HOTELES Y TRENES
00:06Very good days,tardes or nonoxedand goodwelcome toa newnew capitualof insomnia
00:12where wewe're goingto narratethe morethe moreterrorificesexperiencesreales
00:16of theaudience.So,let'slet mehave atime.We're a
00:22invitationa veryspecial.Today wewe'rewe'rewe're notwe're in
00:26thesameWydalthe 3-7Quadarhow youhow youthank
00:31my manmuch muchthanksforinvite toacarof
00:35storiesof terror.An enormouspleasureto be here.Thank you.You're going toa lot
00:41becausefifted,I'm going tocomment toa thing.Sorry,first,tell us what
00:47are yoursocial,platforms and whatyou're doing?Well,a podcastwhere wetalk about
00:53about themveryvery similar,butgiving mytalkpersonal.It's 3-7
01:00quadadoin YouTubein numbersas letters3-7quadadoand inInstagram
01:05and on FacebookI don'tI'll askwhy it's3,7quadradookayyeah,
01:10you knowenoughenough topeopleknow,yeahsome dayyou know
01:14some dayyou knowyeahseethat Idon't knowwhyI don't know
01:23that isa formin thatthat thelifeme andmeand the
01:29peopleand thepeoplewhenwe invitetoloveto
01:35RemanchedofMio,you knowisyourlogitis a
01:36catito?I don'tdo itfor thelogitI'mso I'mso I'm
01:40sothat thegroup ofgionswas thecatosenigmaticwhen
01:48when itwas forexampleEmmanuelof theMundocreepywas
01:53thethenameof thesombrerothathas areal
01:56arealationwithKappiwithKevintheultimate
02:02historythepersonwascalledKevinAnd also, I go, with muchrespect, with Marijot,
02:08the last story that Idid I, I know the lastI selected for her, I, I'm going toto tell her, and, well,she had a son, and it waslike, very, very, very,very, veryvery, very, very
02:18I know.I know.You, you,just took into Mexico,and now I'm herein Spain.And in thesevoyages, here in
02:27Spain,because they're inthese trainsincredible,incredible,super-veloces.And,And obviously, when you travel,
02:35if you're so,you know, you'reto be in a hotel.And that'sme record tosomething.Me recordothat these,
02:42the hotels,are,without theplaces inthose places inthoseto be able tobe able to
02:49spend tothose vacations,alsoare refugiosof abut theserefuguesof descans
02:56are testigosa basisof presenceoscuras,where therearethathave
03:03madecheckout.And ifto thatwe summedthe trainsthese gigantesof acer,
03:10we canthink thatsome ofthese arevehiclesthat getto getto the
03:17almasof thosethatthose whonot gotto thenextwe're
03:23to talktothehotelsandandthebut
03:27thereasurpriseyouI'm sure, these are storiesthat's the story.The ultimatestory
03:35has tohave to bewith you andwith me.The laststory has todo you andwith me.
03:44It'stremendous.Tremendissima.What?What?What do youdo?If you
03:52you're youwith thestories.It'sgo, go, go.Let meterosin theenvironment,
04:06but in thishistorynot we're going togo to aclient that's a hotelto passa nighta greatable
04:16to enjoyto get tosome of the vacationsbut wewe're going toget in thethejob of a
04:25personhe's aAnd he was aAndI wasat thereception of anhotel
04:36in theerain theyear 2020where itand theystarted tosome
04:47becauseobviouslytherenothere wasa tourismatthe hotel
04:55was toothat wasthat eventhey hadtoWell, as he was more or less aa more,he was a
05:09the post of thejob, butas the normaschanged, the modeof thetime to tryand hehe was to
05:21a turn of thebecausebecausethere were inthere werezones of the hotelbecause it wasan hotel
05:30the enormous, colossal,that needed to bevigilant.Also,of thefewuspets thathad,
05:39that onlycould beprofessional,or peoplethat werefor ajob or forcauses
05:45major, no?I don'tif weremember,we've beena certificate,well,here in
05:50Spain,at least,you'reto havea,like,a authorization,an
05:54authorization,or something.Total.Hisjeffes, they're going to have togo toa zonethat's
06:04a lot of anarea ofan aladifferent of the hotelthat evidentlyin a statenormal,it always
06:09always wascompletelyvacia, butyou have tolook tolook atit.But it's
06:16what happened.And soinclude adifferentzones.Itgets thefirst day,
06:21thefirstturn ofthenight.And someofsome
06:25of histhey werelike cochicheingand therestories likein thezone of thekitchen
06:34and ofan auditoriathat hadhad beena bada badand theywere things
06:42things thatnot arenot badand muchless whenyou'rein theobscurity
06:48hehe didn'tdonot quitehe'snot quitehiscompanions
06:53alsowerepeopleyeah major,thatnotthey'dnot like
06:57thechanges,and asthere were ofthesechangesof theturn and
07:00they'relike,they'relike,they'reinhehe's
07:04he'she'snotto bethatwerethat werelike
07:09in Spainlikethesearetheseareina
07:14peoplebecauseitandthefirstnighta
07:18oneawalkaandpassthesalas
07:21forthosegalleriesenormous,salonsof actsvacuos,
07:25completelyvacuous.Buthe was inthemorning andhe went todo not
07:33to work.The turnwere ofonea secondnight.To thesecond
07:43night,but itgets thethirdnight.It'stheturn to
07:50at thenightand itat 6at themorning.Buthe
07:56beforetostarttheturnHe was a turbue.He sentia that in those galleries,that hotel, in those zones,
08:11those enormous passages,enmoqueted,there was a silence a little inquietante,more than the normal.It was passing the night.And just,he was in the kitchen,he had much zest,
08:32he began to give a lot of sead.He was aHe said,fuff,what friodoes hehe'sthat I'm
08:41a secI'm in thecarringa carron ofthathad beenthat wasthat he had
08:49put tothepeoplefor theroundcouldbe ablewater
08:53andand atalzthejarraIseea
08:57in theendthedoorwasacreaturehorrible
09:06withscamas, thatemitia aa soundverydesegrable.Baja theharra,
09:19heandhear thesound,he'sthat rector,thatsound
09:25that'sso horrible,sodeserable,he,he,he,he,
09:30he,he,he's,he's,and heand thesecurity,they're,
09:34hey,what,what dowhat youdo?I'vejust,I've seen
09:39somethinghorrible. It was aone, it was athing verystrange. And,and, it wasit allia fatal.It was
09:48very, verybad.I'm goingto here.And soit was.Abandoned theplace.
09:57And it'smore,he calledto thedaythe nextand hedid you.
10:02I don'tgo therenevernever more.I'vefelthorrible.And you
10:06can'tsay,well,it'snot,no,no,do
10:09muchme. But is that hegave for indigar.Permitem that the wholetextual, because it's veryvery hard.Desperated,for know that was what he had
10:21seen.And, well, in firstperson, I tried tofind information about thefigure horrible that I.Discovered withhorror.That the hotel
10:33had been builton an old terrainwhere it was realizedrituals,oscures in thepast.Theregistries
10:43historicmentionedto aa creaturethatwas aentityancestral
10:51that wasthatwasthatwasthepeopleand
10:56themindingofthebirdandandyou
11:05don'tyouthinkwhentheworldisthat's,
11:12that's,yeahwillthehistory ofhumanity.Noyou're
11:15like,when thehumanityiswhen thehumancanemerge
11:20theseenergies,thesethings.Neverneverthought.But
11:25it'sit canbe.It'sthat mecan'tknow?Yeah,
11:31yes,itcan be.Wow.Look,fiatthatthat
11:37of someIn a way, we'velike,as aa terminfantil,the monster.Yes,
11:49but beingan adultthat neveryou neveryou everthat'sthat something,a little,
11:54a little,a shadow,a sombra.But youto be toaa beingthat definitely
12:03is human,not has beenhuman,and youknow,you knowwhat aretheir
12:08intentions,What is?But that,but that,you know,with yourplan,or the
12:14odor,the,and like,he'she's not,but he'sthat you'rethat's there.
12:21That's there.Uff.Is, me.Look,look atthat there'sthings thatare many
12:27strange,and Isay asay something,of areally.I,I,
12:32I don'tre-contra,super,super-juro.I, in a momentI'vean experiencewith hotels
12:43and actuallynot onea lot of timesmany timesfor manyreasonswith hotelswith trains
12:51becauseI've beenhaving beenon somebut whenI was alittleI was
12:58I can'tI can'thave beenthis hotelof thestory thatI'm going tocontinue
13:03when Iwas awhen I wasa chico,I'dI'dI'm a10 or 10
13:09maybe I'mI don'tI'm at11we're notwe're ata hotelwith my
13:15mother andamy momwe'rewe'rewe'reand Iknow
13:21becausenono nonothething isin thatwe're
13:25inhoteland I'msurethat it'sinNayaritnot
13:30wewe'reweAnd there was an hotel that,I mean, the other thing is that inI don't know what my mom and hisand her, no-se-a-and-so-a-oh-she-a-oh,but we're given a bitation,
13:46a bit of a bit of a lot of it.And the hotel was enormous and rarestim.And in the afternoon, my brother and I,since to go to the hotel,we went to go to recorure the hotel.You've seen of this house in Englandawhere there are, like,escaleras that no, to give to any part,
14:02U.S.That's a hoteler.That's a hoteler.So, yeah.And nothere'sthat'sthat's
14:08I'm sureno moreWespetsonly were notthose foursand I meanI'm likeMonjas
14:13there's likelike they'relikelike they'relikelike youlike they'rein filita
14:18and thereand therethere weretherethere's apart ofyou couldpass
14:24for aboveto passto passto the otherand itwas likeit wasso we're
14:28sowe couldenter andwe'rebutit waslike alittle
14:31was alittlemy momAnd I know that it was like, because,because, when I said to go to a master,the maestro, the maester me said,oh, why, if, only were you,if only were you
14:43only were you, they're doingto get to say, if they didn'tget to anyone?I mean, I was, but I was in a hotellike, rarestim.That's chistoso.The day of today,my brother,
14:53has a majoristof the viages.To do you,it's primarily,in other things,to sell things,to sell toa business.
15:04And it's,I was, I was, I was, I was.I was, yeah.It was where I was.When I said, I said, I was, when I said,I was going to goodyn, literal, and forso, also, also, I mean, I didget to go to hotels.
