
and he's up until,
and he's simply
he kept with the
eyes closed,
no
did nothing
heinged
to be
done to
like to
cause a
some problem
to his
that's a
that's
that's
that's
that they
put up
to be
that
that he
was
because he was
irritated
because
he was
just
just
kind of
doing
the
woman
and the
woman
and he's
there's
there
he's
a little
the point
the
the
The door principal is your house.
It's open and it
Cere.
That has
said to my
my wife.
No?
And then
there's
there's not
the door?
So then it
went to see to
the other
window and
there's
and there's
his mother
in the patio?
What's
what's going
there?
That's the
quieting
because
more than
because more than
he causes
curiosity
and what
he saw
oh,
oh,
God,
oh, God
what he
He wanted.
And I want to
think in the
the
thing.
It's the
woman
that
he's the
woman
that's the
woman
with the
way that
she
a question
and the
he's
he's
he says
that's
in his
camisone
and
shegillos
and there
a
few
meters
of him
of
So,
it's
like toqueath
the
and the
saffa
the
and he
see how
is a
rancandola
without
that's
that's
like sent out
in the
soil
and when
the
hala and
he he
he
he puts
on
on the
piece
so like
very delicately
and
And he, I'm
I'm imagining.
And pass to the
next and
it's,
it's,
it's,
it's not
but,
oh,
no,
he's got
with the
little
the
the
the
the
the end of
always
had been
another
a pyrna.
Like a
want.
Like
if it was
a
but,
but a
grouse.
Because
what
was in
a
pata
black
with garras,
like the
of a
a
of a
pyrna of a
but more
great and
the color
black
in the
when she
was going to
when she was
going to
the
the
patita
was stirada
movia
his
dead
and he
stira
and
he
and then
and then
he
he gets
and
he gets
more
backita
because
has
now these
Piernas
Negras
a
Abe
He starts
Recoge
the
Piernas
Hormin'
To come
to where
is the
lavadero
and
the lavadero
and down
the lavator
and he
puttas
and then
he'll
put it as
Cubetas
as
to tap
that nobody
that they
see that
they're
being
this
atonito
because
after
the
The woman,
and
he retina the
capisone,
it's
a little,
but
yeah is
like
a obscure,
like a
texture,
that he
even even
can't
to know
that is,
and he
styr
the hands
that not
are the
areas.
Alas
like with
the heados,
and
he stira
and he
is a
patio
and he's
going.
And he'll be this and he
He's in panic
And he knows what
And he doesn't know what
Do you know what
And then
He thinks
Who is?
What is that?
And if when
I get
He's
He knows
What I'm going to
And the only
That's he
It's
It's just
Guardar
Silencio
Calmarse
And start
To
Tranquilis
And
And
tranquillize
and
no,
no,
no,
you know,
no,
you know,
what's what
he has
what you
do with,
and then
he's
he's not
to be in
his time,
to get
to get a
morning
when he
and he's
his mother
there's
like,
he's
in the
camera.
He's
and he
is a
little
his wife
his
his
his
his
his
his
You prepare this
for that you
to get to your
work.
He said
the lunche.
You know the
and I said
Yeah,
yeah,
I'm going
I'm going,
I'm going to,
here you go
the rattito.
Tomas
his things?
He said,
No,
you're going to
do you?
Oh,
so,
and he says,
he says,
he does
a,
he does
be a bit?
Yes,
yes,
this,
it's that,
I'm,
I'm,
but,
but,
I'm doing,
I'm,
I'm,
well, we'll see a rato.
He's going.
But,
but correending.
That day in your
job,
was horrible,
horrible.
So,
I'll say,
I'm saying,
I'm going to
imagine if
he passed,
regress to
his house,
he gets
acting
like,
you know,
your day,
very well,
the
you're doing,
perfect.
Here's your
coffee, my
more.
Ah,
yeah,
I'm going
to grab
my gadgets.
Avers his gadgets,
Prend the television,
commenced the telenovela,
he's there being it,
but is prezoned attention to her
woman.
Of a sudden,
he'll get to the
door,
and he goes,
and then he takes
all the coffee
in the lavato.
He'll eat.
He'll come his gadgets.
At a riteito
he said to a
new novela.
Ah, vent'n't.
Let's set.
Oh, very well.
Cena, and everything.
You got to your coffee?
delicious.
I'm gonna
be very
rapid.
That's good,
that's
going to
do not.
Good
nights,
good nights,
and he
fing he
had to be
dormied.
And when
he's
supposedly
he's
he's
he's
another day
and he
gets,
he's
back,
and he
door to
door to
come.
It's
in the
patio.
And he
he's
he
he doesn't
no second.
It's
totally
lucid.
So,
And he'll
And then
And then
And then
He'll have the
PISO,
Arrankhands
Arrankhands
With these
patitas
There's there
There's there
Theabas
The capisone
Yeah,
He has been
Alas
And he's
He's going
He goes
And he
He goes to
He'll be
No can't
It can't
There's
There's
On the
As a side
The
Pyrna's
His Mugure
He said that's
Asco, he did.
No, I could
believe what
he was going.
He went to the
kitchen,
hearred a
box of these
great,
of plastic
or costal,
I know,
because not
I was
because I
and with
much
care,
met you
the
little the
box.
He did
a new,
and then
he said,
what I'm
going to
do this?
He went
to the
house with
the
box,
in the
night
no
there was
nobody
and he
there's
there's a
lot of
valdio
that's
at the
kind of
he's
a little
move there
a little
a bit
a bit of
the
ballso
he threw
the
the
top
as he
was
going to
he was
he left
and
he was
he got to
and
he's
to
get to
to
get
to
the morning
but her
but her not
in the
kitchen
was at
a
bed
covered
to be
covered to
up up
and he
he noticed
the figure
that was
there
she took
over the
sabana
and he
said
my
my
do you
do you
and
she's
she
she's
she
she
she
no
no
I'm
I'm
I'm
I'm
you can't
do you
can't do
you
for
favor?
Yes?
No, you
don't you
don't
she
did,
she was
what I'm
what I'm
and what I
do?
And of
he said
she's she
or I
and he
said,
I'm going
to go
my
love
me ask
my
best
love is
I'm
that I'm
so I'm
so I'm
he's
he got the
sabana
and
I'm
I
She, she'll
the gulpe.
And that was
that was
that's,
if it was
her
but a
medium
convertive.
Some
the
that were
not they were
not
the partas
the
car
was literally
the
middle
the middle
of
like the
back
up to
up
human
and
and
here
to
back
was
like
was
like
black,
like a
He began
to
He began to
And he was
He had
some of
some parts
with garras
negras
And when
she was
She kept
looking
No,
he said
And he
said that
It was
aterrador
or ripilante
But he
said to
This
Coase
Cose
I.
I know
what you
And she
He said to talk.
No, no, no, no.
No.
No, don't
grites.
Your
your
feet are not here.
And if
you want to
see them,
more you
want to be
a year.
She said
there,
he was
her back
the
her own.
No,
he simply
got those
things and
he said,
and he
went,
the
door.
But in
the
other
to go
to the
school,
was and
and
went and
he went to
the patio
of the
house
the house
of the
person that
was made
the
story
took to the
door
and he
he opened
the
the person
that the
person that
he was
what he
this
the
the
no
sope
with who
I need
I need
I need
to
tell you
something
come
let's
it
very
very
Hecerno,
he closed the
door
and this
man,
Fermin,
he said to
him,
yorent,
you're trying,
what he
said,
he said,
Anna,
or what
that is that
is that,
is there,
in my
house,
but I
can't
go back.
