RELATOS DE MAMÁ, MALDICIONES , MUERTOS Y SOMBRAS CON NELLY APONTE
00:00 Very good days, and nights or noches. Beavened to a new chapter of insomnia, in where we're to narrate the most terrorificous experiences reales of the audience.
00:11 So, listen, let's and so tryven. And this occasion special, for the date, we have a an invitazza of superluco,
00:19 no, more, than I'm than Nellia Ponte, also known as the Moma of Fepo. How is this
00:26 how is this? How is it? How is it? So you see, so me know, how they're doing, how are,
00:31 a good to be, see them, to all, to do you, to all the people, the podcast,
00:37 but, so, I'm very I'm content for being in insomio and with this community
00:44 hermosa. We're going to talk to some stories very, yeah, yes, yes,
00:49 yes, yeah. Oh, yeah, before the come back I'm, I'm,
00:53 I'm I'm, I'm, I was, I was invited. This voyage, no, no
00:59 organize us. This voyage is of Johan Dias and Dias and Lourdes
01:05 Gomes. I'm a much to know a lot of people in the zone of the silence in
01:11 the desert there is a difficult the desert to do you know like the cactus and
01:17 the serpintes no the desert you want out and you want to get into the desert
01:21 but muchism people muchism that would be that record and saltar me to some others, you send much
01:30 salutes, you thank you much for all what you have done, for participate with us, I think all the persons that were, me mandered to, felicitartes, and, of your part,
01:44 you, you know, much salutes. Muchismas, thank you, for me anonymous, the person, but an abrazo, for favor,
01:50 grand, great, great, and, and remember, that what I know what I, so I'm I'm part.
01:57 Much thanks, Mom. Oh, for if a case of you can
02:03 please, for a phone for your email for the people can't
02:06 contactate? Sure that my name is, well, in the Correo
02:12 L, Latina to Ponte Nellie Aponte 4 at gmail com
02:19 Okay. And it's for lectures of Tarot? Yes, for lecture of
02:23 Tarot that the people need to consultar or some asunds
02:27 that have pendentes that's that's that's only that's I'm not
02:31 I'm not a person and I don't know I'm got my energy
02:39 and I canalize okay very good mom very thank you thank you
02:43 a lot okay ohiem oh yeah ohie mom this I'm
02:48 I you I'm you're you you're you start
02:54 to start to stories or you want to you? Well, if you want to start,
03:00 perfect. This story is called the Miko. The person that's
03:06 the person that is an anonymous, the only that is the Salvador. In the
03:15 Salvador, in the area where he is a place, the famous
03:20 Miko, that is a mono very great and that is a man that
03:24 is a person that's Like here he's to the gawales. Okay.
03:29 This history the baby he, when he has two years, no
03:32 he's he's his mother and he and he later he's he's
03:37 he when he had two years a dad his father was a night
03:42 so he was a mother he was he put in a maca while he did
03:50 that he did a macka He started to move The sound of the amca is peculiar I know because here in Yucatans is.
03:59 And he has a shirid special of the trick when she's mecing. He called the attention to the woman because
04:07 his son was dormied and also not he was getting and was quiet, he was and be that effectively
04:13 the maca is moving in that moment she gets like a thought of a little to do you
04:21 do it the world, will be to do his labors, and again the
04:26 maca is going to move. She regressa to the armada because
04:31 see that the macas is moving and she directly
04:34 to get a child when in that moment in the the techo
04:39 that was on the the the the the and they
04:45 were but the more rather is that they're like they're
04:49 like they were part of the passes on the place on the place
04:55 exactly where was the she was a little a lot of his
04:59 little to get to his and he was to restable
05:04 and in that moment he recorded the the
05:10 mico and he he said what his mother you
05:15 listen to mico lans he maldison is the
05:21 only manner in that he he's because she said because she was a
05:26 but the thing he said he's the real the noise disappeared but yeah
05:33 he was quite un-tanky after the time it has to happen to
05:38 do it will be to do it He's not been and when he he's a
05:55 big, he's a figure very great to be a mono, like of the time of a mandrill, like a man, and he he's like the mico he's looking.
06:04 And she gets to get her his and he'll to maldecy. This, he just, he had to occur pasted the time.
06:13 He, he had, because he looked very of this entity, not? Exactly. That he
06:22 no record exactly but if he has grown, his his cousin pegged of grits and when they're saying that he said that the Miko
06:33 he had left to his five years. He heard a gritty a gritty desgaradour of the little and he thought that was that he was there
06:43 because there there but never encountered a little. This type of things that he yeah
06:51 conscientently the say that he's always with the fear of that the mico
06:58 regrece because yeah he lived his mother that was he was he passed
07:05 to his and that he's he's that he he he he
07:11 he he he he is that you is that one
07:18 one a person me He told something. Ah, these, these people
07:22 of where are? Del Salvador. Of the Salvador. One person me told him in this
07:28 the voyage that I've mentioned, he's he's in, he's in, in the
07:34 United. The fact, he's a much, much time living in the States
07:36 but he's originary of Venezuela. Me said that in Venezuela
07:41 there, there's a entity that's he's he's like the
07:45 salvage. Literally Finally, it's the description that you have asked to add to the Miko. You know, you know, it's like if it's like a mandrill. It's enormous.
07:56 But the mandrill is small. Well, there's, there are some very great, no? It's like a gorilla, but the gorilla is different in its structure.
08:03 But the gorilla, even, as it's like always a four patas, it seems that's more bad than a person when you're more high.
08:09 It's very high. And a mandrill is very very bigot because it's equal to four patitas,
08:13 but when it's part, exactly, it's a is a lot. This is like a mandrill
08:17 of the bipedo very old like if were a person like a person but he's that the
08:23 car is like a chimpanzee it's like a person like a person and that they're
08:29 and that they're and the and he says that his father was with the father or
08:36 something the thing the thing in that they're in that he was he was
08:41 coming between the plantas so He was so, so, and he was a salvage, the salvage, started to say, because there were reports of that he had robbed some of the children, and those
08:52 saw and he was he started, and then the father of the abuel, I gotro, piro, and they started, so, he started to venting to the people, he was to venters to the salvage, he's he was going, so he gotro to his son, that's the aboel to this person, let's, let's, and they start, and then from the cello, the
09:14 salvage, he's aventable, let's have been, okay, the saloches, no? The saloches, too, you're all right, so, you have you, they've vented, but they've also, they're entombed, too, pedditas. So, are tremendous, the salutes.
09:26 You're going to, even, the petrits. O'gian, if I remember this episode is special, because it's an episode that has to have to be with the momas. So, it's.
09:36 You know, yeah, that they're that they're part principal of of the history. Because we're
09:41 in the special of the day of the mother. And if you're like the episode,
09:46 for favor, don't forget your power like, a
09:49 comment, and share with your and your and now so
09:53 me to be very very. Fidate. This this history
09:58 is, because I'm going to start with all, I'm going
10:03 very very very this story is a mom
10:07 and she's our friend our Gemma Abile's but Gemma Abilez yeah
10:14 had made a story before made a story that's called Angie
10:19 this she's shema Abelis and the history the title Angie
10:25 the muke yeah not only so she's moving into the
10:29 house the the man the man she's in the
10:31 house in the night or in the day, no he can to try her. He limped
10:37 the manitas and the polo, he put it to look there. The days passed on she started to get her little to
10:44 her own and she was sure in the door. Until that one night, a night he,
10:50 she said, and she said, I'm going, I'm, in my imagination. This
11:04 this was the part the part more of the door. No manches. He was Paro of the
11:10 camera, under the feet, it took the piece of the side, and trembling, in the
11:20 light of the lampa, opened a little bit of the door. There was nobody. But in the
11:29 piece, there was the moñica. No, that's with the hands of the
11:33 little and the piecescet of the little to say. This that I
11:38 say, I'm I'm just I know, she, she said,
11:43 that she He heard, before to agachers for the muke, not proven of the
11:49 muke, but the environment of where was at the other other other side,
11:54 three times he said, Moma. And that story is in the chapter
12:02 that I gave with Fermex of mukees or mukees macabros
12:08 or something. But was referring to these muny of these relato.
12:16 Let's going to to leave a brevissimo resume but for you have a context, she receives
12:23 a girl that's a new year and she she's a she's she's her name
12:30 she's a talk, she's to be up to back, etc, etc.
12:34 but when it's he does know that the one has a thing
12:38 has a kind of to talk the door but like when she
12:46 He's open the door, no there's nobody, but there's the muke Angie there, and in a moment the muke, he says to her, the mokees no one-law, no is a mukechia that has a battery, mom. For this story is a mom, but
13:01 there's a question of a noyo that's doing in the patio. So, we're we're going to get to desacare of Angie, the people's to do you know what's to do desacere of Angie.
13:16 And it's important mention the next. When you desaces of something, it's a
13:20 way professional. That's that I've commented a lot of times to the people who
13:27 are the mortals, not? Not it's like simply this idea that's the idea that's
13:32 that's all the respect because obviously all the comments they're
13:36 but also also they respect in the fact that they're in the
13:40 not for not for not not create in the the idea of the the No, that's not.