15:16I mean, I've, I've gone togo to this photo, I did.Oh, that's why.Oh, so, I've got a relationvery great with those hotels.So, this story,at the more will be a bit morea little bit rarer, but
15:26for me, not is rarra.For the same.But, well, well,This storyis called 25April andus made toour friend
15:34Nereidaof JesusValleMartines.There's all thename for yousee.No,
15:38me inventing.Nereida,much thanks.Fikate.He knowssays thatthe 20of April is
15:44when itis when itwas thatthat was astrangefor herand herand her
15:51family.And shewent,his father,she wentto seea bit ofsome days
15:57went toaplay inNayarit.For that I thinkthat'sI'mvery rare.
16:02Well,they werein themadrugatedandthey'rethereto be a
16:08butthey'rea problemwith yourreservation.And inthe hotelin the
16:14they'veputtthe reservationand theyhad nohadno time.So,
16:19noI knowfor whatreasonasometimesthiswith the
16:23peoplethattheydon'tthey'rethey'rethey'renot
16:30They werewithouthotel inthat momentand itwas atime.Of course
16:35whatthey'reingoing toget toto gettoher
16:39but shesaidto theparentsnodon'tbewe're
16:44towe'reweis verylateandwhenit
16:48we'retofindahotelsuretherethere
16:52maytheretheretheretheresosothere
16:54sotheresotherewasthereverytard
16:58andthey'reand she wentto go toher and herand theother peopleand the
17:03couple of thehoteles toask yousay, he'she'sthat they'rethere'sand then,
17:10but for thelittle, they'reto get ahotel thathe's acceptedto givethem alittle bit of
17:18and hesaid thatwas ararebetweenwhat'sthat wasa lot of
17:24averyverygreat,sohad thissalita. It was verygreat and suspiciously
17:31it was very barra.He said that the hotel was aa foot of a place and had a littleand had a alberka very grand.So, well, they said,we're going, when they got on,they're doing their check-in.You know, you know, in that
17:47time, this librette has beenwhere you're registran and all.They're doing the check-in andthey're done countthat are the onlywhospesin thehotel.
17:58Like,meto me,like.And he saidthat thegeneralhad an
18:03attitudelike that'sbecausehe was thesamethe samethat hesaid,
18:08I have thishouse,I'm alittlea littleone of thelittlean apartment
18:12morea bit ofthe sameand then,and thegeneralthey're notthat they're
18:18in thehousebutthey'rein thefourthpiece.And it
18:23waslikeofwellsee, no? What is the problem?We're subbed the escalars and yeah? Well,and in tone of drama, when they weregoing to go into, that they were in a lot of that they're
18:32on the family there in the hotel,she said to her friend,it was one of those hotelswhere the peoplelive stories aterraderous.Well,he said that the day passedwith incident, all very well, but in the
18:49night, yeah when they wereto be able to sleep,discoveredthat thedoor of thehousenothe mom
18:57he hadsaid thedoorto thedoor to get thebutsimplynot they could
19:02and stillhe saidto say thegeneralhey tochange ustothe door
19:08to thebut they'rein thefourthpiecenot it'snot likesomeone
19:11to geton thenightand thethereally is thatthere wasthere
19:15no mattersothey'retheregot tothecarprincipal
19:19and sheand sheand herand herand herto the sofas of thecell, that I said,I know, that's
19:23a lot of,but onlya little bit ofa bit ofa bit of, sothey're goingto be there,no.
19:27And they'rethere, andobviously,then they'vegot totheirtelephones andthey put
19:32like tosee thesocial,there,while they'retrying toto doorme,obviously,
19:36with thevolumeto beon the cellular.And theythey'rewhen it's athing that
19:41a lot ofa thing,it's,like,so it'sa ideain theidea,
19:46like aidea thatwas aof her,like aphrase.And thatphrase
19:51said thenext.Morithe 25of April.Okay.She,like,
19:58like,she's like,she'sbeing,and why Ithink that'sthat Isaid,
20:03so,that's crazy,so,he's,he's,he was,to be aother
20:08show,she was in theotherthing, and then,she's alittle bit,something,or
20:16There he leftan idea in theand theydo thisthings,simply he saidthe eyesand he said
20:22very veryso I'mdon't want tolet medoormenot?Like tryingto
20:28to getthis,no?He'she saidto see apresencelike that
20:35there's athere,but it'srare.It'swas in thetelephoneand you
20:39feel thatsomeonethatsomeonebutnohe'sno
20:43he'smoment. Then, then he sent youa perfume, butno he recognized.Like, of other person. No,her mom, no, hera friend, but in awoman, definitely. And
20:55then he thought you, this sensationthat someone's not sure thatsomeone's watching. Thatmirada, hellada,that's just to get, like, quietthis, no?She thought,I think, I'm going to be
21:07imagineing by thatphrase-silla that I entered to myI'm going to put the audiphonos,I'm going to put music, and meto concentrate in the music,for to dream. And it was like,obviously, no, it was upio to me.At the volume, to the audiphonos,
21:24put his music, when,when, of a repent,I heard some passes in the department.But they were sovery, that they were stilleven with the audiphon's.So, so he was cut a,and pretext attention,
21:39and I hear thesepassesthat wentfrom thebathroomto thehouse totheir parents
21:48she waslikeback backso I'mso I'mso I'm notI'm goingand the
22:04lightsall theall theall thealland thenand thenand then
22:11then sosoI thinkI'mI'mto puttomake
22:15moremoremore likemoremoremoreand murmurno
22:20only onlyto know,Murmur.For notto theotherbut veryenojated
22:24he said,you know,you knowto do you.And inthat momenthe said thatall the
22:33but nopassed onfive minuteswhen Istarteda realthat immediatelywe know
22:41that immediatelythey're doingfirst a beabecererand thenthen moremore thanmore than
22:55somethingliketo bedesperatelyto opena door andhe lookedand he
23:02he wasthat the preawas justmovingthis isthe locusand hehe was
23:10he washe wasto get aand he wasa momand the momhe startedand he
23:23he wasto revisitand thedoorwas normalnothereno there
23:28notherenothingandhe openedthedoorthe mom
23:32to bewhowasto betobutnothere
23:35nobodyandHe said that she and hermom, well, they wereseeing her way out ofbut it was a momentitolike a paradeoand they were
23:47a womana momentitwas therewas there with themirabed inthem simplyjust beingedand so like
23:57like hethere wasthere wasit wasvery rapidand thenthey were sodid you
24:06You know, you know,yes.Let me want togo togo tothe mom.And shekept on
24:18thinking in thiswhat,what was,what was,and hediscovered thatshe wasnot a
24:24dormita,he wasso thatwhat'swhat'sdoing?And he saidthat's
24:28there'sthere's athere's aotherin thishotel.And theamy
24:33a muchmoremoremore thanhe said,thehe said,I think
24:36we'vewe'veawe've beenanadventurenota
24:47phantasm andthey wentto investigate thehotel,they started togorearer it,and theythen the
24:55friend got herrapidly tohis telephoneand heput to see thepeople thatwas in thehotel, because
25:02it's rarethat anhotelis avery,when theotherhotels
25:05are theand he'stheretherethere weremanymanythat there
25:10peopleputtablefatal.Fatal.Therehad,they saidpeople
25:15that theyhadhad beenpeople thathadpeople thatthat saidthat the
25:19securitywasthat they werein thethree andfour of themorningthat were
25:26that wereexperienceshorriblethat wereexperiences horrible,and I goyou knowyou know
25:33you knowwe're going togo backandand thenthey'rebackto be
25:39to beto besoso muchwe'reand inthat momentwhen you
25:44they weretoget toagainthebut she's, chum, chum, chum, chum, butbut then they were.Voltaire to be,
25:53they're going to be thedoor.Dentro of theabitation, in thepenumbra,the woman.But yeah notwas like a
26:05sombra,yeah notlike somethingthat younot waswell,physically,it was
26:12that was there.The figurecomplete ofthe woman,he saidthat hisrostrowas like
26:18disfiguratedbut likeforsuffering.It was like extremelysad.Hisroba was
26:27full ofblood.It waslike ifnot if they werelike theywere likeshe was
26:36herwas herwas therebut notshe'dinit waslike if
26:42notshe didknowthatthat theyweretheresimply
26:46hisviewcontinuedandlikeifnotpertene
26:52to this realitylike ascene thatshe wasshe wasshe was goingwhen theshe didn't
27:00want to goand heshe saidshe put supernervousshe parothe momand the
27:09mom and thepapawhat shesaid sheshe saidshe wentto theroom and
27:15opened thedoor and shesaw the momand the momdid she sayThere was a woman.What?There was a woman
27:27out of theroom.And the momhe startedand thewhat you're going?It's likevery subtle
27:40butit was like thehotelnot thehotelnot the same hotelto havebeen in
27:49so bigit was avery littlebutbut itwas alittlebetter
27:55likelikesure of if thewallswere likethat colorif they werelike deteriorated
28:02likelike alike adifferentlike alike athing that'slike a
28:08like alike asome ofsome likemanchasblackthat theywere
28:13socioand theywereseeingthiswhere wewe'rewhen
28:22when oftheso itwastheso it wasso it'smuch
28:26fearsosothentheplacetothe
28:28room,then they wereback onthe vestibuland theyand therewas aa man
28:34in the receptionnot thesame when theyhad beengot aperson,a manvery rare
28:44veryvery palidand hewas likewith terrorwithwhen they'reso
28:50then they'reandthe facttheof thismanlike hehe's
28:55he'she'she'sto go back a little to the defense,you know,like youknow,what's going to get
28:59so,no, yeah,what's going tothey'resaying,no, they'resaying,oh,
29:03yeah,is it'spassing ain theroom?And thisman,he's kept
29:10so,like,so,don'tgo,what?K,k,
29:18k,k,k,but,they'regoing,they're goingthings
29:23thereover,forfavor,keepens,nothey'reand they're
29:32a way ofact to actualthat'sthat they'relike athing,what theywhat's,
29:38so,like,like theycan'tget to getthey'reeven,and while
29:42they'rethere,she'll beto seethisbook ofvisitasand it
29:48gavecuriosityand hesaidthat justhehehe
29:52waslikethe name of the titular and theFecha of Entrada.And there were,like, so many numbersfor there.But there was one
30:06that was writtenin Tinta Roja.For that's sohe called sorapidly the attention.It had aFecha,25 of April.
