INSOMNIO - ENTES DEL CEMENTERIO - Invitado: PACO ARIAS #32

Episode Date: August 25, 2024

⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Los cementerios albergan entre sus criptas y pasillos miles de historias, lágrimas, dolor, amores, venganzas, rituales... ¿Cuántas almas podrían seguir vagando en ese limbo que une el mundo de los vivos con el de los que ya se han ido? Paco Arias regresa a Insomnio para compartir relatos sobre esos seres que aún merodean en un espacio que ya no les pertenece. ¡Acompáñanos a desentrañar los misterios de estos ENTES DE CEMENTERIO!💀🪦Invitado: PACO ARIAS👁‍🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#podcast #Paranormal #extraanormal #cementerio #muertos #entes #fantasmas #brujería #historias #relatos #storytime #real #apariciones #fepo #pacoarias #dolor #cripta #descanso #ser #miedo #terror #ritual #religión #existencia

Very good days, tardes or noches. Beavened to a new chapter of insomnia,

in where we we're going to narrate the more the more terrorifices experiences reales

of the audience, so you listen them and this occasion is with us with

this time, and the very chido, Paco Ares, how you're doing I'm glad

to be again more here with your audience this format

I'm this Chio. Because every every I get I get one

I'm used to get one of being with thank you for you thank you for a case

for so if a case if someone who knows your that's

that still not you don't do you do you don't do you

media social platforms of all the projects of all project

personal podcast extra normal me can find in

social platforms of audio, our second project, Sergars Sustos,

a podcast of comedy paranormal. I can't to say it after the storming. It gets

to get to get them and sustos to be there and then you know, stories enbruhats

with the host Antonio Samudio that in September and if you get a

chismecito a shot with Uri Dias there for that you see the productions that

we're doing thank Fpo for the space and then so entusiasm

to start. Wow. Oye, fiat this, I think that there are many people

that think maybe like I don't know what I'm so the respect but for

example that there's certain places like houses inbrujada or places where there's not occurred

a lot of things such things that are the places where more

there's more interaction with the other world with the world of the

spirit etc and not in a pantheon and but in there

a lot of stories that are a Panteon. Of course, we're

going to this front a pantheon and they've done to start stories that have to be maybe,

maybe with the Panteon, no I know because this night we're to talk of the the entes

of the cemetery. Uff. That can be or not people that have to be

getting to get to their spirits in this place, but also also it also.

It's also. The Pantion always has been a reference important for different types of practices

is where nascent many stories, tantas anecdotas and I think the interesting is that all the grand majority have been a pantheon

or we've heard of stories of pantions and for me it's of the stories more fertes

that can say that even a little more real is getting to the life real because

all in some moment we've experimented sensations when we We found out. The reality is that enter to a panteon,

you're a energy different, you're more denser, it's more so it's a question, it would be,

but it's a point important to talk to talk about to stories of terror. It's a point

very important. O'A, me was a bit of a bit of a man, you know,

I've been you've been too, you've been much to the pantheons? No,

I'm not the The last time that I went, when I went to visit the tomb of my abulita. I go regularly, on the feches of the year-a-year-a-year-a-year-old, I went to live on the flowers, I went to my mother, to clean her lapida, to be a moment in peace,

to talk with her, to be that maybe that's that she may be or probably

probably maybe she'll get the but it's the sensation of the past that it's

in the know that's in a place that's a sensation very, very extrana.

You've ever you've you've communicated with with a family

no transcended? No. No, no, no I've intended never

because one, I've had been the capacity afortunately, of that my duels, the case of my

woman, was the more for me, I've seen to get a form where I don't need to

a contact but if it has passed by my mind in some moment to be

to be some type of message and that's what is what you They've done many people and I'm atrobo

to say, it's all right. You can't tell you? I'm going to know, is that I'm sure that

you're talking and pardon, pardon, but like, but like me disassociated so super very strong.

It's that I'm that's called of something and I don't me have done to this already. I,

I, I one I was I was I was still when a person Murio But from I'm talking

my abo With all the respect to the world And, and see a person that lucid

that the of a So, the day that that that was that night,

in the night he was like to hallucinar and and saludable a person

that, that, that, that, well, I, I, that,

I, the the really. It was it was, it was, it was, it was, it was

kind of, he was, he was, even a thing that a rare, but it was so it's,

it's, it's like, it's kind of, it's like, it's, and then we went

to the panteon when it were, and right I've got to know that

the only person to that I've seen to do you, and the only person

in the to talk, to laugh, to talk, well, to be and, and I, and I,

I'm going to, and I'm saying, because no, no, I'm not, I'm not

to be perturbered to be, so, to be communicating with a person transcendid, a

family transcendent. While I was in Guadalajara, this, I think that I,

I've, I've, I'm, a family transcendido, and when I'm in Chile,

a medium that's Connie, me I said, I'm a my abel, no, and me those

do you know and I'm to have to cut out because it was a bit more than that's over that's,

that's, that's, of a so, why a through a through a media,

et cetera, because not directly, me understand? And I'm doing the permission

to be to be and I'm like, I'm and I'm and it said my

mother and my mother, me said, no. So, if a family you want to contact,

then you're in contactate. But if you're trying to contact them, you're trying to, you're trying, not you're not doing. And I said,

well, yeah, but yeah I'm perturbed. So, a day, I think it in a chapter,

but in podcast for a normal so that I do you do this, I'm sure, I'm in a place,

that was the house of my abelos. I was there and of a old, me was sure

I'm sorry, I'm sorry, because I knew that was He was a He was a He said,

I think I'm I'm sure that You're like But it's So I'm like So I'm like I'm sitting in the Where every

Every time We're always He was sent out Like his sillon In where he He was And I was So I

So, of a So, I was I was And I was And when I When I was I was I was done

And I'm And I'm With Spongas With Havon With Wobon And But

me me a very a very that's that's what

I'm doing that's the that's what I'm like a but I'm like a look at

this is what you're what I'm after that we're we're we're and in

his recamara and in my mom and my man and my but they're in pausa. to go to visit my tomb. And I'm,

I kept, I'm kind of super sacado of because my abo-tampo too my dad. So I'm

like that's like, they're going to visit my tomb. They're going. Dilles to them. And I

understood that they were there's been there to make a message, no, that we're

we're going, and we we were, we were, I said, we'd say, we'd, let's,

I'd, two ventas and in So the door was open and it was it was around, it was, it was to be the house that was like in front, a little bit of the right, that had even a window so quadrida,

and there was a little, that was in the reja, so, observant. And apart, there was a young, a man, and a woman, that was the mom of these, and I said, "'Mirang, you know,

"'Tus know who are they? "'I said, no, I don't have the minority, "'are my reciners. She She's She's a He's his He's his son

And he's His son He's a He's a He's a man No, There's a He's

And I'm And I'm He's like Why he He's like And then And then When we

We're We're We're I'm a I'm a I'm I'm a I'm

He'd I'm And I'm He's And Literally I'm So you're

So You're You're You're To put A You're A

point, so that was the planet of the planet earth so that's like the holographic in the

middle of the and a energy that's that he got that's a place

and it's going to get to be rare. But I kind of I think was like

what we could be that we that's that spiritus God or

God or something something and yeah and it and it and it

and I didn't and I I I And with the time, I went to find out of the

messages, that's the I'm going to say to my mother, to do you know, but I'm going

to say. And he asked a a friend, a Talje, he asked for why, why I'm

I'm going to me said, well, it's a question, he's a question, why my

father, he said, no, no, what he wants, to be, he's doing, the effort, to do you

don't, he said, no, no, we said, you, but he he wants to

see the the effort because she she's she's her

time so we're so we're we're we're the time of the

time of her to come okay so go to all so

implic a my brother my brother so yeah you mean you

implic a great an great so so when when my

brother when my entered to the hospital because he had you had to have he said to get to get to be

he had been to he had been he had been so I'm so I'm not and he said to my man no no no

no no don't let's you get in my dignity my brother he said aboo you have

you have you have you're no no don't let's no those you don't don't you

and they they're they're they're when I'm when I was when I'm said that

that's that's what I said that because he that if I said that if I said that my brother my brother