He's,
but,
Fermin,
what's
you're saying?
No,
I know,
no
know,
but I
have to
go,
I have to
go.
Calmate. No, no, no.
For favor,
help me.
Tranquil.
I'll be to help.
Calamate.
Well, Fermin,
he took to go to the school
to say that not
to go back.
When he goes to
he says,
"'Aulam, for a while.
Yes?
And, well, the papa
was like, what on?
And they entered to the house,
and no, no, not,
No, there was Anna.
No, there was nobody.
And Fermin, rapid,
he gotro what he could.
Rop, papers,
joys,
money,
what could be.
And he said,
I don't know can't be here.
I don't be here?
Well,
that was the last day
that they saw.
And a Anna?
No,
they've never been.
The house
literally,
they abandoned.
But,
ojo and attention
with this.
Fermin's
He was. Anna
disappeared.
All right.
All right
had been
like a
story of
someone that
was not
not was
bad at the
head.
Someone who
saw
and he
saw.
Two days
after
two days
of the kinder,
they were
playing,
they were
they were
they got
to be
and they
started to
get to
and they
said to
the
people
that
And they called to the police.
Because those
children
encountered
in a bolsa
two
piernas
humanas.
You're going to
say other
thing.
Is that?
What history
is,
or no?
But where
was
Anna?
What was?
Why don't
he asked
a little?
No,
well,
I,
to me,
what you
do you do?
What is?
I would
have asked
what it was.
Or
what he
or what
or what he needs
because
all the
life he
did it
he's
he's been
he's got to
love that
she's
a woman
yeah
yeah
well in
his
disfras
of human
but
no manches
with who
you
you're
you're
you're
not
you mean
does it
does you
mean
has to
necessarily
because
you know
not
they were
not
they're
and
and for
so
oho
because
for
for the
place
and the
Epoca is a
story terrible
that
they've
encountered
some
a pair
of the
pair of
and we're
saying,
yes,
well,
for the
things that
that's
the other.
Sure.
Claro.
It's
that's
that's,
that's,
that's,
you know,
then it
means that
he was
that she
put a
in the cafe
for
that's
exactly
exactly.
Exactly.
And she
could be
to get
to do it.
And
not
so I don't know
to
start
but
no
that's
wow,
what the
lookura
well
chispas
you know
that's
not that
can be
barbarous
oh boy
that's me
so me
that's
we're going
to
we're
to know
to
this
time
this
this story
is
well
this story is
very good
to
this
story
no
she
no it's
And the
history
is called
Don Genaro.
Don Genaro.
We said
Jenny that
this
happened in the
year of
1999.
Well,
really not
really not
in a
little bit.
In a
Maldalena Chichaspa
in the
state of
Mexico.
She
has
has a
child
that is
for
to come
a year
of a
year.
It's a
babyita
still
and
was a
And I was in the
kitchen
with the
mom and with
a woman
that's
because in the
then then
then there
wasn't in the
kitchen
because they were
preparing
the
the dinner
for the 15
of September
so
they were
they're cooking
for the
for the
the
what of the
and
this
and then
so he
sube
to go
to the
house
of two
pieces
in the
part of
the
part of
the
right of
three recamaras and
to the baby just in the recamara
that's in the part of
the right of the corner,
just in the part of the
room, is just in the part of the
camera, accommodo the
little, he put to his covice,
he put a almoaditas, so on a
side, for the one side,
for the one of the road,
he left her dormitia,
and he was to
help to help
to the people to be
preparing the food.
When, of a
when of a repent,
when they started
to hear, Jenny,
he, he,
he,
and he's
stas
in the
escalator,
lentas,
but
furs.
Typical
of the
rechinid
of the
madera,
like crugia
when,
when you
did
and then
she said,
he said,
it's my
papa,
that she
will be
to be
to be
and then
the
becina
that's
he's
he said
Tere
he
said,
your
your papa? If your
papa is sat sat in the
room, watching the
television. In that
moment, she
sold the
cuchara that
had the
man,
he went
and in
that moment
enter to the
room to
look to the
house.
The camera
was perfectly
well-tendied.
The
almovas
were accommodated
well in
their position
as they
had left,
but the
little she
was never
was.
He was
started
She was her desperately and she
she found her
on the piece
above of the cab.
Enwilted in
her cobiha,
the little
sheepirta,
without
to cry,
with the
eyes completely
abirtos
but
was well
unfortunately.
She was
she back
her all
spantada
and
she's
to tell
to all
what had
succeeded.
All
Mundo
He got
callied?
Paled?
They've
turned to
see all.
And Tere,
the
vicina,
sailed
running.
Regresss
a few
more
later,
with his
Suego.
Don
Genaro.
He gets
with Don
Genaro
and he
they're
all
what
had
succeeded.
Don
Genaro
entered to
the
house
with
a
machete
in
the
hand.
A
man,
well,
yeah,
grand,
of the
people,
with his
sombrero,
you know,
the sabio,
that all
know,
without
have read
books,
but all
they're
they're
to tell
all what
was
to do
the
and the
the
the
noise,
the
the
really,
absolutely
absolutely
all,
and then
the
man
he said,
and
he said,
it was
a
brao.
And he's been,
he's been,
I've been
heard
here
in the
public,
and he's
that he
is around
a
woman,
and he
getting to
get to
get to
the
children.
So,
obviously,
all of
all of
all right,
but he
came
he came
with
his machete.
Aorita
I'm going
to do
to be
to be
the
house,
he got
his
machete,
he
He came to the
house and in all the
corners,
he gotro the machete
and he was to
goate the
ground,
gopear the
corners and
was up and
he'd be,
and he'd
and he'd
to say,
"'Maldita,
Bruja!
No, you're going
to get to the
Nya and
let's get to
here!
And so
he started to
the house.
And then
he was to clavar
some
cuchillos.
Some chuchillos,
some chichios
old
that were
like
full of
cera
with a
liquid
and then
he was
he was
to clavis
in all the
house
to do
a
ritual,
and he
went to
make
a
prepared
that
had a
alpiste
like
with
mostasa
he
he
he
he
got
some
he
put
some
he
he
he
he made
other
other
liquids
that
there
he
and
he
He said,
This is for
that you
see you.
This is
for that you
don't whelas
and this
is for
that you
not cruces.
And
he set you
the
windows.
So,
enter,
he,
he,
he,
he,
put some,
the
recamara of
the
new-
one,
another in
the
door of
the
entrance
principal,
and a
Jenny
he
He gave two morralitos,
amarrows with
some listones rogers.
And he said,
This is for
that you put down
to your camera.
And this is
for that you
put you in the
cune of the
young.
With this,
he will
protect.
And much
careful,
for favor,
with what
you know,
you're prohibit
to open them?
Well,
she,
she, she
obeyed all
the instructions.
And,
well,
before
to go to
the
door
another
other
other
other
no
if
if it
gets
to appear
in the
night
not
you know
you
not you
see
and reza
the
the sir
I
so
wow
so
yeah
so
is that
it's
that
his
instructions
no
well
total
you
you
imagine
you
you
imagine you
you
All
they were
in veal
but curiously
in the
night
did they
they're
to start
to
things
not
rasked
the
windows
in the
sotea
in the
in the
the
house
had
the
there
had
many
many
many
and
they
were
they
they're
the
the
lamines
of
the
the
the
these
the
last
the
the
car
like
they
they
They were raven, the perros ladra-frable.