30:17And shehe saw,and there was thename of awoman and thefirm.And thenhe gave
30:26to knowthatthey weretherein that book. Andalso said 25th April.And theabril. And the abyssopal
30:35was it made sure. And it was sotwo whespedes were in thesame abyssation, you know?And he waswhen he was trying tounderstand this, thathe said that they thoughtthat he started to
30:51tremble. Becausethe walls, started tocreuging to extremiserslike if it were tumbling.And thethe man that was there,She kept in silence,and she also, the papa,
31:05when, of a repent,when they were heard a grittyof a woman.It was a grittythat resonefor all the hotel.And thegerent
31:15he went to themiradaand said,"'Tranquilus.No,it's only oneof ourwespets that
31:25is here.But notgo,for favor.Kedense.If theyIf you're going, we'llwe'll have your stanza
31:33be very placentera.He said thiswhilethey've been asmile in hisrostro.And thenthey were
31:45like, no,go-nose-and theman,not didnothing,only wasthere,
31:52only was there,I'm here,the papaand themother,they said,let's go,we're,
31:58to get,the world,and thedoor,and the door,to get,to theHe was with a sure.
32:06And nocould have been able.They were therewere thereand they werestanding.Sondriended.Kedensk.
32:17We'll have yourstanza very placentera.And he sent her aterrortremendous.And thegritty of thewoman
32:24again.And thePapahe gotro thedoor andhe startedsootarlike
32:35and shesaid thatwasa ferradato her mom and herher friend to her.And he wouldte aboutback and the
32:42man was thereso,smiling.While hisfatherwas destroyingthe dooruntil that
32:51he washe got toand they got toget out.Salieralorca.They started
33:00to discussthefatherhe gotro thethingsand theytookto the
33:05carwhat happenedlet uslet uslet ushere.they went.Obviously, the
33:14and she,well,no,they're goingwith thequestion.What's thething?
33:19Apartedof what thepeople arethe hotel.And shewas afact thatthe date,
33:26the date that'sthere, 25of April.And thenhe wascotheplace,the number
33:32of thehotel,and puta fech,25 ofApril.He'sgot a
33:39notice.Thenoticeabout about a crimethat had occurred in this hoteland it's the next.What was the next.A young woman
33:59had been privated of her life in thePiso 4.The Fecha of the Crimean, 25 of April.Debago of the note,there was a photographiawhere she could have thebody of the womanat the oria of the door of the apartment.
34:15The woman of the photography was the samethat we had we seen.And,and when I was the numberthat had the doorof the room,me percatethat was the same
34:26in thewe're the same.How I feel?I prefer to passthe night in the Hotel Cecil.So,yeah.It's so me
34:44made very creepythe man that was there.The man.Ked-en-se.And all the time,like with thelook at a-d-d-tarrade.Surreying.
34:53We'll do stanza very placentera.And what, you know, you guys?Placentera, of what, dude?Yeah, no, manch.Who is one of trenes?A-huh, yeah.What is one of train?One of train.
35:07Okay.You know, well, I've been...I've been...Ah, yeah.And that I like...That's a...But that country...But that country
35:19has a lot very obscure.That is what...muchpeople knowthat'stheof thedesiviments
35:28and thingslike autodesvivingsthe parkof thoseautesvivimientuhno
35:33importantthe questionis thatthe historythat Iwant totellnow
35:43isthehouseof thestationokayokaythis is the
35:52story ofa manaman thatwellhada subidagris
35:56of Salaras the man, as the Japanesewho are the Japanese who arein the companies and corporations andand this seniorat a level personal,he was having a little bita little bit of a little bit
36:10with his wifehis son, he wasa little bit of hisand he had a little bittotal thathe, of muchpass to marr,he'd be able
36:21the souldo totalentire toto the familyfor that they'dfor that youdon'tthey'llhave
36:27tobut allhe hasalittlehe'sand hedecided
36:31divorceto dodocetodoceestodoercebut
36:37whatwhatis thatthesalarythatfor theso
36:41thenthenhestartsbecausehe hashe hasto continue
36:47tocontinue tocontinuetoandaparttopay
36:51anewalquireandhestartssomethingis a
36:56hisplaceto worktoworkforto bemore
37:02to beto bealittlein thetrainin thetime,
37:08let'sdo thathecoulddo notmoresoso
37:13heheaahouseaagosh
37:18extremelyextremelybaratanotit'stopicnotextremely
37:23barataandalsoisjustat thestationand,
37:27and,again,it's theline thatme,that meto goto
37:31work,it's alittle totheafueras,it's abarrya little
37:37alittle,let us,not abit ofbecause inJapan,there are
37:42manythere aremany areasthat'sbutit's apartada,a
37:48one aonearesidential,totalthat decidedtogive
37:53theFianza,you needto pay the moneyand thehousewas madea disaster
38:00sociamovelsoldesall ofall ofall ofalland
38:08cachesofandallandit wasanothera house
38:15thatwas aplaceat thestationsotheway
38:17thethingwastherightthecarhe said
38:21wellheshouldto trembleall,it'snot tobe, you know,
38:26I'm going topass thetrain,but it'strue thatat thelast of thenight,
38:31in Tokyo,the trainnow is tothe timeso thetime.So, well,you can
38:35get toget toget toget tomany,too,don't know,many of
38:40many,we know,we're not,we'reto get aplace,and thefirst
38:45night,allallallfatal and not because Iheard thethe road of the trainand that
38:56it'sit's justit's justit'swellmaybe thenewness ofthe other
39:04the strangeto notto startyeahwith afamilyaa tramite
39:08amentalnoyoudo youknowpassthe
39:13days andhego todobutthatnightthat
39:19thatthatthatthatto be a mal-estar.That'show to say,that's
39:28that youknow thatwas away,it's thatwas aa planta back,
39:36he'sto hear,you know,the trainslike theyhave theroadon the
39:42road ofthe wayand heand hestartslikethatsomeone
39:46that'sthatanotherthat'sthata pieceto bea
39:52wherewhere hishouse, atthefoot ofhisbecausethat's
39:56a plantalittleand theroomwas arightto the
40:01part of theway.I waslike thatsomethingthat wasreptablebetween
40:06thethetheyeah,nosee nothingtryto get
40:16toget toget toget togetto beand theday next
40:23before I'mgoing tothethere waslike thepeoplewerelike
40:27somethinghadreptatedfor there.No,Cometado.He'sthe day
40:37nextstillthat'sthetime.Untilone ofthe
40:43nightsthat'sout ofwhat isthiswhat isthisthis
40:47thisthisis themorningheand heandhe
40:52hasaandhehasaandhe
40:56heheathat he'sReptandoa grand velocityHe'sand like
41:10hehe'sand hethe only thathe perceivesis thathe washe had
41:19onlyhe hadthehe still in thecintorayeahpambhe's despirted
41:25sostadisimhe lookedthe re-the-the-a-ma-to go togo to workIt was all the dayperturbedissimowith that
41:37so forthis thathe was thathe couldnot he couldget tothebecause
41:42coincidiawith thereptarthathe washeto getto
41:48get aget aheandhedecidedtoand
41:52let'slet'slet'slet'sin oneof thecajin one of
41:57thecarascometo gothethehehe
42:01heandhe'sadisvivamanin the
42:09stationX,noI wantto saythatwasthat
42:13he wasand hehadpartiedin twonomanchesand
42:20therethere wasthewith themantitathisonehere
42:24and theonemanchesbut hehe stilllivingtherehe
42:32heheHe was out ofthere,I triedto lookanotherother
42:35otherplace,but,of themomentI'm goingto seebeing there.
42:40It'sa littleto tell youin yourchannel.Of thethewoman
42:48that'sOh,sheseemsmuch.Yes,so,and you
42:53think youis aphenomenonology thatcould occur?Sure.That'sthat's
42:58that'spantosbro.And thenthemarks intheOh, that'sThat's
43:06That'sThat's likeReal and creepyBecause theThe guyNoI'dBut he'd
43:16He'dIn a dreamIn aHe didn'tHe didn'tI meanI meanAnd this
43:20This storyIs thatIt'sIt's aForerStarreStyle RedditJapanese
43:26WowThat thisThis typeHe saidA modeDeasogI'mI'm
43:32To tellyouWow.Look,the firstthat'sthat'sa story
43:38Japanese,that'swow.Wow.Well,you wantto tell meto tell me
43:44to train?Bah,blah,va,let's go,let's go,asee,
43:49asee,thisstoryis aterrorin thevia
43:57our friendDannyTorres.Thatthat storyhe passedtoDanny.
44:03Oh,It's short, but it's very good.Resultahe wasworking inChile,if no,I'm
44:13quix,if it'sChile,near thestation ofLimache.Limache.Near the
44:20station ofLimache,there hehe took aworkas arecollectorof manzana.
44:26He'sthat atthefirst hewas avery goodbecause thesalary
44:32was goodfor whathe hadto dodo you.And,and,it was a
44:35timea question.Well,it was aquestion,because it wasthat he washe was going to
44:44work at thenight,and at theeight of themorning,he wasthen you know,you know,
44:49you know,you know,you know,you know,basicallywhat he diddo you'reto organize
44:55in canastos,so,recollectarand organizein canastosthe bestthe mostselectioning
45:01and thenthen youthemost themosttheonesand in other
45:04canastthosethat notnot soand that'snot sothat'sbasically.