I would know he was to be real he was to and he was and the family that was in front I said when I said my mom

no I said that part of the and me he said no because your abel

no thinks so he he knows that he he's not in the tomb and he I said

I think I think I'm I'm I'm I know that that's that's for you

mom me me, I was a family that was living in front, it was a

woman, a young and a little little and a little. And even he said,

no, there's a father in that family. She said a little and she said, and I said,

and I said to you did it does not right? Yes, because I know that

family. Me you know? I don't. Okay. I know. And I I'm just

what you I'm just what you're to say, bro, why they're that they're that they're going to

get to you? I'll say a what I'm because you and we're we're doing

points of that we're many times in common and others that have nothing to see that

in based to the Christian is a point in the significate of the meaning of

or decifference if there's any is the interest and the point of what is a this is a

this is a my own but there's some things that there are some things that probably maybe

see some are some some type of message or there are some that have some some

of the future the the dream you you've you have

in based to some interpretations that the the The fact of

banning a person is some type of purification of that you're not you

can't enter as as perhaps here we know we know we're

but you need you need some type of purification that that's that's

clean that you're trying to water is a reflection of the

purest and the actual of significate that that occupant this element is purification.

Now, the reality is that nobody has the certainty of that there's that there's we can't think of all the

thing, that's there's a reincarnation, that's a new, that's a thing, that's we'll we'll be

to come back to we're going, but no there's that there that's that's

that exists but that we've got that that's that's that all full.

All is creence biblically I can I'm I'm that the body really is that

a part I don't remember if it was the spirit or the but something that's a God, that even in the

book of the spiritus us were about that there was a something that is known as the whole and

that not is that there are there are many times or many the same and all the only

the word is the word well biblically it could be able to understand that, as they're Catholic, and Christians

or persons of this creencia, the soul, va God, or the Spirit to go to God. There, excuse me I'm sorry, if I'm sorry to be equitling, is one of the two, but one a jace in the place, until that

the day of the jury. That's the creency that has this religion. So, in basis to what do you say, come, and visit me. Ben, because here I'm, because are

much of to go to the pantheon to visit the detail of

that's you say you say maybe it's other type

of message I think that if is a message a message

direct so is literal no it has not it has been

or in parables or in this but if no that is

my pen that's if at the maybe it's probably probably

probably there there is there we know we can we're going to but who

know if this think that this thing is in the same base or in the same the same

the same probably probably it's a probably probably there's probably there something something

and then I'm so we're not we know because we don't we're

the certainty that's that's my thought so yeah

yeah I think I this an ascertico exactly an ascertico

for what? Yeah, I mean, I did all the effort yeah, even

to purification to be able to put up to be here. Exactly. Because now you're just to be

to be able to to talk to be to do that's quite well? Well, so I don't

not I don't you to say to a way with a symbolism and

no. It's that is a chat that you say a person

that you a message clear a message clear so so I

would to be, obviously, me can be being the absolute, but for me could be able to be much

significant more. You know, you know, well, I think you have all the reason. Oh, yeah, well,

you know, you know, you know, to start us to perfect, man. A me, the story that most me

is the the end of the year. But, I'm, I'm, so I'm so I'm

so I'm so I'm so I, so you, perfect. Okay. Okay. That story

is called... Oh, chis. Pardon? That's... That's just I'm... Pardon me. Pardon me,

my, pardon me. No, no. If you want to start? Adelante. It's that I want to be the

but I'd like to do it. You know, so... So, so. That's right. So.

Oh, yeah. Well, let's start. We're going to it's for the people. It's for the people.

And it's the man to our friend Alejandro Contreras. I know two Elhano Contreras, okay but this is

another person definitive he's that this he's a when they're when they're adolescents

the first in that they're putting they're at like adolescents they're trying to something

something like so, you know they're they're trying to have aventura He said that's

They're They're in total Like 10 About having Of your His brother About he

About About he's About about About 10 people And said We're going to The Cima

of the Cerro That's the Cerro of Chikonautla In Katepec State of Mexico And said

Let me Let's get To get Up of the Because there in the

Cima of the hill There's The Panteon Principal We

We're We're We're We're this ball of of the chasons and

they're going to to get to because the pantheons generally they're in the night and there no way to get it.

As it's they're there trying to access to get to find out to find out to the point for the

point to enter to the pantheon. And so they did you did you. So, these guys

chos, they're to come in the pantheon. At the lo leho they were listening

the sound of the of maybe in some automobile lehano that the motor resooned

very but you know you know more than there was the silence of the point on

his passos and more and say the fact they're not not they're not they're

not sure so obviously of the night in the panteon the frio you're like there

something like there's kind of but at the final they're there let us

and they're there's so there But, but it is a second time. Only that

in this occasion, only are three of his friends, his brother and him, the middle

of the people, and they're going, but have to enter to the part

central of the cemetery. For them, it was like to say, the exterior

of the cemetery and the interior of the cemetery. So, they're

going to the front, no? They've went to and they

they're to this part, and when When they're to this part, that was like the part

the part the cemetery, they're a cross of metal very great that was

that was that it's not it was like it's a some a little a

some of a little a little something there's a cross gigantic

there there's there the middle said that the bottom were in like

was like the metal has been have been like if someone with a force decommunal

he would have been and the metal and the metal and not to let's let's get to get

out of the earth would have revented and so and it had stilied and

and it was being and was also in the direction that they were like the cross

was the cross this is this is this is a little rather

to see this cross inverted and they They, They were

to continue coming to but in this moment it was a little tornado. Sure,

that there are places where can form. A remolino, a little tornado, but they're just this tornado

was just this tornado was formed over the cross. Not as if it had been there,

but over the cross, it was to start to arm that tornado, but it was to be

rapidly very very and they're so like that they're like that's like they're like they're

much curiosity to see what was going when of when they're that's that it was well that

that was well and then the remolino that was literally over the cross it was to form

and then was emerging a sombra a sombra oscura of a man

altissimo when saw this, one of his friends, his brother and he, no, they

didn't get to be to be the valiant. If it was the sombra of someone more that

was going to be able, to be to them, grittable, and they were and they're going to

and they're going to a moment more. Like, they're they're what's

going to do you know, they're they're doing, and when they were they're not

they're, no, corran, no they were. A moment after they heard how his

friends started to go back and then they were that they not they not was

that it was not a something that something that was there was so they

were the five first they're three and then the other two

two two chikos and yeah that they they were out of the

cemetery that the sombra that was there was remolino when they they're

when they're to see it was there was there and they he's he's

he's he's the torbegino to make to them and it's it was something

it was a more of two meters gigantic has had a form humanoid but who

know that it and then then so they're so they're so they're

so standing there out, into the cemetery narrs that

they're an alarido horrible. But this grito was, it said the thing the

thing that was the thing, like if they had been the life to a animal,

you know, is that shia horrible? Like if they were done like a person.

A grito that says that he can't to be to the thing.

So, until the day of day of in the mind, that

gritty, that larido that's that's that's that's where it's there's

there's not there. When they're they're not, yeah. So, yeah.