It was all a chaos.
It was a moment,
before that it was never before
that were just-prending
the lamines of the techo.
No manches.
When they started to
start the first rays of the sun,
that thing infurecida,
he launched an al-arid,
impressive, and
he went to cross and,
and he went to the mountain.
Then, the things
so
they all
everything
did
in the
normality
all
was good
no
did not
to
do that
that was
that
never
never
regress
served
the
ritual
that
did
Jenny
us
that
today
today
her
has
23
years
no
has
nothing
has
all
and
with this
ser.
But
she says
that every
that she
she's
completely
grateful
with
Don
Don Genaro
because
he's
he's
his life
to the
life to
and that
he's
a
a brauca
that
she was
that she
he's
and every
that
she doesn't
he
he appears
Don Genaro
with
his machete
in
his
so
I'm
Wow, a
Braujas.
A casabrujas.
No.
Oh, wow.
You know,
we'll tell us
a story in the
night
paranormal
of a legend
that there
in a
place in
a place in
a place.
There's a
place.
And in this
place,
that's the
Plaza
Altabrisa,
they're in
a seba.
And there
there's a
legend.
The people,
the person,
the person
a man in a cabo
that's going to be
a man to have been a
caro, in a place, in a
central commercial, and he
respect them to the seba.
That man that
is the spirit, is the
phantasm of a
cedarer.
A man,
that in that
all those
those terrains
were of their
property, a
ganadero.
And the
bruchas
started to
to set to
the people and
the family.
And the
sir,
he became
in a
castor of
bruchas
and he
had over
there with his machete and his
plantas and things
like, casano,
like,
like,
like Don Genaro.
Casabrujas.
Wow.
And I'm going to
find out,
but how
he'd confrontable?
I mean,
what temple you
need to
be to be
to be that
right?
You're going to
see, who
what,
what goes,
Genaro,
the casabruhas.
The casabruhas.
The casabruhas,
that's good
on.
Yeah.
I've heard, well, you know,
well, you know, there's a lot of
movies, too.
Also, Casa vampires,
casas,
casas,
a lot of all right?
Casa-fantasmas.
The casas-novias.
The casan-novias.
There's a movie.
This,
this is that I'm going to
tell you,
I'll be able to start a
loton.
The next
story is called
Engendros.
Uff, no.
And it's anonym
sped,
and just,
wait,
just, just,
just,
just,
just,
just,
just,
you know,
just,
see,
this,
we're,
to talk
converser a little
at the final,
you'll see.
The person
that's
a story
is a woman
that has decided
to maintain
the anonymat.
He's,
in this
history,
what he
occurred to
her and
her family
is a
fact
quite unusual.
When,
well,
more
when,
she was
that she
was a
little
many,
has some
rare of her
because her
Her mother was like a good
on the oner
but when they
start
that they're not
babies,
they're not
the babyes,
they're not
they're to
get them,
yeah no
they're
because
they're a
because they're
going to
they're
and they're
and they're
they're
they're
to be able
to her.
But not
only only
they're
they're to
their
sustentto
economic.
And literally the
abuela
said that
his niets
were an
engendros.
Ah, well.
That they
were being
the
carino of
his kids and
of his
and for
their money.
The
records that
she has
of this
abel
is that
the
was that
he was
all
that had
to be
with
with
with
with
rituals
and
things
that
that a
one
family
or
a person
that
this
type
of the topic
not
knows
and that's
more
a pegged
to the
religion
are
like
superstitions
and things
and things
and
a
abel
he's
the
thing
the
thing
the
not
a
good
relationship
the
and
the
and
the
and
the
and
his
own
and
they
started
to
get
to
because
they
know
they
there
was
a
woman that
was
always
that
To the
of his
children
engendros
No
crittating
and doing
things things
feas
because
a little
a little
they're
away
from her
alexando
of her.
One day
one of
his
tias
is
is a
embarrassed
will
to do
to
his
real
she's
a little
more
great
and
all
in the
family
are
very
are
they're
going to
this
new
new
new
when
when
he
this
this child,
apennas
when,
during the
endarison,
that's
been doing,
the child
was said, the
man,
he's very,
and it's
good,
his heart
is good,
et cetera,
et cetera.
When
nace,
the
the medical
they're
that something
that's
bad.
But,
no know
what is?
And simply
just,
after
after
the
last,
the question
is
this.
Well, obviously,
something,
something happened that the
baby,
but at final,
then,
there's a lot of
things,
not?
For the causes?
Well,
more than to
see,
the family
has to receive
the little
body,
and, well,
there's
or the
endierro,
or what
every one
decided,
no?
But the
medics
were very
nervousos.
Because the body, in question literal,
of the part of hours that had passed
since that was from the enderick of the body,
they were agoncathed,
and not saw how to explain it.
The baby was chuped.
Like...
...sookioned?
...had been...
normal and
it was like
like if
if it
a year
there's a
it's
it's a
it's an
horrible and
not had an
explanation
the medical
the
people didn't
an explain to
give it
to give to
a family
that has a
family that
has a
after a
person and then
then he was
a person
and it was
very difficult
for his family
was good
and no
there was
no there
an explanation.
After this,
they did
count the
nietos and the
nietas
that were
some things
that were very
rare.
In all the
houses,
that o'clock,
not they'd
live with their
family.
In all
the houses,
commas
happened to
occur in a
series of
events
strange
to the
fallacimento
of this
baby.
Ruidos
inexplicable.
But,
no, no,
they were
not, no,
they were
Ruidos inexplicables, but
of a form in specific. And I know that many
people are to understand
to what I refer. In the
madera, in the doors, in the
chasso,
Lento. In the
piso, in the passages,
like if someone caminara,
but at caminor
were arrastraing a cadena.
The ruses of
things that were to get in, but not
whatever
thing.
The only
that was
he was in
the
kitchen and
were
and were
cuthills.
Couchillos
that
came to
the piece.
No
cuchars,
no tenedores,
no
vases, no
plato,
cuchillos,
only
cuchillos.
In the
case
particular of
she, that
also
of these
one day,
and she
was a
little more
the
parents
were
going to
the
and
they were
with
her,
and they
They asked her
They asked her
That's just
One time
That's
To be able to
Or something
Yeah, I
So, I'm
Just like
I'm just
Yeah, I'm
Not I'm a
I'm not
I'm eight years
I'm a
Audecate
You can
So can't
She goes, she
To stay alone, and then,
So, in the
Quartet
Inmediate to
When are
The Ruees?
When are the
Ruiz?