13:46 So I don't want to believe in the grip for never to never to never. That's, for one part. For other,
13:53 okay, then if you make a brujury and I'm on YouTube or in any place, someone me
14:00 says, no, well, you know, and you're a photo of the person and you
14:03 and you're to get a morgeria? No, no, no, there's a one thing,
14:08 a object that's a maldito, then, so, not only only like you're
14:12 like you you're, and then. Sure. We'll send this story. Repet
14:18 Moma of Gemma Abilese that's the continuation of the story Angie, the
14:23 name of the man. And he said, hello, Fepo, no
14:28 see if you can you do you know, they're in an episode
14:31 about on a little and they're a reference of
14:37 the the man of what had passed and just
14:40 that that that doesn't a conclusion simply I'm interested in
14:47 desacermed because me doeser my because me do you do so a day in September of 24
14:56 that was just when we're we're seeing that history and then in December of 24 we
15:06 we're we're we're not we're before that we had we said we'd say we'd have said we've goted the
15:13 story she, she decided that if is she has to desac of the Mouche.
15:21 This occurs in September of the 2004. And he's that this decision was
15:26 super difficult because at the more it's difficult to a context that the
15:31 people can't understand but it's like you your familiar. So,
15:37 there's a new there is a one exactly. So, because
15:42 the muke he said mom. So, for her there's a
15:45 and it's a little bit of a little bit. So there's a little really. It's a great-
15:51 a great- he's a company, he's been and he has been something a man,
15:56 the muneca well, she's kind of she's a error, but he has to do it.
16:04 A. night says that he gets from the work, and he gave to
16:07 Angie, the muneka to the patio, the that's that's and that's very away that's a lot of
16:13 and that's a lot of trees, it's like a lot of the forest in this place in the place
16:18 in the place. So, there's there he preendio a muke. In the other to
16:25 ask a person that, that said, how desacerser to the way of the manera to the muneca,
16:34 and let's be he put her fire and the enderro in the place that that's
16:40 mentioned in the comments that mentioned that mentioned I that
16:45 was a little a little to be to be an adult
16:49 and then in that that he preend fire and then after the chamusca
16:55 the endier and the he and he he's there he says that
17:01 says that from the moment in the he took the decision she
17:04 she I felt that something that was but
17:08 when he He started to verit the gasoline and then he preends a fire? He said
17:14 that was something because the muke produced a noise like if grittar
17:21 but not the grito of a little was the girl and said that was
17:28 that was that was that was obviously the muke not no one didn't a book
17:32 to be but the plastic the the plas the tels for
17:37 some reason, I said like a silvido that was a gritty of a woman
17:42 that was feeling much much a lot. It's that it's that she kept paralyzed
17:48 seeing how she chamosk the muneka but then it was done it had put a fire
17:53 and then that night when she was to be to be to be mad she sentio was a
18:02 guilty, I'm caught a person imagine imagine this Angie
18:07 was the the only company that she had when she had when she was the only cause a person that was
18:16 to tell you to tell you what he said what he was akeh what he was a what he
18:22 was a her company and that that night he had had preended in fire well
18:29 she he he he he he and of that
18:35 that same night when when he's do not, Sient something that does that she gets that
18:41 she's a bit of the madugada and there a free that was very very strange because a
18:49 past of that in those in the place in the place, in the place, when
18:54 she went to get a night, she sent you that the temperature down. And when
19:00 he was when it was the Tant to that's that'sperto. And when
19:09 I was there and when I think he had made the window that he had made to
19:17 the room, but for when I went to see the the window be that is there and here
19:24 I'd want to make you an notation in the history pastada
19:28 she she mentioned that has a thing that's a lot of not put a tautofovia
19:35 nictophobia. Nectophobia is a fear to the night, to the and she
19:40 doorme with a tenue, but doorme with a light, never, never,
19:45 I'm in the obscurity total because if not you don't know to do that they put it to
19:49 that lus that luset. Exactly. So, she, for that could be a ventana
19:55 and the window was never, so the only that he thought is that was that
20:00 he had a relation with what he had that he had been a
20:03 and then he said well, yeah, I'm going to do to do me. He got to
20:09 get to see the light of the light of the that's a night and of a and then it
20:16 was a oh, what fear for her if she has got you know and let
20:22 in the obscurity. Dice he said a panic horrible. Oh, horrible.
20:27 And his cellular he had left so it never was like it could
20:31 be to turn and to turn it. It's was And he gave much Mewo'er what was
20:35 going to be He was going to get a need to get a Nectophobia well, it was a total
20:41 obscurity and the only that could pass for your mind the moke He said he said
20:48 he didn't know if the paralysis of the surgery because she was to get a
20:54 start that was that was that was that was that was got to
21:00 get to get to get to and you to be maybe a penit so
21:03 so So, as it was a paralysis of the sun in the obscurity and with that had passed it, it's never the eyes with much force as if you're going to to pass the paralysis
21:13 of the suno so can't get your cellular. And when it's with the eyes closed, I mean to
21:19 to hear a sound of that was what was what had lived when was a little.
21:27 Something. Something that had the door of her But, but a other
21:34 came to the sound of the sound of the and after of this
21:39 he was a new sound this new sound that even she didn't have the
21:45 she had the the peria the room began to turn
21:51 and she she was how the metal was and and
21:57 the So, the minute, it was on the click,
22:02 and then the door to be to be and he said, he said
22:07 he's he could not to be to be and I was only
22:12 I was I'm so I'm a voice a voice infantil that he
22:18 said he don't me remember mom and she she
22:23 she was that was much MEDO, had a scalofrio, and as well he could He said, in his mind, he began to roguer her to pay her pardon. He said,
22:36 I'mg, I'm sorry, Angie, I'm going to do to say, I'm sorry, I'm, I'm Siento much. And, of a boceita responded from the door. No, you know, because if really, you'd have been made's done. Now you'll see
22:56 the consequences of your acts. Wow, what? What, what? What? What? What? It's a door. Wow. And when he regress a light,
23:15 she, moved. She moved. So, it's soelted of this sensation of the paralysis of the sunno. He said that he's up, of a goal, he was He was crying, in panic,
23:28 he was held culpable, and he thought that, that maybe, only was a question of his imagination. He gave it so much that he didn't even to open the door, because it was a cerrade.
23:41 He met to the cobbidges, he made a bolita, and he was done. With much fear, but he was considered the dream. At the morning, the next,
23:50 when he was when he was upogeo, he was up, he was a much MEDO RECODD
23:55 all what had passed. And then he went to revisit the
24:00 door. Abre the door and discover something something that's
24:05 that the door in effect There had rascuions like if an
24:11 animal with garras would have arragnated the but
24:15 a at an little a little like the muck and they
24:21 were part of your imagination really had occurred. Well,
24:25 well, she had to go to work as and she and being that I have to do you
24:30 do you have my life he's he's got to his job and he and try to do
24:36 do much things to think in what that had been when he he goes
24:42 to your house that that's the nightceal since that
24:46 before before that he's that he comes coming when
24:51 there there's something to the entry of your and he's, and he's, he's, and he'sler, and so,
25:04 after that he gets, and he'll observe. It's something little. It's the man of the
25:10 muke, Angie, in the door of her house. She observes this, and I hear for a
25:19 brief moment the murmur of the muke, that says, Mom, says that something
25:27 something He was He was And he was Aterrata She was He said He said a bad
25:36 He said that He never never had He made Heemned a His best He was He was
25:43 He was with much Medo He gotch- He took He took the Mano He observed
25:52 The manita Chamuscada He Heppo Heardo Heard He'd No me
25:58 you know, you're you're just you're Angie, I'm arta of you. He tore the man, to the patio,
26:10 the most the most he was he put. Entro, he left the hands, but in the
26:18 the front, I know that this was he was he didn't that he felt he was that he
26:23 was going to get into he was to get that that energy that's alhate. That
26:30 night, now he went the temperature he went the eyes,
26:37 observed the window and I saw that was what was when he was
26:42 when he went, and again she went and with the dark
26:47 he went the horror again the rugs no can't
26:54 move the the and she he's he's he's the muke
27:06 but now it's different no he can't move only the eyes and I
27:12 hear some a little and they go and you can feel like something he's
27:21 part to her and this that's that he he's he he's
27:27 he he's that the alient was was pote
27:38 fact he was you can't feel that exhaled that and then he was
27:43 to reir and then she said she said that he did so, so
27:57 fear that she dismayed when the muke he said mom she
28:05 simply she disvancy she desmoy said he said he was
28:10 he was he at what when he and regressor the light, nor who closed the
28:14 door, no he said. Desperto because his telephone cellular was son
28:18 was on. It was a vibrant. And he opened the eyes, saw the door
28:24 a door and the lightcett preendida the sunned, and the telephone
28:29 sonating. It was his her mother. Well, and we said, I received
28:39 the poor notice of my life. It was my her mother. And me
28:46 commented that our mother had been said. The mom left the key of the
28:57 gas of the stufa without and he went to do to know. Well, obviously,
29:05 he was he wasperto. He said that he he was like never. Because in that
29:14 moment he did count of something. Angie had had completed
29:19 his So, So she's. And she and she's the and we're asking us if he had conserved
29:30 Angie if I had been submitted to the entity in the muke, her mother
29:38 would be wow I, uh, I think yeah, I think she,
29:48 I'm, from my point of view, because because, well, I mean,
29:53 I mean, the people have to to diecer. But I think that was the moment
29:57 what she was to think it was a amazza. There was that manasse
30:05 and there was the question to her so the important is that she's
30:11 that she is a question. She is culpable of the death of her
30:20 mother or forget the molley that And that's perversome. For part of the muke.
