INSOMNIO - RELATOS DE MAMÁ, MALDICIONES , MUERTOS Y SOMBRAS CON NELLY APONTE

Episode Date: May 8, 2025

Este episodio te va a romper el alma… y también te va a dejar pensando en todo lo que creías saber.Relatos de historias paranormales reales donde madres enfrentan lo inexplicable: criaturas que se arrastran en los techos, sombras con ojos rojos, brujería escondida en casa… y hasta abrazos desde el más allá. Desde El Salvador, México y Chile, llegan testimonios donde el amor maternal se enfrenta a entes, maldiciones, nahuales y presencias oscuras. Porque a veces, lo que nos protege… también puede dar miedo. 👻 Insomnio, donde lo real supera a la ficción. 👁‍🗨 Disponible en YouTube, Spotify, Apple Podcasts y más. 👻Host: https://www.instagram.com/fepomx 🔗 Contacto Nelly Aponte: [e-mail] Síguenos en redes sociales para más contenido: https://www.tiktok.com/@podcast.insomnio https://www.facebook.com/paranormal.i... https://www.instagram.com/podcast.ins... 👻 Comparte Historias, Memes y Evidencias Paranormales 📝Cuéntanos tus historias: https://podcastinsomnio.com/ [e-mail] ✨Grupo oficial de Facebook: https://www.facebook.com/groups/54848... 💬Grupo oficial de Telegram: https://t.me/+vFdn13cseD0zZWUx 🛒Compra Merch Exclusiva aquí👇🏼 store.podcastparanormal.com/tienda/ 📧Consultas empresariales: [e-mail] #TerrorReal #HistoriasParanormales #Paranormal #Brujería #Fepo #Insomnio #NellyAponte #Podcast #CriaturasOscuras #LeyendasLatinas #RelatosDeTerror #MadresYHijos #EncuentrosParanormales #LoSobrenatural #Misterio #Apariciones #Lechuza #Nahual #CuentosDeTerror #TerrorLatino #HistoriasDeMiedo #TerrorEnLatinoamérica #FenómenosParanormales #Espíritus #RelatosReales #Maldicion

Very good days, and nights or noches. Beavened to a new chapter of insomnia, in where we're to narrate the most terrorificous experiences reales of the audience.

So, listen, let's and so tryven. And this occasion special, for the date, we have a an invitazza of superluco,

no, more, than I'm than Nellia Ponte, also known as the Moma of Fepo. How is this

how is this? How is it? How is it? So you see, so me know, how they're doing, how are,

a good to be, see them, to all, to do you, to all the people, the podcast,

but, so, I'm very I'm content for being in insomio and with this community

hermosa. We're going to talk to some stories very, yeah, yes, yes,

yes, yeah. Oh, yeah, before the come back I'm, I'm,

I'm I'm, I'm, I was, I was invited. This voyage, no, no

organize us. This voyage is of Johan Dias and Dias and Lourdes

Gomes. I'm a much to know a lot of people in the zone of the silence in

the desert there is a difficult the desert to do you know like the cactus and

the serpintes no the desert you want out and you want to get into the desert

but muchism people muchism that would be that record and saltar me to some others, you send much

salutes, you thank you much for all what you have done, for participate with us, I think all the persons that were, me mandered to, felicitartes, and, of your part,

you, you know, much salutes. Muchismas, thank you, for me anonymous, the person, but an abrazo, for favor,

grand, great, great, and, and remember, that what I know what I, so I'm I'm part.

Much thanks, Mom. Oh, for if a case of you can

please, for a phone for your email for the people can't

contactate? Sure that my name is, well, in the Correo

L, Latina to Ponte Nellie Aponte 4 at gmail com

Okay. And it's for lectures of Tarot? Yes, for lecture of

Tarot that the people need to consultar or some asunds

that have pendentes that's that's that's only that's I'm not

I'm not a person and I don't know I'm got my energy

and I canalize okay very good mom very thank you thank you

a lot okay ohiem oh yeah ohie mom this I'm

I you I'm you're you you're you start

to start to stories or you want to you? Well, if you want to start,

perfect. This story is called the Miko. The person that's

the person that is an anonymous, the only that is the Salvador. In the

Salvador, in the area where he is a place, the famous

Miko, that is a mono very great and that is a man that

is a person that's Like here he's to the gawales. Okay.

This history the baby he, when he has two years, no

he's he's his mother and he and he later he's he's

he when he had two years a dad his father was a night

so he was a mother he was he put in a maca while he did

that he did a macka He started to move The sound of the amca is peculiar I know because here in Yucatans is.

And he has a shirid special of the trick when she's mecing. He called the attention to the woman because

his son was dormied and also not he was getting and was quiet, he was and be that effectively

the maca is moving in that moment she gets like a thought of a little to do you

do it the world, will be to do his labors, and again the

maca is going to move. She regressa to the armada because

see that the macas is moving and she directly

to get a child when in that moment in the the techo

that was on the the the the the and they

were but the more rather is that they're like they're

like they were part of the passes on the place on the place

exactly where was the she was a little a lot of his

little to get to his and he was to restable

and in that moment he recorded the the

mico and he he said what his mother you

listen to mico lans he maldison is the

only manner in that he he's because she said because she was a

but the thing he said he's the real the noise disappeared but yeah

he was quite un-tanky after the time it has to happen to

do it will be to do it He's not been and when he he's a

big, he's a figure very great to be a mono, like of the time of a mandrill, like a man, and he he's like the mico he's looking.

And she gets to get her his and he'll to maldecy. This, he just, he had to occur pasted the time.

He, he had, because he looked very of this entity, not? Exactly. That he

no record exactly but if he has grown, his his cousin pegged of grits and when they're saying that he said that the Miko

he had left to his five years. He heard a gritty a gritty desgaradour of the little and he thought that was that he was there

because there there but never encountered a little. This type of things that he yeah

conscientently the say that he's always with the fear of that the mico

regrece because yeah he lived his mother that was he was he passed

to his and that he's he's that he he he he

he he he he is that you is that one

one a person me He told something. Ah, these, these people

of where are? Del Salvador. Of the Salvador. One person me told him in this

the voyage that I've mentioned, he's he's in, he's in, in the

United. The fact, he's a much, much time living in the States

but he's originary of Venezuela. Me said that in Venezuela

there, there's a entity that's he's he's like the

salvage. Literally Finally, it's the description that you have asked to add to the Miko. You know, you know, it's like if it's like a mandrill. It's enormous.

But the mandrill is small. Well, there's, there are some very great, no? It's like a gorilla, but the gorilla is different in its structure.

But the gorilla, even, as it's like always a four patas, it seems that's more bad than a person when you're more high.

It's very high. And a mandrill is very very bigot because it's equal to four patitas,

but when it's part, exactly, it's a is a lot. This is like a mandrill

of the bipedo very old like if were a person like a person but he's that the

car is like a chimpanzee it's like a person like a person and that they're

and that they're and the and he says that his father was with the father or

something the thing the thing in that they're in that he was he was

coming between the plantas so He was so, so, and he was a salvage, the salvage, started to say, because there were reports of that he had robbed some of the children, and those

saw and he was he started, and then the father of the abuel, I gotro, piro, and they started, so, he started to venting to the people, he was to venters to the salvage, he's he was going, so he gotro to his son, that's the aboel to this person, let's, let's, and they start, and then from the cello, the

salvage, he's aventable, let's have been, okay, the saloches, no? The saloches, too, you're all right, so, you have you, they've vented, but they've also, they're entombed, too, pedditas. So, are tremendous, the salutes.

You're going to, even, the petrits. O'gian, if I remember this episode is special, because it's an episode that has to have to be with the momas. So, it's.