Oh, yeah
They're another
That's
That's it's
those,
the
cadenas
that's
that's
they're
and the
kitchen
the kitchen
the
the
the
the
silence
and the
and then
and she
I think
I think
I think
I'm
there's
there's
there
there's
there
another
other
to
do you
and he
opened
the
and he
he
was
and
he said
but
not was
of a
part
external
of
the
house
It was of the
Pard
that's
the door that
was in the
house
and then
now I'm
very nervous
when I'm
when he
a few
when a
family
he's
to talk to
and one of
his
primos
he said
is that
I've
been
experimenting
something
about
the
other
the
other
of the
the
other
that too
that
also
that
when
when I
go
to
do
when I
I'm still I'm
I'm just getting
that I'm sitting
in my camera
that's
acericing
But you
see,
but
me is
only the
not the
not a
other part of
the
other part of the
and the
other night
I was
I'm
the other
and I'm
and I'm
a bit of
a entity
sentada
acaricially me the
and when I was
and when I
she did
he was
but I'm
oh no
but no
the prime
major
he said
no
it can't
not
it can
because
I hear
because I
hear the
but I
I'm
that in my
court
where is
the roperer
I'm
I'm
I'm just
I'm
I'm
And,
and in the ropero,
there's a woman
that first
and I'm
I'm feeling
aterrada,
and no I'm
able to move.
And,
and the prupto,
the doors
of the ropero
are going to be
and in a silhouette
like a
woman,
something,
but no
has a rostro
and I'm
so,
they're talking
this,
when of
when they're
saying,
hey,
beganse.
It was
the
Pankas.
So,
they're
all for
the photo
familiar,
to take the
photography.
When they
take the
photography,
well,
they're
one of these
cameras
of the
other of the
other
and when
the photo,
between
all the
people that
are there,
all the
families,
there's
there's a
silhouette
in the
obscuridad
but it's
not.
It's
something
like a
woman
that's
is there, that's there
only the eyes and the
smile.
But it's
so dark that's
that it's a impression
that no has
the rostro.
When they're
when, the
panico
is present
for a reason.
It's exactly
the same entity
that he has
seen his prim
and that
has seen the
prima.
It's the
woman of
the
the
and then
they're going
to say,
no, that the
woman,
that is the
that we're
the
Tos?
A
Bha.
A bit.
Bha.
This is because,
look,
the light
does that
blah, blah, blah, blah.
But what
you're saying?
But if
see,
it's like to
the eyes?
No.
This,
this,
it's,
it's,
it's,
it's,
they're,
what?
What are
what?
What is?
What is?
What is?
A bit,
what is?
A bit,
is a
thing?
and he is
necio,
necio,
and he's saying
oh,
look,
look,
I'm going to
send to the
television and he
starts to
and he's
to be to
and he's
to be a
moment
in the moment
that
all the
adults
and
and not
they're
they're
in the
they're
not even
they're
not
because
also
the
people who are
even
I've
heard
in my
house
the
I've
heard
when I'm
when I'm
when I'm
when
And I'm sorry. No, no, no, no.
Kittem me that
That's the night
When that's
Tio, he goes to his
house,
he begins to
hear, the unas,
the chadenas, and
of a prong,
the chichios.
And he's
he, he says
his wife.
No,
but
all you're all
you're so-sts
so-lokos,
my love.
They're
to do not
to do.
At the night,
the mother
so much
he's got
grittando.
What's the
What's the
What's the
face?
I'm going to
a woman
or something
she sent to
here at
the end of the
camera
and I
saw it
and you
I don't
move
and he
he
he started
over me
oh
so
until that
he was
he put here
to
and
standing
there
he was
he
he went
being
and me
ranco
the
car
and
And then, wait, and all that...
He went to do.
He said, you know,
you know,
what you've got to have
eaten a lot of pastel.
At that time,
every one, two or three days,
medianoche
of the woman,
the naris,
chorreing
he,
he had to
that this
thing,
the rancor the rostro.
And then
all so
they're going
to know
what's
going to
but in
the inter
but it's
a family
there's
there's
there's
and when
they're
to start
in one of
the photos
of each
event
family
there
there's
there
dole
to
what you
want to
you
want to
but in one of the
photos
there
there's
there
and then
they're
they're
saying what's
what's
and
there
another
person
that's
embarrassed.
So,
one of
the tias
says,
a little
let's be,
let's
go to
pass all the
photos,
what are,
okay,
how many,
so much,
so much,
so much.
She's
to the
place,
where she
was here,
and there
is a
woman
that this
woman is
the
woman,
and he
says,
oh,
blah, blah,
blah,
I know
that you
know you
are
very
good,
Sientate because
you're going to
say what I
have to say,
what's the
and he's
to tell her
and he
he's a
photographies.
And this
woman,
when she
the photographs
no,
wait,
wait,
wait,
what's the
what's the
call you,
I'm going to
because
is what I'm
doing.
And if
is
the fact
or no,
that
that's not
me to
me.
That's
that's
that's
there,
no
is a
spirit.
is a
Brucha
Enviada
this is
an entity
and is
an entity
and is
it's a
person
that person
that
did so
this entity
is of
his
and me
a
this is
this
is my
mom
is my mom
all
those
photos
eliminate them
them
them
destroy them
because if
the photo
exists
the entity
exists
for a
favor be
you know
you have
to help
but is
that is what
I can
do you
but for
favor
go back
this
to me
what
he's
got the
those
things
they
they're
they
they're
there
a photo
that
he had
one of
one of the
sobrino
in
his
family
And just in this moment
was the
Tio
saying that,
well,
that he's
that he's
that he's
that he
look at the photo,
and is that
he's the
he's the
he's the
he said,
let me
let me see her
let me
see her
and he
he's is
being
and when
he's
when he's
he
he's
he
he's
paralyzed
of the
the
like when
when it's
the
He was dead.
And he's
they're going to
say, hey, hey,
what you
he's going to
he?
Like,
he can't
he's, like,
he's, he's
he said,
he's got to
he, he
he's going
to be able to
back and
he came,
like,
like,
like,
like,
he,
what's,
what you're
to get,
he, they're
to get to
get to,
and he
started
to get,
and he
he was like,
so,
just the
only the
only the
eyes, all the
eyes,
and of the
and the
he can
move,
he's
he's
he's
he's going,
what you
what's
what you
and he
is a
man,
the manch
when
they're
when they
do they
do they
he says
that that
was in the
photography
when he
was going
he was
he was
a movement
he went
the
he went to
the
photographia
front of
him
being
he
in
that's
without
Rostro,
the
eyes there
and you
can't
move.
And of
this
thing,
it's
abented
on the
soil,
he was
on the
he's
and he
he said,
and he
said,
your
blood
my
good.
Oh,
no.
Yeah,
I've
tried,
but I'm
got a
terrible in
the
pecho,
that they
got to
get to
get
with a
with
a
medical.
He
had
had
like
he
had the
the
Tia
he
Tell what
what
has
What's
BORN
the photo,
borren the photo.
But is
that no, no,
no, no.
What evidence
and that
borrren it?
Borrren all
the photos.
And he says,
Dile to
all the family.
Dile to
all the family
that have
to borrow the photos.
Empeas
to be able to
all.
And the
person that
is in barrasas
to the hospital.
My baby,
my baby,
my baby,
my baby
when my baby
came
well,
no,
signora.
The baby
The baby is perfectly well.
No,
the
My baby
my baby,
that's
that's
he's,
he's,
he's,
he's perfect
no.
At a
little time
the story
is repite.
The
medics
not know
what
say,
not they're
he's got
chuped
mummified
in
question of
hours
and the
family
is of
what's
we're
going.
We're
to
talk
with the
She was her.
Fyce the abuela.
