RELATOS DE TERROR REALES SOBRE “NIÑOS” MALDITOS

00:00 Very good days, tardes or noches. Beenews to a new chapter of insomnia. In where we're to narrate the most

00:07 terrorifices experiences reales of the people. And you listen them. If you

00:13 tryven. And this occasion, we're going to talk to some of some stories tremendously

00:20 special. It's with us. Our good, our friend Samuel Hernandez. How is

00:26 very Feppo and thanks for the invitation and to go to to go to

00:29 tell us I'm going to tell you I'm going to say that the ultimate is a lot of I'm going to

00:35 get to get after the chat it's very very good so you're so you're sure you see you're sure

00:42 for a sure for sure for sure perfect before before we're we're going to we're just

00:47 we're we're going to let's I'm just I want to let's remember the people recently

00:54 that can come where you can and, more about what we do we're in and see the

01:01 and see the hours, can't send those stories, we're going to a pre-selection of generos,

01:07 and also can put the casilla of anonymous, or anonym. That's us get to us to

01:12 and it's the same if you want to your email, the correct of the webcors

01:17 pepo-orabranormal p.com. Anya of those two medios, we accept us with much good,

01:21 thanks. You're Construed Insomio. Saul, for that we can come

01:25 to do rapidly to you dedicate to the social, platforms, etc. Well, well, form us part of the crew paranormal in the area

01:33 of edition. There's putting effects that you know that you can't do not get to the nightes and also

01:38 with all the stories that we know, and you know my social, Instagram there, SAP,

01:43 SH-B-G-G- -G-G-G- B-G-G-G-O-S-I-D there. I've been there's been there, but there

01:50 we're going to see them the news of insomio because are things very, very good.

01:56 Perfect. Perfect. Apart, we have other estrenes. And many things that, well, there's also we'll make that we'll say that we'll make the elite. Yes, yeah.

02:06 Maybe at final we have a spoiler. Hey, Saul, you have you have children. So, you have so they're so so they're so

02:14 they're so they're not very in some moment. Of little some moment because we're going to talk of these stories about

02:20 the children and in in iniestros. Have you ever Anywhere you've Anywhere Or something Or something Or something

02:27 Or something They were in a No, they're But if you're In a Let's get a Let's go

02:33 That's a Yeah, that's Yeah, In the city of Halapa Some of Some of Those people

02:40 And all That's They said They're They're They're to some some of the

02:44 area of the area of the Nino's. I said that were talking what they're the next group of

02:51 people of the person of the roading. And that a bolita roha ran around.

02:55 And they were looking and they lookedi' and they heard, you know, I was,

03:01 I was, the rissed and they came out of the master. I said, well, but not

03:07 to talk the, didn't, no, no, we took the the pelot, it's

03:09 was that to, that to rod, it's detoo and it was so it's balancere.

03:17 And I'm imagine that for there also mann a little these stories that we're going to talk.

03:22 Oh, it's like they say bruchas to those small, yeah, no,

03:26 but a ballita. A polotita. A pelotita. So it was like he was moving a

03:31 little a little like they like to use. Like, and in the

03:33 pantheon imagine in the night. Wow. Oh, so then then

03:37 then it's to make Look, this is not habitual, but I want to see what I'm

03:46 I'm going to and I'm going to start to start. Very well, this first story, that for sure, thanks,

03:55 Christina, me, I'm, I'm so I'm I'm sure that I'm. I know that this first

04:02 story is this first story is this is our friend, Christina Morino. Christina us She said that

04:10 she, during her infancy he was a little is a little

04:15 of Colombia that has a climate calid and right to be to tell you this

04:21 town is chawani Chawani in Colombia and it's there when she took her infancy

04:27 in this people the people the people the people is a siembr to

04:32 the work of the work and also is a hard arid,

04:37 and calient. So, you can't you imagine that's a life difficult in the cold,

04:42 justly. There, I, I, and I, and I'm his four brothers in a finka

04:47 very humilded that was a lot of the center. He's that, for example, when they had

04:51 to be to be to the house, they were to go, to the market,

04:56 they had to pass to some to the city, they had to take a big

05:01 carion when when I had to walk hours after the sun.

