INSOMNIO - HOTELES Y TRENES
Episode Date: October 31, 2024En este escalofriante episodio, nos adentramos en los oscuros secretos de hoteles y trenes que albergan historias aterradoras. 🚉💀 Junto a Xavi, exploramos vagones y habitaciones malditas que han... sido testigos de sucesos inquietantes y seres sobrenaturales que te helarán la sangre. 🏨👻 Prepárate para un viaje de terror que desafiará tu valentía. ¡Acompáñanos si te atreves a enfrentar estas leyendas escalofriantes!Redes Sociales Invitados:XAVI► INSTAGRAM: https://www.instagram.com/vidalvarea?igsh=MWczcHdzZHE0cjVlcg==► INSTAGRAM: https://www.instagram.com/3_7_cuadrado?igsh=MXh0cmNxOWFnbm56cQ==⚠️ ADVERTENCIA: NO SE RECOMIENDA PARA NIÑOS O PERSONAS IMPRESIONABLES ⚠️Invitado: XAVI👁🗨 Si te gusta el terror, este canal es para ti. Dale like si quieres más contenido escalofriante y prepárate para no poder dormir esta noche... Nos vemos en tus pesadillas. 🕸️💀Recuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: fepo@podcastparanormal.com► Consultas empresariales: negocios@podcastparanormal.com#Terror #HistoriasDeMiedo #HotelesMalditos #TrenesEspeluznantes #PodcastDeTerror #Sobrenatural
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Discussion (0)
Very good days,
tardes or no
noxed
and good
welcome to
a new
new capitual
of insomnia
where we
we're going
to narrate
the more
the more
terrorifices
experiences
reales
of the
audience.
So,
let's
let me
have a
time.
We're a
invitation
a very
special.
Today we
we're
we're
we're not
we're in
the
same
Wydal
the 3-7
Quadar
how you
how you
thank
my man
much much
thanks
for
invite to
a
car
of
stories
of terror.
An enormous
pleasure
to be here.
Thank you.
You're going to
a lot
because
fifted,
I'm going to
comment to
a thing.
Sorry,
first,
tell us what
are your
social,
platforms and what
you're doing?
Well,
a podcast
where we
talk about
about them
very
very similar,
but
giving my
talk
personal.
It's 3-7
quadado
in YouTube
in numbers
as letters
3-7
quadado
and in
Instagram
and on Facebook
I don't
I'll ask
why it's
3,7
quadrado
okay
yeah,
you know
enough
enough to
people
know,
yeah
some day
you know
some day
you know
yeah
see
that I
don't know
why
I don't know
that is
a form
in that
that the
life
me and
me
and the
people
and the
people
when
we invite
to
love
to
Remanched
of
Mio,
you know
is
your
logit
is a
catito?
I don't
do it
for the
logit
I'm
so I'm
so I'm
so
that the
group of
gions
was the
catos
enigmatic
when
when it
was for
example
Emmanuel
of the
Mundo
creepy
was
the
the
name
of the
sombrero
that
has a
real
a
realation
with
Kappi
with
Kevin
the
ultimate
history
the
person
was
called
Kevin
And also, I go, with much
respect, with Marijot,
the last story that I
did I, I know the last
I selected for her, I, I'm going to
to tell her, and, well,
she had a son, and it was
like, very, very, very,
very, very
very, very, very
I know.
I know.
You, you,
just took into Mexico,
and now I'm here
in Spain.
And in these
voyages, here in
Spain,
because they're in
these trains
incredible,
incredible,
super-veloces.
And,
And obviously, when you travel,
if you're so,
you know, you're
to be in a hotel.
And that's
me record to
something.
Me recordo
that these,
the hotels,
are,
without the
places in
those places in
those
to be able to
be able to
spend to
those vacations,
also
are refugios
of a
but these
refugues
of descans
are testigos
a basis
of presence
oscuras,
where there
are
that
have
made
checkout.
And if
to that
we summed
the trains
these gigantes
of acer,
we can
think that
some of
these are
vehicles
that get
to get
to the
almas
of those
that
those who
not got
to the
next
we're
to talk
to
the
hotels
and
and
the
but
there
a
surprise
you
I'm sure, these are stories
that's the story.
The ultimate
story
has to
have to be
with you and
with me.
The last
story has to
do you and
with me.
It's
tremendous.
Tremendissima.
What?
What?
What do you
do?
If you
you're you
with the
stories.
It's
go, go, go.
Let meteros
in the
environment,
but in this
history
not we're going to
go to a
client that's a hotel
to pass
a night
a greatable
to enjoy
to get to
some of the vacations
but we
we're going to
get in the
the
job of a
person
he's a
And he was a
And
I was
at the
reception of an
hotel
in the
era
in the
year 2020
where it
and they
started to
some
because
obviously
there
no
there was
a tourism
at
the hotel
was too
that was
that even
they had
to
Well, as he was more or less a
a more,
he was a
the post of the
job, but
as the normas
changed, the mode
of the
time to try
and he
he was to
a turn of the
because
because
there were in
there were
zones of the hotel
because it was
an hotel
the enormous, colossal,
that needed to be
vigilant.
Also,
of the
few
uspets that
had,
that only
could be
professional,
or people
that were
for a
job or for
causes
major, no?
I don't
if we
remember,
we've been
a certificate,
well,
here in
Spain,
at least,
you're
to have
a,
like,
a authorization,
an
authorization,
or something.
Total.
His
jeffes, they're going to have to
go to
a zone
that's
a lot of an
area of
an ala
different of the hotel
that evidently
in a state
normal,
it always
always was
completely
vacia, but
you have to
look to
look at
it.
But it's
what happened.
And so
include a
different
zones.
It
gets the
first day,
the
first
turn of
the
night.
And some
of
some
of his
they were
like cochicheing
and there
stories like
in the
zone of the
kitchen
and of
an auditoria
that had
had been
a bad
a bad
and they
were things
things that
not are
not bad
and much
less when
you're
in the
obscurity
he
he didn't
do
not quite
he's
not quite
his
companions
also
were
people
yeah major,
that
not
they'd
not like
the
changes,
and as
there were of
these
changes
of the
turn and
they're
like,
they're
like,
they're
in
he
he's
he's
he's
not
to be
that
were
that were
like
in Spain
like
these
are
these
are
in
a
people
because
it
and
the
first
night
a
one
a
walk
a
and
pass
the
salas
for
those
galleries
enormous
,
salons
of acts
vacuos,
completely
vacuous.
But
he was in
the
morning and
he went to
do not
to work.
The turn
were of
one
a second
night.
To the
second
night,
but it
gets the
third
night.
It's
the
turn to
at the
night
and it
at 6
at the
morning.
But
he
before
to
start
the
turn
He was a turbue.
He sentia that in those galleries,
that hotel, in those zones,
those enormous passages,
enmoqueted,
there was a silence a little inquietante,
more than the normal.
It was passing the night.
And just,
he was in the kitchen,
he had much zest,
he began to give a lot of sead.
He was a
He said,
fuff,
what frio
does he
he's
that I'm
a sec
I'm in the
carring
a carron of
that
had been
that was
that he had
put to
the
people
for the
round
could
be able
water
and
and at
alz
the
jarra
I
see
a
in the
end
the
door
was
a
creature
horrible
with
scamas, that
emitia a
a sound
very
desegrable.
Baja the
harra,
he
and
hear the
sound,
he's
that rector,
that
sound
that's
so horrible,
so
deserable,
he,
he,
he,
he,
he,
he,
he's,
he's,
and he
and the
security,
they're,
hey,
what,
what do
what you
do?
I've
just,
I've seen
something
horrible. It was a
one, it was a
thing very
strange. And,
and, it was
it allia fatal.
It was
very, very
bad.
I'm going
to here.
And so
it was.
Abandoned the
place.
And it's
more,
he called
to the
day
the next
and he
did you.
I don't
go there
never
never more.
I've
felt
horrible.
And you
can't
say,
well,
it's
not,
no,
no,
do
much
me. But is that he
gave for indigar.
Permitem that the whole
textual, because it's very
very hard.
Desperated,
for know that was what he had
seen.
And, well, in first
person, I tried to
find information about the
figure horrible that I.
Discovered with
horror.
That the hotel
had been built
on an old terrain
where it was realized
rituals,
oscures in the
past.
The
registries
historic
mentioned
to a
a creature
that
was a
entity
ancestral
that was
that
was
that
was
the
people
and
the
minding
of
the
bird
and
and
you
don't
you
think
when
the
world
is
that's,
that's,
yeah
will
the
history of
humanity.
No
you're
like,
when the
humanity
is
when the
human
can
emerge
these
energies,
these
things.
Never
never
thought.
But
it's
it can
be.
It's
that me
can't
know?
Yeah,
yes,
it
can be.
Wow.
Look,
fiat
that
that
of some
In a way, we've
like,
as a
a term
infantil,
the monster.
Yes,
but being
an adult
that never
you never
you ever
that's
that something,
a little,
a little,
a shadow,
a sombra.
But you
to be to
a
a being
that definitely
is human,
not has been
human,
and you
know,
you know
what are
their
intentions,
What is?
But that,
but that,
you know,
with your
plan,
or the
odor,
the,
and like,
he's
he's not,
but he's
that you're
that's there.
That's there.
Uff.
Is, me.
Look,
look at
that there's
things that
are many
strange,
and I
say a
say something,
of a
really.
I,
I,
I don't
re-contra,
super,
super-juro.
I, in a moment
I've
an experience
with hotels
and actually
not one
a lot of times
many times
for many
reasons
with hotels
with trains
because
I've been
having been
on some
but when
I was a
little
I was
I can't
I can't
have been
this hotel
of the
story that
I'm going to
continue
when I
was a
when I was
a chico,
I'd
I'd
I'm a
10 or 10
maybe I'm
I don't
I'm at
11
we're not
we're at
a hotel
with my
mother and
a
my mom
we're
we're
we're
and I
know
because
no
no no
no
the
thing is
in that
we're
in
hotel
and I'm
sure
that it's
in
Nayarit
not
we
we're
we
And there was an hotel that,
I mean, the other thing is that in
I don't know what my mom and his
and her, no-se-a-and-so-a-oh-she-a-oh,
but we're given a bitation,
a bit of a bit of a lot of it.
