INSOMNIO - NO CREERÁS LO QUE LE HIZO AL AMANTE DE SU ESPOSA 😔

Episode Date: January 23, 2025

Acompáñame, junto a Valerio ‪@Videntechristianvalerio‬ , en un viaje a lo más profundo de lo desconocido, donde fuerzas que escapan a nuestra comprensión se hacen presentes. Desde brujas que desafían la muerte hasta muñecas que parecen cobrar vida con un propósito siniestro. Lo más aterrador de todo: estas entidades han sobrevivido al fuego, ese poder destructivo que todo lo consume.¿Qué poder es tan grande que desafía las leyes de la naturaleza? Prepárate para descubrir relatos tan perturbadores que no podrás apartar la miradRedes del invitado: https://www.instagram.com/christian_valerio.oficialhttps://www.facebook.com/ChristianValerioDeLaLuzhttps://youtube.com/@videntechristianvalerioRecuerda seguirnos en nuestras redes sociales:► TIKTOK: https://www.tiktok.com/@podcast.insomnio► FACEBOOK: https://www.facebook.com/paranormal.insomnio► INSTAGRAM: https://www.instagram.com/podcast.insomnio💀 Acompáñame al interior de la mente de asesinos seriales en CRIMINALMENTE 💀https://www.youtube.com/@podcast.criminalmenteRRSS: https://lnk.bio/criminalmente👽 Escucha Podcast Paranormal 👽https://www.youtube.com/@podcastparanormal GRUPOS PARA COMPARTIR HISTORIAS, MEMES Y EVIDENCIASGrupo oficial de Facebook:► https://www.facebook.com/groups/548487930178860Grupo oficial de Telegram:► https://t.me/+vFdn13cseD0zZWUxTodos los enlaces para ver y escuchar el podcast:https://podcastparanormal.comEnvía tus evidencias a: [e-mail]► Consultas empresariales: [e-mail]#insomnio #paranormal #terror #historiasdemiedo #historiasescalofriantes #horror #extraterrestre #otroplano #fantasmas #sombras #seresdesconocidos #historiasreales #meditation #meditación #astral

Hello, I'm Christian Valerio, the The New to the Luce. I'm FEPO, and this is an anunce, for favor, take much care of this chapter is extremely terrorifico and the ultimate

story not should be to be heard of people impersonable or menores of age. Tengal much good, much thanks, and

enjoy. There are stories that robin the alient and others that rebatan the suiombo. You do the Welcome to Insomnia.

And in this occasion, where we're going to to narrate these incredible and terrorifices experiences reales of the audience, is with us

with us. A great friend. A great friend. All right. All right. The number of the Suerte. It's with

us. Christian Valerio, the The New of the Blue. How are you? Content to be with you.

For many, the suorite. For me, a portal. 3.33 us about the obscurity,

do you? Oh, yeah, clear. Clara, zero. Wow. Well,

I think is the moment adequate to start to start to tell these

stories. You I'll say something, and I'll pay a little. I think that I

think I one of the stories more impactant that have got

to me and I'm thank these experiences. These experiences.

what I'll tell you to what I'll tell us briefly to what are you do you do you

your reds socials socials baleario in the Facebook Instagram like

christian down barerio point official and you too as the caldero

of the light I'm medium I'm evident and I professed

the religion of the palo may very very well I'm very well I'm very

so I'm am the time honestly, and I will be a repeat, we've got a special that's only in platforms of audio

with you, and now, well, we're going to be in all the platforms, I'll go back. My respect,

with what you do you do, give a chapter impressive. And, and, seeing that you have this,

this, this, this, this, what you can you can say to respect of

those, those rituals, convenios with other entities that are through a a time of an element of which is the

hege of the stories of today. The fire. The fire is an element that can serve for two vertients, to open a portal, but also to clean. Acquarete that the

fire is a limpeer, and what is what what is when we do weimpia of that malice that we have put in the people, in the

regions, where they want to keep to cover with the malice they're preending in the fire. For the time, it's an element purificator, a element that will be to take all that is tors.

Much of people use the fire to open that portal of obscurity. For the time, it's two vertients, all the water, but the fire is an element that I always have said, that

will be the, that will be the end the face of the earth. Because I see a world, at the final of the times, a world ardiando a fire,

Fempo. Uff. Like the infirno like the same. And the infirno is

characteristic for the fire, for the element of the thing. So, it's like,

that the fire would be functioned like this agent chaotic that then

then it's the order of the purification but he a senis to the piece?

And also can be a potentiator of forces oscures? Yes. because where

where where where where where's an apparition we're going to

see balls of that that's that that's that's that

is that it's that they're that there is a that not

necessarily is of the light but of the light imagineate

when the fire does that the light of the light

that when there's when accompanied of a person that you

have been to perjudicate. Wow. Wow. What, wow. Before that we

start we're that we think we're that you can't say so briefly a little some ritual

with something that the people can't repeat in the case. Fiatty

that me I'm used to use much the fire. The fire is

an element as you for me purificator and I something I can

say in in a cross in the main of your house with salt we'll put a cross of salt and that cross of salt

we're going to add to add alcohol and we're to turn with cerrillas of madera. When this cross is

going to we're we're harmonizing with this element of the element of automatically there is where

we're going to checker if the house was contaminated because they're to be remolino

or not want to not want to not want to want to put this

fire the elements that are during the during the during the course of this ceremony

well from the orations the you want to the element of the fire

we're going to indicate because it's a chismoso how is the vibration of the god

okay so very super well that interesting oh yeah there there's a

there a there's a thing that has been to because it's little, and

it's incredible that we've done many years, we've got to not have a response to that's, of that enigma.

I know, no, I don't know, no, I've talked stories of the type, but when I read Fuego,

I said immediately in this, the combustion spontaneous. Have you? Has I've heard of that? Uh-huh.

Persons that simply simply, they're they're because incendiared from the

into, to the major part of of the human is the world of the world and it's a

big bit of that's a time to get to get to the sillon where the people are calcina

and it's made made polvo, senis the but not kept to come

to the around, a mancha in the the one there's

a little a pyrna with a something that not was been a

a combustion chymica, but no there rastros of a chemico or of an agent external. No, you know what is, if it's a new formality, what is what occurs, is it's related to things that have with magic, burglary,

spectacular, and there's a story that always will be amazombrate, of a man that, in two occasions, his wife, he has saved to die in a commission spontaneous, that simply of a repent, be that begins to start a fire,

and a gulps, it's a psalm, and a gulps, it has a pyrna, and has a a pyrna and a a arm

and a a person and he's to be to be a combustion spontaneous. The

fire is a thing spectacular. It's spectacular but in

however we have to be or they're to see

how is how is that? If is it is a

dark what is happening around that that's really really

really really simply and simply and simply simply and it's

to be talking if we're going to we're going to the science of some kind of you say you do you say a

effect this effect this question supernatural you put something that also you naturally

is being a person imagine imagineate the hearing the voice the

that this person is seeing that this person is so we're so we that's

that's the within of the of the of the body was

being occasioned for a that possibly he will to have to have so much

explanations, many times. Oh, yeah, you know, it's like, if we're perfect,

I think, I think a question, yeah, first, you know, you're going to you're saying?

Comeensate? Commience? Comey, go, v. Fee, Fee, because this,

this, history, we're going to go to the most to the most firt, and this

is a story that me I like with the whole I'm

going to start and it called the Sombra of Martiio

this story no she no she was a

woman she actually is a little she was

when she had she she so so so

we go to the many years she was she

was a eight years and in a Her prima Claudia, she in that

then had 12 years. Claudia and Vanessa, were those classic primitas that were still in the night and playing in an abitation. And who didn't have been been with our primes

until in the night in our habitations and, partying the and the television or those nights of platics simply and simply

simply. A Claudia and a Vanessa, it's it's very too that's talking,

to be being, and to start and to start that's set. that's set of the

where it could hear to the the carid of an alfile

a silence that penetrava the the the they

started to that that the long pass that

was exactly to the but at start to

come in this long pass Fepo he he

started a very very very very start to hear

some martyazzos but when they were to start the

martyazzos came from the house they were and

they're and they're in some moment that was a

one that was when they they're they they're

they observe the doors, entre-abirtas, the family were completely

dormied. There was when Claudia and Vanessa let's start a terror, because they

were all these sound of a marty so much the house, more and

more penetrant. When when they're to the door to the

door to still, the something alas. When they're to the kitchen, they're

that those sounds that those sonnions were in there in the kitchen because

there was a man very very high of the skin rogisa

like a with a great martyio marty and they're

much a lot in some moment they assimilarer this this

man like the famous Hombers of the SOMBres those men that many times in the history

have been the famous man of the sombras but that they had a particular that

their color of the color of redisa like a kind a color very

rojo very penetrant but was very burlesco and Every that pegged, had a

smile like very burlesque. They began to have much fear. Sin however,

someone who's who's who was with the eyes as if could

communicate without any any that the prima of Vanessa

in this case Claudia that was the most great and

and see a Vanessa with the he had to understand that that's cally, that not

emita any sound and that get a little in that the kitchen

for that the spirit or demon no was there. When

you start to come to come and to get

to get to that the room to that the

the kitchen, Vanessa, you know, and thence, that piece, that was solid, to convertice in a piece, like if

were a phantan, a spece arenosa, like if that soil was just were coming to get a

manna. In some moment, when this energy, antidad, he'd began with

these martyazos, Vanessa did that in every martyazzo the the

earth is able abriending more. She started desperately for

that's that's that's there were in the time. Desperta grita

and he'd help and nobody respond. There were the

abelos were the papas and they're the people

you can imagine the the desperation of these two children

when they're doing and how the earth and how the earth is they're trying. In a

moment Claudia she arm a valor and halla a Vanessa

to a way that that she's that she was

that was that they're in their and they're

the same fear but the can Canceo, they're

sancen, they get dorms and automatically that the noise disappears.