05:05 she is the second of five men's in total being she the second of these five

05:14 three of those five you know that you're five but there's a thing that that's

05:21 that's having this panorama we've told Christina that's that she has that

05:26 she has her his papah and put between commillas her

05:32 his father to her the And it And it was that no there was a

05:38 but basically she had a odiava and he had other children and a child but to

05:45 her especially she was really really really really to the mom

05:49 was was very violent with this sir we're we're

05:56 not not only not not not physically it was

06:01 a constant of violence that's a house, spantosa. Spantosa. For

06:07 that's it's that the palisas were constant and finalized when this

06:16 person, this man, he'd was without without a question is that maybe

06:23 to her was that she was the way to the mother because in the

06:28 people was rumored that she was the daughter of this woman

06:33 And, well, this obviously alimented the desprecise of this sir. And she, was her the encargated basically of the care of the house. So, in this

06:48 maltreato, in some moment, she, she said that the only person of the that she could say that received some more

06:56 that was of her mother. But in general, she lived in a constant fear. In some cases, he said that she was

07:03 so very that was so so so that she

07:12 was that she was that the not only because this is something

07:25 that's something that's a lotomously is lamentable that that also the

07:32 the children barons, all ver this what occur in the case, then they're to repeat it and she remember one

07:43 one of example he had 10 years of and he was talking with his brother about who he took about

07:50 that day to clean the the kitchen and the he was he not he didn't

07:55 do it he was that he was because it was the one that was the that all the that all

08:00 that was he was to try to defenders, verbally, making it that also to him to do you

08:07 do that he was, you know, those labors, and this man, he went to, he went to

08:16 him, he was an he was anoged for what he was saying because he had a reason.

08:21 So, so he took the palo of the scoba and he he fell to the

08:24 he said that were so that were so that the palo of the scov between the

08:30 the gulfes he was revent to the hostiles. He just he sentio

08:34 that he was to part the he was the he was so when

08:40 he was just he was in that he was he was he

08:45 was running to mountain and there between the

08:50 the night and the and in silence with

08:56 with the fear with that something that there was

08:59 that something what I could hear was the sound of the insectos his own

09:05 their own his own their own but in a moment that was going to get to

09:10 be in position fetal his spalla against the he said a real it was a

09:20 really it was a really of a little he was not it was

09:25 she was really or not like some but well she

09:30 He said that a little, when the pap's violent, he went to he went to his mom. And they were to this

09:43 place in, in the middle of the naturalness and she kept there she was she was

09:49 she was she was trying to not to not year for her but was a

09:57 not it was her her her imagine with the mouth

10:00 open, the eye and the way of trying to calm to the but she

10:06 was not they were that they could get to and in a moment, then they had to

10:17 be more that's that I'm that I'm a little a vicarate and that she was

10:24 that she was that was maybe for the the sombra of the same arbor but there was a zone

10:31 where was the trunk of various meters where the earth always was a secure

10:38 and sterey like if not could grow the life there

10:44 and a so as those riss that she she

10:48 started the apparitions she she said she she she

10:53 she was in the room in a And a sometimes the her mother because

11:01 the her woman because the woman was not she had a woman that always was with the door open and saw how was going to

11:36 the sombra, the silhouette of a little. So, so he did know that that those nights, when she was to

11:49 be to be a dormerida, her mother she had to be not, and she never at the same hour, I saw that silhouette spectral

11:58 of a little that was going to. Then, He said, and he he said to his sister but her

12:06 her mother no she knew he was not he was he said he said you know to be

12:14 to prove that's this night this night you get to get to

12:18 me and you you're you're there's there there there's

12:23 there there a woman said so so so

12:30 they're so they're so they're not dormice, but they were

12:35 dorms. They got them. They got in the dream. And, of the second, the two were just

12:41 they were because they were a moment, like a movement brusco. And they

12:48 opened the eyes. And when opened the eyes, they were a two little

12:54 two newas that were two newias that were with the menton and his manitas

12:58 recargated in the colchon observantilas. And he said that, although we're

13:07 that the form in the way that they were like a something like a jubgeton,

13:12 like they were curiousas the eyes were like very dark of the

13:21 jenos profound profound, too very those and that in the

13:26 eyes was much a much a lot and

13:28 they're they saw this and the her mother of a one

13:35 he was a gritty and the and the children that were there were in the

13:42 when the hermana and they were and they were but but but

13:46 but they were they were they they were they're they're she

13:53 she she she she she she they're three

13:57 and for you did this she she discovered that she that always

14:03 were very sucied vestied with those like vestiditos black

14:08 but full of of manches of the and his feet descalsals

14:14 she she she was she because a day was in

14:24 house the he he came with one of these

14:27 aran of these and she she and he was and then he

14:38 he was he was and he he was one of these but he not was again

14:46 like trying she was halling her and she and she she was what is what is

14:55 when in that when in that he entered the papa he began to to get her and he and he began to

15:03 the she was she tried to protect her and he saw in the the piece how at the other they'd get them in the other

15:16 pieces of the other two. They were of different eddies, all vestiges all, full of the earth,

15:24 manches, and when she was she went to see, these these little they were

15:29 they were seeing to her and they were that's that's that's there was

15:36 an odio. She, obviously, no said a other day when the father

15:44 he started to get to get of the he was of the he was she was

15:52 she broke to get to and he went to get a

16:00 part very profound in the night was I'm I

16:04 was and she was to put in cuclid so

16:09 soyo sando when I heard a sound you're the feet of the nines coming in the earth and they

16:17 came down and they're they've they've seen with these eyes with a tristence profound