And the hotel was enormous and rarestim.
And in the afternoon, my brother and I,
since to go to the hotel,
we went to go to recorure the hotel.
You've seen of this house in Englanda
where there are, like,
escaleras that no, to give to any part,
U.S.
That's a hoteler.
That's a hoteler.
So, yeah.
And no
there's
that's
that's
I'm sure
no more
Wespets
only were not
those fours
and I mean
I'm like
Monjas
there's like
like they're
like
like they're
like
like you
like they're
in filita
and there
and there
there were
there
there's a
part of
you could
pass
for above
to pass
to pass
to the other
and it
was like
it was
so we're
so
we could
enter and
we're
but
it was
like a
little
was a
little
my mom
And I know that it was like, because,
because, when I said to go to a master,
the maestro, the maester me said,
oh, why, if, only were you,
if only were you
only were you, they're doing
to get to say, if they didn't
get to anyone?
I mean, I was, but I was in a hotel
like, rarestim.
That's chistoso.
The day of today,
my brother,
has a majorist
of the viages.
To do you,
it's primarily,
in other things,
to sell things,
to sell to
a business.
And it's,
I was, I was, I was, I was.
I was, yeah.
It was where I was.
When I said, I said, I was, when I said,
I was going to goodyn, literal, and for
so, also, also, I mean, I did
get to go to hotels.
I mean, I've, I've gone to
go to this photo, I did.
Oh, that's why.
Oh, so, I've got a relation
very great with those hotels.
So, this story,
at the more will be a bit more
a little bit rarer, but
for me, not is rarra.
For the same.
But, well, well,
This story
is called 25
April and
us made to
our friend
Nereida
of Jesus
Valle
Martines.
There's all the
name for you
see.
No,
me inventing.
Nereida,
much thanks.
Fikate.
He knows
says that
the 20
of April is
when it
is when it
was that
that was a
strange
for her
and her
and her
family.
And she
went,
his father,
she went
to see
a bit of
some days
went to
a
play in
Nayarit.
For that I think
that's
I'm
very rare.
Well,
they were
in the
madrugated
and
they're
there
to be a
but
they're
a problem
with your
reservation.
And in
the hotel
in the
they've
putt
the reservation
and they
had no
had
no time.
So,
no
I know
for what
reason
a
sometimes
this
with the
people
that
they
don't
they're
they're
they're
not
They were
without
hotel in
that moment
and it
was a
time.
Of course
what
they're
in
going to
get to
to get
to
her
but she
said
to the
parents
no
don't
be
we're
to
we're
we
is very
late
and
when
it
we're
to
find
a
hotel
sure
there
there
may
there
there
there
there
so
so
there
so
there
so
there
was
there
very
tard
and
they're
and she went
to go to
her and her
and the
other people
and the
couple of the
hoteles to
ask you
say, he's
he's
that they're
there's
and then,
but for the
little, they're
to get a
hotel that
he's accepted
to give
them a
little bit of
and he
said that
was a
rare
between
what's
that was
a lot of
a
very
very
great,
so
had this
salita. It was very
great and suspiciously
it was very barra.
He said that the hotel was a
a foot of a place and had a little
and had a alberka very grand.
So, well, they said,
we're going, when they got on,
they're doing their check-in.
You know, you know, in that
time, this librette has been
where you're registran and all.
They're doing the check-in and
they're done count
that are the only
whospes
in the
hotel.
Like,
me
to me,
like.
And he said
that the
general
had an
attitude
like that's
because
he was the
same
the same
that he
said,
I have this
house,
I'm a
little
a little
one of the
little
an apartment
more
a bit of
the same
and then,
and the
general
they're not
that they're
in the
house
but
they're
in the
fourth
piece.
And it
was
like
of
well
see, no? What is the problem?
We're subbed the escalars and yeah? Well,
and in tone of drama, when they were
going to go into, that they were in a lot of that they're
on the family there in the hotel,
she said to her friend,
it was one of those hotels
where the people
live stories aterraderous.
Well,
he said that the day passed
with incident, all very well, but in the
night, yeah when they were
to be able to sleep,
discovered
that the
door of the
house
no
the mom
he had
said the
door
to the
door to get the
but
simply
not they could
and still
he said
to say the
general
hey to
change us
to
the door
to the
but they're
in the
fourth
piece
not it's
not like
someone
to get
on the
night
and the
the
really is that
there was
there
no matter
so
they're
there
got to
the
car
principal
and she
and she
and her
and her
and her
to the sofas of the
cell, that I said,
I know, that's
a lot of,
but only
a little bit of
a bit of
a bit of, so
they're going
to be there,
no.
And they're
there, and
obviously,
then they've
got to
their
telephones and
they put
like to
see the
social,
there,
while they're
trying to
to doorme,
obviously,
with the
volume
to be
on the cellular.
And they
they're
when it's a
thing that
a lot of
a thing,
it's,
like,
so it's
a idea
in the
idea,
like a
idea that
was a
of her,
like a
phrase.
And that
phrase
said the
next.
Mori
the 25
of April.
Okay.
She,
like,
like,
she's like,
she's
being,
and why I
think that's
that I
said,
so,
that's crazy,
so,
he's,
he's,
he was,
to be a
other
show,
she was in the
other
thing, and then,
she's a
little bit,
something,
or
There he left
an idea in the
and they
do this
things,
simply he said
the eyes
and he said
very very
so I'm
don't want to
let me
doorme
not?
Like trying
to
to get
this,
no?
He's
he said
to see a
presence
like that
there's a
there,
but it's
rare.
It's
was in the
telephone
and you
feel that
someone
that
someone
but
no
he's
no
he's
moment. Then, then he sent you
a perfume, but
no he recognized.
Like, of other person. No,
her mom, no, her
a friend, but in a
woman, definitely. And
then he thought you, this sensation
that someone's not sure that
someone's watching. That
mirada, hellada,
that's just to get, like, quiet
this, no?
She thought,
I think, I'm going to be
imagineing by that
phrase-silla that I entered to my
I'm going to put the audiphonos,
I'm going to put music, and me
to concentrate in the music,
for to dream. And it was like,
obviously, no, it was upio to me.
At the volume, to the audiphonos,
put his music, when,
when, of a repent,
I heard some passes in the department.
But they were so
very, that they were still
even with the audiphon's.
So, so he was cut a,
and pretext attention,
and I hear these
passes
that went
from the
bathroom
to the
house to
their parents
she was
like
back back
so I'm
so I'm
so I'm not
I'm going
and the
lights
all the
all the
all the
all
and then
and then
and then
then so
so
I think
I'm
I'm
to put
to
make
more
more
more like
more
more
more
and murmur
no
only only
to know,
Murmur.
For not
to the
other
but very
enojated
he said,
you know,
you know
to do you.
And in
that moment
he said that
all the
but no
passed on
five minutes
when I
started
a real
that immediately
we know
that immediately
they're doing
first a be
abecerer
and then
then more
more than
more than
something
like
to be
desperately
to open
a door and
he looked
and he
he was
that the prea
was just
moving
this is
the locus
and he
he was
he was
he was
to get a
and he was
a mom
and the mom
he started
and he
he was
to revisit
and the
door
was normal
no
there
no there
no
there
nothing
and
he opened
the
door
the mom
to be
who
was
to be
to
but
no
there
nobody
and
He said that she and her
mom, well, they were
seeing her way out of
but it was a momentito
like a paradeo
and they were
a woman
a momentit
was there
was there with the
mirabed in
them simply
just beinged
and so like
like he
there was
there was
it was
very rapid
and then
they were so
did you
You know, you know,
yes.
Let me want to
go to
go to
the mom.
And she
kept on
thinking in this
what,
what was,
what was,
and he
discovered that
she was
not a
dormita,
he was
so that
what's
what's
doing?
And he said
that's
there's
there's a
there's a
other
in this
hotel.
And the
amy
a much
more
more
more than
he said,
the
he said,
I think
we've
we've
a
we've been
an
adventure
not
a
phantasm and
they went
to investigate the
hotel,
they started to
gorearer it,
and they
then the
friend got her
rapidly to
his telephone
and he
put to see the
people that
was in the
hotel, because
it's rare
that an
hotel
is a
very,
when the
other
hotels
are the
and he's
there
there
there were
many
many
that there
people
puttable
fatal.
Fatal.
There
had,
they said
people
that they
had
had been
people that
had
people that
that said
that the
security
was
that they were
in the
three and
four of the
morning
that were
that were
experiences
horrible
that were
experiences horrible,
and I go
you know
you know
you know
we're going to
go back
and
and then
they're
back
to be
to be
to be
so
so much
we're
and in
that moment
when you
they were
to
get to
again
the
but she's, chum, chum, chum, chum, but
but then they were.
Voltaire to be,
they're going to be the
door.
Dentro of the
abitation, in the
penumbra,
the woman.
But yeah not
was like a
sombra,
yeah not
like something
that you
not was
well,
physically,
it was
that was there.
The figure
complete of
the woman,
he said
that his
rostro
was like
disfigurated
but like
for
suffering.
It was like extremely
sad.
His
roba was
full of
blood.
It was
like if
not if they were
like they
were like
she was
her
was her
was there
but not
she'd
in
it was
like if
not
she did
know
that
that they
were
there
simply
his
view
continued
and
like
if
not
pertene
to this reality
like a
scene that
she was
she was
she was going
when the
she didn't
want to go
and he
she said
she put super
nervous
she paro
the mom
and the
mom and the
papa
what she
said she
she said
she went
to the
room and
opened the
door and she
saw the mom
and the mom
did she say
There was a woman.
What?
There was a woman
out of the
room.
And the mom
he started
and the
what you're going?