In the morning the morning the next, they're they're to tell

this story to their families. Those families, obviously, they

were, they're just they're they're saying, that they're saying that they're

saying, that they've that they had heard that they've been heard that they're being

they're being tragated for the the and the piso foepo was

there sawy no had marty saw there nothing he

passed the time and Vanessa crees Vanessa crees

yeah that that that she not a new was a a

a a seniorita passed much time for that Vanessa, could ever superar this this encounter

that he took with the famous Sir Del Martillo. They're they're in a time of

his life Vanessa decided to go back to his family what in some moment

she had passed. He'll to tell the same and one of his brothers,

a A minor that no had been in a new last time in that night, he said to Vanessa that he

had been that he had had been the encounter with the famous the manned a man.

A man that had a man a man roja like if were a man

and that had a martyio in the man. That Vanessa He provoked much anxias

Much of And that during the She was She was She was In a occasion

She's She's She goes To her To get a To get recosted in the

camera Vanessa She said to remember To even that The same

that's that he had been to to forget those martyazos, FEPO, that were the of the Lord of the Martillo.

When she commenced to record this, she assusts, he gets up to his camera, and I'll see a a corner, and see

a new account after a much time, to the same man, but now, in his abitation. This man

he never, he was going to the piece or by the wall.

Now he ran and he arastran this marty and going

the the piece in sign of burla. This this

serse he a balance a and when he he

he he automatically to get a van na

to P, Pum, disappear. The abitation kept with an air

that congelable the wesos. An air that could be heard

but the silence calcina because she not could be to get

to ask because she could be to make. after. After some minutes,

she could move to and could go to go to the door to the house

and start running to be there where had had had been

the time with the Lord of the Lord of Martinio. Until

the moment she has not had had put to

find some has done much has studied much

what What was what she could have encountered in this night? What was that that's the Lord of

Martillo? A energy? A demonio? Why? Why? He was had to be a much

time? Acaste someone of the people that's watching us and us

has encountered with the Lord of Martillo? That Fuerter Mo.

That's that Terrorifico. Fuerte. What is the Lord of the Martillo? Oh, but I never, never had

heard of something never. Never. I think in a demonio, but never I've heard about

that I've had been Vanessa like for what was what was going to when it

was to get to Feppo that this this or demonio, agar the martyllo and at point of

to want to to give her, what was into her, what energy he got, what energy he was trying,

that he was trying, that this is, disappear. And, he never to be to be. Of course,

right, you're, what kind of energy that's so power poweros can be that with

the the Gullpes of his marty can do you do you

do it is a something a lot of something to be in a person a little

a little a new and that every go to make this this oyo

no and that the day the day you get and you see that not it

was that you did you you was just is just like a

it's just you get to another I'm you also

I'm of the of the of the herraments that can be an arm

I think a marty is something a men's a mann't you know you're a

manned with the skin like if was a hand and he and he

my and more being a little no? She a little imagineate

a one of one two manches two two because Vanessa

had eight her his prima two his prima Claudia, had two.

So we're talking of two little guys. Two little were with a

person or an entity, or an entity that not, that not any,

of this, and that this planet and that was majorly with a force

that was that could destroy. Look, if someone us put in the

comments, in serious, if someone has seen, to this entity or

you know some history of family, of this entity and not you know those and it is a sombroso

yeah yeah. It's a barbaro barbaro like a movie, wow, what,

what, what, what, what, so, well, I'm going to tell a

story a a little a different that, that, it's very interesting. Figate, this

story is the angel and the manned our friend Flor Sulbaran.

This this story commenced in the decade of the 90s

in the yeah you transports to the music the the

time of the time in 1993 she she was

studying she was studying as an cross in the cross

of the city for in in this I think it's in all hispan America

almost almost all the world is this the cross is a world yeah it's a world right

is very famous well well there is where our my colleague of

the first 1993 I was I'm set out Jurassic Park in that she

had 18 years super super young and this group

of the and they were studying those mandan, the

Cruz Roja those manned with the station of the station of the

there's there, the course, the classes that's taking also,

that they are to be not the bombers and the the bombers and

also they had they were the know of this part

of the the She was in this place when, when, they were they're coming and they're

they're all right, and all so they had a subject that was there was a

bomber, also very young and a she came super bad from the

moment in that he was because this child was persistent

fastidious with her because this he liked much our

friend and then she said no I don't I'm I'm doing I'm

but he was there insistent insistent insistent and at the most I know

I know there are two forms in those that the stories of love come

a sometimes they're when one a person is a

But, well, but, well, but, but, I mean, he caught bad, I'm doing the things,

now I'm to be more amable, I'm going to try to other form. He was, he,

he, he, he, did his, his chamba, no? And, well,

with the time, he started to get the sympathy of the, of Flore, and

they're being being, I'm doing his friend, has a brother, a brother who is a

Joseph Francisco. Jose Francisco also was a bomber. He had graduated as a farmer

a few years before. It was a person that was a world of a farmer as a

formerer as and this other child was his brother, he was studying

to be a bomber. And well, it was passing the course, was passing the

time, and of that he call it a mal to that were very good

good friends, to be very they're there's a lot a relation she was

very content because imagineate be a part of your friend that's

his brother he got super well he he's he

a time a a time that was four months

for that she at the end up to finish to your course and receive a lotitia terrible resulta

that a ladron he roba a automobile and obviously was acelerando and cross

and so he's going to robes and he was having to robber an automobile had had been

the city was full of charcos and this person this criminal in this automobile robbed

caused a accident and heard the control and he's stralia against

a post of the boom then the the the water the poste the

car commencing to get to get to the bombers they're

they're there these these bombers was Joseph Francisco

Jose Francisco, when he saw that the cause was escalating rapidly without the control independently of that is a or not

a ladron, a criminal, well, is a man, and they're as a bombers, are going to

do all the possible for rescat to a person. When he that the things were going to

they were rapidly to socorer to this ladron and in the prisa not he he,

the equipment adequate. The post of the poste of the end the end

he had caught some the light light light. Jose

Francisco he's one of the charcos to the post of the poste

of light that was there was a cable of high tension and

of immediately the electricity he was the thing

was that was ater aterrador because not only is that it has impacted this energy electric, but, he maltreated his body to a way terrible.

To start, for the force, his body was a a parson to this poste of the loose. His skin, chemada, and parted from the cabello, were adhered to metal of this poste, as a photography

of parts of the of the skin and the of the cabello, the body of Jose Francisco had the venas revented the body in some some areas had stalled and having to be

part of the skeleton. Well, the only that we can't say of this is that of this is a lamentable is that Jose Francisco probably not suffered

it was a impact tremendous and the ladron survived with just with just some light

as long in his life a bit of his honor the generation that this generation of the

generation of the the and the Bomberos, it's a generation Jose Francisco. It's a

form of to get a memory. But here occur an fact that is

something that is something that I think is a very interesting

to the phenomena of the when someone says, in my case there's

a phantasm the first question that one does to know the

fact about that is in your house or in your family occurred a tragedy the word specific is tragedy

a fact a true a fact a lotroo an issue something that maybe may be much time

but that the moment of to occurr was so that maybe the person never was to have

fallen to have fallen and And, of there parten many stories. This, we'd say, that is one of those events rapid, cruentos, and

full of dolor. Resulta that's, that's a, three years, she has a with the brother of Josefrancisco, she cased,

has a little daughter, and, well, have a life family, for the purpose, they're with much cario to

Joseph Francisco. resulta that a domino she she goes to the boarder where he

he's his now he come they're they're he's

they're they're they're when he he's he's going to do that

he's in the courtel well to laver the and the food

no of what they when when he was when he was

he sentio to that someone has been been a looking that was a kind of

it was a but she she felt that there someone there then she she'll

she'll he and he in this moment no not rapidly

he because simply simply because not assume that

he will be to see he he's the first he

when he is who is who Clara, with the uniform of Bomberos perfect, and of a person Voltae to her.

He was a few meters. Voltae? It was Joseph. Tal-qual, of the carne and that way. Projecting sombras, making a noise,

was there. And when he saw, obviously, she was actually she got impacted. And Joseph Francisco,

She said, and then he he said, he had the world, camina, and she he's pered in the pared.

