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January 23, 20250 comments♥ 0

00:00Hello, I'm Christian Valerio, theThe New to the Luce.I'm FEPO, and this is ananunce, forfavor, take muchcare of this chapteris extremely terrorificoand the ultimate

00:12story notshould be to beheard of peopleimpersonable ormenores of age.Tengal muchgood, muchthanks, and

00:20enjoy.There are storiesthat robin thealient andothers that rebatanthe suiombo.You do theWelcome to Insomnia.

00:29And in this occasion,where we're going toto narratethese incredibleand terrorificesexperiences realesof the audience,is with us

00:36with us.A great friend.A great friend.All right.All right.The number of theSuerte.It's with

00:43us.Christian Valerio,theThe New of theBlue.How are you?Content tobe with you.

00:49For many,the suorite.For me,a portal.3.33usabout theobscurity,

00:56do you?Oh,yeah,clear.Clara,zero.Wow.Well,

01:03I thinkis themomentadequate tostartto startto tellthese

01:07stories.YouI'll saysomething,and I'll paya little.I thinkthat I

01:13think Ione ofthestoriesmoreimpactantthat havegot

01:20to meandI'mthanktheseexperiences.Theseexperiences.

01:24what I'lltell you towhat I'lltell usbriefly towhat are youdo youdo you

01:31your redssocialssocialsbalearioin theFacebookInstagramlike

01:37christiandownbareriopoint officialand youtooas thecaldero

01:43of thelightI'mmediumI'mevidentand Iprofessed

01:46the religionof thepalo mayveryvery wellI'mvery well I'mvery

01:50so I'mamthe timehonestly, and Iwill be a repeat,we've got a specialthat's onlyin platforms of audio

01:59with you,and now,well,we're going tobe in all theplatforms,I'll go back.My respect,

02:05with what youdo you do,give a chapterimpressive.And,and,seeing that youhave this,

02:11this,this,this,this,what youcan you cansay torespect of

02:16those,those rituals,convenioswith otherentities thatarethrough aa time of an element of which is the

02:25hege of the stories of today.The fire.The fire is an elementthat can serve for twovertients,to open a portal,but also to clean.Acquarete that the

02:37fire is a limpeer,and what is whatwhat is when wedo weimpiaof thatmalice that wehave put inthe people, in the

02:47regions,where they want tokeep to coverwith the malicethey're preendingin the fire. For the time, it's an elementpurificator, a element thatwill be to take all that is tors.

02:57Much of people usethe fire to open that portalof obscurity.For the time, it's twovertients, all thewater, but the fire isan element that Ialways have said, that

03:09will be the, thatwill be the end theface of theearth. Because I see aworld, at the final of thetimes, a worldardiando afire,

03:20Fempo.Uff.Like theinfirnolike thesame.And theinfirno is

03:26characteristicfor thefire,for the elementof thething.So,it's like,

03:31that thefirewould befunctionedlike thisagentchaoticthat then

03:39then it'sthe orderof thepurificationbut hea senisto thepiece?

03:43And alsocan bea potentiatorofforcesoscures?Yes.because where

03:48where wherewherewherewhere'sanapparitionwe'regoing to

03:53seeballs ofthatthat'sthatthat'sthat'sthat

03:59is thatit'sthatthey'rethatthereis athat not

04:04necessarilyisof thelightbut ofthelightimagineate

04:10when thefiredoesthatthelight ofthelight

04:13thatwhenthere'swhenaccompaniedof aperson thatyou

04:19have been toperjudicate.Wow.Wow.What,wow.Beforethat we

04:26start we'rethat wethink we'rethat youcan't sayso brieflya littlesome ritual

04:33withsomething thatthe peoplecan'trepeatin thecase.Fiatty

04:37that meI'mused touse muchthefire.Thefire is

04:39an elementasyoufor mepurificatorand IsomethingI can

04:43say inina cross in themain of yourhouse with saltwe'll put a crossof salt andthat cross of salt

04:53we're going toadd to addalcohol and we'reto turn withcerrillasof madera.When thiscross is

04:59going towe'rewe're harmonizingwith thiselement ofthe element ofautomaticallythere is where

05:06we're going tocheckerif thehouse wascontaminated becausethey'reto beremolino

05:11ornot want tonotwant tonot want towant toputthis

05:14firethe elementsthat areduring theduring theduring thecourse ofthis ceremony

05:20wellfrom theorationstheyou want totheelement ofthe fire

05:25we're goingto indicatebecause it'sa chismosohow isthe vibrationof thegod

05:30okayso verysuper wellthatinterestingoh yeahtherethere's a

05:36there athere's athing thathasbeen tobecauseit'slittle, and

05:42it's incredible thatwe've donemany years,we've got tonot have aresponse tothat's,of that enigma.

05:51I know,no, I don'tknow, no,I've talkedstories of thetype, butwhen I readFuego,

05:56I said immediatelyin this,the combustionspontaneous.Have you?Has I'veheard of that?Uh-huh.

06:01Persons thatsimplysimply,they'rethey'rebecauseincendiaredfrom the

06:07into,to themajor part ofof thehuman isthe world ofthe worldand it's a

06:14big bit ofthat's atime to getto get tothe sillonwhere thepeople arecalcina

06:21and it'smade madepolvo,senisthebut notkeptto come

06:25to thearound,amanchain thetheonethere's

06:30alittlea pyrnawith asomethingthat notwasbeen a

06:35acombustionchymica, but nothere rastros of a chemico or of an agentexternal. No, you know what is,if it's a new formality, what is what occurs,is it's related to things that havewith magic, burglary,

06:49spectacular, and there's a storythat always will be amazombrate, of aman that, in two occasions,his wife, he hassaved to die in a commissionspontaneous, that simplyof a repent, be that beginsto start a fire,

07:02and a gulps, it's a psalm,and a gulps, it has a pyrna, andhas aapyrnaand aaarm

07:07and aa personand he'sto beto be acombustionspontaneous.The

07:11fireis athingspectacular.It'sspectacularbutin

07:16howeverwehaveto beorthey'retosee

07:20howishowisthat?Ifis itis a

07:23darkwhat ishappeningaroundthatthat'sreallyreally

07:28reallyreallysimplyandsimply andsimplysimply andit's

07:34to be talking if we're going towe're going tothe scienceof somekind of yousay youdo yousay a

07:40effectthis effectthis questionsupernaturalyou putsomething thatalso younaturally

07:47is beinga personimagineimagineatethe hearingthevoicethe

07:54that thispersonis seeingthat thisperson isso we'reso wethat's

07:59that'sthewithinof theof theof thebodywas

08:02beingoccasionedfor athat possiblyhe willto haveto haveso much

08:09explanations,many times.Oh,yeah,you know,it's like,if we'reperfect,

08:14I think,I think aquestion,yeah,first,you know,you're going toyou're saying?

08:20Comeensate?Commience?Comey,go,v.Fee,Fee,because this,

08:25this,history,we're going togo tothe mostto themost firt,and this

08:30is astory thatmeIlikewith thewholeI'm

08:32going tostartand itcalledtheSombraofMartiio

08:36thisstorynoshenoshewasa

08:40womansheactuallyisalittleshewas

08:45whenshehadsheshesososo

08:50wegoto themanyyearsshewasshe

08:54wasaeightyearsandinaHer prima Claudia, she in that

09:03then had 12 years.Claudia and Vanessa,were those classic primitasthat were still in the nightand playing in anabitation.And who didn't have beenbeen with our primes

09:18until in the nightin our habitationsand,partying theand the televisionor thosenights of platicssimply and simply

09:26simply.A Claudia and aVanessa, it'sit'sverytoothat'stalking,

09:33to bebeing,and tostartand tostartthat's set.that's set of the

10:00whereit couldhearto thethecarid ofanalfile

10:04asilencethatpenetravathethethethey

10:10startedtothatthatthelongpassthat

10:14wasexactlytothebutatstartto

10:19comeinthislongpassFepohehe

10:22startedaveryveryveryverystart tohear

10:27somemartyazzosbutwhenthey weretostartthe

10:38martyazzoscamefromthehousetheywereand

10:44they'reandthey'rein somemomentthatwasa

10:49onethatwaswhentheythey'retheythey're

10:54theyobservethedoors,entre-abirtas,the familywerecompletely

11:01dormied.There waswhen Claudia andVanessalet'sstart aterror,because they

11:08were allthesesound ofa martyso muchthehouse,more and

11:14morepenetrant.Whenwhenthey'reto thedoor tothe

11:22door tostill, thesomethingalas.When they'reto thekitchen,they're

11:35that thosesounds thatthose sonnionswere intherein thekitchenbecause

11:41there wasa manveryveryhighof theskinrogisa

11:47likeawith agreatmartyiomartyandthey're

11:54mucha lotinsomemomenttheyassimilarer thisthis

12:02man like thefamousHombersof the SOMBresthosemen thatmany timesin the history

12:09have beenthe famousman ofthe sombrasbutthat they hada particularthat

12:16their colorof thecolor ofredisalikea kinda colorvery

12:22rojovery penetrantbutwas veryburlescoandEvery that pegged,had a

12:30smile likevery burlesque.They beganto havemuchfear.Sinhowever,

12:38someonewho'swho'swho waswith theeyesas ifcould

12:43communicatewithoutanyanythattheprimaof Vanessa

12:49in thiscaseClaudiathatwas themostgreatand

12:53and see aVanessawiththehe had to understand thatthat'scally,that not

13:01emitaany soundand thatget alittlein thatthekitchen

13:05for thatthespiritor demonnowasthere.When

13:14youstarttocometo comeandtoget

13:19toget tothattheroomtothatthe

13:21the kitchen, Vanessa,you know,and thence,that piece,that was solid,to converticein a piece,like if

13:36were a phantan,a specearenosa,like ifthat soilwas justwere comingto get a

13:42manna.Insome moment,when thisenergy,antidad,he'dbegan with

13:49these martyazos,Vanessadidthat ineverymartyazzothethe

13:57earthis ableabriendingmore.Shestarteddesperatelyfor

14:03that'sthat'sthat'stherewere in thetime.Despertagrita

14:11andhe'dhelpandnobodyrespond.There werethe

14:17abeloswerethepapasandthey'rethepeople

14:21youcanimaginethethedesperationof these twochildren

14:28when they'redoingand how theearthand how theearth isthey're trying.In a

14:35momentClaudiashearm avalorand hallaaVanessa

14:41to awaythatthatshe'sthatshewas

14:47thatwasthatthey'reintheirandthey're

14:54thesamefearbutthecanCanceo,they're

14:57sancen,theygetdormsand automaticallythat thenoisedisappears.

15:06In themorningthe morningthenext,they'rethey'reto tell

15:10thisstory totheirfamilies.Thosefamilies,obviously,they

15:15were,they're justthey'rethey'resaying,that they'resayingthat they're

15:23saying,that they'vethat they hadheardthat they'vebeen heardthat they'rebeing

15:31they're beingtragatedfor thetheand thepisofoepowas

15:36theresawynohad martysawtherenothinghe

15:43passedthetimeandVanessacreesVanessacrees

15:48yeahthatthatthat shenota newwas aa

15:53aa senioritapassedmuchtime for that Vanessa,could eversuperar thisthis encounter

16:00that he tookwith thefamousSir Del Martillo.They'rethey'rein atime of

16:09his lifeVanessadecidedto go backto hisfamilywhat insome moment

16:16she hadpassed.He'llto tellthe sameand oneof hisbrothers,

16:23aA minor that no had beenin a newlast time in thatnight,he said toVanessathat he

16:33had beenthat he hadhad been theencounter withthe famousthemanneda man.

16:42A manthat hada mana manrojalike ifwerea man

16:49and thathad amartyioin theman.That VanessaHe provokedmuch anxias

16:56Much ofAnd thatduring theShe wasShe wasShe wasIn aoccasion

17:04She'sShe'sShe goesTo herTo get aTo getrecostedin the

17:13cameraVanessaShe saidtorememberTo eventhatThe same

17:20that'sthat hehadbeentoto forget those martyazos, FEPO, thatwere theof the Lord of the Martillo.

17:33When shecommenced to recordthis, she assusts,he gets up to hiscamera,and I'll see aa corner,and see

17:45a new accountafter a muchtime,to the sameman, butnow, inhis abitation.This man

17:57he never,he wasgoing tothepieceorby thewall.