You know, yeah, that they're that they're part principal of of the history. Because we're

in the special of the day of the mother. And if you're like the episode,

for favor, don't forget your power like, a

comment, and share with your and your and now so

me to be very very. Fidate. This this history

is, because I'm going to start with all, I'm going

very very very this story is a mom

and she's our friend our Gemma Abile's but Gemma Abilez yeah

had made a story before made a story that's called Angie

this she's shema Abelis and the history the title Angie

the muke yeah not only so she's moving into the

house the the man the man she's in the

house in the night or in the day, no he can to try her. He limped

the manitas and the polo, he put it to look there. The days passed on she started to get her little to

her own and she was sure in the door. Until that one night, a night he,

she said, and she said, I'm going, I'm, in my imagination. This

this was the part the part more of the door. No manches. He was Paro of the

camera, under the feet, it took the piece of the side, and trembling, in the

light of the lampa, opened a little bit of the door. There was nobody. But in the

piece, there was the moñica. No, that's with the hands of the

little and the piecescet of the little to say. This that I

say, I'm I'm just I know, she, she said,

that she He heard, before to agachers for the muke, not proven of the

muke, but the environment of where was at the other other other side,

three times he said, Moma. And that story is in the chapter

that I gave with Fermex of mukees or mukees macabros

or something. But was referring to these muny of these relato.

Let's going to to leave a brevissimo resume but for you have a context, she receives

a girl that's a new year and she she's a she's she's her name

she's a talk, she's to be up to back, etc, etc.

but when it's he does know that the one has a thing

has a kind of to talk the door but like when she

He's open the door, no there's nobody, but there's the muke Angie there, and in a moment the muke, he says to her, the mokees no one-law, no is a mukechia that has a battery, mom. For this story is a mom, but

there's a question of a noyo that's doing in the patio. So, we're we're going to get to desacare of Angie, the people's to do you know what's to do desacere of Angie.

And it's important mention the next. When you desaces of something, it's a

way professional. That's that I've commented a lot of times to the people who

are the mortals, not? Not it's like simply this idea that's the idea that's

that's all the respect because obviously all the comments they're

but also also they respect in the fact that they're in the

not for not for not not create in the the idea of the the No, that's not.

So I don't want to believe in the grip for never to never to never. That's, for one part. For other,

okay, then if you make a brujury and I'm on YouTube or in any place, someone me

says, no, well, you know, and you're a photo of the person and you

and you're to get a morgeria? No, no, no, there's a one thing,

a object that's a maldito, then, so, not only only like you're

like you you're, and then. Sure. We'll send this story. Repet

Moma of Gemma Abilese that's the continuation of the story Angie, the

name of the man. And he said, hello, Fepo, no

see if you can you do you know, they're in an episode

about on a little and they're a reference of

the the man of what had passed and just

that that that doesn't a conclusion simply I'm interested in

desacermed because me doeser my because me do you do so a day in September of 24

that was just when we're we're seeing that history and then in December of 24 we

we're we're we're not we're before that we had we said we'd say we'd have said we've goted the

story she, she decided that if is she has to desac of the Mouche.

This occurs in September of the 2004. And he's that this decision was

super difficult because at the more it's difficult to a context that the

people can't understand but it's like you your familiar. So,

there's a new there is a one exactly. So, because

the muke he said mom. So, for her there's a

and it's a little bit of a little bit. So there's a little really. It's a great-

a great- he's a company, he's been and he has been something a man,

the muneca well, she's kind of she's a error, but he has to do it.

A. night says that he gets from the work, and he gave to

Angie, the muneka to the patio, the that's that's and that's very away that's a lot of

and that's a lot of trees, it's like a lot of the forest in this place in the place

in the place. So, there's there he preendio a muke. In the other to

ask a person that, that said, how desacerser to the way of the manera to the muneca,

and let's be he put her fire and the enderro in the place that that's

mentioned in the comments that mentioned that mentioned I that

was a little a little to be to be an adult

and then in that that he preend fire and then after the chamusca

the endier and the he and he he's there he says that

says that from the moment in the he took the decision she

she I felt that something that was but

when he He started to verit the gasoline and then he preends a fire? He said

that was something because the muke produced a noise like if grittar

but not the grito of a little was the girl and said that was

that was that was that was obviously the muke not no one didn't a book

to be but the plastic the the plas the tels for

some reason, I said like a silvido that was a gritty of a woman

that was feeling much much a lot. It's that it's that she kept paralyzed

seeing how she chamosk the muneka but then it was done it had put a fire

and then that night when she was to be to be to be mad she sentio was a

guilty, I'm caught a person imagine imagine this Angie

was the the only company that she had when she had when she was the only cause a person that was

to tell you to tell you what he said what he was akeh what he was a what he

was a her company and that that night he had had preended in fire well

she he he he he he and of that

that same night when when he's do not, Sient something that does that she gets that

she's a bit of the madugada and there a free that was very very strange because a

past of that in those in the place in the place, in the place, when

she went to get a night, she sent you that the temperature down. And when

he was when it was the Tant to that's that'sperto. And when

I was there and when I think he had made the window that he had made to

the room, but for when I went to see the the window be that is there and here

I'd want to make you an notation in the history pastada

she she mentioned that has a thing that's a lot of not put a tautofovia

nictophobia. Nectophobia is a fear to the night, to the and she

doorme with a tenue, but doorme with a light, never, never,

I'm in the obscurity total because if not you don't know to do that they put it to

that lus that luset. Exactly. So, she, for that could be a ventana

and the window was never, so the only that he thought is that was that

he had a relation with what he had that he had been a

and then he said well, yeah, I'm going to do to do me. He got to

get to see the light of the light of the that's a night and of a and then it

was a oh, what fear for her if she has got you know and let

in the obscurity. Dice he said a panic horrible. Oh, horrible.

And his cellular he had left so it never was like it could

be to turn and to turn it. It's was And he gave much Mewo'er what was

going to be He was going to get a need to get a Nectophobia well, it was a total

obscurity and the only that could pass for your mind the moke He said he said

he didn't know if the paralysis of the surgery because she was to get a

start that was that was that was that was that was got to

get to get to get to and you to be maybe a penit so

so So, as it was a paralysis of the sun in the obscurity and with that had passed it, it's never the eyes with much force as if you're going to to pass the paralysis

of the suno so can't get your cellular. And when it's with the eyes closed, I mean to

to hear a sound of that was what was what had lived when was a little.

Something. Something that had the door of her But, but a other

came to the sound of the sound of the and after of this

he was a new sound this new sound that even she didn't have the

she had the the peria the room began to turn

and she she was how the metal was and and

the So, the minute, it was on the click,

and then the door to be to be and he said, he said

he's he could not to be to be and I was only

I was I'm so I'm a voice a voice infantil that he

said he don't me remember mom and she she

she was that was much MEDO, had a scalofrio, and as well he could He said, in his mind, he began to roguer her to pay her pardon. He said,

I'mg, I'm sorry, Angie, I'm going to do to say, I'm sorry, I'm, I'm Siento much. And, of a boceita responded from the door. No, you know, because if really, you'd have been made's done. Now you'll see

the consequences of your acts. Wow, what? What, what? What? What? What? It's a door. Wow. And when he regress a light,

she, moved. She moved. So, it's soelted of this sensation of the paralysis of the sunno. He said that he's up, of a goal, he was He was crying, in panic,

he was held culpable, and he thought that, that maybe, only was a question of his imagination. He gave it so much that he didn't even to open the door, because it was a cerrade.

