CHANEQUES - Invitada: Mariana Maus #30

00:05 Very good Good Good Good Good Good Good Beemned A new chapter Of Insohnia In fact that we're To narrate the most Terrificate

00:13 Experiences Reales of the audience So, So listen them With the Luses Apagas If you Atreven

00:20 In this occasion We've got From Frome Frome Frome To

00:25 Our Marianna Mous How's How's Howe? Good Sorry Me

00:31 Me, it's I'm going to It's that is that we're going to to beckyrily and so me, so we're

00:36 the minute. Oh, we can't you know, I don't recall when the last time. It was in

00:42 the in-vib no, it was true. No, it was the time for the Insomnia and it was

00:47 for the chapter of the Wihha. It's true, it's for the last participation. How are you

00:55 can't, you can't tell us that's doing right, I'm doing in production with the

01:02 podcast that now now is the host the good Fermexico Fermex also, it's also

01:10 it's that are many things that are like a lot of you know, in the social, I'm like

01:17 myrana Mous me can find out of Instagram I'm going to start Mous and says but if you

01:22 put it marian a mouse appears very very well I'm I'm I want

01:28 I want to I'm I want to do the but I'm going to very important. I think the the things of

01:36 the stories of terror are very important especially when those stories in some manner are reales

01:46 someone who some people there's some there's many things that the people omitens the

01:51 press electronic that are very important and they even even even even even even

01:55 even In the Correo, I said, we know, we're going to do a Brucho, and he did something very powerful. So, what is going to say. Those stories are very important. And, and, and, also, to fill the minutes of this podcast,

02:16 also to terrorize to other people, they create vinculos with people that out of the same that you have experimented and then when they're listening your stories,

02:29 they're going to find out of that they're not alone, that really there are other people that are living and experimenting

02:34 things that although terrorificas or very interesting because not is a

02:39 imagination and not is something is something and not that so I do you

02:44 want to do you want to do you do for a Facebook about

02:49 pfas pottcastranormal com and to m and take to your time

02:53 to talk specifically of that specifically about that they want to that

02:58 experience of the details important, well are the details important, the things that are the things that have to be

03:05 with the phenomena paranormal, for suppose. Also, not they'll be able to put her anonym or anonym if you

03:11 want to be in the history no the name or the number of the person involved, and then, well, and if you

03:17 can put it in the issue of general, with that, muchism thanks, thank you

03:21 us are, they're doing a great help to get rapidly to get rapidly to the

03:24 course, and we We're also with these episodes of cinema insomnia, insomnia, that commenced now, just with this, with this, and more ahead, and insomnia extreme, where we've seen the part of the evidence.

03:38 If you want those evidences, also, they're going to start, maus. Well, the first story. Wait, me, per me. No, even know we know the topic. I've got a question for you. A minute, because in this occasion, in this, obscure,

03:55 and magical we're going to talk to a me seems a very interesting and that's a certain very very

04:00 very of a lot of America but that we did us to know about us to know about us but various

04:09 creators of content but much in podcast paranormal where the people see the

04:13 know that the is the point of view of the more that's this night we're

04:18 about we're to talk to chanekes. You know what is the difference between

04:23 a chaneke and a duende? I just I find a lot of similitudes but the

04:29 appearance, the kind of in where they they're also and how how they're how they're what they're

04:36 what they're how to how to try with them is different yeah it's like it's a form of

04:42 duend but it's like a specific for so a specific no? Sure now.

04:48 Now if let's let's talk to chatik is this you want you want

04:52 Venga. Well, this story is called the Cheneques of Anahuacali. This story the story, the story,

05:01 the story, the Belaim, she moved with his family to a a new the museum of Anahuacali,

05:11 that was the house of Dever. Okay. In that case, they were a new

05:16 pediatra with the who started to attend and the The mom of Belen He told to the pediatra

05:23 That they'd They'd go out and that's They'd go out of that And that was gonna somers Justly in that museum But the pediatra She looked to be very Asustada and he said

05:33 That she didn't A case that had to be With that place Resulta He said to the pediatra That she attended Someys that She'd resultar

05:44 Saved Manyerido Rearer'd of that The story is that these that these that are that are that were

05:52 that's they were like a buske that is like a part like an extension

05:58 of this museum that is this reserve ecological so it's

06:03 with protection it's with a reja and probably as little

06:07 little they're they're much curiosity and they're they're

06:11 so they're so so so they're they they're

06:14 they they they but the these are not very quite quite

06:20 and just just little bit these are these guys are these guys they're doing they're doing they're

06:26 and they're and they're they're they're and that they started to start plantas the place

06:32 and they started to venting in some animal they were like this type of competences

06:38 like to be like who they're and they're and they started exactly that they're

06:43 they're doing that one did you see he's horrible a From there,

06:48 they began to hear grunidos, but the grunied from the copa of the arbores. The children was made like a little

06:55 extrano, but decided to keep in the place and to get to play and and then.

07:01 After the gruniedos started to make more and more in the forces, and they were that the

07:06 copas of the arboles were moving. Decidion that it was to go to go back to get a

07:11 when they started to come in they heard, they were that these were new they were

07:17 and that when they were they were how they were the pasto, but the pasto not not was too

07:26 not so that was too that was that they were very little they're they're being a little

07:32 they're saying they're going to get to go to work as the little they've been they've been been brinked

07:40 the next the reason they're they're desperated and They wanted to start to trepar her, but no they'd. They started like,

07:48 or something, or something, he was just they'd have to razzu-na. And they'd like some little cut-a-

07:56 and the kids were to gritts with much horror. Tant so it's so that all the people were to help us

08:02 to help us. The children those were to get to a desperation horrible, until they they were

08:08 they're saying, and they said they were some people voicesillas, that if they were to get away

08:14 to the bottom of this busking. They're they're going that they're all the little the

08:21 hands and cutedas, con-murdied and they they're to this pediatra. Okay. She

08:29 she, it's atient, it's she'll be well, but she specifically saw the

08:36 her headings and he mentioned to the mom that were to do this studios because

08:41 they'd be like some more little that could have been to have been a

08:44 animal. But the cuted at those are not a razzuions of the style.

08:49 And the pediatra was it was very very the child and they're to do it

08:54 and they're to do the mom for what she was what was what was what was

09:00 going to the next next that was a super-soned in all that

09:06 that all the result that that that same night they started to

09:12 hear the noise to the house and they they had a per and the

09:17 per he was super, super, he was to be to ladd and he's

09:21 and he's and it's a terrorized the mom heard of these and

09:26 he back to get to the door of the entrance there

09:31 there was an animal there was an animal

09:37 was an animalito that was in the where they're where they're the

09:41 children have been the and the children have been a little bit of the man

09:50 decided not move more and they're he's not the animal and he he'll total

09:56 the day next the the mom acted that had been and still

10:00 the day completely normal but in the night he he was

10:06 to hear the voice they they're they they're there

10:09 and other the Something, something there. Until that the mother

10:16 heard that the dog, I knew in a form super, like, no, just was

10:21 just about if they were, they were doing a she was, she was, and in the same

10:27 place that had been found the other animal, now they found the perro, too,

10:32 without vina. The mom she was to feel to think that something was not

10:38 bad not bad. Sure. At the day the day The next, it

10:42 a old a becena that heard of the that's the

10:48 he said, and he had to have been had been done, because

10:52 what they did the what did you were to bring consequences. No

10:57 he said more, the mom, no made to be there. In the

11:03 the night, they they've heard to hear this

11:06 The mom, Baja terrorized, but no he never got her and he was part of his imagination. He regressed to his own.

11:16 At the day next, one of the children, he says, that the brother, no he wastes.

11:24 No manches. Thence he started the buskedom. The mom, desperated, he told to all the

11:31 people of what had passed and that for favor they would and that the she said,

11:36 You know, I was there. The the becina. The becina. They started. Passed the days and the

11:44 little no appeared. And one night, the brother, he said to his mom,

11:52 I'm, I'm listening to grittar to my brother and I see that came from

11:58 this place of the the house. The mom is coming desperated and pete

12:03 for favor, that they'll help them to give to give to them. Entraron

12:08 and in middle of the bosque only found a satato ensangentated

12:17 of the and never were to him. Per die of his his son he was an

12:31 anonymous? I think that we think we don't know that did, see,

12:42 so they were so that did you just that are justly are protectores.

12:48 So are like guardians of the natural They're not just a guardian of the naturalization. All the area,

12:52 that's a little bit of a bush, or what you want to say, has a guardian. Between them are these, and they're not just not more were to molest, not just stood uplanding plants.

13:02 He quited the life to an animal. Of that, I think there's nothing more sacred. See? How is this? Be how is this

13:12 of the... Just what I said at the beginning. Counten the things with luge of details. So, not, not, not so

13:23 extend it's that's so, you know, counten the story has been

13:32 various elements that when you're going to see this story, you're to have kind of

13:39 certain actions and things, that have been to be with these entities. At least they can

13:44 give an indice of we're in territory dangerous,

13:48 you know? The same the It's The Chaneques of my papa and let me

13:59 send our friend Astrid Okay, check at this. This story does she, Astrid,

14:04 involucra to his children. In that when it was this story, his

14:10 his son was the major, in that then he was 13 years and his

14:14 his wife, the which is the minor, had nine nine years.

14:18 She for reasons that, well, we don't much in these countries,

14:24 was in this problem economic, of the job, etc. And,

14:31 or would care to do his children, or he was, so what does he

14:36 is that he said, but for favor, since it's not that are some people that have

14:43 a little more of time little more, they they're in some times

14:47 in some they can do they are to put up to support it nothing

14:53 it's a lot of the kids and it's a obviously obviously is a

14:59 man of a year and a nine of and then maybe they're some

15:04 a travisor no but nothing really really really he's

15:09 he he heuc well he because the first

15:14 that his father when she he he goes to recogels

15:17 his his your father he said, I have to talk to talk to you, your

15:30 kids are doing kind of simply they're like, no? So, well, we know,

15:54 well, we know. She does indicate, us that her papa is extremely

16:02 ordnated, with exaggeration. It's extremely ordenado has this characteristic of being

16:08 obsessive with the order. So, literally that he can be in a

16:13 sapato in a place, for him is a great travesura. No,

16:17 so they're like, oh, and he said, he said that he's

16:20 her papa, with this situation. She, well, obviously, they're going to that's a little bit. It's a thing minimal. He said, he said, maybe, not were my kids. Maybe it's a pet pull American.

16:35 And the father said, no. No, no, no, no, no. My perro no, no, no, no, no. My perro no, no, talk my causes. As it, they said, You know, is necessary

16:54 that evite that's a type of travesuas, this type of situations with their abelos.

16:59 They're people people who are doing, they're doing, for favor and so so he

17:07 and so he was so that's that we did not. So, so, so,

17:12 so, we're not, he's, I'm but we not, we're,

17:17 we're, we're, we we're, for we going to move the

17:19 a chapato of my abuel of the other. So, it's a a problem, it's a

17:24 problem a really, it's a little she was she was she was

17:31 she was a mother, he said, no, he said, I, continue,

17:37 the travesurasur and she again, I'd say, please, for favor, for

17:44 favor, just, yeah, mom, not we don't we're not we

17:47 were, and a little more serious. One day, when he goes to his kids, his papa just said,

17:56 he said, you know, you know, you know, this is that this is what you're that's the

18:03 man, I'm a person a man, I'm to work to work, it's the

18:09 door of the bad as conditions, me put to lijar and I thinker the

18:14 I'm the paint the I do very beautiful very little.

18:19 I'll I'll give that, don't go even to take the door because it's

18:25 to see and you can't do use. And when I'm going to see the door

18:30 that you should be your your I think it was a plumon with a markor

18:37 permanent he's in the part back in letters chiquitas chiquitas

18:41 chiquitas and I'm to my what kind of a that kind of

18:46 that's that She said like, she said, she said, she was too she was too

18:58 she was a little she was a nine years and also his son had a quartered. He had gone to

19:04 train football all the day he didn't he still he was, then when he was going with them

19:10 then just just just he just just with the travisuras but he he said

19:16 he was the graded to his son he was like so the no Yeah, And then you know,

19:24 so, you know, so, you know, so, you know, to know to my

19:28 my papas that they're not, and you're not so, and then your daughter. He said,

19:35 he said, and he said, I'm not I'm, I don't feel. I don't think I'm, I don't know,

19:41 well, oh, and she's, like, chispas, what I'm to do, no?