16:24 and they were putting one to one to her down to they're

16:31 taking the same position and simply they were to the nothing. And she

16:36 she felt that those are there to turn her she was there were they were there to

16:43 they're like those guardians those years were passing when she was 16

16:51 years she she was she was for a manor and she was

16:59 she he's that not that was that was that was that

17:06 was that was And, and it was an act of love. It was a way of

17:13 to get to escape. And so he was. He went with this man. And so

17:20 he was to be a mother that he had to support. Because now,

17:26 all, he was in contra of her. Five years after, something, something

17:33 happened. She went to to see a mom and he entered that the father

17:45 had disappeared. Simply no Nobody saw nothing of him. And she felt it

17:57 very rare the same he felt very rare the feeling the house tranquilla

18:03 without without gritty and his mom and she saying she to do

18:09 in peace in peace so so so he

18:13 came he and he went to the the

18:17 little that he had the time that was

18:24 that was the last time that was the last time that was the house when of a when of the night

18:31 he felt how they they were in the man and he was one of these and then

18:40 the other the other took to the other man and then appeared

18:44 the third and they they were with that that

18:57 He heard the voice of these three in her head. They saw her. They were, and then they were to look at the earth sec. And he said, and she, in that moment, comprehend,

19:15 those three newies were interradas there. And his, supposed papa? Had been... It was... ...are the person

19:27 that had been with the life of those three But also But also She did That's When they were

19:36 there During those Those guys They were Foursa, maybe For she did She was

19:44 Sheppulted There And she She said She said She said She said Never

19:54 She'll know To be a He's With the time He said Hepp

20:02 No violence that they impune and that a sometimes the spectros are

20:08 the voice of who they're not they're calling justice from

20:12 the penumbra it's the the the is a very very

20:24 is yeah it's I don't do that for the people

20:30 that for the people that and fall they're in

20:35 some I think they try try to avoid that someone pass for the same.

20:41 And stories like this I'll be be a lot more. Yes. And is that sometimes, not all the

20:49 time, the people say, is that the phantasm you're going to be a so. I think

20:53 not all the time is that. Sometimes they also. They're also. Because the manner in

20:59 that's a reality that's a different to the of us. But, they're

21:03 they're making something, something, give a message, advertier no,

21:09 no, see. Of course, right, the story that's a little in the

21:13 way. In real? In serious. Well, you know, I put it a little of the

21:20 piece of the piece. I'm a story very very strong. Yes, but the

21:23 really good. Yes. Very good. Well. You to talk. Me

21:28 to talk and this story is the light and it's Caren't.

21:33 When I was I was reading this story I started to be much fear at the corners of the

21:39 house but well we we're to talk her she she has

21:46 about six years lived something that a much many people can

21:52 think like it was a product of imagination a a more

21:56 was it was so it was a kind of a kind of

22:00 in the where she had some different situations and

22:04 they're in this. Apart she said she thought that

22:09 was that was diagnosed with depression chronic and he said

22:15 possibly this had to do with what what happened

22:19 to get but when she began to reflect

22:24 to to record certain some moments say no

22:29 I think the Pesadillas, degen, testigos, or degen evidences of what

22:34 happened. And it's like this story. She's parted of a family that were of the city

22:41 of Mexico, but like many others that are other other place to change to the

22:48 city to Wachaca. This city where the gastronomomia is rich and a full of

22:53 many traditions and things to tell. Legendos very very

22:57 very very Well, well, it's said that there's a time, but that, like, he's at the tap of the university,

23:06 and she has got to regress to the city of Mexico. Dice that she came, he had found a place to

23:11 a place of the semester that was coursing, he got to get over there of the vacations, he's to

23:21 be to be with the family and regress. It's in that regress that all begins to turn

23:28 a little extrano and it was that they were going to start being some

23:34 to be going to get to the place where they were where she was a and then

23:42 a little a clasurated had embarked the department

23:49 in the she was you imagine you you can you

23:52 imagine the the reaction to cry, to tearers to the piece, what I'm doing to do,

23:59 my things are there all right and all, you know, even to you can't you know,

24:05 imagine it I think you can you can't even, well, well, it's

24:09 can't do a problem. Uh, well, it's just just did a moment

24:14 to think what to do, I'm going to go to look to another.

24:19 No, there's I'm talking that this is in in the endero,

24:23 yeah, almost finales. You know the cost of January, the people still still

24:28 in a difficult, a moment very complicated. But I said that she she was going to

24:36 the streets, those are a little frias of the city of

24:39 that that's that has been the night, that nebina, yeah she was

24:45 was going to be done I'm I think no, I think, I'm going to

24:49 find in a And I was going to the and then so, as if someone

24:57 had been took the he had put it, and a letterer to the front and it was a

25:06 then it's then what he caught his attention and I found I I got I got

25:10 I found the solution of what I was looking I was not you had done

25:15 that that that house was a little was that

25:18 was the emotion to have a place the painting was

25:22 a lot of humidity that was going to a cold. Really had been the herension of a man that said, well,

25:30 I'm going to take a house to two-pice, and we're going to do the little quarters to rent.