She left in the tassar in the hand, fell to the soil, he revented and he started to

put up very nervous and he he was to where he was his he said,

and he said, that he had to be to see to he he said,

he He was He said, not is that it was a repetition, a echo of the past. He was there. And then, after,

to smile, simply, he went to a side and a través a wall. The husband, was obviously,

was about his brother. No, it's like that he was like, he said, but more he tried to

to tranquilize and he said, he said, probably he probably didn't because you remember,

at the more is something that means that's a We know. The question is that that, that from that if, in some form,

Jose Francisco would have decided that that was the moment, there in the station of bombers, commenced, first, with a re-goyance, because they know the story of Joseph Francisco, but,

then, just, the bombers were, they're Joseph Francisco. Because there were sound of votas that that's

the escalarer, and there was a little, the door the door and

the door and it would be there, can't be other things. But, but the,

the, the casillero that had had perteneced to Joseph Francisco, of a repented,

it would be and that after that someone went, and he he was,

and he was here. We're we're here. Okay. Now, Why

why decided of a repent to be a present? His brother, bombber,

he started to believe in these stories. He was that those events poltergays

those sonidos probably probably if were to do you until

that one day he was he went to attend a

called, a house very great, an incendio very

dangerous. The humo, the cold is a chaos. With

the the the the the is tremendously dangerous.

If in some you in some moment, you don't

what is the way is the way the has been a closed, the humo is

too dense, or the cold sofocant, those probabilities are almost nulles. They're rescating some people,

there was a the... ...it was a cause. Where they had entered, there no existed that

there had had been had been and he got trapped between the confusion, the hum, the fire. In that moment, his thinking no is,

I'm going to die, but as a animal asosted. You're trying something. Oh, hopefully your training functioned for that you're going to be but no idea. Or, for the least, no, no, it was a solid.

And, of a sudden, sent you a man free. Someone he he's a man frie over his

he no he no he no he he was that he was he was he was

and that he he was he gave hear he hegian the

man frie that he was he was he was he was got to the

there was there was was to be vigilant. She'll and she's the next. Now,

every that my husband is a emergency, I, reso for his security,

but also I also I know to to him that he he'll that he

he's a because Joseph Francisco no has been is the protector

of the courtel, the angel of the yams, always vigilando and

always very, how it's how an energy has still the

part of to be to be to the dark or so, but

that tragedy for the which was to make it's a mission and the

mission is to continue to help in a plan

that that you can be in what she in

an angel of the guard. In an angel of the guard of those people that and his passion, his dedication, to what he's dedicated in this plan spiritual,

it's still doing now from another that you know that's great. That's interesting, no? It's very interesting and I can't

that much of the people that who are doing or being, have stories very particular is like the of Jose Francisco

and that and that they don't let them in the comments for in some moment

to be to put them to put them to be a person that's something the only

that you is let your intuition because are they they're I don't

I know nothing and you and not you're not to do imagine

what you what would have had had to this person in middle of the fire,

yeah no I know had nothing, and that a ser celestial or call it as you want to

be a being a selfial, caigant in that moment and you take. What important

many times for the people incredulous of the question paranormal

when when they get in this class of evidences or of things

that that you can be in the life. Sure. And that they say if there

is, if there's a life after this. Yes, that's there's a definitely. Wow.

Uff. You know, you know, I'm talking, you know. Me, it's, we're going to,

we're going to, I'm, of a, of a, of a , a little

different and very. And is that I talk of the case of Carla Acosta.

And In the case, it's titular Possessions Demoniacas. You can't tell you can't

tell that it's for the title that they've years, Carla studied at the university

and in a day festiv you know, you know, you know, the students

procuring go out, procurant to go to a and reunite. And, well, in the same class,

studied also his prima, with the which also also partied, because record we think that in some parts of America Latin, in special,

the universities are like interned. And, because Carla, no us to be saying, for some questions that more ahead,

you'll see, where was where where did this. But to what we do understand was a university in

particular, because we was talking that was that was living in the university. Carla

was partied a abitation with her prima. They two were in the same

university and a day, because he had to start the course

school, then decided to this day festival to to be

to the other people, and start to socialize. They decide to start to a new a party that they've invited. They're going to prepare to,

they're from the university, and, then, they're a place where was the reunion. A house where

from, from, since they had, they were, they're not they're, to the

hour that they're to to go and get to the house

specific they're open the doors and at the hour

to get a long but very dark very

very very very very and from there was

a place a something that there but they

not they were they they're they when they

they get to get there some there some

escaleras, they're in those escaleras and there were the other other people.

She I'm back to the left and see a little a child

very in different of the people. It was pretty that this little she was

not going was a lot of distant to the other very little

about during the during the course of the night Carla is

a little of one of the children and he offers a a

coffee a coffee a little this she no

I didn't do after to do the back

the time the after the All tranquil, but the little bit, but the little

convivia, cuddied, no emitia any comment to a of a sudden

and he made, and he gave a sentonazzo in the silla. Carla, very

a little started, and that something was going with a company there.

Vienen various the other people and they're they're they're and they

they're to get a a little where was having the the firste when

they're when they they're one of the chicas that went to

she was all is out all is all

she's all she she is bad for so

carla not I didn't what was what was was

her In that moment, I thought that possibly had been agoged or something had

had passed to this man. But the inquietude, the uncertainty, the

sensibility of the being to want to see what is what happened, and he got to

to observe what was what was what was going. Oh, surprise, Fepo.

When When you get that abitation, the people that was sustaining to this

woman, a woman of the woman you can't imagine from the moment

in the moment that they were and the people with a rostro

machiabel that that was the person talking in another other

other other other retortient in that in that moment, Carla

said that what was going that was going not a normal. She, with much

fear, he gritted to her prima that came here. That she wanted to go to

go to there. In that instant also there's another of the invite

and they asked that what was that was going, to be a little

she had had been a child, to take, it was it was a fall of

disband and he's in the room. Junta at the three

they're to get to the room and at the room

this third chick when that person that was

the first that she that she commencing to

come and come and we not we we

only only The same way, they're they're taking to another room continual, and they're also more

elements to start to start to make it to make it. The things were turning more and more

difficult. Gullpes, insults, languages, the ones the kids, not knew. the

Entrno is to put to make more more technical in

some part of the night Carla comes and when comes

the patio is there there is that have

been out of some part or that someone they had

called they they they got with the fear

to a parroquia very very They're very nearer to the place and commenced to talk to the door to the

sacerdote of that the other a lot of the sacerdote is going, they explain the questions that were going

and the sacerdote and they say that not for them. Because, because

it's a need to get to a, a, a that he could do

do you not. Desgraciously they are but very desperated, because they were going to be in the

car, they were going to a carmionette in a carriages, a very high velocity, she staccion a mal, he's out of the carmionetta, a woman,

grittando very desperated, where is my her mother? When she enter, he says to one of the

chicas, you know my woman, where is my woman, and they

are the and they're the woman of one of the two two chicas that

was a person that this moment not he was

not was because I'm trying to find to and

but the asombr the hour to get to

the woman of one of one of the two two

chik posionated the Carcombeo the Alma. When he says to Carla,

another again more, yeah no can be another again. What which

Carla was attonita and not what was what was saying that

that was saying one once conform was going to the

situation not changed to the woman and he said

that because was saying more than than one more, to what the woman of this

chick he says what happens that my woman had been a position. One of

we've got to a a retire spiritual and standing into a fogata

and doing oration my my her man came in

a state of possession to to what the pastors he

started to do a ritual of exorcism what during months of

treatment and look and we're again we're one

she she she she she she she could

be she she she she she she she

disconsoled, no, they were what was what was going, and they decided to get it with some

pastors. The pastors, well, they didn't know, not how, nor when, nor

what was what was going, they decided to go to the university, and in that Fepo,

fiat, that was, he was, was a master of that the university, But,

I'm in the invite of the festival was one of the masters.

Juno they're at the university, they're all in all a

quarter and with much a fear nobody to not

any not and said simply and simply was

to be to see and and to know

in the head, what was what had passed? Amanece and one of the chicks, the first that was convulsionated,

regress. And, de new a count, the her manna she had been posseunated, that she had been in a

return, but that in that moment, yeah what had been in this woman, had been

been expulsed. The situation would be that had been, well, tranquil until that that's the moment.

It would be it would be a lot of a lot of more more than no had

passed nothing. But in the situations well, no not

not passed desercivives because the the environment was

still something something we're not we're a more but the

environment was something was a quadrava. Something's had

kept into and it. And is that Carla said that one once

he gets to visit to the house of her mom, because he's

to get to the visit to, now so, of family

and, regress to his and that the sentiment of

that I I was not having a possession, but something was not being, as a mom, the mom of Carla, he got to get it. When I opened the door, the mom of Carla,

and I was to look at the eyes, he said what Carla was feeling. Carla, you not are you not. What you pass? What do you?

You don't, well, is well, I know a lot Carl,

I don't understand, you have a semblante rarro, something is a

little to you. Carla he started to talk

what she and her and his had been to the mother

to do to clean with with with the

mother to make his oration, but decided to do a ritual specific to try to

to deliver to something that he had Carla on the same. And he said, "'Cere your eyes, recuest at

"'so over the "'cama and "'to you "'to call "'three to "'because? "'Because many "'says the

"'almalles "'the world "'and we're "'to try "'to regressart. Carla, she's in a

camera, her mom he put a a a

little and he and he and he to do a

and he's and every that he had the he

called Carla for his name complete and and

back the his his he he did do

the And he was the other and he went to the cobija says Carla

that in the second that his mom he he he he

he he put in his face she he someone

was that was that that that that that

had a that was a and was like,

like if someone was on she's, in that moment, he's to see

Karla a desperation. His mom will be to call

for a third time to her name complete and

he and he and his mother and his

mom's spant because what was being in the

rost of Karla was a roste demoniac. It was the rostro of something that not was Carla.