18:03Nowhe ranand hearastranthismartyandgoing

18:07thethepieceinsignof burla.Thisthis

18:13serseheabalanceaand whenhehe

18:19heheautomaticallytogetavanna

18:24toP,Pum,disappear.Theabitationkept withan air

18:33thatcongelablethewesos.Anairthat couldbe heard

18:41but thesilencecalcinabecauseshe notcouldbe toget

18:49toaskbecause shecould beto make.after.After someminutes,

18:58she couldmove toand couldgo togo tothe doorto thehouse

19:02and startrunningto betherewherehadhadhad been

19:08thetimewith theLordof theLord ofMartinio.Until

19:13themomentshe hasnothadhadputto

19:17findsomehasdonemuchhasstudiedmuch

19:23whatWhat was what she could haveencountered in thisnight?What wasthatthat's theLord of

19:29Martillo?A energy?A demonio?Why?Why?He washad to bea much

19:39time?Acastesomeone ofthe peoplethat'swatching usandus

19:46hasencounteredwith theLord ofMartillo?ThatFuerterMo.

19:55That'sthatTerrorifico.Fuerte.What is theLord of the Martillo?Oh, but I never,never had

20:02heard of somethingnever.Never.I thinkin a demonio,butnever I'veheard about

20:12that I'vehad beenVanessalike forwhat waswhat wasgoing towhen it

20:19was toget toFeppothat thisthisor demonio,agar the martyllo andat point of

20:29to want toto give her,what wasinto her,what energyhe got,what energyhe was trying,

20:37that he was trying,that thisis,disappear.And,he neverto be to be.Of course,

20:46right,you're,what kind ofenergythat's sopower poweroscan bethat with

20:53thetheGullpes ofhismartycando youdo you

20:58do itis asomethinga lot ofsomethingto be ina persona little

21:03a littlea newand thateverygo tomakethisthis oyo

21:09noand thatthe daythe dayyou getand yousee thatnot it

21:13was thatyoudid youyouwas justis justlikea

21:16it'sjustyouget toanotherI'myoualso

21:20I'mof theof theof theherramentsthatcan bean arm

21:25I thinka martyis somethingamen'sa mann'tyou knowyou're a

21:30mannedwith theskinlike ifwas ahandand heand he

21:39myand morebeing alittleno?She alittleimagineate

21:44aone ofonetwo manchestwotwobecauseVanessa

21:50had eightherhis primatwohis primaClaudia,hadtwo.

21:54So we'retalkingof twolittle guys.Twolittlewerewith a

22:00personor anentity,or an entitythatnot,that notany,

22:07of this,and thatthis planetand thatwasmajorlywith aforce

22:14that wasthat coulddestroy.Look,ifsomeoneus put inthe

22:19comments,inserious,ifsomeonehasseen,to this entity or

22:24you know somehistory offamily,of this entityand not youknow thoseand itis a sombroso

22:30yeahyeah.It's a barbarobarbarolike amovie,wow,what,

22:36what,what,what,what,so,well,I'm going totell a

22:41story aa littlea differentthat,that,it's very interesting.Figate,this

22:50storyis theangeland the mannedourfriendFlorSulbaran.

22:57Thisthisstorycommencedin thedecadeof the90s

23:02in theyeahyoutransportsto themusicthethe

23:08time ofthetimein1993sheshewas

23:13studyingshe wasstudyingasancrossin thecross

23:18of thecityforinin thisI thinkit's inall hispan America

23:26almostalmost all theworld is thisthe crossis aworld yeahit's aworld right

23:31is veryfamouswellwellthere iswhere ourmy colleagueof

23:35the first1993I wasI'mset outJurassic Parkinthat she

23:41had 18yearssupersuperyoungandthisgroup

23:47oftheandthey werestudyingthosemandan,the

23:53Cruz Rojathosemannedwith thestationof thestation ofthe

23:57there'sthere,thecourse,the classesthat'stakingalso,

24:04that theyareto benot thebombersand thethebombers and

24:08alsotheyhadthey weretheknowof thispart

24:14of thetheShe was in thisplace when,when,they werethey're comingand they're

24:26they'reall right,and allso theyhad asubject thatwas therewas a

24:33bomber,alsovery youngand ashe camesuperbadfrom the

24:40momentin thathe wasbecausethischildwaspersistent

24:46fastidiouswith herbecausethishelikedmuchour

24:53friendand thenshe saidnoI don'tI'mI'mdoing I'm

24:59but hewas thereinsistentinsistentinsistent andat themostI know

25:06I knowthere aretwo formsin thosethat thestories oflovecome

25:10asometimesthey'rewhenonea personisa

25:21But, well, but, well,but,but,I mean,hecaught bad,I'm doing thethings,

25:28now I'mto be moreamable,I'm going totry toother form.He was,he,

25:34he,he,he,did his,his chamba,no?And,well,

25:38with thetime,he startedto getthe sympathyof the,of Flore,and

25:43they're beingbeing,I'm doinghisfriend, has abrother, abrother whois a

25:54Joseph Francisco.Jose Franciscoalsowas abomber.He hadgraduated asa farmer

26:01a few yearsbefore.It was aperson thatwas aworld ofa farmeras a

26:07formerer asand thisotherchild washisbrother,he wasstudying

26:12to bea bomber.And well,it waspassing thecourse,was passingthe

26:18time,andof that hecall ita maltothat werevery good

26:22goodfriends,to be verythey'rethere'sa lota relationshe was

26:30very contentbecauseimagineatebe apart ofyourfriendthat's

26:37hisbrotherhegot superwellhehe'she

26:42atimeaa timethatwasfourmonths

26:46forthat sheat the end up to finishto your courseand receivea lotitiaterribleresulta

26:54that aladronhe robaa automobileand obviouslywasacelerandoand cross

27:06and sohe's goingto robesand he washaving to robberan automobilehadhad been

27:11the citywas fullof charcosand thispersonthis criminalin this automobilerobbed

27:20caused aaccidentand heardthe controlandhe'sstraliaagainst

27:27a postof theboomthen thethethe waterthe postethe

27:34carcommencingtoget toget tothebombersthey're

27:40they'retherethesethesebomberswasJosephFrancisco

27:45Jose Francisco, whenhe saw that thecause wasescalating rapidlywithout the controlindependentlyof that isa or not

27:54a ladron,a criminal,well, isa man,and they'reas abombers,are going to

28:01do all thepossible forrescat to aperson.When hethat thethings weregoing to

28:06they wererapidly tosocorer tothis ladronand in theprisanot hehe,

28:15theequipmentadequate.The postof theposte ofthe endthe end

28:21he hadcaughtsomethelightlightlight.Jose

28:26Franciscohe'sone ofthe charcostothe postof theposte

28:32of lightthat wasthere wasa cableofhightensionand

28:36ofimmediatelytheelectricityhewasthething

28:42wasthatwasateraterrador because not only is thatit has impacted this energy electric,but, he maltreated his bodyto a way terrible.

28:57To start, for the force,his body was aa parson to this poste of the loose.His skin,chemada, and parted from thecabello,were adhered to metal of this poste,as a photography

29:16of parts of theof the skin and theof the cabello,the body of Jose Franciscohad the venas reventedthe body in somesome areas had stalledand having to be

29:33part of the skeleton.Well,the only that we can'tsay of this is thatof this is a lamentableis that Jose Franciscoprobablynot suffered

29:48it was aimpacttremendousand the ladronsurvivedwith justwith justsome light

30:02as longin his lifea bit ofhis honorthe generationthatthis generationof the

30:10generation of thetheand the Bomberos,it's agenerationJoseFrancisco.It's a

30:15form ofto get amemory.But hereoccuranfactthat is

30:22somethingthat issomethingthat Ithinkis averyinteresting

30:27to thephenomenaof thewhen someonesays,in mycasethere's

30:35aphantasmthefirstquestionthat onedoesto know the

30:41fact about thatis in yourhouse or inyour familyoccurreda tragedythe wordspecific is tragedy

30:51a facta truea facta lotrooan issuesomething thatmaybe may bemuch time

31:01but that themoment ofto occurrwas sothat maybethe personnever wasto have

31:07fallen to havefallenandAnd, of there parten many stories.This, we'd say,that is one of those eventsrapid,cruentos, and

31:18full of dolor.Resultathat's, that'sa, three years,she has awith thebrother of Josefrancisco,she cased,

31:30has a littledaughter,and, well,have a lifefamily,for the purpose,they're withmuch cario to

31:37Joseph Francisco.resulta that adominosheshe goesto theboarderwhere he

31:44he'shisnowhecomethey'rethey'rehe's

31:51they'rethey'rethey'rewhen hehe'she'sgoing todo that

31:56he'sin thecourtelwellto lavertheand thefood

32:02noof whattheywhenwhen hewaswhen hewas

32:05he sentiotothat someonehas beenbeen alooking thatwas akind of

32:11it was abut sheshe feltthat theresomeonetherethen sheshe'll

32:17she'llheand hein thismomentnonotrapidly

32:25hebecausesimplysimplybecausenotassumethat

32:29he willbetoseehehe'sthe firsthe

32:33when heiswhois whoClara, with the uniform ofBomberos perfect, andof a personVoltae to her.

32:45He was a few meters.Voltae?It was Joseph.Tal-qual,of the carne andthat way.Projecting sombras,making a noise,

32:58was there.And when hesaw,obviously, shewas actually shegot impacted.And JosephFrancisco,

33:06She said, and then hehe said,he had theworld,camina,and shehe's pered in thepared.

33:19She leftin the tassarin the hand,fell to thesoil,he reventedand hestarted to

33:27put upvery nervousand hehe wasto wherehe washishe said,

33:31and hesaid, thathe hadto beto seetohehe said,

33:36heHe wasHe said, not is that it was arepetition, a echo of thepast.He was there.And then,after,

33:47to smile,simply,he went toa side anda través awall.The husband,was obviously,

33:53was about hisbrother.No, it's likethat hewas like,he said,but morehe tried to

33:57to tranquilizeand hesaid,he said,probablyhe probably didn'tbecause youremember,

34:04at themore issomething thatmeansthat's aWe know. The question is that that,that from thatif, in some form,

34:13Jose Francisco would have decided thatthat was the moment,there in the station of bombers,commenced,first, with a re-goyance,because they know the story ofJoseph Francisco,but,

34:27then, just,the bomberswere, they'reJoseph Francisco.Because there weresound of votasthatthat's

34:37theescalarer,and therewas alittle,the doorthe doorand

34:42the doorand itwould bethere,can't beother things.But,but the,

34:49the,the casillerothat hadhad pertenecedto JosephFrancisco,of arepented,

34:56it wouldbe andthatafter thatsomeonewent,and hehe was,

35:02and hewas here.We'rewe'rehere.Okay.Now,Why

35:12why decidedof arepentto be apresent?Hisbrother,bombber,

35:22he startedto believein thesestories.He wasthat thoseeventspoltergays

35:29thosesonidosprobablyprobablyifwere todo youuntil

35:36that onedayhe washewenttoattenda

35:40called,ahouseverygreat,anincendiovery

35:47dangerous.Thehumo,thecoldis achaos.With

35:54thethethethetheistremendouslydangerous.

36:02Ifinsomeyouin somemoment,youdon't

36:07what isthewayis thewaythehas been a closed,the humo is

36:12too dense,or the coldsofocant,those probabilitiesare almost nulles.They'rerescating somepeople,

36:22there was athe......it was acause.Where they hadentered,there noexisted that

36:34there hadhad beenhad beenandhe got trappedbetween the confusion, the hum, thefire. In that moment,his thinking no is,

36:50I'm going to die,but as a animalasosted. You're tryingsomething. Oh,hopefully your trainingfunctioned for that you're going to bebut no idea. Or, for theleast, no, no, it was a solid.

37:07And, of a sudden,sent you a man free.Someonehehe'sa manfrieover his

37:16he nohe nohe nohehe wasthat he washe washe was

37:23and thathehe washe gavehearhehegianthe

37:32manfriethat he washe washe washe wasgot tothe

37:40there wastherewaswas to be vigilant.She'lland she's thenext.Now,

37:49everythat myhusbandis aemergency,I,reso forhis security,

37:55butalso Ialso Iknow toto himthat hehe'llthat he

38:01he's abecauseJosephFranciscono hasbeenis theprotector

38:06of thecourtel,the angelof theyams,alwaysvigilandoand

38:11alwaysvery,howit'showan energyhasstill the

38:21part ofto beto beto thedarkorso,but

38:27that tragedyfor thewhichwasto makeit'sa missionand the

38:35missionistocontinuetohelpin aplan

38:38thatthatyoucanbein whatshein

38:44an angel of the guard.In an angel of the guard of thosepeople thatand his passion,his dedication,to what he'sdedicated in this planspiritual,

38:57it's still doing nowfrom anotherthat you knowthat's great.That's interesting,no?It's very interestingand I can't

39:04that much of thepeople thatwho are doing orbeing,have storiesvery particularis like theof Jose Francisco

39:14and thatand thatthey don'tlet themin thecommentsfor insome moment

39:20to beto put themto put themto bea personthat'ssomethingthe only

39:28that youislet yourintuitionbecauseare theythey'reI don't

39:34I knownothingand youand notyou'renot todoimagine

39:39what youwhat wouldhavehadhadto this person inmiddle of thefire,

39:45yeah noI knowhad nothing,and that aser celestialor call itas youwant to

39:53be abeing aselfial,caigantin thatmoment andyou take.What important

40:00manytimes forthepeopleincredulousof thequestionparanormal

40:06whenwhen theyget inthisclass ofevidencesor ofthings

40:11thatthat you can bein thelife.Sure.And thatthey sayif there

40:15is, if there'sa lifeafter this.Yes,that'sthere's adefinitely.Wow.