45:10Well,wasthere wasdoingthoseturnsnocturnsand
45:14I'veaccustomedthislifewhenwhenaday
45:17thatwasthat wasreclectingthewasheto
45:21getalittlemorethereexactlywhereare
45:27thethetrain, that is thestation thatthat's the portof Valparaisoto Limachie.And he's there
45:38but he saidthat thatthat's the place,that's a spacehad somethingand hehad a lot ofnobody
45:47he liked to gothere.But hewas therehe noticed thatsensationstrange,he let's
45:53he said thathe's thathe's arepent,then itthen it'sa time,and it
45:59and heand it'satime.Because it'sit'sall thereverse and
46:04it'sbut it'sbut itbut notit's abut itbut thisis something
46:11that thepeoplethat havebeenit costsmucha lotlike
46:15howdecifarwhat isbutsimplyyou haveasensation
46:21extralikethatsomethingthatsomethingor something moreit will
46:26do youall the dayand theyou knowyou're goingyou can'tyou can'ttell you
46:34like alittle ofanxietyfearmal-stairbut is somethingthat'sthat's all the
46:41not physicallyin youis somethingit's somethingthat youhe'she'she's
46:47he's forhethe nightor thisto bethis is to startof theturn of
46:51the nightduringthesensationextraiaofis about theway's,
46:56he's athe sum ofall the sum ofof all thisthings.But well,he getshe to his
47:01normal,of his ownnormalof thetime,he's thetime thatafter the
47:06night,he's up,he's gotwith thissensation,this sensation,and well,he said,
47:12I mean,I have tohave towork,no,and he'swith thesensation,
47:15and he'strying,and in themadugada,to thetwo of themorning,he said,
47:19that theyhave togetother waythere,to selectioning andrecoges the masanasand then,
47:28and then,as a sensationnot a nowthat's a sensationis very similarto what it'slike theobscurity is more
47:42profound,like the free ismajor,like that'sa temperaturein this placeand hehe's there
47:49like,well,I'll be,I'm going totry toto leave thisto theside,
47:55I'm going todo todo yougo to bedoing tothe canastwhen he'swhen he's
48:02not aclearly,how asilhouetteblack,pass,like comingbut he
48:10he triesto notmake thecase,so I'mI'mI'm justimagineing
48:13and heand hehe'slike thathe's acrosshe.And hehe's
48:18whenthea little,thewhateverthat washe washe
48:24he tookthearmor.And heimmediatelyheira thehead tolook to
48:30see whohe wasthere.But nono benobody.And thatso he
48:35madeto get amoreinquietto.Regresstoto continueworking
48:41thesensationthis andhe sacuiohishis headveryvery
48:44saidhe'ssheshesheshesheshe
48:46shewastryingtototo quitof thatthat's
48:51that'sa sensationbutthe presencewould benot heand hehe had
48:57whenhe said whenhehe saida littlea murmurlike thatsomeone
49:03is talkingbuthe canunderstandwhat he'ssayinghe'ssure
49:09that he'ssure ofhe'she'she'she washe washe's
49:14he'sheand then inthe othertoturn it rapidlyheiroand when he ran
49:24and when he ranand he looksclearlya distanceof one twometersof where hewas a woman
49:36he saidthat was afigurethat wascoveredwith avestidoblack
49:43waswas movingas veryand he was where he wasso, but close to theway of the train. This womanhad the caboer long andand the tailed he covered the
50:02middle of the rostro just in the angle of theangle of the he was tab. And no could have hercar. Just the large cabillera.He was there and hewas with a lentitude.Like if he was going tobut in camera super-lent.He was
50:18He was having thisAnd the frioHe started toInvade hisAnd inMenos of whatI'm sayingThis is
50:28He gaveHe was quiteHe wasHe wasLike a paralysisOf theBut ofHe
50:37He tried toReactionerTo saffarseOf thissensationThat'sBut heHe was
50:44He'sHe'sPyrna'sHe'sentomicide. Noyou know if for theMEDO, but the onlythat was to
50:48get togo toget toand he wasa lot ofhiscompanyer.It was a
50:56littleaitianwith hiscanastof thecanastovansvannos
51:04buthis rostrohad theeyeswith muchfearand hehe was
51:11beingnot he wasnotmovingand thefigurewasmoving
51:14veryand thenand thelittle bitthis chicothe itianhe leftthe canast
51:21with thepanasand hewenthe washe washe washe went
51:28to goand hewas going tohishe wasand hewaslike
51:34noyoudon'tyougoyoudon'tyou
51:37but hebuthe wasgoinggoingtohehe
51:39hehehehe'shewenttheHaitian, with the
51:45chief, andthey were so, and hewas like, ofthat he wasnot sohe could move,the womanbegan to
51:53come to beso perlento,over theways of thetrain,he was thereand he
51:59saw that hewas acompanyer andthe chiefrunning,and ofhe got onhim,
52:07and they wereso hetook anand hesaid thehe said,You'rewell?
52:14You'repalidWhat's theWhat's theAnd heSo he'sHe's likeHe was
52:19He wentHe saidHe saidHe saidI wasI'm going toShe wasHe was
52:27He wassuperLenttoI don'tI couldmoveHe wasHe was
52:32He saidHe saidCalmateCalmateCalmateCalmateIt'ssomething
52:38It'ssomethingtypical ofthisLookLook,aSometimes,
52:45at thesehours of thenight,see insombras,silhouettes.And,look,
52:51all thisto dowe'reto attributeto thetragedyferroviaryof
52:57Kerongue,Limanchioccurredthe 17of Februaryof19866.Here
53:04twotrainschocerandthereThereceived 58 personsand thebodies
53:12were maderegatedfor all partsall aroundof thebia's and in thecampwere in the
53:19bodiessinceit's saidthat thesouls ofthedefuntersare going
53:25comingforherebecausethey don'tthey'rethey'rein
53:30silenceheheheterriblenomirroa
53:37to theway,but the figureyeahnotthey were.He said.He said
53:42the dayspassed andthe sensationof that'skind ofthat's akind ofwas there
53:50had disappeared.And hethought thathe thought thatwassimplybeen likefor that
53:57he hadthatvision andnothingmore,and nothingmore.Passed
54:02the timeand hehe's allhe washe wasworkingagain.A night
54:08hewill be togo togo toto theroad to collectthe mansane'she was
54:16coming withhis canastoin themadrugadawhen ofthe wayhe washe was
54:21a soundvery singularthesound of thetrainbut itwasvery long
54:28and hehe washe washe washe madethat hedid itwas a
54:34strange thatwasatime.Never hadseen atime.And,
54:38and thetrainhe'd be yeah.He'dcoming toand hewas veryhe was
54:45he wasa littlesomethingthere.There wassomething thatcouldidentify
54:51exactlythat wasbutnot aboutthetrain.He'sthen
54:56therechinidoof theyantover theviasthat ismetal
55:01thatthey werethereanditwasto come rapidly.And,
55:05and soto feel thatsensationof free,of thedark,of thekind of
55:11that's,that'sgoing toand the trainwas ingetting to getto getthat the
55:18train thatwasthat wasthatwas likeand hewashe was
55:29he washemadeon thewaytoseepassing
55:33thistrainandandthetrainthat hadall the windows
55:39rotasand they'dsee peoplebut thesepeoplewere these peoplewereinsangrinted
55:47theirface deformatedasin apauseof apainthey were
55:57thereand theyand theypassedagain and he'sfeltagainagain
56:05congelatedandto be thisgaleriamacabraof personsensangentatedthat
56:13passed andhe wasand heand thenhehe lookeda littlehis
56:17and hesawin thetrainwas thewomanthe womanvestia
56:24ofblackandhecameandhehe
56:28heheheheheheheand conform
56:34the trainwas goinghe was sayinghe washe waswhen he passedthe womanhe felt
56:42that he feltthat againhe wasa littleand somethingwas thewas thelast
56:48the otherthere wasa persona personthat wasthat wasbut thisperson
56:59was differentnot wasnot wasa lot ofblood.It was deformedofmoretones.
57:10And thispersonwith theeyeswere he.And hesaw hehe
57:20thinksthat theseentities andthat womantheywere,howhe's going to
57:27seehe?Howhe willbe tosee thedaythat
57:31heis thatandit'sthatwowwowYou can't believe that in
57:47Spainthere's acase veryveryveryveryveryvery
57:53veryvery rapidtheretherethere aretheretherethere
57:58at theborder ofthecarreterpeopleinfillIndia
58:03withoutrostrowithatour oftouristof abano
58:09withcubof theplaywiththepeopleThe testimonies say that they're
58:15that they're going tothey're going to be in the arceal of thecarretera in the field of Indiawithout interactual,without, looking at thenothing.With a face.Yes, with the
58:25car of the car ofscura.And is that whenthey've gone tothey've passedis that they're inthe camping of theAlfaques.There,
58:33he explodeda canionof gas propanoor no see whatand disintegrorto all thepeople thatwas in the
58:40place in thecamping.No manches.Yes,Of actually, there's a periodist thateven recallinghaving arrivedthere when
58:47passed thatand the waterwas irvingand thepeople calcinedthis was in theyear of 187or so
58:57what bigsin Tarragonaon the sideof the riveryeahin the coasta little morea bit more
59:05a bit morethat'swhat you'rebrutalit's acamping of thecamping of the alfakesthat he wants
59:11that it's brutalwowWow. I remember, me hasa recorded a little to this.Well, you know, to talk,you'll tell a story.Let me.Let's.
59:21This will beto be hotels, no?Yes.One, one,one.One and one?This storyThis story is
59:29anan abuela,thoseand aroom of hotel.So,so it'sa,
59:37so it'sthe story.Okay?And isthataAParenthood
59:45They're together,They have a relationMaravisionalAnd well,As a matter thatthe relationYou decideTo go to get together
59:58A familyNo,typical,A typical history ofAmorof any otherAny personWhat's
01:00:06What couldThat theMom of himfor circumstances economichave tohave to go toget tolive with
01:00:15themwith herand withthree childrenthat they hadthree childrenthe firstthe first
01:00:25it wasshe wasshe hadshe hadshe hadthe oldthe abelthe abelita
01:00:34herherso shegarswasa littlea littlepossessivewith
01:00:39herhisand alittlepossessivewithhisniets.
01:00:44It waslike amother andvery motherlikethoseI'mlike
01:00:49she'dandalsoin thetowntheywerethe
01:00:54womanwaslikethiswomanisveryand
01:00:58thisquestionisthataregoingpassingthe
01:01:02monthsandtheybothstarttodiscussvery
01:01:06veryanditIt's aa.........
01:01:11...alittleinsensitivetherelation.Evenshe
01:01:15startsto receiveaviolencephysical.And,it's,it's
01:01:24like horrible,no?It'sthemalratais horrible.But theabel
01:01:29alwaysdefiantto hischild.And themotheralwayshe
01:01:33repeated,For much that youYou'llseparateI'llYou neverYou'll neverYou get to
01:01:40You knowShe'llNot youShe's,betweenhisAnd youNever
01:01:48You neverYou knowYou'reWhat youWhat youThat one ofTheOne of the
01:01:54She wasHe wasHeHe?Yeah,She,Yeah,Yeah,
01:01:59Yeah,Yeah,And,horrible,And,And,I'llI'm
01:02:04To do awith the kids.Hickstothem.When they wereto go togo to
01:02:11here.Papame isbeing verybad and Idon'tcontinueso.
01:02:16Theone ofof themwas alittlebutthe otherthat had
01:02:23nine yearsandyeahIunderstandwhat washewas
01:02:27sosothenthenhesaidatall
01:02:32atMeteros in theCemaBessiddlebecausewe'regoing.Total.