He met to the cobbidges, he made a bolita, and he was done. With much fear, but he was considered the dream. At the morning, the next,

when he was when he was upogeo, he was up, he was a much MEDO RECODD

all what had passed. And then he went to revisit the

door. Abre the door and discover something something that's

that the door in effect There had rascuions like if an

animal with garras would have arragnated the but

a at an little a little like the muck and they

were part of your imagination really had occurred. Well,

well, she had to go to work as and she and being that I have to do you

do you have my life he's he's got to his job and he and try to do

do much things to think in what that had been when he he goes

to your house that that's the nightceal since that

before before that he's that he comes coming when

there there's something to the entry of your and he's, and he's, he's, and he'sler, and so,

after that he gets, and he'll observe. It's something little. It's the man of the

muke, Angie, in the door of her house. She observes this, and I hear for a

brief moment the murmur of the muke, that says, Mom, says that something

something He was He was And he was Aterrata She was He said He said a bad

He said that He never never had He made Heemned a His best He was He was

He was with much Medo He gotch- He took He took the Mano He observed

The manita Chamuscada He Heppo Heardo Heard He'd No me

you know, you're you're just you're Angie, I'm arta of you. He tore the man, to the patio,

the most the most he was he put. Entro, he left the hands, but in the

the front, I know that this was he was he didn't that he felt he was that he

was going to get into he was to get that that energy that's alhate. That

night, now he went the temperature he went the eyes,

observed the window and I saw that was what was when he was

when he went, and again she went and with the dark

he went the horror again the rugs no can't

move the the and she he's he's he's the muke

but now it's different no he can't move only the eyes and I

hear some a little and they go and you can feel like something he's

part to her and this that's that he he's he he's

he he's that the alient was was pote

fact he was you can't feel that exhaled that and then he was

to reir and then she said she said that he did so, so

fear that she dismayed when the muke he said mom she

simply she disvancy she desmoy said he said he was

he was he at what when he and regressor the light, nor who closed the

door, no he said. Desperto because his telephone cellular was son

was on. It was a vibrant. And he opened the eyes, saw the door

a door and the lightcett preendida the sunned, and the telephone

sonating. It was his her mother. Well, and we said, I received

the poor notice of my life. It was my her mother. And me

commented that our mother had been said. The mom left the key of the

gas of the stufa without and he went to do to know. Well, obviously,

he was he wasperto. He said that he he was like never. Because in that

moment he did count of something. Angie had had completed

his So, So she's. And she and she's the and we're asking us if he had conserved

Angie if I had been submitted to the entity in the muke, her mother

would be wow I, uh, I think yeah, I think she,

I'm, from my point of view, because because, well, I mean,

I mean, the people have to to diecer. But I think that was the moment

what she was to think it was a amazza. There was that manasse

and there was the question to her so the important is that she's

that she is a question. She is culpable of the death of her

mother or forget the molley that And that's perversome. For part of the muke.

For part of the monke. Sure, for part of the entity. But she, as start to be talking to the mucke, during years, contending things, tratanola as a like if were an

mante-vibo, that you can't hear, that you can't hear that when comes to talk the and to say, mom, to her,

is an entity that she has been having even down without? Sure. It's been Firt.

Yes. And the Kermarla if simply the libero? Or what what was?

No, I think she should have asked how destroy that because really the

muke not is the muneka is the entity that has the there

and she had had been asked to a more professional with

people with experience how I should to keep

the man because they think that with the Kememem

and and no Because also, because also the interro, the

the earth purified, sure. But the mal, the entity, what is

with the entity? The is an object. The muke is an object and the

entity never he's that's that I think, I think, I'm

to think, as how these entities is, it's rare that's

that it is that they're that they're, but in really Because not they're

Because not they're like, I don't go directly The entity and you Aorca, but they're little, like, so they're

the key of the gas. Countate, you know? How do you have to be doing? No? So,

are more more, things more Ligeria? Well, there are that are that can

intervene and can abhorca. Well, yes. Of course, I'm in other

episode that literally that's so does. Yes. Yes, in

has to intervene. And of that the next story. Ah, yeah? A-huh. A-huh. Tell us. This story

us envia Elva. Elva is a person that, of some has suffered with her

family, her menas, primas, tias, her mother, a maldition. All the women

of the family, allas. They're Biodas, Solas, and one of his children barons, falles.

This is being repiting and repitient, and obviously, he went to that part. But here, she had,

she was prepared and was a child. Imagineate, seeing that the other had been fallecided.

She was the key first was the first in a clove, and then they were on for the

the The first. So, so his son was a baby, a little bit, of months, a yearnito, more or less,

and he was there's a there's a baby's, to give us to eat, and she was she was preparing

the papilla. When he he starts, the little he gets, a, like, guturar,

desperated, and, effectively the man is being, that's a sensation of that the

the child is aorke when she when she he, he's all the

thing he's and he he's to get to get to get to get to the perikara

but no can't like something that something she was

conscious she was she was she and he he's to be

and he says the he's that the little he was He was trying to

to do you and he was to insult to say, he said, with my with my little

you know, so she felt a lot of a lot of his child had been to have his wife

but not to her not to not a baby. Pasa the time and

had a little a little the baby was but the little

grandesita was with the mother was She saved the but the the little

the little the little the little the girl the other the little the little she was going to

and when she was going to because all they were you know it you know it you know that this

could be a great to do you know that's a little bit of the other than She always luched this mother for protect them. It was like all over concluded. She had been afraid because her kids were adults and had much fear that this maldiction would still in the family. He said because,

although we are conscious, no you know in what moment they're going to attack. And no knows if you have the capacity to play with these entities that you know what is because not it's that you have put on

a person, no, you're talking about to a maldition. She's she was a maldiction she's a

company with some end of because how it's possible that she she had to have to

love to her children that's there's there. And she she's she cased

again and she always with the time of that they they're a

other other episode. But obviously, I would have had to have, but she kept with the fear of that this were in some moment, for that finally, like all of their family, women,

are they allas. Or, very sadist, for the pern of her baby. She had saved that, and had much fear of that this would be to occurring,

thinking that this now is going to go to happen. Pase the time, and not It doesn't much that what's

what is, I'm a month, I'm said, I'm

in a situation very grave. No I'm what what

happened. What's he asked? My manches. Why I'm

for your life? No I'm more. Here the important

is that finally they They're allas. The maldiction still and your fear is

a divorce. No, that's, the fear. His children. But your children

are still? Yeah. But still is a, you can say that they don't

have a family. Exactly. That is the fear that they have. And they

obviously are prepared for that any event. But imagine you can't

to sleep thinking that your baby they're going to attack and it

is what you think because it's a maldiction this is a maldiction that

can manage entities how is possible a a maldiction

is it can be generational well so so

it's a attack a various generations the question is

because not not the Vibra that's that's a disaster

family. Because a entity that has what has a little I'm not I'm

not I'm not because the entity is the that's like attacking because

you know because you say you you know so at the more but who didn't

get to who? Who the who was the plight of

how if was the person that did it that did the

maldition? No I had occurred but it can't be who said, who said, that he

wants to that's, yeah, it's all right. It's atorada, yeah. No,

I had occurred that, but it has been logic, if it has a

sense, that always that's this history that I want to let's

yeah, but now now, now, then now, I

should, because of this way, it will continue. How many generations are of that maldiction, no you know,

you know, I'm it seems that in the quarter and they're in three. Seven. Wow. Yes. I've, some of the person?

Yeah, I've commented. Yeah, yeah has many time that, that's, that he said. But no idea that had worked

to defend her his kids. Yes, he was to do to do. No,

he was with one, then he's the real history of the people that's the deviling

with the mother. Literally. Yes, they're with them. They're they're playing

the pain when they're when you know, when you're my respects. Because in that moment

they're the fear, they're any need, they're any, the feeling

of the panic, because it's It's trying to defend to their kids against what

they can't see. So, but that they're in. That's, because there's,

because there's because there's things of things real, not? Like the the

case of the senior? Yes, yes, so, yeah, so, well.

Like, the case of Do you a manchita. That's you can't narrate what was?

Yes, it's something but the fact is that was incredible

this situation. The lady was a person major, and had various children. She had a lot of her youths, when had his children

little, they'd have in the cellba, in a community per'd of the in the cellva. In Campeche,

in some place of Campeche, in where she had cairdos, cidding cerdos, those criabes,

those was her marido, or she also cargaba the animal, mataban,

and those were, that was, that was their part fundamental of them to get to the

life, apart of to be to be some some things a good day,

his his little and he grits of one of them, gritos, they were in

the cellva and when comes when he is a tigerio that is of the

area that's more that's more more it's like

an ocelot a puma more more more than those

I've seen those the time are great. Those have seen one

that's a bit of the carreterer well, we've seen wow, that's good no.