30:28 For part of the monke. Sure, for part of the entity. But she, as start to be talking to the mucke, during years, contending things, tratanola as a like if were an
30:39 mante-vibo, that you can't hear, that you can't hear that when comes to talk the and to say, mom, to her,
30:48 is an entity that she has been having even down without? Sure. It's been Firt.
30:54 Yes. And the Kermarla if simply the libero? Or what what was?
30:59 No, I think she should have asked how destroy that because really the
31:05 muke not is the muneka is the entity that has the there
31:09 and she had had been asked to a more professional with
31:15 people with experience how I should to keep
31:18 the man because they think that with the Kememem
31:22 and and no Because also, because also the interro, the
31:26 the earth purified, sure. But the mal, the entity, what is
31:33 with the entity? The is an object. The muke is an object and the
31:39 entity never he's that's that I think, I think, I'm
31:48 to think, as how these entities is, it's rare that's
31:52 that it is that they're that they're, but in really Because not they're
31:57 Because not they're like, I don't go directly The entity and you Aorca, but they're little, like, so they're
32:04 the key of the gas. Countate, you know? How do you have to be doing? No? So,
32:11 are more more, things more Ligeria? Well, there are that are that can
32:15 intervene and can abhorca. Well, yes. Of course, I'm in other
32:22 episode that literally that's so does. Yes. Yes, in
32:26 has to intervene. And of that the next story. Ah, yeah? A-huh. A-huh. Tell us. This story
32:34 us envia Elva. Elva is a person that, of some has suffered with her
32:43 family, her menas, primas, tias, her mother, a maldition. All the women
32:51 of the family, allas. They're Biodas, Solas, and one of his children barons, falles.
33:02 This is being repiting and repitient, and obviously, he went to that part. But here, she had,
33:11 she was prepared and was a child. Imagineate, seeing that the other had been fallecided.
33:19 She was the key first was the first in a clove, and then they were on for the
33:23 the The first. So, so his son was a baby, a little bit, of months, a yearnito, more or less,
33:32 and he was there's a there's a baby's, to give us to eat, and she was she was preparing
33:39 the papilla. When he he starts, the little he gets, a, like, guturar,
33:44 desperated, and, effectively the man is being, that's a sensation of that the
33:51 the child is aorke when she when she he, he's all the
33:57 thing he's and he he's to get to get to get to get to the perikara
34:03 but no can't like something that something she was
34:09 conscious she was she was she and he he's to be
34:14 and he says the he's that the little he was He was trying to
34:22 to do you and he was to insult to say, he said, with my with my little
34:27 you know, so she felt a lot of a lot of his child had been to have his wife
34:34 but not to her not to not a baby. Pasa the time and
34:42 had a little a little the baby was but the little
34:47 grandesita was with the mother was She saved the but the the little
34:53 the little the little the little the girl the other the little the little she was going to
35:02 and when she was going to because all they were you know it you know it you know that this
35:19 could be a great to do you know that's a little bit of the other than She always luched this mother for protect them. It was like all over concluded. She had been afraid because her kids were adults and had much fear that this maldiction would still in the family. He said because,
35:38 although we are conscious, no you know in what moment they're going to attack. And no knows if you have the capacity to play with these entities that you know what is because not it's that you have put on
35:53 a person, no, you're talking about to a maldition. She's she was a maldiction she's a
35:59 company with some end of because how it's possible that she she had to have to
36:04 love to her children that's there's there. And she she's she cased
36:11 again and she always with the time of that they they're a
36:15 other other episode. But obviously, I would have had to have, but she kept with the fear of that this were in some moment, for that finally, like all of their family, women,
36:29 are they allas. Or, very sadist, for the pern of her baby. She had saved that, and had much fear of that this would be to occurring,
36:43 thinking that this now is going to go to happen. Pase the time, and not It doesn't much that what's
36:48 what is, I'm a month, I'm said, I'm
36:55 in a situation very grave. No I'm what what
37:00 happened. What's he asked? My manches. Why I'm
37:08 for your life? No I'm more. Here the important
37:15 is that finally they They're allas. The maldiction still and your fear is
37:23 a divorce. No, that's, the fear. His children. But your children
37:31 are still? Yeah. But still is a, you can say that they don't
37:35 have a family. Exactly. That is the fear that they have. And they
37:42 obviously are prepared for that any event. But imagine you can't
37:48 to sleep thinking that your baby they're going to attack and it
37:53 is what you think because it's a maldiction this is a maldiction that
38:00 can manage entities how is possible a a maldiction
38:06 is it can be generational well so so
38:12 it's a attack a various generations the question is
38:16 because not not the Vibra that's that's a disaster
38:22 family. Because a entity that has what has a little I'm not I'm
38:27 not I'm not because the entity is the that's like attacking because
38:33 you know because you say you you know so at the more but who didn't
38:37 get to who? Who the who was the plight of
38:41 how if was the person that did it that did the
38:47 maldition? No I had occurred but it can't be who said, who said, that he
38:54 wants to that's, yeah, it's all right. It's atorada, yeah. No,
39:00 I had occurred that, but it has been logic, if it has a
39:05 sense, that always that's this history that I want to let's
39:10 yeah, but now now, now, then now, I
39:12 should, because of this way, it will continue. How many generations are of that maldiction, no you know,
39:21 you know, I'm it seems that in the quarter and they're in three. Seven. Wow. Yes. I've, some of the person?
39:37 Yeah, I've commented. Yeah, yeah has many time that, that's, that he said. But no idea that had worked
39:45 to defend her his kids. Yes, he was to do to do. No,
39:51 he was with one, then he's the real history of the people that's the deviling
39:55 with the mother. Literally. Yes, they're with them. They're they're playing
40:02 the pain when they're when you know, when you're my respects. Because in that moment
40:07 they're the fear, they're any need, they're any, the feeling
40:12 of the panic, because it's It's trying to defend to their kids against what
40:17 they can't see. So, but that they're in. That's, because there's,
40:23 because there's because there's things of things real, not? Like the the
40:30 case of the senior? Yes, yes, so, yeah, so, well.
40:35 Like, the case of Do you a manchita. That's you can't narrate what was?
40:40 Yes, it's something but the fact is that was incredible
40:43 this situation. The lady was a person major, and had various children. She had a lot of her youths, when had his children
40:53 little, they'd have in the cellba, in a community per'd of the in the cellva. In Campeche,
40:58 in some place of Campeche, in where she had cairdos, cidding cerdos, those criabes,
41:06 those was her marido, or she also cargaba the animal, mataban,
41:11 and those were, that was, that was their part fundamental of them to get to the
41:17 life, apart of to be to be some some things a good day,
41:23 his his little and he grits of one of them, gritos, they were in
41:28 the cellva and when comes when he is a tigerio that is of the
41:34 area that's more that's more more it's like
41:38 an ocelot a puma more more more than those
41:42 I've seen those the time are great. Those have seen one
41:46 that's a bit of the carreterer well, we've seen wow, that's good no.
41:52 I mean, because we do you know, well, well, well, well, so he
41:55 had a little little had to the little was a rastering. The other
42:00 was in grittos. She took the first that put a palo and he
42:06 went to the animal. The animal he made sarpasos because she she
42:10 he important and he a Gulp, he rompio the spina to the
42:17 animal, until that finally he was the his leg and he in the
42:23 soil, he got it, he got, he said, you know, he got, he got to, he got to
42:30 the pyrrillo, so, literally, this woman he, matto, for salvage a little,
42:37 he? Literally, he, that is, he? He was, no, he was his brother, no,
42:42 he was his My son of Joseph. Uh-huh. Because he had a Jose, to his brother, uh, were two barons and two women, but I
42:49 saw the cicatrices of his, I mean, because I said, uh, no, so he'd be in the pierna,
42:54 the, the cicatrice is barbarous because he he got to a little. And so he did so, but to
43:01 start a little to a carbele, you do fear? It's, yeah, the animals
43:05 are of respect, I, so, and one of these one of with a palo.
43:13 No, and as she was and as the press, the she was, she was,
43:16 she was a man, and I'm a good, so I'm good, sir, so that's that's
43:22 that's so. Yeah, that's okay, this, me had to tell you
43:29 a story. Yes, this story is the call the Calle and the manned
43:33 Kimberly Gutierrez Sandoval. This this story you're going to to tell something
43:43 because it's shortita but it's super interesting much fichie that one day was this
43:51 Kimberly she had she had heard not that he's not that she's not
43:58 she's a her mom she's to tell to other person this
44:03 story that that after that then after he never to her
44:09 he's really really the attention because no I'm really
44:12 what on this story. I've heard a mom about
44:16 a woman but that he was like so well
44:21 it's a one one a one a very
44:26 very very and the mom and that sometimes
44:30 when is when it is like so the wind
44:34 so kind so kind of and He said, Kimberly, mom, what you have? What happens? Is that I'm going to hear it.
44:45 I'm not going to quitar. Sigo, I'm going to getar. A who? To my brother? To your tio? But my tio is, well, but no I can't to hear to hear it.
45:03 And she'll be very attention to that. So, one day, the tio, He He went to the house And Kimberly's He said Tio What is that That's that history
45:16 That never My mom That I said That he says that He said that He was always He was always He said that
45:27 He said He said like in silence A moment He gave the He said I don't want to That's something That's something
45:43 That's something That's not No matter And then That day So, that day So, he went to
45:54 get the cell. She got in the She got in the She went to And the Pantalones For the position
46:04 in the I was With the pantalone So it And the Tio had been
46:10 The Tos Evidentement And the Tocetines He had So, he And the Tobio
46:15 And the Tovio And the Tobio's And Noted that had a cicatrices, well, very marked as and very feas at the altitude.