25:36 And that that she took the part of the garage. Cacierra. It was like a passio profound,

25:42 oscuro, and only only had a ventana to the front. Entrava a little

25:47 light. But he said, well, there's another. I have to

25:52 I'll get me, in examines. I'm going to take time that's I'm going to keep to get to I'm there.

26:00 He said, he said, he said, he said, at the beginning, he started things

26:07 strange, but, we've what they had been a depression. It was kind of

26:14 to associate more to that a little bit a bit of a bit of a but he's

26:18 that conformed going passing the days, she went going to go to

26:23 get into more more and I'm to the school, I'm to get to

26:28 work to be a basketball and she said that before after that she went

26:35 to that's going to get a little a little to come

26:39 but I was yeah I'm that I said that I'm the

26:43 eyes and just I had the time she was

26:47 dormita. But you know what's the most strange that all the other day, all the mornings, the light was turned to let me parr to

27:00 turn to the light. Dice that the camera, as where was the interrupter were various

27:05 paths. And it's near to a television. Dice is that no, for more that I

27:12 try to record me, no, it's to all the front, no, not?

27:16 I'm parre to the a little, no, because she said that a penas

27:21 to cover the camera, she could pass after days and that she she said,

27:28 she said, she said, Kare! Nothing. Karen, Dornida. Karen! The telephone.

27:42 Nothing. Dice she that, that's she, he started to hear the grits and how

27:48 they were. He said that He's He's He's Like a Like a Like a

27:54 But still But still He was He opened The door To make the He said You know

28:02 What do you You see You know It's that You see You see You're very Pallida

28:09 You're You're You're I'm still You're I'm You're I'm

28:13 You're I'm You're I'm I'm I'm You're I'm

28:17 You and I was I revisiting some things and I kept dormita well, so how time? Dice

28:25 that this was going to get us dormied. It was like if something was there was

28:30 draining the energy. And there is where they're some some of some of

28:36 strange. Dice that of I was a costada in the suno the

28:42 eye and I saw in the a little a silhouetta a silhouette that

28:49 she was she was she was she was what was what was there was that they were

28:58 some mechones large of the very dark that the ground that they

29:03 were to disvanes a bit between the dark of the night

29:06 she he said he tried to try to and more

29:11 was discovering the siluetta was a a little, a

29:16 a a little that was looking to look

29:21 a batita of the years 50, 60, a little a

29:27 little a but something but it was there was

29:32 there was she she she was a, and so that's, I'm, you, Well, she suppone that at the little bit the

29:46 little bit of the dream, he was a same thing. All the same, the story that you know

29:51 you know, not moved the book, no, had a sound, it was the sensation to

29:57 have to have to be the light. Because it was a more was like the pernumbra

30:02 the and the around, and was just like with the time. It's

30:07 that in the sunn't prendia the light and and of and so

30:12 it was on the and this was going and the canstance so it was making more

30:17 and more accented he said he's he's he said he said well I'm

30:25 going to take those days to forget me to what's going to

30:30 my mom because he's coming to come to you know the emotion

30:34 to be the mom after after the several months

30:37 of not to be that you cook they're very so

30:40 all all that, a papachos that you do you know-mast. He said, well, that's going to do you know, that's going to do you know,

30:46 he's going to go to the he went to the he went to do you, he said that he had in his room and

30:54 he had a little little a little little a little not so much the tele that she

30:58 mentioned, and the interrupter. He's he's all the eyes and he he's

31:07 he's in the suno Karen, what you see what you she she gets

31:14 what's what's what's she's she's she's she she was

31:19 she was going to she was she got her she's what you she's talking

31:25 what she she yeah mom no see what what you she's she she

31:33 she was she she she was I'm I'm I'm I'm the

31:37 eyes and you're parted she's parted and and upaganda and and endend it

31:42 and I'm saying I'm saying you're saying it's for it's for her it's for she's and me

31:50 signalabas the skin what you know what you do you no I don't

31:57 I don't I don't know I'm I'm sure you're saying that's for she's for she's for

32:03 she that the two had they're they're they're not I'm

32:07 really really no I He said that they tried to calm and they thought

32:14 it was a but it was very strange because he said the mama it was that was like you'd

32:20 when I asked you and then you was what you were saying you're saying it was they're going

32:27 to be a incident yeah in the party in the in the whole of to go to

32:34 see the he's reune the primos the parents all She said that she has Some of the

32:40 places in those where she's practica, the brusheria, the clavidensia, many of those questions related to this type of

32:47 phenomena. And a friend of her and a other, he says, Prima, she not

32:54 you're going to be going to you know you're not you're to be to get to

33:04 you're not you're you know you're not you're to be to be to continue. At the

33:13 beginning, the first, I don't understand what he was talking. What, what I'm about?