01:02:39Executatewhen themother andthe marieand thefather andshe'sthey're
01:02:47they'rethey'redesperatefor thesituationthe firstthat'smove to
01:02:54a motorto thefirstthey'rewell, theyare manythey'remany people
01:02:59that'sthey're alsothey're notthey'rein suciedof originshe wasthe person who's,
01:03:06I mean,you know,what you're saying,noI'm trying toknow,and they'regoing to
01:03:09go to bea night in ahotel of carterer.What is?That's,that's thehotel ofcarterer
01:03:17were veryand theyhave two.One forthe threechildren andother forher.
01:03:21But,well,together,tworoomsdifferent,butthey're one
01:03:27on theother.The questionis thatthe question isthat,well,she was
01:03:34was veryveryveryand thethekidswerethe
01:03:37kids,and hehe saidthey'relike they'rein ainstead ofthey're
01:03:43they'rea little,they werea situationverynewfor themand with
01:03:50theunciencesand theyand heand hehe'she'she's
01:03:55thelittlethepeople,don'tdo youdon't knowI'm
01:04:00not youdon't knowmoreno moreno moreseparate,to stop to make anoise.
01:04:06Okay,well,she willtoget toand atahour,
01:04:14two hours,she'sgetting aa greatagreatrapidlyand
01:04:22startandand he.What,what isthepeople?
01:04:32to the person of the hotel.For favor,to be herethere are mykids,no respondent,no respondentno, they're
01:04:38really, I'mnervous, I'mnervous, I'm,open theroom, andbe to the threechildren inthe soil,
01:04:48tirados,tirados,and bothabout,withoutany type ofsign ofviolence,
01:04:56butdesvivis,with aballsa,and aCaramelos. And anotethat said
01:05:09I saidthat youdon't you want toyou knowmanches, bro. No manchis.Chbby.Durrissim.Dudeishm.
01:05:48No, no, no.The, no, no. There was aactaforensiawere there. They're emvenerated.I'm flipping.I'm too.I'm really.I just
01:05:59I'mI'mI'mrobbthe phrasethewordWhat?
01:06:05OkayI'mI'mI'mto sixnow seeokayokay
01:06:22let's gowhat you'rewhat I'mthat's reallythat's badgeriawowOh, well,I'm going to
01:06:31to tell one.You'll tell one.This isthis is likelike a cortilla,but this,look,it's interesting.
01:06:39It's calledBajo the Camaand it's ourfriend RobertGonzales.All thisall thisoccurs in a
01:06:45madugadaof theJanuary.That,evidentlythat's,he's,he's just
01:06:49to celebratethe yearnew or no.In thecity of Metepec,there inMexico.And,
01:06:56there wasRobertwith hisparchehe hadbeen in anhotelhad been
01:07:04beenin aeventthey wereaayeahafter after
01:07:11around thetwo of themadrugatedthey werethey werethey'reso theywere
01:07:15to gettotheir hoteltherewas inMtepecthey'rethey're
01:07:19theythey'retheytheysaid andhesaidthat
01:07:22he saidthattheretheI don't knowI don't knowso if theydo you
01:07:27do they'rein thebut thequets,no?Yes,theof the
01:07:31end ofthepeople thatI'm inbut they'resuper,super,super,
01:07:36super,super,so muchso muchthen theyimmediately,conciliingthe
01:07:40and theydoormen,no?He'sthat ofthe fiveof themorning,
01:07:46beforethat's theday,beforehe saidhe saidhe saidand it
01:07:51immediatelywhen theywaslikeopening,the firstthat'slike in his
01:07:58head,while in thewas stillso,no,you know,you're going todo
01:08:02to dream,go let'sto doorme,no,see theeyes andyou'll getto do
01:08:05to dream.Butthere wasshe wasthere.There wasawoman
01:08:14that wasthat wasinclinedover himon himover theRobert.And obviously
01:08:25imagineateif you'reopen in the eyesif you see thatis aoh,oh,I'm a
01:08:31there's awomansaid thatemittinga lighttenuelikeif
01:08:36brillared alittleand thiswomanseemed tonotpertenecerto this
01:08:41worldsimplywas likelikethatwas arealitywas
01:08:47therewaslikemaybeaidaaswasinclined
01:08:51andthethethethea little of therostro.It was like
01:08:57like to belike thehalf of thecar.But thatsaid thatwas thatwas so horrible
01:09:05that youwere going togritty toget tostart.Thiswoman wasvery high
01:09:13and delicate,thepale palidaasnever hadseen thelight ofhis own.
01:09:19Hisrope,althoughit was avestidoaslikea black
01:09:22yes, no,it's notclearlylike somethinglike aold.You know,like lancitos
01:09:29and detailsthat you,well,you know,you know,you'relike thatother time.
01:09:37And,he wasthere like,like,not,no,he was beingto him,
01:09:42butwas thereinclinated.He wasparalyzedof thefear,but at
01:09:48the sametime,had anurgencytremendousofmovingand
01:09:51to getto beofSo, inall thisMEDO.,he gavea question
01:09:57of,he couldbe able tobe able tosee,he said,he was able totalk, but
01:10:08he washe washe said,and hehe said,and heis!And in
01:10:14that momentwhen hehe said,he saidhe was,he was toget thepart of
01:10:21and startand hedidcount of that whencruised,he was totalk toa woman
01:10:27with thebut thethetheperson,like ifnot was there,like if
01:10:34were anhologramabut whenit wasthethe womannothe got
01:10:40that hehe wasbut whenithehe,he saidthat the
01:10:46the womanthat wasthere waslikewasinclinedandwas
01:10:49tensedallhisthebodyand sorapidly.He went to
01:10:55the handslike a gestureof a surpriselike heno ideathat was whatwas going toand he
01:11:03was thereand he wastrying toget to bea lot ofa lot ofso what iswhat is this
01:11:10what is whatis what iswhat isand thewomanstill therethenso
01:11:14sosoit'ssososo much towhilethe
01:11:20womanHe still there, so with thehands in the car, like, trying toto understand what was what was happening.Like if no it was to be.But he was there.And then he was to startto go to back,
01:11:31to back,to back,and then took with thehand to thethe page,he sent it wherewas the switch,and p.
01:11:41Encended thelight.And whenit was made,disappeared thewoman.And then,his pairja,
01:11:48because he hadheard thegrito and that he'slike,I'm going tothose eyes and hehe said,he was going to
01:11:56be abad to be abadgerto get todo theturn and hewent toand he's
01:12:03he keptthinking,was myimagination?I wasso,was he wasover me,
01:12:08I waswas likeinclined tome,even I wasnot mewas a veryreally, and
01:12:14I'm going,I'm going tocome to thepassiolike totry torelax meand then
01:12:21to start to myparis.So,he startedand he saidhe said,he said,it's like
01:12:25more thana hour.So,it was likelike,no,well,I mean,
01:12:28I thinkyeah,yeah,it was amore I'ma littleI'm imagining,yeah,
01:12:35that's athat's ano,but yeahme regress.So,he's gota much
01:12:40moretranquill,apol thelight,all right,yeahI'm gettinga little
01:12:45littlelittlehe's,well,he'sHe,and he wasto doorme
01:12:50a little bitmore,and he was in theroom, in thesilence of theroom,when of arepent,
01:12:56that he said,yeah,I'm going toto do you,to do you,and he said,and he openedthe eyes.
01:13:07And hethought,no can'tbe.So,then Iwas not thewoman there
01:13:15where hehad seenthe person,but hesent her thepresence.And heHe started to recurre in the
01:13:20abyssation.And,and of theobscurity ofa corner,there wasor atleast,
01:13:31it was therewas.And he wasand he'sor not is?Because youknow,that in the
01:13:39obscurity,the sunscan domake sure,like,and thenmore nitro,imagine,
01:13:56this,or if it'sthere,and thatthing that was there, likehe's aghached, andhe advanced to him. And yeah nohe said the, pst,
01:14:08but he said a respiration.Pesada.It was a frio.Because yeahwas like much moreoscuro, and youno brilliaba.And that thing that
01:14:25was there, he,he started, toto be toto back, toto,to get toafter thatdisappeared of your
01:14:31view.And he saidthinking,no,I'm notI'mimagineno
01:14:40there'snothinghereanddecidedtoget toget
01:14:46to makeand hehe'she wasin thepiecemetingunder
01:14:56hishe waswhatwasaawomanlike
01:15:02likewasamaybegettingletylettinglet yourself
01:15:06nownowI'mnowI'mI'mI'mhe said
01:15:16hehe'shetooksohethat hedidn't
01:15:18do nothe wasno tookvalueto be able toget overto benot even
01:15:26to getto get toherwhen shewhen hesothey weresimply
01:15:35they werethey wereso thatwas whathe wasa bitanroom of hotel
01:15:42butI'mwellI'min a sofaIdon'tget a cortita
01:15:50but thatthatthat wasnoma'No, I'm a jodd.You talk.Amiga,
01:15:59I'm going totell mylast storyof trains.Because it'sof trains.Vanga,Ving,
01:16:05yeah,it's astory ofa childthat's akid thathad toa train
01:16:15of along distanceand youknowthat asometimesyou cantalk
01:16:19companionsofamore ormanypeculiar.Yes.Dim,
01:16:25Dime,no,Ah, okay.And, well, hehe was a trainand,as a trainof madugada,
01:16:34it was atrain nocturnobecause it was atrackvery long,in thewagon wherehe,
01:16:41he tookto get toget twopersons,and he,total three.And hetook to
01:16:47sit toa littlea little,a mana manable,very sympathetic,withand that, well, he was
01:16:58telling stories ofhis long life,he hadabout 90 years,and he decided,well,he explained to,he was to be
01:17:07to his nieptusand all,to what,this old,he says,ohie,you know,that is that
01:17:15you know,that wasthat I waswhen I wasnever hadbeen able toforget?And he said,
01:17:22clear,if there aremany hoursof thetime.So, Eric,So he's called theHegitt, he
01:17:31He started a storySomething that heHe was a littleWhen he was a little.And is that EricVivian in aA littleHe lived in his
01:17:47Papyr, in a grandHabas, in a granjato the out of thepeople. A day moreA day normala Eriche had beena can't
01:17:58a can'ta can'ta can'tthat hewith muchanxies and withmuchwanted to
01:18:06because hehe washe washe hadlearned of hisfatherand hehe said
01:18:12papafor favorlet mego tomake adayand hehe said
01:18:16okayEricyou canyou canyou canyou canbut firstthe time
01:18:22the timebecause Ihavemuchwork todoand momalso.