I mean, because we do you know, well, well, well, well, so he

had a little little had to the little was a rastering. The other

was in grittos. She took the first that put a palo and he

went to the animal. The animal he made sarpasos because she she

he important and he a Gulp, he rompio the spina to the

animal, until that finally he was the his leg and he in the

soil, he got it, he got, he said, you know, he got, he got to, he got to

the pyrrillo, so, literally, this woman he, matto, for salvage a little,

he? Literally, he, that is, he? He was, no, he was his brother, no,

he was his My son of Joseph. Uh-huh. Because he had a Jose, to his brother, uh, were two barons and two women, but I

saw the cicatrices of his, I mean, because I said, uh, no, so he'd be in the pierna,

the, the cicatrice is barbarous because he he got to a little. And so he did so, but to

start a little to a carbele, you do fear? It's, yeah, the animals

are of respect, I, so, and one of these one of with a palo.

No, and as she was and as the press, the she was, she was,

she was a man, and I'm a good, so I'm good, sir, so that's that's

that's so. Yeah, that's okay, this, me had to tell you

a story. Yes, this story is the call the Calle and the manned

Kimberly Gutierrez Sandoval. This this story you're going to to tell something

because it's shortita but it's super interesting much fichie that one day was this

Kimberly she had she had heard not that he's not that she's not

she's a her mom she's to tell to other person this

story that that after that then after he never to her

he's really really the attention because no I'm really

what on this story. I've heard a mom about

a woman but that he was like so well

it's a one one a one a very

very very and the mom and that sometimes

when is when it is like so the wind

so kind so kind of and He said, Kimberly, mom, what you have? What happens? Is that I'm going to hear it.

I'm not going to quitar. Sigo, I'm going to getar. A who? To my brother? To your tio? But my tio is, well, but no I can't to hear to hear it.

And she'll be very attention to that. So, one day, the tio, He He went to the house And Kimberly's He said Tio What is that That's that history

That never My mom That I said That he says that He said that He was always He was always He said that

He said He said like in silence A moment He gave the He said I don't want to That's something That's something

That's something That's not No matter And then That day So, that day So, he went to

get the cell. She got in the She got in the She went to And the Pantalones For the position

in the I was With the pantalone So it And the Tio had been

The Tos Evidentement And the Tocetines He had So, he And the Tobio

And the Tovio And the Tobio's And Noted that had a cicatrices, well, very marked as and very feas at the altitude.

She obviously, with much curiosity, she asked her. What is that? And it said that it was like if two hands, the rojo-bibo, he would have taken by the tovillos, and they were made up.

In that moment, no comprehended what it was. But, at the day next, he was with the mama, and he said, Mom, tell me,

what was what was. no I don't I don't want to I don't want to but mom I saw I saw the

in the in the tivis of my tio and tell me what was what happened and the

mom he said this story and it's that in that in where

they're they're a people called Ixpalino in San

Ignacio Sinalo here here in the Republic Mexican and

and this occurred in this a little the other people, repito,

expalino, when the mama had 12 years. In that then, the mama, with her herman,

gemela, hermanito, the tio, and other children, that in total, were seven, well,

they're going to play. There's a little, obviously, for the time, you know, it was like,

it was normal, to see these groups of the houses or the departments are, and they were

in the to get to do you, to play. And they were to, they were to, they were to, they were to, they were to play.

Well, this was there was the life of, this was the little, her man, gemela, and her manito,

and the other children, I'll, in total seven, and they're to get to play, and in this

in this town, in Expalino, there's a callion that's that's kind of,

like, what, what, what is, like, like, about, about,

two meters of the long, uh, for one and a half of so, is it's very,

very angostito. That, that's, um, Callejoon, for that can't make an idea of how it's,

if you can see the the alleyhone of front, it has an arc, that's that's the only arc,

that's the one is the answer the callion. That arc is a one side with a

little with a ground, that is a vacio, enraged, where there's a, like a patio, with an arbor very

great, of a house, let's the part of the house. Okay? And, and the other side is a

house that has a decade, and in that then it's a decade, that was a backer. The,

the arc, like, that's a lot of the house, like the house, so, the

house, it's, the, this calle so, there's, that's, there, that,

the arco, The children, well, they're playing there, there's a parkecito and et cetera,

but there's a little that's that's a group of little that's, that there's

that's only the only the only the people, and they're like, what is the

game? It's the game of the borrego. What they have to do you are you

start to the entrance of the alleyjong down the arco

corren but not very very it's like tortar for that

the borrego can get and they're going to get grittando

chin-chin borrego if no you don't go when when you

get in the middle of the car because if the borrego

those can't you they're not they're they they're

and the children said in serious? Yes, of this new major. If you can't

get to the other side of the old old of the bollrego and you look you turn to

in the hallion you can you can't see phantasmas things raras or to

the borrego so the children said we're going to go to and they're they're

they're they put down down of the arch of the carjeon

one two three, and they started to go to get to until get to the carrizona

and they're going to and grittalding chinching borrego if no no I'm chinchin borrego

if no go chinching borrego if not you know they're they're

they're and they're and get to the other side of the other side and they're

and there don't there we're we're not we're not we're one two three

chin-chin-chin-borego if Chin-chin-borrego, if not serve in the game, you know, we're going to be and they're in the middle, corran, and they're,

another way. Nothing. One way more, they're going to return to return, other way, and it's a wind to soplers,

very free, that is what always will record. One, two, three, chinch-chin-borrego, if no-hue,

chin-chin-borrego, if no-sales no-juego, corran! Corran, corren, corren, corren, get at the final. And they started to hear a gritty, no! No!

In the middle of the Callejoon, his brotherito, he was a parted, yurrant, grittando. And when they were, what happened?

And they're going to go to the regress for the Callejoon? When you're to where is the little little, he was to the rodillas.

It was under in the cement. Oh, that's horrible. The cement had roto and the the earth was trying and he was

desperated and they were, they gotrary to his little bit more and they were and he was he just said

he said that he was rogo and he loo and he lochal with all those forces and he was he was

there was like and he was and he was and he was he was and he was they were

they were they were and he was And he was just hallab and he lo, and he lo, and I felt that they were not to put. And, of the re-penter, it was so, the force.

He said that I'm going to to explain this to his papas. And so, his brother-tick, that, that, he, he went,

and they were running, corriending, well, the other he was in shock. No, he was to

laugh, and in his tobillo. some that's made made made made made

of a little that they had been about they had got to do you know

they were back back to the not the not convinced

the the man they not he said that

that night was the the poor of her for her

for the for the but especially for the, for the little. It's like a situation that it

costed much work as children, maintain it in secret, not say nothing, not to

never to play or go to and get the moment in the day, then they

they were to come in company of the mom. And be to her little

to cry in silence while they were going to cross that

Callejohn because they had promised to not to say to the father. Until that with the time,

crecied and it was like an anecdote. But, says Kimberley, he can see after

after the history, that no idea. Entient the reason for the child,

his he doesn't talk to that and the mom when the wind so pla.

Recurred the grits of the grits of his manito. Wow, what story. Is, right?

Yes. But how no, they did you know, of the markers in the topillos? Well,

I think as a little you, you know, you're but it not? What's

he said? Well, so, he said. Yeah, like, no did it.

It's that I remember like some things that were paranormals

when was when I very chico and I I'm sure that I'll

have told like we weh weha that wehah wehah that's in the

department of the Greco and I remember who I remember who I was I had

I was 10 years more or between eight or 10 years and we we used

and I we had we've used and me reganed but I mean

I said I so I said I so I don't I'm not sure that the

other children and they were to his papas. No, I think. I think no.