46:24 She obviously, with much curiosity, she asked her. What is that? And it said that it was like if two hands, the rojo-bibo, he would have taken by the tovillos, and they were made up.
46:36 In that moment, no comprehended what it was. But, at the day next, he was with the mama, and he said, Mom, tell me,
46:46 what was what was. no I don't I don't want to I don't want to but mom I saw I saw the
46:53 in the in the tivis of my tio and tell me what was what happened and the
47:00 mom he said this story and it's that in that in where
47:04 they're they're a people called Ixpalino in San
47:09 Ignacio Sinalo here here in the Republic Mexican and
47:13 and this occurred in this a little the other people, repito,
47:16 expalino, when the mama had 12 years. In that then, the mama, with her herman,
47:25 gemela, hermanito, the tio, and other children, that in total, were seven, well,
47:32 they're going to play. There's a little, obviously, for the time, you know, it was like,
47:37 it was normal, to see these groups of the houses or the departments are, and they were
47:44 in the to get to do you, to play. And they were to, they were to, they were to, they were to, they were to play.
47:51 Well, this was there was the life of, this was the little, her man, gemela, and her manito,
47:58 and the other children, I'll, in total seven, and they're to get to play, and in this
48:04 in this town, in Expalino, there's a callion that's that's kind of,
48:10 like, what, what, what is, like, like, about, about,
48:13 two meters of the long, uh, for one and a half of so, is it's very,
48:19 very angostito. That, that's, um, Callejoon, for that can't make an idea of how it's,
48:27 if you can see the the alleyhone of front, it has an arc, that's that's the only arc,
48:33 that's the one is the answer the callion. That arc is a one side with a
48:40 little with a ground, that is a vacio, enraged, where there's a, like a patio, with an arbor very
48:49 great, of a house, let's the part of the house. Okay? And, and the other side is a
48:55 house that has a decade, and in that then it's a decade, that was a backer. The,
49:01 the arc, like, that's a lot of the house, like the house, so, the
49:08 house, it's, the, this calle so, there's, that's, there, that,
49:10 the arco, The children, well, they're playing there, there's a parkecito and et cetera,
49:16 but there's a little that's that's a group of little that's, that there's
49:22 that's only the only the only the people, and they're like, what is the
49:31 game? It's the game of the borrego. What they have to do you are you
49:37 start to the entrance of the alleyjong down the arco
49:41 corren but not very very it's like tortar for that
49:47 the borrego can get and they're going to get grittando
49:53 chin-chin borrego if no you don't go when when you
49:58 get in the middle of the car because if the borrego
50:02 those can't you they're not they're they they're
50:06 and the children said in serious? Yes, of this new major. If you can't
50:16 get to the other side of the old old of the bollrego and you look you turn to
50:19 in the hallion you can you can't see phantasmas things raras or to
50:27 the borrego so the children said we're going to go to and they're they're
50:33 they're they put down down of the arch of the carjeon
50:36 one two three, and they started to go to get to until get to the carrizona
50:43 and they're going to and grittalding chinching borrego if no no I'm chinchin borrego
50:50 if no go chinching borrego if not you know they're they're
50:56 they're and they're and get to the other side of the other side and they're
51:01 and there don't there we're we're not we're not we're one two three
51:07 chin-chin-chin-borego if Chin-chin-borrego, if not serve in the game, you know, we're going to be and they're in the middle, corran, and they're,
51:13 another way. Nothing. One way more, they're going to return to return, other way, and it's a wind to soplers,
51:24 very free, that is what always will record. One, two, three, chinch-chin-borrego, if no-hue,
51:31 chin-chin-borrego, if no-sales no-juego, corran! Corran, corren, corren, corren, get at the final. And they started to hear a gritty, no! No!
51:43 In the middle of the Callejoon, his brotherito, he was a parted, yurrant, grittando. And when they were, what happened?
51:59 And they're going to go to the regress for the Callejoon? When you're to where is the little little, he was to the rodillas.
52:08 It was under in the cement. Oh, that's horrible. The cement had roto and the the earth was trying and he was
52:17 desperated and they were, they gotrary to his little bit more and they were and he was he just said
52:25 he said that he was rogo and he loo and he lochal with all those forces and he was he was
52:32 there was like and he was and he was and he was he was and he was they were
52:40 they were they were and he was And he was just hallab and he lo, and he lo, and I felt that they were not to put. And, of the re-penter, it was so, the force.
52:49 He said that I'm going to to explain this to his papas. And so, his brother-tick, that, that, he, he went,
53:00 and they were running, corriending, well, the other he was in shock. No, he was to
53:09 laugh, and in his tobillo. some that's made made made made made
53:15 of a little that they had been about they had got to do you know
53:24 they were back back to the not the not convinced
53:30 the the man they not he said that
53:35 that night was the the poor of her for her
53:40 for the for the but especially for the, for the little. It's like a situation that it
53:47 costed much work as children, maintain it in secret, not say nothing, not to
53:53 never to play or go to and get the moment in the day, then they
53:59 they were to come in company of the mom. And be to her little
54:05 to cry in silence while they were going to cross that
54:08 Callejohn because they had promised to not to say to the father. Until that with the time,
54:14 crecied and it was like an anecdote. But, says Kimberley, he can see after
54:21 after the history, that no idea. Entient the reason for the child,
54:28 his he doesn't talk to that and the mom when the wind so pla.
54:34 Recurred the grits of the grits of his manito. Wow, what story. Is, right?
54:40 Yes. But how no, they did you know, of the markers in the topillos? Well,
54:48 I think as a little you, you know, you're but it not? What's
54:52 he said? Well, so, he said. Yeah, like, no did it.
54:58 It's that I remember like some things that were paranormals
55:03 when was when I very chico and I I'm sure that I'll
55:08 have told like we weh weha that wehah wehah that's in the
55:13 department of the Greco and I remember who I remember who I was I had
55:17 I was 10 years more or between eight or 10 years and we we used
55:23 and I we had we've used and me reganed but I mean
55:29 I said I so I said I so I don't I'm not sure that the
55:31 other children and they were to his papas. No, I think. I think no.
55:36 No, no, no I don't. When we when we're just a voice, I don't. I just I did you tell me, but no. No, and it's that with the wichia that I have much careful, but
55:46 or with the tigera, not also, things that are many things. And this of the Chinchimborrego, if no, is like,
55:56 is like, like to attract a demon or something? Yeah, like Maria sangrienta, like Laura Tigeras. are invocations are invocations
56:09 although no sale a burrejo I think the invocations have to with the sound
56:16 the sound that is the that is the that is the fact of repitient repitient repitient
56:24 and they have been a portal and some entity and the energy of the
56:29 the of the of the of a child and and all and they're
56:34 like and they're like predispuited to that something are going to are very they're
56:40 they're like when they're there's there I'm nervous I'm sorry I'm
56:46 yeah yeah was the there was over there was rota and he's
56:51 and it and the and the yeah he left all the he did he's
56:56 probably yeah it's probably this me it's kind
57:01 but it's like a anecdote of infancy, no? Yes, as many more, the kids who can't, some of them can't, but how many more do they're present and always like a secretito? Because there are things that not can't tell. Oh,
57:22 you know, to tell us a story of terracorough. Very good. This story She's called Abrazo and not she's she's
57:34 Wendy Luna this this experience she not she
57:40 she she narrs the story of her her her
57:45 with an amist with many years of amistate
57:50 and for she was a barbaro what lived
57:55 her she she lived of of, young, because Mariana
58:00 is major than she but they're very good amissed. She was in the
58:06 haulas, so it's called the community, so the community where
58:12 was this Marianna, her her her her was a a one
58:16 a kilometer and you and where she was she was one
58:21 and the other but they were because Mariana started apart
58:26 that because they were in small places, Mariana entered to work in a a two spaces
58:35 of their house, what they they were more a situation very difficult because
58:44 her mother was and a she was and he was he was some some
58:52 other, there were one with one is that her father was alcoholic and not if she was responsible absolutely of nothing in the
59:01 house. Her mother is a unferman, she had to work to make a clear that
59:09 also that's her man, well they're they're in a way of an financial no,
59:15 she no, she no she no she's that all he was to do to be
59:19 to want to to her mother but but a good day
59:23 the mother He was a mother, for Mariana, it was a terrible. It was terrible. He was going to to work some days
59:33 and he was renunciating. The depression he was he was up he could get of anything. No,
59:41 he had got a a , and was a carer great. His father,
59:49 where was the the father was a little to this little bit of the actually was
59:55 a lot of the brother was a time and then he went and then
01:00:00 she was she was she she said she was so angustia that she would have
01:00:06 to her went to Wendy she was because she was completely deprimed
01:00:11 and encerated so Wendy tried to get her to
01:00:14 get her and she making to be that she would be
01:00:20 to work and she said that was much her angustia, that there were occasions in that she had no knew a angustia
01:00:28 very strong, much desperation. She was she had been with the ventana open, because one
01:00:33 had a ventilator, but I felt a much, much, a lot. Within of that
01:00:39 that same angustia augmentable the so they said that said that was
01:00:43 that was to get to get to get to with the roba mojada. To be
01:00:49 so not not feel so much not he's not a good day, she'll
01:00:55 tell her she a Wendy, that a good day, yeah
01:00:59 was a got had had mojado all the stuff
01:01:03 was very bad when he heard of a
01:01:07 per he was a one and those communities
01:01:13 have a river that pass-sercano and he a little bit of a perro that was like to
01:01:18 the rio but jadea much as had a lot of she had to she'd and she'd and he
01:01:24 said he he's in that the perro he took when she he was he went to
01:01:32 and she looked and she he was to the window when he he was a
01:01:37 little was a girl was a she was she went to be so it's
01:01:41 so the perro he gets in the window and he
01:01:47 starts at watch jadeing more and more and she she felt that the
01:01:54 the could cause cause a cause a cause a do he was he said
01:01:59 that never had never had never in all the time that was
01:02:04 it was her never except that the perro was
01:02:09 a little strange her his rostro was a and jadea, jadeaba, jadeaba and he looked.