33:18 Yeah, of what? What do you? What do you? Yeah, that's, that's, she said,

33:23 that's the other way, he said, he said, he said, to her mom, what he

33:31 had said, the, the law, the law, the law, so, is that that she's,

33:37 that she's that she that she, she's, that, he, he, he,

33:41 , he, , The cancancey was too and he was to look and he decided

33:48 better but he said to do you know that said that he said that not be the sonn't

34:01 that she was not so got that but every that was I was mirabed the back the

34:09 back to see he not he was to be he he said he

34:17 will be there with that fear that she was that he was

34:24 to be to be to be a person that he does the energy for

34:28 that she can continue. And so is how she is this story

34:33 possibly someone that is probably could be in

34:39 this she would be wow well I I'm I'm

34:47 I'm because it's was literally literally clearly clearly

34:53 so that's So, he'd be to be able to sleep, no despertable. And what he said, he was,

34:59 he was, he was, he, he was, he was, he was perfor, all, the other people,

35:05 the other the audience. Yes, and nothing, I mean, I mean, I mean, I mean,

35:10 I mean, I'm sorry, but, not so, I'm not so, I'll say something, I'll,

35:16 let's say, those capiturus with Saul don't listen when it can't because,

35:23 that like, so, I mean, I'm just, but I'm no, that's good, that good,

35:29 but so, how he grittable? Karen! Karen! It's like, many, they've written,

35:37 oh, how they've got done it's got those these stories that I've talked to

35:40 narrate. Chato, the of Chato, the Chato, that's real, much people that he

35:45 got to be fan of Chato. Yeah, no, and right I'm going to be a fan of Karen,

35:51 no, and they're they're more, More sustos. Yeah, no, pass in stories of when they're

35:56 when they're to get them. My meta is to make that Fepo has a fear. Well, I have a

36:01 man. Wow, very well. But I think, I mean, the evident that no

36:08 was a little, yeah, I think no, for all, a ronkont. All the all what was

36:12 all the but how, they're, they're, that for you know, so it's that for you

36:18 not so that's not that doesn't, no, you know, and not

36:22 do you To be to let us, to make it To be able. Sure. Yeah, no, man, wow, I'm sorry.

36:30 Surely somebody somebody is talking this and says, no manches, I see the manches, I see a that'som in the corner.

36:35 You imagine? That's not. That's not. The story, for a forward. Yeah. Oh, bah.

36:42 You're going to tell a story. Let's. We're going to and that's very good. Well, we're going to

36:47 the story. This story is the a college Christian and they they're they're

36:53 an anonymous okay fiatte you know no way to say this

37:02 college Christian in this in the area of the question that's work in the area of the house of the abueling the person that

37:22 we're saying that's Fagate, it's that in this place is a a college Christian

37:28 normal, like any other. There's some of some some situations that are like those

37:35 secretes of the college Christian. And obviously this senior, the abuela,

37:42 at working as a cociner there, was and it was

37:45 going to the time of many things to all all

37:48 all all all Christian, is in an edificio, is the classic casona, typical of these

38:00 regions, that are very antivus. The century past, me imagine. Exactly. Or,

38:05 the pasto, or the future, and then the structure original, they're trying to adequar them,

38:13 and they're doing offices, banks, schools, and more. In this place, being that

38:19 is so great, and is there the college Christian. There are some

38:21 things that are like, let's say, we're going to say that a little rarer, a little rarer. One of them is that the director of this college Christian, a woman very

38:36 religious, conservative, conservative, but of a form exaggerated, entregated to the religion. She, she lives there in the college Christian, but not She doesn't live she's only.

38:55 She's with her husband and his three his three kids. Dice that there are some quarters that are three

39:01 abitations that are at final of the passillo behind the kitchen. And in these three

39:06 three rooms is she and in the other two two two houses. So, imagineate

39:13 this. You're the director of a college Christian. You know, you're there. All the

39:20 day is there, but your kids are students of the college Christian

39:26 where his their own mother is the director of the college Christian and when

39:30 they're the class you live there. The name of these

39:35 these these children is Valeria Vanessa and Tiago and

39:41 this I'm also another of the details peculiar of

39:45 this college Christian is and I heard I've

39:50 heard of other schools different grados convivine in the same salon. Has to the fourth,

39:57 fifth and sixth of primary are in the same salon. As are the many, as they all those are in

40:02 a salon. And during the day, the same maestro, maester, they're giving classes to

40:08 three grados or two grados. Pasa this. Pass in some schools,

40:12 in some schools, but in this case, other that are combined

40:17 to some groups, also in the in the school also they're not a

40:23 children that need they need an attention different for example children with autism

40:30 so if it's like think that in a salon where they're amontonated

40:37 children and children and children of different edes with children

40:41 and they're that they're a little more dedicated when

40:47 when, of a start to and begin to discuss, they're distraen, they're to get to

40:53 get to get to to get to the little the teacher or maestro who's not know

40:57 how to try to this situation and one of the one of the people

41:01 that has a situation of this he's he's the control and

41:07 he's to get to the director there's the chaos the

41:11 the chalone and say no no no to to reason

41:15 to A little, go, to rest. No, cack, and put to rest. God, do you are observing, to rest, to ask, to rest, to why not are my kids?