Wulve to call her name complete and with authority to that carla to that the world. The while was his. He was to

tap and for fourth occasion desapa. In that moment Carla she's She's liberated, she's different,

she feels like something that's out of her. The mom no, the mom durer on

a mom, a lot to be able to be to be a communication. Until that a

day, to go to the time, Carl, with her her mom and he says,

what was, because you spantastic? Why, when when you about last for the third with my name complete and

me quit as the sabana of my face, your car was of horror. Sumarge he said,

because it was your rosto, because it was the rostro of what you had been in the

that you that night you you recogist of those women. In that moment

Carla with much Mew he he said to his marge

but he said he said he said how times Fepo no

we've seen stories like the of carla how times we've

been we've been and there many times we're

to we're to we're these can turn something

something something something something paranormal. Wow. That's very

no. Wow. I'm really these stories. I never had

heard this of the cobija bro. No, but you know what?

If you sound a rarro me it's it's much sense.

Sure. It has much sense. Oh, and that's maridad.

Imagine what's what is what they're doing they're doing

But at the same time, they're like enganying to that demon. That's a bro. For what? For that I tap. And as I'm just taping. You're just like, like, like,

but at the hour of that I'm saying, the number complete, I'm doing a war between two energies that's being that's playing for a person. So, then,

me musts the realer rostro, me must the person of someone that's playing for the body, for possessionarse, the body of

someone that is. And that third occasion, well, remember the number

three. The number three is very significant for that three and three

is the hour zero. And the third time that the mother

that she's that's we're doing that we're that in that

she was doing a little a how how wow

no no no no but wow it's that barbarro

and there you know that many many people many people

many not they they they they were in

the and they they they're they so that interesting

wow well well you I to tell a

story This history is a terror in the avion presidential and it's anonimo who is anonimo

who who's made this story I don't know I hope that if you have changed the name

to the other people but well obviously it's with with all the respect

of the world and the institutions government etc So, if they say these things are not real, then not they're taking in serious.

Also, if there are things paranormal there, in the world governmental, the real thing that to nobody will import as in a manner negative, to us will be

in a manner positive. We'll cause interest. So I'll tell the story and I think that's anonym. Terror in the avion presidential. This person that, that's that's story, anonym, us says that he

he's a lot of the Army. A lot of all the people of Colombia. And that in a moment, there in the battalion, where they're in the Army, the Airsied, the Air Force, so,

he got the President, and he went to the The The air presidential, they're there, uh, uh, uh, uh, uh, uh, the, uh, uh, the, uh, the, uh, uh, uh, uh, uh, uh, uh, was a, uh, uh, the car car car. The car is the car car. The car car. And the end of the car. Uh, he was made sure they were the first guardia nocturn. we're going to start four nights of guardia nocturned. Every night was and it's a matter peculiar.

Obviously, they're as part of the army, they're in much of the case of the things that are going to do, and also that they're going to do the guard of the air of the presidential, is something, well, very important and of an alto honor. Well, the first night in the first guard, Blanco, her companion and he, they were vigilando,

there, the, this, the, the avion, when, when, of a repent, well, there's something that that's really a lot of because they're done of the carpential, someone,

he has been to be the lights. So, they're saying that at the beginning, like no, like,

like, they're really they're in preaded to the because if something will have to be security,

is the carovene. So, what they did you know that they were in effect were in

effect they're on perendidas, subi they're and, and, and, imagineate this,

it's so rare, because if they were in the sun of the lights, that

obviously because they as soldiers, as part of the army, not is like you know, ah, here's the

appagate the and you're the light to be the car you're in the car you, where you're so they're

like they're and they're getting to know that okay is this switch no you're not you're going to move to

but this is the that is the light, no, and so I don't say the

light but so, click and you're the light and apack the lusus. Another

thing to record. No are like the light that can be able to form

digital. So, literal, is an analog. There's a switch that you have to

take with the toes and make the click and do it. So they're click and they're just

they're just they're not like, oh, and what's that's like, simply

just like like, like, so they came, they're, they're going to

get to the car, and at The rato, so, so, the, company, is a other time, is

possible. They've got to go. They were to be that three times that night. That was the

first guard nocturn. Also, that is something that is something when this occurred and

they'd to the avion, obviously not only only they'd the light,

but, making guard to the entry to one, recorried the the

of the very it's that the is that there was there's there's

there's on the carrieing in the air, there but they they were like if

if there someone that they would be that that first that first

night no um um well like they're like they

didn't say to the person simply And it gets the

next night they're again the guard etc and the and the

and they're they're not going to send the light no it can't be we

have to report it has been to have a failure it's obvious

no so they're to up the light they're

this recor this and they're count of something there's a

lot askeros fetid in the and obviously this is preoccupied because the

the the the is askeeros askeros it says that you imagine

that in this air you had you have you

have the the the person the perros. It was horrible.

I mean, no, I don't know, that you're accustomed to and horrible, so it was it was not

only only only was that not only was it, and they were to find out what was going to get to

what was going, they're going to go back, no, no, there. And when

they're to the idea of the idea of the idea of, we've got the

when were in this moment, they're, they'd the light in

this precise moment a risa and not a

risa that was a risa burlona and not

I had a lo in the car on to

them as if they were carcage as if was

a a problem to to obviously obviously not

it not not not that act like to go

to start to get ridding or things so just simply they're not

they're not they're not they're so soldiers are obviously doing

obviously doing they're not to get to those and

simply they're they're they're they're doing what's then

they're they're they're they're they're all all all

the Luce, et cetera. If you do they do we don't, we don't? Okay,

better, no? They're saying, we're not we're going to do, we're going to do, you get to there.

At the day next, after that in this second night, other people that were

Jimenez and Marquez took on the turn, then, then, and they say,

what happened, all, all, all, all, No, they're valids. What happened?

They said, well, circa of the 3 of the morning we got that the lights of the

lights were incendidated. So, we were what was there was what was an odor askeros.

We thought that a more you're trying to have done to have done. Revised the place.

No, there was nobody, no there was a fount of this that apestable. Decid we to get us to be there, but before to get a rizza macabre and horrible, resoned the other than we're and they're not obviously

like that we don't investigate us, we'll make our our work and, point. Well, it was very very particular this description, but he'll get to the third night. And, well, obviously, in that The third night, he

will come to to this person and a, and a, and a, and to talk. So,

they're just that they were, they were, they were to be to sender the light,

and it was to be a little bit, and they said, and said, you know, you know,

a real that, well, I'm, I'm, it's, to me too,

then. So, what do you It's what I'm like if we say Jimenez and Marquez that's going to this, and a little we can't do

do not, but we're not quite, no? So, yeah no, yeah no, it's so they said to Jimenez and a Marquez. O'clock, you know, what, you know,

that's going to happen what we're going to send a light, how you see, if they're going to us a rattle and when it occurs, we're, we're,

very well. And more than other thing, they're observing the avion, waiting that's the light

and at the two 30 of the morning boom, it's the light no

it's not be so they're and in the moment in the when they

enter to the car they're an a sound a

metal the caritos these are totally of metal

where they get to the thing to they

were moving in the the plane. Solos. They're they're in

this and obviously no it's and it and also the odor

fetid but horrible it's like yeah the death was a the death

whews this obviously now now now you are

being this effect poltergase the sound the aroma

the light that's it's was it It's apag for sys

and in that moment they're they're going to discover what is what is what

is going. When they're doing they're doing that the the the

the little a new that's form. That obviously this is allert

even more like if it was like it's still and

this neblina it is to hear to this

risa macabra and between the neblina it seems like that something that's what you move here they'd

they're like it's like a sombra but no was a dark it was like a

a a chama like a amarada like a a sombra of a humanoid

like a being a that was in the water, and obviously it was, it was, it was a

bidimensional, not tridimensional. It was like if, of a moment, it was in the the when you,

you'd you'd you'd, the as-de-l-lust, he would and would and would be and it was

rying and was the neblin and the olor fetid and, and the only that they could

do they were to put to put to the but also it gave them fear to come to

more, more to this, and they're on the plane, back to the car's of the

car, and when they were four, who were the story, was who went to back,

put us, come us, let us, and when they're going to, he's like someone he's

he's a much, and in the nucca he does so, he, uh,

he put the the piece of the gallina, and before to get the

risa macabar. He's the quarter. And they said, between them,

I'm not going to go to see. If it comes the light, I'm

to make to do a guardia, here out of here down, I'm

going to go to nobody. Nobody said, said, said, and I

said, and I did you, we're two 30 of the morning, it's

the light of the car, we're we're we're It's apag.