01:02:16 So, she went, she went to, he went to, he sentio much fear, as never said, was aterrida because presentia that the perro not was good. That there was a little. In that moment, when she was in that terror, in that panic, sent you, that someone sento,
01:02:36 sent him the peso, the peso of someone that she sento. She had much fear, and she was so that that's that's
01:02:46 he sat and he and he and when she was and when a comfort that
01:02:54 never could have imagined because in the moment in that she
01:02:58 she the in the camera think in her and he says
01:03:04 my my my my And help me. Help me. And sent him the Abrazo.
01:03:14 At the part of that moment, to the day next, Marianna changed. Another again, he was going to
01:03:20 have to be back, he, he, he, he, the brazo,
01:03:27 think, that was of his mother. That's, that was to protect of something like the
01:03:32 perro, that was simply an animal, but that's know, because she took
01:03:37 much a bit of and a part of that's she's back to get his life
01:03:44 and he he's because he was her mother, not only that she was
01:03:49 she was also that was also also of something that was she was she was
01:03:56 that was that was that was he was he intervened and mariana
01:04:01 she composed this this story that the Amanda Wendy
01:04:06 says that He said with much carino because Marianna is her her friend
01:04:12 and says that she she's her mother. I was a moment I thought that
01:04:18 was a man when she was sent to in the camera but not her mom was her
01:04:23 protectgiened her from the other other side she she didn't she
01:04:27 she sent the the thing she knew the she she was she was
01:04:31 she she was she he was he he was she he
01:04:36 he he did So, so, he pitted and in that he felt he he was just that he took to do
01:04:44 if she really she was she had she had traversed between the perro or in the entity and his wife.
01:04:53 Wow. Also. Yeah, totally, totally. Because when she went the person,
01:05:00 she thought in her mother and he pitted his protection. Oh, I'm I'm I
01:05:09 Encanted. Because those stories where your families, transcendidos regressan,
01:05:14 a little to be the little little bit to do you to do you the mother a woman
01:05:19 and the mom, especially is the mother. Sure, and about
01:05:24 to be to her of an entity of an one. Wow.
01:05:29 Because she interposed because in the moment that she gotosted and the braza
01:05:32 she seemed a comfort and she kept dormied. What barbarity.
01:05:38 What barbarity. You're going to tell a story now that I love, I'm really,
01:05:53 very, very human. And I hope that I'm going to get to the people to make a
01:06:01 that, that, also that they're that's where in the issue of the
01:06:06 case, the general to the general to what you think that it pertenees,
01:06:10 duend, phantasas, pantones, entities demoniac, etc. And that, and that we're going to
01:06:19 you can, for supposed, to say, if you want to keep anonym, or that we'll use the name with the
01:06:25 email. I'll remember that we're the page podcastinsomio.com podcastinsomio.com where there a section
01:06:33 where directly can put your name, to write, and there comes a selection of generos for a click
01:06:42 can put it and also put it on a Casilla of I want my story is anonima or anonimo
01:06:47 and then and we get directly we're doing we're doing no no no
01:06:52 no a preference because they're they're we're we're doing a
01:06:58 thanks to that we we're if you want to see podcastinsumno or
01:07:02 or the form habitual Fepo arb Pottcast Parnormal
01:07:06 Porn POM much thanks we're we're this story
01:07:09 this story this is 10 of May and let me
01:07:16 to send our Mr. Rodriguez. The call me peree that I'm a little a salute
01:07:22 very special. Much of thank you to share for to us. Because, also, well,
01:07:28 says that he costs much a much to talk and to share this story,
01:07:35 but that is important. And I also I'm convinced that so that is. The
01:07:41 her was an passionate of the things of the mystery. the things paranormal,
01:07:49 supernatural, and more. Of course, us tell to Esther that her mother he was he was to listen podcast insomnia, podcast paranormal.
01:08:02 It was an passionate about all of the themes extraterrestres. And that one of us he said, that she would that a person
01:08:11 of other world that would be and be presentara and curate of the disease that he caged.
01:08:20 Because it's true, I've narrated in more than one occasion, stories, experiences that me have
01:08:26 said people as like and that they've been made also that have been done by
01:08:34 entities that not are of this planet. Resulta that the 10th of the year 23,
01:08:44 the her mother of Esther fellacy for this this that was lastimating
01:08:51 from a much time. In that then she, she, the her mother,
01:08:58 the who fellace had 34 years of age and then the partida
01:09:02 of a woman so young, was was something terrible for the
01:09:07 family. It was very difficult. The She said, They'll It's It's
01:09:12 It's And with the time He's She's to know with her but he's
01:09:17 that she was she's a way a first the first and that he was
01:09:23 exactly a month after her last of her time She she
01:09:31 she she was to a house of a family
01:09:33 in his dream was when when I was when I
01:09:38 at the house, there was a person sated to her then she was there and she went to
01:09:46 hello good tars and the woman said and the woman said well she was
01:09:56 she said how how can you can't be so immediately in the in the in the
01:10:03 in the so I was she was he was he asked how can how can be
01:10:07 he and he said that when she she was that when she a after that he was
01:10:13 fallecided the her mother lucy impeccable her his cabel was slupt
01:10:19 the makeyja was perfect and he had that that she always her characteris
01:10:25 her his eyes were super beautiful when she was she was she was
01:10:32 she was he was her like much he he started this situation
01:10:39 and he said that even in the I was a dream, I felt like his eyes were
01:10:42 to be the and he he was he was he was he said, and he
01:10:48 he said, you know, we're we're too, mom, papa, our
01:10:54 brother, we don't to think in you. And she the her brother she,
01:11:01 she, also, with much good, and then with much serenidad he said,
01:11:09 and I'm, I'm sure. No, they're to cry. And I'm and I'm
01:11:17 when she he's per so real that it's soyos was directly with her mom and
01:11:24 he told and he said they're like, like, they're feeling a an alivio.
01:11:31 An alibio. Like harmonized the situation. And then And then, he says that, more or less remember that,
01:11:41 maybe in some moment in a dream, like, he was about but it was nothing important. It was not even even
01:11:47 was she was her in a dream or something. But, time after, I've been to be a
01:11:56 sonn't with her. Only, that now, have been passed, and not so they
01:12:00 had been, eight months, since that had fallen had fallen. She said that in this Swayne, she was
01:12:08 walking for a place uncolde. It was dark and it was free. He was coming and
01:12:16 of a repent she did know that that a person was going and he gave much fear because
01:12:23 the place complicated. So she started to accelerate the pass and the person that
01:12:30 was that was also to accelerate the pass and he did
01:12:33 much M. So, I saw a house. And the house had to
01:12:38 open to the door. And then he said, no he said two times
01:12:42 and he met you to the house. And he met you help, help.
01:12:47 And he closed the door to see. And in that she went,
01:12:51 she to the house, I hear a person, and he said,
01:12:58 who entered to my house. And she with a voice tremorosa
01:13:02 still with fear he said a voice and I am sure
01:13:07 me they're going to I'm just I'm just I'm looking
01:13:11 refuge so then the the the main the
01:13:18 car I was going the do and I was
01:13:25 with a gesture to someone somebody got to
01:13:29 somebody was she was she was she was
01:13:31 there was there was And, of the repent, the reconnoisseau. It was her mother.
01:13:39 He'd be a backando in this house, in the which she never had seen her
01:13:42 and when she was, like, my brother. And the her man, he saw, and he's
01:13:52 like, oh, what you're doing? I, you, you're, you,
01:13:58 what you're doing? No, passale, passale, passale. No, but,
01:14:03 no, passale, sientate, sitate, sitate, For favor, you want to take? Sientate, sitate.
01:14:12 For favor, sitet. And she was like, what's going to? And the her mother she was you, Gordita? You're you? And she was in an assombero total
01:14:27 and, and of a bit, like, no, I didn't know what to say, like, I could understand what was going to
01:14:35 because, although it was in a and I was in a dream, and no I was in a dream, she recorded that her mother had been in a year's to have fallen. And, of a
01:14:45 woman, as she was to know what to say, she said, she said, she said, and she said, and he said,
01:14:52 what miracle you know, that you've been to visit. You know, no mom, my, not,
01:14:59 my dad, no, no, nobody has been to visit me, since I've gone to
01:15:04 visit me, she's kind of, like, how, of how you're out of
01:15:09 the hospital? And the hermanda prosy. I don't why they're to visit.
01:15:22 Oh yeah. He said to her her herman, like she going to the
01:15:26 game. But tell me, what has done this time? What has done?
01:15:33 What has done? And the she said to get to the coma in other hospital.