It's like
very subtle
but
it was like the
hotel
not the
hotel
not the same hotel
to have
been in
so big
it was a
very little
but
but it
was a
little
better
like
like
sure of if the
walls
were like
that color
if they were
like deteriorated
like
like a
like a
different
like a
like a
thing that's
like a
like a
like a
some of
some like
manchas
black
that they
were
socio
and they
were
seeing
this
where we
we're
when
when of
the
so it
was
the
so it was
so it's
much
fear
so
so
then
the
place
to
the
room,
then they were
back on
the vestibul
and they
and there
was a
a man
in the reception
not the
same when they
had been
got a
person,
a man
very rare
very
very palid
and he
was like
with terror
with
when they're
so
then they're
and
the fact
the
of this
man
like he
he's
he's
he's
he's
to go back a little to the defense,
you know,
like you
know,
what's going to get
so,
no, yeah,
what's going to
they're
saying,
no, they're
saying,
oh,
yeah,
is it's
passing a
in the
room?
And this
man,
he's kept
so,
like,
so,
don't
go,
what?
K,
k,
k,
k,
k,
but,
they're
going,
they're going
things
there
over,
for
favor,
keepens,
no
they're
and they're
a way of
act to actual
that's
that they're
like a
thing,
what they
what's,
so,
like,
like they
can't
get to get
they're
even,
and while
they're
there,
she'll be
to see
this
book of
visitas
and it
gave
curiosity
and he
said
that just
he
he
he
was
like
the name of the titular and the
Fecha of Entrada.
And there were,
like, so many numbers
for there.
But there was one
that was written
in Tinta Roja.
For that's so
he called so
rapidly the attention.
It had a
Fecha,
25 of April.
And she
he saw,
and there was the
name of a
woman and the
firm.
And then
he gave
to know
that
they were
there
in that book. And
also said 25th April.
And the
abril. And the abyssopal
was it made sure. And it was so
two whespedes were in the
same abyssation, you know?
And he was
when he was trying to
understand this, that
he said that they thought
that he started to
tremble. Because
the walls, started to
creuging to extremisers
like if it were tumbling.
And the
the man that was there,
She kept in silence,
and she also, the papa,
when, of a repent,
when they were heard a gritty
of a woman.
It was a gritty
that resone
for all the hotel.
And the
gerent
he went to the
mirada
and said,
"'Tranquilus.
No,
it's only one
of our
wespets that
is here.
But not
go,
for favor.
Kedense.
If they
If you're going, we'll
we'll have your stanza
be very placentera.
He said this
while
they've been a
smile in his
rostro.
And then
they were
like, no,
go-nose-
and the
man,
not did
nothing,
only was
there,
only was there,
I'm here,
the papa
and the
mother,
they said,
let's go,
we're,
to get,
the world,
and the
door,
and the door,
to get,
to the
He was with a sure.
And no
could have been able.
They were there
were there
and they were
standing.
Sondriended.
Kedensk.
We'll have your
stanza very placentera.
And he sent her a
terror
tremendous.
And the
gritty of the
woman
again.
And the
Papa
he gotro the
door and
he started
sootar
like
and she
said that
was
a ferrada
to her mom and her
her friend to her.
And he wouldte about
back and the
man was there
so,
smiling.
While his
father
was destroying
the door
until that
he was
he got to
and they got to
get out.
Salier
a
lorca.
They started
to discuss
the
father
he gotro the
things
and they
took
to the
car
what happened
let us
let us
let us
here.
they went.
Obviously, the
and she,
well,
no,
they're going
with the
question.
What's the
thing?
Aparted
of what the
people are
the hotel.
And she
was a
fact that
the date,
the date that's
there, 25
of April.
And then
he wasco
the
place,
the number
of the
hotel,
and put
a fech,
25 of
April.
He's
got a
notice.
The
notice
about about a crime
that had occurred in this hotel
and it's the next.
What was the next.
A young woman
had been privated of her life in the
Piso 4.
The Fecha of the Crimean, 25 of April.
Debago of the note,
there was a photographia
where she could have the
body of the woman
at the oria of the door of the apartment.
The woman of the photography was the same
that we had we seen.
And,
and when I was the number
that had the door
of the room,
me percate
that was the same
in the
we're the same.
How I feel?
I prefer to pass
the night in the Hotel Cecil.
So,
yeah.
It's so me
made very creepy
the man that was there.
The man.
Ked-en-se.
And all the time,
like with the
look at a-d-d-tarrade.
Surreying.
We'll do stanza very placentera.
And what, you know, you guys?
Placentera, of what, dude?
Yeah, no, manch.
Who is one of trenes?
A-huh, yeah.
What is one of train?
One of train.
Okay.
You know, well, I've been...
I've been...
Ah, yeah.
And that I like...
That's a...
But that country...
But that country
has a lot very obscure.
That is what...
much
people know
that's
the
of the
desiviments
and things
like auto
desvivings
the park
of those
autesvivimient
uh
no
important
the question
is that
the history
that I
want to
tell
now
is
the
house
of the
station
okay
okay
this is the
story of
a man
a
man that
well
had
a subida
gris
of Salar
as the man, as the Japanese
who are the Japanese who are
in the companies and corporations and
and this senior
at a level personal,
he was having a little bit
a little bit of a little bit
with his wife
his son, he was
a little bit of his
and he had a little bit
total that
he, of much
pass to marr,
he'd be able
the souldo total
entire to
to the family
for that they'd
for that you
don't
they'll
have
to
but all
he has
a
little
he's
and he
decided
divorce
to do
doce
to
docees
to
doerce
but
what
what
is that
the
salary
that
for the
so
then
then
he
starts
because
he has
he has
to continue
to
continue to
continue
to
and
apart
to
pay
a
new
alquire
and
he
starts
something
is a
his
place
to work
to
work
for
to be
more
to be
to be
a
little
in the
train
in the
time,
let's
do that
he
could
do not
more
so
so
he
he
a
a
house
a
a
gosh
extremely
extremely
barata
not
it's
topic
not
extremely
barata
and
also
is
just
at the
station
and,
and,
again,
it's the
line that
me,
that me
to go
to
work,
it's a
little to
the
afueras,
it's a
barry
a little
a
little,
let us,
not a
bit of
because in
Japan,
there are
many
there are
many areas
that's
but
it's a
partada,
a
one a
one
a
residential,
total
that decided
to
give
the
Fianza,
you need
to pay the money
and the
house
was made
a disaster
socia
movels
oldes
all of
all of
all of
all
and
caches
of
and
all
and
it was
another
a house
that
was a
place
at the
station
so
the
way
the
thing
was
the
right
the
car
he said
well
he
should
to tremble
all,
it's
not to
be, you know,
I'm going to
pass the
train,
but it's
true that
at the
last of the
night,
in Tokyo,
the train
now is to
the time
so the
time.
So, well,
you can
get to
get to
get to
get to
many,
too,
don't know,
many of
many,
we know,
we're not,
we're
to get a
place,
and the
first
night,
all
all
all
fatal and not because I
heard the
the road of the train
and that
it's
it's just
it's just
it's
well
maybe the
newness of
the other
the strange
to not
to start
yeah
with a
family
a
a tramite
a
mental
no
you
do you
know
pass
the
days and
he
go to
do
but
that
night
that
that
that
that
that
to be a mal-estar.
That's
how to say,
that's
that you
know that
was a
way,
it's that
was a
a plant
a back,
he's
to hear,
you know,
the trains
like they
have the
road
on the
road of
the way
and he
and he
starts
like
that
someone
that's
that
another
that's
that
a piece
to be
a
where
where his
house, at
the
foot of
his
because
that's
a plant
a
little
and the
room
was a
right
to the
part of the
way.
I was
like that
something
that was
reptable
between
the
the
the
yeah,
no
see nothing
try
to get
to
get to
get to
get to
get
to be
and the
day next
before I'm
going to
the
there was
like the
people
were
like
something
had
reptated
for there.
No,
Cometado.
He's
the day
next
still
that's
the
time.
Until
one of
the
nights
that's
out of
what is
this
what is
this
this
this
this
is the
morning
he
and he
and
he
has
a
and
he
has
a
and
he
he
he
a
that he's
Reptando
a grand velocity
He's
and like
he
he's
and he
the only that
he perceives
is that
he was
he had
only
he had
the
he still in the
cintora
yeah
pamb
he's despirted
sostadisim
he looked
the re-the-the-a-ma-
to go to
go to work
It was all the day
perturbedissimo
with that
so forth
is that
he was that
he could
not he could
get to
the
because
coincidia
with the
reptar
that
he was
he
to get
to
get a
get a
he
and
he
decided
to
and
let's
let's
let's
let's
in one
of the
caj
in one of
the
caras
come
to go
the
the
he
he
he
and
he's
a
disviv
a
man
in the
station
X,
no
I want
to say
that
was
that
he was
and he
had
partied
in two
no
manches
and
there
there was
the
with the
mantita
this
one
here
and the
one
manches
but he
he still
living
there
he
he
he
He was out of
there,
I tried
to look
another
other
other
place,
but,
of the
moment
I'm going
to see
being there.
It's
a little
to tell you
in your
channel.
Of the
the
woman
that's
Oh,
she
seems
much.
Yes,
so,
and you
think you
is a
phenomenon
ology that
could occur?
Sure.
That's
that's
that'spantos
bro.
And then
the
marks in
the
Oh, that's
That's
That's
That's like
Real and creepy
Because the
The guy
No
I'd
But he'd
He'd
In a dream
In a
He didn't
He didn't
I mean
I mean
And this
This story
Is that
It's
It's a
Forer
Starre
Style Reddit
Japanese
Wow
That this
This type
He said
A mode
Deasog
I'm
I'm
To tell
you
Wow.
Look,
the first
that's
that's
a story
Japanese,
that's
wow.
Wow.
Well,
you want
to tell me
to tell me
to train?
Bah,
blah,
va,
let's go,
let's go,
a
see,
a
see,
this
story
is a
terror
in the
via
our friend
Danny
Torres.
That
that story
he passed
to
Danny.
Oh,
It's short, but it's very good.
Resulta
he was
working in
Chile,
if no,
I'm
quix,
if it's
Chile,
near the
station of
Limache.
Limache.