40:22Uff.You know,you know,I'm talking,you know.Me,it's,we're going to,

40:27we're goingto,I'm,of a,of a,of a, alittle

40:31different andvery.And isthat Italk ofthe caseof CarlaAcosta.

40:41AndIn the case, it'stitularPossessionsDemoniacas.You can'ttell youcan't

40:51tell that it'sfor thetitle thatthey'veyears,Carlastudied atthe university

40:59and ina dayfestivyou know,you know,you know,thestudents

41:04procuringgo out,procurantto goto aandreunite. And, well, in thesame class,

41:12studied also his prima,with the which alsoalso partied,because record wethink that insome parts ofAmerica Latin, inspecial,

41:25the universities arelike interned. And,because Carla, nous to besaying,for somequestions thatmore ahead,

41:35you'll see,where waswherewhere did this.But to what wedo understandwas auniversity in

41:43particular,because wewas talkingthat wasthat wasliving inthe university.Carla

41:49waspartieda abitationwith herprima.They twowere inthe same

41:54universityand aday,becausehe hadto startthecourse

42:00school,thendecidedtothis dayfestivaltoto be

42:06tothe other people,and start to socialize.They decide tostart to a newa party that they've invited.They're going to prepareto,

42:19they're from the university,and,then,they're a placewhere was thereunion.A housewhere

42:27from,from,since theyhad,they were,they're notthey're,to the

42:34hour thatthey'retoto goandget tothehouse

42:38specificthey'reopenthedoorsand atthehour

42:42togetalongbutverydarkvery

42:48veryveryveryveryandfromtherewas

42:50aplaceasomethingthattherebutthey

42:55nottheyweretheythey'retheywhenthey

42:59theygettogettheresometheresome

43:03escaleras,they'rein thoseescalerasand therewere theotherother people.

43:09SheI'mback totheleft andsee alittlea child

43:14very indifferent of thepeople.It wasprettythat thislittleshe was

43:26not goingwasa lot ofdistantto theotherverylittle

43:32aboutduring theduring thecourseof thenightCarlais

43:38alittle ofone of thechildrenand heoffersaa

43:44coffeeacoffeealittlethissheno

43:50Ididn'tdoaftertodotheback

43:57thetimetheaftertheAll tranquil, but thelittle bit,but the little

44:04convivia,cuddied,noemitiaany commentto aof asudden

44:13and he made,and hegave asentonazzoin thesilla.Carla,very

44:22a littlestarted,andthat somethingwas goingwitha companythere.

44:28Vienenvariousthe other peopleandthey'rethey'rethey'reand they

44:35they'reto get aa littlewherewas havingthethe firstewhen

44:42they'rewhen theythey'reone ofthechicasthatwent to

44:46shewasallisoutallisall

44:52she'sallshesheisbadforso

44:56carlanotIdidn'twhatwaswhat waswas

44:59herIn that moment,I thoughtthat possiblyhad beenagogedor somethinghad

45:07had passedto thisman.But theinquietude,theuncertainty,the

45:14sensibility ofthe beingto want tosee whatis whathappened,and hegot to

45:21to observewhat waswhat waswhat wasgoing.Oh,surprise,Fepo.

45:28WhenWhen you get thatabitation,thepeople thatwassustaining tothis

45:35woman,a womanof thewomanyou can'timaginefrom themoment

45:42in themoment thatthey wereandthepeoplewith arostro

45:47machiabelthatthat wasthepersontalkingin anotherother

45:53otherotherotherretortientinthatin thatmoment, Carla

45:58saidthat whatwas goingthat was goingnot anormal.She,with much

46:05fear,he grittedto herprima thatcame here.Thatshe wantedto go to

46:11go tothere.In thatinstantalsothere'sanother of theinvite

46:16and theyaskedthatwhat wasthatwas going,to bea little

46:22she hadhad been achild,to take,it wasit wasafall of

46:29disbandandhe'sin theroom.Juntaat thethree

46:36they'retoget totheroomand attheroom

46:41thisthirdchickwhenthatpersonthatwas

46:46thefirstthatshethatshecommencingto

46:52comeandcomeandwenotwewe

46:56onlyonlyThe same way, they'rethey're taking toanother roomcontinual,and they'realso more

47:07elements tostart tostart tomake itto make it.The thingswere turningmore and more

47:17difficult.Gullpes,insults,languages,the onesthe kids,not knew.the

47:28Entrnoisto putto makemoremoretechnicalin

47:33somepartof thenightCarlacomesand whencomes

47:40thepatioistherethereisthathave

47:45beenout ofsomepartor thatsomeonetheyhad

47:49calledtheytheytheygotwiththefear

47:52toaparroquiaveryveryThey're very nearer to the place andcommenced to talk tothe door to the

47:58sacerdote of thatthe othera lot of thesacerdoteis going,they explainthe questions thatwere going

48:06and thesacerdoteand theysay thatnot forthem.Because,because

48:14it's aneed toget toa,a,athat hecould do

48:19do younot.Desgraciouslytheyarebut very desperated,because they weregoing to be in the

48:30car, they were going toa carmionette in acarriages, a veryhigh velocity,she staccion a mal,he's out of thecarmionetta,a woman,

48:42grittando verydesperated,where is myher mother?Whenshe enter,he saysto one of the

48:52chicas,you knowmywoman,whereis mywoman,and they

48:57are theand they'rethewomanof one ofthe twotwochicas that

49:02wasapersonthatthismomentnothe was

49:07notwasbecauseI'mtrying tofindtoand

49:12buttheasombrthehourtogetto

49:16thewomanofone ofone ofthetwotwo

49:18chikposionatedtheCarcombeo theAlma.Whenhe says toCarla,

49:26anotheragainmore,yeah nocan beanotheragain.What which

49:34Carlawasattonitaand notwhat waswhat wassayingthat

49:39that wassayingoneonceconformwasgoing tothe

49:46situationnotchangedtothewomanandhe said

49:52thatbecausewassayingmore than than onemore,to what thewoman of this

49:59chickhe sayswhat happensthat mywomanhad beena position.One of

50:10we've gotto aaretirespiritualand standinginto afogata

50:16anddoingorationmymyher mancamein

50:20astateofpossessiontoto what thepastorshe

50:27startedto doa ritualof exorcismwhatduringmonthsof

50:33treatmentandlookandwe'reagainwe'reone

50:38shesheshesheshesheshecould

50:43beshesheshesheshesheshe

50:55disconsoled,no,they were whatwas whatwas going,and they decidedto get itwith some

51:03pastors.The pastors,well,they didn'tknow,not how,nor when,nor

51:09what waswhat wasgoing,they decidedto go tothe university,and inthat Fepo,

51:18fiat,that was,he was,was amasterof thatthe university,But,

51:23I'min theinviteof thefestivalwas oneof themasters.

51:28Junothey'reat theuniversity,they'reall inalla

51:33quarterand withmuchafearnobodytonot

51:38anynotandsaidsimplyandsimplywas

51:43tobetoseeandandtoknow

51:47inthehead, what was what hadpassed? Amaneceand one of thechicks, thefirst thatwas convulsionated,

51:59regress.And, de newa count, theher mannashe had beenposseunated,that she hadbeen in a

52:08return, butthat in thatmoment,yeah whathad beenin thiswoman,had been

52:14been expulsed.The situationwould bethat hadbeen,well,tranquil until thatthat's the moment.

52:22It wouldbeit would bea lot ofa lot ofmoremore thanno had

52:29passednothing.But inthesituationswell,nonot

52:34notpasseddesercivivesbecausethetheenvironmentwas

52:40stillsomethingsomethingwe'renotwe'rea morebut the

52:46environmentwassomethingwasaquadrava.Something'shad

52:51keptintoand it.And isthat Carlasaidthat oneonce

52:56he getsto visitto thehouseof hermom,becausehe's

53:06to getto thevisitto,nowso,offamily

53:12and,regresstohisand thatthesentimentof

53:17that II was not having a possession, butsomething was not being,as a mom,the mom of Carla,he got to get it.When I opened thedoor, the mom of Carla,

53:32and I was to look at theeyes,he said what Carlawas feeling.Carla, you notare you not.What you pass?What do you?

53:47You don't,well,iswell,Iknowa lotCarl,

53:51I don'tunderstand,youhave asemblanterarro,somethingis a

53:57littletoyou.Carlahestartedtotalk

54:02what sheandher andhishad beentothemother

54:08todotocleanwithwithwiththe

54:13mothertomakehisoration, butdecided to doa ritual specificto try to

54:22to deliver tosomething thathe had Carlaon the same.And hesaid,"'Cere youreyes, recuest at

54:30"'so over the"'cama and"'to you"'to call"'three to"'because?"'Because many"'says the

54:39"'almalles"'the world"'and we're"'to try"'to regressart.Carla,she'sin a

54:47camera,hermomheputaaa

54:50littleandheand heandheto doa

54:58and he'sandeverythathehadthehe

55:02calledCarlaforhisnamecompleteandand

55:06backthehishishehediddo

55:10theAnd he was the otherandhe went tothecobijasaysCarla

55:15that in thesecondthathis momhehehehe

55:21heheputin hisfaceshehesomeone

55:26wasthatwasthatthatthatthatthat

55:31hadathatwasaandwaslike,

55:36like ifsomeonewas onshe's,in thatmoment,he'sto see

55:42Karlaadesperation.Hismomwill betocall

55:47fora thirdtimetohernamecompleteand

55:53heandheandhismotherandhis

55:58mom'sspantbecausewhatwasbeinginthe

56:03rostofKarlawasaroste demoniac. It was therostro of somethingthat not was Carla.

56:15Wulve to call her namecomplete and with authority tothat carlato thatthe world.The while washis.He was to

56:26tap andfor fourth occasiondesapa.In that momentCarlashe'sShe's liberated,she's different,

56:39she feels likesomethingthat'sout of her.The momno,the momdurer on

56:49a mom,a lotto be ableto beto bea communication.Untilthat a

56:58day,to go tothe time,Carl,with herher momand hesays,

57:04what was,becauseyou spantastic?Why, when when youabout lastfor the thirdwith myname complete and

57:14me quit asthe sabanaof myface,your carwas of horror.Sumargehe said,

57:23because itwas yourrosto,because it wasthe rostroof what youhad beenin the

57:30that youthat nightyouyou recogistof thosewomen.Inthat moment

57:38CarlawithmuchMewhehe saidto hismarge

57:45buthe saidhe saidhe saidhowtimesFepono

57:55we'veseenstories liketheof carlahowtimeswe've

58:01beenwe'vebeenandtheremanytimeswe're

58:05towe'retowe'rethesecanturnsomething

58:09somethingsomethingsomethingsomethingparanormal.Wow.That'svery

58:15no.Wow.I'mreallythesestories.I neverhad

58:20heard thisof thecobijabro.No,butyou knowwhat?

58:27If yousound ararromeit'sit'smuchsense.

58:30Sure.It hasmuchsense.Oh,andthat'smaridad.

58:40Imaginewhat'swhatis whatthey'redoingthey'redoing

58:45But at the same time, they're likeenganying to that demon.That's a bro.For what?For that I tap.And as I'm just taping.You're just like, like,like,

58:57but at the hour of that I'm saying,the number complete,I'm doing a warbetween two energiesthat's beingthat's playing for aperson.So, then,

59:08me musts therealer rostro,me must theperson of someonethat's playingfor the body,for possessionarse,the body of

59:15someone thatis.And thatthirdoccasion,well,remember thenumber

59:22three.The numberthree isverysignificantfor thatthreeand three

59:27isthe hourzero.And thethirdtimethat themother

59:35thatshe'sthat'swe'redoingthat we'rethatin that

59:40shewas doingalittleahowhowwow

59:47nonononobut wowit'sthatbarbarro

59:53and thereyouknowthat manymanypeoplemanypeople

59:57manynottheytheytheytheywerein

01:00:02theand theytheythey'retheysothatinteresting

01:00:08wowwellwellyouItotella

01:00:13storyThis historyis aterror in theavion presidentialand it'sanonimowho is anonimo

01:00:24whowho's made thisstoryI don't knowI hopethat if youhave changedthe name

01:00:32to the otherpeoplebutwellobviouslyit's withwith all therespect

01:00:39of theworld andthe institutionsgovernmentetcSo, if they say these thingsare not real, thennot they're taking in serious.