Demasiato, let me go, we're, every, to get a house, they're,

they're, they're, you know, the adventurer, the stust, yeah, every one to get to

to do, bye. That first night, they're they're, they're, that the

fact, is that, Well, only they just the of the stuff of what

they've experimented but yeah, I mean really, if you would say,

you're to say, to say, that's, that's that we did we have some

we've pesadillas. Sure, that the five we've we've been that,

but more that of that, or that or that was the that we're that we're

because that's that a few days, as the They were friends, they're

the five friends because the two that they had had been back, they said

they were they're something when they they're when they come, so they

are they they're immediately they're sure that the two that they were in

those those few days that passed in those few days they were

terribly bad they were they're pally they're They've been backed of Pesso, but ultra

notoriously. Okay. So, so, very, very, so they were demacred, like if

they were so they'd have been in very much time, they'd not were in the way,

they were they're not, what's what you what's they're doing? Who?

The entity that was in the torbellion? No? A- me, no,

he's, he's, and the other said, and the other he's

he's he? No, of what you about you? And the others they've

just to look at us all right just to like no they're like the current to

his people thinking that at the maybe they were they're they're

only only about they they're and and after the curiosity

and they they're they had said that they They didn't want to avivar the Fuego.

They said that during the day they'd that was there. Like, like, that through the reflexes of the

things, there was, but then was more present, and that then, and that during the nights,

then they were with this entity, and that when they were they were full of

rags, marks of moretones of the but this has passed in some days if we're

we're we're we're not we're not we're well they're going to

everyone thinking in what can be this yeah passed some some days

more yeah no well you not they're not

they're not for reasons normal of the school or

other things and he he he that they're well

they're well. So, we're to be able. But then then, you know,

the news to the last year. The night anterior. One of of them,

of a repent, that had been in this situation, to not to listen to hear,

to start with the reflexes, to be a through the that was that was

that he was a not the father, it was it. It's was a

So it's the story of someone that's the woman who's you know, you know,

you're just just in a car, he said, and you know, and you know, you know,

but it could be a thing. The other also, also he said his papas,

also he said that through the reflexes, also he said that he he was

he was he he moved things, when he was present he, he was

he was he was Moretones, ragsuos, Tapok-le-le-timore. And in the night, the papes a moment. And, this man

this manchchew, entered to the house of his parents, he started to go ahead, until he found the cajah in where he

had the arm to his papa. The cargo, he was fired. When they're receiving this notice imagine

now they had to go to not quite funeral pantions and

all but in a manner horrible so obviously obviously

he was a much fear after that they were the

notis and they were so consternated during some

time he and his and his They were consterned with this with this news, very spanted.

And then, they were talking to the cell of your house. With the the experience of there,

and while they were talking, the repent, so, at the night of the night,

they were a little, it was like if with a deado someone to talk to a madder.

You're, and you're again back. They started to to find the sound of the sound of the

sound of thinking that was a out of the house. There in the cell,

at the front of the front of there was a space great of the

body of the whole and they did you know that the sound

that the sound that was and when observed there there like

if was if it was a other side, there was the

sombra of that the ser, gigantic. Of the other side, being to those, tocando,

and the space was moving. Boom, pump, boom, boom. In the moment

in the they were, they're immediately impacted. And the being, the

other to talk, cruza the and the and he grots and they're so.

Terrible. the those the not they're to hear the didn't have to get to

get to the obviously there were nothing and they're they're they're they're

and they're and they're to say to what had been what they've seen what they've

seen a difference of the other children that had had had had

a very bad so so his parents because his

people did what they're they're they're they're They said, what we do?

I know a curandera, and she can help us. So, so they were with this lady,

the she said a limpia and she gave some instructions to do a series of rituals

that are that they should during the days the next. What she said

is that an entity or something, be of a natural, to what possibly has a much time

that not is human so he was that night that were to perturbate the calm of the panteon and the and the bad

of this is that this woman said to them and to the I don't I can't assure even with

all what I'm I can't that you can't that you are to be to say because that all

me indicate that what that entity was doing that was when you were doing and you

got started was doing some kind of kind of or something in

the other and was and you know you're and it's he was you're

not you didn't know but from from the whatever

that was that was like to the pact and the sentence of

the time or this entity can't help us not to par until

that he obtain that he pacted his almas remember the cemeterio

is for the cemetery is for the last that woman They sentreged The rituals that they're going to Do you know? They did the

Lipia, etc. And they're They're not, well, well, it's very allentado what they said.

But decided with his Papas that were to do the little the way of the letter.

That's going to do what the said the she said the because obviously don't want

to have to be to be to be to this situation and so

they're during much time it, it was all it was bad.

But it's your call with this. After of the tranquillity

it was the day of day of we don't live in plain tranquillity

no we know in what moment this being for we

I've I've I've back 15 kilos of my

personal every day I'm less hungry. The insomnia me impede to go ahead of course. I'm sure I'm observed in all the moment.

Oh,ha, the people that hear my story understand that perturbate the dead not is a good idea. I'm going to get to hear my story in your voice. Interesting, and I

think that story has a message very important. There's a lot of people that that's the thing paranormal like a all the

majority of of the people of the but I'm I'm sure much the message that we're saying that's

yeah, it's good if you do it's good but if you're doing the things

do you do this do this informate and be with the people that's

because it's a very simple but if something if something something

you can do you exploration or if practicas something, but if you know what you're doing, very certainly, be the next person that you're sending

a courier. I want to talk about an story that we share of akeel Solano. This story is called, Accompaniam.

This is a little a tia of Raquel. His tia is called Indira. His tia had a don

from very, very little. So, his Tia had the ability to

see and talk with people and talk for the father. For his father, it was

a little impressive because when you know, when you know,

it's that there's that you know, and there's many things that

his Tia because this from from this is a

story of Camilla. Who is Camilla? Camilla Ella, she was her her friend imaginary.

His tia had eight years when this happened. His family saw that Indira

and dara was up to go over and talking and all the time

and they asked his papas his daughter who you can't come you

can't come Camila is my am my am and

and it is normal for these parents so this so

this his day-a-day of Indira, to play, be you know, they were in the columpio, and all the time,

I was only, his family not was that this could be a little more turby than what it

was a day, it was a interesting. His abuel had to go to

the panteon to visit the tomb of his mother, and in a little inoperated

and sorprosive, He gets Indira and he says, Papa, get me. This, I want to accompany. But she

transmitted a necessity a very to go to the pantheon. He's a daughter

and in our generation not used to get to be able to be the pantheon. But is

that I need to be to I'm to come to and

well when, as I'm that intensity to want to

He said, well, he wants to know him. We're going to go. They're going to the pantheon. And, this, and he was this little talking, during all the the way of his amignairia. When they're in the pantheon, the abuel, well, you know,

where is the tomb of her mother. But the little Indira is he put in front and he says, "'Spiritre. I have to say to something and that

he's he's very because he's only he only had much

security in his his a need a a necessity to want

to and he he says is that I need I need

to me to the tomb of my my his moment the

My abelrolet, a little incredulow, and extra-yrenaud, he says, "'What, me is that my amygdata, "'ke' he'll be to visit her. "'Cere mostarme, for "'for-favor. "'Their-a-vuele-no

"'in-certainer, no, "'hearer, what's going to "'and, a little incredulow, "'le, he's still the game. "'He says, okay, "'vam-m-let, get me. "'Caminer, and begin to "'and get to get to

area where are the tombas infantiles or the area infantil

where there are little lapis and they're to come in

them they're they're a one that's very very

a that was that nobody he and the the

abel and he he and it's there when

he feels a something a He was a living the texts that were in that lapida. And, effectively, it was a little a little little,

that was eight years, has 50 years, when they found a tomb, the abu-the-aul-se-kevoh while he did a gesture of a new, of extraneess, and he saw that his little ingeira He said,

and Dira, he's kept, looking at the tomb. No, he said, he said, only he said, the abuel yeah,

he'd to be quite, because, as an adult, how you act you and this situation?