01:18:26And isthatthefather ofErichadbeen veryvery
01:18:32protectorwith himbecausehe hadexactlyonea yearhad
01:18:39hadhadhadhadhishishishis
01:18:43hishishishadherhadherHe was he encho the garganta and
01:18:58He felliecy.And Eric nocould have beento borrowof hishis fatherandeatingthe corpse
01:19:06of hisbrother,yeah,without thethe bigthe beha.The questionis that his
01:19:14father,a raid ofthat,repito,he becamevery protectivewith himnormal,
01:19:19and hesaid,okay,Eric,when youwhen youdo thetasks that
01:19:23they'vedoneyou've doneyoucanto go to fish, butnever passesof the bifurcation
01:19:28of the river.Because it'sverydangerous.You knowI'mprohibit.Okay.
01:19:35Whenit'sdone todo theirthings,he thecesta andgo to the
01:19:42caeannew,flamanteandhe's goingfor theriver.Felizmente
01:19:47hecogetheanzuelheput ahusanoTire the caia
01:19:55Wow, a canna new,flamanteConsiguePescarthe firstTruch, a truchenormousand he
01:20:03is a veryproud ofbecause he couldsay tosay,look,look,I've
01:20:08peskno,total,that clavathe canand youknow,when you
01:20:14you're going toyou'reto beto pick thepes,the pes,well,it can
01:20:20passmucha rato,soquite a lot,even hours.So,he's
01:20:27he tumbledand he'sdone at thetruce, because it was alittle of truchess,he gets,like,adornecid,
01:20:37and whenhe was alot ofhe was basicallyactually,actually,actually,actually,
01:20:44he's,he can'tstart,he's,he coge thecana,but,but,
01:20:49thelittle,a behe's a pease in the narwhis.Aterrorized.What I do?I do you?And the
01:21:00he'll be thethe bejathe otherand he'sand he getsa manwith arostroarer
01:21:15a terrorssomeeyesanarangadosa cara car that hehad neverhad seen
01:21:25in anotherother manHorribles.That he says,Wow, Eric,you're surprised to have meseen?No, you're
01:21:42afraid of theAbejas?Eric,if hekeptlooking,he'she says,
01:21:52what's thewhat'sit,you know,you know,it's notmy presence?Eric,
01:22:00he's orinaon therealisedof theMio,that'she'she's
01:22:10to beto beto reissyou,you'retrembling. What is thewhat is going togo to
01:22:17and he'sand Ericas away ofhe saysyes,I'mgoing to
01:22:23come tohisman andthat's themanhe says,why youdo you
01:22:35mywas doinghistaridand hasbeen abeara be
01:22:40terrorizedandespeciallythinkinghowthishe'she's
01:22:59tothen hecould not evenand hehe'dlike thatsirwith
01:23:03hishorrifichandshehehetook thetruch
01:23:08that hehadafirstthefirstheopened
01:23:14aaaabigdecenofdents
01:23:19andandanolorananditintroduced
01:23:25thetracheinthetheturetheIt's more, he could not even
01:23:33the smell of the pescadled asadoa minute that he was traganded the truched.In the moment that that ser wasenguyinging to the pescad,El, Eric, a rancke toto go to hurry, to carry at maximumvelocity, to what they'd havetheir perenicitas of a
01:23:49little.That being, sir, forto call it to some way, hestarts to say, Eric,where you go?If you knownobody'she's there
01:24:00come with me.Corria,correa,the canna,tear the cesta,tir a cana.That,that's,
01:24:08that's,almost thatwas,almost at fourpatas,at all thevelocity,he'd
01:24:13he'd per sehe,he'dropecewith thecan't,and tothe front,cruza,
01:24:19cruza thepuntesthatcruxed theriver,and he'd hisPapa and he'sHe's
01:24:24He's, let meLet's go-pomones,Let's,Let's,For favorI'm muchMourn'tMomah,
01:24:28He'sHe'sHe's beenHe'sHey, EryWhat'sWhat'sWhat's
01:24:35What'sWhat's?It'sThat'sThat'sThat'sCalmateCalmate
01:24:40It's thatA manIt's thatIt's thatWell,horribleA-A-o-
01:24:44He saidThat'sHe's justThat'sBut whoWho's justThat'sThat's
01:24:51That'sThat'sWho has said something that horrible?Who is the disgraciered that has said something?He says,Let me go to care.That mom has been worried.And then we'll come.
01:25:05And then, yeah,we'll govere us, and we'll recogreement the canna and the cesta.And, for favor, no,let's say to the mom,that has perished, because he's going to beenfadar.And the papa, papa, papa,that's mother.
01:25:17They're at home.And, for suerdo, for elivio of Eric,his momis aliveis awellthey'rethey're
01:25:28no nowhat hewas quitewhat he hadwhen they werehe saidoh yeahhe has
01:25:38got to doand wewe're going toget toget togo backand in thethe
01:25:47and in thenotheroadthey'rethecan'tthe
01:25:53and thecestabutaroundonethe smell of theotherthe
01:26:00yearbosthewaterthehisfatherthehe's
01:26:04let meI'mdon'tI'mherenowyouI'm
01:26:12youdon'tseeifI'mthisthisstory
01:26:21and hesaysyou knowyou knowthisthisI'verecorded
01:26:26duringmylifeandwhatwhat Iknow whatwhat
01:26:31they'rewhenthey'reto the next station and the only person that was there in the train, in thewagon with them, he's, he gets, he, and he says, Eric, Ilike, do you know, do you know, do you know, don't manches? And he'sHe was the guy of the train.And he was the
01:26:56manof thetrachea redand hewowwowwow
01:27:08youI'vetotototelltwo of thestories
01:27:15moreterrificesI'veI'veheardininin a
01:27:21timeinthatthatI'min shockis thedevil
01:27:28thatwhowho knowsthatisthatthatthat
01:27:32that'sthatI'mbah.Foof.What goodform ofwhat,
01:27:38what,what goodstory,what terriblebeing aman,being aman,
01:27:46and theof thebaby,what's thewhat's,what?Uff.Uff.
01:27:55Total.Apartof,I'm,I'mI'm imagining,butyou're you.
01:27:59I'm,Oh, well,I'm going toto narrate thisultimate story.You thank you much.You're grateful?And, um,
01:28:14you,do you know,that I said thatthis storyhas something?Mm-hmm.Yeah.Yeah.
01:28:19I'm sure.That I don'tI'm theI'm saying,ah,this,I'm going totalk to when
01:28:27stay in Spain,with Shavi.I'llI don't.I'm sure that.I mean, I mean, I'm going to, I'm going to previously,no, previously, no, I've been reading.No, I was able to, okay?
01:28:38This story,it's called, the last train,and we'll send us our friend,Jose Luis, Le Desma.Jose Luis,from the front of myheart, thanks,thanks for to share your story.
01:28:51Much of parts,I'm going to have to learn them,because are,perfect.It's very important.It's very important.to ask you toto you and to
01:29:00all and allthat I'll presentmuch attentionthere's athere'swhere I'mgoing toremarked
01:29:04very clearlybecauseis wherethere isthere'svery importantfor thething
01:29:10paranormalus manthis storythis experiencethat hasbeenand he saidhello
01:29:19mecalledJoseI'mI'mI'mI'mI'm
01:29:24thisexperiencethat isfor methe eventcanonical most importantof my life.He said that when I had
01:29:3418 years,then I hada relation with a chick.She,the nameYolanda.So,Yolanda
01:29:47studied adirector.He was aperson brilliant andpassionated.He wasobviously18 years,
01:29:57in that moment,thenceatingthis relation,that are like thosefirst relationshipsimportantthat youtremendously
01:30:06enamored,the other,she's of her,and sheof her,and,well,conversed about
01:30:12a lot ofthings,you're justin thatmomentwhere youstart tostart
01:30:16all thesethings,of whatyou'rein thelife,and youdo you
01:30:19dowith thatwith thatfirstgreat,great,great,great,
01:30:25and sothoseso,for thesupposed,they're thoseto knowother
01:30:30countries.And,well,he'sthat theparents ofYolandahad
01:30:36had thefortune,thesuer toget topaythecareer to
01:30:40aaschool,in auniversityof renombertherewhere they
01:30:47are therearewhere they'retherewas,he hada programthis
01:30:52schooltomakeananinterchamion.Yolanda,when we
01:30:59know when sheis interredthat he'sstudying thereand thathe can domake aother
01:31:04country,then theopportunityto come toone ofhis own ofhisdreams,
01:31:08to beto go tootherotherplaces.Buthe saidto
01:31:15Jose,that henotwill beto maketheopportunity.I
01:31:19canapply,butnotnottheopportunitybecause
01:31:22sheissureof that ifthey take the opportunitythey'rethey'reto be to
01:31:29and go toanother countrybut he'lldo itbecause thatwould beto be itto be able to
01:31:36dodo withlong.And hehe saysthat thatthat'snot a
01:31:43and basicallytheregaand ifyouyou don'tyou canget
01:31:47withoutaexperiencethatfor meandalsoI'm
01:31:53going tocontinuehereand when youregresses,I'm going toyou're going toyou're going to
01:32:00take that'san opportunityand sheand shehe'she'sand heaccept
01:32:07and thenthenput hispapersdoesdo all theprocessand so
01:32:16they'retheirinterchambleto Spainand thensheshe goesto the
01:32:23universityof Santiagoof Compostela.Wow.He sayshis interchambleand hesaid that
01:32:29he's going togo to doa year or asemester.She can selectsand she'lla semesterbecause at the
01:32:36final.For him,no?Yeah,well, I'llgive theexperience,but I'm
01:32:39to go togo tosee,and so it.And so,and inin the Neroof 2013
01:32:44is togo toSpain.And it'sthis momentin themoment inthat they
01:32:51are verycontent,butBut it's the moment of the partida.And van, thefather, themother of Yolanda,and he,
01:32:59they're going toget to the airport.And in that momentwhen, nowif you'reto take tothat person,although you know,
01:33:06you're going tosee, it's veryvery hard,it's veryvery, and he saysthat bothwere in thehands,
01:33:12they're goingand said,and they'redoing things veryand you'reto do,and partier.And a
01:33:21part of that momentnodetubedtheirrelation,they werein contactobviously
01:33:29usingSkype inthat momentyeahthere wasFacebookand wellthey were
01:33:35talkingand thenthechangeof thetimea littlemore
01:33:39difficultbutthey wereandthey adaptedtoadaptarerto this of
01:33:45thosedaysso sheshe usedandwhen theywhen theywhen
01:33:49they weretheywhen theyand he wasaboutwhat hewas hewas very
01:33:53emotional aboutall thehe was livingall theseexperiencesnew,the culture,the
01:33:57food,the musicand moreand hehe wastalking abouthis fatherand the
01:34:03her motherand whathe didhe didhe saidhe saidhe'sthat he's
01:34:08thatwas asecondthatwas atimeaboutfour
01:34:12monthsnoforthereandinthosevacations
01:34:16ofSemana Santa, Yolanda was consideringto travel toMexico. And he said, no, manches.I mean, how?Or, you know, you know,you know, so, they're stilltwo months more?