Near the
station of
Limache,
there he
he took a
work
as a
recollector
of manzana.
He's
that at
the
first he
was a
very good
because the
salary
was good
for what
he had
to do
do you.
And,
and,
it was a
time
a question.
Well,
it was a
question,
because it was
that he was
he was going to
work at the
night,
and at the
eight of the
morning,
he was
then you know,
you know,
you know,
you know,
you know,
you know,
basically
what he did
do you're
to organize
in canastos,
so,
recollectar
and organize
in canastos
the best
the most
selectioning
and then
then you
the
most the
most
the
ones
and in other
canast
those
that not
not so
and that's
not so
that's
basically.
Well,
was
there was
doing
those
turns
nocturns
and
I've
accustomed
this
life
when
when
a
day
that
was
that was
reclecting
the
was
he
to
get
a
little
more
there
exactly
where
are
the
the
train, that is the
station that
that's the port
of Valparaiso
to Limachie.
And he's there
but he said
that that
that's the place,
that's a space
had something
and he
had a lot of
nobody
he liked to go
there.
But he
was there
he noticed that
sensation
strange,
he let's
he said that
he's that
he's a
repent,
then it
then it's
a time,
and it
and he
and it's
a
time.
Because it's
it's
all the
reverse and
it's
but it's
but it
but not
it's a
but it
but this
is something
that the
people
that have
been
it costs
much
a lot
like
how
decifar
what is
but
simply
you have
a
sensation
extra
like
that
something
that
something
or something more
it will
do you
all the day
and the
you know
you're going
you can't
you can't
tell you
like a
little of
anxiety
fear
mal-stair
but is something
that's
that's all the
not physically
in you
is something
it's something
that you
he's
he's
he's
he's for
he
the night
or this
to be
this is to start
of the
turn of
the night
during
the
sensation
extraia
of
is about the
way's,
he's a
the sum of
all the sum of
of all this
things.
But well,
he gets
he to his
normal,
of his own
normal
of the
time,
he's the
time that
after the
night,
he's up,
he's got
with this
sensation,
this sensation,
and well,
he said,
I mean,
I have to
have to
work,
no,
and he's
with the
sensation,
and he's
trying,
and in the
madugada,
to the
two of the
morning,
he said,
that they
have to
get
other way
there,
to selectioning and
recoges the masanas
and then,
and then,
as a sensation
not a now
that's a sensation
is very similar
to what it's
like the
obscurity is more
profound,
like the free is
major,
like that's
a temperature
in this place
and he
he's there
like,
well,
I'll be,
I'm going to
try to
to leave this
to the
side,
I'm going to
do to
do you
go to be
doing to
the canast
when he's
when he's
not a
clearly,
how a
silhouette
black,
pass,
like coming
but he
he tries
to not
make the
case,
so I'm
I'm
I'm just
imagineing
and he
and he
he's
like that
he's across
he.
And he
he's
when
the
a little,
the
whatever
that was
he was
he
he took
the
armor.
And he
immediately
heira the
head to
look to
see who
he was
there.
But no
no be
nobody.
And that
so he
made
to get a
more
inquietto.
Regress
to
to continue
working
the
sensation
this and
he sacuio
his
his head
very
very
said
he's
she
she
she
she
she
she
she
was
trying
to
to
to quit
of that
that's
that's
a sensation
but
the presence
would be
not he
and he
he had
when
he said when
he
he said
a little
a murmur
like that
someone
is talking
but
he can
understand
what he's
saying
he's
sure
that he's
sure of
he's
he's
he's
he was
he was
he's
he's
he
and then in
the other
to
turn it rapidly
heiro
and when he ran
and when he ran
and he looks
clearly
a distance
of one two
meters
of where he
was a woman
he said
that was a
figure
that was
covered
with a
vestido
black
was
was moving
as very
and he was where he was
so, but close to the
way of the train. This woman
had the caboer long and
and the tailed he covered the
middle of the rostro just in the angle of the
angle of the he was tab. And no could have her
car. Just the large cabillera.
He was there and he
was with a lentitude.
Like if he was going to
but in camera super-lent.
He was
He was having this
And the frio
He started to
Invade his
And in
Menos of what
I'm saying
This is
He gave
He was quite
He was
He was
Like a paralysis
Of the
But of
He
He tried to
Reactioner
To saffarse
Of this
sensation
That's
But he
He was
He's
He's
Pyrna's
He's
entomicide. No
you know if for the
MEDO, but the only
that was to
get to
go to
get to
and he was
a lot of
his
companyer.
It was a
little
aitian
with his
canast
of the
canasto
vans
vannos
but
his rostro
had the
eyes
with much
fear
and he
he was
being
not he was
not
moving
and the
figure
was
moving
very
and then
and the
little bit
this chico
the itian
he left
the canast
with the
panas
and he
went
he was
he was
he was
he went
to go
and he
was going to
his
he was
and he
was
like
no
you
don't
you
go
you
don't
you
but he
but
he was
going
going
to
he
he
he
he
he
he's
he
went
the
Haitian, with the
chief, and
they were so, and he
was like, of
that he was
not so
he could move,
the woman
began to
come to be
so per
lento,
over the
ways of the
train,
he was there
and he
saw that he
was a
companyer and
the chief
running,
and of
he got on
him,
and they were
so he
took an
and he
said the
he said,
You're
well?
You're
palid
What's the
What's the
And he
So he's
He's like
He was
He went
He said
He said
He said
I was
I'm going to
She was
He was
He was
super
Lentto
I don't
I could
move
He was
He was
He said
He said
Calmate
Calmate
Calmate
Calmate
It's
something
It's
something
typical of
this
Look
Look,
a
Sometimes,
at these
hours of the
night,
see in
sombras,
silhouettes.
And,
look,
all this
to do
we're
to attribute
to the
tragedy
ferroviary
of
Kerongue,
Limanchi
occurred
the 17
of February
of
19866.
Here
two
trains
chocer
and
there
Thereceived 58 persons
and the
bodies
were made
regated
for all parts
all around
of the
bia's and in the
camp
were in the
bodies
since
it's said
that the
souls of
the
defunters
are going
coming
for
here
because
they don't
they're
they're
in
silence
he
he
he
terrible
no
mirro
a
to the
way,
but the figure
yeah
not
they were.
He said.
He said
the days
passed and
the sensation
of that's
kind of
that's a
kind of
was there
had disappeared.
And he
thought that
he thought that
was
simply
been like
for that
he had
that
vision and
nothing
more,
and nothing
more.
Passed
the time
and he
he's all
he was
he was
working
again.
A night
he
will be to
go to
go to
to the
road to collect
the mansane's
he was
coming with
his canasto
in the
madrugada
when of
the way
he was
he was
a sound
very singular
the
sound of the
train
but it
was
very long
and he
he was
he was
he was
he made
that he
did it
was a
strange that
was
a
time.
Never had
seen a
time.
And,
and the
train
he'd be yeah.
He'd
coming to
and he
was very
he was
he was
a little
something
there.
There was
something that
could
identify
exactly
that was
but
not about
the
train.
He's
then
the
rechinido
of the
yant
over the
vias
that is
metal
that
they were
there
and
it
was
to come rapidly.
And,
and so
to feel that
sensation
of free,
of the
dark,
of the
kind of
that's,
that's
going to
and the train
was in
getting to get
to get
that the
train that
was
that was
that
was like
and he
was
he was
he was
he
made
on the
way
to
see
passing
this
train
and
and
the
train
that had
all the windows
rotas
and they'd
see people
but these
people
were these people
were
insangrinted
their
face deformated
as
in a
pause
of a
pain
they were
there
and they
and they
passed
again and he's
felt
again
again
congelated
and
to be this
galeria
macabra
of persons
ensangentated
that
passed and
he was
and he
and then
he
he looked
a little
his
and he
saw
in the
train
was the
woman
the woman
vestia
of
black
and
he
came
and
he
he
he
he
he
he
he
he
he
and conform
the train
was going
he was saying
he was
he was
when he passed
the woman
he felt
that he felt
that again
he was
a little
and something
was the
was the
last
the other
there was
a person
a person
that was
that was
but this
person
was different
not was
not was
a lot of
blood.
It was deformed
of
moretones.
And this
person
with the
eyes
were he.
And he
saw he
he
thinks
that these
entities and
that woman
they
were,
how
he's going to
see
he?
How
he will
be to
see the
day
that
he
is that
and
it's
that
wow
wow
You can't believe that in
Spain
there's a
case very
very
very
very
very
very
very
very rapid
there
there
there are
there
there
there
at the
border of
the
carreter
people
in
fill
India
without
rostro
with
a
tour of
tourist
of a
bano
with
cub
of the
play
with
the
people
The testimonies say that they're
that they're going to
they're going to be in the arceal of the
carretera in the field of India
without interactual,
without, looking at the
nothing.
With a face.
Yes, with the
car of the car ofscura.
And is that when
they've gone to
they've passed
is that they're in
the camping of the
Alfaques.
There,
he exploded
a canion
of gas propano
or no see what
and disintegror
to all the
people that
was in the
place in the
camping.
No manches.
Yes,
Of actually, there's a periodist that
even recalling
having arrived
there when
passed that
and the water
was irving
and the
people calcined
this was in the
year of 187
or so
what bigs
in Tarragona
on the side
of the river
yeah
in the coast
a little more
a bit more
a bit more
that's
what you're
brutal
it's a
camping of the
camping of the alfakes
that he wants
that it's brutal
wow
Wow. I remember, me has
a recorded a little to this.
Well, you know, to talk,
you'll tell a story.
Let me.
Let's.
This will be
to be hotels, no?
Yes.
One, one,
one.
One and one?
This story
This story is
an
an abuela,
those
and a
room of hotel.
So,
so it's
a,
so it's
the story.
Okay?
And is
that
a
A
Parenthood
They're together,
They have a relation
Maravisional
And well,
As a matter that
the relation
You decide
To go to get together
A family
No,
typical,
A typical history of
Amor
of any other
Any person
What's
What could
That the
Mom of him
for circumstances economic
have to
have to go to
get to
live with
them
with her
and with
three children
that they had
three children
the first
the first
it was
she was
she had
she had
she had
the old
the abel
the abelita
her
her
so shegars
was
a little
a little
possessive
with
her
his
and a
little
possessive
with
his
niets.