Sure. What explanation you do? Because for she, not it's not a simple

amiga, imaginary. Now, for his father, too. Decidio to make

more questions the abuel, that was the father, Indira, decided to make more questions to his

and to say, to see, let me, let me a little bit of your friend. Who is she? How is a circle at you? Because it's

contact with you. And it's when Indira he's the tragic history. Resulta

that Camilla had told that she had that she die to the right of

his own of his own own own a little strange because

his father was a father normal but one day he

started to act so his he got to

get a people who are in a book

of a book that only they only they

have a reference to the book, and they said

his his papa passed hours, hours and hours, and years, generating an addiction. The strange is that while his papa was reading books, had a comportment and lapses

very strange, very rare, had changes of personality, had rancers of ira, I'd want to be more alone, he was never a interest family, and this was

provoking that he was freeing or per die probably the love that had to his family. In one occasion, the little Camilla was in her

room. It was very night. And she said that she's how in the house of his father, he was just being sotting against the walls. He said how she'd

the things, gulpes. The thing was very strong because all this is narrated to this little

little little of eight years. And she said that that he felt a presence a summently pesed in that

house and the things were coming of the control before that was a tragedy his father

gave a great and for a minute there was a silence and a

someone to come a enter and and he and he and he

and he to get to the life is the life is when his

when his her is her is narrating the terror

the terror In the people he rumored that this man he's

he's to give a his own a type of demonio but in the process

in the conjure something he's he's he's he's done

a take a soda and get to the life quit

he he and he he's he he's and he more

he says what what's what he wants for he want to come

to Indira he confessed something and he said, is that Camilla

wants that I'm that I want to she's with her because so

as I see a Camila also see a father described a

one very very because he's that when they're

when they're he's he's and he's he When her papa

she has she has a lot and she has a lot of much, much fear when

she's going to describe to his father as a person that produce much

a lot of a fear, a a sun with the eyes undied

with with the raskos in her that reflect much

mald and she she I'm I'm that you want

you come me and we be we're we

are the The fact of the why they were there was because in that moment, the little Indira, he was to pass to be part of the world spiritual. Mediante a conjure that his same father he gave to Camila to give him indira. The first step was to go to the tomb.

The second was to learn The conjure. In that moment his father he said I'm let me

see the question he'd the paper and without to look to see to see

with her encenegro he's he's he passed the reality

is that when be that's going the the face

of her her imaginary she she she she

she some type of of nojo, of courage, of ira, because not he completed that

the person that's the whole, that's the final, no passed nothing. But

passed something more further, more a little, because that a month

after, something something was in the Padre Dindira. He was more freeo,

he began to be more distant of his family to be more unattended

of her own his own and I had a book right to be

up up a little a night and he being a

little a room to the room and see how

his father was reading the book without without

in one moment to another he went to

the house and he took with the terrible

not that his father he had quited the life no manches but he

a note a note for all his family and this not said no I took

option or me cutable I or I cuted you

never never knew how he gave that the

man to impressionate oh that is No manches, see? Yes, yes, see?

Perceive in a caon. Dade you Dats of something, it was generated the same patron. The same patron. The same pattern.

And yeah have been cases where the father, of actually I think I told one about a lot before, when I was

going to do with his kids, they said, no, I prefer to be I, and I'm and they're

this decision so forth. In fact, in a chapter that we've of exorcisms. This quat van and do they ask

the exorcisms, the father of family. No, he was. He was, he was a bit he gothrum and he was

for hours without to move. At final, I, they've tried all, and he

said to his family in a moment of absolute lucidity, for favor, encirre in a

hospital psychiatric. Those hours had to have a battle mental?

If you know they're to have to the life, because if I'm going to

get to you're going to the entity that you have got to get to a hospital psychiatric.

That D'Roe D'Rae Oh, yeah I'm sure I'm actually, I'm going to

let's is much is shortita It's a Padre No, it's a Myrace

And it's called Enquentram Okay Figate how is the life this person

who this person who the story Onix us says that this story

he's to come to her mom his mother has has has

has been his life to serve as as and the

history when it was more or a year in

the forces public's. In that you know, you know, you know, the people

that enter to the police, obviously in every country is distinct, but the first years, we know, that

you're not like in the films, that you're not, you know, you're not you're not, you know,

but you're you know, you're more simple for that obviously you're going to

get around experience. To her he It was that, as the people new as

were in this work, his turnos and his zones were all over every rata very ratcho.

In this occasion, he had to have taken a new orario, the hour in nocturno

that was at six to the morning. And, and also, that was that obligable

to that that would be to be to be to his house, it was a

chaos. So in those turns that had, turnos nocturns, what he did, is that he was there's in the delegation, the which has some of the part of the back, for that the

officials that have this type of turn, they can't be able to start. And, well, I knew to start so turn, and this, and he's prepared. So, she

passed working, very content, very father, but when when they get at the 6th of the morning, that that's the turn, it's he was agotadisim.

And he said, I'm going to go to doorme, but I'm going to have to have done 12 hours of

work so I'm going to do you know, and then I'm going to get to be a so much and I'm

to go to this, that's a lot of important. In the the tinder he bought pan,

leech, and two palettes. So, and the station and he comes his pan and his and so quickly

and as he's a much can't seem the palettes, they're in your bolsa, the pantalone, enter to this

place and he's to goposed to get to the eyes he's a little bit he's a

super lucid so, so so he and he has there in the station of police

and be that there a little like a little, like he was at

behind the mark of the door she was she was at the she was she was

she was she was and she was coming and she was then she saw know

she got that more she was she was being the she was being so

so the she was she was observant she she was well,

she seemed tranquilla, she sent to in the camera, and in a moment that he

was made, he said, hello, and the little she went. She went. She,

she, put in the time, and he came in a point of the door to be the little bit of

five meters, he said, you're doing, and the little, and the little she'll go to

the head. Necess, you need to never to the head. Then, he gave much intrigue

to the little and changed his tone. He changed in a tone like a

policeia, Preguntal, no, came a tone more maternal of preoccupation.

And he said, How you you know, how you name is, and then the little and then the he said,

and he said, I'm called Angie. Very well, and what you do you only? Is that where I live,

I'm aburro much, for that I'm here. Ah, and where you live is? Pregunted

her mom and this a little signaled with the dead to the door to the door at the

derision and he he said here you can you can't come to visit me

when you so then the mom recalled in the dream

that there had two palettes that had had got

he made the hand in the part of the

box took one one of the one of the She she la mostro.

And he said, And the little, and the little, she kept, looking at the paleta? Yes, he said. Tomala.

No. Dehalla in the and the and come in back. Why? Is that you can't

talk. For favor, dehala in the piece and come in the and come in a tranquil, put the

paleta in the soil, and he went to come to back. The little she was

he went, he went the paleta of the piece, he looked to and he

said, and he said, and he said the world, and he went to the door

to the door to the time, simply, the thing, and in that moment,

she was a He was He surresalted He sat on the camera Thinking About the

Suey He had been Ultra-Real Sautreale Yeah Yeah Yeah He was

He was And he was And it was Like he was Asomar A-Nina You know But

But obviously obviously No-posed What's What's Soe He said He went

To go To go To be To be has been and when he's he's the door

back at the door that was that she had been she's she and he had to

get to get to get to the sanitaries and when he's going to

see something that he he's super surprised to the

front where the door that the part the

side the the place He met her the man in the bolsa at and he just he left a paleta. Okay.

So, so, that's not, that's not a coincidence. No, no, it was a he got to,

he was called, and he wrote. And he recorded that the little bit of that door at the door. So,

so he kept thinking that there there's at this door, the cemetery. And when he was

the she did know that that that was a that was a that he had visited,

but he had not had had been to get his his place.