19:50 Lge, a sabbado, and She had a job that, obviously, it was going to be

19:55 an extra, and he had to be very, very, very, very, very,

20:00 very, in this work. So, then I asked to his father,

20:04 that they said, that's that's that's she said, so his mom

20:09 he said, when you get the way to get the door and certainly

20:15 your father will be done so so I will

20:18 to So when you get your kids, I don't think they want to do you want to to make a hour of the morning,

20:27 7 of the morning or or once. So, then they can be to be in to be a perfect.

20:33 And so they're, they're doing the door, and in the cell were coaches, umuadas, his kids

20:40 were born so, my mom, I'm just only just only those were just only they're to get to

20:44 the house to the abelos, they said well, no, not going to doves

20:46 per favor. So, your abo is his I'm I'm I go

20:52 I'm I'm going so so I'm so I'm to go the abel

20:57 was there was there was in the room when when of a repent something

21:04 something he's so first I started like some some

21:10 some like like like down like so like

21:12 so so so so so it so so it opened

21:17 the the door, and that enter some of his

21:23 next to then the in the door he said he was like someone was like

21:29 kind of kind of kind of weird so that's what is what is what is what is

21:39 what is still still he's still I'm don't he's no he's so

21:48 he's he's moving he's so he's a but now

21:54 so, immediately he gave the word that was the sound of the door the pickaporte

22:01 and then the door that someone he puthable so so he went to to see

22:11 from the camera and so on the sideit as he was he saw

22:17 what he the first the first he was his nita for the time a silhouette

22:24 Silhouette. Something little, but not so little as a dween like a little bit of

22:30 nine years. Okay. I was there. So, so he observed to be back,

22:37 then, well, it's my nita, it's my nita, and of a little bit more, the world,

22:50 not was a nita, it's something. And when I was trying of understanding that was

22:56 that I was that he was a little a little a little the light he did

23:03 in the rostro it was a thing monstrosa but I was I was

23:08 I'm looking to be looking fichamently and the abuel when

23:16 he was he was he thought no to me not I'm not

23:22 to me don't and that was that a little bit of a velocity extraordinary she went to and he closed the door

23:31 and the and the father and there was then he was then he went and then he saw it for the

23:40 and he saw his nietos profoundly dormitos not it can't and then he was

23:49 he was but before before them he got he was he was he went to they were going to start to

23:58 but they were still they were so then they he was I'm

24:06 who's who you know that I'm thinking when he's when when

24:18 when he got to to get to his his his father he said he said

24:25 he said I'm I'm going to try this this problem

24:32 I know how they did I don't no idea but

24:40 things like the duendes and the channekes no exist I think it was your daughter that was

24:51 disfraso or something no I know but I don't support more this

24:58 she she she said nothing she said her those let us let us and then

25:07 then then then I asked no no well well no

25:12 well so me told me You know, you know, ma'am? How could we know? The fact is that

25:22 she was was starting to generate more money and, well, yeah, I had had put down

25:26 money to be to be a newner, that's that will that's his kids.

25:33 So, then, then, yeah, I don't need to this of the

25:40 support of the father's, no, very of when it was a time when,

25:42 so, So in one of those occasions that I just I'm going to get to give to get to go to you

25:51 go to you go to go to get to get to them to say I'm I'm going to

25:58 I can't let's you can't a rite and so yeah yeah let's

26:01 let's and he he said and he said there happened something

26:08 did not even my my kids he said just that now I don't have to have

26:14 to have the cause how how you're well because all the

26:22 nights I'm I'm I'm I'm after the after the after

26:29 the door but you get to it's but I'm but I'm so

26:37 that that rio like that it took and it would have

26:41 and I just of a a rato, I I'll hear the passos they're going to

26:46 the cell. And then I'm I'm a perro that's out of

26:52 shillating, chillating and, ladra, but well, I know what I'm

27:00 know what can do you, you know, but I'm I'm I'm

27:06 I'm things rare as and in the door of the

27:10 ba' I discovered some mordidas some some of the madera

27:18 of something that definitely well not can be my per so I was

27:28 reading a little and it's me I'm put now in

27:33 November the Altar of Murt's and I'm and I put

27:39 some guayavas that's a fruit very Mexican. O'lea very real.

27:47 But at the day the next I'm listening the pastes in the night, the perro that's

27:52 there's rare and the guayavas were masticated and there was like it was like something that

28:00 has a little little and filosos if I am sure I was I'm sure I'm

28:07 sure I'm sure I'm I'm sure that I'm can't that's in the

28:13 house no, I like the disorder. You know what can do? And she said, well,

28:24 why not you go a broo? I know a very good and I know a good,

28:31 a brujo, a brujo, you can't give, like a shanke to the chankees and

28:37 let us go, well, so, then he was he was he was then he

28:41 then he immediately he began to do his job, he's to put

28:46 to to try the cards, use to an oracul, to ask questions, and he says, yes, sir, in effect in your

28:52 house, there's a chanek. But no so, the people, the people, at the more

28:58 know the but we have a remedy for the chaneks. This remedy is of seven

29:05 days and seven nights. What you need to do is that I will be to give

29:10 to you a sumerio prepared. All the No, you're going to pass the saumero for all the house.

29:19 After having passed the saumero for all the house, he will take salt prepared, that also I'm going to to dorencitos, so, like a little bit of his camera, and very important, in the entry of the house.

29:34 Very important. The last three days of this week, of seven days, the last the time of the saumery to put the salt,

29:44 you know you have you put a little a little a little and then and fruites

29:51 and fruit in the entry of the house. Of course you know what fruit to your

29:57 cheneke but it's very important it is a game but it is a

30:04 good and it and then he's the thing to pass the

30:11 saumero to put the salt, the sal in the entry, back your camera, every day, every day.

30:17 While he was going to this, his perro no's no-one nervous, no

30:22 I'd not get the other mordidas in any other. They're the last three days

30:28 and the offrenda dulces and the fruit of the time the

30:35 wildiavas. No had mordid and nothing. The last day

30:42 he I don't forget to put the guillaz. Okay. But, it's the last day, like, it's the last day, like the things there, as it,

30:54 or so. Grave error. At the day next, he went to an scene aterrador. He went to,

31:07 and he started to his perr. No, he was a perro great, dormia in the

31:18 house, and not was there. No it's And he He started And his

31:26 Sposca and to What's the Possible? No, is the Perro And then he was

31:33 He was He was He was He was A bit of A Mordida Like At the

31:44 Mordina At the Puerta In the Goyava In the Cue In the Cue Oh, no So-Potent

31:52 that had masticated and had desangrared the person. He was the body of the perro with the mordida without blood, without

32:06 blood. He said that he entered an horror, a confusion tremendous, he had to repeat the process

32:16 and this this time until the seventh day he put all the letter and never to

32:23 listen to the maldito Chanek. the perrito is that the people just the people just

32:41 Chenex is that is that is that's anything anything of the life you do you say like the

32:48 people is to be to confiar no yeah not not not is happening and then

32:53 it's just when the people is when the you're your treatment that's seven days

32:59 and the people it's he's he's he's yeah It's very important, if

33:04 someone is saying a series of steps, to keep the foot of the letter, it's difficult, can't, but is important.

33:14 It's that is that you have to comply at the end of the letter. And, and it's very rare,

33:19 because you know, because you know, he's he's written in the door. Me going to

33:26 come to my perro. Sure. Yeah, I've had been admitted.

33:31 Sure. Sure, Right, I forget it, is It's right And he And they And they're

33:34 To say, To the Whatever That's That's a So, so many extra-

33:39 No? Yeah. So, first, it was it was like the Diversion

33:43 and the ha-haha And then Yeah, like, yeah, yeah, yeah,

33:50 I mean, I think when he when he had to cause a more to cause

33:56 to do, no, he said, and he's part of, but it's because then it's like it's like it's

34:04 very valiant but then they're not are the sufficiently valiant to confrontal the reality and they're

34:11 to show so they're they're they're really they're super valenties like, no,

34:17 obviously no, I'm going to try to I'm going to try to my nietos so

34:21 so it's like when I said, but how can be your niet you're they're

34:27 so they're so they're they're not done the letter so the to identify

34:32 a form of to defenders that I that's super obvious the letter or the letter was not your

34:40 letter but I think he always he always it was more more easy it was more more than

34:47 to be that evidently could be that that's that's that's so

34:54 but see if you're the two animals well see see for so

34:59 so I think here also you're here too that, well, actually, but they did someone else.

35:04 But, but if he costed the life an animalito. That's fair. Yes.

35:09 So, well. Your turn. Oh, poor-sito. Okay. This is called

35:16 Enemigo in Casa. Okay. And the the count Abraham Lopez. Very good. Okay,

35:25 well, Abraham is of a and his mom had a job that was

35:30 of 24 for 24. It's that's so you work 24 hours and you know,

35:35 you're so it's very complicated for his mom to do for what

35:41 he said a little a child so then was the the

35:45 of Abraham and this she had a little that was she

35:50 was very so a rato, all very and he permitted his mom to

36:04 work, without no problem. But after they started certain things that your

36:12 tia was very honest with her mom. He said that a time when

36:17 he had been dormied in a amaka they went to the

36:22 kitchen or what were they were and he was the

36:26 maca was in the but he continued He was He was He was He was he had

36:55 He didn't even He was and the things still were flowing of the same way.

37:03 Continu. The Tial he said to tell to his mom that this was going every

37:09 that every that Bram was a second Abraham appeared every more

37:15 far far than they had left and always and always and

37:19 he's always to think to think to think to think to think

37:26 to be to a, a But in that the things were and Abraham yeah

37:32 no he was absolutely nothing nothing he was a much time and now

37:40 in the other to happen to say things more things but

37:46 now to have to be to Abraham he was he was

37:50 he was they're he they're they're they put in some

37:55 other other but they to do not lastimarily. But the young was very different.

38:00 The little bit of a minute in the night, and he was to know to get to be

38:07 the auntie to Abram, the cariciable and she was she was all rasgued of the car,

38:13 of the cooel, of the back, but the mom started to think that

38:17 they were in his own pastigias and that she was she was

38:22 a baby? No, I was a little more great. Okay. And that's

38:26 arraigned to be sure. It's a exactly. Exactly. It was like the bees that they're

38:31 not a no, you're a little more than but I'm a little. But he said that were in

38:37 the little she said that no. That she saw the silhouette of an man

38:45 very little with a car grisacea getting to to the blue

38:50 with a lot putrid the the dintes, affilados, and that

38:58 also has some of the longisimous and that were with those that was that was that she

39:04 was playing with a she was she was trying to be able to the but it was he

39:10 he was he was his mom all the time that was he said she said

39:14 that was she she was that was she that's and that

39:18 she still passing the time and now the things

39:23 not only they were when they were when I sometimes

39:26 she was sitting doing the and she was a little bit of because he had

39:31 had had been the thing they're and they're and they

39:36 and they every this little had to more and more and more and more and more

39:39 more and more and the mom so she's when she she

39:44 when she she's they're to say probably probably she had

39:50 schizophrenia and the mom was absolutely negated and decided not get her

39:55 to get her to get her and then they're going to be able to be able to do you but then

40:03 not just they began to find out of things but also the attitude of the the new

40:08 had changed for completely now she she not not not she not

40:13 not not to be horrible to see it's horrible to be a your little bit it's

40:26 it's like you're to be more you're just to interact with your little things

40:31 that's how are in the little and in the way she was she was

40:36 she was being she was and it was and it was

40:40 only a and it's and that every more more and that

40:44 she decided she was she was she was going to go to

40:48 her But what she decided, the She was decided, the young had to change his comportments, and the mom had to the reality that probably if there were a problem

40:58 psychological quite quite. For what he decided also, to accept like, accept, like, no, it was going to not.