It was
like a
mother and
very mother
like
those
I'm
like
she'd
and
also
in the
town
they
were
the
woman
was
like
this
woman
is
very
and
this
question
is
that
are
going
passing
the
months
and
they
both
start
to
discuss
very
very
and
it
It's a
a
...
...
...
...
a
little
insensitive
the
relation.
Even
she
starts
to receive
a
violence
physical.
And,
it's,
it's
like horrible,
no?
It's
the
malrata
is horrible.
But the
abel
always
defiant
to his
child.
And the
mother
always
he
repeated,
For much that you
You'll
separate
I'll
You never
You'll never
You get to
You know
She'll
Not you
She's,
between
his
And you
Never
You never
You know
You're
What you
What you
That one of
The
One of the
She was
He was
He
He?
Yeah,
She,
Yeah,
Yeah,
Yeah,
Yeah,
And,
horrible,
And,
And,
I'll
I'm
To do a
with the kids.
Hicks
to
them.
When they were
to go to
go to
here.
Papa
me is
being very
bad and I
don't
continue
so.
The
one of
of them
was a
little
but
the other
that had
nine years
and
yeah
I
understand
what was
he
was
so
so
then
then
he
said
at
all
at
Meteros in the
Cema
Bessiddle
because
we're
going.
Total.
Executate
when the
mother and
the marie
and the
father and
she's
they're
they're
they're
desperate
for the
situation
the first
that's
move to
a motor
to the
first
they're
well, they
are many
they're
many people
that's
they're also
they're not
they're
in sucied
of origin
she was
the person who's,
I mean,
you know,
what you're saying,
no
I'm trying to
know,
and they're
going to
go to be
a night in a
hotel of carterer.
What is?
That's,
that's the
hotel of
carterer
were very
and they
have two.
One for
the three
children and
other for
her.
But,
well,
together,
two
rooms
different,
but
they're one
on the
other.
The question
is that
the question is
that,
well,
she was
was very
very
very
and the
the
kids
were
the
kids,
and he
he said
they're
like they're
in a
instead of
they're
they're
a little,
they were
a situation
very
new
for them
and with
the
unciences
and they
and he
and he
he's
he's
he's
the
little
the
people,
don't
do you
don't know
I'm
not you
don't know
more
no more
no more
separate,
to stop to make a
noise.
Okay,
well,
she will
to
get to
and at
a
hour,
two hours,
she's
getting a
a great
a
great
rapidly
and
start
and
and he
.
What,
what is
the
people?
to the person of the hotel.
For favor,
to be here
there are my
kids,
no respondent,
no respondent
no, they're
really, I'm
nervous, I'm
nervous, I'm,
open the
room, and
be to the three
children in
the soil,
tirados,
tirados,
and both
about,
without
any type of
sign of
violence,
but
desvivis,
with a
ballsa,
and a
Caramelos. And a
note
that said
I said
that you
don't you want to
you know
manches, bro. No manchis.
Chbby.
Durrissim.
Dudeishm.
No, no, no.
The, no, no. There was a
actaforensia
were there. They're emvenerated.
I'm flipping.
I'm too.
I'm really.
I just
I'm
I'm
I'm
robb
the phrase
the
word
What?
Okay
I'm
I'm
I'm
to six
now see
okay
okay
let's go
what you're
what I'm
that's really
that's badgeria
wow
Oh, well,
I'm going to
to tell one.
You'll tell one.
This is
this is like
like a cortilla,
but this,
look,
it's interesting.
It's called
Bajo the Cama
and it's our
friend Robert
Gonzales.
All this
all this
occurs in a
madugada
of the
January.
That,
evidently
that's,
he's,
he's just
to celebrate
the year
new or no.
In the
city of Metepec,
there in
Mexico.
And,
there was
Robert
with his
parche
he had
been in an
hotel
had been
been
in a
event
they were
a
a
yeah
after after
around the
two of the
madrugated
they were
they were
they're
so they
were
to get
to
their hotel
there
was in
Mtepec
they're
they're
they
they're
they
they
said and
he
said
that
he said
that
there
the
I don't know
I don't know
so if they
do you
do they're
in the
but the
quets,
no?
Yes,
the
of the
end of
the
people that
I'm in
but they're
super,
super,
super,
super,
super,
so much
so much
then they
immediately,
conciliing
the
and they
doormen,
no?
He's
that of
the five
of the
morning,
before
that's the
day,
before
he said
he said
he said
and it
immediately
when they
was
like
opening,
the first
that's
like in his
head,
while in the
was still
so,
no,
you know,
you're going to
do
to dream,
go let's
to doorme,
no,
see the
eyes and
you'll get
to do
to dream.
But
there was
she was
there.
There was
a
woman
that was
that was
inclined
over him
on him
over the
Robert.
And obviously
imagineate
if you're
open in the eyes
if you see that
is a
oh,
oh,
I'm a
there's a
woman
said that
emitting
a light
tenue
like
if
brillared a
little
and this
woman
seemed to
not
pertenecer
to this
world
simply
was like
like
that
was a
reality
was
there
was
like
maybe
aida
as
was
inclined
and
the
the
the
the
a little of the
rostro.
It was like
like to be
like the
half of the
car.
But that
said that
was that
was so horrible
that you
were going to
gritty to
get to
start.
This
woman was
very high
and delicate,
the
pale palida
as
never had
seen the
light of
his own.
His
rope,
although
it was a
vestido
as
like
a black
yes, no,
it's not
clearly
like something
like a
old.
You know,
like lancitos
and details
that you,
well,
you know,
you know,
you're
like that
other time.
And,
he was
there like,
like,
not,
no,
he was being
to him,
but
was there
inclinated.
He was
paralyzed
of the
fear,
but at
the same
time,
had an
urgency
tremendous
of
moving
and
to get
to be
of
So, in
all this
MEDO.,
he gave
a question
of,
he could
be able to
be able to
see,
he said,
he was able to
talk, but
he was
he was
he said,
and he
he said,
and he
is!
And in
that moment
when he
he said,
he said
he was,
he was to
get the
part of
and start
and he
did
count of that when
cruised,
he was to
talk to
a woman
with the
but the
the
the
person,
like if
not was there,
like if
were an
holograma
but when
it was
the
the woman
not
he got
that he
he was
but when
it
he
he,
he said
that the
the woman
that was
there was
like
was
inclined
and
was
tensed
all
his
the
body
and so
rapidly.
He went to
the hands
like a gesture
of a surprise
like he
no idea
that was what
was going to
and he
was there
and he was
trying to
get to be
a lot of
a lot of
so what is
what is this
what is what
is what is
what is
and the
woman
still there
then
so
so
so
it's
so
so
so much to
while
the
woman
He still there, so with the
hands in the car, like, trying to
to understand what was what was happening.
Like if no it was to be.
But he was there.
And then he was to start
to go to back,
to back,
to back,
and then took with the
hand to the
the page,
he sent it where
was the switch,
and p.
Encended the
light.
And when
it was made,
disappeared the
woman.
And then,
his pairja,
because he had
heard the
grito and that he's
like,
I'm going to
those eyes and he
he said,
he was going to
be a
bad to be a
badger
to get to
do the
turn and he
went to
and he's
he kept
thinking,
was my
imagination?
I was
so,
was he was
over me,
I was
was like
inclined to
me,
even I was
not me
was a very
really, and
I'm going,
I'm going to
come to the
passio
like to
try to
relax me
and then
to start to my
paris.
So,
he started
and he said
he said,
he said,
it's like
more than
a hour.
So,
it was like
like,
no,
well,
I mean,
I think
yeah,
yeah,
it was a
more I'm
a little
I'm imagining,
yeah,
that's a
that's a
no,
but yeah
me regress.
So,
he's got
a much
more
tranquill,
apol the
light,
all right,
yeah
I'm getting
a little
little
little
he's,
well,
he's
He,
and he was
to doorme
a little bit
more,
and he was in the
room, in the
silence of the
room,
when of a
repent,
that he said,
yeah,
I'm going to
to do you,
to do you,
and he said,
and he opened
the eyes.
And he
thought,
no can't
be.
So,
then I
was not the
woman there
where he
had seen
the person,
but he
sent her the
presence.
And he
He started to recurre in the
abyssation.
And,
and of the
obscurity of
a corner,
there was
or at
least,
it was there
was.
And he was
and he's
or not is?
Because you
know,
that in the
obscurity,
the suns
can do
make sure,
like,
and then
more nitro,
imagine,
this,
or if it's
there,
and that
thing that was there, like
he's aghached, and
he advanced to him. And yeah no
he said the, pst,
but he said a respiration.
Pesada.
It was a frio.
Because yeah
was like much more
oscuro, and you
no brilliaba.
And that thing that
was there, he,
he started, to
to be to
to back, to
to,
to get to
after that
disappeared of your
view.
And he said
thinking,
no,
I'm not
I'm
imagine
no
there's
nothing
here
and
decided
to
get to
get
to make
and he
he's
he was
in the
piece
meting
under
his
he was
what
was
a
a
woman
like
like
was
a
maybe
getting
lety
letting
let yourself
now
now
I'm
now
I'm
I'm
I'm
he said
he
he's
he
took
so
he
that he
didn't
do not
he was
no took
value
to be able to
get over
to be
not even
to get
to get to
her
when she
when he
so
they were
simply
they were
they were
so that
was what
he was
a bit
an
room of hotel
but
I'm
well
I'm
in a sofa
I
don't
get a cortita
but that
that
that was
no
ma'
No, I'm a jodd.
You talk.
Amiga,
I'm going to
tell my
last story
of trains.
Because it's
of trains.
Vanga,
Ving,
yeah,
it's a
story of
a child
that's a
kid that
had to
a train
of a
long distance
and you
know
that a
sometimes
you can
talk
companions
of
a
more or
many
peculiar.
Yes.