01:15:45 and you I don't know I'm sure nothing of you know I'm nothing of my family
01:15:50 and in so entered a medical and me said that I was that I
01:15:58 could go to go to go to I was I was I was all
01:16:01 confused I not even why I was I not I'm
01:16:07 why I I'm I'm I'm what what what what
01:16:10 I'm but but I'm what what I do now
01:16:15 No, well, you're going to to give to tell to your family that's I'm going to you can't you can't you guys
01:16:25 and you're going and the doctor and the doctor and I was I gotry and I'm and I'm and one of
01:16:35 you know of you guys me contested I'm I'm back and I'm even though I'm
01:16:41 there's a bad and is that no me contested well so if you can't you can't do
01:16:47 you can't do to be I was out and I went to go to the hospital. I was still I was going. And when I went to the hospital
01:16:54 was all confused and I thought, well, to have to start my life I only.
01:17:04 And then I was that was this house and then I went to live here and I
01:17:14 got a new work and I've been working in these eight months, without
01:17:21 nothing of you and said Esther, she was she was listening to present
01:17:27 attention to all the everything. I could believe what was going. How? And when
01:17:34 he was he said a question and he said that he was to control because
01:17:41 he was about at a time to you're and he asked
01:17:45 you know, you know how time How much time has that you
01:17:49 out of the hospital? How much time has of this that you have been been in
01:17:55 she's she, sure, he responded to her. It's eight months that I
01:18:02 had to get to the hospital and I'm going to do my life
01:18:05 from and he said she was impressioned and I know was
01:18:16 I'm so and in the silence that was doing the
01:18:23 her mother, her mother, she said, and he asked, tell me something, why they're
01:18:30 why they're for you? Why they're to hospital and not regress around? And then she said,
01:18:41 Gloria, this that what I'm going to tell is something very very hard. No
01:18:47 know how you're to take. Tal best you you're in shock or something.
01:18:53 But all what you have to come to you can't we don't get
01:19:00 to the hospital. not we we don't we're because you falleced
01:19:07 after eight months you're you're you're a year in the
01:19:12 hospital where we're you felt about the and the the
01:19:17 people they took to get to be you did you and
01:19:22 and then 20 days and then your body you no
01:19:25 no you don't you we're we're we we
01:19:34 All, you extranavus much. All the days we think about you. We're we're trying. Our brother had to
01:19:46 go to to go back to the country in where he lived. I went to with mom and papa
01:19:50 and me to get to your perros. You're you're still. And he's that the
01:20:00 her manna he kept being as he's like like I thought the things
01:20:09 like he could understand and he And then, he said, then for that's not
01:20:22 never visited. For that you know, and you know I'm not sure, you know,
01:20:29 you know, you know, I was he a other side of the the other side, and I
01:20:34 I grite, and I grite, and like he, he didn't me back,
01:20:42 he was, he was up to be to be to be, and I know he, I'm
01:20:47 put it I'm because I'm thought that I'm was that I
01:20:50 was that I'm ignoring. And then I went to visit to the abuela.
01:20:56 When I came to the porton was a car had to and I
01:21:02 began to gritty. Abwe! Abwe! I'm I'm! I'm! I'm!
01:21:09 But also me I don't know what you was to do you're to do.
01:21:18 I'm back to my house. I don't can believe all what
01:21:23 you You can't say, I can't say, I can't believe that I'm my own and that I'm not
01:21:28 going to you know that I'm now. I'd have to get to do you.
01:21:38 And it was too long the dream, demasiado vivid, I could understand.
01:21:49 With much detail. And here here here comes another other thing.
01:21:56 This this not even though he said nothing to her mom no he said to know
01:22:00 he was not he didn't know that he was there was a visit to his abuela
01:22:10 he went the abel she gave and the she said the he took
01:22:23 to talk something the other day I I'm I'm that
01:22:30 I'm that I'm was I'm I'm was I'm
01:22:34 she I'm abue abue I'm I'm Gloria. Aber me. But I knew
01:22:44 that your mother was not could be out of so I'm to pray to be
01:22:51 to be so that's in peace. In that moment obviously our friend
01:22:58 Esther that that not was a dream that she
01:23:05 and is that she's that this story more of what
01:23:11 she has has I was I was that for there
01:23:16 they said that before that they had been done a work
01:23:20 and they had been things things I would I'd that more
01:23:27 that me you did you did you did you did you that you
01:23:34 could we could we're to for Gloria for that
01:23:39 that could be that no I know how time need to
01:23:50 need to have to do you need to take a one, two, three,
01:23:58 velas blan-a- what she has to get her house and to make that those
01:24:06 velas thinking that are for her mother are for glory are
01:24:12 that that not that not that not you do that if it's They need.
01:24:17 No, they're not they're in her. So, it's the light, for the first,
01:24:27 because I don't see, if he has to get a one or two, what he
01:24:30 nasca, there, there's to be one. One for one. You can
01:24:36 take one, two, three, the, the, the, the quantity that's, is instinctive.
01:24:42 If she says one, it's one. If she says, Four, four. Yes, exactly.
01:24:48 What in that moment is necessary and she has and she has left. Prend the bellator and in the
01:24:55 moment of to bring the bellator? All? No, one. Ah, for so one for one. One.
01:25:00 First, he preends one and he thinks in her and he says, see the light.
01:25:08 And of immediate, he resa the supreme architect. This, a hour after,
01:25:15 he's a hour Diary, one hour. Until that it's consume totally. Yes. And if
01:25:24 are more than one when it's the first, prend the second, and so? And what do you
01:25:29 do you think you? And what you need to be? No, I mean, I mean, to do you
01:25:34 don't know to do you to do this. Ah, okay. That's to her, they're pertenes to glory.
01:25:41 So, his instinct you know to take the number of the number of velators. And here
01:25:46 is the Supreme The architector, I'm going to read briefly for the people that not know it, that, in our people that in our networks social, we have the Supreme Architect. But the Supreme Architects is this. This is the oration of the Supreme Architects.
01:26:07 Functionate independently of what your crevency religious or if not you have. That's. Supreme Architects of the universe. make that your light and the force astral
01:26:17 the spirit us illuminate protection us for that the mal never in the world predominate astralment
01:26:25 guide your aura our life spiritual giving us and us and force that opaque
01:26:31 and venza to mal amen so that's an hour a day she has
01:26:39 after after after to think that is for it's for that it's for her
01:26:44 but that no, sople. He can put a plate, a little, a tap. Or with the so?
01:26:50 And that when it's down, what's the tap? Yeah. So, and yeah. One hour?
01:26:56 At the day the next, it's got to it. It's a bellator, can be two, not we
01:27:02 know what we know. Three, four, the three. What she , she said. No,
01:27:06 I think that's a little. Because she said, she said, she said, she,
01:27:11 because, because, because, because, because, she has been. It's doing
01:27:15 your life in your new reality. But you know a sentiment. So, he has to
01:27:23 give to light, is the farro that she can be a and in the
01:27:27 moment to transcend and then they're they're they're they're
01:27:32 to be to partencer to perfect. Thank you. Much thanks,
01:27:37 many, many thank you. Don't well, I'll forget to this episode.
01:27:41 You know to tell the story. You know to tell the story. The story that's
01:27:48 called the Vigilia Sinistra. This history us envied Vanessa Jimenez
01:27:53 Mendes and she she us narrs this this this vivencia
01:27:59 that she took in her where she she has
01:28:04 she, Uh-huh. Uh-huh. Uh-huh. Some, uh, some some, uh, abnormally,
01:28:13 after the 15 years, he was a newbie of the actual spouse. Okay. They're
01:28:18 of nobios a time, and a day decided the boda. Decided the boda, and also
01:28:25 they're going to Veracruz, to be to be a time, before the board, they went,
01:28:30 they went their luna of my and they're, and being In fact, in Veracruz, after a time, she begins
01:28:37 to have a series of little accidents without much importance. But, for example, so,
01:28:43 he torsed a toe, he fell to a hole, a series of accidents, but never there never
01:28:50 there was a woman, and he said. No, he gave a major importance. Pequiocese.