41:07 The new began to say things very strange, and now she was she was going to the window to the

41:12 window to a what he gave to a buske, and said that I wanted to go to

41:17 that. the mom not was atreve to let her to go and then so that was going to

41:24 until she was to get to see that in the entrance there were in those

41:30 pieces like full of and these pieces always all the mornings

41:35 and she she did know opening the the camera of her

41:40 that in the rededon was was there was and she

41:50 he was going to so he he wasr so he started and he was to get a little but the attitude this

41:59 this little and they were changing and they were at the point that the she didn't eat to comeer

42:06 the food come my daughter no I'm no I'm petito no but when they'd becured

42:14 in the kitchen the new hadrava the the Cran and she was to eat

42:18 to come to get a a point to the time a day he got a position more horrible

42:24 was a really about in the soil, eating the eating the kind of a never

42:30 ever had come to he said, he said, he said, something, then they said, they're going

42:37 to the little, they're doing to get to get a little, and they

42:41 said, and they're saying, I'm I don't know where I'm going to but I'll find the help professional. The taparine. At the day next, the mom has decided to

42:51 to help her daughter. And the little bit of her and the little bit more than. Salerned her to look at and they were all the sides, they said to all the people, and the little bit more appeared. The mom

43:06 was disperated. And the mom of Abram, even, even, even, she was I felt because first he started with Abraham

43:12 and then he's absolutely nothing. And not he was not to do you

43:18 do that was a situation super chaotic she passed a pair

43:23 of days and in that the mom of Abraham heard to hear to say

43:30 to get to his he's he's he he's he

43:35 Abraham and Abraham that him that was the mom,

43:39 she's out of the house and he's to be around the area. And he

43:42 heard about the bush. They were running for Abraham, and he found

43:48 palid, socio, with rassbunus for all the body, and he said, a little,

43:57 the car grisacea colmillos grandes, he had rastra from his to the

44:04 house and that he had been a place where there were but that,

44:09 but that, there was something there were like kids, but that were part of them. And there

44:17 he said he saw that his prima. Never had never had been. It's horrible. It's horrible

44:34 and is that... This ispantos. This ispantosa. Spantosa. But you you've done that you're as much,

44:41 that's like, as chanekes, like, so they're also they're to robin to the children, but

44:46 also they're like those, like those, like if those, transform them.

44:50 Those transform a sometimes that they are a bit of them and then

44:52 they're not a year, yeah not even yeah not her yeah

44:57 they're having changed and simply this other regress to

45:01 have a question I'm a I'm we're talking about stories of chaniques you

45:08 think you think that so that so in reality those chankees not

45:15 they're not they're like we're we're we the human

45:20 or the animals in general but they're transformed to little little children and the being little

45:29 that they've in a moment was a little or a a little of a little to get to get it in

45:36 this and it's like a form of reproduction yeah I think it has much more sense

45:43 in the in the stories is very recurrent that they're they're one or other

45:48 form A few violent, sometimes in a way and a way jugetona, but they're

45:54 they're going and they're there's there's many there's like in the way of they're

46:02 they're to get to see, but it has a little to be how our our understanding

46:08 of how these are the and how we've noticed that they're going to

46:13 you're you're but there but there there, there's the same stories of these

46:18 series or guardians of bosques that not specifically Channecks, because that's

46:22 something more more than this is a little guardians, that what they dobbins, that they're they're doing, not,

46:29 they're doing they, they're going to they're, like they're, but, also, something that not that I

46:36 know, that I know that I'm, but in other regions, it's super curious, that not just they're not just

46:41 to the children, but the they're, and they're they're and they're they're

46:45 and they're they're like certain particularities that are like very, very distinct. The children

46:52 are the kids are very very palidos and these these little eventually terminate for disappear.

46:58 Like they're they're, they're from they're going and they're and they're and they're also,

47:05 yeah, also the shamanes and the shamans that, that know of the power that have these

47:12 because they're in some way, to make to make sure, imagine to convert a new,

47:17 a new, a new, in something that is human, and that, and that also

47:21 then the capacity to be a kind of a form because they're a form of a young or a little, and you're in

47:27 you're not, you're going to be doing. And you think that you are your and you're and do things

47:33 rarisimus because you know it? Yeah no. So, they're in that capacity incredible, no? And there are

47:38 stories of shamans and shamanas that are to these regions yeah, so, for being, with trasgos,

47:44 with dundes, with chankees, et cetera, and they're they're in compacts, they're to live a

47:50 time with them, interchamble information, learn of their magicies, and then they're going to

47:57 the women that are embarrasseds. Exactly. And there are other that, exactly,

48:01 because these are, they're like these spirits guardians, but not more of

48:05 a bush or of some not just, it's also, it's also you

48:10 can't you can you can try with you and you and

48:18 And so, they'd like definitively the guard and guardians of the family and they're even even like,

48:25 this, for example, no-sees, or problems economic, these doundes in theory, they'd

48:32 depend on the those two are you're analyzing, but muchisem many, they're like

48:35 many, many, um, and that is this form of to work with them,

48:40 with them, but definitive not is something is a very commendable, no? Because at

48:47 They're recommended. They're in personalities. I mean, you have a personality. I can't get with you. I can't get to talk about. And it's a person

48:53 amistosah. How could you know? So, that's the same thing. And so, so, see, they're in

49:01 extreme, look. And, and, I'll, I'll, the chister of, the, the,

49:06 the show we're the, the invitation, or the invited, in this case, no, know the

49:12 stories that I going to know the the stories that I'm going to tell. So it's a casuality that just what

49:19 you're going to just what you have to make this story. Okay. It's a little

49:24 malvados and this is an story anonym Okay. Okay. Although that,

49:32 that's that's very bad. This person, this woman that's a story, we know,

49:40 that when took a second his second his father a new a couplex.

49:47 I live in a house a duplex. For the I like I live up. But well, for the those who

49:53 know they explain to a couple is literally like a house of two pieces, uniquely,

49:59 that is a house on another house. Arriva to you, live another family

50:04 and has their own access with an escaleras external in a way

50:08 to do to be a escalars internal. And, yeah,

50:12 it's very common in many regions where there this type of living. They give to give her

50:16 house to a house two of the children, the second of the children that has been

50:22 to live to the part of the back and the part of the right and the part of

50:29 then it a becina, a family with a woman as much or less or less

50:35 of that that's that and this a woman, I, with her his daughters,

50:41 she's going to live at the part of the right. And he's that's the first, well,

50:46 he came very well, to be a her own. And apart, he came to a lot. Is that

50:52 only was this child, this chick, with his two daughters, but when he was you'd

51:00 see a when you're going to go to the kids, they were to do the supermarket,

51:06 to the school, to do you And she She said And she'd And she'd I'm in

51:12 The Rewoods Like if one person Or several people Stubiered in the house But of

51:18 But of So it's like It's supposed That's It's supposed I don't know But it's So it's

51:26 So it's So I'm Like Like Like Like Like Like

51:33 Like Like Like But He was He was Like Like

51:36 Like Like Like So So, I think, a little the

51:42 best of the family has been a mascot or mascots and no me have done any

51:48 problem with that they have any of but I think that's better to be

51:52 to be that one of that's was getting and he said

51:58 the the family one a question you have

52:02 you have you have you no a someone more

52:07 who's somebody more only my and I'm just only my kids and I'm because

52:12 because when you're not in one of a occasion literally when you not you

52:18 don't you're I'm clearly like someone is coming

52:24 or various people or a animal but so they're

52:29 many there there up there there there no

52:34 you don't you don't you that's clear that has so

52:38 I'm duendes how exactly exactly so okay but then

52:45 you have mascots no just dondes okay and he said that no

52:54 so well if no if no he doesn't mean well if no he's

52:57 well I was I still I said what I'm that's what is

53:04 that that's there He'll the new he says I'm going to

53:09 you know, you know, you know, I'm going to see that I'm to say I'm going to a time

53:16 in the time of the end of Christmas and all this and he said, me going to

53:20 go to my kids we're going to see to to be a a other

53:25 in other in other other other in other other other we're

53:28 going to pass there and so then I'm I can

53:32 please for favor, for favor, if while, as we're not we're you know,

53:37 you know, you'll be to get to get a someone, no see, that's the key abirta

53:43 or what whatever's if you know, you know, you're so you're and he said, and he said,

53:49 he said, hey, I'm going, you're going, you're not you're not so I'm there the

53:55 time, for my kids not those be, so, well, perfect. She went

54:01 the She had to buy the regalos, she, she said, and then in a moment he said,

54:08 he said, he said, he was, he was the door, and he did it, a disorder.

54:15 But not an disorder like that the the becina was a suce, but

54:19 if someone had been had had used with the kids of the newies

54:23 and those had put those and they just he was, then she he was,

54:29 he was all, and he had been other, and a little so rapidly

54:34 he said, I don't that's it's it, he's he said, he went

54:37 to the house, so if when they were in that they was in the moment, he

54:42 ended up and he went to and when I go to the door the door

54:46 the manches. Yeah not are the kids of the house of the

54:54 children, the the she had been destroyed those were destroyed the

54:58 paper, the paper, the box, was made and the the jugets were

55:03 totally regated by the piece. So, she was getting this is going to,

55:08 because now he was sure that there was a house. He said, no

55:13 it was and he put on the the those, the the

55:19 people, he was to collect these, thinking that can be, that can

55:24 be, and of perhaps he said, and the thing, he had been

55:31 that was that, No, No, but, standing so, de

55:36 a repent he said a rissita malabola. And he said, adios, he cogues,

55:47 he cogues, he got, the door of the becina, and he said, much

55:52 thanks, but no thanks. Heard his things, and he said

55:57 that in the nights he could to do not because

56:00 I was like to I'm going to listen to the passitos brum and they

56:07 had been rotto something like they were they're they're machis

56:19 no can't see so he arm of valor and

56:25 in the day he he said a and he said a aber

56:31 no well now now now now now so

56:35 terrible so So, he's made a chaos and he said, no, is that when when he goes,

56:43 he said this tiradero. It was this tiradero. No. And he grabbed the doors,

56:50 windows, put a music and he put to say, the case. Rapid, rapid, do you know,

56:56 order, I'm, he was sure to do that the basura and he was and he

57:01 said, I've got an idea. He went to his house, agro a caja

57:08 a caja a and he he was to regar the talco for the floor

57:14 it was it and he went that night he was the night I heard the rises

57:24 etc to the morning the next then then he was up

57:30 the door and was all the the entire the

57:36 But, full of wettitas. But not were wettitas animals. Those describe as well

57:42 as the size like, the size of the baby, but with the form

57:51 human and four dead. And the wettas two things tremendously interesting and

58:01 particular. The first. The the feet not they were of a sole ser.

58:11 Because they were two pairs that were much, pairs of pairs of pairs of

58:15 different one than other. So, there were other there were more

58:21 and there's more and some of these white that you know, you know,

58:25 you know, they're a big and a little and a little little.

58:35 So, so, so you said, you know, you know, no, no

58:40 no, I'll go here. But he did, but it was a pain that's there's a

58:43 little bit of he's, he's, he's he's overreau, he said, he said, he's

58:50 back on the first days of the year, and just he was going to the she said,

58:58 oh yeah, pass some things very rare, there were in the ruis and he said, he said,

59:05 I'm, I'm, I'm, I'm, but, but, but, I'm,

59:12 I'm doundes. No, You don't, you don't you don't you don't you don't you're more,

59:18 I'm doing this is all the you know, well, she's all the she's like he's so he's so

59:25 very raro and decided that even that's her her own was her was who

59:31 was the renta of that the house was a good that's that duplex

59:40 when she was a duplex when she was in a good state as well she

59:43 had have gotten the rents, the spouse had been working much,

59:49 she had had gotten a lot of money, and they're and they're to start to get to

59:54 the house, the part of the house to the house to and they did it

01:00:00 remodelations. Chaliener the kitchen, put you put it a new kitchen

01:00:05 integral, they changed the people, they're to make to them they're

01:00:10 they're to be to paint the but it's said that

01:00:15 they were a series of events raros for example they were they're painting and they're

01:00:22 and they were they were to get a court and they were they were they're they're

01:00:31 and the paint the tap that you know that's that's that's are difficult

01:00:36 even to sell to go to and the top was the

01:00:39 top was and the top was the they're they're to have to have to have to have to be a lot of money more of the presuppostado, because

01:00:48 literally, it's, that no one one single cubeta of painting, that no terminated in the soil. Any one. All over. The pieces new, they'd get them, etc.,

01:01:01 they'd, et cetera, they'd have been, and, of a sudden, they said, the arbañel's, oh, yeah, he, they'd have a piece of bad quality.

01:01:11 Why? It's a rot. But if it was a bit when you got it. Well, it's been

01:01:16 broken. They need to pay more piece. And then they were going to a canter

01:01:23 of the amount of she said, so, like, what is, what is, what is,

01:01:30 why me that cost a lot of a lot of money? Why not? And the be able

01:01:35 and he said, how is that? The fact I'm really really, I'm very preoccupated, because

01:01:41 we're going to the money, we're not we're doing the remodation that we're doing, they're going going to

01:01:48 things, and I know, so, but we'll go to keep going to get to the remodelation,

01:01:54 and it will get a beautiful in our house. And he said a little I'll forget.

01:02:00 Well, the real I'm very I am very much for you. And at the same time, I'm not

01:02:08 not be I, the that has of the money to remodelar your house. And I showed the world and it's gone.