41:25 They're not like my people, they're doing, always are their life, God, because not are a little more like they, because you're not

41:34 more like Vanessa or like Tiago? He's a young that's a man, he's a great-in'

41:40 and he's grittando, cacki-t reza, reza, A situation difficult. For example, one of his sisters, Vanessa,

41:54 maybe for this situation, then started to detonars certain situations in your personality and had an obsession, Vanessa, with that all those the children and the children of the salon, all had to be

42:09 his friends and his friends. Nobody could be indifferent to her. I am the the, the daughter I'm I'm

42:19 God me and you you have to be my friend but I don't know

42:25 no no no you know you know because if no God you're going to be

42:31 you're a manna with that with that attitude manipulatory and unagradable

42:38 and so literally I'm using those adjectives with those with the with those that they described

42:43 a despite of his court of a little a

42:47 a a well in other in other salon was

42:52 there was there never never never they never

42:59 they never they were they never they they

43:03 were the king and the re and the reign of the

43:08 grits of the insults but are the example

43:12 perfect According her mom, the director. Because, I mean, she was she was

43:18 actually a director of the college of this college Christian. And, his children,

43:26 her life is study and to be an example. They're an example, an example of the

43:32 life Christian. But then, then, Tiago of one on this

43:38 mother literally, literally, that he was suffocing he was to act to act to be violent and he commenced

43:50 to defyed a own and he was for example that there was a day complicated where maybe some of these

44:00 or a little was he was having a day difficult and was very very grosser or something and the masters

44:09 had been had been the control well, Tiago occupied this energy and also

44:15 and then he was to put to iracundo he put a groseero and said the people

44:24 the children and the people that in the eyes always they were like much

44:28 anger much ohio so in his a a a man

44:34 a man a violent and grosser and then the

44:39 director because, the master or the master or the master no could control the situation that was with a little to be a

44:48 little and Tiago was summable and he was more grand and more grand and more grand and more and he was to beolento and to

44:54 go to helpia to call us and etc. And he said oh yeah Tiago calmate you to

45:02 me can't you can't you can't my mom is the director you're going to call you And if you know,

45:10 you know, I'm going more, they said, and they said, for favor, control to Tiago. And he had comeportate. You are

45:23 a little special, elected directly for God. You're an example. You not are grosser, you don't grittas.

45:32 Reza. Demonstra, to the other children that you are perfect. Demonstraselos. And Tiago

45:41 me respondia front of all, lifting him a little biter and saying to goceries, cackete,

45:50 maldita. I do what I want. 11 years of age. Retando. What, you're to

45:56 you? Well, go to you? And she ha, ha, ha, oh,

46:04 what things repites of what you're what you do you the other. Then,

46:12 Tiago and his rebelia continued continued and a day he went

46:19 so, he got at the moment to the Cuspide Tiago he

46:27 started to his mom and she felt observed In silence, Viendola,

46:47 behind of her, the escalers, and he he pushed. And, and after the mirro of all, Tiago

46:56 was her mother, the director of the college Christiano for the escalers.

47:01 Obviously, he ended with fractures multiple. And there they were in the piece,

47:11 shillando of the honor, Tiago, from the escalers, knowing

47:16 in that moment the center of attention and the mind the mind atonita

47:20 of all that saw that had a woman fractured and a he was

47:28 he said in voice that's your merced that's your director

47:38 the scandal no he's not imagine no well

47:48 he was the thing color of ormiga. And, well, for calm the situation,

47:59 the mom, the director of the school, to try to counterresting a little the things, gave a

48:07 order from the hospital. And then they were to the first to a center of a

48:14 religious where, where, well, so, she thought that they were to

48:19 give them to give the cordura. And she said that this no

48:24 had been work of Tiago when he went to the school when Tiago now

48:29 was the school because was in this center of the

48:33 religious. The senior the director said to students

48:39 and teachers and that what had occurred is

48:43 that was Christian, Tiago, that was a young good, a boy who's a little, a man who, a little, like a spirit very great, a man who's he was given by the sameism God, had suffered

49:02 the consequences. And that maldast, the diablo was, had occupied the body of one of the children of God. And he had done that so terrible.