No, no, no I don't. When we when we're just a voice, I don't. I just I did you tell me, but no. No, and it's that with the wichia that I have much careful, but

or with the tigera, not also, things that are many things. And this of the Chinchimborrego, if no, is like,

is like, like to attract a demon or something? Yeah, like Maria sangrienta, like Laura Tigeras. are invocations are invocations

although no sale a burrejo I think the invocations have to with the sound

the sound that is the that is the that is the fact of repitient repitient repitient

and they have been a portal and some entity and the energy of the

the of the of the of a child and and all and they're

like and they're like predispuited to that something are going to are very they're

they're like when they're there's there I'm nervous I'm sorry I'm

yeah yeah was the there was over there was rota and he's

and it and the and the yeah he left all the he did he's

probably yeah it's probably this me it's kind

but it's like a anecdote of infancy, no? Yes, as many more, the kids who can't, some of them can't, but how many more do they're present and always like a secretito? Because there are things that not can't tell. Oh,

you know, to tell us a story of terracorough. Very good. This story She's called Abrazo and not she's she's

Wendy Luna this this experience she not she

she she narrs the story of her her her

with an amist with many years of amistate

and for she was a barbaro what lived

her she she lived of of, young, because Mariana

is major than she but they're very good amissed. She was in the

haulas, so it's called the community, so the community where

was this Marianna, her her her her was a a one

a kilometer and you and where she was she was one

and the other but they were because Mariana started apart

that because they were in small places, Mariana entered to work in a a two spaces

of their house, what they they were more a situation very difficult because

her mother was and a she was and he was he was some some

other, there were one with one is that her father was alcoholic and not if she was responsible absolutely of nothing in the

house. Her mother is a unferman, she had to work to make a clear that

also that's her man, well they're they're in a way of an financial no,

she no, she no she no she's that all he was to do to be

to want to to her mother but but a good day

the mother He was a mother, for Mariana, it was a terrible. It was terrible. He was going to to work some days

and he was renunciating. The depression he was he was up he could get of anything. No,

he had got a a , and was a carer great. His father,

where was the the father was a little to this little bit of the actually was

a lot of the brother was a time and then he went and then

she was she was she she said she was so angustia that she would have

to her went to Wendy she was because she was completely deprimed

and encerated so Wendy tried to get her to

get her and she making to be that she would be

to work and she said that was much her angustia, that there were occasions in that she had no knew a angustia

very strong, much desperation. She was she had been with the ventana open, because one

had a ventilator, but I felt a much, much, a lot. Within of that

that same angustia augmentable the so they said that said that was

that was to get to get to get to with the roba mojada. To be

so not not feel so much not he's not a good day, she'll

tell her she a Wendy, that a good day, yeah

was a got had had mojado all the stuff

was very bad when he heard of a

per he was a one and those communities

have a river that pass-sercano and he a little bit of a perro that was like to

the rio but jadea much as had a lot of she had to she'd and she'd and he

said he he's in that the perro he took when she he was he went to

and she looked and she he was to the window when he he was a

little was a girl was a she was she went to be so it's

so the perro he gets in the window and he

starts at watch jadeing more and more and she she felt that the

the could cause cause a cause a cause a do he was he said

that never had never had never in all the time that was

it was her never except that the perro was

a little strange her his rostro was a and jadea, jadeaba, jadeaba and he looked.

So, she went, she went to, he went to, he sentio much fear, as never said, was aterrida because presentia that the perro not was good. That there was a little. In that moment, when she was in that terror, in that panic, sent you, that someone sento,

sent him the peso, the peso of someone that she sento. She had much fear, and she was so that that's that's

he sat and he and he and when she was and when a comfort that

never could have imagined because in the moment in that she

she the in the camera think in her and he says

my my my my And help me. Help me. And sent him the Abrazo.

At the part of that moment, to the day next, Marianna changed. Another again, he was going to

have to be back, he, he, he, he, the brazo,

think, that was of his mother. That's, that was to protect of something like the

perro, that was simply an animal, but that's know, because she took

much a bit of and a part of that's she's back to get his life

and he he's because he was her mother, not only that she was

she was also that was also also of something that was she was she was

that was that was that was he was he intervened and mariana

she composed this this story that the Amanda Wendy

says that He said with much carino because Marianna is her her friend

and says that she she's her mother. I was a moment I thought that

was a man when she was sent to in the camera but not her mom was her

protectgiened her from the other other side she she didn't she

she sent the the thing she knew the she she was she was

she she was she he was he he was she he

he he did So, so, he pitted and in that he felt he he was just that he took to do

if she really she was she had she had traversed between the perro or in the entity and his wife.

Wow. Also. Yeah, totally, totally. Because when she went the person,

she thought in her mother and he pitted his protection. Oh, I'm I'm I

Encanted. Because those stories where your families, transcendidos regressan,

a little to be the little little bit to do you to do you the mother a woman

and the mom, especially is the mother. Sure, and about

to be to her of an entity of an one. Wow.

Because she interposed because in the moment that she gotosted and the braza

she seemed a comfort and she kept dormied. What barbarity.

What barbarity. You're going to tell a story now that I love, I'm really,

very, very human. And I hope that I'm going to get to the people to make a

that, that, also that they're that's where in the issue of the

case, the general to the general to what you think that it pertenees,

duend, phantasas, pantones, entities demoniac, etc. And that, and that we're going to

you can, for supposed, to say, if you want to keep anonym, or that we'll use the name with the

email. I'll remember that we're the page podcastinsomio.com podcastinsomio.com where there a section

where directly can put your name, to write, and there comes a selection of generos for a click

can put it and also put it on a Casilla of I want my story is anonima or anonimo

and then and we get directly we're doing we're doing no no no

no a preference because they're they're we're we're doing a

thanks to that we we're if you want to see podcastinsumno or

or the form habitual Fepo arb Pottcast Parnormal

Porn POM much thanks we're we're this story

this story this is 10 of May and let me

to send our Mr. Rodriguez. The call me peree that I'm a little a salute

very special. Much of thank you to share for to us. Because, also, well,

says that he costs much a much to talk and to share this story,

but that is important. And I also I'm convinced that so that is. The

her was an passionate of the things of the mystery. the things paranormal,

supernatural, and more. Of course, us tell to Esther that her mother he was he was to listen podcast insomnia, podcast paranormal.

It was an passionate about all of the themes extraterrestres. And that one of us he said, that she would that a person

of other world that would be and be presentara and curate of the disease that he caged.

Because it's true, I've narrated in more than one occasion, stories, experiences that me have

said people as like and that they've been made also that have been done by

entities that not are of this planet. Resulta that the 10th of the year 23,

the her mother of Esther fellacy for this this that was lastimating

from a much time. In that then she, she, the her mother,

the who fellace had 34 years of age and then the partida

of a woman so young, was was something terrible for the

family. It was very difficult. The She said, They'll It's It's

It's And with the time He's She's to know with her but he's

that she was she's a way a first the first and that he was

exactly a month after her last of her time She she

she she was to a house of a family

in his dream was when when I was when I

at the house, there was a person sated to her then she was there and she went to

hello good tars and the woman said and the woman said well she was

she said how how can you can't be so immediately in the in the in the

in the so I was she was he was he asked how can how can be

he and he said that when she she was that when she a after that he was

fallecided the her mother lucy impeccable her his cabel was slupt

the makeyja was perfect and he had that that she always her characteris

her his eyes were super beautiful when she was she was she was

she was he was her like much he he started this situation

and he said that even in the I was a dream, I felt like his eyes were

to be the and he he was he was he was he said, and he

he said, you know, we're we're too, mom, papa, our

brother, we don't to think in you. And she the her brother she,

she, also, with much good, and then with much serenidad he said,

and I'm, I'm sure. No, they're to cry. And I'm and I'm

when she he's per so real that it's soyos was directly with her mom and

he told and he said they're like, like, they're feeling a an alivio.

An alibio. Like harmonized the situation. And then And then, he says that, more or less remember that,

maybe in some moment in a dream, like, he was about but it was nothing important. It was not even even

was she was her in a dream or something. But, time after, I've been to be a

sonn't with her. Only, that now, have been passed, and not so they

had been, eight months, since that had fallen had fallen. She said that in this Swayne, she was

walking for a place uncolde. It was dark and it was free. He was coming and

of a repent she did know that that a person was going and he gave much fear because

the place complicated. So she started to accelerate the pass and the person that

was that was also to accelerate the pass and he did

much M. So, I saw a house. And the house had to

open to the door. And then he said, no he said two times

and he met you to the house. And he met you help, help.