01:02:15 Okay. There's really this, but after the many things he started he started that something

01:02:23 that was more something rare. No? She has of these messes for paint like the

01:02:31 architectos, you know, restirator, they're some of and in this mesa has obviously

01:02:36 lapices, colors, etc. And the The colors Those colors Those put All they're

01:02:43 They're They're A little A Tasa A lot of A lot of A lot of She was

01:02:48 She was She was She was She was When she I'm very I'm very I'm going

01:02:53 To go to My To get to The door Andra the And he Heard The sound

01:03:00 Peculiar Of a Lapis Toer C Coooo Aver the Puer the

01:03:05 Puerter And if In effect A A piece In the the piece, but the taza

01:03:11 that's full with the lapis of colors, is there, he's aghach, he gets,

01:03:16 the lapis, he'll put a other way, and he does the door, and then the

01:03:20 door, clin, another lapis. Sal, and observe, and see, there's a

01:03:29 lapis in the sun. Hmm. Agar the lapises and the tassas, ever

01:03:36 a caron, met the lapices and taza, see the cajone, he aghach

01:03:41 he's aghra he's every other lapis and over that's oh, that

01:03:48 he and he he'll he'll he's the carone abirto the tass

01:03:55 afuer the lapis of the can't recogue the lapices those

01:04:01 he agarra us make the into the tasa to the tass of the

01:04:07 lapis of the caron he He'll go to close nothing

01:04:12 no doesn't no pass nothing it's my imagination very very

01:04:16 yeah he's a world enter to the door the door

01:04:19 open tase lapices in the piece tase and she

01:04:32 got to get the think in this so it's down

01:04:35 when it there there there there there there there

01:04:40 there a so a second on on the on

01:04:46 the bed Parado there Oh, no, I grew Vying it. But it was a moment Tiro

01:04:56 all the piece He was in his room and he was to do that and he was he was his husband

01:05:03 When he he went to what he had passed The husband he said No, you're

01:05:09 you're just imagining you're much pressure calmate Salmate he's he's

01:05:15 recoged the lapis She, she recogio the pieces of the He was to go to the

01:05:21 basura, he opened the cajone, he chose the lapis there, he said, we'll have to be able to do this. Tomorrow,

01:05:27 you'll be to be better. It's all right. They were the door. There was no room.

01:05:35 So, they're going to do that the next he's the normal, all

01:05:41 all the kind of, he, the door of your room and the first that they

01:05:46 found, with the lapis of the A cross, but inverted. And he was and he was

01:05:57 like a menace. Yes, that's horror. And then he said that he's accorded of something said to the

01:06:03 abuelita. No you can't when things so passen. Rallel's the mother for that

01:06:11 you're just to leave in peace. The truth is that I don't I'm really I'm

01:06:16 really literally we say that from that from that there was a

01:06:22 Descaro total with the cases that occurred in their of their house. They were

01:06:26 going to their refri they were doing the thing, the classic, you know,

01:06:33 you're you're doing a fruit or a little that you have to buy the

01:06:37 refri and there no there no way disappeared the the

01:06:43 food that they got to come not there was not

01:06:47 there and then it and then it and other other other

01:06:50 other other other other other other they and she had a

01:06:54 fear terrible to be going to see that I'm going to someone someone he said

01:06:59 I know a woman is a woman she's a she was a and she she went to

01:07:05 and he he went and he went and she said you you're doing you're well

01:07:11 I'm experimenting some things horrible I'm I'm a little

01:07:17 I'm they're they're they're they're they're And, before that she

01:07:24 could desohars and to tell what was, this she said, there's

01:07:30 there's a young, that's, like, in your house? Arriva to your

01:07:37 house? How can know? How can you? What you have to know is that that

01:07:45 that woman you envied but much. That woman you enviria

01:07:54 so you want to you want to have money like you even he wants to

01:08:01 even you are remodeling your house you see and

01:08:09 and all you all you say I'm I'm I'm

01:08:16 I'm I'm this this person I I'm a

01:08:20 duendes. But there's there's other than the duend you know, the duendes

01:08:30 are un-equilers those duendes are juteones those chaneques are

01:08:39 deformes are malvados no you can confier in a cheneke there

01:08:48 cheneke there's in your house and you have to have much

01:08:51 careful because that Chanek no is going to be to be to get

01:08:58 to that house so he will attack that you more your little

01:09:04 your little but I I can offer a form

01:09:13 for that you deshas that's that that's that

01:09:18 to make to we need to make a all the members of the family. But also you have to

01:09:27 clean the space. For this, you're going to give a little specific. The fact, it's, this process

01:09:34 was going to do that had to be put salt with Romero in places specific of his house

01:09:42 that this woman had come like a way canalized not in any in a

01:09:49 specific. It's a thing. It's like that she recall that we can tell you,

01:09:54 is that there was this salcon romero in the doors of the room

01:09:59 that was a very particular and there a form specific to put it. It was just to

01:10:04 just to let them just all these limpias with sal romero and she

01:10:10 did to the letter. No failed any one and the and the

01:10:13 husband was so and and from the first day

01:10:17 tranquility yeah no no to robbing the food, et cetera, et cetera,

01:10:23 no. But, but, but, but, it's he'd to talk

01:10:28 to be in the family. Totally. Not the not he had been to talk

01:10:32 to her. It was like if the knew that something that something

01:10:38 even, even when she'd even if were, they were they were they

01:10:43 simply were they're so they're not, and all

01:10:48 said, but had to get the day that

01:10:52 Paga the rent. Occurred an event before to pay the rent. You

01:10:58 do you did you did you did you a second? One of one of them

01:11:05 was up the window and he came and he took lesions

01:11:13 of gravity the the be with her only just

01:11:20 to give her just to give us the money that he

01:11:22 had and to say because her because a she was the chanek was a mollus

01:11:32 she was she was to get her and she was there that patted and she was that he tore

01:11:46 for the but that not so that he was that because the cheneke not is

01:11:53 going to get to that because not the salt with romero

01:11:57 oh that loco. Okay, no? Yes. Yeah. But yeah, yeah, it's, yeah, it's

01:12:15 tatted to to, the, to the woman. Ah, to the, to the,

01:12:20 the, the, the be the , the, I was, now, now, I was in an

01:12:25 initial, I'm not, well, I think, is one of these people, that in

01:12:29 some of something, something, something did they, and something, and me

01:12:35 it malvada, you know, they're like deformed, are like rare, no, I know,

01:12:43 I know, I know, I mean, I'm not a story, but, but, this,

01:12:50 the last ? Yeah, but, but we're to put to be to put up

01:12:53 to this. In serious? Yes, see, okay. They're going to connect

01:12:57 so, the plot tickets, but it's well, but, but, but,

01:13:01 but, but, but, but, oh, well, well, yeah.

01:13:04 Okay. , you did that that Yeah, is that number one, I like much, like, like, like these people that get

01:13:12 and you're saying, and you, and they're to, like, I mean, me seems to, like, to, I mean, it's extraordinary. And also, the, the, the, the, the, of, the, of, how, how she, surely in some moment creed you, that this Chanke

01:13:27 was her allyado, because she had a sentiment, this, like, of envy, a, recor, to the and he was ruining the existence to the vicinity of the

01:13:36 vicinity. It was a but in reality it's like or in reality it's like that's like that's like that's

01:13:47 and at the more something like the something he was made to do a little to the little the little

01:13:56 the little of this this woman and when when when when I was not could enter

01:14:01 so, so, like, so, well, you know? What, that's,

01:14:10 what's that's that's, no, not they're not not, never,

01:14:14 they're never, they're never, you know, we know, we know, I know,

01:14:19 that's a great tip, but, well, I think of nobody like, I don't,

01:14:24 I think, this, this, the type of stuff, I'm, so, a time,

01:14:27 we're, we're a job, So, so, you, Sal with Romero. My card

01:14:31 trampa. So, I put a in the kitchen, Sal with Romero and you do you

01:14:36 do. A magic paranormal. Okay. The next history is the

01:14:46 Cueba of the Chenekees. Oh, I've got to a good name. And it's

01:14:50 anorima. Okay. Okay. Okay. Well, this this, this

01:14:58 person that this story she that's her and that

01:15:05 has to do with his man. Okay. Well, it

01:15:10 was that the father, he was with his brother, they were

01:15:17 with her mom and that were doing the work of the

01:15:22 every day, I'm cook, and then then once that the mom

01:15:26 term to to lav the roba, then it was it was they were, but they were

01:15:30 a patio very great that connected with the naturalness. Okay. Okay? So,

01:15:36 like a type of camp. So, in the moment that they were to play,

01:15:40 they were to play. He said, he was playing with his brother, and

01:15:45 he was to get to back to another and he said, what was,

01:15:51 he said, there's there are some, that are doing We're going to We'll play with

01:15:56 them. And the Papa he said, there's a there's a going to keep going to

01:16:04 then we're going to keep going the papa he'll go to look at and he's what you see,

01:16:09 is that there are some we're going to get to you're going you're going to be on the other

01:16:16 other side and he said yeah that's he's going to go that's so

01:16:19 then just he just he just he was that there there were some

01:16:23 there's some So then, He was He, he He's He's, He's

01:16:28 He's He said Vente, Vente, Vente, Vente, You're going to

01:16:33 get to You're going to And he went to He was a Like, and he

01:16:41 Let him to knower To know that they They're to start to know And in

01:16:47 So, and those He's He's He's He's He's He's

01:16:51 He's He's He's He's He's to want to the respiration and that for so

01:16:55 he went to, but that they were going to be very, very, much, way, way,

01:16:58 way, to the water, until that he just he he went to see the

01:17:04 and he was to be the and then it was out of a other place, and he was in

01:17:09 a coveh, yeah, was in a coveh, and the kids, go,

01:17:16 and we're going to go, let, go, into the inside of the well,

01:17:20 then the he's, he's so, super cool of now I'm I'm going to

01:17:24 this these are very much know they're in a tachio, they're to know,

01:17:28 but he was very he was extraordinary so he so he's so much and that's going to be

01:17:34 super well and in that I saw that the the cova well there was

01:17:41 nothing nothing of the but they were they're like some

01:17:44 some and the people were so they're so he's no

01:17:49 you you have you you if no, we're going to to reagan to all of

01:17:54 all the and you're going to and you're going to. It's not. It's called to be a grunyed. . And in this, he'scuched, it's called forfe, every way more I saw that I don't know they're I'm

01:18:23 I'm I don't see he I'm not again again again like these inscriptions

01:18:29 that we're like these other stories like if had a face of an

01:18:34 man with cars malignas and he kept being he went he

01:18:38 he went the he went he he went he went he he went

01:18:44 he went and when he was going and he went to He said to hear her her own

01:18:50 her mom that was grittating oh, oh, my he's, where you

01:18:56 he was when he when he when he was when he was the one like the

01:19:01 one of the time. No, he had been at the time. Yeah

01:19:06 of the night but not he was not he was much attention. He was

01:19:09 he he said where you are you you're you're inpap what

01:19:13 was nothing to go to with some my I went a

01:19:17 minute, I went a half hour and you have been pasted hours since you

01:19:23 were just yeah it's like it was like it was like the time the day

01:19:30 and just he had been I didn't know I was about what they were about no

01:19:36 I went five minutes no no I'm passed on hours not you make this and they were

01:19:42 to make a house and he's got a and in the middle of the night he's he's

01:19:50 like a little bitrytas they began to do you see and he was again again

01:19:57 and he started to come, let's go to go back and he's

01:20:04 he's in the window without they're really that are these

01:20:07 they're they're they're going to go to and he's he's

01:20:12 he No, but he started to say, yeah, so forth, he said, no, me going to doorme. Who, that's his brother? The father of the person who narrate the story. He was he asked, Who, who you know, the kids? They want to go to work with them.