01:00:49Also, if there arethings paranormalthere, in theworld governmental,the real thing thatto nobody will importas in a manner negative,to us will be

01:01:05in a manner positive.We'll cause interest.So I'll tell the storyand I think that's anonym.Terror in the avion presidential.This person that, that'sthat's story, anonym,us says that he

01:01:20he's a lot of the Army.A lot of all the people of Colombia.And that in a moment,there in the battalion,where they're in the Army,the Airsied,the Air Force,so,

01:01:36he got the President,and he went to theTheThe air presidential, they're there, uh, uh, uh, uh, uh, uh, the, uh, uh, the, uh, the,uh, uh, uh, uh, uh, uh, uh, was a, uh, uh, the car car car. The car is the car car. The car car.And the end of the car. Uh, he was made sure they were the first guardia nocturn.we're going to start four nights of guardia nocturned.Every night was and it's a matter peculiar.

01:02:18Obviously, they're as part of the army,they're in much of the case of the things that are going to do,and also that they're going to do the guard of the airof the presidential,is something, well, very important and of an alto honor.Well, the first night in the first guard,Blanco, her companion and he,they were vigilando,

01:02:42there, the, this, the,the avion, when,when, of a repent,well, there's something thatthat's really a lot ofbecause they're doneof the carpential,someone,

01:02:56he has been to bethe lights.So,they're saying thatat thebeginning,like no,like,

01:03:05like,they're reallythey're inpreaded to thebecause ifsomething willhave to besecurity,

01:03:12is thecarovene.So,what theydid you knowthat they werein effectwere in

01:03:20effect they'reon perendidas,subithey'reand,and,and,imagineate this,

01:03:27it's sorare,because if theywere inthe sunof thelights,that

01:03:31obviouslybecause they as soldiers,as part of thearmy,not is likeyou know,ah,here's the

01:03:37appagate theand you'rethe lightto be thecar you're in thecar you,where you'reso they're

01:03:45like they'reand they'regetting to knowthat okayis this switchno you'renot you're goingto move to

01:03:50but this isthethat is thelight,no,and soI don'tsay the

01:03:55light butso,clickand you'rethe lightand apackthe lusus.Another

01:04:00thing torecord.No arelikethe lightthat canbe ableto form

01:04:05digital.So,literal,is ananalog.There's aswitch thatyou have to

01:04:10take withthe toes andmake theclick anddo it.So they'reclick andthey're just

01:04:18they're justthey're notlike,oh,and what'sthat'slike,simply

01:04:23just likelike,like,so theycame,they're,they'regoing to

01:04:27get tothecar,and atThe rato, so, so,the, company, isa othertime, is

01:04:36possible.They've gotto go.They wereto be thatthree timesthat night.That was the

01:04:44first guardnocturn.Also,that is somethingthat issomethingwhen thisoccurred and

01:04:51they'dto theavion,obviously notonly onlythey'dthelight,

01:04:56but,making guardto theentry toone,recorriedthethe

01:05:00of theveryit'sthat theis thatthere wasthere'sthere's

01:05:05there'son thecarrieingin theair, therebut theythey werelike if

01:05:12if theresomeonethat theywould bethatthatfirstthat first

01:05:18nightnoumumwelllikethey'relike they

01:05:25didn'tsay tothepersonsimplyAnditgets the

01:05:33nextnightthey'reagainthe guardetcand theand the

01:05:38and they'rethey'renot going tosend thelightnoit can'tbe we

01:05:45have toreport ithas beento haveafailureit'sobvious

01:05:48nosothey'retoupthelightthey're

01:05:52thisrecorthisandthey'recount ofsomethingthere's a

01:05:59lotaskerosfetidin theand obviouslythis ispreoccupiedbecause the

01:06:07thethetheis askeerosaskerosit saysthat youimagine

01:06:14that inthisairyouhadyouhaveyou

01:06:18havethethethepersontheperros.It was horrible.

01:06:26I mean,no,I don't know,that you'reaccustomed toand horrible,so it wasit was not

01:06:32only onlyonly was thatnot onlywas it,and they wereto find outwhat was going toget to

01:06:38what was going,they'regoing togo back,no,no,there.And when

01:06:44they'reto theidea ofthe idea oftheidea of,we've gotthe

01:06:49whenwere inthis moment,they're,they'dthelightin

01:06:54thisprecisemomentarisaandnota

01:06:58risathatwasarisaburlonaandnot

01:07:03Ihadaloin thecaronto

01:07:07themasif theywerecarcageasifwas

01:07:12aaproblemtotoobviouslyobviouslynot

01:07:16itnotnotnotthatactlike togo

01:07:23to starttoget ridding orthingsso justsimplythey'renot

01:07:27they'renotthey'renot they'resosoldiersare obviouslydoing

01:07:34obviouslydoingthey'renottoget tothoseand

01:07:37simplythey'rethey'rethey'rethey'redoingwhat'sthen

01:07:42they'rethey'rethey'rethey'rethey'reallallall

01:07:49theLuce, et cetera.If youdo theydo wedon't, wedon't?Okay,

01:07:56better, no?They'resaying,we're notwe're going todo, we're going todo, youget to there.

01:08:03At thedaynext, afterthat inthis secondnight,other peoplethat were

01:08:07Jimenez andMarqueztook on theturn,then,then,and theysay,

01:08:14what happened,all,all,all,all,No, they'revalids.What happened?

01:08:24They said,well,circaof the 3 of themorningwe gotthat thelights of the

01:08:32lights wereincendidated.So,we werewhat wasthere was whatwas anodor askeros.

01:08:41We thoughtthat amore you'retrying tohave done tohave done.Revisedthe place.

01:08:47No, there was nobody, nothere was a fount of thisthat apestable. Decid weto get us to be there, butbefore to get a rizzamacabre and horrible,resoned the other than we'reand they're not obviously

01:09:03like that we don'tinvestigate us, we'll make ourour work and, point.Well, it was veryvery particular this description, buthe'll get to the third night.And, well, obviously, in thatThe third night, he

01:09:19will come toto this personand a,and a,and a,and totalk.So,

01:09:25they'rejust thatthey were,they were,they wereto beto sender thelight,

01:09:31and it wasto be alittle bit,and theysaid, andsaid,you know,you know,

01:09:38a realthat,well,I'm,I'm,it's,to metoo,

01:09:43then.So,what do youIt's what I'm like if we sayJimenez and Marquezthat's going tothis, and a littlewe can't do

01:09:53do not, but we'renot quite, no?So, yeah no,yeah no, it'sso they saidto Jimenez and a Marquez.O'clock, you know,what, you know,

01:10:02that's going tohappen what we're going tosend a light,how you see, ifthey're going tous a rattle andwhen it occurs,we're, we're,

01:10:11very well.And more thanother thing,they're observingthe avion,waitingthat'sthe light

01:10:17and at thetwo 30of themorningboom,it'sthe lightno

01:10:23it'snot besothey'reand inthe momentin thewhen they

01:10:28enterto thecarthey'reanasounda

01:10:33metalthecaritosthesearetotallyofmetal

01:10:38wheretheygettothethingtothey

01:10:41weremovinginthethe plane.Solos.They'rethey're in

01:10:47thisandobviouslynoit'sand itand also theodor

01:10:54fetidbut horribleit's likeyeahthe deathwas athedeath

01:11:00whewsthisobviouslynownownowyouare

01:11:04beingthiseffectpoltergasethesoundthearoma

01:11:10thelightthat'sit'swasitIt's apag forsys

01:11:14and inthat momentthey'rethey'regoing todiscover whatis whatis what

01:11:21is going.Whenthey'redoing they'redoing thatthethethe

01:11:26thelittlea newthat'sform.That obviouslythisis allert

01:11:33even morelikeif itwaslikeit'sstilland

01:11:37thisneblinaitistoheartothis

01:11:41risa macabra andbetween the neblinait seems likethat somethingthat'swhat youmove herethey'd

01:11:51they're likeit's likea sombrabut nowas adarkit waslike a

01:12:00aa chamalike aamaradalike aa sombraof ahumanoid

01:12:07like abeing athat was in thewater,and obviouslyit was,it was,it was a

01:12:19bidimensional,not tridimensional.It was likeif, of amoment,it was in thethewhen you,

01:12:26you'dyou'dyou'd,the as-de-l-lust,he wouldand wouldand would beand it was

01:12:32rying andwas theneblin and theolor fetidand,and theonly thatthey could

01:12:39do they wereto putto putto thebut alsoit gave themfear tocome to

01:12:43more,more tothis,and they'reon theplane,back to thecar's of the

01:12:49car,and whenthey werefour,who were thestory,was who went toback,

01:12:56put us,come us,let us,and when they'regoing to,he'slike someonehe's

01:13:02he's amuch,and in thenuccahe doesso,he,uh,

01:13:11he putthethe pieceof thegallina, andbeforetoget the

01:13:14risamacabar.He's thequarter.And theysaid,betweenthem,

01:13:23I'm notgoing togo tosee.If itcomes thelight,I'm

01:13:28to make todo aguardia,hereout ofheredown,I'm

01:13:32going togo tonobody.Nobodysaid,said,said,and I

01:13:36said,and Idid you,we'retwo 30 ofthemorning,it's

01:13:42thelight ofthecar,we'rewe'rewe'reIt's apag.

01:13:47And at the 3.30 of the morningthey're,they're in a momenta figurecoming down by thepista.A personcoming down

01:13:59for the pista.What which,I don't have tosignal to,that if in anairportthis issomething

01:14:07basicallyimpossible,in theairportof ana detentmentmilitary,where

01:14:16is theaironpresidential,and thepresident isstill moreimpossible.Well,

01:14:22obviously,they're ina person,a figure thatis comingon thepista,like, and

01:14:30the firstwhat isthis soldier?No,it's aperson, there'sa soldier, andthey're coming down.

01:14:38And they'revery much.Corriero,they'reto wherewas thefigure,but

01:14:43immediatelythey're just the people who's detainment because it'sthat it's a bit of rareand that notwas talking the piecewas floatingto some of thefeet of the piece

01:14:55this figure was there movingto a way super-strainedthen so they'rethey're getting,they're and theythey're sayingAlto thesanto!

01:15:07That for thosethat not knowin Colombiain this partsay,the lexicomilitary,alto

01:15:18to santois likeapersonwhat youwhat you aremilitary,civil

01:15:27man,woman,man,alt tostopand they'regrittantAlto

01:15:32thesantoand thefigureand thefiguretothen then

01:15:39heir tothemand thepatriaistheThat is a clave thatuses the military.

01:15:49But thatnot was thekey of thatday.Then Jimenez,that was there,with a voicetemblorosa,

01:15:59responded,detentase orwe're,the figurethe figurewas goingso in fronta momentit

01:16:08and afterhiseyes,disappeared.They obviouslyThey'reIn a momentAtonitous

01:16:18But somethingThe nyeblaThat had beenseen in theAvionSo it wasTo formerFeren't

01:16:27AyesThey wereThey'reThey'reIn question ofsecondsWhen someoneWhen someone

01:16:34He'sSusurra in theO'IdoHereis aSoldadoCaididin Battalion

01:16:40For JuggerCartasObviously,it'sareallyaphrase

01:16:52that'sthatthat'snothe'shewill beto

01:16:58thinkwhocan'ttosaythatnothere

01:17:01noonlyamacabrain theairandnow

01:17:06sonowthenthentheytheysaidthey're

01:17:13theythey'rethatthey'retheythey'reThey were going toThey still

01:17:17They'reThey'reEvenerLike theECHOOf thatRISBurlona

01:17:21AndthisphraseHere'sreport asoldierCaididin

01:17:29battlefortoplaycardsTodaynext

01:17:34thatwasthat wasthatwasthatthepresident

01:17:39andevidentthepresidentandtheywerethey

01:17:42weretotallyThey were just really takenof on theWhat hadpassed?And theysaw a

01:17:49captainthe captainMejiawellthey'reand they'reandthey're

01:17:56to talk toexplain tohim toexplain tothat in thosefour nightshad beenbeen going

01:18:02thingsrarasandabout aphrasethat'sthat'she's

01:18:09that'swhenhe saidtothe captainmejiathatus are

01:18:14listeningatentantlyin themoment inthe timeis that this entity, it'sthis oldhe's reported a soldier who's

01:18:51Just want to bejust lookingcompanyThe question isthisThis soldierOsorioThey say

01:19:09that'sthat'sa mannermacabraantethe soldiersthatdo guard

01:19:16nocturnof theavionpresidentialof Colombiathatnot arethe

01:19:21onlywho havebeenanexperiencesimilarthatthat has

01:19:27passedto beaa phantasm,a communitythatwell,he's

01:19:38what macabro.Hedoesn'tmakea lot ofand haslearned todo you

01:19:46go andyou're gettingthat heseemsthat'sittoerto

01:19:53hiscompanionssoldierssoldiersmoreand parentsthat'sthat's

01:20:01that'sbecause,because,I know I wasthat theEuropeanpresidentialof Colombia

01:20:05had astory ofbeing inbrugated,you know,and,and, well,there'sbut I

01:20:12think,it's veryinteresting.Fientethat theenergiesfrom themoment in

01:20:19that'sthe time,well,so,obviously,they'rewith acar

01:20:24vibrationalnegative,enojated,so,So, for me,more thanbeing,like,

01:20:34that jubeteoof bromas,for menot arenot really,for me,they're,they're

01:20:42they'reto beto thewhat theycan'twhat hewas inlife.