And he closed the door to see. And in that she went,

she to the house, I hear a person, and he said,

who entered to my house. And she with a voice tremorosa

still with fear he said a voice and I am sure

me they're going to I'm just I'm just I'm looking

refuge so then the the the main the

car I was going the do and I was

with a gesture to someone somebody got to

somebody was she was she was she was

there was there was And, of the repent, the reconnoisseau. It was her mother.

He'd be a backando in this house, in the which she never had seen her

and when she was, like, my brother. And the her man, he saw, and he's

like, oh, what you're doing? I, you, you're, you,

what you're doing? No, passale, passale, passale. No, but,

no, passale, sientate, sitate, sitate, For favor, you want to take? Sientate, sitate.

For favor, sitet. And she was like, what's going to? And the her mother she was you, Gordita? You're you? And she was in an assombero total

and, and of a bit, like, no, I didn't know what to say, like, I could understand what was going to

because, although it was in a and I was in a dream, and no I was in a dream, she recorded that her mother had been in a year's to have fallen. And, of a

woman, as she was to know what to say, she said, she said, she said, and she said, and he said,

what miracle you know, that you've been to visit. You know, no mom, my, not,

my dad, no, no, nobody has been to visit me, since I've gone to

visit me, she's kind of, like, how, of how you're out of

the hospital? And the hermanda prosy. I don't why they're to visit.

Oh yeah. He said to her her herman, like she going to the

game. But tell me, what has done this time? What has done?

What has done? And the she said to get to the coma in other hospital.

and you I don't know I'm sure nothing of you know I'm nothing of my family

and in so entered a medical and me said that I was that I

could go to go to go to I was I was I was all

confused I not even why I was I not I'm

why I I'm I'm I'm what what what what

I'm but but I'm what what I do now

No, well, you're going to to give to tell to your family that's I'm going to you can't you can't you guys

and you're going and the doctor and the doctor and I was I gotry and I'm and I'm and one of

you know of you guys me contested I'm I'm back and I'm even though I'm

there's a bad and is that no me contested well so if you can't you can't do

you can't do to be I was out and I went to go to the hospital. I was still I was going. And when I went to the hospital

was all confused and I thought, well, to have to start my life I only.

And then I was that was this house and then I went to live here and I

got a new work and I've been working in these eight months, without

nothing of you and said Esther, she was she was listening to present

attention to all the everything. I could believe what was going. How? And when

he was he said a question and he said that he was to control because

he was about at a time to you're and he asked

you know, you know how time How much time has that you

out of the hospital? How much time has of this that you have been been in

she's she, sure, he responded to her. It's eight months that I

had to get to the hospital and I'm going to do my life

from and he said she was impressioned and I know was

I'm so and in the silence that was doing the

her mother, her mother, she said, and he asked, tell me something, why they're

why they're for you? Why they're to hospital and not regress around? And then she said,

Gloria, this that what I'm going to tell is something very very hard. No

know how you're to take. Tal best you you're in shock or something.

But all what you have to come to you can't we don't get

to the hospital. not we we don't we're because you falleced

after eight months you're you're you're a year in the

hospital where we're you felt about the and the the

people they took to get to be you did you and

and then 20 days and then your body you no

no you don't you we're we're we we

All, you extranavus much. All the days we think about you. We're we're trying. Our brother had to

go to to go back to the country in where he lived. I went to with mom and papa

and me to get to your perros. You're you're still. And he's that the

her manna he kept being as he's like like I thought the things

like he could understand and he And then, he said, then for that's not

never visited. For that you know, and you know I'm not sure, you know,

you know, you know, I was he a other side of the the other side, and I

I grite, and I grite, and like he, he didn't me back,

he was, he was up to be to be to be, and I know he, I'm

put it I'm because I'm thought that I'm was that I

was that I'm ignoring. And then I went to visit to the abuela.

When I came to the porton was a car had to and I

began to gritty. Abwe! Abwe! I'm I'm! I'm! I'm!

But also me I don't know what you was to do you're to do.

I'm back to my house. I don't can believe all what

you You can't say, I can't say, I can't believe that I'm my own and that I'm not

going to you know that I'm now. I'd have to get to do you.

And it was too long the dream, demasiado vivid, I could understand.

With much detail. And here here here comes another other thing.

This this not even though he said nothing to her mom no he said to know

he was not he didn't know that he was there was a visit to his abuela

he went the abel she gave and the she said the he took

to talk something the other day I I'm I'm that

I'm that I'm was I'm I'm was I'm

she I'm abue abue I'm I'm Gloria. Aber me. But I knew

that your mother was not could be out of so I'm to pray to be

to be so that's in peace. In that moment obviously our friend

Esther that that not was a dream that she

and is that she's that this story more of what

she has has I was I was that for there

they said that before that they had been done a work

and they had been things things I would I'd that more

that me you did you did you did you did you that you

could we could we're to for Gloria for that

that could be that no I know how time need to

need to have to do you need to take a one, two, three,

velas blan-a- what she has to get her house and to make that those

velas thinking that are for her mother are for glory are

that that not that not that not you do that if it's They need.

No, they're not they're in her. So, it's the light, for the first,

because I don't see, if he has to get a one or two, what he

nasca, there, there's to be one. One for one. You can

take one, two, three, the, the, the, the quantity that's, is instinctive.

If she says one, it's one. If she says, Four, four. Yes, exactly.

What in that moment is necessary and she has and she has left. Prend the bellator and in the

moment of to bring the bellator? All? No, one. Ah, for so one for one. One.

First, he preends one and he thinks in her and he says, see the light.

And of immediate, he resa the supreme architect. This, a hour after,

he's a hour Diary, one hour. Until that it's consume totally. Yes. And if

are more than one when it's the first, prend the second, and so? And what do you

do you think you? And what you need to be? No, I mean, I mean, to do you

don't know to do you to do this. Ah, okay. That's to her, they're pertenes to glory.

So, his instinct you know to take the number of the number of velators. And here

is the Supreme The architector, I'm going to read briefly for the people that not know it, that, in our people that in our networks social, we have the Supreme Architect. But the Supreme Architects is this. This is the oration of the Supreme Architects.

Functionate independently of what your crevency religious or if not you have. That's. Supreme Architects of the universe. make that your light and the force astral

the spirit us illuminate protection us for that the mal never in the world predominate astralment

guide your aura our life spiritual giving us and us and force that opaque

and venza to mal amen so that's an hour a day she has

after after after to think that is for it's for that it's for her

but that no, sople. He can put a plate, a little, a tap. Or with the so?

And that when it's down, what's the tap? Yeah. So, and yeah. One hour?

At the day the next, it's got to it. It's a bellator, can be two, not we

know what we know. Three, four, the three. What she , she said. No,

I think that's a little. Because she said, she said, she said, she,

because, because, because, because, because, she has been. It's doing

your life in your new reality. But you know a sentiment. So, he has to

give to light, is the farro that she can be a and in the

moment to transcend and then they're they're they're they're

to be to partencer to perfect. Thank you. Much thanks,

many, many thank you. Don't well, I'll forget to this episode.

You know to tell the story. You know to tell the story. The story that's

called the Vigilia Sinistra. This history us envied Vanessa Jimenez

Mendes and she she us narrs this this this vivencia

that she took in her where she she has

she, Uh-huh. Uh-huh. Uh-huh. Some, uh, some some, uh, abnormally,

after the 15 years, he was a newbie of the actual spouse. Okay. They're

of nobios a time, and a day decided the boda. Decided the boda, and also

they're going to Veracruz, to be to be a time, before the board, they went,

they went their luna of my and they're, and being In fact, in Veracruz, after a time, she begins

to have a series of little accidents without much importance. But, for example, so,

he torsed a toe, he fell to a hole, a series of accidents, but never there never

there was a woman, and he said. No, he gave a major importance. Pequiocese.