01:20:34 Is that, no, there's no, the kids, no, I'm sure, me, they're going to be able to be able to a little. No, tell us that no. Dilless that no, yeah, go to dream. And he's a good. And the day The day

01:20:51 The day normal He said He said my I'm going to He said to talk to the Ventana That he started And the mom

01:20:59 And the mom So I'm going To say I'm going to I'm going to But he He asked those Vecino

01:21:06 Oh, Some of the New York Who are here? Who are There are The few of The few people

01:21:11 The few people The same He said, Well, No, No, I'm They're They're getting

01:21:17 That same night Again, again The bed Let's Let's go Let's go

01:21:24 Let's go I'm going to I'm going to I'm going to And he's He's this person No That's his

01:21:32 He's a Reyes And he says Yeah With who You know With the You know

01:21:39 And let's You're So it's So far Soap He's I know He's

01:21:45 So it's The next, the same, past the day, normal, and in the night, he's going to have been

01:21:50 to get the, the little, and he a son, and see to the

01:21:56 people, but I don't see content, those, they're inojats. With the car,

01:22:02 asian, it's been verdosos, the roba that they were that's disgastated,

01:22:08 rota, and they changed the voice, and in a boy to say to be

01:22:12 to play, to go, you go, you go, and He said, He went

01:22:17 He said, The children He says, the children, He's not They're going to because I'm going to go to work,

01:22:23 let's go to me, that you calles and that you goys and you're going. You're so-do-

01:22:29 He's-due and the day the next the brother, he's the mother. It's that these

01:22:39 people are that's just you're going to get to to go back to them and you're going to give a

01:22:44 permission. No, that no, that neither I want to play. No, I want to talk more the theme. Regress. And in that, it's called, how a pieter and they're venting to the ventana,

01:22:58 and she's the gritty of the brother, desperated, Auxelio, Mom, Papa! He went on the brother,

01:23:07 and just saw, how some things were just being, they're rastraning to the brother. Mom, they were,

01:23:13 they were, they were, um, they were taken, They went to look to, where you're and they're, they're looking

01:23:21 for all the zones, the new he's he got to the water, they're to get over the

01:23:26 water, the people looking like the other never, never, they've got to their man.

01:23:36 No manches, Maus. Horrible. Horrible, horrible, but, but, the

01:23:45 the culp that's, the culp, yeah, that's that's been horrible, but

01:23:47 that's the The fault of that he if he did He said he did He said, no? And he's But much Time he

01:23:54 He knew And nobody he He knew Nobody he knew It's very important To believe to To the To tell you

01:24:00 To tell you For more Chum What you can Tochase His story But Always is to

01:24:06 Put a attention Ohie Sollame Sollanda So they're In a form But If you

01:24:13 They're They're They're To get To be To be I'm I'm

01:24:19 Toerrorois I think I'm I Why? For you? For you? You know,

01:24:30 I just me, me, he was impacted of that history? What was

01:24:36 what was in the obscurity in the coveveve? I'm doing theories,

01:24:42 probably the of the cova he, he was he was he was

01:24:48 he and he he said to he to do to they're

01:24:50 and now me they're they they're we we're

01:24:55 we I think I think he's. Who is? No, manchis. A lotchus. What are there to beziahs. That's good.

01:25:10 Yeah. What can be in the obscurity in a coveh of where there chaneques? That even the cheneques he has he had been

01:25:18 what? What can be that? That ruge. That spanto, eh? Yes, and this person perjew a

01:25:29 her brother. His brother. Oh. Apart, the problem me, but I'm sorry.

01:25:40 Yeah. It's that I torment that is like imagine to, hear that you're asking

01:25:48 to give in help and see how they're and not have yet to a time,

01:25:53 to be a time that would be a tormenting all the life. No?

01:25:58 No. Well, I see but you too, but very poca people you're going to

01:26:04 to be to be a man to be able some of the some chankees some monsters yes

01:26:10 no a row a little a a cova that no so you all

01:26:14 so it's like that but that has been that it yeah yeah exactly

01:26:20 that has been that that's what we're going to let's continue so yeah

01:26:25 well this story we're we're an my alexandra

01:26:30 ojeda valenzuela I said Alejandra very because it's Ale for the Qantas So it's

01:26:38 called a regal or surprise Friottes This story just just not just we'll forget there are

01:26:46 three characters principales in this story for sure Ale his friend Leon

01:26:50 and her friend Bania the three so they go to interchamio to Morale

01:26:55 a state of here of the Republic Mexican they're they're studying studying

01:27:01 and they're the three together So, then they're there, they're they're in

01:27:08 they're in they're in and they're and they're and they're and they're and they're trying to

01:27:14 find out of something that was a evidently to to what they could pay for where where they

01:27:20 they're going to be but also that each one could have a own

01:27:25 a space great and the fact that just for that they're I'd

01:27:31 Alcalf. Students. And, and they they found a house great

01:27:39 and this house was in the photos acogedora, spaciosa, comoda, in a

01:27:50 place very beautiful, she had to be his presuppest, so they said,

01:27:55 then, one three abitations. They were perfect. And then rents at this

01:28:01 house, they're in this house, and wow, they're so, every have a little

01:28:07 their own their own very much very well, being there, and apart, and apart, like,

01:28:13 of these these livingas that rents for me of the application, I mean, very good reseans,

01:28:18 comments positive, and they said, perfect, no. So, they're so much,

01:28:21 their mudanza, their in this house, and decide every I want,

01:28:26 I want, I want, this, you know, He said that from the first day they've made

01:28:31 to get a certain phenomena peculiar in this house. For example, Leone, his friend, in his

01:28:40 room, in the room, there was a old as the house, there was a roperer very old,

01:28:47 of the madera very gross and the doors, when you the car's, as like the

01:28:53 matter is a biga, when you the car are so they're like to the doors, even

01:28:57 where they're to start, they're you have to get a and they're like, they're they're at

01:29:01 and they're and they're all the and then he's the roperer and the nothing,

01:29:10 and the thing, it's opened a door with much force. Like if

01:29:15 from the someone empuchar with much force any one of those two doors

01:29:19 or the two and boom, so it and obviously he he's kept so

01:29:23 like, oh, what on And I'll and then I'll be a Ratt and at a rite

01:29:28 and the thing it's not a not really it's not it's not they're not they're

01:29:35 one of these those dispositive and you put in it's like that's it's a thing you're and so it's turned to do you

01:29:52 know, so it's all these details sombers and they were to ask to the last they were the

01:30:01 house that was there were the house that was they were to ask these becions they were these they were they

01:30:08 they said some someone of the person of the has kept here renting this house has commented

01:30:14 something about about about about phenomena paranormal no no

01:30:19 of actually they're they're they're they're like they like,

01:30:25 well, well, they're to get to their and they're like, hmm,

01:30:35 they're asked, is it that's not that it's a thing, a phenomenon paranormal?

01:30:41 Because it's like if someone of them three he was he was

01:30:48 a drama to the other but a problem of the bad because more

01:30:52 that they were they were they're they were the closet and so

01:30:55 He's that, for example, one day he gets and he doesn't his carter where he has his money

01:31:03 in a moneder no he he starts and he starts and he starts and he's to and then

01:31:12 he's got and so she's a manna was also there Banya but was

01:31:19 he was he was he he was you're you're you're in my

01:31:24 bedation No Why? So, but not you can't but not we can't

01:31:33 we're doing we're not we're three is that me too and they're and they're and they're

01:31:41 so they're like they're like they're like they're one of the other but when they were

01:31:47 to open the door to out of the house there there there was

01:31:50 that that had had had it's he's so rarro it's he's got

01:31:57 okay rarer but then he said oh yeah we're to get to get to live

01:32:04 here we're we're going to ask you're to ask you're some of you're to my

01:32:10 room and it's there uming my things no but

01:32:17 but if it's all not not it's all changed of the

01:32:21 but it's Suppone that only I enter to my my room maybe one maybe one of you're

01:32:26 maybe one maybe you're going to you're you're something you're no

01:32:32 so all all this all this is disordinated well in the door

01:32:38 there there was there's a object of leo because is here we're

01:32:43 not we know there there not only these things that

01:32:49 were not so even even even and, well,

01:32:56 they started to check the a couple one to one or other, so, but at the time,

01:33:01 we're just a half, ha, ha, and we're in, in the world, I'm, in the world, and see, and we're in a lot of it, so on, I'm here, and the salons, and all right, and so... No? The control is there? That's rare. A-be! P, p... Again, no? Deja the control there in the mecita.

01:33:34 SIGEN VINZING... See, being... The TV, then, they'll be able to be it. Pemned it. And the control? No, it's not. Hmm. Seapara.

01:33:52 We're... We're going to see, Al. What's to do, Alie? An experiment. Abre the door of the house. There's the

01:34:01 control. How is this possible? That's the loco. What? He's said that,

01:34:09 she said, she'd a door of her door of the room with a key.

01:34:16 And she had the keys. I put the security and it's from. From

01:34:20 outside, not you were she was she was that even was a

01:34:25 Bania that was a mania, the So that So then it's So it's

01:34:31 So it's So I'm A bit of And then, you know, and then, it's You're gonna'clock, you know, and thenceau, I'm gonna'clock, you know, I'm gonna'clock, you know, and thence isntzoned the law, you know, what you're gonna'clock? revisa, in the piece, in the mobile,

01:35:07 no is there. Pan, and he's in my room. And he got his telephone

01:35:13 intelligent that is connected, and he put the alarm. And he starts

01:35:18 the telephone. Pip, Pip, Pee, Pee, see the sound. In the

01:35:25 the quarter of Banya. And Banya is there is there is a sounding something?

01:35:33 He says, is my cellular? what's your cellular here? Well, that's

01:35:38 I I'm in the roperer of the room of Bania and there's the cellar

01:35:44 so she took the cellar Bania is probably thinking the same we're thinking

01:35:53 to all you're not you're she's she's she's she's she's

01:35:58 she's she's she does know to do the same in her alcohol.

01:36:07 So, that Bania no could have entered. Well, at the day

01:36:11 next, they were to be to be to be classes, etc. and he

01:36:19 and he says, me going to get to to be to the room, and Leone,

01:36:26 oh, no, but Bania to get in the kitchen, and he said,

01:36:29 me go to my bed, perfect, no, every kind of

01:36:33 every was there was there was there and she when Leone

01:36:40 when Leone has a cellar in a mobile that's out of the bayon and then he met to be in the same.

01:36:45 The other, because she's to get the cellular with her to be to be in that he he's going to

01:36:52 be a very very close, but the Leon he was in the mobile out and he and he's

01:36:56 and then he was there was there in her in her when she he says

01:37:03 that he says he says like he and he's going to and he, Pa, Pa,

01:37:08 Pa, Pa, but he's he to the he's, he's what he

01:37:10 said, you know, you took my cellar? Eh, no. He said, but he

01:37:17 did he did he? Yeah, I mean that you did you know so, Bania.

01:37:22 Thenia he says, oh yeah, you know, you don't tomast my cellar?

01:37:29 No? He said, but if he's, he said, I literally Finally, it's five seconds. I was.

01:37:38 No? No, no, it's not. I just got to go to say to get my cellular. All right. They were in silence. Caminarily.

01:37:47 They opened the door. Offer of the car. It was a little. A little. Let's see. Yeah. We're going to, we'll just

01:37:57 to be a to do that one of other. This is not can be. And he said, Leone. My mom

01:38:04 knows of these things. We mark. He mark. mom, they put in an altabose and he

01:38:09 says, look, they're saying, blah, blah, blah, blah.

01:38:11 No, they're they're doing. They're doings or chaneks. They're super juteons.

01:38:17 No, don't be to pass nothing. Like, like, maybe, yeah,

01:38:23 they're, they're, they're, they're, yeah, so, so, no,

01:38:25 they're not, no, no, of importance. Despite of this, a day,

01:38:32 ban is who's when you to banning, and , in their own

01:38:37 In their own In his room In his apartment And when they're in the Meta-Bahnian And when So when it He's out of

01:38:43 So, he's He's all the He's in the Cooinna He'll something To get a To get some

01:38:48 And when go to work In the Sal, all the Colchon's The cohines of the

01:38:57 Salas Yeah, is that he's disarmable No They're Don't

01:39:02 You're Where are? And then Then then He'll be He'll be He'll be He'll

01:39:07 And he's and say, O'gain, come to see? No, no are the colchonetas,

01:39:12 no are the cojines, where are? And all they're all like, to be, and open the door of the

01:39:21 entry, there's nothing. No, there. See, they're, they're at the court of

01:39:26 Leone, and no there. And she, no can't be. No can.