And at the 3.30 of the morning they're, they're in a moment a figure coming down by the pista. A person coming down

for the pista. What which, I don't have to signal to, that if in an airport this is something

basically impossible, in the airport of an a detentment military, where

is the airon presidential, and the president is still more impossible. Well,

obviously, they're in a person, a figure that is coming on the pista, like, and

the first what is this soldier? No, it's a person, there's a soldier, and they're coming down.

And they're very much. Corriero, they're to where was the figure, but

immediately they're just the people who's detainment because it's that it's a bit of rare and that not was talking the piece was floating to some of the feet of the piece

this figure was there moving to a way super-strained then so they're they're getting, they're and they they're saying Alto the santo!

That for those that not know in Colombia in this part say, the lexico military, alto

to santo is like a person what you what you are military, civil

man, woman, man, alt to stop and they're grittant Alto

the santo and the figure and the figure to then then

heir to them and the patria is the That is a clave that uses the military.

But that not was the key of that day. Then Jimenez, that was there, with a voice temblorosa,

responded, detentase or we're, the figure the figure was going so in front a momentit

and after his eyes, disappeared. They obviously They're In a moment Atonitous

But something The nyebla That had been seen in the Avion So it was To former Feren't

Ayes They were They're They're In question of seconds When someone When someone

He's Susurra in the O'Ido Here is a Soldado Caidid in Battalion

For Jugger Cartas Obviously, it's a really a phrase

that's that that's not he's he will be to

think who can't to say that no there

no only a macabra in the air and now

so now then then they they said they're

they they're that they're they they're They were going to They still

They're They're Evener Like the ECHO Of that RIS Burlona

And this phrase Here's report a soldier Caidid in

battle for to play cards To day next

that was that was that was that the president

and evident the president and they were they

were totally They were just really taken of on the What had passed? And they saw a

captain the captain Mejia well they're and they're and they're

to talk to explain to him to explain to that in those four nights had been been going

things raras and about a phrase that's that's he's

that's when he said to the captain mejia that us are

listening atentantly in the moment in the time is that this entity, it's this old he's reported a soldier who's

Just want to be just looking company The question is this This soldier Osorio They say

that's that's a manner macabra ante the soldiers that do guard

nocturn of the avion presidential of Colombia that not are the

only who have been an experience similar that that has

passed to be a a phantasm, a community that well, he's

what macabro. He doesn't make a lot of and has learned to do you

go and you're getting that he seems that's it toer to

his companions soldiers soldiers more and parents that's that's

that's because, because, I know I was that the European presidential of Colombia

had a story of being inbrugated, you know, and, and, well, there's but I

think, it's very interesting. Fiente that the energies from the moment in

that's the time, well, so, obviously, they're with a car

vibrational negative, enojated, so, So, for me, more than being, like,

that jubeteo of bromas, for me not are not really, for me, they're, they're

they're to be to the what they can't what he was in life.

It's like to start those putting in an albertencia if with a

piece of a but also a double life at the hour that is an

an avion presidential is a going to get a guard who's who are going

who that's that's that that's that that that

that that for that for me possibly what is

what is doing what is not is to get to

do and to come to get to you

to come to remont to to the possibly

the same companions the same he said to him. I mean, it's not. You know what? He did a reason. And, and a little more, they'll want to be, the captains, etc., like, oh, is that it's been a bromist. No, man. He'd be taken the life when he was... It was a... the olores fetid, this species of neblina we're talking

of a basque astral, of a vibration negative. But the point specific is because in

an avion presidential, because in that camp military, who's what I would be

that I would be that I know, to know, we're going to go to go to

be a matter, I'm going to have been any experience of the type with the

American Wow Here we've got our own our own our own presidential of terror

but for another point I got this the phrase and it was another point we also we took our

presidential of terror well this also can't riffar if you want to

have us a vehicle embruched enbruched ohhall and we get us we can't

we we're in podcast what what that is that how many

how many stories macabellical can have been having been having a cabicita a little in a

a little presidential in the world in the palaces of government here we have here we have our seat

presidential that's that's brogada that that's that they're going to send to

maybe some one of those who are one of those that that story, because

here we're our seat enbrued, the sill presidential. Well, you know, the chair of the monarchy

English, that has an object alienigeny, literal, that not is this planet. There's a super interesting.

Amigo, you talk. Pepo, I'm going to tell a story that we'll be a manned

Selene-Rogas. And the The title The Brueha of Mesquite. And is that Selene, actually live in a community in a community in Dolores I'dalgo. In that

then, Selene had a less age, actually has 14 years, but Selene from a little has lived things paranormal

of a way that can't carry in the fiction, but that, but that, But, but the people that live,

the things that have lived Selene, they can understand. And is that she has that she's to have the contact with the famous brujas.

And is that Selene had a woman than her than she, the most great, in that

then her mother's a little, and Selene's six years. and both, was, intented

always always be in in a untonia in all all the and they were

in the same room and they're always, and one of the things

that in a situation get to pass in around especially to Mexico

is that the parents are to work to and they're

They're they're in the children, to the dispensas of the obscurity, because it seems that are in dorms and we're going to to work. In some of the situations of these nights,

Selene, with her mother, minor of four years, she's kept totally in soledadat, and in the transcurs of the night, they're listening

Rewooders. They're much hungry and content because they're the noise

in the kitchen. Content of that they've gotten their were

euphoricas, they're to the kitchen and here here there's something

something. Tal Vipo for some people could be

something of the imagination of some of the the children of four and six years. Between four or six years,

a lot of the mind of a man of a man can conspire, imagine, or do something that, that maybe your imagination is a reality. But, but, in fact,

the persons that we need to do the paranormal, we know that the comportment of certain animals can have a excuse or a reason.

And is that what Encontro Selene in that in that in that and that she thought

with her and her and her not were their not their not the

to hear to rasker something to move trasts and open the refrigerator

and they're and when they're to this kitchen they're they're

they're they're they're they're they don't their parents. but

a cat a cat a cat the cat who he and with one of

his patty's a little a sign to call to call this

moment we can say what imagination but how many

many not have been to the history of the

the behavior in in animals in animals what what

was that she was petrified for see that the kind of

that's after they're and they get call calliated elated

the the cat separate two patas and he and he

dispone to get to the kitchen no manches until

this moment the little not they didn't what

was but a a little a little fear they're going to

their house they're and they're done dormidas with the

cansancio and the ambr they're going to the things and the days

passed and not they're not they didn't think nobody let's

see that one a one after that all

this started to start to take a And Selene, in one of the nights that was alone, he started to hear noises above of his camera.

Some of the ruses, some ruses, like if someone was just going to above of his camera. In some moment, Selene thought that was her mother-menor, the her mother of four years. To which Selene, well, Selene, then, then, then,

then he and open the camera, put the

head to dispon to be to know that

no there again. I again to incorporate to

his camera and and hear the noises, some

ruses, some those rumors that rasg the car

selene and he starts a to hear some Rises. And there is

where he's where you know that possibly is her mother. Some

Rises macadas. Some Rises that maybe you could imagine that something

not was not there, but that was a macabro, something that was

something that not her mother. And something that not

her because in that moment to pass to the

Rises, we pass to a voice feminine. A voice feminine that was from the camera and that he grita Selene,

The Bruchas come children. No manches, Brum. And when says that voice,

feminine and the woman, she's sheen brinked and and he starts

to cry. The Bruchas come children Those Those These words

Selene until this moment He has zumbed in his head

The Bruchas Comet Nien Those Those Those are Inid

Those Those So The moment He Perjudic The time

The Ender that the Bruchas Comeen Ino They

They They They They They They innocents. She, in

some moment, then she's to tremble and he plattica to her

and her and her and she and they have a little of a minute,

and they can because they can say to say a papa and them

because they are to lookas. Six years after was

another of the hermases of Selene. And, as as well, we've been talked to

the first, the papas had to have to work, they were very

humildes, and they had to leave a little but there was a

third new-nac- -nac- -nac- then- then- had someone to

have got and they had to try to one of his prims of their

family to take to this recently nace naceed. Fiatty that in

one of the situations of the night there is that there's

and is that they're that they're they know the voice

that a patme! The little the three are they're

they're they're they're that the one of three had

said this, they're to the little to see and they're

and they're doing. The is that who who who

said pat me pat me the the the little the

she they're they're they're dispercived that moment it

They were just like something to the locura. But, in the while

that was going in the house, the parents, the parents were

were getting, the parents of were being assaulted. In that this energy, the

entity or what was there, was going was at pat me, Padme, the little,

in that moment the papal of Selene, were out of their house, were being assaulted.