49:17 And what Tiago had had done, no was the fault of Tiago. It was the of all for not to bezzar

49:25 the sufficient for not to give his life to Christ and well all so all so

49:34 all so all so we are all we're that we're so we're so they're so they're

49:40 so they're so much so much they're because now they're to pay too

49:44 for the alma of the good of Tiago some how many months

49:49 after Valeria the other daughter she said to have signos of depression

49:57 so like we had detonated in Tiago this ira this violence

50:03 in her detoned another and it was now who was the example

50:09 that there no there there was she now

50:13 was she was the she was the the she is an

50:18 example She is a little She is a little that only thinks in God, that only study and Reza You should be like her, like Valeria.

50:31 The same And she started to enter in depression and commenced to use suitters and bluses large because in secret

50:44 she was He wasstimated profoundly And being so young, to the 13 years, he was good, that no took his success,

50:57 but he went to get to the life. And he went to do the hospital, but no he went to the school.

51:08 Also, was invited to the mother, to the same center in the he was

51:12 he had a time. And as he went to go, the mom was, he,

51:18 called to all of all to us. You, adorators of the diablo, peccadores and

51:27 peccadores, you're those culpable of that are my daughter, Valeria, the

51:34 the new the pure, the perfect did what he did, because was obligated

51:43 by the devil, because you're not resan the sufficient, because

51:47 you're not they're not not are your life

51:51 to Christ. And well, the situation began to and peorrar

51:58 because she'd a Vanessa the that I was that all had to do you

52:04 have to do you always they were to do because she was she was she was

52:11 the example she was everything she had her she was a a daughter

52:17 she was selected especially for God and all they were

52:22 those they were all the situation had changed because the children, the

52:28 teachers, the masters were very molestous with this situation. And what happened

52:35 is that the children and the children were to acosar to her. They were to doling

52:44 extreme. And they said that what he had passed to Tiago and what

52:54 had passed to her mother Valeria was the and of her and they're

53:02 crueles and they they said that she not was a child that she was a

53:11 maldita and that he was to end her and she she she

53:21 found a one and he started to she she

53:28 in her mother no no important what he said

53:32 what that the only thing and night was to be in your Bible and saying

53:40 to give to God that pardoned to all these people are an atmosphere

53:49 asphyxient so that one day the the new no did

53:57 he was he he was to be present in the college that

54:03 was to be to you you you're You ask you where is? Well, the mom,

54:10 so I'll record to all. My ultimate, her, she was, that the only that was she was to pray for you,

54:23 that the only that was to learn the Bible for that that your arms not in the

54:28 inferno. But you with your so acos pecators and and pecators, me have

54:36 I've been , I've been all of all right in that center.

54:44 For your call, we're going to rest. And this story literally terminate so. The

54:57 college still is working under the orders of this woman, of this director.

55:04 Every the days he says. Nobody says. Nobody has about of Vanessa,

55:12 of Valeria. And of Tiago. Like if those success never existed. Never existed. And to me

55:20 I'm there's a thing. A lot of this things that are more miened. It's true. The fact,

55:31 what you comment is of one of these children, the that was, Vanessa,

55:40 the that was the marcas. I took companyers that and then it was a

55:48 second and so many people say, ah, is what they're what's it's that's he's

55:51 four and I'm going to talk about you I'm going to I'm going to I'm going to and the age and

55:59 so if you're to live many things and me took so you like you

56:03 you're as you like they're in the suiter long and never even

56:08 I don't see if some some one of us, so, you're just, oh, and,

56:13 we just, we had the, and I'm, and I'm, he said, that she, it's,

56:19 it's, it's, it's, it's the way of life, but was, it's the

56:25 type of situations, and as says, a way, not, not, not,

56:30 not, not, not, there's, he's, and he , know,

56:35 or, or, for, call the monsters that can be more impactants or a terrorize

56:42 more. Well, I do you put so, a kid of 11 years, that's

56:47 a person to a poor, to your own to the own, it's a center

56:55 religious. No. Necessita a help clinic specialized. It's

57:02 very grave. The situation that has maintained this woman in this college Catholic is

57:08 very grave I'd say I'm even it's an act criminal and I thank you thank you

57:15 have made this story because just makes visible many things that we sometimes we're

57:22 invisible because we always we're but you know when you're going you're

57:29 you're you're you're you're you're you you're you

57:32 you're you Because of some You're in some You're going to be That's a voice For that someone So, but the

57:44 people get a call out Because who are Those are kids And children are And so, no We don't we're Invisible these situations And we can't

57:54 Culpate to the And the children To give a little To give you Do you? Do you? No, no, no, no. We have to

58:03 Evidences. This is what happens, that, that, also, occur in a college Christian. That's. It's very grave. But also,

58:10 you know, I think that's a period of much the charlard. So, what we're doing in this moment, platicar the

58:16 stories, what is doing the podcast with the night paranormal and all that, are things that are

58:23 to be doing the family, to sit all to talk, they're, like, they're doing, like they're

58:27 doing a little, and they're going to do some things that the kids are

58:32 to put over the me and they'll serve to be a lot of to be able to

58:35 talk about I'm going to I'm in so I'm I'm sure I'm still because they're more great at

58:42 my my own their kids and when they're in the little little we're just we're doing

58:49 we're doing we're doing it attention to what they're and I'm and if there were there's

58:54 there's I think I'm I'm not there's a little year where I'm that was the was the

58:59 people and then so so if tried to to boarder the most intelligent that is that type of situations for that also they're not in other things.