01:39:33 And she says, you know, you know, that's very rare. So, so,

01:39:39 so, so, so they're in his abitation. And they're in the and the one's

01:39:42 they're there's but you're and they're and they're they're they're they're

01:39:51 they're saying you know, they're going to more things rars. They're going to

01:39:56 things rare as I think something we something we have to do so not we

01:40:04 can't do you can't get a good then we discoverer every

01:40:11 who's who's a little with the mystery of the colchonetas and of the end of

01:40:18 their phone to his cellul and they say come, come, what's

01:40:27 what's what you go to go to your house and you go to

01:40:31 so she open the door and she and the first

01:40:36 that they is that in the piece there there there was a

01:40:40 there as a rastro is that's like, what's like, and he's going to? And he's going to and he was going. He was going to

01:40:50 the room of Bane. Entered to the room of Bania and was this carinito and he'd up to the

01:41:01 part of the top of the camera. Debeau there were all the colchonets the cohinges

01:41:10 there like, like ascunded down. But the dulces that of

01:41:16 a bit of a place on the camera of Bany and in the middle of the

01:41:23 camera there a vasica there was a back there was a that had something

01:41:31 and the and the and the and the things that were they were like

01:41:38 mordiskeated babbeados, so very feo. This bandagita, that was there, is a bandagita that they had put in the

01:41:50 cell and in that bandegita they'd put them and that every one that one that would

01:41:55 take a and he was, but the bandegita was over the camera and the

01:42:02 and the and the lot of the handdeja were masticed and

01:42:05 babedos and to he did he did he did he did much

01:42:08 I don't see, it's he went to see a but he looked at it was

01:42:17 like viscosa and marriental and apestable and it askeros so he he was so it

01:42:25 oh no so then he he said he said go out so out of

01:42:32 and then she's she's she came like like like so what on

01:42:37 and they they're the Quarthe Leone. So, like you see? Yes,

01:42:43 the those and the of the no, no, no, no, no. Fifiat well on the

01:42:50 colchonetas. So she regress and be that in effect there's a second

01:42:58 hikarita. And then then she comes and begins to feel like like the

01:43:05 olor nosabund that she was that she was that was that was a

01:43:09 second hikarita. Also, part of the house, that in the colchonetas that were down to the camera, had

01:43:16 put a there. And what we don't are so so it's so it's like,

01:43:22 what is that's it. He's he's and he observed, and were visceras. There were

01:43:30 visceras there, potrefactas askerosas. Dicekechews. He's not that's even never

01:43:38 said, some visereras there askelerosas. So, well, obviously is that

01:43:44 like, like, what on? No. And Leone, and Bannia were like, like,

01:43:50 what we're doing? No. I don't see. But they're much fear. And they're you know, a bit,

01:43:58 we're going, we're going to get the things, they're not those, but they did a much

01:44:04 bad vibra. And he said, Banna, I'm going to get to do this and the

01:44:08 And Leon, previous to that had to pass to that, had seen how the door of the closet would be able. And I said, I'm going to to get to my

01:44:17 court. Yeah, he said, no manches, no, I know, we'll say, we're going to get to do with to the cell.

01:44:24 And he said, no, I'm going to get to only in my court. If you're going to

01:44:27 get in the cell, I, I'm going to you're going to basically, we're basically, we're doing

01:44:31 we're all three together, no? And they're they're they're all three in the

01:44:36 salon and it was so you know, you know, we're going to do some and they're the lights of the cell.

01:44:43 They were there with the lights on the lights perenned and they were all like all all just a

01:44:48 little together and so we're going to we're going to we're going to be going to

01:44:55 go to only only was something was a rather of the house no we

01:44:59 we're we're we're we we're we the first the light

01:45:04 the So it's A second light What's What's What's Tranquilus

01:45:12 Disapagin All the lights The house And it's That's And they're Athor horrible

01:45:22 And they They were there And they're And they They're To listen A roodito

01:45:28 Like a murmur They're They're They're They're They're To the

01:45:34 Fountain of Rood And in the entrance of the kitchen even in

01:45:39 the obscurity with the poor light that was the door

01:45:43 there were a little was a minute but

01:45:49 not so diminut as was a dwe was

01:45:54 more more more if it was a little

01:45:57 or a little extremely and really delgado, with a

01:46:07 cooel long, a head, and a sombererito of copa. He was

01:46:15 there, vying those fichament. He said that when they were, they felt like at

01:46:23 the moment to perceive it, that the temperature so, down, down,

01:46:27 down, down, so it was he was a and he was a fear

01:46:31 horrible more than than what they had an she stiro while the ser was

01:46:38 there was there took his cellar for so they had a sombrerito subio

01:46:45 his manita he took the sombrero he he went and he came

01:46:51 and he got into into the obscurity she had the cell

01:46:55 in the hand and he he said that is very religious and it's like, has kind of much power.

01:47:03 He said that no know even even though he said that's even though immediately the Tia, she saw that

01:47:11 was being put about something that was causing much fear. No, no me you're going to be to

01:47:17 work. Oren with me and the Tia commenced to learn in the

01:47:22 telephone. And they were and they're and they're they're saying,

01:47:27 Leon was nervous and so balbucea Bania no parable and he

01:47:37 said that he he was he was he did know that his he was

01:47:45 he was he he no could and then the Tia he said

01:47:51 Oren! Oren! And as as he said no I can't say but parence,

01:47:59 they're to take salt of the kitchen and they're to regar in all the doors.

01:48:04 And then they were the three as they were in the cell to the kitchen and they

01:48:11 started to turn to all the doors while in the telephone they had

01:48:16 to the the little and they're so they're so the salt and

01:48:20 when they when they're when they're they're they're they're they're they're

01:48:29 they're the light of the all the all this is. And of the door of the door of the

01:48:42 house and they're the first just the one of the best of the be the door

01:48:52 and front of them there was a hikara but not like they they used of metal

01:49:02 where they put them the dulces and where they were like a hikarita he's

01:49:09 Maybe she's with the part of a coco or of some type of element natural

01:49:14 like made made but realized a man and there there

01:49:22 there a kind of a moion like a but was made

01:49:27 made made with yearvas it was like it was it

01:49:34 was they were put to the hikarita there there had a part of

01:49:39 eyes there They've They've They've They've They've They've

01:49:48 No, There's a One reason For that We're So, They're They're

01:49:54 They're They're They're Never They're They're They're They're

01:50:01 They're They're Oh Oh, Oh, Oh, Oh, When you

01:50:09 Did you What's I'm What's I I'm To get To be

01:50:13 And I'm But, but, um, this, not are those,

01:50:18 that's, so I'm going to mention, no, they're not going to say that they're

01:50:22 eyes of some animal little, but they're eyes, there are desankent to be, yeah,

01:50:27 so, recientes post there. Oh, no, that's that, that's, that was,

01:50:32 there was a very, very, very, clear. So, that was that was a

01:50:39 that was a person, that was a human, because it was it was something,

01:50:44 not was human that was a little sombrero no those I'm going to not he

01:50:49 because first he he's put in contra yeah yeah and as

01:50:54 and how he's and it and it was like all the stuff out of

01:50:57 let lette no yeah lettel and as and as he was

01:51:03 he started things things things visceras those those duse

01:51:06 badeos because apart has this kind of this kind of

01:51:12 human to a certain point. I want to I'm a little bit as you know, you know,

01:51:17 I'm going to those and the visceras there, no? So, I'm, don't, the colds,

01:51:24 the colchonetas. I mean, it's like, it's like, it's like, it's like, but that it's,

01:51:30 but that's, but you're sure, sure, clear, no, no, what horror.

01:51:37 But, apart of the, I mean, so, like, like, these, these,

01:51:41 these, these, these, these, these, these, that they're like, I'm

01:51:43 to be used to some of certain places, not just not just, they're not, not,

01:51:47 it's not, it's not it's not it's not, it's like, I'm a control of the here,

01:51:55 and if I want to be to be putt and you know, so that's, and also, that's like

01:52:00 that's super human, of that they're so, I don't I can't understand is

01:52:04 because you didn't a sombrero. You know a bit? And, and the So it's weird jistoso.

01:52:12 It's cute super chisoso. But is that... It's gracious. But is that there's some things that there's like the famous that was the first

01:52:23 or not the gu 1700. Oh, that was first the under that kind of that kind of chunned it's like

01:52:32 yeah, there's some there's umbriot and they're monitos and they're very, but the gnomos of the

01:52:37 other type of things. But the more they they're they're like that in some

01:52:41 moment, it's a representation of what's it's a way, you know, it's a

01:52:46 way, it's like, we're not, we're not, we're doing, it's like, and it's totally

01:52:52 at the reverse. So, they're just presentable. They're, yeah, are so, yeah,

01:52:56 so we're, and we're, we've been, we've got, we've got, we're just, like, to change

01:53:01 to all the things, and it's like, is a new of a garden, but no, so, really,

01:53:05 really represent something, it's, that, gentil, no? And much less infantile. Oh,

01:53:16 I, I, I mean, our our friend said, that they got, they're,

01:53:23 they're, they were, meted those in their things, they're, so, what they're,

01:53:29 many things, said, that's done in the house, and they're going, but basically

01:53:34 the final is that, so is, I'm, I've, I've, I've done that,

01:53:38 I'm, I'm, I mean, no, how do you're going to do, you're going to be in those eyes there? So, tripas in through your house. And then

01:53:49 you're going to those eyes? Adios. No, you know? You know? Perfect. Bye. After then.

01:53:56 No. No. See, no. That's so, no. That's weird. But apart, I mean,

01:54:02 I'm curious of how he was with the mind of them. Yeah. That's horrible. That's horrible. It's your turn. I mean,

01:54:14 right that you said that's that's that's to put it to be to do you

01:54:20 I'm like, because it's some little with that has been certain with that with that

01:54:26 you're with that I'm going to okay okay okay this story

01:54:30 is little small little guardianes the the I'm

01:54:34 Cusely Pere's okay result that Suselie had a

01:54:39 an abelita, that had a house, well, and that she, of a repent, they'd tell them that they'd be a lot of things there. But, nothing more than that of that. So, there's

01:54:51 a day in the little bit a little bit, and they're at the house to the mom of Suseli, and to, to his aunt, that's the mother, of the

01:55:02 mom. Each one had his daughter, no, that then was the mom of Suseli, Suseli, her aunt and her

01:55:10 they're at the house and they're to move to all together all right so

01:55:16 then they're they're they're going to listen to in the house but the noise that's a

01:55:23 house yeah has much time many things of many things it's all whatever

01:55:27 so it tronable the doors the door then of they're

01:55:31 so they're so they're they're they're they're they're they're they're

01:55:35 they They were like, Yaves, and, and of a sudden, they'd and they'd be able to

01:55:43 not far as for them. And they're that they're that's really that the house. But a

01:55:49 day, imagineate, that's dormied, and of a repose to hearse to get to

01:55:55 an mohable like, you're you're you're just to your mom,

01:56:01 and you're like, murmur- and, and he's, what's the What's what's what's going to be behind the escalarer?

01:56:11 And, and they're going to to the mom's like, and they're and starting to re-asar. Like, they're going to

01:56:20 and res, and they're and they're to come back them, they're they're and they're and they

01:56:28 and they're in the middle of there's the mess and the seats moving as like locus, arrastrandos.

01:56:35 They're they're In a repent, they start to hear Passes around of them. She decides to close the eyes

01:56:42 and start to start. In that he starts in that's in a sound, like a rubeo, of a voice

01:56:51 that no of them and he started. And when he'll he, he saw the

01:57:03 the sombra of a person that was that was a back stature and that was in

01:57:10 that was to get to get to a little to where they were She was just about.