01:34:29I said, but is that I have muchgot to be there. I'm muchto be a lot of my family.I said, look,degette of things.Kedate there.You know, new friends,new guys.
01:34:41Viaja,he knows, no,not just youjust, you get to thisthe place,he'sto otherzones of
01:34:46Spain andwe're goingto be innothing,no, verylittle time.And he said,you know,
01:34:54you know,that's thereason,I'mto have totake totake toand the
01:34:58firsttrip tothecountry.Thefact,I don'tremember
01:35:02much oftheplacesto thepeople whowasthat Iwent,
01:35:05butI'mso Irememberthat oneof thecityI
01:35:08waswasinPortugal.andit wasthefinal
01:35:12oftheAndheHe'lltheverandNow
01:35:18see,yeahhewas alittletimeto getto get
01:35:21alittle timeand thenafter shehadback backblah blahblah blah
01:35:28thetheparentsthendecidego tosee ain
01:35:34thatyeartogo totoyeahtothen
01:35:37and thenagainand soso theso thepapasalso thethe
01:35:42father's tooandAnd then, the other way, the truth, I said,I don't, no,I didn't have the capacityof economic, and my parents,as well, as to bea way to do a voyage
01:35:51Spain, although if I'moffered them, but,but, well, I didn'thave the money, andalso, I mean, so,then, then, well,he, he was, he said,help, uh, blah, blah, blah.
01:36:04And those, uh,and those, uh, companyfor them, so,so, uh, and they'reWell, now,they were tobe theretogether and
01:36:12one of thetime afterthey wereto go towhen hedid thisyear.Yolanda
01:36:18was toto leaveto thefamilyto theairportin Madrid.This
01:36:24becauseand youcan'tget tobecausehisflightwas
01:36:31was afewbutthere wasthere wastherewas aanother
01:36:38like desperated,trying tochange hislittle toreturn atime to get atime over timea lot of time
01:36:47imagineate,no?So,cross a continentand heother oncehe said,wait a
01:36:53literally,are two daysand youwe're going togo to get alot ofmoney onlyfor that
01:36:59also,also,also,I don't knoweven knoweven eveneven ifeven even
01:37:02even evenhe's notyou know,no,yes,you'reI'm veryemoconated,
01:37:06you want tohear, et cetera,et cetera,and he saidyou know,I knowI want togo to
01:37:11your mom,with yourmother,but,well,we're going tobe able tobe able to
01:37:16be able tobe able toyou know,the timenever neverto forgetthe wordsthat he
01:37:22said inthat momentto thephone.BecauseYulandahe said,is that
01:37:28you'rethat youwant,if Imay getto happenbeforethat I
01:37:33would beto getand heHe responded,Dehate of tonteries.No,to passnothing.
01:37:40It's onlyone year.And I'm goingto go tolook and yougo to beand we're going tobe happy
01:37:45and we'regoing toyou're going toyour life,the things thatyou'veyou've gotand said
01:37:51that they'veaone, alot ofthis,he's calmand shecame-
01:37:58and he'sand theysaid,and saidthat's likea sonrisein theRostro.
01:38:03They weretalking aboutFacebookall thatday.And at the daynextcontinued
01:38:11they're talkingto thenetworksocial.They weretheremandatingsmessages and
01:38:17all,no.He saidhehe'saratoto come
01:38:20toget toget toandshehad tohave tomake out
01:38:26in thehotelwherehe hadhadwithhisfather
01:38:28andtakeallhisthingsandtoget to
01:38:32Santiagoin train.So,this,well,he saida shea yeah
01:38:40he likedmuch toget abut asnot hadrecorded thatthat distancein train
01:38:45then,he saidone ofareturn,in whatI'm going togo to
01:38:50go toand I'mthat I'mhadplanned.So,so itwas it
01:38:55was itwasbut yousee,here's alittle bitthat I'ma man, Yolanda.
01:39:02Resultathat shehad been fromSan Diego,to Madrid,that hadplanned and hadhad been
01:39:08the trainof thereturn tothe money,theworld, thefact, thefact, he
01:39:15lefthis passportin yourhouse,in Santiago.He'she'llhe'll be
01:39:22but atfinal nonothing,because Isaid,I'm going,and Isaid, I
01:39:28I'mregress andnonothe plane,well,I'm superI need to,
01:39:32no.And well, in thetrajectory,in the train,then they'retalking.She'dsay, no,
01:39:39I'm going tono, I'mgoing to beblah, blah,blah.And he said,you know,I'm going
01:39:46to get toa rattlewhen youget toyourpiece,me send yousend a
01:39:52messageito andwe're makinga videoso.So, thenhe saidthat hehe was
01:39:58to playXbox.Luis?So, so he said thatAnd he said that noPassed any 5 minutesIn that he was playing XboxWhen of a repent
01:40:06Receive a call of her motherAnd he was very alteratedAnd he said, calmateWhat, what's going to?And he saidJose LuisNo, you're notasNotas?
01:40:23The notices?She said,She?Where is Jolita?What do you pass?She was coming to herCause, what? What, whatSo, what you guys?
01:40:34Yeah, you know?And he envied,for telephone,an enlaceof CNN.AccidenteFerroviaryin Santiago
01:40:46of Compostela.When she saw,I don'teven evento let her.She putin shock.He said
01:40:58that's thepill.And ofthe firsthe didwas totake yourtelephone
01:41:04and markhim.And the calladaBut thenBut thenTo son and sonarAnd son and sonarAnd then
01:41:12He was gonnaAnd he'dMarker and markAnd markBut theThe callSo he went toDesperate
01:41:23No, I sawWhat was toSoguesHis Sueger,his suhruVivianLiterallyLiterally,
01:41:31I said,Like theCasesSo he wasSo he wasSo he wasCouserreuxof his
01:41:34house,Jose Luis,and wasdirect tothe houseof thethethe suegros.
01:41:45And whenthey werethey weregetting tothey weregoing tothosethings and
01:41:50he said,oh youknow, theywere youand theywere likenormaland they
01:41:57said,if wesent usa messageafewthat wehad been
01:42:01we'vehadarisenandthatwedon't,we
01:42:03haven'thadwith her. Andthey saw that they wereso back down the malletasand hehe didn't know in that moment tosay the things.
01:42:13Then was, he gotro the maletas andhe was able to enter in hishouse, to be ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha haall the maletashe said,I've got to say tosomething. There was anaccident of train and
01:42:30I think Yolanda was there.You'll imagineers?In that momentthe chaos, the tragedywas decenaded.Stubberothey've tried to communicatewith her, but nothing.
01:42:46And he said that in Twitterhe said a trending topicthe hashtagAccidente-Santiago.And therethe peoplewas sharingphotos
01:42:59of the peoplethat nothad passedthat had passed,that they thoughtthat they werethereand then
01:43:07is he,and heeven knowto usewhat hedid he saidthe photoof Yolanda
01:43:14with hisdata and histelephonepiding tothe peopleto retweeretweeating theretweeare
01:43:21the messageand thatif someonesaidsomethingwas afor favor,for favor,
01:43:27they wereobviouslysaid they'retheselines forthevictimsbut he
01:43:33he had thecallinternationalandnotenter thecallbecause the
01:43:37linesweresaturated.Hewas thereon theTwitterseeing
01:43:41what hecouldpasshe saidalot ofpeoplehe
01:43:47he wasthat hewasso hedid alittlea littlea little
01:43:51ofagreatpeoplebegantoretweetto
01:43:57themessagethat hehehadputwiththe
01:43:59thephotographyandhehetheythey werethey
01:44:06And they'reThat'sThat'sHe'sHe'sHe saidHe said,Pida
01:44:12A-Dio'sAnd he'llHe'sIs itIs certainNo,there'sNobody in
01:44:18Spainthat meknowAnd soA lotofA lot ofpeople
01:44:21AndI'mI'mto get aI'mvery muchAnd I'mThe
01:44:32It'sTheNoticerAndHe started the noticier.The most famous of Mexico.In that then, with Joaquin Lopez-Doriga.It's very famous.
01:44:43It's very famous, this person.He, for sure, was covering the news of thisthat had passed in Spain.He said, no-seye-you-recurts,but in that case, in his noticier,he had the customary to get a hojitawith the tweets that he'd get themand those were responding in-vibu.
01:45:01And he saw that as a opportunity.and thenhe sent a tweetfor hisbad suitorthat nightJoaquin LopezDoriga
01:45:10nohe gotthe okain all theprogramhe thoughthe thoughtthat
01:45:15his intenthad beentotallyfailedand inthatthisthis
01:45:21passed in therealJoaquinLopezDorigabeforeto terminthe
01:45:25notisierhehe saidthecameraandhe saidwe
01:45:29wegot toatuitofaFulano ofthat
01:45:32Tal,saying thathisnoviaMexicanI was inthat train.And finalized
01:45:38saying tothe camera.No,you'reto helpto helpto find her.Insegid
01:45:45he wascontacted forTwitter,thethat inthat he wasthe secretaryof relations
01:45:50ExterioJose AntonioMeade.Wow.And hehe said mein Twitterfor
01:45:56that wecan'ttalkfora messagedirect.And hesaid
01:46:00but supersoandAnd inmediatehe put in contactand they startedto talk.He said
01:46:05he was going tohave tohave beenall thesupport ofthe governmentof Mexicoto find
01:46:08a Yolanda.Inthat momenttheEmbachadaof Mexiconohad idea
01:46:15thatthere wasaMexicanin theaccidentand thenwhen
01:46:20he washe'she'stostartto tweeterthemedia
01:46:24tothemediaof thisandhehewas
01:46:28totweettotheof communicationfor thatsparseer thenotice with
01:46:34the photographiaof Yolandahe wasall the nightall themadrugadaand hestarted to
01:46:40receivecalls.The firstof anoticeroof Madridthatwanted to
01:46:45knowthat youandhe saidhe saidhehe washe did
01:46:51soI'mso I'mmaybetheinterviewhistelephone
01:46:56sonoontheinstantanotutmatutinolike in Madrid.