01:28:58 Peculiar. Decentes. They're they, and the day of her boda, she desmayed. Because she sentia
01:29:05 very agotada, very cansada. And at after then, she's, she's, she's a back to
01:29:12 get to be a bit of a little something. Her mother is a suspect that she's
01:29:19 the different and that's the changes. And he says that they're going to do
01:29:23 do you do something. But it doesn't not, not is the Well,
01:29:33 and then then Vanessa, well, and she was really bad, his mom
01:29:38 was worried, and they're to do do you, and now it was she was
01:29:43 embarrassedada. Finally, she was embarrassed. Vanessa began to come to come
01:29:49 to do but it to come to. And in the house where she
01:29:55 lived, with her husband, there was a patio very great. And at
01:30:01 and at the and at the front a arbor she she she's
01:30:04 she's a little and looka and I'm there there's there
01:30:11 she said there's there and she had that there nobody she
01:30:17 she said that she said that's a good day she she
01:30:22 she she she finally she she she she
01:30:26 she she was with the lechusa. The little was just
01:30:30 was a minute and a good day and I'm very nervous for the famous
01:30:35 lechusa that no she was she never the lechus she was pared in
01:30:41 his ventana and she he kept looking to be her I'm
01:30:48 looking and she she was the she when she she's she's to
01:30:53 spantar but the lechus she's still like she And he aghara
01:30:57 his little and he has her chas she's her last
01:31:02 she she's she fell she fell she he
01:31:09 he and he and he and he and he's a
01:31:14 and she not in the one he had got in the
01:31:19 piece he he's almost about the of the camera
01:31:22 Vanessa she was she is because her marido was a night so she she'd
01:31:30 she'd a little after the experience of the the new to the day
01:31:34 next he said to the woman he was this the lechusa was
01:31:39 huge I was I was I knew my I was my
01:31:44 he was he and he and he so he was to do
01:31:49 go to water and and they're all they they're
01:31:52 they're they they're they and they Ago-Bendita in the patio where is the arbor and is to paris to be in lechusa. Terminaned to check the
01:32:00 Awabendita and says that, all darce at the world, o'ernernerrissed of a woman. But a carcachada of a woman, and the two bolted and no-a-n-n-n-n-n-a-n-cass. They're all right. And they say, well, we'll put-hach-aw-bentita in the
01:32:13 court, for that not going to enter and start to doha-boh-bendita. And they decided, also, with her husband, that better baptize as the first possible to be the child, for what was going to
01:32:25 because she was very very astusted. Baptised to the child and the things started to
01:32:30 make sure. Yeah, the lechus not was there. But she kept up seeing,
01:32:38 that she was going, and she was going to, until that one day she, but the
01:32:43 very big very great, enormous, but yeah no was her his son. It was
01:32:48 to observe to her. Then, when she and then she was just about, then,
01:32:54 and then was that during that the lechusa just was her, his his son,
01:33:04 he said, he said that there had another baby in the house, another nene, and with him and that
01:33:09 had a nene in her house. She had a much a year, a day, his husband
01:33:14 he said, oh, well, he, well, he's a little, he needs
01:33:17 a he's a he has a he he She has much
01:33:23 fear that that that that's a nene going to take a new baby.
01:33:32 She has fear of her because the lechus she looks to her now
01:33:37 like if they they were to make a way were to take
01:33:42 to to to take to his new his she she
01:33:46 she she is she she is aterr and not
01:33:50 has much fear and he he's no I'm how you see
01:33:57 I'm it I'm think that's that's what yeah
01:34:02 that what that that that we're that in a
01:34:07 in a time but at the time but at the you're not
01:34:12 you're so you're trying to you and now now
01:34:17 they're not they're they're putting like the invitation of,
01:34:22 and the embarrassate. I'm it's like these stories of the duendes and the
01:34:28 bruchas that are the children. Cient? Yes. Like that you're just they're
01:34:34 the ojillo. Yes. You know, you know, trensa to the mother when I'm born
01:34:41 yeah, they're not car. Yeah, and if the mark he has to do you
01:34:46 because they have been, yeah. And here it's like the the image this of the buo
01:34:52 the lechusa sorry the lechusa pardon the he's always he's always it's always what the
01:34:59 animals have been their natural yeah the lechusa the buo the brou the bruce
01:35:06 a little but here so he's he's a but here they're they're they're
01:35:13 they're so they say yeah he's he says acuade that there's
01:35:18 when When the lechusa can't, the Indian Mueh. So, so So, here the fear is that
01:35:25 when the Bruchus and does his scandals, someone is a and this I was,
01:35:34 I've been with a big, two times he went to the Bruchus to his house.
01:35:40 The lechus. Well, here he's a bruce, a lechusa says that a,
01:35:45 a bird feo, that he has been and it doescribe. And, So,
01:35:50 his He died. Yes. You know, they're they're they're they're
01:35:58 because they're they're because even they're to be to be to be there and they're
01:36:04 they're they're they're so that's that's you're those
01:36:08 you know what yeah no no no no, how you know, the association is much, no? When the tecolote, because so he says,
01:36:28 when the tecolote can't, because also he's like tecolote. And are animals of the penumbra. Those are not animals of the day, of the sun, no, they're of the penumbra. Oh, my time. And you know what? This story you're going to be
01:36:50 to I'm going to you're going to fascinor. I think that this story is the story of all
01:37:00 those that I've told when you've been here insomnia. I think this story is your favorite.
01:37:07 A be it. You're going to fascinar. We're to be. Let's see. This
01:37:13 story is a name it's not it's mom. It's manda our friend Sebastian R.
01:37:25 His story comes very very very his story when his mother Laura
01:37:33 falle said that the world was a was a night
01:37:43 of the day and were exactly the three 17 of the time
01:37:48 when a automobile derap the the autopista that was mojada, choced the front of the automobile
01:37:58 of her husband, Laura, she launched for a barranco. He said that the only consoler that he kept in that moment to Sebastian were the words of a medical that said he said,
01:38:14 no suffered. Fallecee instantaneously in the first impact. Laura and Sebastian have a his. When Laura
01:38:31 Muriou, Julian had just six years recently and said Sebastian, that for him was super difficult
01:38:42 to explain to a little to a termino that he was not going to see to his mom.
01:38:52 And then then obviously Julianne he made many questions about his mom. He asked
01:38:59 if her mom was in the sky now yeah yeah he said he said
01:39:05 and from you're and then he then then then so
01:39:13 trying to overlejav the little a little it was
01:39:19 that things they were to like there was there
01:39:24 at the final of the but then the hour to
01:39:29 the thing All the all of the night of the jubia. Julianne, entered to his abitation, exactly at 3.17 of the madrugat. He said that that vision, that recalled perfectly, was he wased with his pyramid of dinosaurs.
01:39:56 And he had with the eyes abertos, but not was frustrated. He was happy. Asumbrated? He sawbrado He saw He saw He saw that
01:40:09 At his son He saw He was at the 3.15 of the morning He was Papa Moma is there He thought that He thought that he had to have
01:40:22 A pesadillo A dream or something Simply he was Hecarsed the cabo He was He gave to his Avitation to his His room
01:40:30 He was He was over It was a a dream, I, he said your know,
01:40:43 not, Papa, I mean, he said, and he saluted with the man and
01:40:49 me can't like this. He said these words, he did a nod in the
01:40:55 garganta, he he said, a little, sometimes the children inventing things to
01:41:07 get to he's overrelevant. He's he's he's he's until that Julianne's downed.
01:41:13 Yeah, he was well he went to his court and before to see, he observed
01:41:19 the window. Vio the night, the jubia, he went to to doorme. But at the night
01:41:27 the next at the 3.17 at the madrugada he, he waso a ruid and that
01:41:40 the room of Julian he said he's he went and he said that a little
01:41:46 a bird he was disorientated in the madrugated he had been in the window
01:41:52 and he was talking with the piquito so he went and he went and
01:41:59 when he opened the door was was very great of his surprise
01:42:03 because Julian was was he was he was he
01:42:07 was observing to the window and he said that in his mirab he was
01:42:16 with much love with a sonrisota looking to the window that
01:42:22 his presence at the opening the door like Julian he he was he was
01:42:27 he went to be a reojo and he he said he
01:42:31 he he's he he's he he's he's he
01:42:38 he's Well, no there was nothing and he he was to convince him to give him to come.
01:42:47 After that he again, he he'd to be again again for the window
01:42:53 there was nothing, no, he went to get to to be the next, 317
01:43:00 at the madugada and the and in that he was going to get
01:43:08 thinking so it's impossible. It's quickly and opened the
01:43:14 door. And he was Julian sat down in the briella of his camera, looking to the window. Moma me is can't
01:43:24 he said, I said. I said things beautiful but his voice sound a little rarro, like if
01:43:36 he said, he thought Julianne has a problem. He reused to accept the perid
01:43:49 of his mother. Yeah so me He came, a theme of psychologists, yeah, I was going to
01:43:56 come, he said, my, he said, your mom is a good, you have
01:44:03 to do and you go to convince her, and he was to go to and he
01:44:09 was still to be and he was rotiss for there. Triste
01:44:18 now now I had to another with that he went
01:44:25 to his his The night the next he wasperted something
01:44:30 distinct to the sound he heard like susruss that
01:44:37 proven from the fourth of and he he's he was
01:44:44 Julian is Julian is he's he he pressed attention and
01:44:50 he recognized the voice was the was the
01:44:54 Laura of his but the words were they were
01:45:02 and they're and he's he said no there's no no no he's that's
01:45:13 saying Julianne Julianne Julian and he said he said he took a scalofreau
01:45:22 he he was he was he he opened the and he opened the
01:45:28 room and Julian was was between his covichas finginginging that dormia. But she saw clearly,
01:45:39 he was clearly, that Julian was smiling, making's the dormit. Volto to the ventana, perfectly in calm. All was in silence. And that night
01:45:54 he was to be to be there in the fourth of Julian, in a little sofa. At the night the next, he said that he never even
01:46:03 intended to doormir. No, I wanted to know what was going to and he was in his room
01:46:12 and he saw how the reloge when did the 3.17 of the madrugada again
01:46:20 the but in this occasion not he precipit he came in silence for the passio
01:46:28 until to get to the room to and and he
01:46:33 he was he was he And he heard a her She said
01:46:42 that boba song that she had invented to Dorme but she was
01:46:50 Rara Rara. Nailukhanyin I'm my my my liu I'm
01:46:58 Simser Nae Na'i L'H Nailuch To Ruebe What the the song
01:47:12 said to You're my star, my sun and my pan. You love to the infinite. My little, Julian. When I heard this, he said that he felt that he fell in the world. And then he started to respirol. And he opened the door.
01:47:42 The ventana was open. Julianne, he was up in a mobile and was ready to to go to the window. And he corrieu. And he gritted, no, no is mom. And he was a
01:48:01 and he was done. Of the barrage, Julianne, he had the foot in the mark of the ventana. And he was and he began to gritty, no, no!