01:57:15 She was petrified and simply was saying, nothing, her mom. And, and just he could have a sonrisa, enormous, to hereja to

01:57:24 that summed, some little and super-affilated. And I started how he'd reirce, but mal-evolo. She's tap

01:57:33 the eyes and continue to rest and, and, the re-pents, they were they're and,

01:57:41 bolted, was disaccommoded they're so they're about to get us to get us

01:57:46 the day the day that's a bad a psalidia a horrible horrible

01:57:52 exactly the next the next the next no did you don't go over

01:57:57 to pass none of that's but they're there sometimes

01:58:01 the rickas and sometimes it was like they're like they're

01:58:06 they're but I'm not there much to do they're my mom, all the nights

01:58:13 restable. And, and also did a little of scalofrious to Suseli. Because I'd her mom in the nights

01:58:19 how she'd and he'd and she'd and just said, and she'd all the nights to be, to be it

01:58:29 to see, that was similar like the night. So, Suselie, in this then,

01:58:36 being a little, the right then, and now he'd now, the court,

01:58:40 the fourth with her prima, well, he was he was he was a little

01:58:45 moneyitas. And he said, why collection a moneditas? But never he never,

01:58:51 he was a little and he was in a little, and he said, if he had a moneyas, he'll

01:59:00 leave there. And he started to get to moneyas. He was he had to be behind

01:59:05 the camera. It's he was very normal. And of And then, be she and

01:59:10 there's and they're and they they're not they're not really, it's no more

01:59:17 she's not she's she's having problems like to there's there's there's

01:59:22 the so and that she she said well just just like

01:59:25 just they're just and they just a little a little a little the

01:59:30 little the and I'm just he just he just that's

01:59:37 that's that they're and they started to hear of the click click click click of the moneditas and he says now I see what I'm going to what's doing

01:59:46 with the monies and he's asome and he's and he's a little and he starts to get to

01:59:55 get to how he starts to start and he'll get to the monititas she'll look at her and he

02:00:05 don't she's she's a terrorized she got she met above of the cobbihas and I closed

02:00:12 So, I And he went to And he went to be And if Faltable And if you It was also He said, he said,

02:00:22 It was a Pesavila And I decided Ignoralal And she went These monies Pass And he's

02:00:31 A school And in this school, in the part of back, there was like camp So,

02:00:37 So, then she when he was to come to the Receso, Recao, Be yeah

02:00:41 like to go to and then I was like some of a person little bit like

02:00:46 it's like some people it's like you until he was she got to one of the casillas

02:00:51 that's there and he he said he was he's he said he's

02:00:57 he's he he's he he'll he he he's

02:01:02 very peculiar but no he's so he's so he's so

02:01:07 total and a day they they're they're going to get out of the

02:01:14 school and in the because they're like in a type of a little to get to get to to get to

02:01:19 this little so you know and in the camp result that there was a cabo and the

02:01:26 the cabo she's he's he's he's he's he's he's

02:01:33 he's he's to get to vent pietras to the the

02:01:37 being the the little the she's she And she seemed protected and she

02:01:42 he was afraid, and she was scared. And now she looked at the, he's he said, he said, and he's disappeared in the,

02:01:49 in the, in the, in the, in the past. Wow. And, he, he,

02:01:54 he went to, he said, he said, like, how I'd like, how I'd like to have,

02:02:00 what you say, a, one, a box new, and it appears a new,

02:02:05 a new, a new a new, in the camera, I'd would be, to,

02:02:09 I'd did the Tarea. No, I did the Taree, I'm quite, I'm the time. And I'm

02:02:14 there's a time. And so they were to pass things. And he questioned it

02:02:20 and said, he said, so good. So, then I started to do you was a

02:02:26 little, it was a little was a little, but the years passed. And now that's the

02:02:30 story, this she has a little year, adulta, and that they're

02:02:36 they're they're doing these favorciions. But obviously, as you're Ascreated,

02:02:42 your necessities are changing. Yeah, no you want a bolsita, you know, your problems

02:02:47 are not. Your own something different. So, she said, I don't have money

02:02:55 to pay the gasoline. And appeared in her in his camera. For this,

02:03:02 of a repent he had a mom and said, I said, I'm

02:03:07 don't man, I don't know, I said what you I don't have I don't know I'm sure that

02:03:13 I don't know and she'll be the things and said well then then I don't I don't

02:03:22 I don't I'm to buy this telephone and I appeared the telephone and the day

02:03:29 next in the job I was that a she had disappeared the telephone he said

02:03:35 well I think the well I think the favor is yeah not it's not magic not as magical

02:03:41 as I was so magical as I I'm going to imagine this type of things simply took to what he said

02:03:49 and it's so that's so a day I was talking by telephone with her mom and the mom

02:03:58 he said to say of all things is that you're not you're with things of the

02:04:04 cost of you're not you're saying much things terrible something that you

02:04:10 would that you to say to your mom call the telephone and this this chick she's

02:04:14 put to to get a get a desperate and he's how I would like that my

02:04:18 mom not I'm saying my mom so so that then then so

02:04:26 then then he he gets to the house he the door

02:04:31 and he come mom yeah I'm and just

02:04:39 she just just a like a like a a front of

02:04:41 like in the quarter of your mom but it was a little like a

02:04:45 person he was a person you're not you're you're and you

02:04:51 and when he was up you when I was up there was a charco

02:04:56 of the that was to the mother mom

02:04:58 mom open the door and his mom was

02:05:04 she And she was, he started And to say, And I'm going to Mom, what do you have? Mom, what you have? What do you?

02:05:17 Why don't me do you? In this, it's over the book to the mom? And to the mom, he had

02:05:22 been cuted the language. From that this girl, has a he has done to do you even when she

02:05:30 says. No, Manches. The famous of what you do you know, but

02:05:48 Wait, I mean, this is the story that you said, this is the story that we said, we're going to commenter,

02:05:54 uh-huh. A bit, and he goes a number? Yes. Yeah. Yeah. So,

02:06:05 I'm in shock. I'm in shock. Uh-huh, see. Uh, but, but, is like,

02:06:15 it's like, you know, you can't never that are your aliados. I think that is in

02:06:20 where you think you're because just was thinking in that, I'm, I don't know, I don't

02:06:26 know, but she, did a way, he did a matter. No, the monedas.

02:06:34 It were the monedas. It were the moneyas. And then when he said, the ser, he did you know

02:06:38 because the sergian had selected. Uh-huh. Because he said, Suggelie. Uh-huh. Volta.

02:06:45 Yeah, exactly. And after that he does that's the casuality that all of to have

02:06:50 to be able to but it was because she was controlled to a certain and it was

02:06:56 alliated. Simply, they allied. They allied. And not she did a little this child.

02:07:01 That's the basically that's what they're doing, not? These people that are these these people who do they're doing

02:07:07 like a like a bit of a way, where there's a where there's where there. So, more well,

02:07:12 they're, they're in the moment and the place and they're trying to attract to get them to get them

02:07:18 so that they're so I'm so I'm so I'm and you so I'm like I'm so I'm

02:07:23 I'm to do you But if you You can't You can't And you can't And the story How it's

02:07:34 With a With a force Tremenda Moving and Arrastraining All the The mess The chairs So,

02:07:41 So, So, So, So, I never, Never, No, never, No,

02:07:43 never, No, never, No, I'm gonna I'm gonna I'm gonna A bit This

02:07:51 This last That's That's, That's, Fianate, Feeate is very rare the

02:07:59 question that I'm going to do you know because I think when I want a cellar new,

02:08:07 boom, and then I discover that in his work someone who was the person who was the

02:08:13 they were to let her to get a yeah not so that's so it yeah no

02:08:17 okay if the people have the capacity to make a material and

02:08:24 could one of these is to do this story is called the maldition and the Amanda our friend Glory Marquez

02:08:39 we're saying she and her family are of a a little a little in the state of Guantua when she had nine years

02:08:52 and his brothers seven and two the more chiquita they moved to a house new.

02:08:58 But not not a recently made. They were a house very and they were a house

02:09:05 like she said but it was a house that in that was what economically could

02:09:12 their parents and then then three children little three

02:09:16 little his mom is a a well was a woman

02:09:22 and her Papa, I'd work in a company where, as a story that

02:09:27 you're in a story a a lot of all the quarters are connected for an unique

02:09:55 passio central. No one of the habitations had a door to make the

02:10:02 part of the door. It was only the space no, abirt. When you

02:10:07 you entered to the first you were a salon very great, the

02:10:12 which for sure, was a because for those things economic not

02:10:16 they were to buy the money, and it was this

02:10:20 pass where was the first quarter that she's her brother,

02:10:25 the second quarter, he was in his parents with the baby, that he had

02:10:30 two two years. Then, after the quarters, there was a little patio,

02:10:35 where was the badio, imagine it to the final, in the patio,

02:10:39 the area of the lavado, and after the front, the the

02:10:44 kitchen. It was so, these constructs strange. The first

02:10:48 most normal, they they're to to do this new house until

02:10:52 that's done that your little that's that's in the end of the

02:10:56 end of the end of the way of a way and he was to be a thing, he said a

02:11:13 mann't he'd be a thene then so then they'd do you're No chocas, because it's a little bit, but of a moment,

02:11:23 he said that they were all in a place, and the baby, that was in her handada, of a suddenada, like if someone was like, and he was running, so, so, too, tut, tut, tut. And it was to,

02:11:38 and the only mobile, let's be able, we're in this, like, salon sote, there was a vitrina grandot that had. And the vitrina, because, as well,

02:11:48 construed that part of the house, it was separated 50 centimeters of the wall. So, it was in a

02:11:54 part of a baby in her header, I was, and she would be there. And it was

02:12:01 there. But it was there. And I had to someone that was there.

02:12:07 They were to do this, but they said, Oye, come, come back. Nene.

02:12:12 Nene. No, no, come back back. And, well, he said

02:12:16 that one about the eight of the night, his And they were all They were all

02:12:22 They were looking at the television When of the When they were In fact that the baby He was there And she was So, she was So, yeah,

02:12:31 with this That was, So, So, So, So, And it was, And,

02:12:37 and came, to where was there, in this space, in the Vitrina, she, she was,

02:12:43 and she was, I, and I, and I, and I, and she I said, and she

02:12:49 He said, Oh, yeah, he said, Oh, yeah, he's back to be, the baby. What's doing? And the her manita signaled to

02:13:00 do the space and so, Neen! And he's started to and then the mama when he saw

02:13:10 this, sentio like that someone or something or something, the observed to her

02:13:17 from the obscurial there's there's there but he's there but he felt

02:13:23 a rarro so he said this you know this is normal he'll a baby and so he was

02:13:31 and she he was to get to that that he's to say let in pass to my

02:13:39 baby let's this not this not is your house let her the baby moment

02:13:45 so you're is like what's what's what's going to? A part of that the moment the mom cried, all came to

02:13:52 but for mal. He's said that basically it's going to be a badger to be there

02:13:59 because when in the nights you're in the day all the day all the baby

02:14:04 yeah nothing of the bed at zero but but just

02:14:09 there a night and they were to come the things

02:14:12 in the the kitchen, you hear in the first the first days, the

02:14:17 first of the and that moved things, even muebles, but she

02:14:25 never never had said. Then, she was going they were making

02:14:31 like the the cooking, even, even he heard, how the plateos

02:14:37 literally literally, pach, they were tornable in the piece. But she

02:14:43 really, not I didn't go to his mom she was very

02:14:49 very very and the first was the first was going to the first he

02:14:55 the disaster he and he was to quickly to

02:15:00 to get to his kids were to get and

02:15:05 they were that they're not the things the things

02:15:08 the things and they're to spantar. Sin embargo, well, it was,

02:15:12 it's done to that they they were, they said, Mom, what was what was,

02:15:20 what was there, again, they said, the mom said, no, they're not so the

02:15:26 what the past is that, are the house and for the ventas, there may

02:15:30 be there, there's a gout, I'm not, I'm not, so, and you know,

02:15:36 they're, and, they put to to look food and move and he to do things,

02:15:39 and he's obviously, I said this because he didn't want to that's, that's that's

02:15:45 spantarer, and that they were what's going, but, but at final,

02:15:49 are the things in the kitchen, that if if you remember, that's, to the

02:15:55 house, to the after the house. Well, it's that was, she was,

02:15:59 she was, she was, she, a night, when, of when of a repent he

02:16:05 just a plato. I'm like it again. Otra other but now

02:16:14 something, but I'm going to hear a first a little not sure, and if was still

02:16:21 he was listening or no. Pocco the ruido was going to

02:16:25 get some the few from the because of the cross the patio, coming

02:16:35 by the passio, to get to get to the entrance where no, she detain. She deto.

02:16:47 She was at her side of her right with the eyes and he heard that she had

02:16:53 been done. He said he gave much a lot and then he gotro and he

02:17:00 taped up to the head. No there a only

02:17:05 the room. She had been there in the door of your room, in the entry of

02:17:10 the room. He said he's that's about 15 minutes in silence.