She was she was to visit the cemetery and when was he was he was

he was under the names of the tombas Angie a a new

she she had to be there had to be there was

very very so he was he the companyers. Oh,

I'm looking at the tomb of a little a little bit of this cemetery. But, but not

it's more or less or the age, it's like all the signs particular for that

they're to be in the archive of the police okay. They put to look

and they don't they're not. And then in that she even even

was even was even even was even was even being to

convince to be to be a something had been a something that's been a rarer. Yeah. Because no there were any

tomb and there were some little a little Angie. So, so he his work

and his history, what she had told some days before and the people that

was looking called the attention of a person. The man of intendencia

a a senior major. And a day he He was He said,

Officer, I can talk with you? Yes, I've heard that you've

had a a little little how it was, and she he's to write

Angie Yeah, Angie no, he has been found your

tomb but is there. He's that many years

there There was some rumors. Some rumors respect to the commandant in turn of the delegation. It was said that had abused of a little

that a poor that was and those rumors were growing because one day the little Angie disappeared.

To him he, he, they never was found the little. to him he

he he he no he never a crime to pursue because

never they never encountered the and he said you you know

not going to find the tomb of Angie and also

will find the murder of that the woman

in the but but look her in disappear

You know, and I also, that Angie, is there out of there. He's in that cemetery, but not in a tomb. It's a... It's a type of... A fossa. A fossa, well. That's...

That's... When those stories have... Or, they're... ...they're... ...that these... ...that in some moment were ...and that they're in a moment... ...and that's...

...that's this part in the... interesting. There are those who are who are the people of spirit human

and are those, that they're that they're not the spirit human. And of

that's more or more than that I want to that I want to this is

that Wilmer Giovanni he he he's he he's

he he he had a his father he had a

patio. Regularly he liked to pass the a rata of the rata. He was not he caused a minute. When they're these little little kids that are in these

places, centers of the descanso, not it's like for who are for the they're going to get to and get to

and it's something very normal and this happened with Wilmer. In one occasion he he

he wanted he wanted to accompany and I got to get to the

place and I'm a moment he he gets and he he's to come

to the stumbas and the numbers of the lapidas to come to

the can't and he took to a little that was playing of his

age he was playing with a little he he he

he says to talk with him and he says

we let's And they put in a football There was a There was a area He was near

Afts a lot of a lot of sombre And so they were a good Rato

playing, the two running, up up, up to and down. And in a moment

Wilman he said, Oye, and with who came you've been you? It's

that we have a rato and, and the fact is that, why don't

you say to your mom if you he'd more time. He

he he mom is close. Why not we're and we ask us.

In this moment, we're not to give the permission to the mom? Well,

for what he's a little a little he's he's going to get to the

day after that the day. Then they're they're and they're and they

can't that there's there's a woman that's sitting in a tomb.

But they're they're I was just He was a Transmitia much Tristice and He,

when he's Why is You're saying, She is she? Well, Well, it's a For the first

he thought But well My insistence of to keep to go and I'm to ask to If you're

Mereau's he'd to get to to have to another other I'm going to

and he did a semblance of molestia and passed to the sadness to and he

he said me let me go ahead me and no me molestes he he's

he's he said a he what's your mom because he's acting

that he's he's he he he says tell these

words you know you're more you're we're we're just

when he's he says that he says he how the woman

she and his eyes and he's his respiration

to get and he he and he and

you go to he's he not he's not

he not He's here. No, it's not well, let's say that. He's extrana

too at the the man, and, he's he'll be to see to and he's

when the he said, she no me can't see, only you, you can't

see. In that something, it's a start to And he says, Dill,

tell you that I'm here. Dill that all going to be a good. He,

obviously, with much fear, all the person, no, know what does it,

but he comes to and he starts to talk, and she does know that

she will be to get to but he and he started a strange.

The relato we mark much, that It was to feel

an ambient so dense an air and it ari in this moment but

this woman was a little the way to the little the lopied some

those siluettes and the mirab of his amoe so he

started to turn to he he not he was he was

and at the time this woman not was he

was that he was he was he because she really she felt that was playing,

and he was playing a a drama. Atonito and aterrado, retroceded some and I started to go to see a little, and I had a mirabre and a very macabre

like that was I was just going to in the out of the out of my abelroleting to my abelow. No, parable to I was to cry. I had much more

a minute. I found my abuena in the out of obviously. Me regained because me gave

some indications that I did some what he said. And as me was very altered, me

he left to be a house in that moment. Yeah standing there, I,

I told all my papas. He I was with a little, I

what happened with your mother, he I found all. And my abel he

kept in silence and he only said one I'm I remember when

they're when they're that little his mom was present also

and he was to cry that that he was

with his life accidentally and and since we

he all the days go to her mom to visit your tomb. This he generated obviously

much more a lot of the parents and the father and the father and his son had been with a spirit

or what was a spirit of a man a man who is that that is that is because

the ultimate that this little he was a mind of a look of a a look of

a a look very extrana, very macabra and so this he affected

to him that he he was to cure to spanto. Okay. He was

he was going some occasions with one person. This person he said

that he had much good to visit certain type of places because

probably probably that that was not a spirit human.

He knows We've got to come to that since then has not has been

to be a place only one one once he

had to have for a family and that that

he he he he he was he saw

under the tomas sun and and and he

and he to go to you that that

that that that that that is So, what he He saw, in reality not was the

child of this woman, but more it's like a demonio that utilizes the body, the form of this

man to continue to causeandole to that that woman, to keep to be able to continue to be

because the woman had this custom of every day to do all the to die to drown

to derraming this type of energy in this place and there's

and there's a little that if you know the stories or the majority of stories are the

boys that are in the place and is to them with the first

they're the first that's the face of a baddard that that was

that was doing to do to make to make to the

woman and also to to to the Because really the only

that he provoked was a wrought was a a rancke of iran in that that was suffering.

It was a rancke of ira. Like, not was the first that was the that was the

that's the that's that's that's that's that's horror well,

that's well, well, when, when we we're when we're when

we're talking about this of this of because they're because this

story is We need to need us. We need our friend, Adrian Vaskis. Figate, here I was to read because it's difficult to remember this.

Well, no, it's so difficult, but nothing more just to not errar. And if I want to narrate, what I lived in the Panteon, the Garden Guadalupano of Catepec, during the funeral

of my abuel. Well, in this panteon, there are a lot of capillas that are evidently to be able to those difunters

and are like capillitas chiquitas has that particularity so when they they were there were

much people and then his wife and he now not couldn't enter, yeah not

they were to get to the miso because there was literally there was

there had literally had to get in the entrance of the

capyita. I think they're so much little so they're to get to get to

the entrance while it's going to all this was going to

the misa they're they're there and his and his and he

said he said he's he was a little space very

little and then he was he was he was

being all this when he started to feel like a

sensation of free of, you know, it's kind of a little rare

to describe but your own your own your kind of that something that's

kind of different. And also of this kind of free inmediate this

sensation rara like of oppression so says he said he

did count that that he started a aroma to flowers.

But it was very potent. It was like accompanying this this frio. So, he started to observe to his around,

he was a little distraided. It was at the 12 of the day. The sun was, but with all, you know,

and he he's kept seeing, observing, so, to his around, when,

when, when, that's feeling this frio, I'm, Voltae to

back Like to like There's Like something Is there Something to be

That's There's There's going Nothing Continue observing Like What is This is

So, It's so So per Raro And And while It's So

He's He's He's On a Oner On But He

He He He said He He He He He

He He He He He's He's like the ultimate

person. And, and, I'm a carriard counter to the

way, so, how he got to the man, and the person, and he was in

his arm. This man, to start, he was a little bit, he was, what was what was

who was, who was, who was, who was, who was, who, he was to be

the back to he, behind of him, where no there

a woman that he's taking for the ombro. This woman is a woman

of tess black and she not a palida the cabellos large,

castano with a vestido with a shirt and a collar of

a with a medal with a medial very great

of San Benito. He he he he he he and he

but no he thought in other two. No, there's.