01:20:48It'slike tostart thoseputtingin analbertenciaifwith a

01:20:52piece ofabut alsoa doublelife at thehourthatis an

01:21:02an avionpresidentialis agoing toget aguardwho'swho are going

01:21:08whothat'sthat'sthatthat'sthatthatthat

01:21:12thatthatfor thatformepossiblywhatis

01:21:16what isdoingwhat isnotistogetto

01:21:20doandtocometogettoyou

01:21:23tocometoremonttotothepossibly

01:21:27the samecompanionsthe samehe said to him. I mean, it's not. You know what? He did a reason. And, and a little more, they'll want to be, the captains, etc., like, oh, is that it's been a bromist. No, man. He'd be taken the life when he was... It was a...the olores fetid,this species ofneblinawe're talking

01:22:02of abasque astral,of a vibrationnegative.But thepointspecific isbecause in

01:22:08an avionpresidential,because inthat campmilitary,who'swhat Iwould be

01:22:15that Iwould bethat Iknow,to know,we're going togo togo to

01:22:21be amatter,I'm going tohave beenanyexperienceof thetype with the

01:22:28AmericanWowHere we've gotour ownour ownour ownpresidentialof terror

01:22:36but foranother pointI got thisthe phraseand it wasanother pointwe alsowe took our

01:22:42presidentialof terrorwellthisalso can'triffarif youwant to

01:22:47have usa vehicleembruchedenbruchedohhalland weget uswe can't

01:22:51wewe're inpodcastwhatwhatthat isthathow many

01:22:57how many storiesmacabellicalcan havebeen having beenhaving acabicitaa littlein a

01:23:07a littlepresidentialin the worldin the palacesof governmenthere we havehere we haveour seat

01:23:15presidentialthat'sthat's brogadathatthat'sthat they'regoing tosend to

01:23:20maybesomeone ofthosewho areone of thosethatthat story, because

01:23:27here we'reour seatenbrued,the sill presidential.Well, you know,the chairof themonarchy

01:23:36English, thathas an objectalienigeny,literal,that not isthis planet.There's asuper interesting.

01:23:47Amigo,you talk.Pepo,I'm going totell astory thatwe'll bea manned

01:23:52Selene-Rogas.And theThe title The Brueha of Mesquite.And is that Selene,actually live in a communityin a communityin Dolores I'dalgo.In that

01:24:06then, Selenehad a lessage, actuallyhas 14 years,but Selenefrom a littlehas livedthings paranormal

01:24:16of a waythat can'tcarry in thefiction,but that,but that,But,but the people that live,

01:24:26the things thathave lived Selene,they can understand.And is that shehas that she'sto have the contactwith the famousbrujas.

01:24:39And is thatSelene hada womanthan herthan she,the mostgreat,in that

01:24:47then hermother's alittle,and Selene's sixyears.and both,was,intented

01:24:55alwaysalwaysbe inin auntoniain allall theand they were

01:25:02in thesameroomand they'realways,and oneof thethings

01:25:10that ina situationget topassinaroundespeciallyto Mexico

01:25:16is thattheparentsare toworktoandthey're

01:25:20They're they're in the children,to the dispensas of theobscurity,because it seemsthat are in dorms and we're going toto work.In some of the situationsof these nights,

01:25:34Selene,with her mother,minor of four years,she's kept totallyin soledadat,and in thetranscurs of the night,they're listening

01:25:46Rewooders.They'remuchhungryand contentbecausethey'rethe noise

01:25:55in thekitchen.Contentof thatthey'vegottentheirwere

01:26:01euphoricas,they'reto thekitchenand hereherethere'ssomething

01:26:07something.TalVipoforsomepeoplecouldbe

01:26:13somethingof theimaginationofsomeof thethe children of four and six years.Between four or six years,

01:26:22a lot of the mind of a man of aman can conspire,imagine, ordo something that,that maybe your imaginationis a reality.But,but, in fact,

01:26:36the persons that weneed to dothe paranormal,we know thatthe comportmentof certain animalscan have aexcuse or a reason.

01:26:46And is that whatEncontroSelenein thatin thatin thatand thatshe thought

01:26:56with herand herand hernot weretheirnot theirnotthe

01:27:02to hearto raskersomethingto movetrastsandopen therefrigerator

01:27:06andthey'reand whenthey'reto thiskitchenthey'rethey're

01:27:14they'rethey'rethey'rethey'retheydon'ttheir parents.but

01:27:18a cata catacat thecat whoheand withone of

01:27:24hispatty'salittlea signto callto callthis

01:27:32momentwe cansaywhatimaginationbuthowmany

01:27:36manynothave beentothehistoryofthe

01:27:40thebehaviorininanimalsin animalswhatwhat

01:27:45wasthatshe waspetrifiedforsee thatthekind of

01:27:51that'safterthey'reand theygetcallcalliatedelated

01:27:56thethe catseparatetwopatasandheand he

01:28:03disponetogetto thekitchennomanchesuntil

01:28:08thismomentthelittlenottheydidn'twhat

01:28:12wasbutaa littlea littlefearthey'regoing to

01:28:18theirhousethey'reand they'redonedormidaswiththe

01:28:24cansancioand theambrthey'regoing tothethings andthe days

01:28:30passed andnotthey'renot theydidn'tthinknobodylet's

01:28:36seethatoneaoneafterthatall

01:28:41thisstartedtostart totakeaAnd Selene, in one of the nights that was alone,he started to hear noises above of his camera.

01:28:58Some of the ruses, some ruses,like if someone was just going to above of his camera.In some moment, Selene thought that was her mother-menor,the her mother of four years.To which Selene, well, Selene,then,then,then,

01:29:13thenheandopenthecamera,putthe

01:29:19headtodispontobetoknowthat

01:29:24nothereagain.Iagaintoincorporateto

01:29:29hiscameraandandhearthenoises,some

01:29:33ruses,somethoserumorsthatrasgthecar

01:29:38seleneandhestartsato hear someRises.And there is

01:29:46wherehe'swhere youknow thatpossiblyis hermother.Some

01:29:52Risesmacadas.Some Risesthatmaybeyou couldimaginethat something

01:30:01notwas notthere,but thatwas amacabro,somethingthat was

01:30:07somethingthat nothermother.Andsomethingthatnot

01:30:10herbecausein thatmomenttopasstothe

01:30:14Rises, we pass to avoice feminine.A voice femininethat wasfrom thecamera and thathe gritaSelene,

01:30:28The Bruchascomechildren.No manches,Brum.And whensays thatvoice,

01:30:36feminine andthewoman,she'ssheenbrinked andand hestarts

01:30:41to cry.TheBruchascomechildrenThoseThoseThese words

01:30:48SeleneuntilthismomentHe haszumbedin hishead

01:30:53TheBruchasCometNienThoseThoseThose areInid

01:30:59ThoseThoseSoThe momentHePerjudicThetime

01:31:05TheEnderthattheBruchasComeenInoThey

01:31:11TheyTheyTheyTheyTheyTheyinnocents.She, in

01:31:16somemoment,thenshe'sto trembleand heplatticato her

01:31:22and herand herand sheand theyhave alittleof aminute,

01:31:30andthey canbecausethey cansay tosay apapa andthem

01:31:36because theyaretolookas.Sixyearsafterwas

01:31:40anotherofthehermases of Selene.And, asas well,we've beentalked to

01:31:46thefirst,the papashad tohave towork,they werevery

01:31:50humildes,and theyhad toleave alittlebutthere wasa

01:31:54thirdnew-nac--nac--nac-then-then-had someoneto

01:31:59have gotand theyhad totry toone ofhisprims oftheir

01:32:06family totake tothisrecentlynacenaceed.Fiattythat in

01:32:11one ofthesituationsof thenightthereis thatthere's

01:32:17andis thatthey'rethatthey'retheyknowthe voice

01:32:25that apatme!Thelittlethethreearethey're

01:32:35they'rethey'rethey'rethattheone ofthreehad

01:32:40saidthis,they'retothelittle toseeand they're

01:32:48andthey'redoing.Theis thatwhowhowho

01:32:55saidpat mepat methethethelittlethe

01:33:00shethey'rethey'rethey'redispercivedthatmomentit

01:33:06They were just likesomethingto thelocura.But,inthewhile

01:33:13that wasgoingin thehouse,theparents,the parentswere

01:33:21weregetting,the parents ofwere beingassaulted.In thatthis energy,the

01:33:32entity orwhatwas there,was goingwas atpat me,Padme, thelittle,

01:33:41in that momentthe papal ofSelene,were out oftheirhouse,were beingassaulted.

01:33:48Thanks toGod,no,there'snot thatthe assaultno,they were

01:33:54not theydidier,no, they'rethey'rewhat they'regoing towhat wasgoing to

01:34:02the end.In theyear2021,Seleneis acommunitycalled

01:34:11Yerbasthe firstthe firstdays werequiteinquietantesbecausealways

01:34:18mudarsuswe causeas afearsometimestoget a

01:34:24fearwe knowweknowwhat iswhat iswhat iswhat is

01:34:29a specifichewastogettoseeto

01:34:33Seleneandwastoof thatthat'sthatwas going

01:34:39constantlyand it'sthat onenightcame tototallytotallythe new

01:34:47the posturaof Seleneand isthat sherecostatedin herroom inher

01:34:54roomwaswasprobablythe timedoingsomesomething

01:35:01ofthenightandandand thenof arepent

01:35:07bein acornerof thetheroomaa

01:35:13rostrocalaveraa rostrototallydistinctof awoman

01:35:21awomanthat wasandandandandand

01:35:28moreto thecameraofselenetothegraded to

01:35:34kind ofwithoutbeingsoneverneverto benot a

01:35:39minutewhenwhentheminutethisenergywas

01:35:46onSeleneandSelenecanseehisman

01:35:52grisososaswhesudasescheleticbutof atonogrisazzoas

01:36:01asoasoasas aThis womanAbre theBoca of Seleneand he

01:36:09He introducesOne of hisDeadosWhat horrorSeleneAt thisThese denesInchus

01:36:16InchonableAscoSin-in-embargoNocould benothingAt thisSelene

01:36:28Perde theNocionHe'ddesmaya. Noknows what is whatis whatwhenSelene

01:36:37is inseesomethinghadpassed ontheroom andshe

01:36:43she hadbeen adreambutwhenwhenwhenshe

01:36:49thegargantaofSelenewaslastsheno man

01:36:54theretheretherewastherewasthat waswhat was

01:36:58aaa dream. It was a reality.So,the hours, the days,and a night,whilewas Selene in his

01:37:13abitation,a mesquitein the part of the, the patio,it was like very,very, verycotidianothat all the

01:37:24populationhad a muskitein his patio.And themesquite of thathouse hadsomething particular.And is that

01:37:36all thepeople saidthat in thatmesquitesomethingsomething,in someCelen

01:37:44is asomafor awindow andseethat therethere isan image

01:37:52thatis amediasof thatmesquiteand itisform

01:37:58as ifwas a woman.Thishe causedmuchaselenegrita

01:38:06and hegoes tothecourt ofhismotherhehe comes

01:38:11totalkwhat shehadseenin thatin thatme

01:38:16in thathismomenthershehehecomes

01:38:22togiveaneedandheheconfi

01:38:24athathechangedtheAnd it's that the mom of Selenehe confiesathat when she was embarrassed

01:38:33of Selene,she alsosaw a womanin that mesquite.And thatin hershe's got tomove Selene.

01:38:45Posterior to this,came thelastimient of Seleneandthey'll beto this energybut not in themesquite,

01:38:57but at theWhat is whatis what theis thewhat is themostin theranches or

01:39:05in somepopulationsof Mexicothey'rethey'reto cleanwith alittle

01:39:12limpiathe momof selenerecesand whenshe disponetoto clean

01:39:20toto quberingtothis webitowiththewhich hadhad

01:39:23beenthattheis completelyblack.Revientthisegg,

01:39:32andit'snot thatthat weknow,but thatthearoma

01:39:40fetid,somethingthat hadgot toselene.Themom'sa

01:39:47so I'mandsays whatyou'reyouareseeingyou're

01:39:52fromyou'vebeenthey'reoptar forto get aaa

01:39:59a sacerdotetothat'swhen hegets asacerdotehe disponeto do

01:40:06a ritualcommiencetomake awaterandand itand the

01:40:13thingsareto turndistinctthethingsaregoing

01:40:18thethethethethethepeoplestart

01:40:21theyareinthethe sotene, the crystalsstartto plotard.The sacerdote

01:40:29with a postureimponentstillexpulsingthe name ofGodwhat therewas.