Dim,
Dime,
no,
Ah, okay.
And, well, he
he was a train
and,
as a train
of madugada,
it was a
train nocturno
because it was a
track
very long,
in the
wagon where
he,
he took
to get to
get two
persons,
and he,
total three.
And he
took to
sit to
a little
a little,
a man
a manable,
very sympathetic,
with
and that, well, he was
telling stories of
his long life,
he had
about 90 years,
and he decided,
well,
he explained to,
he was to be
to his nieptus
and all,
to what,
this old,
he says,
ohie,
you know,
that is that
you know,
that was
that I was
when I was
never had
been able to
forget?
And he said,
clear,
if there are
many hours
of the
time.
So, Eric,
So he's called the
Hegitt, he
He started a story
Something that he
He was a little
When he was a little.
And is that Eric
Vivian in a
A little
He lived in his
Papyr, in a grand
Habas, in a granja
to the out of the
people. A day more
A day normal
a Eric
he had been
a can't
a can't
a can't
a can't
that he
with much
anxies and with
much
wanted to
because he
he was
he was
he had
learned of his
father
and he
he said
papa
for favor
let me
go to
make a
day
and he
he said
okay
Eric
you can
you can
you can
you can
but first
the time
the time
because I
have
much
work to
do
and mom
also.
And is
that
the
father of
Eric
had
been very
very
protector
with him
because
he had
exactly
one
a year
had
had
had
had
had
his
his
his
his
his
his
his
had
her
had
her
He was he encho the garganta and
He felliecy.
And Eric no
could have been
to borrow
of his
his father
andeating
the corpse
of his
brother,
yeah,
without the
the big
the beha.
The question
is that his
father,
a raid of
that,
repito,
he became
very protective
with him
normal,
and he
said,
okay,
Eric,
when you
when you
do the
tasks that
they've
done
you've done
you
can
to go to fish, but
never passes
of the bifurcation
of the river.
Because it's
very
dangerous.
You know
I'm
prohibit.
Okay.
When
it's
done to
do their
things,
he the
cesta and
go to the
caean
new,
flamante
and
he's going
for the
river.
Felizmente
he
coge
the
anzuel
he
put a
husano
Tire the caia
Wow, a canna new,
flamante
Consigue
Pescar
the first
Truch, a truch
enormous
and he
is a very
proud of
because he could
say to
say,
look,
look,
I've
pesk
no,
total,
that clava
the can
and you
know,
when you
you're going to
you're
to be
to pick the
pes,
the pes,
well,
it can
pass
much
a rato,
so
quite a lot,
even hours.
So,
he's
he tumbled
and he's
done at the
truce, because it was a
little of truchess,
he gets,
like,
adornecid,
and when
he was a
lot of
he was basically
actually,
actually,
actually,
actually,
he's,
he can't
start,
he's,
he coge the
cana,
but,
but,
the
little,
a be
he's a pease in the narwhis.
Aterrorized.
What I do?
I do you?
And the
he'll be the
the beja
the other
and he's
and he gets
a man
with a
rostroarer
a terrors
some
eyes
anarangados
a car
a car that he
had never
had seen
in another
other man
Horribles.
That he says,
Wow, Eric,
you're surprised to have me
seen?
No, you're
afraid of the
Abejas?
Eric,
if he
kept
looking,
he's
he says,
what's the
what's
it,
you know,
you know,
it's not
my presence?
Eric,
he's orina
on the
realised
of the
Mio,
that's
he's
he's
to be
to be
to reiss
you,
you're
trembling. What is the
what is going to
go to
and he's
and Eric
as a
way of
he says
yes,
I'm
going to
come to
his
man and
that's the
man
he says,
why you
do you
my
was doing
his
tarid
and has
been a
bear
a be
terrorized
and
especially
thinking
how
this
he's
he's
to
then he
could not even
and he
he'd
like that
sir
with
his
horrific
hands
he
he
he
took the
truch
that he
had
a
first
the
first
he
opened
a
a
a
a
big
decen
of
dents
and
and
an
olor
an
and
it
introduced
the
trache
in
the
the
ture
the
It's more, he could not even
the smell of the pescadled asado
a minute that he was traganded the truched.
In the moment that that ser was
enguyinging to the pescad,
El, Eric, a rancke to
to go to hurry, to carry at maximum
velocity, to what they'd have
their perenicitas of a
little.
That being, sir, for
to call it to some way, he
starts to say, Eric,
where you go?
If you know
nobody's
he's there
come with me.
Corria,
correa,
the canna,
tear the cesta,
tir a cana.
That,
that's,
that's,
almost that
was,
almost at four
patas,
at all the
velocity,
he'd
he'd per se
he,
he'dropece
with the
can't,
and to
the front,
cruza,
cruza the
puntes
that
cruxed the
river,
and he'd his
Papa and he's
He's
He's, let me
Let's go-pomones,
Let's,
Let's,
For favor
I'm much
Mourn't
Momah,
He's
He's
He's been
He's
Hey, Ery
What's
What's
What's
What's
What's?
It's
That's
That's
That's
Calmate
Calmate
It's that
A man
It's that
It's that
Well,
horrible
A-
A-o-
He said
That's
He's just
That's
But who
Who's just
That's
That's
That's
That's
Who has said something that horrible?
Who is the disgraciered that has said something?
He says,
Let me go to care.
That mom has been worried.
And then we'll come.
And then, yeah,
we'll govere us, and we'll recogreement the canna and the cesta.
And, for favor, no,
let's say to the mom,
that has perished, because he's going to be
enfadar.
And the papa, papa, papa,
that's mother.
They're at home.
And, for suerdo, for elivio of Eric,
his mom
is alive
is a
well
they're
they're
no no
what he
was quite
what he had
when they were
he said
oh yeah
he has
got to do
and we
we're going to
get to
get to
go back
and in the
the
and in the
no
the
road
they're
the
can't
the
and the
cesta
but
around
one
the smell of the
other
the
yearbos
the
water
the
his
father
the
he's
let me
I'm
don't
I'm
here
now
you
I'm
you
don't
see
if
I'm
this
this
story
and he
says
you know
you know
this
this
I've
recorded
during
my
life
and
what
what I
know what
what
they're
when
they're
to the next station and the only person that was there in the train, in the
wagon with them, he's, he gets, he, and he says, Eric, I
like, do you know, do you know, do you know, don't manches? And he's
He was the guy of the train.
And he was the
man
of the
trache
a red
and he
wow
wow
wow
you
I've
to
to
to
tell
two of the
stories
more
terrifices
I've
I've
heard
in
in
in a
time
in
that
that
I'm
in shock
is the
devil
that
who
who knows
that
is
that
that
that
that's
that
I'm
bah.
Foof.
What good
form of
what,
what,
what good
story,
what terrible
being a
man,
being a
man,
and the
of the
baby,
what's the
what's,
what?
Uff.
Uff.
Total.
Apart
of,
I'm,
I'm
I'm imagining,
but
you're you.
I'm,
Oh, well,
I'm going to
to narrate this
ultimate story.
You thank you much.
You're grateful?
And, um,
you,
do you know,
that I said that
this story
has something?
Mm-hmm.
Yeah.
Yeah.
I'm sure.
That I don't
I'm the
I'm saying,
ah,
this,
I'm going to
talk to when
stay in Spain,
with Shavi.
I'll
I don't.
I'm sure that.
I mean, I mean, I'm going to, I'm going to previously,
no, previously, no, I've been reading.
No, I was able to, okay?
This story,
it's called, the last train,
and we'll send us our friend,
Jose Luis, Le Desma.
Jose Luis,
from the front of my
heart, thanks,
thanks for to share your story.
Much of parts,
I'm going to have to learn them,
because are,
perfect.
It's very important.
It's very important.
to ask you to
to you and to
all and all
that I'll present
much attention
there's a
there's
where I'm
going to
remarked
very clearly
because
is where
there is
there's
very important
for the
thing
paranormal
us man
this story
this experience
that has
been
and he said
hello
me
called
Jose
I'm
I'm
I'm
I'm
I'm
this
experience
that is
for me
the event
canonical most important
of my life.
He said that when I had
18 years,
then I had
a relation with a chick.
She,
the name
Yolanda.
So,
Yolanda
studied a
director.
He was a
person brilliant and
passionated.
He was
obviously
18 years,
in that moment,
thenceating
this relation,
that are like those
first relationships
important
that you
tremendously
enamored,
the other,
she's of her,
and she
of her,
and,
well,
conversed about
a lot of
things,
you're just
in that
moment
where you
start to
start
all these
things,
of what
you're
in the
life,
and you
do you
do
with that
with that
first
great,
great,
great,
great,
and so
those
so,
for the
supposed,
they're those
to know
other
countries.
And,
well,
he's
that the
parents of
Yolanda
had
had the
fortune,
the
suer to
get to
pay
the
career to
a
a
school,
in a
university
of renomber
there
where they
are there
are
where they're
there
was,
he had
a program
this
school
to
make
an
an
interchamion.
Yolanda,
when we
know when she
is interred
that he's
studying there
and that
he can do
make a
other
country,
then the
opportunity
to come to
one of
his own of
his
dreams,
to be
to go to
other
other
places.
But
he said
to
Jose,
that he
not
will be
to make
the
opportunity.
I
can
apply,
but
not
not
the
opportunity
because
she
is
sure
of that if
they take the opportunity
they're
they're
to be to
and go to
another country
but he'll
do it
because that
would be
to be it
to be able to
do
do with
long.
And he
he says
that that
that's
not a
and basically
the
rega
and if
you
you don't
you can
get
without
a
experience
that
for me
and
also
I'm
going to
continue
here
and when you
regresses,
I'm going to
you're going to
you're going to
take that's
an opportunity
and she
and she
he's
he's
and he
accept
and then
then
put his
papers
does
do all the
process
and so
they're
their
interchamble
to Spain
and then
she
she goes
to the
university
of Santiago
of Compostela.
Wow.
He says
his interchamble
and he
said that
he's going to
go to do
a year or a
semester.
She can selects
and she'll
a semester
because at the
final.
For him,
no?