So, how he got it so, and he he got to the arm so he's

he got to like, what on? No? The man hell over the and he

and then he's he like he's like to go to see with the view to the

but the woman not was his hand of his mind. So I'm

thought so, he was to be a person, I mean, I don't see who who is,

No, this this this she was there and the only what the only

that's the only thing was to then. So, so he was to go

and he said, Disculpe is it okay? And this this woman didn't

even to see that was with the face to the front with those eyes

opacos the pale palida so and of and of he said

and he said he And, without to see, what he said is, Dilless that we need a misa.

He, he, he, he went to the front as the front, like, no I'm trying, the woman,

retiro his man, and then he went to back, and he was back. Wow.

If first he had appeared inexplicable how he came so, now this

much more. Confirm. I mean, I mean, exactly. In that moment, he he said

and confirmed that he had been a person that was a person that's immediately he knew that

was an that was a man in the panteon that he had given a message tell us

that we need that we need who? Who has needed a a misa? No, it has

no, it has been to be but well he went to his his woman,

her So it's very rare. He's acuesta to and in the dream of immediate. The woman. Bea his

rostro palid his eyes vacu his enormous medal of San Benito parada front to him

tell that we need that we need a misa and he he opened the eyes what

he passed second night can't He's tired. You know He wants to record

this and and he's a profound a profound a second a

sound. He's a manned and the end up and he looks like this woman

with the vestido palida with the eyes the cappio castaio

he came coming and he talking his medial San Benito

he he can he can do not do not do. Sure. Voltae, but without verlo.

Dilless that we need a night. The third night he he was

but he was over-salted. Something had changed. She she,

she she was she was just that not she not was she

was a denis. It was a company that he had had been in the preparatory only that now she

was a woman adult. But there was a little chistos. Deniz always had a

medallia of San Benito very grandota. Okay. He didn't even was even much with

her, but he said that was Denise for the medall of San Benito. It was super

particular. And then what he is that he was He wasperted, he wascough a contact of

some of the preparatoria, he went to one, he said, and he said, Oye,

you, you, you do you when we were in the prepa that we have a companyer, that's a

great, San Benito, Denise, do you, do you know, you know, you know, what's going

about her? You know, you can't do you know, you know, you know, you're doing, you know,

you know, Well, falleceo. How? How's he fellacy? Yes, well,

we're thinking that you've been there's been very famous. What? What was

what was? Has it six months, he was an accident automobile and I

was going to a house, had gone to a consult a medical because

he had been feeling well and was very contented

in the consulta medical they've been said that his pain that's a

bad he's I'm inbaras but well the accident and then that's accident

so that's that's so and what more what more what

you can you can't you well the fact that we the truth we're

a lot because his husband, the which you know you know because

a part of the accident fell in a depression profound, horrible, per die his work,

no was not to say to not to do that this not I

know, but in some moment me commentar some some

many many that the family that from the day of

the funeral of Denise and of the baby, well

this person, his husband, no has gone to visit his tomb, nor the baby, nor one

one one one's not a not. And I record the word, the phrase

that he had said that we need to let's we need a misa.

Sorrow I have a question more. You know in what

Panteon is enterada? Yes. She is in the Panteon

in the Panteau Guadalupan of Catepec, the same. ... that he had

acudied at the funeral to only. Only that there's not all

the stories are not all the stories are yeah.

He had the contact of these people but

not the husband of Denis. No he did

he He didn't do get to and he's he's how I'm

going to go to a man that's destroyed and say what he did he

he's he's he's only I'm just I know for fin

they're in a place and a time of the contrary

I hope that his almas no so not

a something something that's a little bit of aterrador. They're going to be. Jolet. There are things, that, that we impact them because no,

it has a final felice. Just about you do you say. I mean, I mean, because many comments are going to

say, no, well, is that you go, you know, you know, analyze it a second. You're going to

go to a person who no, that doesn't know, you're going to talk to the door, you're going to

to get to who's to be you're going you're going to be to give

to say oh yeah your your wife is a peter is a little very difficult

but that's a first because not you don't you're to believe that you're not

not you're not it's I don't so I'm so I'm so much there

there was that I know I've seen that time that I received that type

of messages and me I say, is that I don't, I don't pass because me occasioned many problems in the past. Sure. No, you can't get a person and say,

he's your, that you'll say, that's your, that's, because you know, you know, you know, you know, how the person could reactionate, so, only, you can't you can't even though you can't give a little bit,

then you know, you know you know, you know, and it's a, and it's a, and it's a thing very delicate, of which many people have decided

simply to not pass to know no message so I'm

I'm going to tell this story that I'm when I'm really

I'm very you're to know because he called ente

imitator and us and we do you know this is Marcos he

he says he said his pesed before after the death

of the mother because that, like with me, was more than to be your abel,

is your mom, your mother, who is your who's got to be who's your support, your fortaleza

and that simply a day parted and our heartio, and our heart soon. In the case of him,

it was a great, noches without to be able to be much, a great

to that much angustia. And he was in that lapse, no, to get this situation. He in that then he was at the preparatory and one of the time, he passed

something very strange. He'd yeah to his house in the bus and decided to be back to another parada before to get to

his house. It was an impulse, something very extra. He was actually acting like a little in a mode automatic, if you want to see, if you want to be, so he he was going to,

he went to come in some planties, and meters to the an minute's ahead, there was the cemetery. He continued coming and so is how he went to the tomb of his abelita.

He went to his lapida and he started to talk to, as if he was if he was still ever, and he started to how had been his day, the school,

the friends, he started to share. But, was it was something that not had a time

and the the pain, the paince in that moment. No could

contendar and he began to he he said, he was that, I was

he had with an intensity that was the wessus

in a arrake of desperation he he inca and exclam in voice

altar he'd do anything for to be to be one one

more of the in a in he lance his words a rafas

a air he went to a round a great a newbe of polvo,

which obliged to that he was to tapar to the car and he's a little

when the air is calm and all and all he's to get to get to

get to get to get to the he and he

he he's he he he does know that

that he that he behind his tomb so so

me did diffuso see a figure of a senior anciana cabial

long his his same his his same his

was and said my my abuela in that in that

moment he he he and he again to

get the mind and she was his Roppa,

justly he's been interrated I'm there's there he's

he's he he he and he and he he

he was he was he he was a he was something

he I'm I'm I'm I'm I'm going to

go and he he's he he's he he

went his mother was very angustied. Before of all it was a

very strange. When he came to a time, it was very late. If

just the cemetery was a 30 minutes of his house and he was

not more than 40 minutes in the cemetery. How was that

after school is the night? What? What? What? He was

not where you're talking about the time. But when he alterated, he said, what do

you do? It's that I went to the Panteon and he told all

what occurred. His mom so he and he he

he says because he says you never know who can't

listen is something that you did If you went to

and you you're you're you're you know you know you know you

can't hear of but well as her mom he saw so

so both were and both and they both

they were to say was your abelita and was he

was he he he now he thinks of that. In the next days that

pass after that encounter with what it seems to be his abuelita, the things started to change for him, for his

body, for his health. In one occasion he was he was going to feel an oppression in his pecho. He sentia

that a force extrana, he oprimed and for the night he he felt

the he was to feel like if someone with his two hands

he would be and intentara to end up him. It was

very strange. He got to the hospital and

is where they diagnostics a strange a because his pulmones were debilitating

very rapid from from the day that he visited his hospital his health has imporated much

he is very debil per die the force in his feet, he came in a chair

of and all the time is all the time is in hospitals for not to die.