Thanks to God, no, there's not that the assault no, they were

not they didier, no, they're they're what they're going to what was going to

the end. In the year 2021, Selene is a community called

Yerbas the first the first days were quite inquietantes because always

mudars us we cause as a fear sometimes to get a

fear we know we know what is what is what is what is

a specific he was to get to see to

Selene and was to of that that's that was going

constantly and it's that one night came to totally totally the new

the postura of Selene and is that she recostated in her room in her

room was was probably the time doing some something

of the night and and and then of a repent

be in a corner of the the room a a

rostro calaver a a rostro totally distinct of a woman

a woman that was and and and and and

more to the camera of selene to the graded to

kind of without being so never never to be not a

minute when when the minute this energy was

on Selene and Selene can see his man

grisososas whesudas escheletic but of a tono grisazzo as

aso aso as as a This woman Abre the Boca of Selene and he

He introduces One of his Deados What horror Selene At this These denes Inchus

Inchonable Asco Sin-in-embargo No could be nothing At this Selene

Perde the Nocion He'd desmaya. No knows what is what is what when Selene

is in see something had passed on the room and she

she had been a dream but when when when she

the garganta of Selene was last she no man

there there there was there was that was what was

a a a dream. It was a reality. So, the hours, the days, and a night, while was Selene in his

abitation, a mesquite in the part of the , the patio, it was like very, very, very cotidiano that all the

population had a muskite in his patio. And the mesquite of that house had something particular. And is that

all the people said that in that mesquite something something, in some Celen

is a soma for a window and see that there there is an image

that is a medias of that mesquite and it is form

as if was a woman. This he caused much a selene grita

and he goes to the court of his mother he he comes

to talk what she had seen in that in that me

in that his moment her she he he comes

to give a need and he he confi

a that he changed the And it's that the mom of Selene he confiesa that when she was embarrassed

of Selene, she also saw a woman in that mesquite. And that in her she's got to move Selene.

Posterior to this, came the lastimient of Selene and they'll be to this energy but not in the mesquite,

but at the What is what is what the is the what is the most in the ranches or

in some populations of Mexico they're they're to clean with a little

limpia the mom of selene reces and when she dispone to to clean

to to qubering to this webito with the which had had

been that the is completely black. Revient this egg,

and it's not that that we know, but that the aroma

fetid, something that had got to selene. The mom's a

so I'm and says what you're you are seeing you're

from you've been they're optar for to get a a a

a sacerdote to that's when he gets a sacerdote he dispone to do

a ritual commience to make a water and and it and the

things are to turn distinct the things are going

the the the the the the people start

they are in the the sotene, the crystals start to plotard. The sacerdote

with a posture imponent still expulsing the name of God what there was.

In a moment, the situation that was turning more difficult began to start.

What was of the rues outentro, you're going to and then of a repent

it's like something that something was going to in the sotea in that they were that what

they were that was that was the the sacerdote is there is going to terminate

and after this he does give indications to the family of the Sennene

of what were what they were to continue to their visit. Certains

certain salmos, certain things that they had to see. The family

of Selene to a sacerdote and saying thank you thank you thank you

thank you when the sacerdote and he's a car a cat it's

and he he's a way brutal when Selene see this

is the same that the same gato that's the same that she had seen

in other city and when was more the the sacerdote was very erred

a to the that the manches the the sacerdote says

that that all that had been in the house of Selene had

had been been liberated but that there There's there, my people

day and night and waiting to someone he opens the doors to go to go back.

Wow! That's how that's. Wow, what stories! That's what you're

the Bruch of the Mesquite. I'm a question that is something that is something

that's much time there's a person that when when you a bruce,

literally they're in this image of the the sombrero. Yes.

That's rob a the infantes, ninias, children, little, little, that they

they're doing, they do things with them, I don't want to them,

they can't the life and with the body and they make and things

and so, no. And obviously, one that's one that

this knows that the brou, the brouca, well, is for that's not that's

people, if they're not, that's of that's of every one, but a brother, for

example, about specifically, the word terminated a a, a, a,

but not is the malvada of the question, no, it's been not, for nothing.

So, people who know, of herbolaria, that's they know, of, emissarios,

that say, of, sanations, that's, that, lectures, chiromanci, et cetera.

What is that entity that is the element of those stories? The gato, the care of to eat a little bit of a little bit. The end uprored the end uprenad, the webo-ne-dreiber. Not the first time that get stories like, and are spelunants. What are those? So, if it's a person, a brouca, that's a way

a tremendous negative, is an entity? What is? Look, if we're going to be because this sounds like a magical, loco,

or at the more something, but if we're to go to the gawals, acuade that it said in the

epochs of the taboes, of the tatarulos, that the brujas were, in the animals to be able to enter to the casas.

So, here what we are talking, that not was a cat, for me, it was a war.

But also can be a demonio. A demonio that's doing, possibly, we're going to what I said,

what are the ones? The demonio, you're put in the car. If you, in that moment, you let's

pavor, phobia, a, present in form of a cat. Or a a bruja. Or a

a concept that we know. The concept that we're the concept that we're not because we're

because we're talking about something that something very grisoso and at this skin grisosa

not is about about something of something that's that no- has a and the

grand majority, remember, of demonios, because not are terrenals so, So, for me, is a demon disfrasado

of a Brouca. You know all the reason. Wow. That's a barbaro. Very well. Well, me to talk. We'll see. Of other element

that I fascina. Fiatte. This story is called the Muneca Calcina. We'll have our friend Mariana

Flomedina. Flomedina. Mariana Flomedina. Fyatina. This story the experimented our friend Marianne when

is a little. There comes the story, but it has to be able to many people. It's a little bit more

that was very common that was much time in the house of his abuelos maternal. In this

house, just just for that we have one of us had a little bit of his abelito and the part

of the back where there's like plants, these, trees, fruitals,

and it's a place, as the patio of the is like a place, when one is a

house of the house like my my house, with my those primos and the

ones, then you are and you're totally sure because you because you

are in the patio of the part of the house of the house, no?

And, well, in this house, it's that in the terrain,

that is this patio and the land of the land only there only there's like a

kind of that's like the land. You can't see the you can't see the patio of

the the house. And no there's a place where there

a house abandoned. Who knows how time time that house abandoned

then simply is a divided the terrain and it's a patio where no abit nobody, no

there's nobody, no there's there, he's there, said that said that's, he said that,

but, that they're in their age, the time, they're in their kids,

and those they're not, so they're, they're in those, they're doing, when there's a

thing, it's a thing, while they're doing there, He says that the patio of the side,

where is the house and there's they're in them, they're going. They're how this

pass and it's in the patio where they're playing. Like if someone would have

been out. So, obviously, for the curiosity of the children, they're

they're they're that's that's a muneka. This this is a muke, it's very rare,

fiegat, he's a body and the car of trap. But, the manitas and the feet were of

plastic. That's very rare because generally is a head, hands and pieces of

plastic and the body, but here the head, the car was also

the time and the feet are of plastic. It's that the a muke and

was new or it was a new, or so even if had been a

new, it was not attractive. It was a way. It was like, it was that

was a creepy, is that was that was an people, people, someone

someone let me go to here, we're to have to play with the

muke and they were to get to the stories and they were

that time they're playing with that when they when they were to to work

with her that was now to enter to the house because they had

had been had been they've decided to let her in a part of this

patio and as she and as he's much the game

that's they've made they're they they're let let's

here and we're and we continue we we're

They got them. They've got them. Obviously, the adult's, well, not know of the existence of this muke. So, it's,

it's going to to be to dormit. The abuelita and, the repent in the madugada.

You know, you're you're going to take a bathito with there, the nets, and it's

in silence, enter to the And the first is that there in the barra of the kitchen, there's a muke of trapos sentada. And, well, obviously, she doesn't expect to see this.

And when she's spanta. What, what does that? No? No, it could be? So, like, so, like, he thought that

only only had been simply had been the suspect. Obviously, he said, I've been to have been some of my niects,

my nieta that he put here and it's a fea, it's suce he gotro

and went to the back and he bented the muke and he closed the

door he took his water he went to to the morning

next the next she there is our her friend

Marianna, a chiquita, yeah it's all the sun, and the first that

is that to the feet of the camera is a man, he's that he

said that was in a position very human like if was

sitting and even that was to it was

a column vertebral that was that was a

you see that you see that you see that you're saying that's, and you're not that's that she was sitting in a position comodden, like she was and even after

was the carita of the trapo she sent you like that me is being but she no, she thought that

her bestor her little her little her her own she was the manned in the patio

she took and she put her thinking that was her so my a new y'nec. Then she

got her man. He said from the little bit of his abuela and he said,

you put this this one in my abitational and the abelita with the baby she

was the back to the blood to the feet because it was the same that was

that she had seen in the madugated that she had had been the

patio. And he said what you no, no, no, this

no, and he didn't have to have to explain. When he was

the car of her mother he sold to the muke and the abel

and the little this not is not quite. No he said the

she's to be a manro the moke the he the

bottle of the and he he he back

the back the car the car the door the

through the the door of the of the water, and a the problem is this. Some days

after, the repented, the abelita and the madrugada, is super-tanky to the kitchen,

enter, there's a moose. Surpreza. No, now, so, so,

but very nervous, very, very, very, to the morning next well all they're

there's the moñica I'm gonna put in the bottle of the basura and he was he was put

to wait to to get to the carmion of the basura when cameo the the van year

and her and her and her and her how the carmion and the people that are

there they took the boat of and they're the content inside of the

carion and they were observed to the muneca to get in the carmion of the

and to getse because they thought that there was a more there was

a when they they did it and a more someone they had to be

sure and they they were that the the the a muneca. The

abuel knew this story, but he was the one of some of

our children, he's certainly to be thinking, oh, why they were the

one of Mariana and simply it's he made out, and we let's

there in the kitchen. And yeah. No, the the muke

the we're the man a a muke. What more? Well, they're in a day, there normal,

when they're in a gritty of terror. Result that the abuel, had entered to the bathroom to beignar to. He put his

rob, she desistio, put the water calentita, she went, and she, he went, to beaunted

some song there, and was, he was a felice of the life, tomandose

a banion a time, and he the cancel to take the

and the muke's there was in the bathroom sentada like

if it was he was very impressive because was

perfectly that that that was that was had had had

had well, it's out of palid and now he had much fear.