01:40:39In amoment,the situationthat wasturningmore difficultbegan tostart.

01:40:48Whatwas ofthe ruesoutentro,you'regoing toand thenof a repent

01:40:55it'slike somethingthat somethingwas going toin the soteain thatthey werethat what

01:41:06they werethat wasthat wasthethe sacerdoteis thereis going toterminate

01:41:14andafter thishe doesgiveindicationsto thefamily ofthe Sennene

01:41:19ofwhat werewhat they weretocontinuetotheir visit.Certains

01:41:25certainsalmos,certain thingsthat theyhad tosee.Thefamily

01:41:34of Selenetoa sacerdoteandsayingthank youthank youthank you

01:41:39thank youwhen thesacerdoteandhe'sa cara catit's

01:41:47and hehe'sa waybrutalwhenSeleneseethis

01:41:55isthe samethat the samegatothat'sthe samethat shehad seen

01:42:04in othercityand whenwas morethethe sacerdotewas veryerred

01:42:11ato thethat themanchesthethesacerdotesays

01:42:18thatthat allthat hadbeenin thehouseof Selenehad

01:42:23had beenbeenliberatedbutthatthereThere's there,my people

01:42:28day andnightand waitingto someonehe opensthe doorsto goto go back.

01:42:38Wow!That'showthat's.Wow,what stories!That'swhat you're

01:42:46theBruch of theMesquite.I'm aquestionthat issomething thatis something

01:42:52that'smuch timethere's apersonthat whenwhen youabruce,

01:42:59literallythey'rein thisimage ofthethesombrero.Yes.

01:43:04That'srob athe infantes,ninias,children,little,little,that they

01:43:10they'redoing,they dothings withthem,I don'twant tothem,

01:43:17they can'tthelife andwith thebodyand theymakeand things

01:43:20andso,no.Andobviously,onethat'sone that

01:43:24thisknows thatthebrou, the brouca,well,is forthat's notthat's

01:43:30people,if they'renot,that's ofthat's ofevery one,but abrother, for

01:43:36example,aboutspecifically,the wordterminated aa,a,a,

01:43:39but not isthe malvadaof thequestion,no,it's beennot,for nothing.

01:43:45So,people whoknow,of herbolaria,that'sthey know,of,emissarios,

01:43:50that say,of,sanations,that's,that,lectures,chiromanci,et cetera.

01:43:59What is that entity that is the element of those stories?The gato, the care of to eat a little bit of a little bit.The end uprored the end uprenad, the webo-ne-dreiber.Not the first time that get stories like, and are spelunants.What are those?So, if it's a person,a brouca,that's a way

01:44:30a tremendous negative,is an entity?What is?Look,if we're going to bebecause thissounds like a magical,loco,

01:44:42or at the moresomething,but if we'reto go to thegawals,acuadethat it saidin the

01:44:49epochs of thetaboes,of the tatarulos,that the brujaswere,in the animalsto be able to enterto the casas.

01:45:00So,here what we aretalking,that not was acat,for me,it was awar.

01:45:04But alsocan be ademonio.A demoniothat's doing,possibly,we're going towhat I said,

01:45:13what are theones?The demonio,you're putin the car.If you,in that moment,you let's

01:45:19pavor,phobia,a,present in form ofa cat.Or aa bruja.Or a

01:45:28aconcept that weknow.The conceptthat we'rethe concept thatwe're notbecause we're

01:45:33because we'retalking aboutsomething thatsomething verygrisosoand atthisskin grisosa

01:45:41not isabout aboutsomethingof somethingthat'sthat no-has aand the

01:45:48grand majority,remember,of demonios,because notare terrenalsso,So, for me, is a demondisfrasado

01:45:57of a Brouca.You know all the reason.Wow.That's a barbaro.Very well.Well, me to talk.We'll see.Of other element

01:46:07that I fascina.Fiatte.This storyis called theMuneca Calcina.We'll haveour friendMariana

01:46:18Flomedina.Flomedina.Mariana Flomedina.Fyatina.This storythe experimentedour friendMarianne when

01:46:28is a little.There comesthe story,but it has tobe able tomany people.It's alittle bit more

01:46:36that was very commonthat wasmuch timein thehouse ofhis abuelosmaternal.In this

01:46:42house,justjust forthat we haveone of ushad a little bit ofhis abelito andthe part

01:46:54of thebackwherethere'slike plants,these,trees,fruitals,

01:47:01and it'sa place,as the patioof theis like aplace,when oneis a

01:47:07house ofthe houselike mymy house,with mythoseprimosand the

01:47:12ones,then youareand you'retotallysurebecause youbecause you

01:47:18are in thepatioof thepart ofthe houseof thehouse,no?

01:47:22And,well,in thishouse,it'sthat intheterrain,

01:47:26that isthis patioand theland ofthe landonly thereonly there'slike a

01:47:34kind ofthat's likethe land.You can'tsee theyou can'tsee thepatio of

01:47:42thethehouse.And nothere'saplace wherethere

01:47:48a houseabandoned.Who knowshow timetimethathouseabandoned

01:47:52thensimplyis a dividedthe terrainand it's apatio whereno abitnobody, no

01:47:58there'snobody, nothere'sthere,he's there,said thatsaid that's,he said that,

01:48:05but,that they'rein theirage,the time,they're intheirkids,

01:48:10and thosethey're not,so they're,they're inthose,they're doing,whenthere's a

01:48:16thing,it's athing,while they'redoing there,He says thatthe patioof the side,

01:48:25where is thehouseand there'sthey're inthem,they're going.They'rehow this

01:48:32passand it'sin the patiowhere they'replaying.Like ifsomeonewould have

01:48:39been out.So,obviously,for thecuriosity ofthechildren,they're

01:48:44they'rethey'rethat'sthat'sa muneka.Thisthis is a muke,it's very rare,

01:48:53fiegat,he's abody and thecar of trap.But,the manitasand thefeet were of

01:49:02plastic.That's veryrare becausegenerallyis ahead,hands andpieces of

01:49:07plastic andthebody,but herethehead,the carwas also

01:49:13the timeand thefeet areof plastic.It'sthat thea mukeand

01:49:17was neworit wasa new,or soeven ifhad beena

01:49:23new,it wasnot attractive.It wasa way.It waslike, itwas that

01:49:28was acreepy,is thatwas thatwas anpeople,people,someone

01:49:37someonelet mego tohere,we'reto havetoplay with the

01:49:39mukeandthey weretoget tothestories andthey were

01:49:45that timethey'replaying withthatwhen theywhen theywere toto work

01:49:50with herthat wasnowto enterto thehousebecausethey had

01:49:56had beenhad beenthey'vedecided tolet herin apartof this

01:50:01patioand assheand ashe'smuchthegame

01:50:05that'sthey'vemadethey'retheythey'reletlet's

01:50:07hereandwe'reandwecontinuewewe're

01:50:13They got them.They've got them.Obviously, the adult's,well,not know of the existence of thismuke.So,it's,

01:50:23it's going toto be todormit.The abuelitaand,the repentin themadugada.

01:50:32You know,you'reyou're going totake abathito withthere,the nets, andit's

01:50:41in silence,enter to theAnd the firstis that there in the barra of thekitchen, there's amuke of trapos sentada.And, well, obviously,she doesn't expect to see this.

01:50:54And when she's spanta.What, what does that?No?No, it could be?So,like,so, like,he thought that

01:51:04only only had beensimply had been thesuspect.Obviously,he said,I've been to have beensome of myniects,

01:51:11my nietathathe puthere andit's afea,it's sucehe gotro

01:51:18and wentto theback andhe bentedthe mukeandhe closedthe

01:51:25doorhe tookhiswaterhe wenttotothe morning

01:51:31nextthenextshethereisourher friend

01:51:35Marianna,achiquita,yeahit's allthe sun,and thefirst that

01:51:42is thatto thefeet of thecamerais aman,he'sthat he

01:51:48said thatwas ina positionveryhumanlikeifwas

01:51:55sittingandeventhatwastoitwas

01:51:59acolumnvertebralthatwasthatwasa

01:52:04you see that you see thatyou see that you're saying that's,and you're not that'sthat she was sittingin a positioncomodden,like she wasand even after

01:52:13was the caritaof the traposhe sent youlike thatme is beingbut sheno, shethought that

01:52:23her bestorher littleher littleherher ownshe was themannedin the patio

01:52:28she tookand sheput herthinking thatwas herso mya new y'nec.Then she

01:52:34got herman.He saidfrom thelittle bit ofhis abuelaand hesaid,

01:52:39you put thisthis onein myabitationaland theabelitawith thebaby she

01:52:45was theback to theblood tothefeet becauseit was thesamethat was

01:52:49that she hadseenin themadugatedthatshe hadhad beenthe

01:52:53patio.And hesaidwhat youno,no,no,this

01:52:57no,and hedidn'thave tohave toexplain.Whenhe was

01:53:01the car of hermotherhesold tothemukeand theabel

01:53:05and thelittlethisnot isnot quite.Nohe saidthe

01:53:11she'sto beamanro themokethehethe

01:53:16bottleoftheandheheheback

01:53:22thebackthecarthe carthedoorthe

01:53:27through thethedoor oftheof the water,and athe problem is this.Some days

01:53:35after,the repented,the abelitaand themadrugada,is super-tankyto thekitchen,

01:53:47enter,there's amoose.Surpreza.No,now,so,so,

01:53:57but verynervous,very, very,very,to the morningnextwellall they're

01:54:08there's themoñicaI'm gonnaput in thebottle of thebasuraand he washe was put

01:54:18to wait toto get tothe carmionof the basurawhencameo thethevan year

01:54:29and herand herand herand herhow thecarmion andthe peoplethat are

01:54:34therethey took theboat ofandthey'rethe contentinside ofthe

01:54:41carion andthey wereobserved tothe munecato getin thecarmionof the

01:54:48and togetsebecausethey thoughtthat therewas amorethere was

01:54:53awhen theytheydid itand amore someonethey hadto be

01:55:00sureand theythey werethat thethethea muneca.The

01:55:05abuelknewthisstory,but hewas theone ofsome of

01:55:13ourchildren,he'scertainly tobe thinking,oh,why theywere the

01:55:19one ofMarianaand simplyit'she madeout,and welet's

01:55:25there inthekitchen.Andyeah.No,thethe muke

01:55:30thewe'rethemanaa muke. What more?Well,they're in a day, there normal,

01:55:38when they're in a grittyof terror.Result that theabuel,had entered tothe bathroomto beignar to.He put his

01:55:50rob,she desistio,put the watercalentita,she went,and she,he went,to beaunted

01:55:58some songthere,and was,he wasa feliceof thelife,tomandose

01:56:01abanionatime,and hethe canceltotake the

01:56:09and themuke'stherewas inthebathroomsentadalike

01:56:20ifit washewasveryimpressivebecausewas

01:56:25perfectlythatthatthat wasthat washadhadhad

01:56:29hadwell,it's out ofpalidand nowhe hadmuchfear.

01:56:37And whenthe otherpeoplesaw thatthe mukewas therewas away,

01:56:43was they wereso they'reallisnating,what is whatis allteratedso.So,the

01:56:51abuelhe hasa muketo thebackwhen he getsanotheragain

01:56:58the carand saysyou,getthatthisa mouche.Yes,

01:57:01but getensela,getensela.For favor.So,they're going toget it.And I'm nervous.Day

01:57:09the next,now is theboy.He took togo to thekitchen andhe said thatsomething that

01:57:16something thatwas abad since thatcame to be aand shewas there.But he'sto think

01:57:26that wasyour imaginationwhenpreending thelightAnd she was sentadain form antinatural,like if it was a person,

01:57:36is a muneco of the trapo.He gave much fear.I thought, what we'll do?We'll come her.We're going to desacern us to her.Yeah.I gotro the muneca.She'll have to the patio.

01:57:55La-bawned in gasoline.He threw a cerillo.No, it wasend.He'd tirade.another, no incendi, and hehe gotro various serrillas and hehe was pego,until that,

01:58:13little to go,he started, like, to careto grab the fire,and, of a sudden,whew,he was,it was the poorthat they could have done.