Peculiar. Decentes. They're they, and the day of her boda, she desmayed. Because she sentia

very agotada, very cansada. And at after then, she's, she's, she's a back to

get to be a bit of a little something. Her mother is a suspect that she's

the different and that's the changes. And he says that they're going to do

do you do something. But it doesn't not, not is the Well,

and then then Vanessa, well, and she was really bad, his mom

was worried, and they're to do do you, and now it was she was

embarrassedada. Finally, she was embarrassed. Vanessa began to come to come

to do but it to come to. And in the house where she

lived, with her husband, there was a patio very great. And at

and at the and at the front a arbor she she she's

she's a little and looka and I'm there there's there

she said there's there and she had that there nobody she

she said that she said that's a good day she she

she she she finally she she she she

she she was with the lechusa. The little was just

was a minute and a good day and I'm very nervous for the famous

lechusa that no she was she never the lechus she was pared in

his ventana and she he kept looking to be her I'm

looking and she she was the she when she she's she's to

spantar but the lechus she's still like she And he aghara

his little and he has her chas she's her last

she she's she fell she fell she he

he and he and he and he and he's a

and she not in the one he had got in the

piece he he's almost about the of the camera

Vanessa she was she is because her marido was a night so she she'd

she'd a little after the experience of the the new to the day

next he said to the woman he was this the lechusa was

huge I was I was I knew my I was my

he was he and he and he so he was to do

go to water and and they're all they they're

they're they they're they and they Ago-Bendita in the patio where is the arbor and is to paris to be in lechusa. Terminaned to check the

Awabendita and says that, all darce at the world, o'ernernerrissed of a woman. But a carcachada of a woman, and the two bolted and no-a-n-n-n-n-n-a-n-cass. They're all right. And they say, well, we'll put-hach-aw-bentita in the

court, for that not going to enter and start to doha-boh-bendita. And they decided, also, with her husband, that better baptize as the first possible to be the child, for what was going to

because she was very very astusted. Baptised to the child and the things started to

make sure. Yeah, the lechus not was there. But she kept up seeing,

that she was going, and she was going to, until that one day she, but the

very big very great, enormous, but yeah no was her his son. It was

to observe to her. Then, when she and then she was just about, then,

and then was that during that the lechusa just was her, his his son,

he said, he said that there had another baby in the house, another nene, and with him and that

had a nene in her house. She had a much a year, a day, his husband

he said, oh, well, he, well, he's a little, he needs

a he's a he has a he he She has much

fear that that that that's a nene going to take a new baby.

She has fear of her because the lechus she looks to her now

like if they they were to make a way were to take

to to to take to his new his she she

she she is she she is aterr and not

has much fear and he he's no I'm how you see

I'm it I'm think that's that's what yeah

that what that that that we're that in a

in a time but at the time but at the you're not

you're so you're trying to you and now now

they're not they're they're putting like the invitation of,

and the embarrassate. I'm it's like these stories of the duendes and the

bruchas that are the children. Cient? Yes. Like that you're just they're

the ojillo. Yes. You know, you know, trensa to the mother when I'm born

yeah, they're not car. Yeah, and if the mark he has to do you

because they have been, yeah. And here it's like the the image this of the buo

the lechusa sorry the lechusa pardon the he's always he's always it's always what the

animals have been their natural yeah the lechusa the buo the brou the bruce

a little but here so he's he's a but here they're they're they're

they're so they say yeah he's he says acuade that there's

when When the lechusa can't, the Indian Mueh. So, so So, here the fear is that

when the Bruchus and does his scandals, someone is a and this I was,

I've been with a big, two times he went to the Bruchus to his house.

The lechus. Well, here he's a bruce, a lechusa says that a,

a bird feo, that he has been and it doescribe. And, So,

his He died. Yes. You know, they're they're they're they're

because they're they're because even they're to be to be to be there and they're

they're they're they're so that's that's you're those

you know what yeah no no no no, how you know, the association is much, no? When the tecolote, because so he says,

when the tecolote can't, because also he's like tecolote. And are animals of the penumbra. Those are not animals of the day, of the sun, no, they're of the penumbra. Oh, my time. And you know what? This story you're going to be

to I'm going to you're going to fascinor. I think that this story is the story of all

those that I've told when you've been here insomnia. I think this story is your favorite.

A be it. You're going to fascinar. We're to be. Let's see. This

story is a name it's not it's mom. It's manda our friend Sebastian R.

His story comes very very very his story when his mother Laura

falle said that the world was a was a night

of the day and were exactly the three 17 of the time

when a automobile derap the the autopista that was mojada, choced the front of the automobile

of her husband, Laura, she launched for a barranco. He said that the only consoler that he kept in that moment to Sebastian were the words of a medical that said he said,

no suffered. Fallecee instantaneously in the first impact. Laura and Sebastian have a his. When Laura

Muriou, Julian had just six years recently and said Sebastian, that for him was super difficult

to explain to a little to a termino that he was not going to see to his mom.

And then then obviously Julianne he made many questions about his mom. He asked

if her mom was in the sky now yeah yeah he said he said

and from you're and then he then then then so

trying to overlejav the little a little it was

that things they were to like there was there

at the final of the but then the hour to

the thing All the all of the night of the jubia. Julianne, entered to his abitation, exactly at 3.17 of the madrugat. He said that that vision, that recalled perfectly, was he wased with his pyramid of dinosaurs.

And he had with the eyes abertos, but not was frustrated. He was happy. Asumbrated? He sawbrado He saw He saw He saw that

At his son He saw He was at the 3.15 of the morning He was Papa Moma is there He thought that He thought that he had to have

A pesadillo A dream or something Simply he was Hecarsed the cabo He was He gave to his Avitation to his His room

He was He was over It was a a dream, I, he said your know,

not, Papa, I mean, he said, and he saluted with the man and

me can't like this. He said these words, he did a nod in the

garganta, he he said, a little, sometimes the children inventing things to

get to he's overrelevant. He's he's he's he's until that Julianne's downed.

Yeah, he was well he went to his court and before to see, he observed

the window. Vio the night, the jubia, he went to to doorme. But at the night

the next at the 3.17 at the madrugada he, he waso a ruid and that

the room of Julian he said he's he went and he said that a little

a bird he was disorientated in the madrugated he had been in the window

and he was talking with the piquito so he went and he went and

when he opened the door was was very great of his surprise

because Julian was was he was he was he

was observing to the window and he said that in his mirab he was

with much love with a sonrisota looking to the window that

his presence at the opening the door like Julian he he was he was

he went to be a reojo and he he said he

he he's he he's he he's he's he

he's Well, no there was nothing and he he was to convince him to give him to come.

After that he again, he he'd to be again again for the window

there was nothing, no, he went to get to to be the next, 317

at the madugada and the and in that he was going to get

thinking so it's impossible. It's quickly and opened the

door. And he was Julian sat down in the briella of his camera, looking to the window. Moma me is can't

he said, I said. I said things beautiful but his voice sound a little rarro, like if

he said, he thought Julianne has a problem. He reused to accept the perid

of his mother. Yeah so me He came, a theme of psychologists, yeah, I was going to

come, he said, my, he said, your mom is a good, you have

to do and you go to convince her, and he was to go to and he

was still to be and he was rotiss for there. Triste

now now I had to another with that he went

to his his The night the next he wasperted something

distinct to the sound he heard like susruss that

proven from the fourth of and he he's he was

Julian is Julian is he's he he pressed attention and

he recognized the voice was the was the

Laura of his but the words were they were

and they're and he's he said no there's no no no he's that's

saying Julianne Julianne Julian and he said he said he took a scalofreau

he he was he was he he opened the and he opened the

room and Julian was was between his covichas finginginging that dormia. But she saw clearly,

he was clearly, that Julian was smiling, making's the dormit. Volto to the ventana, perfectly in calm. All was in silence. And that night

he was to be to be there in the fourth of Julian, in a little sofa. At the night the next, he said that he never even

intended to doormir. No, I wanted to know what was going to and he was in his room

and he saw how the reloge when did the 3.17 of the madrugada again

the but in this occasion not he precipit he came in silence for the passio

until to get to the room to and and he

he was he was he And he heard a her She said

that boba song that she had invented to Dorme but she was

Rara Rara. Nailukhanyin I'm my my my liu I'm

Simser Nae Na'i L'H Nailuch To Ruebe What the the song

said to You're my star, my sun and my pan. You love to the infinite. My little, Julian. When I heard this, he said that he felt that he fell in the world. And then he started to respirol. And he opened the door.