01:47:00He said thathe's amononof interviewsfor thecommunicationof thein Spain.
01:47:05He was animatedand with muchfaith.He had muchtofind herViva.Until
01:47:13that ofhistelephone.He was theambassadorof MexicoinSpain.
01:47:20And hesaid,thathad beenencounteredaYolanda.Before
01:47:27that hecouldsaysomething,theembahorhe saidthat
01:47:31thatLandahadFyceive.He saidhe'shedidn't
01:47:39knowhe'shesaid hesaid hesaid thathe'she's
01:47:45hehe'shehe washehe couldgivethe
01:47:51hishisfatherorifhedidhe
01:47:55theambassadorandhehehehesaid
01:48:06hewe'rewewedon'tbeforetosay
01:48:11mea fewminutes andin aminute and inthehe had to go toget to do the
01:48:16newsto themother andthemother of Yolandasaid thatwas a situationterrible
01:48:24at thefew minuteshe went totheman whoforthe timehe was in the
01:48:30timehe washe washewellyouyou canyou can't
01:48:35youyou can'tyourememberhe'she'she'she's
01:48:41to communicatewith theMexicantoget thenewsin theworld
01:48:45andto havemore peoplethatmore peoplethat areto helpto
01:48:50lookertothe mediathose media'snotthey'renotthey're
01:48:57buttonowthatthey'vethey'vehad beenfound
01:49:05and thathadhad fallenhishistelephonenotwas
01:49:08notallthosethosethosethosethemedia
01:49:12wantaninterview with thefamily ofYolanda orwith thenobioof Yolanda.
01:49:19He saidthat allthey'dinterviewer.But henoconsidered anyinterview.
01:49:25MedosAmarigists.He'ssaid thathonestly,thegovernmentthey's
01:49:29really.They putin contactandthey said,and they'rethey'reto do
01:49:35all tohelptoto helpto thepersonthemost
01:49:39prontpossibleandofit'slike toidentifyit's
01:49:43atime of thethingit'slike athingaa
01:49:47athingtotallysurrealbecauseofbecause ofit
01:49:51wasthat theyhadtogototoget
01:49:57tohisdreamofhiswastobe
01:50:01tobethismannerandtheywentto
01:50:05theairportandHe was he with hisHis wife, the papaHe was madeAnd for hisHe was gonna
01:50:14He's aAnd so he'sRemigantLessDice he saidHe saidThe sirThe sir
01:50:24PaguererHis carHe wentHe saidIn the aerolinaYou knowHe's ballettoAnd he
01:50:32In that momentHe cameHe cameNo I don'tI don'tI don'tI'm going toI'm
01:50:37But thenThe personthat was therehe,he said,he said,he said,he said,
01:50:47and he saidhe said,he said,no,he said,and he said,and he said,and so,
01:50:56and so,we're notto be atime to thepublic,we're going toa gymnasiaand the reclamation of the
01:51:08course.80 peopleper die ofthat incident.into thisthere was acanchaof this
01:51:15enteras andliterally in thecan't haveall the canchaall theside was thepeople ofthe people
01:51:22helping tofamilyariesto reclaimthe corpseand if Ikept set outin what mymy
01:51:29wife saidI rememberto besittingand inthatso Imade
01:51:34themymy pillso Iputof agallinaI'm
01:51:39to thehir-etra.No I heardnothing,but Isaw in meI sent youa call
01:51:47I don't knowhow todescribe itbut Iknow thaton theright andthe third
01:51:54ferretrothere wasYolandaI couldI'dto beto someI'm
01:52:03I'm sayingI'mgoing tosomefewmy suegerwitha person
01:52:08ofprotectioncivilthispersonusaskedYou want
01:52:12WantedTo get toReconnorTheKERNapYesWe'reWe're
01:52:17We'reWe'reWe're goingTo makeacellto givethem
01:52:20And justinthat momentHe sawHow thepersonalHeAcercercer
01:52:26TheTercerWhereheHe saidHe wasYolandaThey
01:52:32They'reThey'reTheyThey'reThey'reThey'reIt's aimpactant, terrible.
01:52:40His mindis ablank.Entraned in thisplace.He said thattook an airvery strong,
01:52:47respirable.He wassustaining tohis wifeto thebacker tothat notto be vanice
01:52:56there.Abrionethe ferretro.Andthere's abodycovered ina bolsa.
01:53:03Theabriarerand therewas shewas she.ForFortuna,She said that the
01:53:10persontherostrofor themostnohad to beit's a
01:53:15dorms.Hissuhueshe decloand Istood themoststrong I
01:53:22could bejust I'mcould bebecause shewas veryaffectedand Ihad to
01:53:31be thesupportof thatshe waswhen shewent tothecell
01:53:35Jose LuissaidamomentHe said,Here I'm sorry,the face on the front and he'sHe said, he said that
01:53:51They said, like, four daysdoing the tractsto be able to transfer into thebody becauseher mom no wanted tobe a cremada.When they wereback in Madrid,
01:54:02they were waitingthe boat ofto thereturn to Mexico.The consulthosewas comingin all the
01:54:09trip to him.And hehe said tohim andhe said,Jose Luismeyou can't
01:54:18give a momentthey wenton oneand hehehe wasthe nexthe said
01:54:28when josewhen josehe saidwhen hehad noideathat therewas a
01:54:34mechicantherethensofor protocolthe firstwhat theyis
01:54:38to lookthethein thatthepassportenteredto
01:54:42theand hehe saidand hehehe saidI don't want to offendyou,
01:54:48and nothing.I'llthis becauseit's somethingand it'svery rarewhat happenedwhen we're
01:54:57lookingthe passport.The consuldid a pauseandlooked at theeyesand he said
01:55:06when Itook thepassportfor thenamecomplete andthedate of
01:55:11thenamethequestionthatcametwopassportes
01:55:16thesecondofyournoviaand the firstof another Yolandawith that
01:55:27there are muchsimilarities,you know,not onlythey're in thesamename,but also
01:55:34the samethe samethe year,salvo the yearbut thetwoare the 7thof April
01:55:43not only thatYolandawas originaryof Veracruzand I'mI'mtalking aboutof Yolanda, the other
01:55:54passport.He had the other passport.He had the sameed that she, at the momentin that he entered thecountry, 22 years.And hehe said a pause, and he
01:56:07said,Jose,here in thecountry, thisthat has beenthe secondaccident of a trainthat's
01:56:15register.You know,that's thefirst with atrainrapid, but thesecondwith trains in
01:56:23general.The firstoccurred in theyears50s.It was an accidentof a trainof vapor
01:56:30that occurredin Santiagoof Compostelaand youknow whatthe otherYolandawas there
01:56:40and alsoI'm studyingin thesameuniversitythat yournoviaand as
01:56:51you have youhave youpartied thesamecause ofdeathnot I'mjust to
01:56:59feelI'monlyI'mnecessity to externalit.Passedthe
01:57:10yearsandobviously theonly personthat reallyhas beento sayto say
01:57:19to superarthis isJoseLouis.His familyalwayswill havethat
01:57:26everyfor therest ofhis livesand hehe saysI don'tI don't
01:57:33whythe lifethat is avery thatis averysurprisesurprises.
01:57:40Thelove that Yolandaand Iwe had,no,it's arelationthat's
01:57:46a good,thelifeus dida year ofa newiazspectacular.We know
01:57:52to beto all.Now,what Iwant to meis continuewith mylife
01:58:00and tohonorhis memorythat inpeacecance.It'sthat,
01:58:09I'malsoI'mperfectlythataccident.It was superdought here,
01:58:15not parable to bethe newsrearsI rememberhow it wasexactly becausethe cameras ofsecurityregistered as
01:58:22the trainwas carrilewas horribleit was horribleit wasfor excessof velocityyeah
01:58:29it wasthe tramof thearea ofthe areaof theareathat's
01:58:35that'sand theconductorwas newofof Scarrel. And the accident thatwas in the years 50,also, I mean, no commentate, no
01:58:51ago, it was a train that I was from Asturias toValicia.And the third accident,because you've said that there's been two.But it's that there's been a thirdand it's been a few days.What?Look, look.
01:59:06No, if you, I think.Yeah, yeah. In Atocha.Oh!It's a lot.We'vecommented on theI'm going toI'm going to
01:59:21I'm going toI'm going toI'm going toI'myou knowand I'myou'rethat not
01:59:28that'sthat'sand alsothisyear thisyearoccurredthe third
01:59:34accidentof thehistoryof theoftherailwayin Spain
01:59:38ohufand thenand thenthisofthat'sthe two
01:59:47peoplewellwellthat'sthat ismoreYou said that was a great story.Incredible.
01:59:58It's a dolorous and wemade a lot of us.A lot of hearta family of Yolanda.Of the two Yolanda?For sure.And thanks,Jose Luis,
02:00:06for,for mandars the story.Thank you.What you?Incredible, dude.Incredible, yeah?Yeah, no, I know.Yeah, no,
02:00:14I don't know.What,Capiturazzo, dude.I said,I said, I said,I, I said,no,I think.
02:00:20Wow.It's,I,You know,there were moreGionnesand there was this.Wow.
02:00:28I'm therethis carrella of the train.No, no, no.Look,check it.See it.No,yeah,
02:00:33right.Put it on thepanel.For a favor.I want tothe peoplesee thatis real.
02:00:38Ah,that'sthat's really.Oh,but,well,I thankI thank
02:00:45fatherwas itthat's goodthat'sthat,that'ssocialand platforms.
02:00:50Forfavor,YouTube,nowhave startedon Spotifyalso 3,7 quadrado,on YouTube, Spotify,
02:00:57Instagram, and Facebook.3.7, 5,000,quadrado.Or in letters in YouTube.3,7,000,also can't write.Ah, so?Yeah.
02:01:04Very good.37 quadado.Shavi,muchismasthanks.I need todo an adduceorapidly.
02:01:12If you wantyour stories,your experiencesor evidences,for favor,do you,do you,do you know,
02:01:17to CorreoFepoarroa podcastpranormal.comand,for favor,in the assuanceof thecall in thething they're in
02:01:25what they're indweens,phantasmas,cats,malignos,animals,comporting asas they're
02:01:33like youput themthere,and ifthey're nottheir story,for favor,it's
02:01:38ononymyour storyis anonymor anonym,et cetera.For favor,for thatfor you,
02:01:43for youso we'revery muchthanks.Thank you.We'll see the nexttime to continuenarrating these
02:01:52experiences realesand terrorificasthat you'reso we're going toask us to donarrars thisand you're going tolisten them.
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