Because he has had been many complications and he has a emphasis

even in this moment that I think I'm that I am

I'm I'm I'm I know what I but definitely

not my abelite she never me had made

some any of any the The more is that, I'm the day of today,

I'm I'm in the night with that same sensation, and I see in my

window, a silhouette and that that has that's the same my look at

my abuelita, but this look with a look at he, he was

he, he, he pacted something with that phrase that that

he launched to the air. No? He said, Daria what would be it.

Daria what were to see her. One way more. There's it. It's not.

There's there. Yeah, there's you know, he's got. And it's just. And yeah. And now

me will be to do it. His health. Sure. It's not consuming. It's not

consuming. Yeah. There's to have to do you do you, with what you do you do you.

There's a phrase that me like that is of science fiction that's

that's that's good that's because many if you not you

know I'm there's consequences there there there was a

person not not to be and be a millionaire

and be the man and you know you know

you you you are a cost of that

so that is a clear example of me

Look, this story that I'm going to I'm going to tell. I'm going to say a hilly, a parenthesis, before I'm going to because this is very important. Has seen

some other times these images of these people, Luciferinos, or the persons that they're that are

certain deities that basically are demonies, like Molo, etc. are men. Only are men

Yes. Yes. Yes. Yes. Yes. In their majority. In their

majority. Uh-huh. And there are others that can't these stories and are

women. Okay. In this story, you're going to hear something that's

surprising. It's called Akelerre Mortuorio and we know, and we're a

friend Oscar Mejia. Okay. This he says to his

tio in Sauta Nayarit has approximately 40 years this this this tio

vivied in this place in Sauta between Villa and this place where are

all they're where they're there's a 40 years a way of a terrasseria that

connected both both pblas so in that when his tio

was when his that this is the way transited at all hours because it was the only that there

not only people a-p-p-a-pice and automobiles etc. That was the only that was the only way to pass

between a people and another. And just in this the way is where it

is where this situation to the this story that usk is an history that was he'll occur

the tio, but that they're they're all to be. You're going to

that's going to be and they're approximately at the night. But, but it's

no, he'd fear. Because it was a many times had recorried,

many people had recorried and the only the difference is that this time were

at the night. Very rare that, that's so, because although

it were a time, the common was that you could You could have to other person. You know,

someone more recurrying that that's a he took a bad luck and he was totally alone. Well,

he was there he was there a way to get a a one of a one where a rancho very great

that we we're going that in the terrain of that is where he is where he is where

the panteon of Sauta is very great. He was coming when of a

a little a way to the little some some of the some of

rogisas like they were so he he's he's he's he's a

incendio I think that's that's the camped there there

along there on the part because I was not

he was curious he he was he was he was

that was that was the of fire, but not an incendium. It were two

enormous foggats that were there were in a manner of circle, but grandissimas. Of which I said they were

that they're that's he starts more let's more less let's less let's more precaution

at these fogatas in form of circle in the the cemetery where it's where it's

supposed to there's nobody and so. And conform if if I was

, I was the, and the brasas quamand-se, I used some

the noise very peculiar. So, they were like gritties, gritties,

but not were grits of the dolor. They were grits like, like,

like, of ecstasy, like, like, of a , like, something, something

there, like, animals, It was like rare. And then he started to get to get to start

between the ramas to be to know every bit more closer. He's a one of

these fogatas grandes and yeah when he looks well, he gets impressioned

basically basically are the fogatas and the circle was conformed for women

around of the foggata and These women, what they were doing is that they were, like, dancing and cantable, but not they were singing to anything that he could recognize it, or in the idiom of Spanish, that he could be able to recognize, but they were doing like a mixture of rizas, yantos, a language disconocid,

little gritos, and he said that it was like a cacophonia perturbator, because not was something like, so, you know, something like, like a libyano, and it was kind of rare, no? Well, he obviously

is being this of these women and he thinks that can be dangerous if if they're in mind

of your presence. So, so, he's being he's to look a look

a point in the which can be better what's when he is a point of

that you know, not only only are the women are around these

two fogats. Nota that there something that's something. Then, so,

he kept inmobile observing, and see like the fire, that's so the fire, generate

evidently sombras with the tumbas. But these sombers, when impact the light

of the fire and it's a soundra that seems that's that sombra that's

moving with the fire he's detain he took a form human and cruiser

to another tomb and he is he's dancing of sombras strange between the tumbas

apart of the women that the can't the the woman begins to change

they're they're they're they're not they're they're more more

making a rhythm more melodic is dark. He is embobled, is very very close

and is seeing this and when the when he's he does that the fire,

that is not it's not that has gone and has gone and has been calmando

conforming conformed the women are more soobey they

get they're and they're like murmurando something and

is under the fire, it's to generate what first is a a woman is a

little and then he does know that is a sombra volumetric

in middle of the fire. Okay. He is atonito but now

he has been a fear. When see that this sombra of a

repented, that is being it's doble like if had been

doubled from the the first and he a one an

entity humanoid but for supposed no human of

many meters of large huge with some those

and and are like separating and he he

really much the attention that every one has

six large dead the the The head not is like of an

human is like an animal like animaloid with anemal and asicco. And as if it were

a transformation that's that is there that emerging and is up the while these

women can't and then that it's a some it's

some not like the image that we don't like the He's

He's He's He's He's He's He's He's He's consumed

by the MED But in his mind He thinks If I'm here And me

And you And you They're They're To be And so So So he

So So it And he He's To make To make Control of the

Quirpo While this is All all in trance

And And it's, in the place to gore and start to move to get to

move to get to move to make a real he's really, he has

to be to pras and they and they and they get to get to

get to see so when when the so much that's

so and it and it and it's when when he

he's when he's he's he's he that at the more

not they've seen. So, so it's a little to try to incorporate

and then and conforme and he is he does know because

all the thing. The image that is the most aterrador

that has seen in their life. All those

those women were being being in circle were

they were coming and then to him. Wow. But that's no

the thing. The entity that was growing in the fire was in his form

complete. With some the corns and deformed chuecos with his hands

with his arms, a torso gigantic and he when he saw this when he

saw him when he important, make noise, nothing. He was he was

he was getting to be cloned and lastimed and grittance to auxilio until

that he never he never looked to see back back he he was

he he's he said imagine if me if I had

said the he said the thing what would have happened if

not I would he He went out It went to He went to this story. He went to get it. He went to get it. He went to get it. He went to her own He said, he said, he said, I was going to. His mom said, calmedate. Calmate. No. No. It's that I was I was. I

I know those women that were there I know I know to all and each one of

them but there's a problem mom all all is supposed that are

mortals all are people are people I don't know I know

I'm what I'm in a last of a part of a month after

after to have seen this literally it consumed the of the

person totally normal was totally totally perjudicated of his faculties loco

had a paranoia no not dormia not he could live to the

the level of the health mental was was deteriored that the

family had to interned internar in an institution for the health where he has assured until the first the only

that he says is that they're going to find because that's when he he said he he was he

he said he says that these women are not to be to get to until that they're to fendent

to that in the place in the place in that this person For so, this is a story

very very that's a story that's a story, they're in count, he lacera,

and with his blood, he makes symbols in the the doores of the

room. He says that those symbols, this entity does put in his mind and it's

for that they can they can find out and they know this. We know in the

family that the history of my my is real. Only that now, his health

not us doesn't even help her. I just I'm just I'm going that when fallesca

your life to a place to and not to this being a spiritual. That's

he's a bad good. He was a bad and the thing of your

faculties but so, rapidly are going are getting

problems there are things that the people live when they have a type of experience paranormal

those mark in a certain form and that's one of the health mental yes you're going

you're going to this story a a time a similar to be a very it's interesting

because ohle we'll we'll we'll we'll get a has repeated much, the

duelo that suffer in the person when when it gets the death of a child, of your mom, or

of your father. There are people who don't cry because they're they're

because there is a remordiment because probably probably not you don't

have you to the time to do the person because at the more you

you partast you you that I feel in peace. I want to tell you this story is called, Sin Descanso,

of Marwin Carmona Peres, and he us tells that from his family who were great friends. His families were very

well, and all the time were together. A lot of the families were to eat them to other,

and, but generated that vincal that confidence a quite a

very very very very very they're a detail

the family of the family of they're all the time was a family

very dysfunction the problem is his problem economic

problems of this problem of this and as as they're listening

much the great they're a person very, very very, he knows

he said he's he's the father of his his friend, his

his had a vehicle with him, but pence to have many of

problems that they've been disancing they were agarand a little like a

recor for bad decisions that he took his father,

and the fact was that were generating this form to

ignore it. They're they They sent him things in contra of him.