And all of
and all of
He was he was with
He felled
And then
So they're
doing the
Suyo
Funeral of the
Buela
Funeral of the
other
Bebe
Much of
every
to get to
his house
So in the
nights
The one
the
caricening her
the
The thing
is
talking from
She in her
house,
looking the
and he
he's
he's
how he's
reading
on the other
other
he's
he's
that he's
he's
he's
he's
people
in the
reunions
family
all
have
all
has
all
all
to be
that's
that
can't
because
there's
a
problem
this
this
woman
she
she
she
the
The abuela, he's
a
work
to attract
to an
entity
very
powerful
that would
that would
end of the
blood
of her
blood.
He said
that the
mother
has
five years.
He
had been
a baby
that
literally
you can
even even
get to
the
moment of
that
that
whatever
is,
it's
they're
they're
they
are
in the
vintre. And terminate
saying,
I'll tell my story
to know
if someone
knows how
desacers of
this entity,
of this
witch, that
my abuel
us left
as a
herencia.
Because
the time
still going.
The
embarasos
are still
perading
in my
family.
And I
want to
have
children.
And in
a little
time
I can
do
could
be a
maliceion very
very
very
very
apparently
I'm sure
here the solution
is that
nobody
will be
to have
because there
can't
but no
manchis
until that
all
obviously
they're
going to
go to
that
his family
maldiko
his
his own
his own
his own
his
what
I'm
I'm
I'm
I'm
when I
when I'm
when I'm
but
how is the
abuela
that's
present. No, no, is the
Buela. The Bula still
still still still
alive.
No, is that
he put so
it was imposed
what he put.
Imagineate,
or so,
that you
myself
you put a
job to your
and to the
children and the
and it's
and you're
still, you're
not doing your
condition is there.
But I think
it's been
to be
to be torturing
in the
mismissiming
in the sameissimo
infirm,
but the
The damage, it was.
But if you can't
do something.
Hjol is that
is that
should be
a lot of
that's a
other
woman, the
that was like
a woman,
said,
no,
quit it
to do it
here.
No,
well,
is that
you,
how,
you know,
how you
take a
suggestion
very strong,
no?
Who,
who's
to be
to be
to be
so,
for you
do you
but
a,
but at
the
more
you
can
you
can't
to engage.
That not
that's
the
of the
blood,
but the
husband
with
his semen
and a
the
the
body
because
yeah no
his
his
his
his
his
his
because
we're
of the
their
of the
their
children
of the
children
so
all
for
so
but
those
the
espos
or the
espos
or the
spososos
not
Sure, but, well, yes.
Entientes?
So, are the kids or the kids?
The, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the
so, you know, so, you know, so, so. So, you know, because no, no, no, no, I'm the
same. I, you, I, you, just, I, you, just ever, like, there were, a, a little form of
To be able to kill a maldiction.
It's very
very strong.
It's that you
know, you know,
so you know,
that's just
only with
magic
negative.
I don't know.
So,
you know,
you know,
you know,
you know,
to attract that
thing,
and then you
get to
get it
and get it
to the
portal of
where it's
but to
start,
no,
put it
that who's
that can't
be,
so, how you're
going to
do you're
also,
it's a
same
because not
Not just a very
in one.
So,
attack this
man.
Despired
to all.
A the
spouse of the
he was
was there
was overmendar
various
times.
Yes,
is very
methodical.
And in
all the
houses
is doing
the same.
It's
is going to
be that
can't
be a
or desplas
because
normally
when there
something there
not a
house,
no,
it's
not out
and here.
And here
is
in various
cases.
Of
she
did
the
natation,
we've been in
cases
in different
places.
For that I
think.
At the
same time.
In two
two
dreams, present
in one that
he's
to have
to be
not done.
What,
what?
What,
that's so
that's
that's a
way to
that's
that way?
And that
at the
hour of
the day,
and the
hour of
this
manches.
No,
manches.
It's
that,
if it's
Very very
That's...
So, yeah.
So I think
that you're
talking about
of the
words of
people.
Who's
going to
do a
do?
So,
Don't
Genar.
Don't
Genar?
Well,
well,
I think
between
Unicornio
and Christian
or...
Who?
Who?
The Legion
Paranormal
we've been.
No,
no,
no,
I,
no, I
no,
I just
I'm
so I'm
know
because I've
known as
the malditions
generational and are super
difficult.
Yes.
So,
so I'm not
for that.
But,
but,
but,
also,
not just
that's that's
that's not
a thing,
is that's a
maldition
because you
maldices.
Three,
five,
seven generations.
So,
so,
all they're
going to be
going to be.
No,
but here is,
he
is,
it's,
it's,
it's
and,
impusiste,
and not
any,
or,
or
any
that's
it's
a lot
that has
a way
to get a
various
houses,
posseer
and to
and say
and you know
so to
this man
he said
that he
said,
he said,
you know,
he said,
you know,
so literally
because
he has
provable the
other,
the of those
that of those
who naces
no,
what's
because
also in the
way
that they
were
that's
literally
chuped
his energy
and
that
And that word, and that
And that word,
She, the
She used to that
word.
Those chuped.
Those chuped.
Like you said,
You chuped the
Bruja, no,
I didn't know
to what I'm
to say.
And you know,
and said,
And so,
sure,
sure.
F!
A lot of
forces.
So is that
for security,
more
is it more
is that no.
And as
I'm,
I don't say,
who not
the same
of the
lineage of
all of
all of
insemination
and you
You can't have
I'm
That's difficult
No,
that difficult.
So,
so,
that's,
there's
you're,
there's
but
unfortunately,
even if
you can't
you can't
get to
and you're
that,
that thing,
that's going to
that's
that way,
so that's
so,
if not you
and we're
to do this
form,
insimination,
blah, blah,
blah,
blah,
and if it's
that's
that's
that's
so it's
so that's
so that's
that's so
you're
because you
know,
you know,
imagineate
how
will be
to
transcurring your
embarazzo?
No, no, no, no,
no,
no, but the other
chica,
yeah,
I was going to
the hospital
so, my baby
came to be
bad, my baby
came to
no, no,
she's
a baby is
good.
Adoption?
And,
so,
no,
so,
so,
so,
so,
so,
so,
so,
oh,
oh,
I,
was,
I was,
yeah,
that's,
that's,
what,
so,
well,
so,
so,
they're,
so,
they're,
so,
and a
same family, eh?
Always the
workes
generally,
the work
generally, the
jobs are the
family.
You know,
Prima.
Your ultimate
story.
There's,
I just
I felt I
felt a thing in
the box of
the stomach.
Dole this
story?
Oh, yeah,
not it's
not that I'm
going to get
the feet of
the
legs.
Alex,
he's
a little
the
legs.
Oh, Alex.
Oh,
well.
Some's
piernit.
So,
so,
so
of pollito.
A
Oh, if my
Pirenas
are my
Pyrnas of Poy.
Oh,
no,
well,
imagineate,
like patas
of poe.
No,
I'm going to
put in
foot like
like that
I'm going to
put in
a bit of
all right
allent,
allent
pream.
This
story
is called
garras
invisible
are they
are getting
this much
of color
of the
person to
the
manned
Francisco
Javier
Martines
all
his
name us
he knows
he knows
he
he lives
in the
state of
Kere
okay
he's
with his
husband
in a
house of
two-pissos
and
his wife
is an
end up
three five
and six
months of
so
so good
all
all
all
so
a night
of
then they
then
they
can't
they're
they
start and
they're
so
like
what
things
medias
Raras
And then
they're
They're
They're
They're
They're
They're
Like
Like a
Piedritas
In the
Techo
of the
Of the
The house
Of the
Pisa
Of the
Piedritas
Cae
Piedritas
At a
Rato
are
Piedras
more
Grandes
At a
Rato
So
He's
He
They're
Arrastra
Something
And
And
And Francisco
says,
there are
these,
there are
these
are going to
be coming
up there
to be a
way, oh,
can be
some of
a midnight
and how
they're up
to the
house,
but what
the curious
of all is
that all
was that
all of
the side
where
was
a costada
to
her
not of
he,
so.