01:58:27In the momentin the time in thetime,the tarapo of themoñica,shewas hearda

01:58:36lamentaterradorlikeifit'sthat'sthatyou're

01:58:43you'reyou'rewhileyou'reandthenthatthat

01:58:49thatwasitwasin ashillidthatthat

01:58:53hadhadtotaptheeyeswiththe

01:58:59palmsofthehandsnotonlythatthat

01:59:03that'sitwas thatthefirenotconsumedthe

01:59:07mukewasinthebutit wasthatthe

01:59:12trapnotwasandtherewas thislikechiggied

01:59:17soandwhenthetrapcommensnowso

01:59:22toendtototocometochange

01:59:26ofthatchididtoagreatgraveprofound

01:59:31horrible,horrible.He'sthathe canborrarythat'sthat's

01:59:42aterradorof yourmemory.It was thegrittyof a personwas aspantoso.

01:59:50Whenfor finit wasto comeandwasit wasbeing

01:59:54insinisasthetheabuelhe saidthatthey were

01:59:57thatthey weretothatitwasand they wereuntil the

02:00:02thefireconsumedto themuke.Whatthey wereafter this

02:00:08theydid muchfear.He saidthatit'sa questionto explain

02:00:12tobut I thinkwe canimagineperfectly.Themukewas

02:00:18reducedtosinises.Thosecanisshouldbelike

02:00:27thetimeof themanbutBut, it was like if they were sparsed in thepiece, tomando a form,the person adult,

02:00:43like, arrastrondos,to be a lot of them.They gave me a lot of, they said,dechle so, and they entered to the house.But when they entered to the house,after havingleft to haveleft a

02:01:01amukelike,almostthat'sthey wereto get ainto the

02:01:09housewas likeumiaand Ihad a plasticthat'slike theof the

02:01:15manitasand theand theand theydid akind oflikethey're

02:01:22wellprobablyprobablywe'vetootherewas awhile

02:01:27the humor and thewe're going toopen the windowsfor thatthewhen it'sthe abelitato the

02:01:35to thedoor,a grittyaterrower.He wasall thesethese childrenthe abuel

02:01:45and in theplacewhere alwayswas alwaysthemokekatherea

02:01:51a mukeitamadewith atrapochiquitalikeif the material of themunaica

02:02:00grand,you would haverecortedand a manyou've usedyou've beenan mukeof a trapo

02:02:07there,there,a chemadita.And whenthey've beenthis,the abelitawas super

02:02:15spantad.And theabuel,the onlythat's allthat wasto take themukeita,

02:02:22he wentto thepatio,said thathad,that hadhadhad,

02:02:25hadgot tohishouseat theotherpatioand

02:02:28he wenttothemokethe mokethemokekano

02:02:36didappearin thehouseandthere wasmuchtime

02:02:41in thethey werein thepatioyeahnot wasthemancha

02:02:46yeahnotthething oftheoneagainagain

02:02:51againagainagainagainnowpassatime

02:02:53andtheyThey're playing in the patio,they're with thewhen of a suddenhe said that she wasthat she was playingand she knew

02:03:05that he'd beto be able to belike ifsomeonehe was tryingand hewent to the patioof the

02:03:14side andwas themukeitaof trapjuston the othersideparadita

02:03:22like ifhe wasjust wereobservinghe saidthatWell, obviously,since that day,

02:03:32the patio of theabelosnow werea placeof theneverneverknew of

02:03:41wherecame,why theythey werewhat theydid,butto get to

02:03:49the patiois thepossibilitytofindwith thatmukekamaldita.

02:03:57AndyouThey've grown and simplyit's justit's just like thestory of themuke calcinedand the patio

02:04:05to youdon't evento go out ofhow is?How is?How are you?Aboutto

02:04:14the newnecksaboutof elementsmalditosnoyou haveyou've beena

02:04:21onethat wehave beenin ourpossessionforthatthe history

02:04:26noI seemehassomethingbecausewe'rewe've got

02:04:31we've gota littlea newa newa newa meneerin ourpossession

02:04:37that wasand itand itwas backand itwas backshe waswe're

02:04:43not shecouldkeepto comethisthis classofstories

02:04:47youyouknowyouknowI'mI'malways

02:04:52thedemonsdon'tdon'tthey'renotthey'refor

02:04:56theybut alsothey'rethey'reso onthemthemthey're doing

02:05:02it'sit'sheand hehe'spart ofawork

02:05:07it's part ofaworkand whatis whatyou knowwhen youa demonio

02:05:13and ademonis thatto actto beto bea humangoing

02:05:20to gettoyouto tortureandit willoccasionmany

02:05:25manythe many times thethat someone'sdisviva,because it'sgoing togo togo to

02:05:32the greatmajority ofdemoniacos,the demoniados,what you haveto dois desacerteof them.

02:05:41You,as an expert,not isto bring themis toget toa personthat a person

02:05:47that istheperson,that isdeshage ofthesemucer.Those

02:05:53arethey'reThey're exulans,they'resacanthe demonthe energyyamal

02:05:59like youwant toyou'reto thatso thatthat'sautomaticallypass to

02:06:06do that'sa simplea munekebecauseyou're goingtokeep or youbut that

02:06:12energywill beto transmutateand itwill beto go tootherthing that

02:06:17you havetoyouat thewhen youwhen you'rewhen youyou're

02:06:23to have tohave torepressariescontrailsyou.I havea doubtI'm

02:06:26imaginethat'sso isso thethe mukethat'sthereally

02:06:31alwaysstillwasinto theothertheis thefetiche

02:06:34is thefeticheand itis likeit's likeit'sthetrue

02:06:39includingincludingthatthat wasalwaysalwaysstillI'm

02:06:43yeahokaythatthewaytoburlarsit's

02:06:48likethewaytodoyoudid you say this is this onesomething I'm like I'm like

02:06:55I'm like alwaysthe elements thatare the nightthe nightetcbut I'mbut I'm going toimagine

02:07:06imagineday in themorningyou're goingyou're goingyou'redesnudeyou're in the

02:07:17moment moreintimate andyou're justyou're likeyou'reyou're cleanand whenyou're

02:07:23the cortinais thatthat'sthat'sthat'sthat'swhat youdo you

02:07:30do youthat's themomentwhere reallyyou'reyou're goingbecause youentered

02:07:37only tothatsoonlybut whenyou'rethere'sthere

02:07:42alsoI'mI'mI'mI'mI'mand thenyou're

02:07:47and thenif youwant topasstoget togetto

02:07:49get togetYeah, you know, you know,so,that's a lot.That partme did much fear to me.Pired the authority

02:07:59of your being.Pired the authorityof your ownhouse.So, it'sfortissimo.Firt.Oh, yeah,

02:08:06we're going tothe laststories, becausethis one offascinale.Perfect.Fiatty thatI also,

02:08:13it's a storyshortita,but it'sa storythat Iwanted toto have to be in the final, because it's a story thatthat's a lot of being reading.

02:08:26Okay.Because I know that it's going to resonar,there in Casita, where they're listening,to the people that manage of the night,taxistas, traileros,persons that are in the carterers.And is that's that about a storyof a chauffeur in particular.

02:08:49But,not usthis storydirectlythe person.It'sa person.And is that

02:08:57this storyno,he's calledJose Nicolaceand hethe titleThe Wesso.And is

02:09:04that Joseustold astorythat hewasto thefriend

02:09:11of hisfather.A personin the2001of Santiagoof Chilein Santiago

02:09:22in Chilethis personof thename Juanwaswas a chauffeurand whowho's

02:09:33or he hasin theworld of thejob ofthe chauffeersof thechofes ofa carmion

02:09:39call mea traileryou knowhow hardhowwhat isto beBut the great stories that these choferes have.

02:09:51And is that in one of the stories that Joseus tells is that a Juan,the friend of his papa,one night,decided to mandarl us out.But the papa of Joseno can't go.For so,

02:10:11to leave hiscompanion,Juan,to beonly tothat heto go tothis

02:10:17voyage.Asit'swell,when yougo toyou'reto get

02:10:23toyou'reto gettobecause itarelongdays

02:10:27ofmanyhoursatfrontofaand

02:10:32tonot occasionbecausesomeaccidentyouyouhave

02:10:36togettogettothecarto

02:10:39to be to bethere's that there are manyparadersof chauffeers,of trailer,of camionsfor that incommunity,

02:10:48so they'rein community,they're insome of theof theof thepeople,the Cansan

02:10:59he washe wasaround the11 of thenight whenhe washe can'tcontinue

02:11:05more.And isthat whohadhas been in the north of Chile,you can'tknow that in thatarea, because no

02:11:15there are luses, like in thecarreteras common andcorientes of all theother countries. Inthe north of Chile, the carreteras,for the only luses that you're going tobe, because are the lunar.And are the ones that you

02:11:31bring in your, in your carmion.A-poc? But no, there'sLuce fornothing.So,what waswhatdecided

02:11:38Juan,that night,with thecarsansethat hehadand withthe

02:11:44lusthat hewasoriiisooiriohiscario,

02:11:51decidedto getto gettoget toget toget toand

02:11:55thenheacartinitaofthecarand

02:12:00he'stostarttostart.WhenonSo, in a sudden,

02:12:07in thecarmion,theystartsomesome ofthehe was

02:12:12he washe washe hadseen,he hadseen,he wasin a

02:12:16areain azone,practicallydesertica,nothingofhouses,

02:12:22nocivilizationbecausenothere wasandthe onlythat was

02:12:26he,washe,he,hehehe'she

02:12:31he'sa,in thedoor ofhiscarmion.He's

02:12:39aopenhisventanitasandhe'lltosee

02:12:43somethinghehewashe washewasbut

02:12:49avoiceaveryveryverygrueshe

02:12:58hesaidheheinvitedtoweSo,

02:13:04myfriends.So,so,nothe?He said,what

02:13:10did he?Yes,that weinviteto thelong asmy friends.Sure

02:13:19that'switha demorcito,Juanhe'she backto hiscarmion

02:13:26andwhenheheback inhiscarmagically

02:13:30Iseeafogatatoameters of where he wasand he was

02:13:39and see muchpeople andsee someyamsthatseein figureshumanoid

02:13:48but atthe sametimethey were insombrasandthen thosesombras

02:13:53changedandit wassomethingveryrarebutso

02:13:58he wasnohe tookasvery inseriousthatin his

02:14:04in hispossiblyI thoughtthat was thecancansiothe fatiguathe firea lot

02:14:13maybeme isenganyingmymindand whenand whenwhen they

02:14:19were tothe otherpeoplehe didknowthat ifwasa group

02:14:24ofmentheythey weretheystartedtostart

02:14:28tohimandtheyto makechisters andmanythings,

02:14:38that thetimewas going.To arepent,the winewas thetime,

02:14:47and thenwhat Iwas,was to bebeing,you couldimaginethe fear

02:14:53that youcan'tbe in aplacein aplace,without,then,

02:14:59but atwhat Iwas withcompanyiaand atthemaybe insome

02:15:03momenteven,eveneventhey canto be inand keep me alittle

02:15:07wellI'm alittlethenwhen theythey hadtermedhe

02:15:14heforcompromiseor forcordialityJuanhe saysto these

02:15:21peopleI havemorealcoholin mycarmionnowme

02:15:26talkto invitetoyouone ofthe personthat wasthere

02:15:32was aveledorafor that hecanbeilluminateforto come

02:15:41tohiscarmionwhenhe tookthebellatorhe

02:15:47doesknowthat thethebellatorthefirewas

02:15:53veryverysoandheandhehe was

02:15:58hehehe washehehe wastocome

02:16:02totothewhere was hiscarmion,leavingto thatthat's a

02:16:10a monotof people,to thepeople,to thepeople,insome point,

02:16:16thislamparais athing,it'saway andmore and

02:16:24more andmoreand moreback.Yeahno itcouldsee,

02:16:28becausehe hadalampara.Thatlamparawas stingingbecause

02:16:32was thelightof avelator andhe wasstarting toconsumeand a

02:16:39of arepenthe wasa brisaladaand heturnedfor

02:16:46to bea belatorwhenhe getsa carmionhe doesa prisaand

02:16:54he'sthe lightin hismanhe was abellatorwas aa wheyer

02:17:04oh my Godhehe beginsto domuchfear.No man.Because what

02:17:12he hadnot wasa vealatorwas aand ahuman.Hehe's

02:17:23to getto altererin hiscarmionand notcoordinatedwhat hehad been

02:17:30what hehad beena belatorandhe'she becamein ain a

02:17:39in acarmionand they'reto talkto newto getthatthat

02:17:51he'sto givea muchfearbecausewhat thosethosemen had

02:17:58had beenbeenin aquestion,he,in thathe said,if I

02:18:06go,I'm going togo,I'm going toget,and thepeoplethat were

02:18:13outsideare,they'reThey start tore-inandthey'reand they're

02:18:18to beand they'rehe saidhe'sI'm going tobecausethis isnot a

02:18:28wellbutthen hesaid hesaidif Igothe

02:18:35can'tbeto betobe aandgoing tooccur

02:18:38anaccidentthethemoreistolet the

02:18:42thingscantranquilize, amazca, and mego.The hourswere very long as.The carsansehe was done. When

02:18:56amanece, he'she's up andhe begins tocontinue his trajectory.Prends hiscarmion, butno he kept with the doubt.And I looked to be

02:19:11to the place whereone night beforehadbeenthatfogataand hedid

02:19:20knowthatnotherewasthattherethere

02:19:24therehadaaanyathingthere

02:19:29wasnothingthatonthesidetowhere

02:19:34wasthatwasawasaapantheon

02:19:40anpantheonabandonedwiththecrucesandthe

02:19:44Shechas, of that the timehad madeof the suites.In that moment, A.L.He gave mucha lot.Prended hiscarmion and

02:19:56commenced hisregress tohouse.Thevery,when itwhen it'swhen, of

02:20:09a repent,Juan,insome momentof hisvoyage,he'llVoltae because I see

02:20:19a presenceveryvery strongthat hewas observingbehindand whenhe does

02:20:28heand heand seethat in theparttracerof wherehe

02:20:36washe wasathetheof thedeaththat

02:20:45sothatyou canyoucanyou can'timaginehow

02:20:49How many people,how many chufferscanget tohave thesepresences?That greatstory.