02:17:18 As I no there were in the no any of that was that was

02:17:23 that's I'm I can continue and I'm then then

02:17:28 he's he stopped he he's accommoded in his

02:17:32 camera again so And, and, of the room, at the room,

02:17:44 it was in the room. It wascura. The only light was of a lamparita that had

02:17:52 a lot. But the sound she had put to the lot, what had

02:17:59 had had been to his camera, his roomita individual, was at

02:18:03 his spalas, not the front. And she was there there, with the

02:18:08 eyes abirtos, thinking that I'm that I'm that I'm that I'm that I'm

02:18:14 that's that's going but I'm there and that's and that's he said, he's

02:18:22 he's how he's breathing but not he was not a normal it was

02:18:27 and I felt his mind penetrant over she and

02:18:40 of her So, the heart and he started to

02:18:44 start of the fear of he had and he thought, I was that he

02:18:49 knew, that that that was that was breathing with and I was

02:18:55 that was to know that she was that she had

02:19:01 a fear and that that was that was so

02:19:05 she was a I was in the And then And then The nature The creature

02:19:12 He began to He said, No, you know He said, No, he said. He spoke He was

02:19:22 He was grave, Very grave In an a language That she simply He didn't

02:19:31 He said, He said And he He was He was He He was And he

02:19:39 And he was repeated And then He was He said He said Mormurar And then

02:19:46 And then And then So, while that being Mormurable and she was

02:19:55 Aterrata His eyes Hecerned He said And he He was And he He was

02:20:02 He was And he He And he And And And, and

02:20:06 he was submerged in a dream. No, it was able to be not even he was

02:20:15 aterrata but it was like the encantto she had submerged

02:20:22 in the so so she kept dormita and he and he

02:20:29 was he got the eyes and the day. Recorded perfectly

02:20:35 to all what had passed. He had had already much fear and no he wanted to say to nothing to. So, his papa, was very time. He had to get us to the school.

02:20:47 He said, "'Apourate, "'apurate, "'vann us to go to the school. "'She was up to "'their went. She went. "'She went. "'She didn't do

02:20:57 "'in classes all the day. "'No, he said "'No said nothing. They're They're After that To his But she

02:21:06 He didn't Regresser She didn't She didn't There were there When they When they got They went

02:21:14 And went And they were The court Of his Papas He was He said He'd

02:21:23 He'd be He'd Achaos He's a chaos Hech Hechoncaus They're Obviously

02:21:30 They're So all desordinated and his father that was passing for there

02:21:35 what are they're they're he's is that your your is that

02:21:41 all all no no no no no no I was I was I was

02:21:48 I'm so so so vainess but but but

02:21:51 but but you don't she okay but she she

02:21:58 kept like she came she He gave his mom. More later, and the

02:22:03 father, he was kind of un-tranky he said to his mom and he and he was that they

02:22:12 were going in the house and they were and they were not they were not even

02:22:18 they were nervousos they were they were that the mom would be like,

02:22:25 like they were like, like they're like, Some Some As soon as

02:22:32 So, without With the Faulted And as They were They moved They moved

02:22:36 And she moved She was She had What had But, But, for her Yeah,

02:22:42 That's She had Mnodd Of the house. She went To be To be

02:22:45 Another house Much Much more Chica And With With

02:22:48 She She She And he was like his mind would have blocked these memories

02:23:01 but he was with his father and he said he said I'm these records of this

02:23:07 house when was all disordinated in the room in your room

02:23:13 and you me did you you had you been you've been you what was what

02:23:17 what was and his he was he had he had the he

02:23:22 he was he I want to record that. I go, Ihole, well, yeah not we're there, this, no,

02:23:30 I don't know really, I don't have a form to explain to but your mom and I

02:23:35 had we had much a mind. You know, I I got to I was,

02:23:41 I said that we had to rapidly, to the school. See? Yeah,

02:23:47 it was too, I was to get to the college, but I

02:23:51 had much soo. So, so so I'm so I'm so I'm going to to get a a siestae. So, I'm going to be to have a

02:24:04 little, I'm going to work. I'm going to be to my minute, and I was a little bit of a little, sooom, super-fuerte in the room. Well, me desperte. What is this, no?

02:24:21 And I I looked at all the directions and it it was like there's that I kept thinking

02:24:28 I'm thinking you know to be that be that is a entity phantasm or what

02:24:33 that's that's always we're that we're and then I'm I'm

02:24:40 I'm I'm the ropero the ropero that was in my court

02:24:48 in that house that we're I'm the doors abirtes and

02:24:54 I was a man he was like like of 50 centimeters

02:25:03 humanoid but not was human had the hair wrugated deform

02:25:11 tients fielosos and little vestido with robes rasgadas

02:25:19 me was his eyes his eyes the part black

02:25:25 was a white, and the eye was totally

02:25:30 red. I was looking fissingly murmur something and I saw,

02:25:37 and I this and he so he's he he two

02:25:45 two steps and he got into my rote

02:25:48 and I I did and even I'm a aspect

02:25:53 Aterrador I did you you're you're you're I'm I'm

02:26:01 I'm I'm the robber and no and I revised and I did I

02:26:13 you know I'm but after that I was I'm convinced to

02:26:20 that I could I got to you to do you

02:26:27 after after that in the night of I was I

02:26:31 had I had I don't I'm and we're and we we're

02:26:35 to hear a I don't know if it was my imagination

02:26:42 or not but me I was I and in a

02:26:47 repented a macabra a laugh I the eyes

02:26:51 and I got and there was there the

02:26:57 roper abirt and seeing me fichingly and smiling and murmuring and when I I was like

02:27:04 he went to and he was back and I saw how his eyes and I started in the

02:27:08 obscurity I began the light and I started the and you

02:27:15 my and he did you do you do you do you see you

02:27:23 see you you know you know you don't I'm

02:27:29 always I'm body, I had symbols extraions written and then

02:27:38 and I did a mom, let me let me her and under the whole

02:27:49 his skin had symbols strange that and then I heard the murmur

02:27:57 and then I went to their eyes in the ropero no we can keep

02:28:05 here and we we had to move to that's that's that is her

02:28:12 that's he had he had marked he's he's was doing something

02:28:17 of magic no I know that it but it's it for us

02:28:24 we're not you don't you don't ask to and he

02:28:33 he finalisa with the next remember this story

02:28:37 of when I was a a man and he I think that is a ser the day that

02:28:47 I'm I maldigo because today I'm 33 years I'm in the state of Mexico and a

02:28:57 sometimes I see how the doors of my armory see and I'm I'm

02:29:05 I'm I'm a mormoo two eyes rogos salo a man

02:29:10 I'm I'm I'm I smile, she I'm I'manness with symbols of

02:29:19 blood but you have said this amnesco with nudes dimitutes in my

02:29:25 hair I know this creature is here with me it's like my sombra and I

02:29:33 know what to do I'm but but but but what so

02:29:45 what I need to do you but but I'm but he Morgh

02:29:50 I'm Never, never I've heard of something. No, no. No, no, no, no, no, no,

02:29:57 no, what's doing? What is doing? What was what you were what said? Why he

02:30:06 was there? Because they the papas amanaces with those symbols in blood?

02:30:12 For the more, it was interesting to know, if she she's she's, because

02:30:16 you say that they're that they don't know to but we don't know if they

02:30:21 they're seeing being? She she? She's she? But,

02:30:24 how Glory Marquez, you have to send us to send us to say it's a yeah, no, but,

02:30:30 but, it's a great story this way. Yes, but also like, you want to

02:30:36 you know, you know, you're doing. But I do it's, because that is what I love to

02:30:41 these stories. You occur this to you? Be what did you're not they're not they're not they're

02:30:48 they're they're there, and they're and an Ammanes with symbols in

02:30:54 Sanger, something is there. Yes. And you can't the space in the space in the

02:31:00 room. But you've seen, it's physically to open the doors, you're just they said, no,

02:31:09 I don't know I'm going, but we're to go to and so they're but now they're going

02:31:16 to her. And she took a contact very very close with the cell. That's

02:31:21 that took the time to do a I don't know about her. The and who who's about

02:31:27 when she did it? Yeah, who know? Who knows? With who you can't

02:31:34 to you do you? It's that you know to know this? Sure. It's a

02:31:41 problem is that the people don't like question to nothing. So, so it's like,

02:31:51 do you know, so it's like this is that the people that's to help to help you,

02:31:56 like, you they're in that you can't, You can't even Even if you're going to The people

02:32:05 The people, the people, the people, The people, exclude from certain circles You can't even have problems in any kind of any kind of thing, because not is for the people,

02:32:14 not is cuerre that someone gets to And you're going to not you're going to, this, no see, I don't see, I'll pass the telephone of a psychiatrist,

02:32:22 me you know, I mean, is, I mean, you know, I'm put like, you, you know, you're going to a psychiatrist,

02:32:28 uh, you know, You know, you know, what is doing? Depend. It's very difficult, no? It's a very difficult. It's very difficult.

02:32:40 It's very difficult. I'm, I think that there's a professional that, that, that's there are, obviously, I don't have, like, part of the audience

02:32:51 to be, there, for there, a psychologist, a psychiatrist, that's, that's, and I think of this type of things, and could even,

02:32:57 no, like, if, get someone and you tell you and you even to be able to

02:33:01 the possibility no? Sure. But not you know, say in the other than you know

02:33:08 me, me, I'm, you know, you're saying, you know, that's like, wait a no,

02:33:14 wait a exact, but, but it's what I was to say, is what I'm like,

02:33:20 if there's, even more people, more testino, C, C, C, but if is, I think for that

02:33:26 also that also the people enter in desperation, And when they, for example, a little

02:33:30 or the famous, I know, a little bit of, I'm a bravo, a brahma, mandame a message and my number of this,

02:33:41 can be very rapid because you know to where you're to do this. No, it's easy to have a person to

02:33:46 someone that reallyarily to help. It's complicated. It's that part of this story that made me

02:33:52 made a lot that you He started When she said She said To the baby And when the Mom

02:33:59 She put so So, it was like Like, Hmm Well, Well, So other.

02:34:06 If that You're also You're The more To make a Mager Berde But is

02:34:11 That's Obstant Obst Yeah, But that That thing So, But that thing

02:34:17 So, So, And now it's So, if you there's, if there's a, maybe extrany.

02:34:27 But super, super, super, super, super extrana. I'd like to understand. A me too. I'd like, I'd like,

02:34:35 to understand. But, this, but, but, I know, is that's that's very rare,

02:34:39 the, how it's, the, the, the, the, the, he did so,

02:34:43 the, oh, so, that's, so, for that you, for you, that you

02:34:48 think, that they're doing something, when they're doing, something, something,

02:34:51 something, something, super, for that you're thinking that they're that they want to you think. So,

02:34:56 if, if they're like, it's like, blah, blah, blah, not is because really,

02:35:01 well, not it's because it has been that's not necessarily is because they're doing

02:35:07 some kind of some type of perturbation. It's a type of perturbation, and we know we

02:35:14 know that's that thing or that or that whatever. That's what to me that was what I

02:35:19 was going to when I was that was able to that's So, at the more not he was doing

02:35:25 something, but simply was provoking that that would have more because in a form of that that's, and at the

02:35:31 moment, and at the symbol don't have that's people, they're going to do that's so they're to be able to

02:35:38 that's, exactly. It's not. It's not being. Uh-huh. Well, yeah,

02:35:43 too, too. Ah, so. But, but I'm saying, me,

02:35:47 me have much, me, it's that it's, it's, it's, it's, it's terrible.

02:35:50 Yeah, no, I don't know, oh, that's the stress of Chaneke's and where-Durne's, and if me, yeah, if I'm, if they're not, I mean, because I said much, I said, I said,

02:36:02 I, like, I, I, I, said, and, you know, doesn't, say,

02:36:09 so, like, it's, super, for that, that, that of a thing,

02:36:13 that's, so, so, like, like, so, blah, blah, you get,

02:36:17 in your infancy, like something, like, those of the caricatures with his sombreroes

02:36:23 and they're in the sungietos exactly. So, so, you know, like much, is like,

02:36:29 like, this on this on a caricature. So, so in the moment that they're like it

02:36:32 like that it's like, that's like, it's grisaceo and has dintasasio, thosehoffor rogos,

02:36:41 this, unias largeas, this, see, he's, like, um,

02:36:45 he's, he's, but after no. Exactly. It's a thing

02:36:48 really local. Yeah. We're going to let's let's say long as your time. It's like

02:36:55 to say another thing. No, yeah. No, yeah. Yeah, for the next. For the next.

02:37:00 For the next. But, before we're going to repitens other social,

02:37:04 platforms, for forward. Okay. I'm in Instagram and TikTok like Marianna

02:37:09 Mouse. You can can't find in Instagram like Darth Mouse 666 and

02:37:14 yeah. like Dartmole, no? Oh, exactly. Like, like Dartmole, but it's in Dart Mouse. 666.

02:37:22 Very good. I remember that if you want to send your experiences, you know, to read the

02:37:28 co-pro rubhaparabat Podcast paranormal.com more more going to do that's

02:37:31 another but not it's Fpo Rapap Parnal Pottcastanan dot com

02:37:34 yeah we're not not you don't forget to send your stories, his

02:37:39 evidences, his experiences and we we'll see the

02:37:43 next a week to join more experiences reales of the audience. Terrorificas, terrorificas,

02:37:49 terrorificas. So, listen them as they're trying. Chow.