They'd know that his father had the his his his

medical of problems cardiacos but they never they never

they imagined that his infirm that so that that

he had rebat the that he so so so

so so of urgencies, to the hospital, and, before that his mother could say something, he had fallen. Here,

here's what I told you to comment. There was an amor to the person, but for problems, they distanced. And when he was nother, the news

was oversted, no he saw come. He fell of rodillas, he started to cry,

but it was something so desgarator because he, he,

he could be him, not he could talk to him, he

could ask him to his father, nor not. After

the valorial and the funeral, his friend, he was to go to

visit his tomb, and decided to accompany him. It's

his His husband, his brother, and his friend, the person who us narrs this

story, who, who are after to clean, put a little and get

beautiful, they're to get to get to do the hands, dehando just to

him a moment. Aprove he, the moment at solas and decided to talk

to his father, he did expressand really all the what He was

a repentiment really genuine there was much a trestice in his heart for some

he felt the necessity to grab that conversation he he took his telephone put the

grabator and he gave play he he he he took

to and remember that moment that so so

so so so so He's He He He said

He said to His father He said to his He said He'd also He'd also For him To look to

hear, like if were a conversation Like if you'd Like I I've got to

you to be front When he He's He's He's a

great alivio He's much Pace in his heart He

was waiting his wife, his wife, his his wife,

he, he was a feeling a little in him. More later,

they're to his house, dinner a rattan a raticat and they in the

house and he gets the moment to get to be to be to

get a and that that that that there the

recording. And it's he occurred to get the telephone

and hear. He's something that he he was totally paralyzed

in a mix of a between the and the words of him

he distinct clearly the voice of his father that

he says I'm I'm I'm I'm we're we'll be we're going. Due to the

the problem, to the impression, and to all what he saw and he was doing

a testigo, this message was in a obsession for him. Constantly he was

and he he was and he was and he he was and he was

and not only he best to listen to just he

decided to go to conversation. No he could hear nothing.

Incluso he bought a grabator special and he all the days and in every

visit, I was trying to talk to her and he had the grabator he put

on the lapida he was sent him and he started to be never

more he never more took a response for him. The problem was

that his health was affected a little a little had

started to have been a reason there there had a

idea of his family yeah was a damage causing

or augmenting and a night of desperation because

really he had a family he said he said he's

he's there's no is that there's there is that there

is I need I need know what is I need to discover

and I need to know. Tantto this obsession that one night was no past

the night in house and he said, I'm going to know the truth and I have to obtain

the pardon of my father. Because I don't have obtained. It

and at the morning the next passed something very very strong. The family

did know that he effectively not didn't to do that

night. went her his husband his and his his

friend to find to find out the he found to the lo

and they were on the tomb of the tomb of her thought that was thought

that was they were getting and they were a mueka like a strange like

like if if it's probably was inert they they're they're

they're they he's he's he's he was a last

the last impression that he took in his hands he had

a grab and she still and I've many many

years and obviously passed the theme of his funeral her

family again of luto the family had the grabator in my man

and one a day decided to hear the last the last the

recording that they started to play and they start the

words of him I need to your I need to know I'm

I'm I'm I'm for favor, I'm I'm going I'm going to I need

to hear and I keep talking and I'm and still talking and still talking and I'm a moment to

another with a voice sinister but that's ira of her and it and sumamente with much

clarity they're they say I'm I'm I'm I'm I'm

but you know in this moment the grabora still grab

but yeah no he's no a voice the

autopsy of this person not he did decifra the

cause of his but they think something the

family thinks something and is that they got

a conclusion very that that the man was

with much renc he was so only, and

he was out of the family. And if was disposed to give him but

a change of a thing. They're they're a change of your own.

Like if some strange, this it would liberate to him or liberate

to his own his own to get to get to get to to

you and I I don't In a new Cementia. And is that the form in how moorne. I gole, what phrase I did? Tremendous. This podcast should be called it. A lot of stuff that's called us a lot of stuff that's You know, So let us in pass, no? Sure. Let's let us in peace.

No manches, bro. How few. Horrible. Horrible because, is that the time of the psychophonies is real. You know

you know better than and, and, you know, to go to to be to be a

this, this sentiment, no, and I think that's normal, the well, the dole and the

and all the whole of what we're all but there the message clear, all in life.

All in life. All in life. Why to this person pass a

better to say, I need to me you know, I'm I'm sorry. I'm

a friend, my friend, if you already you a problem with your family, if is your

brother, if is your mom, if you's your papa, the really, no

you're not you're to get to get to your life, to your

heart, and do you do and it. Many many of the people say that the

pardon you make a your dignity but really but really not so no it's so

you're not you're not you're much you're even even even though the pardon not accept your

pardon for the fact of you you're you're letting this sentiment negative

there there's a there there's so that's my advice in my advice

in All right. I mean, you know, so, you know, so, you know,

so you know, in life and in it's a right, there's a, yeah, we have to

respect to the world of the mortals. 100%. Yeah, we have to have more respect now

with the cemetery that we have been here. It's that is a little, yeah,

me said, Alex, we're going to let's, let's get to there's a thing that not like,

and I just all the day in the morning, almost and every every day

there's a group of people that can to take in the thing, even to be on the morning

and they're not much, it's like a way a manch, it's like a little bit to do you

have heard before. They say that's a place and you and you want you

and you want to if you're to be you're going to you're a little more

you can be seen is a but not is the right to final of the yeah, I think that

no, there's a no, there's to be in a place to the people. If you're the past

of the of those people for the most so much for that yeah. It's so good,

that person was so it was good and it's and full of recommendations so, yeah,

so, so, of what you do you do you're recommendations of Paco recommendation

one. No do you do you do you know, So, my, this, what chido, what chido, and what chido to go back to.

No, man, thank you. Yeah, I'm like, yeah. Yeah, I'm sorry. That's a good story. Yeah, yeah, so, so many good. And it's phenomenal. No, man. It's phenomenal.

You, too, amy, thank you. Excellent, friend. Amigo, what are you social and platforms, for favor? Me can't busk out in all parts as a podcast extraanormal. It's our project principal, Instagram, Facebook, Spotify.

We have three projects more. Sergan Sustos, a shot with Nuri and Ruey Diaz and stories

enbruhaz. There you can look at the work that we're doing. Agrateful for your team, with

your people, with your followers, and I'm really, much thanks for the support. And,

so much thanks. Many thanks, thank you. I, before to get us,

I want to remember, that if you want to your history, for favor, Fepo

Robob Podcast Paranormal. com. We can us the Correo, they're

the genre to you think that you think you think that it's

that you know, you can send out there's there's but that you say

that's been important that's that you don't want to say your name

for please let's adder anonym anonymous an at

beginning because if no because if we can so

so and so and yeah so yeah so

so you say no no you yeah so so

we Thank you. Thanks, amy. Yeah, we're going. We'll know the next

week. Ah, we've seen this time too because there's a program, but well,

we'll be the next time to keep listening these incredible experiences reales of the audience

terrorificas so that's so you tryenlas. Chau. Chau.