So,
if there
a line
of this
line,
to her. Exactly. There's exactly. There's
there. And, of a repent.
And, de facto,
he's desperer, Francisco.
He gets a
open the ventana, and he
started to grittonial and maldecille,
and amentar, madres and
all. Hes!
Toar, get to-car,
and then,
the window.
All so, he calmed.
All right. Everything
all in peace.
They were back
to costar. They were
a little inquietos,
but as the 20, 30
minutes,
and they were more calmados
and still
he went to Francisco
to revisit the house
all over
obscura
was to bring the
the light of the
kitchen,
she regress,
she acuesta
and yeah
almost
were getting
dormied
when of
when of a
repent
Francisco
he's
a
and when
he opens
the
maniga
of the
door
he did
count. And, of a
repent,
BAM!
So,
it's
open the
door,
going to
the
house, the
woman,
she's
up by
gritts of
the
so-and-
he's
up at
immediate,
preender the
light?
But if
was open
to the
door?
It was
open to
the
door,
but no
had a
nothing.
It's
he
went to
the house,
preend
all the
lights,
absolutely
nothing.
He
regress,
She's
He's
to
He'd
do with
In the
morning
He's
He's
He's
He's
He's
He's
He's
He's
He's
He's
He's
He's
His car
But the
Two
Chantas
The
They're
They're
They're
Completely
rasgadas
Completely
Ras
He said
He's
No
It's
It's
He's
He's
He's
He's
He
He's
He
He's
He
I came with the bicycle,
I recargue
where always,
and the
yandas
were good.
That's strange.
He's got
to the
other than the
and the
he's going
to be able to
what was
going to becinea
because the
kind of a lot of
things like
to be a
big of a
very sure you.
It's a
for what you
bring your
spouse in the
vintry
for her
Put
some
crosses
around
of your
house
three
one of
one of
another of
another
at a
three
that's
that's
you're
completely
the
house
and
she
not
can
get
so
he
he
did
he
put
the
all
all
and
the
night
the night
tranquil. No
no, no
nothing,
dormiered
very
very
all
other day
again,
again
all
and all
the
next day
he
he says
he says
he
then he
he's
the
back
of his
vintre
and
he
three
arraeos
so
as
like sarpasos,
no sangravan,
no he'dolia,
no ardued,
but they were
very profound.
They were
to see
to see the
and the doctor
said,
no,
the truth is
that all
is that
the baby is
you're doing,
so you're
not,
no,
no,
it has to be
rasguu-
with something.
And she
he said,
you know,
I don't
want to
the house.
I'm
very spantada,
no
I want
to go to
it's all
then
thence
they're
to have
to have
the father
of the
she's
well I'm
right I'm
going to
have to
bring a
car of
the house
for
to be
there's
some
yes
so he
so
he's
when he
he gets
to the
house
he
he's
to
get to
get to
some
he
he
he's
much
the
attention
that
that
on
the
camera
was
the
the
thing
the
Yeah, no, he
got to
nothing of that.
He started
a presence
a very
very much.
Of immediate,
I got a
mallet,
he got two,
three
things,
the more
that he
got to
and he
went to
and he
went to
the house,
never more,
neither,
nor her
wife.
At a
little time,
he,
he,
nace the baby,
sano,
tranquilo,
all in
order,
and in
this moment
he
Sintzio alibiado.
Because he said that,
well, now
have been
the baby,
then then
no he was to
go to
get to get a
to get a
brother.
Oh!
But,
fiatte,
how he
wanted to
get to
that he
had to be
to do you
to do a doctor,
not?
So,
the,
I don't
do you know,
I'm going to
do you.
But what
curious of
all,
is that
always those
those rassguo
those
arraeos
are
Meadows, no?
And the
that's
that's
the
and the
thing.
Yes.
So,
that's,
that's,
that's,
it's like
a ritual,
no?
Well,
I think
is that,
yes,
so the,
the,
the,
the,
those,
those,
those,
very speciales,
no
are,
not are,
not,
so,
so is,
so is.
Identificas,
de
mediat,
you're
that's
second
that,
that's,
that's
that's
that sensation
of that
you
see the
sub the
heart
to the
heart
to the
thing.
The effect
Mickey Mouse.
Why Mickey Mouse?
So,
they're
on the
ears?
Yes,
up to
say that
is it.
That's
a little.
Ah,
no.
Why?
No,
because, no,
so it's a
well,
it's a lot.
Echallel.
I'm
making
everything
I can
inventing
this
this
this next
story
is
called
is
hilo
viscos
and
also
is an
anonymous
this
person
is
to visit
to
Valle
of
here in
Mexico
also
place
predilect
of
of
duend
and more
Valle
of
B'B
B'B'A
B'A
de Brabo
He gets there with a tia
This tia is
The Valle de Bravo
But, of actually
Like the person that
The story
Never had been in Valle de Bravo
He said that his family
Is of the Valle de Bravo
But he never had been there
He's there to visit
And the tia
He comes to tell
Things of the place
Where are they
And there is a story
Maravisosa
Between these stories
he comments that one
a very time
a family
his family
his
his family
he'd
in that
region
and his
his
he was a
experience
tremendous
so
that
that
that
that's
that's
still
the day
of
today
in Valle
of
a
but it
is a
legend
it's
a
real
the
question is
this
this
family
then there
his casita
and in that
then those
the cases
was not
like the
day of
today.
So,
especially for
the region
the
houses in
that
were made
made in a
manner
much more
rustic
and
not was
a region
that
was a
time
much money
so much
money.
So,
the people
were
their
houses
basically
with
what they
could
obtain
of the
natural
troncos
ramas
and you
you
could
even if you
you're
to come to
a house
to see
the interior
of the
house
in these
spaces
that are
in the
little
in the
in the
in the
in the
poblado
where
we're
we're
that they're
people
began to
to talk
to a
rumor
the rumor
that
there was
that there
had to
have to
have to
have to
have to
have to
the
women
embarrassed
and the
babies. Because what the brujas
are the
recent-naciditos or those
that's chiquititit. So, there was to have to have
to have much, much, careful. And well,
the truth is that this type of things,
histories of duendes,
in agnahuas, and it was, it was a
common, especially in that kind of
no, no, but this
senior, familiar of them,
no, no? And so, what would be
the problem? And so, what was the
woman was not even barraised? So, no
But,
but they're
new people
a new person to
live to
a woman.
A man
and a
woman.
And the
woman
had been
embarrassed
and he
had a
pointito
to give a
light.
They got
to condition
their
house and
they were
to do
a loose.
So that
family
was of three
persons.
And there
were normal
little
that's
what
that's
that
that
that's
that
was the
first
it was
well. And then
he started to put like palidito.
And you know,
you know, so you know,
at the beginning, like, they were
like to rechonchitos.
And this was he was
flaquito,
palid.