And when the other people saw that the muke was there was a way,

was they were so they're allisnating, what is what is allterated so. So, the

abuel he has a muke to the back when he gets another again

the car and says you, get that this a mouche. Yes,

but getensela, getensela. For favor. So, they're going to get it. And I'm nervous. Day

the next, now is the boy. He took to go to the kitchen and he said that something that

something that was a bad since that came to be a and she was there. But he's to think

that was your imagination when preending the light And she was sentada in form antinatural, like if it was a person,

is a muneco of the trapo. He gave much fear. I thought, what we'll do? We'll come her. We're going to desacern us to her. Yeah. I gotro the muneca. She'll have to the patio.

La-bawned in gasoline. He threw a cerillo. No, it wasend. He'd tirade. another, no incendi, and he he gotro various serrillas and he he was pego, until that,

little to go, he started, like, to care to grab the fire, and, of a sudden, whew, he was, it was the poor that they could have done.

In the moment in the time in the time, the tarapo of the moñica, she was heard a

lament aterrador like if it's that's that you're

you're you're while you're and then that that

that was it was in a shillid that that

had had to tap the eyes with the

palms of the hands not only that that

that's it was that the fire not consumed the

muke was in the but it was that the

trap not was and there was this like chiggied

so and when the trap commens now so

to end to to to come to change

of that chidid to a great grave profound

horrible, horrible. He's that he can borrary that's that's

aterrador of your memory. It was the gritty of a person was a spantoso.

When for fin it was to come and was it was being

in sinisas the the abuel he said that they were

that they were to that it was and they were until the

the fire consumed to the muke. What they were after this

they did much fear. He said that it's a question to explain

to but I think we can imagine perfectly. The muke was

reduced to sinises. Those canis should be like

the time of the man but But, it was like if they were sparsed in the piece, tomando a form, the person adult,

like, arrastrondos, to be a lot of them. They gave me a lot of, they said, dechle so, and they entered to the house. But when they entered to the house, after having left to have left a

a muke like, almost that's they were to get a into the

house was like umia and I had a plastic that's like the of the

manitas and the and the and they did a kind of like they're

well probably probably we've too there was a while

the humor and the we're going to open the windows for that the when it's the abelita to the

to the door, a gritty aterrower. He was all these these children the abuel

and in the place where always was always the mokeka there a

a mukeita made with a trapo chiquita like if the material of the munaica

grand, you would have recorted and a man you've used you've been an muke of a trapo

there, there, a chemadita. And when they've been this, the abelita was super

spantad. And the abuel, the only that's all that was to take the mukeita,

he went to the patio, said that had, that had had had,

had got to his house at the other patio and

he went to the moke the moke the mokeka no

did appear in the house and there was much time

in the they were in the patio yeah not was the mancha

yeah not the thing of the one again again

again again again again now pass a time

and they They're playing in the patio, they're with the when of a sudden he said that she was that she was playing and she knew

that he'd be to be able to be like if someone he was trying and he went to the patio of the

side and was the mukeita of trap just on the other side paradita

like if he was just were observing he said that Well, obviously, since that day,

the patio of the abelos now were a place of the never never knew of

where came, why they they were what they did, but to get to

the patio is the possibility to find with that mukeka maldita.

And you They've grown and simply it's just it's just like the story of the muke calcined and the patio

to you don't even to go out of how is? How is? How are you? About to

the newnecks about of elements malditos no you have you've been a

one that we have been in our possession for that the history

no I see me has something because we're we've got

we've got a little a new a new a new a meneer in our possession

that was and it and it was back and it was back she was we're

not she could keep to come this this class of stories

you you know you know I'm I'm always

the demons don't don't they're not they're for

they but also they're they're so on them them they're doing

it's it's he and he he's part of a work

it's part of a work and what is what you know when you a demonio

and a demon is that to act to be to be a human going

to get to you to torture and it will occasion many

many the many times the that someone's disviva, because it's going to go to go to

the great majority of demoniacos, the demoniados, what you have to do is desacerte of them.

You, as an expert, not is to bring them is to get to a person that a person

that is the person, that is deshage of these mucer. Those

are they're They're exulans, they're sacan the demon the energy yamal

like you want to you're to that so that that's automatically pass to

do that's a simple a muneke because you're going to keep or you but that

energy will be to transmutate and it will be to go to other thing that

you have to you at the when you when you're when you you're

to have to have to repressaries contrails you. I have a doubt I'm

imagine that's so is so the the muke that's the really

always still was into the other the is the fetiche

is the fetiche and it is like it's like it's the true

including including that that was always always still I'm

yeah okay that the way to burlars it's

like the way to do you did you say this is this one something I'm like I'm like

I'm like always the elements that are the night the night etc but I'm but I'm going to imagine

imagine day in the morning you're going you're going you're desnude you're in the

moment more intimate and you're just you're like you're you're clean and when you're

the cortina is that that's that's that's that's what you do you

do you that's the moment where really you're you're going because you entered

only to that so only but when you're there's there

also I'm I'm I'm I'm I'm and then you're

and then if you want to pass to get to get to

get to get Yeah, you know, you know, so, that's a lot. That part me did much fear to me. Pired the authority

of your being. Pired the authority of your own house. So, it's fortissimo. Firt. Oh, yeah,

we're going to the last stories, because this one of fascinale. Perfect. Fiatty that I also,

it's a story shortita, but it's a story that I wanted to to have to be in the final, because it's a story that that's a lot of being reading.

Okay. Because I know that it's going to resonar, there in Casita, where they're listening, to the people that manage of the night, taxistas, traileros, persons that are in the carterers. And is that's that about a story of a chauffeur in particular.

But, not us this story directly the person. It's a person. And is that

this story no, he's called Jose Nicolace and he the title The Wesso. And is

that Jose us told a story that he was to the friend

of his father. A person in the 2001 of Santiago of Chile in Santiago

in Chile this person of the name Juan was was a chauffeur and who who's

or he has in the world of the job of the chauffeers of the chofes of a carmion

call me a trailer you know how hard how what is to be But the great stories that these choferes have.

And is that in one of the stories that Jose us tells is that a Juan, the friend of his papa, one night, decided to mandarl us out. But the papa of Jose no can't go. For so,

to leave his companion, Juan, to be only to that he to go to this

voyage. As it's well, when you go to you're to get

to you're to get to because it are long days

of many hours at front of a and

to not occasion because some accident you you have

to get to get to the car to

to be to be there's that there are many paraders of chauffeers, of trailer, of camions for that in community,

so they're in community, they're in some of the of the of the people, the Cansan

he was he was around the 11 of the night when he was he can't continue

more. And is that who had has been in the north of Chile, you can't know that in that area, because no

there are luses, like in the carreteras common and corientes of all the other countries. In the north of Chile, the carreteras, for the only luses that you're going to be, because are the lunar. And are the ones that you

bring in your, in your carmion. A-poc? But no, there's Luce for nothing. So, what was what decided

Juan, that night, with the carsanse that he had and with the

lus that he was oriii so oirio his cario,

decided to get to get to get to get to get to and

then he a cartinita of the car and

he's to start to start. When on So, in a sudden,

in the carmion, they start some some of the he was

he was he was he had seen, he had seen, he was in a

area in a zone, practically desertica, nothing of houses,

no civilization because no there was and the only that was

he, was he, he, he he he's he

he's a , in the door of his carmion. He's

a open his ventanitas and he'll to see

something he he was he was he was but

a voice a very very very grues he

he said he he invited to we So,

my friends. So, so, not he? He said, what

did he? Yes, that we invite to the long as my friends. Sure

that's with a demorcito, Juan he's he back to his carmion

and when he he back in his car magically

I see a fogata to a meters of where he was and he was

and see much people and see some yams that see in figures humanoid

but at the same time they were in sombras and then those sombras

changed and it was something very rare but so

he was no he took as very in serious that in his

in his possibly I thought that was the cancansio the fatigua the fire a lot

maybe me is enganying my mind and when and when when they

were to the other people he did know that if was a group

of men they they were they started to start

to him and they to make chisters and many things,

that the time was going. To a repent, the wine was the time,

and then what I was, was to be being, you could imagine the fear

that you can't be in a place in a place, without, then,

but at what I was with companyia and at the maybe in some

moment even, even even they can to be in and keep me a little

well I'm a little then when they they had termed he

he for compromise or for cordiality Juan he says to these

people I have more alcohol in my carmion now me

talk to invite to you one of the person that was there

was a veledora for that he can be illuminate for to come

to his carmion when he took the bellator he

does know that the the bellator the fire was

very very so and he and he he was

he he he was he he he was to come

to to the where was his carmion, leaving to that that's a

a monot of people, to the people, to the people, in some point,

this lampara is a thing, it's a way and more and

more and more and more back. Yeah no it could see,

because he had a lampara. That lampara was stinging because

was the light of a velator and he was starting to consume and a

of a repent he was a bris alada and he turned for

to be a belator when he gets a carmion he does a prisa and

he's the light in his man he was a bellator was a a wheyer

oh my God he he begins to do much fear. No man. Because what

he had not was a vealator was a and a human. He he's

to get to alterer in his carmion and not coordinated what he had been

what he had been a belator and he's he became in a in a

in a carmion and they're to talk to new to get that that

he's to give a much fear because what those those men had

had been been in a question, he, in that he said, if I

go, I'm going to go, I'm going to get, and the people that were

outside are, they're They start to re-in and they're and they're

to be and they're he said he's I'm going to because this is not a

well but then he said he said if I go the

can't be to be to be a and going to occur

an accident the the more is to let the

things can tranquilize, amazca, and me go. The hours were very long as. The carsanse he was done. When