The ventana was open. Julianne, he was up in a mobile and was ready to to go to the window. And he corrieu. And he gritted, no, no is mom. And he was a

and he was done. Of the barrage, Julianne, he had the foot in the mark of the ventana. And he was and he began to gritty, no, no!

And he was to cry. And he was a sustado and confused. But if she is she, it's my mom. Me,

I can't, me to come the front, I'm, I'm, no, no is your mama, he said,

no is your mom. and the little and the little and he was he was

consoling and he he was he was there and he was vellando the sonio

that's he was he was he just he just he got what he he put

of the roba of julian roba of him the things of valor documents

he met all the coach and he he He also his son to his

house of her mother in other city. No, he important to that

he said that's that they got to the house of the mother

she deto for complete this that the mom he about.

Yeah no they never to that strange voice

that strange a soceso but it termina his

story saying this I don't I'm to be to make a

sometimes I'm I'm I'm I'm I'm I'm that I'm

most my my my my my son that

those so that occurred in that the department

of the Torre 30 in the Pisso 8 of

the unidad Habitational, Copilco University, in the City of Mexico. How is it? Is it what

did you? The building. The Tower 30. The that was in front of us. The next. The place

8. Where I lived, yeah, I know is, the Pissot 8. How is? Tremend.

A story tremendous. From the moment In the way It's the It's not She was she No, it's

Not her, No Because are cantos Some rituals Arendes That's not

It's good No, even There's been There was There was a There was a There's a Thereof

If you put your music Atreveve They were They're So Messages

Subliminal Yes Messages subliminal So, so, so, so it's considered like something

not precisely very good, no, no? Literal demoniac no? Mm-hmm. Mm-hmm.

And, how good that he was percat that was that was all the

idea? Yeah. He was convincing that he for, to be, for,

to be to her. No manches. And, and he facilitated all, so,

to be to could submit. Imagine from there a carid.

No. No, no, no. And even plant that

all that is cement. But what you felt you were there there?

It's that I lived a socorrito. Yes, it's a good,

I was a good, I've had in the other piece

of the Torre 30. I remember I remember 30 pissos for

that's so that 30-pices. Oh, no, 12 pices. Yes, the Torre 30, because there were various, various, various edifices. So, the Towers were the...

Those were the... Those were the other, they were six? Yes. I remember that one of those amos a lot of the elevator, and when it was going to say, one of the house... One of the other, one of them... One of them were, but it was in the

the edificio 15. Yes. If, they said, they were not torn, so... A story that happened so about us. In other

time. In other time. In other time. No manches. I'm ch'all. Well,

no see. Thank you. Thank you, Sebastian. How did you? How did you? Very well. Reconsiderating

some cases, no? And you're that difficult. That difficult and many many times, we're

a story associated to each one of them. Of some way, we're always something that

if they have been in the Miko, we know, we're not, we're many,

many people, people can understand. When you talk about the mother that falleces, there are

there, they're, there are other records of women that have fallen and how

they're desperated to know of their kids. And that because of a of a,

of a, of a way, they're going to be the people, the people responsible for that they're

these, these, they're not, not so people, they're not, that are

that are for various reasons, especially when are they, I think they're not for their

children, when they're when they're not, I think is something very difficult. Was

your? Yes, and I don't know because it's a majader because it's,

I have in a mode avion it's on. Who knows? Ah, I know because I'm I'm saying

you're just right for you. A right but mom my mom, much thanks for this for having

accepted to come for this special of the day of the MADres in insomnia with these

stories that that are that are so much of years. Oye before before you,

before you can't help you expressandole to the people to do

you do you, what is your email or what is your email for what reason they're

or they're if you want to do you do you know, quite so sure

during many many many years I've dedicated to write that's the thing that

most I'm not I've been opportunity for two reasons one because I've

one because I have a tarot and I'm through it is my media to help and

facilitate to much people to find solutions. I don't say that it's a

perfect, but it's what I know, what I know, and I'm doing to

help to help to help to the people, indicating them they're

doing it and how they're doing, the time that a person

not is simply a letter of tarot. I'm to do

the time that's time that is a time. This me a time

also. This me part of my energy and of all the and I don't I'm going to

my bad. I know that your brother's very much my mom you're

you're going to be you're doing et cetera but no no no no no no no

no no contrary that that that to be to be better no

I can't I'm because I see I'm well I'm so I'm so I'm

so so it's so I'm so but if do do do

much carino atient to those that I can attender and I do you

do to do that I know in the way I'm not, I'm suggest I'm a person

or a other people or a other people we're always we're so is,

so is so uh well so madre much thanks muchismas

thank thank I can say something and if if

if no if if if not if it can this is this, we're cut us. And if,

if they're seeing this or listening this, then we're good on. How do you

see the next? How you see if we public us in the page of

Insomnia, in podcast Insomio, your book, the of these stories,

and we do we do we do, so, we're in these these

poicies, the that you me do you do this, these these decimas,

with the book of stories that are micro-histories and some a little more large, micro-histories of acid brebe

and it put them in a PDF in a format digital and in format for that they can read in

your tabletes and etc. for that in a click the people can't let us these is

you have you have I'm I'm in I'm so sure I'm I'm

like many there much there's there's there's there I'm that's

very little and yeah, with a and so I'm a light,

me latte, me latte, me lathe chocolate so is I don't want to I'm furious

oh yeah fission in that in those stories the acid brebe is much

a metaphor and you know you know much a metaphor are some

quantit that can be a line to two quarties that's the

most long. Yes. With all good complete. In quite to the

other different type of poetry, because it depends for it's, and as

there are various, it's different. For example, I have poetry political,

I have a, let's, let's, to the spiritual also, but...

You know, I think can put in the poicies to God? No? Well, the most is that there's one that is very good. It's that in reality, in the, that's that I'm going to write to God,

uh-huh. It's, no is that's that's a trebidden, simply, is something I think I'm much, I think, I'm that muchisagamly, is it. Is it what we've said? Oh, God is something more grand. At a little bit of, no, no, no, Comprendid.

But we know that's there. Well, if you do you do you do you do

the selection if you want to let's we're in a single format all, allas

like and we put them and it and the people are I mean I'm

like these because there and things like this I'm like much especially

because if you want to start to the point the

poetry if you want to like to know these stories

are brevest. So, you're going to little to little, every one of

each one of a lecture to a way way very easy. And, and also, are super

interesting, super interesting. Thank you. Thank you. There's one that, well, there are two, no

there's, but there two that me are so fantastic. One, you're going to be,

that has to be with a relicario, no, I'll say the spoiler,

is good and other, not some there, there, there, the, of the,

the, the, of the people to study. And then then he and then and then

then the other the ladrons no, ambring a lot of them they're very much so they're

so they're so they're so they're going to be going to work in this and just we're just

we put them the link for that the page and they're on a click very very

very much thank yes chihuahuas thank you thank you much thanks thank you

much thanks but all contrary, thanks for the invitation. the mothers that live in this reality and those that not are,

that know that know that we try to help to help us to do you, to the but it's very,

it's very very very agree to know, no, thank you. There's a lot of people

that are you just a little there's a yeah, yeah, I've been to, I've been

to, you know, I'm going to come to, there's then we're going to let's Yeah, we're going.

Very good. Now, now, see. Muchisimus to all. I hope so much to your mommies. And, well, if, yeah, no, is your mommy with you, then put it a bellita, record them in a way

bonita, and abrases much to all the moms that are there in the world. Kieran them much. Respectenl. Yeah, we're going. Now, see. We'll see the next

week here in Insomnia where we'll continue narrating these terrorifices experiences reales of

the audience so that listen them if they're trying. Chau.