It was a devil. And the
same people of the poor
he said,
get it, well,
with the curandero,
or get there
a lot to be
you can, with the
medical and that
you can't.
And, well,
obviously,
they've got to
have a
first child,
that they were
And they were going to the curandero
The curandero
The chicaner,
no, well,
no, I know
that's a little
his son.
Well,
they were
to get to,
the medical.
The medical
he was doing
and said,
no,
well,
who has to
have to
have to
have to be
and start
the pendent
no?
Well,
the papa
and the
mom were
being
preoccupied for
the baby,
but
very preoccupied
for the
baby.
The question
was,
in that
they're
in that they're
they're
they're
they're
they're
the mom
she kept there
just
just yeah
very
very tired
vending to
see if
was going to
see if it's
he's
he went to
I'm going to
get to
I'm going to
get to
get to
his son
the baby
said that
in the
son said that
there was
there was
like a
voice
but not
he was
like a sensation
like a
some family
transcended
or something,
that's
that was
urgiening,
parat,
parat,
up,
get up,
get,
get,
and so,
so,
so,
he's
so I,
what,
what's,
what is,
what is,
what is,
she's,
she's,
a woman
dormida,
and the
first thing,
is my
baby.
So,
then,
and trying
to not
doing,
not doing,
because he's,
because he's,
and the
woman,
and the
cune,
there,
there is something that's
what is this?
It was like a little,
that was there
was a little,
a little,
like from the
techo of the
house,
that was,
and she was
to be a bit
to be a lot
because just that
night was a night
of the moon
and then
that was that
like, that
was like,
reflected the light,
and he said,
a,
it was a,
the arana, of an
a ravene, and
he started to
get more close
of the hill, and
he was, no, no,
was a little,
it was more
more than a
little bit of
a cordon,
and it was
viscos,
baboso,
so that
that reflected
the light of the
moon,
and he went
to up,
and so
He came from the techo and he was
siding and he was
just in the front of
his son.
And he's
he went looking this and
saw his son, to his baby
that was like
almost
almost
almost
almost
he was here
just the front of
the third ojo, there
was and of
and of a
got a lot of
a little
like
as a
but more
it's like
he came
in the
front of
the baby
and he
he
he saw
what he's
what is
what is
what is
what is
some
those
oxidas
that were
there
those
took
and
they
and
he
he
he
he
he
he was
he
when he
he
he was
he
so
he's
And there
above
he's
heard a
like
like a
but a
thing
that's a
go to get
my techo
and he's
he's going to
goreau
it came
the
she came
the other
he gotro the
he gotro the
baby
and he
still
he still
he
he said
he said
there was
that there
had been
a little
he
he was
I'm
my baby
my baby
and he
he
and when
he was
he
he can
in
that
when
when it
So, the baby
starts
to cry,
respirate,
what is this?
What is this?
No,
I know.
But even
he says
that even
that's the
baby
had a
colorcito.
And then
the day
the day
the baby
was better.
They said,
what happened?
And all
were all
they were
so on
and the
man,
well,
obviously
he told
to the
people.
There were
like a
little
so
gross and I was so I was
I think there was an
animal because he
gritted and he's
he fell and he went
to goreting to the bush. And the
people of the poor and said no no no no
no no. That was an animal
that was a woman.
It was a dragon and
but how?
I mean it was a girl?
No, how can't be?
No, no it could be that
story.
And between the people that
heard
the
relato
was the
family
and he's
he kept
thinking
like that
that's
that's
that's
that's
he's going to
go to
do that
he went to
and he
was going to
the night
he
was up
and he
he
he went
to see
up
and he
came
so
like the
part
of
the
techo
of
the
there
was
there
there
there
was
a
Well, yeah, it's more time.
So, literally, he had
a touch to the top
to you could go to
and come down.
So, he kept
thinking that over
there's up,
like a guajolote,
or something.
He gotro his machete,
he went to
his house,
he was in the
light of the lunar
full, I mean,
I don't know,
I was just a
little moon, no?
So he was just going to
and I'm going to
the machete
here at the cintura,
he subio
for an escalerita
that had putta,
she
isom a woman
there
a woman
anciana
in cucklillas
of
back,
so,
sir,
sheora,
sheora,
is you
are you
be in?
And she
she was
so she was
so
sheora,
sheora
sheora
she can
help
I?
and
can't
he
he
he
he
And he no
He was the
This type
He said
He said
Oh,
mal
He was what he
He said
He said that was a
A lady
A lady,
And that's
There's a boy
Never
They never
But he
But he
He saw
He was
He was
He was
He was
So,
Soxioner
He was
Was he
Was he
Was
Succionable?
He was
soxioning
the
life.
From the
techo
with a
lingua
yeah,
wow.
Oh,
oh,
that's
what I'm
that's
what I'm
what can
be so
but
but
where does
this
no manches
for
not to
not go
to
that
that
she said that
she
said that
she
didn't
that
said that
said that
You kept there, like, the,
and now is it like in a maldiction
looking his language.
Well, yes.
Now, because,
because, the part that they
were cuter on here.
And apart the place, eh?
Yeah, well, yeah.
Imagineate where he's succioning.
But then when he
he cuta, he tooker
the part that he had to be
the part that he'd
he'll.
But I'll go to this.
If they
they'd have
been
to be
what they
were the
certainly
was the part
the part of
the end of
the legum
manna
to the
but how
is that possible?
But I mean
it's it
put it
to do you
put a
a barra
a barra's
a servietta
and it
and you
know
you know
you know
so you
know
what's
in what
she
don't have
the
language
well
he's
a
no
and how
you
don't
And,
unfortunately,
vaguely,
they're going,
like the
yorona,
looking the
language.
In this
case,
oh,
but now I
have a
question.
That's a
human,
or is something
that's a
thing?
No,
is a
thing,
that's a
thing,
that's a
person,
so,
can't be
a matter of
can be
your
body?
It's
that you
think
there,
there,
it's
that person
lived in
the
person,
a
The Bruchy of the people.
It was a bigilla that
I lived there
and she
kept her
energy,
her own,
her soul,
and all right,
but
she was
she was
she was
she was a
decenia of
bruchas
of these
of these
because for
something you
have to
eat to
that you
know?
Sure.
And then
then,
all
to cut her
the
language
yeah
not
he was
not
oh,
that's
what horror.
And
then
then
Well, for that's
I'm trying,
but,
but I don't
they've been
to be,
but I think
what's
that's like,
it's like
his phantasm
or,
or something.
Oh,
but it's
that I'm
up to my
techo,
and I
see a
and I'm
doing a lot of,
and I'm
going to
do that's
to do you?
And,
and also,
how can I
know,
how can I'm
up you?
And at what?
Because he
put the
escalera.
How's
how she subio
the bigita there?
Where
appeared
or
?
With
without lingoe
there,
babbeating
liquid
negro?
No,
no,
no,
well,
imagineate,
because of
that I,
oh,
what a
thing.
Oh,
my
language.
And very
very
so much.
So,
so it's
pretty,
so much
are so
very heavy.
But
you're
to tell
something,
not
so,
so,
so,
I,
but,
I'm going to
tell a
the other day
we went
to know,
you know,
the
laguna
of baccalaar,
better
known as the
laguna of
the laguna of
the lagoon of
the lagoon of
a place
beautiful.
Hermosissim
for sure.
For sure
a
beautiful.