Yeah,
well, I'll
give the
experience,
but I'm
to go to
go to
see,
and so it.
And so,
and in
in the Nero
of 2013
is to
go to
Spain.
And it's
this moment
in the
moment in
that they
are very
content,
but
But it's the moment of the partida.
And van, the
father, the
mother of Yolanda,
and he,
they're going to
get to the airport.
And in that moment
when, now
if you're
to take to
that person,
although you know,
you're going to
see, it's very
very hard,
it's very
very, and he says
that both
were in the
hands,
they're going
and said,
and they're
doing things very
and you're
to do,
and partier.
And a
part of that moment
no
detubed
their
relation,
they were
in contact
obviously
using
Skype in
that moment
yeah
there was
Facebook
and well
they were
talking
and then
the
change
of the
time
a little
more
difficult
but
they were
and
they adapted
to
adaptarer
to this of
those
days
so she
she used
and
when they
when they
when
they were
they
when they
and he was
about
what he
was he
was very
emotional about
all the
he was living
all these
experiences
new,
the culture,
the
food,
the music
and more
and he
he was
talking about
his father
and the
her mother
and what
he did
he did
he said
he said
he's
that he's
that
was a
second
that
was a
time
about
four
months
no
for
there
and
in
those
vacations
of
Semana Santa, Yolanda was considering
to travel to
Mexico. And he said, no, manches.
I mean, how?
Or, you know, you know,
you know, so, they're still
two months more?
I said, but is that I have much
got to be there. I'm much
to be a lot of my family.
I said, look,
degette of things.
Kedate there.
You know, new friends,
new guys.
Viaja,
he knows, no,
not just you
just, you get to this
the place,
he's
to other
zones of
Spain and
we're going
to be in
nothing,
no, very
little time.
And he said,
you know,
you know,
that's the
reason,
I'm
to have to
take to
take to
and the
first
trip to
the
country.
The
fact,
I don't
remember
much of
the
places
to the
people who
was
that I
went,
but
I'm
so I
remember
that one
of the
city
I
was
was
in
Portugal.
and
it was
the
final
of
the
And
he
He'll
the
verand
Now
see,
yeah
he
was a
little
time
to get
to get
a
little time
and then
after she
had
back back
blah blah
blah blah
the
the
parents
then
decide
go to
see a
in
that
year
to
go to
to
yeah
to
then
and then
again
and so
so the
so the
papas
also the
the
father's too
and
And then, the other way, the truth, I said,
I don't, no,
I didn't have the capacity
of economic, and my parents,
as well, as to be
a way to do a voyage
Spain, although if I'm
offered them, but,
but, well, I didn't
have the money, and
also, I mean, so,
then, then, well,
he, he was, he said,
help, uh, blah, blah, blah.
And those, uh,
and those, uh, company
for them, so,
so, uh, and they're
Well, now,
they were to
be there
together and
one of the
time after
they were
to go to
when he
did this
year.
Yolanda
was to
to leave
to the
family
to the
airport
in Madrid.
This
because
and you
can't
get to
because
his
flight
was
was a
few
but
there was
there was
there
was a
another
like desperated,
trying to
change his
little to
return a
time to get a
time over time
a lot of time
imagineate,
no?
So,
cross a continent
and he
other once
he said,
wait a
literally,
are two days
and you
we're going to
go to get a
lot of
money only
for that
also,
also,
also,
I don't know
even know
even even
even if
even even
even even
he's not
you know,
no,
yes,
you're
I'm very
emoconated,
you want to
hear, et cetera,
et cetera,
and he said
you know,
I know
I want to
go to
your mom,
with your
mother,
but,
well,
we're going to
be able to
be able to
be able to
be able to
you know,
the time
never never
to forget
the words
that he
said in
that moment
to the
phone.
Because
Yulanda
he said,
is that
you're
that you
want,
if I
may get
to happen
before
that I
would be
to get
and he
He responded,
Dehate of tonteries.
No,
to pass
nothing.
It's only
one year.
And I'm going
to go to
look and you
go to be
and we're going to
be happy
and we're
going to
you're going to
your life,
the things that
you've
you've got
and said
that they've
a
one, a
lot of
this,
he's calm
and she
came-
and he's
and they
said,
and said
that's like
a sonrise
in the
Rostro.
They were
talking about
Facebook
all that
day.
And at the day
next
continued
they're talking
to the
network
social.
They were
there
mandatings
messages and
all,
no.
He said
he
he's
a
rato
to come
to
get to
get to
and
she
had to
have to
make out
in the
hotel
where
he had
had
with
his
father
and
take
all
his
things
and
to
get to
Santiago
in train.
So,
this,
well,
he said
a she
a yeah
he liked
much to
get a
but as
not had
recorded that
that distance
in train
then,
he said
one of
a
return,
in what
I'm going to
go to
go to
and I'm
that I'm
had
planned.
So,
so it
was it
was it
was
but you
see,
here's a
little bit
that I'm
a man, Yolanda.
Resulta
that she
had been from
San Diego,
to Madrid,
that had
planned and had
had been
the train
of the
return to
the money,
the
world, the
fact, the
fact, he
left
his passport
in your
house,
in Santiago.
He's
he'll
he'll be
but at
final no
nothing,
because I
said,
I'm going,
and I
said, I
I'm
regress and
no
no
the plane,
well,
I'm super
I need to,
no.
And well, in the
trajectory,
in the train,
then they're
talking.
She'd
say, no,
I'm going to
no, I'm
going to be
blah, blah,
blah.
And he said,
you know,
I'm going
to get to
a rattle
when you
get to
your
piece,
me send you
send a
messageito and
we're making
a video
so.
So, then
he said
that he
he was
to play
Xbox.
Luis?
So, so he said that
And he said that no
Passed any 5 minutes
In that he was playing Xbox
When of a repent
Receive a call of her mother
And he was very alterated
And he said, calmate
What, what's going to?
And he said
Jose Luis
No, you're notas
Notas?
The notices?
She said,
She?
Where is Jolita?
What do you pass?
She was coming to her
Cause, what? What, what
So, what you guys?
Yeah, you know?
And he envied,
for telephone,
an enlace
of CNN.
Accidente
Ferroviary
in Santiago
of Compostela.
When she saw,
I don't
even even
to let her.
She put
in shock.
He said
that's the
pill.
And of
the first
he did
was to
take your
telephone
and mark
him.
And the callada
But then
But then
To son and sonar
And son and sonar
And then
He was gonna
And he'd
Marker and mark
And mark
But the
The call
So he went to
Desperate
No, I saw
What was to
Sogues
His Sueger,
his suhru
Vivian
Literally
Literally,
I said,
Like the
Cases
So he was
So he was
So he was
Couserreux
of his
house,
Jose Luis,
and was
direct to
the house
of the
the
the suegros.
And when
they were
they were
getting to
they were
going to
those
things and
he said,
oh you
know, they
were you
and they
were like
normal
and they
said,
if we
sent us
a message
a
few
that we
had been
we've
had
arisen
and
that
we
don't,
we
haven't
had
with her. And
they saw that they were
so back down the malletas
and he
he didn't know in that moment to
say the things.
Then was, he gotro the maletas and
he was able to enter in his
house, to be ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
all the maletas
he said,
I've got to say to
something. There was an
accident of train and
I think Yolanda was there.
You'll imagineers?
In that moment
the chaos, the tragedy
was decenaded.
Stubbero
they've tried to communicate
with her, but nothing.
And he said that in Twitter
he said a trending topic
the hashtag
Accidente-Santiago.
And there
the people
was sharing
photos
of the people
that not
had passed
that had passed,
that they thought
that they were
there
and then
is he,
and he
even know
to use
what he
did he said
the photo
of Yolanda
with his
data and his
telephone
piding to
the people
to retwee
retweeating the
retweeare
the message
and that
if someone
said
something
was a
for favor,
for favor,
they were
obviously
said they're
these
lines for
the
victims
but he
he had the
call
international
and
not
enter the
call
because the
lines
were
saturated.
He
was there
on the
Twitter
seeing
what he
could
pass
he said
a
lot of
people
he
he was
that he
was
so he
did a
little
a little
a little
of
a
great
people
began
to
retweet
to
the
message
that he
he
had
put
with
the
the
photography
and
he
he
they
they were
they
And they're
That's
That's
He's
He's
He said
He said,
Pida
A-Dio's
And he'll
He's
Is it
Is certain
No,
there's
Nobody in
Spain
that me
know
And so
A lot
of
A lot of
people
And
I'm
I'm
to get a
I'm
very much
And I'm
The
It's
The
Noticer
And
He started the noticier.
The most famous of Mexico.
In that then, with Joaquin Lopez-Doriga.
It's very famous.
It's very famous, this person.
He, for sure, was covering the news of this
that had passed in Spain.
He said, no-seye-you-recurts,
but in that case, in his noticier,
he had the customary to get a hojita
with the tweets that he'd get them
and those were responding in-vibu.
And he saw that as a opportunity.
and then
he sent a tweet
for his
bad suitor
that night
Joaquin Lopez
Doriga
no
he got
the oka
in all the
program
he thought
he thought
that
his intent
had been
totally
failed
and in
that
this
this
passed in the
real
Joaquin
Lopez
Doriga
before
to termin
the
notisier
he
he said
the
camera
and
he said
we
we
got to
a
tuit
of
a
Fulano of
that
Tal,
saying that
his
novia
Mexican
I was in
that train.
And finalized
saying to
the camera.
No,
you're
to help
to help
to find her.
Insegid
he was
contacted for
Twitter,
the
that in
that he was
the secretary
of relations
Exterio
Jose Antonio
Meade.
Wow.
And he
he said me
in Twitter
for
that we
can't
talk
for
a message
direct.
And he
said
but super
so
and
And inmediate
he put in contact
and they started
to talk.
He said
he was going to
have to
have been
all the
support of
the government
of Mexico
to find
a Yolanda.