amanece, he's he's up and he begins to continue his trajectory. Prends his carmion, but no he kept with the doubt. And I looked to be

to the place where one night before had been that fogata and he did

know that no there was that there there

there had a a any a thing there

was nothing that on the side to where

was that was a was a a pantheon

an pantheon abandoned with the cruces and the

Shechas, of that the time had made of the suites. In that moment, A.L. He gave much a lot. Prended his carmion and

commenced his regress to house. The very, when it when it's when, of

a repent, Juan, in some moment of his voyage, he'll Voltae because I see

a presence very very strong that he was observing behind and when he does

he and he and see that in the part tracer of where he

was he was a the the of the death that

so that you can you can you can't imagine how

How many people, how many chuffers can get to have these presences? That great story.

Because, clear, the trailerers, et cetera, have some stories spectacular. Fertes. Caccy.

Cases. Can't you. Where is that the place? This is of Santiago of Chile, and we know that this

situation passed in the north of Chile. There is a place, I think is there in the north of Chile, where there is a pantheon gigantic, abandoned. And it should be there, maybe a little other pantheon, like.

Look, I know, you said that the history is called the Wessor, but I'm impacted when you said, the Vellator, that's had converted in a Wess. Imagineate because here we're talking that possibly one of the people of those mortals of that pantyone,

or more than the dead, in that pantyron, because they were having their celebration in the night. Yes. So,

but one of the dead was not he was going to him. For that's part of his body,

part of his of his, of his wesos to be able to in that can't. No, manches.

That's what great story. What great story. Nicola's the name, the word?

Oh, oh, that's barbarro. Me fascinated, but much. Wow.

Very good. I mean, I mean, I'm going to start. You know, the bar

very old, I'm going that this story. Of course, if me let me

do you do something, I don't do I do this but I think you want to

understand. This story that I'm going to tell, it's that's the

man, he's called the guise of Ramon. And he he's

that this is a story that it's a well, it's been transmitted in his family for,

for generations. It's like, all the family knows this story, and,

and, well, how do they this story that story that at the letter? Because

Ramon, the husband of one of his tias left a card. There,

there's a story that to tell a continuation. But I want to

say this something is, I think that's very interesting. The history,

the other than to be accompanied to a property, that property is where

was where was there was there was a property to the family

and nobody had to ask who didn't to live there.

Nobody he's to go to go to be here. Every who had a house. So the house was like

disabitated and decided, then obviously to put her to the when they try to

put to the it's very difficult. Because since they're to clean,

paint, to be that the house was ready to be to be to be

to be the yantto a woman the the the the

the seen have seen a Ramon in the kitchen and the actually the people are

the cause of the I'm I'm I'm I there

one of the one of the people was the he said I said

I'm to some people people interested and they're

to show the place they're a part of a

car they're they're very they they're to start

the and says that when they started They were the first

step into this house. This pair of this pair of was like, oh, like here there's a bad energy,

you know, and he was to say, then, like, you could, think it was good,

and that was very beautiful and that's and that's and they're there's in the kitchen,

a sound very peculiar. One a cuchara to come under a plate like if someone

was eating, like a soapita or like, so. So, then, so they're a moment in silence, there's a,

there's a little here. No? Caminaron. Entran to the kitchen. Viered a plato

and they went to go and I don't want to nothing to hear here. The house is till the day

of today to us have beened Now, why I think I'll tell this story in a way different? Because no

I want to change the color of the history. No, I want to lose any detail. I'm going to

read the card. This, is the card that's the card that's the that's the Today is a myracles

anymchews any I'm I'm I'm I'm with a strange

presentiment I'm I'm I'm didn't I'm my my

wife was to go to but something I'm inquietable

her friality of the last days me result

insuppable although I'm to do you have to be the distance between us creases

every more. These these three days have been particularly strange

she's distracted. She looks as far ascure not so I didn't do anything planed

to give a surprise something that maybe revivar to what we've lost.

For the time, at the time, I detuve to look at the arbolito that had

been made in the patio. The sojas humedas susurr and the wind.

And for a moment juror I'd have heard I heard I the

head to get to another bar. I thought, maybe that helps to borrow

the tensions that have contaminated our relation. I was the television

looking distraction, but nothing captured my interest. The

notties repeated the same of the incident, politics, a

defile of monotonia that not was that I didn't get to the

Of Pronto, I recorded that had to calentar the before my spouse were. While it

I was I mean to the mind the record of the day. I had

prepared a big oil of cald. Carta, a festin that me

gave hours. But in the other to thank my my husband me

reproached the gasto. He responded that had discounts

in the and that was a way to have a time. Cenamos that night

in a silence that pesable a loa the the noise of the chocating

against the plate was the only that I was I was

I was a little a notice perturbator appeared a the

rostro of a man disappeared a company of my her.

What he left without was that an friend was that he had told that

that he was the man of my woman. I'm the image to

my wife. Look, this man, this man, he said?

His hands were when he took the telephone. Intent

he But the panic in his eyes was evident. No, no, no, no, no, no, I know know. Me, he said, evitando my mirada. A sonrisa was a digue in my rostro. Curious. He said, I guess you've gothasted his

Rostro, but, tell me, Amor, you know, you know, the air is so so it was so much, so. His respiration was

soelor, and his man trembled at sustaining the cup because

you do you I'm I'm I'm I'm I'm I'm

I'm I'm I'm think you think you do you a

recipe special is inspired in you his rostro he

was he was I'm I'm the so the

so that that we've had been that we had been in a fregadero,

I'd scupil, but the detube subjecting the of the arm. No, you're going to disperdice

it, I'm with a friarlded. And I rastre to the back to the

mesa. She was to sitars. She broke in a yantto. What did you?

Me grit-o. Only what I had to do. You tragiste

that problem to our meza, Amor. I'm assured that

no will be to be to be the plate. Let's let's your

soup. This is our last dinner and your yant

she was the room finally the the the

the shone to the raster and minutes after

the body of my her husband, and was inert over the mesa. His

heart was a little the same the day that I'm the day that

he's his rosted in the floor of the cell. I'll I'm

these lines for that all know that nothing

of this would have occurred if that that he

had not took that not you stuf. Also,

I'm a regal more. Bajo the house there's

there responses for the curious I'm despido. This caldo

was analyzed by the authorities and he confirmed that

he had a man under the tree that on

the hardin found more rest of the man

disappeared the community got commo The news not Noticions are not about other thing In that moment

The crime passional more macabro That's ever He had seen in this community That's history Thee The Tia The house

That can't be That's a Fendida Imagine, we're talking of something Very Fephto And in Mexico

We have a history similar The Tamalera Yeah A Tamalera. that's a lot that's that

at the final of the love to a person to be inlokees in a

way that when they get in a trision it will get to that this to live

to a person is a complete a locura I say I'll say you'll say

one I cause a conflict to know that this occurred but

I consider that if you, you at the way you do you have to

have to you have to go with a psychologist or a not for other

reason but for your equilibrium not is very very right

because there are there are there are other metas

Much other forms to do the things But but you Yeah, I don't even think in the violence

is a locura is something atroce And you you can imagine how was

the love of those Because me about a very passion but also

also also there's that there a line between the passion and the

manipulation because when when you occur this that

is to say that the person not was a person that's in the imagineate that if

Fepo, because if he he not would have declared or abjured to the people of what he did,

nobody had imagined that a person the disappeared they're saying they're eating Exactly No, no

you manches. That's great. Super Ferte, really? I'm going to have to pay another favor

because yeah we're going to we've done we're going to have to have to have to have to make a disclaimer

for the principle if you know if you're because the stories are very very aterrador

in this episode and this is cruenta so we're we're going to have to make that

thank you thank you you're a crack thanks of really that I'm I'm

that I'm really I'm that story of said this now she now is the ced a

pastel yeah For favor, record us your social social. Reds social. Christian Valerio Niño-al-Lus

in Facebook, Instagram like Christian down-Balerio point official and the Caldero-Loo-Lus in the channel

of YouTube. Very well. Muchismas. No, thanks to you. I'm going to make it to the people

that if you want to send them their experiences or evidences to do do you know the CorreofFeppo

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stories so very thanks for all. Yeah, now we're now so, I remember, I'm his

friend Feppo. We'll see the next week for that we'll talk about these

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