You know
that in
that laguna
there's
three cenotes
that's
that's extraordinarily
because
see a line
here you
have a
meter of
profound and
here you
you're
three hundred
and it
and it's
mark with
a line
one of
the
sonotes
they're
the
sonote
the
sonote of the
Brouca.
And the
history of
that's
sonote
really
they're
this was
more or
in the
time of
the
war of
the
year of
the
year
where this
woman
was a
a
major
she
was
was
and he
had
his
territory
and
his
house
and
and the
penote
to
the
sonote
the
red
all
all
world
saw
in the
people,
that the
woman
was that
the
work of
magic
and rituals
and
things
and then
what I
need to
do
all
all
was
all
everything
that
was
to
whatever
was
that
was
that
but
when
when
this
of
the
of
the
castas
they
start
to
get
to
the
things
and
they
and
they
they
they
were
a
school there and
they started to
that part of the
terrains and to her
they were they wanted
to get her.
So, obviously
she didn't
she didn't
and no she
had to
give her
and, well
then they were
they're cutandosel
but
not since
they're a
maldition
to the
earth and
to the
cenote.
So in
the
cenote
He said that one
a year
someone
was to
falleceer
there and
he was to
get a
one
one
one
one of year
and in the
earth
also
he said
that the
people that
the people that
that would
be to
quit to the
life
or
was to
to die of causes
very
grave.
The
woman
fallece.
The
Brucha
and when
when they're
to make
the
construction of
this
school,
they started
to
start things
like very
rare.
They're
they're
the excavations
and
they're
to find
the
the
the
things
that
too
rareas
and the
fact
that they
were
susit
many
things
motivated
for that
they were
a chaman and
a sacerdote
and did
some type of
ritual
both to
the
cenote
as the
land
to
the
construction
of the
school
because
not just
that's
that they
they were
perfectly
well
that this
she was
the
the famous
the
woman
was
had the
capacity
to
convert
in what
they
called the Wachkeken,
which is
a cerdo
great and
black, and
well, until the day of today,
there's, school, and
then, well, it's just,
the history. But not so they're
going to do the life every year?
For that they're, they're going to do the rituals.
Because if it was happening?
Because they were happening. Because
they're going to do things when they started
the construction, for the maldiction that manned to the
the earth and
and the
sonote.
So you
know,
you know,
the point
are the
end of
those are
so
they were
to do
do the
rituals.
And well,
I go,
eventually
are
some zones
very
good-cidated
as
as a
type of
situations,
but
if they're
to happen.
Yes,
so,
so is.
Uh-huh.
How is?
For that
said,
I'm
said,
the
Bruch of
the
Bruch-
I love and I adore
to doinsohn.
I'm
I'm too.
And I'm
also.
I mean, I guess.
I'm very.
You've got to.
Because
it's able to
open the
only or
so it's over
a little?
Well,
yes, because
also they
spanned out.
I'm spanned.
I'm scared.
It's that
is that you
know, you
know,
you know,
you're going to
you're going to
you're going to
see a
movie,
my mind
is,
so,
so passing the video
of all what you're saying
of all the thing,
and then when you
get a gritty,
you know,
oh,
no,
wait a minute!
I'm,
I'm sorry,
that I'm,
I'm seeing,
like, I'm,
I'm trying to
see, the door.
So,
I said, no,
you know,
you're saying, no,
you pass.
And,
and you,
and you,
and you're,
you're going to
you know,
that one thing is
that you're,
like,
like,
like,
like,
like,
like,
you're,
you're
imagining
that
that movie,
all that
scene
of the
stuff,
even the
color
of the
stuff,
you know,
you know
you imagine
that for
that's
that you
impact,
no?
There's
a thing
that's
super,
super
padre,
I'm
recommend
much
if you
like the
stories of
terror.
It's
called
Sinistro.
And in
serious
that every
that we
every time
we're
the chat,
I'm
full of
emolies
so.
Weltos
because they're
because they're
really
aterradorers
brutally atterrador
is that
let me
say that this
story that
you're
the family
of the
house
I'm sure
that's
for a
yeah
yeah
it's
it's for
a
yeah
it's
a
me
I'm
that
she
well
all of
that's
of a
movie
that's
the
one of the
the
one of
the
the
what the
what
the
what
the
the
the
the
casabruas
oh
yes
Don Genaro.
Sir, Don Genaro.
It's a genial.
That's a barbar.
In the future, in the future, in the future,
someone will say,
like,
I don't know if
exist in the podcast
and YouTube and
so, but I
think that will get
like an issue
and they're
a little bit.
But,
but fichite
how coincided
with your
with your
story also
because also
someone
someone who
got a
machete.
Ah,
yeah,
because he
heard the
music
with the
bruchettes.
With the
with the
machetes.
And what he did this
Lord Don Genaro in the
ventanas,
I know that the
semilla of the
moustaza
is put in the
windows when
there are babies
or when
there are people
inbarasasas
to avoid that
the brusas
end up.
Oh, and
I'll repeat,
I'll do so
like disclaimer.
When we're
we're just
we're just
we're just
we're not
to these entities.
Yes,
no, no.
So, is that
really I think
are two concepts
different, no?
Sure.
We'd have to
use
other concept
is very arraigated.
Yes, I don't know,
to some monster,
some sort,
some entity,
some,
um,
a demonia.
Who,
who knows what is?
Who knows,
but well.
But I think
for the aspect,
no,
more than
and for what
we've seen,
demoniac.
Always we've
always seen the
people,
the bruchas,
who are,
the barrow,
the cada rugata,
the,
the,
the,
the,
the,
the,
the,
the,
the,
the,
Man, I know the brusque are
rewapas.
Well,
I'm a
maledficat
Oh, well.
Chulada
of bruce.
Oh,
I mean,
for favor,
for favor,
you know,
do you know,
let us do your
correct electoral
and your
radio social.
Lulu
Aponteponormal
arraubah
gmail.com
and the
Instagram
is Lulu
Uponte
guion
Bajo
paranormal.
Andalal
I'm
have to
get to
my accordion.
Very
very.
Very good, very
very good.
Prima,
much
thanks.
No,
the contrary.
So,
like,
like a brouca,
despidete
of us.
So,
the ecstice.
Do you
you know,
that said
that there
was a
program
of the
extraterrestres
that you
because
not
don't doble
a dedito?
Which
not they
dolear?
The chiquito,
the mechke.
The mechke.
So,
not they,
no,
not they're
not they're
so it
identifications.
Oh,
well,
I just,
I just
I'm just
I'm just
for a favor,
for
favor,
scondance in
the comments.
Dheen
there,
those experiences
of family
or of
you've been
in some
moment with
these
entities that
the people
should call
bruchas,
that are
other
other thing.
For
favor,
leave it
in the
comments,
count them
with
little
little
little
to let us
let us let us
let us
let's make a clavado
in these
and those that's
going to
for favor
to come your
coffee-cice
to do you
don't know
I said I said
I said the
coffee for
coffee for
it's like
it was
it was to
who said
who was
that you know
that's going to
who's
for your coffee-sit
so you can't
make you
you know
the time you
know the
this is I'm
going to omit
much times
my radio socials
also also
we're going to
see the
next week
our next week
time
Prima.
I'm sure
that the
next time
I'm going to
put a super
terrorificicic
here in
insomnia
where we
going to
narrate the
most
terrorificic
experiences
reales
of the
audience
and you
listen
them
and you
try