01:48:13 And he was to cry. And he was a sustado and confused. But if she is she, it's my mom. Me,
01:48:20 I can't, me to come the front, I'm, I'm, no, no is your mama, he said,
01:48:25 no is your mom. and the little and the little and he was he was
01:48:32 consoling and he he was he was there and he was vellando the sonio
01:48:41 that's he was he was he just he just he got what he he put
01:48:49 of the roba of julian roba of him the things of valor documents
01:48:55 he met all the coach and he he He also his son to his
01:49:01 house of her mother in other city. No, he important to that
01:49:05 he said that's that they got to the house of the mother
01:49:12 she deto for complete this that the mom he about.
01:49:19 Yeah no they never to that strange voice
01:49:23 that strange a soceso but it termina his
01:49:31 story saying this I don't I'm to be to make a
01:49:36 sometimes I'm I'm I'm I'm I'm I'm that I'm
01:49:43 most my my my my my son that
01:49:50 those so that occurred in that the department
01:49:53 of the Torre 30 in the Pisso 8 of
01:49:59 the unidad Habitational, Copilco University, in the City of Mexico. How is it? Is it what
01:50:12 did you? The building. The Tower 30. The that was in front of us. The next. The place
01:50:22 8. Where I lived, yeah, I know is, the Pissot 8. How is? Tremend.
01:50:32 A story tremendous. From the moment In the way It's the It's not She was she No, it's
01:50:39 Not her, No Because are cantos Some rituals Arendes That's not
01:50:48 It's good No, even There's been There was There was a There was a There's a Thereof
01:50:54 If you put your music Atreveve They were They're So Messages
01:51:00 Subliminal Yes Messages subliminal So, so, so, so it's considered like something
01:51:08 not precisely very good, no, no? Literal demoniac no? Mm-hmm. Mm-hmm.
01:51:13 And, how good that he was percat that was that was all the
01:51:18 idea? Yeah. He was convincing that he for, to be, for,
01:51:24 to be to her. No manches. And, and he facilitated all, so,
01:51:30 to be to could submit. Imagine from there a carid.
01:51:34 No. No, no, no. And even plant that
01:51:40 all that is cement. But what you felt you were there there?
01:51:47 It's that I lived a socorrito. Yes, it's a good,
01:51:51 I was a good, I've had in the other piece
01:51:55 of the Torre 30. I remember I remember 30 pissos for
01:51:59 that's so that 30-pices. Oh, no, 12 pices. Yes, the Torre 30, because there were various, various, various edifices. So, the Towers were the...
01:52:10 Those were the... Those were the other, they were six? Yes. I remember that one of those amos a lot of the elevator, and when it was going to say, one of the house... One of the other, one of them... One of them were, but it was in the
01:52:25 the edificio 15. Yes. If, they said, they were not torn, so... A story that happened so about us. In other
01:52:33 time. In other time. In other time. No manches. I'm ch'all. Well,
01:52:45 no see. Thank you. Thank you, Sebastian. How did you? How did you? Very well. Reconsiderating
01:52:54 some cases, no? And you're that difficult. That difficult and many many times, we're
01:53:01 a story associated to each one of them. Of some way, we're always something that
01:53:07 if they have been in the Miko, we know, we're not, we're many,
01:53:12 many people, people can understand. When you talk about the mother that falleces, there are
01:53:19 there, they're, there are other records of women that have fallen and how
01:53:23 they're desperated to know of their kids. And that because of a of a,
01:53:31 of a, of a way, they're going to be the people, the people responsible for that they're
01:53:38 these, these, they're not, not so people, they're not, that are
01:53:43 that are for various reasons, especially when are they, I think they're not for their
01:53:50 children, when they're when they're not, I think is something very difficult. Was
01:53:56 your? Yes, and I don't know because it's a majader because it's,
01:54:01 I have in a mode avion it's on. Who knows? Ah, I know because I'm I'm saying
01:54:06 you're just right for you. A right but mom my mom, much thanks for this for having
01:54:12 accepted to come for this special of the day of the MADres in insomnia with these
01:54:16 stories that that are that are so much of years. Oye before before you,
01:54:24 before you can't help you expressandole to the people to do
01:54:29 you do you, what is your email or what is your email for what reason they're
01:54:35 or they're if you want to do you do you know, quite so sure
01:54:40 during many many many years I've dedicated to write that's the thing that
01:54:45 most I'm not I've been opportunity for two reasons one because I've
01:54:51 one because I have a tarot and I'm through it is my media to help and
01:54:57 facilitate to much people to find solutions. I don't say that it's a
01:55:01 perfect, but it's what I know, what I know, and I'm doing to
01:55:06 help to help to help to the people, indicating them they're
01:55:09 doing it and how they're doing, the time that a person
01:55:14 not is simply a letter of tarot. I'm to do
01:55:17 the time that's time that is a time. This me a time
01:55:23 also. This me part of my energy and of all the and I don't I'm going to
01:55:29 my bad. I know that your brother's very much my mom you're
01:55:34 you're going to be you're doing et cetera but no no no no no no no
01:55:40 no no contrary that that that to be to be better no
01:55:45 I can't I'm because I see I'm well I'm so I'm so I'm
01:55:50 so so it's so I'm so but if do do do
01:55:54 much carino atient to those that I can attender and I do you
01:55:58 do to do that I know in the way I'm not, I'm suggest I'm a person
01:56:05 or a other people or a other people we're always we're so is,
01:56:11 so is so uh well so madre much thanks muchismas
01:56:15 thank thank I can say something and if if
01:56:21 if no if if if not if it can this is this, we're cut us. And if,
01:56:27 if they're seeing this or listening this, then we're good on. How do you
01:56:31 see the next? How you see if we public us in the page of
01:56:36 Insomnia, in podcast Insomio, your book, the of these stories,
01:56:42 and we do we do we do, so, we're in these these
01:56:47 poicies, the that you me do you do this, these these decimas,
01:56:51 with the book of stories that are micro-histories and some a little more large, micro-histories of acid brebe
01:56:58 and it put them in a PDF in a format digital and in format for that they can read in
01:57:06 your tabletes and etc. for that in a click the people can't let us these is
01:57:11 you have you have I'm I'm in I'm so sure I'm I'm
01:57:15 like many there much there's there's there's there I'm that's
01:57:20 very little and yeah, with a and so I'm a light,
01:57:25 me latte, me latte, me lathe chocolate so is I don't want to I'm furious
01:57:30 oh yeah fission in that in those stories the acid brebe is much
01:57:37 a metaphor and you know you know much a metaphor are some
01:57:41 quantit that can be a line to two quarties that's the
01:57:48 most long. Yes. With all good complete. In quite to the
01:57:51 other different type of poetry, because it depends for it's, and as
01:57:58 there are various, it's different. For example, I have poetry political,
01:58:05 I have a, let's, let's, to the spiritual also, but...
01:58:15 You know, I think can put in the poicies to God? No? Well, the most is that there's one that is very good. It's that in reality, in the, that's that I'm going to write to God,
01:58:29 uh-huh. It's, no is that's that's a trebidden, simply, is something I think I'm much, I think, I'm that muchisagamly, is it. Is it what we've said? Oh, God is something more grand. At a little bit of, no, no, no, Comprendid.
01:58:47 But we know that's there. Well, if you do you do you do you do
01:58:51 the selection if you want to let's we're in a single format all, allas
01:58:56 like and we put them and it and the people are I mean I'm
01:59:02 like these because there and things like this I'm like much especially
01:59:07 because if you want to start to the point the
01:59:10 poetry if you want to like to know these stories
01:59:13 are brevest. So, you're going to little to little, every one of
01:59:17 each one of a lecture to a way way very easy. And, and also, are super
01:59:23 interesting, super interesting. Thank you. Thank you. There's one that, well, there are two, no
01:59:28 there's, but there two that me are so fantastic. One, you're going to be,
01:59:34 that has to be with a relicario, no, I'll say the spoiler,
01:59:38 is good and other, not some there, there, there, the, of the,
01:59:42 the, the, of the people to study. And then then he and then and then
01:59:45 then the other the ladrons no, ambring a lot of them they're very much so they're
01:59:53 so they're so they're so they're going to be going to work in this and just we're just
02:00:01 we put them the link for that the page and they're on a click very very
02:00:05 very much thank yes chihuahuas thank you thank you much thanks thank you
02:00:09 much thanks but all contrary, thanks for the invitation. the mothers that live in this reality and those that not are,
02:00:18 that know that know that we try to help to help us to do you, to the but it's very,
02:00:27 it's very very very agree to know, no, thank you. There's a lot of people
02:00:32 that are you just a little there's a yeah, yeah, I've been to, I've been
02:00:38 to, you know, I'm going to come to, there's then we're going to let's Yeah, we're going.
02:00:42 Very good. Now, now, see. Muchisimus to all. I hope so much to your mommies. And, well, if, yeah, no, is your mommy with you, then put it a bellita, record them in a way
02:00:56 bonita, and abrases much to all the moms that are there in the world. Kieran them much. Respectenl. Yeah, we're going. Now, see. We'll see the next
02:01:10 week here in Insomnia where we'll continue narrating these terrorifices experiences reales of
02:01:15 the audience so that listen them if they're trying. Chau.
There aren't comments yet for this episode. Click any sentence in the transcript to leave one.