In
that moment
the
Embachada
of Mexico
no
had idea
that
there was
a
Mexican
in the
accident
and then
when
he was
he's
he's
to
start
to tweeter
the
media
to
the
media
of this
and
he
he
was
to
tweet
to
the
of communication
for that
sparseer the
notice with
the photographia
of Yolanda
he was
all the night
all the
madrugada
and he
started to
receive
calls.
The first
of a
noticero
of Madrid
that
wanted to
know
that you
and
he said
he said
he
he was
he did
so
I'm
so I'm
maybe
the
interview
his
telephone
sono
on
the
instant
a
notut
matutino
like in Madrid.
He said that
he's a
monon
of interviews
for the
communication
of the
in Spain.
He was animated
and with much
faith.
He had much
to
find her
Viva.
Until
that of
his
telephone.
He was the
ambassador
of Mexico
in
Spain.
And he
said,
that
had been
encountered
a
Yolanda.
Before
that he
could
say
something,
the
embahor
he said
that
that
Landa
had
Fyceive.
He said
he's
he
didn't
know
he's
he
said he
said he
said that
he's
he's
he
he's
he
he was
he
he could
give
the
his
his
father
or
if
he
did
he
the
ambassador
and
he
he
he
he
said
he
we're
we
we
don't
before
to
say
me
a few
minutes and
in a
minute and in
the
he had to go to
get to do the
news
to the
mother and
the
mother of Yolanda
said that
was a situation
terrible
at the
few minutes
he went to
the
man who
for
the time
he was in the
time
he was
he was
he
well
you
you can
you can't
you
you can't
you
remember
he's
he's
he's
he's
to communicate
with the
Mexican
to
get the
news
in the
world
and
to have
more people
that
more people
that are
to help
to
looker
to
the media
those media's
not
they're
not
they're
but
to
now
that
they've
they've
had been
found
and that
had
had fallen
his
his
telephone
not
was
not
all
those
those
those
those
the
media
want
an
interview with the
family of
Yolanda or
with the
nobio
of Yolanda.
He said
that all
they'd
interviewer.
But he
no
considered any
interview.
Medos
Amarigists.
He's
said that
honestly,
the
government
they's
really.
They put
in contact
and
they said,
and they're
they're
to do
all to
help
to
to help
to the
person
the
most
pront
possible
and
of
it's
like to
identify
it's
a
time of the
thing
it's
like a
thing
a
a
a
thing
totally
surreal
because
of
because of
it
was
that they
had
to
go
to
to
get
to
his
dream
of
his
was
to
be
to
be
this
manner
and
they
went
to
the
airport
and
He was he with his
His wife, the papa
He was made
And for his
He was gonna
He's a
And so he's
Remigant
Less
Dice he said
He said
The sir
The sir
Paguerer
His car
He went
He said
In the aerolina
You know
He's balletto
And he
In that moment
He came
He came
No I don't
I don't
I don't
I'm going to
I'm
But then
The person
that was there
he,
he said,
he said,
he said,
he said,
and he said
he said,
he said,
no,
he said,
and he said,
and he said,
and so,
and so,
we're not
to be a
time to the
public,
we're going to
a gymnasia
and the reclamation of the
course.
80 people
per die of
that incident.
into this
there was a
cancha
of this
enteras and
literally in the
can't have
all the cancha
all the
side was the
people of
the people
helping to
familyaries
to reclaim
the corpse
and if I
kept set out
in what my
my
wife said
I remember
to be
sitting
and in
that
so I
made
the
my
my pill
so I
put
of a
gallina
I'm
to the
hir-etra.
No I heard
nothing,
but I
saw in me
I sent you
a call
I don't know
how to
describe it
but I
know that
on the
right and
the third
ferretro
there was
Yolanda
I could
I'd
to be
to some
I'm
I'm saying
I'm
going to
some
few
my sueger
with
a person
of
protection
civil
this
person
us
asked
You want
Wanted
To get to
Reconnor
The
KERNap
Yes
We're
We're
We're
We're
We're going
To make
a
cell
to give
them
And just
in
that moment
He saw
How the
personal
He
Acercercer
The
Tercer
Where
he
He said
He was
Yolanda
They
They're
They're
They
They're
They're
They're
It's a
impactant, terrible.
His mind
is a
blank.
Entraned in this
place.
He said that
took an air
very strong,
respirable.
He was
sustaining to
his wife
to the
backer to
that not
to be vanice
there.
Abrione
the ferretro.
And
there's a
body
covered in
a bolsa.
The
abriarer
and there
was she
was she.
For
Fortuna,
She said that the
person
the
rostro
for the
most
no
had to be
it's a
dorms.
His
suhue
she declo
and I
stood the
most
strong I
could be
just I'm
could be
because she
was very
affected
and I
had to
be the
support
of that
she was
when she
went to
the
cell
Jose Luis
said
a
moment
He said,
Here I'm sorry,
the face on the front and he's
He said, he said that
They said, like, four days
doing the tracts
to be able to transfer into the
body because
her mom no wanted to
be a cremada.
When they were
back in Madrid,
they were waiting
the boat of
to the
return to Mexico.
The consul
those
was coming
in all the
trip to him.
And he
he said to
him and
he said,
Jose Luis
me
you can't
give a moment
they went
on one
and he
he
he was
the next
he said
when jose
when jose
he said
when he
had no
idea
that there
was a
mechican
there
then
so
for protocol
the first
what they
is
to look
the
the
in that
the
passport
entered
to
the
and he
he said
and he
he
he said
I don't want to offend
you,
and nothing.
I'll
this because
it's something
and it's
very rare
what happened
when we're
looking
the passport.
The consul
did a pause
and
looked at the
eyes
and he said
when I
took the
passport
for the
name
complete and
the
date of
the
name
the
question
that
came
two
passportes
the
second
of
your
novia
and the first
of another Yolanda
with that
there are much
similarities,
you know,
not only
they're in the
same
name,
but also
the same
the same
the year,
salvo the year
but the
two
are the 7th
of April
not only that
Yolanda
was originary
of Veracruz
and I'm
I'm
talking about
of Yolanda, the other
passport.
He had the other passport.
He had the same
ed that she, at the moment
in that he entered the
country, 22 years.
And he
he said a pause, and he
said,
Jose,
here in the
country, this
that has been
the second
accident of a train
that's
register.
You know,
that's the
first with a
train
rapid, but the
second
with trains in
general.
The first
occurred in the
years
50s.
It was an accident
of a train
of vapor
that occurred
in Santiago
of Compostela
and you
know what
the other
Yolanda
was there
and also
I'm studying
in the
same
university
that your
novia
and as
you have you
have you
partied the
same
cause of
death
not I'm
just to
feel
I'm
only
I'm
necessity to external
it.
Passed
the
years
and
obviously the
only person
that really
has been
to say
to say
to superar
this is
Jose
Louis.
His family
always
will have
that
every
for the
rest of
his lives
and he
he says
I don't
I don't
why
the life
that is a
very that
is a
very
surprise
surprises.
The
love that Yolanda
and I
we had,
no,
it's a
relation
that's
a good,
the
life
us did
a year of
a newiaz
spectacular.
We know
to be
to all.
Now,
what I
want to me
is continue
with my
life
and to
honor
his memory
that in
peace
cance.
It's
that,
I'm
also
I'm
perfectly
that
accident.
It was super
dought here,
not parable to be
the newsrears
I remember
how it was
exactly because
the cameras of
security
registered as
the train
was carrile
was horrible
it was horrible
it was
for excess
of velocity
yeah
it was
the tram
of the
area of
the area
of the
area
that's
that's
and the
conductor
was new
of
of Scarrel. And the accident that
was in the years 50,
also, I mean, no commentate, no
ago, it was a train that I was from Asturias to
Valicia.
And the third accident,
because you've said that there's been two.
But it's that there's been a third
and it's been a few days.
What?
Look, look.
No, if you, I think.
Yeah, yeah. In Atocha.
Oh!
It's a lot.
We've
commented on the
I'm going to
I'm going to
I'm going to
I'm going to
I'm going to
I'm
you know
and I'm
you're
that not
that's
that's
and also
this
year this
year
occurred
the third
accident
of the
history
of the
of
the
railway
in Spain
oh
uf
and then
and then
this
of
that's
the two
people
well
well
that's
that is
more
You said that was a great story.
Incredible.
It's a dolorous and we
made a lot of us.
A lot of heart
a family of Yolanda.
Of the two Yolanda?
For sure.
And thanks,
Jose Luis,
for,
for mandars the story.
Thank you.
What you?
Incredible, dude.
Incredible, yeah?
Yeah, no, I know.
Yeah, no,
I don't know.
What,
Capiturazzo, dude.
I said,
I said, I said,
I, I said,
no,
I think.
Wow.
It's,
I,
You know,
there were more
Gionnes
and there was this.
Wow.
I'm there
this carrella of the train.
No, no, no.
Look,
check it.
See it.
No,
yeah,
right.
Put it on the
panel.
For a favor.
I want to
the people
see that
is real.
Ah,
that's
that's really.
Oh,
but,
well,
I thank
I thank
father
was it
that's good
that's
that,
that's
social
and platforms.
For
favor,
YouTube,
now
have started
on Spotify
also 3,7 quadrado,
on YouTube, Spotify,
Instagram, and Facebook.
3.7, 5,000,
quadrado.
Or in letters in YouTube.
3,7,000,
also can't write.
Ah, so?
Yeah.
Very good.
37 quadado.
Shavi,
muchismas
thanks.
I need to
do an adduceo
rapidly.
If you want
your stories,
your experiences
or evidences,
for favor,
do you,
do you,
do you know,
to CorreoFepo
arroa podcastpranormal.com
and,
for favor,
in the assuance
of the
call in the
thing they're in
what they're in
dweens,
phantasmas,
cats,
malignos,
animals,
comporting as
as they're
like you
put them
there,
and if
they're not
their story,
for favor,
it's
ononym
your story
is anonym
or anonym,
et cetera.
For favor,
for that
for you,
for you
so we're
very much
thanks.
Thank you.
We'll see the next
time to continue
narrating these
experiences reales
and terrorificas
that you're
so we're going to
ask us to do
narrars this
and you're going to
listen them.