02:20:58Because,clear,the trailerers,et cetera,have some storiesspectacular.Fertes.Caccy.

02:21:06Cases.Can't you.Where is thatthe place?This is ofSantiago of Chile,and we knowthat this

02:21:16situationpassed in thenorth of Chile.There is a place, I think is there in the north of Chile,where there is a pantheon gigantic, abandoned.And it should be there,maybe a little other pantheon,like.

02:21:30Look, I know, you said that the historyis called the Wessor,but I'm impacted when you said,the Vellator,that's had converted in a Wess.Imagineate because here we're talkingthat possibly one of thepeople of those mortals of that pantyone,

02:21:47or more than the dead,in that pantyron,because they werehaving theircelebration in thenight.Yes.So,

02:21:54but one ofthe deadwas nothe was going tohim.For that'spart ofhis body,

02:22:01part of hisof his,of hiswesosto be able toin thatcan't.No, manches.

02:22:10That'swhat greatstory.What greatstory.Nicola'sthe name,the word?

02:22:15Oh,oh,that'sbarbarro.Mefascinated,but much.Wow.

02:22:23Verygood.I mean,I mean,I'm going tostart.You know,the bar

02:22:26veryold,I'm goingthatthis story.Of course,if melet me

02:22:31do youdo something,I don'tdo Ido thisbut Ithink youwant to

02:22:37understand.Thisstory thatI'm going totell,it'sthat'sthe

02:22:42man,he'scalledtheguiseof Ramon.And hehe's

02:22:47that this is astory thatit's awell,it's beentransmitted inhis familyfor,

02:22:53for generations.It'slike,all thefamilyknows thisstory,and,

02:22:59and, well,how do theythis storythat storythatat theletter?Because

02:23:07Ramon,thehusband ofone ofhis tiaslefta card.There,

02:23:16there'sa storythatto tellacontinuation.But Iwant to

02:23:21say thissomethingis,I thinkthat'svery interesting.Thehistory,

02:23:27theother thanto beaccompaniedto aproperty,that propertyis where

02:23:34was wherewasthere wastherewas apropertyto thefamily

02:23:40andnobodyhad toaskwhodidn'tto livethere.

02:23:47Nobodyhe'sto go to go to be here.Every who hada house.So thehousewas like

02:23:51disabitatedanddecided,then obviouslyto put herto thewhen theytry to

02:23:59put totheit's verydifficult.Becausesincethey'reto clean,

02:24:06paint,to bethat thehousewas readyto beto beto be

02:24:09to betheyanttoa womanthethethethe

02:24:15theseenhave seen aRamon in thekitchenand theactually thepeople are

02:24:24thecause oftheI'mI'mI'mIthere

02:24:29one oftheone of thepeoplewas thehe saidIsaid

02:24:33I'mtosomepeoplepeopleinterestedandthey're

02:24:38toshowtheplacethey'reapart ofa

02:24:43carthey'rethey'reverytheythey'retostart

02:24:46theandsaysthatwhentheystartedThey were the first

02:24:50step into this house.This pair ofthis pair ofwas like,oh,like herethere's abad energy,

02:24:59you know,and he wasto say,then,like,you could,think it wasgood,

02:25:04and that wasvery beautifuland that'sand that'sand they'rethere'sin thekitchen,

02:25:11a soundvery peculiar.Onea cucharato comeundera platelike if someone

02:25:18was eating,like a soapita orlike, so.So,then,so they're a momentin silence,there's a,

02:25:29there's a littlehere.No?Caminaron.Entran to thekitchen.Viereda plato

02:25:38and they wentto goand I don'twant tonothing tohear here.The houseis till the day

02:25:46of todayto us havebeenedNow, why I thinkI'll tell this storyin a way different?Becauseno

02:25:57I want tochangethe colorof the history.No, I wantto loseany detail.I'm going to

02:26:10read the card.This,is the cardthat's the cardthat's thethat's theToday is amyracles

02:26:24anymchewsanyI'mI'mI'mI'mwith astrange

02:26:28presentimentI'mI'mI'mdidn'tI'mmymy

02:26:34wifewastogo tobutsomethingI'minquietable

02:26:41herfrialityofthelastdaysmeresult

02:26:45insuppablealthoughI'mto do you have to bethe distancebetweenuscreases

02:26:53everymore.Thesethesethree dayshavebeen particularlystrange

02:27:00she'sdistracted.She looksas far ascurenot soI didn'tdo anythingplaned

02:27:12to givea surprisesomethingthat mayberevivarto whatwe'velost.

02:27:20For thetime,atthe time,I detuveto look atthe arbolitothat had

02:27:26been madein thepatio.The sojashumedassusurrand thewind.

02:27:32And fora momentjurorI'dhaveheard Iheard Ithe

02:27:40head toget toanotherbar.I thought,maybe thathelpsto borrow

02:27:48thetensions thathave contaminatedourrelation.I wasthetelevision

02:27:54lookingdistraction,butnothingcapturedmyinterest.The

02:27:59nottiesrepeatedthesameof theincident,politics,a

02:28:05defileof monotoniathatnot wasthat Ididn'tget tothe

02:28:11Of Pronto,I recorded thathad tocalentar thebefore myspousewere.While it

02:28:18I wasI meanto themindthe recordof theday.I had

02:28:25prepared abigoil ofcald.Carta,a festinthatme

02:28:31gave hours.But intheother tothankmymy husbandme

02:28:36reproachedthegasto.Herespondedthathaddiscounts

02:28:40intheand that was away tohave atime.Cenamosthat night

02:28:45in asilencethat pesablea loathethe noiseof thechocating

02:28:52againsttheplatewas theonlythat IwasI was

02:28:56I wasalittlea noticeperturbatorappearedathe

02:29:03rostroof amandisappearedacompanyof myher.

02:29:09Whathe leftwithoutwas thatanfriend wasthat hehad told that

02:29:16that hewas theman ofmywoman.I'mtheimage to

02:29:23mywife.Look,thisman,thisman,he said?

02:29:29Hishandswerewhen hetookthetelephone.Intent

02:29:35heBut the panic in his eyes was evident.No, no, no, no, no, no, I know know.Me, he said, evitando my mirada.A sonrisa was a digue in my rostro.Curious.He said,I guess you've gothasted his

02:29:55Rostro, but,tell me,Amor,you know, you know,the air is soso it was so much,so.His respiration was

02:30:07soelor,and his mantrembledatsustainingthecupbecause

02:30:13youdo youI'mI'mI'mI'mI'mI'm

02:30:18I'mI'mI'mthink youthinkyoudo youa

02:30:24recipespecialisinspiredin youhisrostrohe

02:30:31washewasI'mI'mthesothe

02:30:35sothatthatwe'vehad beenthat wehad beenin a fregadero,

02:30:42I'd scupil,but the detubesubjecting theof thearm.No,you're goingto disperdice

02:30:48it,I'mwith afriarlded.And Irastre tothe backto the

02:30:54mesa.She wasto sitars.Shebroke ina yantto.Whatdid you?

02:31:02Megrit-o.Onlywhat Ihad todo.Youtragiste

02:31:07that problemtoourmeza,Amor.I'massuredthat

02:31:12nowill beto beto bethe plate.Let'slet'syour

02:31:18soup.This isourlastdinnerandyouryant

02:31:26shewastheroomfinallythethethe

02:31:29theshonetotherasterandminutesafter

02:31:35thebody ofmyher husband, andwas inertover themesa.His

02:31:41heartwas alittlethe sametheday thatI'mthe day that

02:31:47he'shisrosted inthefloor of thecell.I'llI'm

02:31:53theselinesforthatallknowthatnothing

02:31:57of thiswouldhaveoccurredifthatthathe

02:32:01hadnottookthatnotyoustuf.Also,

02:32:09I'maregalmore.Bajothehousethere's

02:32:12thereresponsesfor thecuriousI'mdespido.Thiscaldo

02:32:24wasanalyzedby theauthoritiesandheconfirmedthat

02:32:30he hadamanunderthetreethaton

02:32:34thehardinfoundmorerestoftheman

02:32:37disappearedthecommunitygotcommoThe news notNoticions are not about other thingIn that moment

02:32:47The crime passionalmore macabroThat's everHe had seen in this communityThat's historyTheeThe TiaThe house

02:33:01That can't beThat's aFendidaImagine, we'retalking ofsomethingVery FephtoAnd in Mexico

02:33:15We have ahistory similarThe TamaleraYeahA Tamalera.that's a lotthat'sthat

02:33:24at thefinalof theloveto a personto beinlokeesin a

02:33:31way thatwhen theyget in atrisionit willget tothat thisto live

02:33:37to apersonis acompletea locuraI sayI'll sayyou'll say

02:33:44oneIcause a conflicttoknowthat thisoccurredbut

02:33:51I considerthat ifyou,you attheway youdo youhave to

02:34:02have toyou haveto gowith apsychologistor anot forother

02:34:06reasonbut foryourequilibriumnot isveryveryright

02:34:13becausetherearethere arethereareothermetas

02:34:19Much other formsto do the thingsButbut youYeah,I don't eventhink in theviolence

02:34:25is alocurais somethingatroceAnd youyou canimaginehow was

02:34:34the loveof thoseBecausemeabout averypassionbut also

02:34:40alsoalsothere'sthat therea linebetweenthe passionand the

02:34:44manipulationbecausewhenwhenyouoccurthisthat

02:34:49is to saythat thepersonnotwas apersonthat's in theimagineate that if

02:35:22Fepo,because if hehe not wouldhave declaredor abjuredto thepeople of whathe did,

02:35:32nobodyhad imaginedthat a personthe disappearedthey're sayingthey're eatingExactlyNo, no

02:35:40you manches.That's great.SuperFerte,really?I'm going tohave to payanother favor

02:35:47becauseyeahwe're going towe've donewe're going tohave to have tohave to have tomake a disclaimer

02:35:52for theprincipleif you knowif you'rebecausethe storiesare veryvery aterrador

02:35:58in thisepisode and thisiscruentaso we'rewe're going tohave tomake that

02:36:05thank youthank youyou're acrackthanksof reallythat I'mI'm

02:36:10that I'mreally I'mthat story ofsaid thisnow shenow isthe ceda

02:36:17pastelyeahFor favor,record us yoursocial social.Reds social.Christian ValerioNiño-al-Lus

02:36:23in Facebook,Instagramlike Christiandown-Baleriopoint officialand theCaldero-Loo-Lusin the channel

02:36:30of YouTube.Very well.Muchismas.No,thanks to you.I'm going tomake it tothe people

02:36:36that if youwant tosend themtheir experiencesor evidencesto dodo you knowthe CorreofFeppo

02:36:40Rodcastanormal.com.Also,also rememberwe have somechaptersthat are

02:36:45every 15 daysontheEvidencies more extremeof thetime are theevidence thatyou're

02:36:52and themost importantalso thatthere ininternet.And we'rewe're talkingsome of the

02:37:00stories thatthere aresome storiesthat arethat they'reliving inthe commentswhere you

02:37:05see thatif you'renot you'resubscribedI thinkthat is themomentput in the

02:37:09day of thecampanitaorsingansand putus agood ratingthere

02:37:13in Spotifyforfavorthankremember that if we'rethose stories,we'll help usand they're going to

02:37:22be anonymous or anonymous.Of fact,thank,thank you,for to share theseincredible experiences.Now,so, thank you,

02:37:28thank you.I'm goingcontent with asound of abookthat's prettyperturbedfor these

02:37:37stories sovery thanks forall.Yeah,now we'renow so,I remember,I'm his

02:37:42friend Feppo.We'll seethe nextweekfor thatwe'lltalk aboutthese

02:37:46terrorificesexperiencesrealesthat yousend themso you'reso yousee them

02:37:53if youtryveenchow

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