59:09 But I'm sure that this is what should be replicars much, no, the platica, the charla and has perished. That's what I'm going to say to do do something. No, no, no, no. I'm going to tell you because this is super

59:23 reprobable. Eras you of those who? No, no, no. No, no. No, no. No, no, no. To me were saying bullying. me made

59:29 really this we're we're we're one another person that I

59:35 know because no like I'm like the so your parents

59:40 were super good are super aggrandable I want to think that

59:44 are super aggrandable but super agradable and this and a

59:50 day I was I know I'm like he said he's that I'm

59:56 that's that I'm that I'm that Like, I mean, I mean, you know,

01:00:00 but pre-adolescentes, you know, that the father and the mom they said, no, do you know,

01:00:10 do you're going to do, do you're going to he's, he's being very comical and he said, ah,

01:00:17 well, let's do and the papas so of cabo long, very chidos and good

01:00:22 and a real, not is a drama, literal, like, like, of cabo, long,

01:00:26 chidos, my good on. They said, well, and they're and they're and they're and they're

01:00:33 the cigars that they're in the tenders and they're and they're and yeah, so only

01:00:41 but I want to say I mean, but I know that that's not that in any

01:00:46 no, I'm not I'm not I'm not I'm not really only was something

01:00:49 that's something that's and he he, he, today, because

01:00:54 are some good people, so that's so super reprobable no I don't know. I don't have

01:00:59 but I don't have a person of a good that's a career very important he's a career

01:01:06 more than that professionally really chida I think he got a a premium international because he

01:01:14 he has much love to his career he did yeah after after all very and also

01:01:20 also did even of his papas and they're being the same super good on

01:01:23 and yeah I hope that is reprobable and if reprobable and it we'll cut them.

01:01:27 Oh, and is that I think to enacal a section of experiences of life. Uh,

01:01:32 there's much to tell. Things terrible. Yeah, that are super funnable. Yeah, that we're

01:01:37 kids. It's that we're doing that we're not, we're not, we're a generation that we're

01:01:42 like, we're not, the, where's the policeia, or the local academy of policeia,

01:01:49 and I'm, I'm going to tell them so briefly to continue. When I was a kid, I was in

01:01:55 third of primary, eight years, I had, so, no? Something like, eight

01:01:59 years, six, six, seven, eight. I'm doing an bullying, but intense,

01:02:03 horrible, but not a little, all of me. And then a man, when I came a day with

01:02:09 the o'em a morado, me said, no, no, if they're so I'm so, I'm so, yeah,

01:02:15 I'm not, I'm not, if I'm not, I'm, I'm not, I'm, I'm,

01:02:19 I'm, I'm, I'm the direction. I'm, I'm, I'm, Accused, figgott, fizzed.

01:02:26 Good advice, good good, good advice. After this pause, to get a little the fear of to get our

01:02:33 to get our our traumas. We're going to the next story, that's called The New York in the

01:02:38 Sombra. That story no, that's made to I'm Hsuarez. And, oh, in

01:02:43 serious, that every day me impact, more the stories that they're because

01:02:48 some those things that you those are saying, really is happening

01:02:54 this? I mean presencial, see things, hear things, to see, all what they're

01:03:00 in these stories, really, when you're saying, you're going, you're going, you're going,

01:03:06 that's a different, and there those rinkoons in that that's that's

01:03:10 that's that's that's that's that you're that's, that's, that's, that

01:03:16 he's that's that's, that's, that's that's, and that you're

01:03:21 part of this. And here you go to your history. I hope to the story. We'll tell you very well and you'd like. She says that she was living with his papas, her family and all.

01:03:34 But, we'll have to explain a little this situation because of a sudden you're going to be like they're not not in the papas and all of that.

01:03:40 Let's say that their family, they're those options of going to States to work and and come. As many families

01:03:50 here in Mexico and they're they'll send the money for those that who are the people who are to buy

01:03:56 a house, to get to get to be in this dynamic. So at the first she was in

01:04:02 a house where there three-quarters was a little little piece her her

01:04:07 was in the exrangerer she she had she was that was her she was a

01:04:12 mom in the kitchen and and then she was she he was

01:04:15 she would know she'd all you know that she's all

01:04:19 a deco that's a the passillo of the house is at the entrance to the room

01:04:24 where he's where he was a he was going and she going to get a little, and then

01:04:31 he said it and it he was and with the rabbi of the eye, he went to

01:04:37 the camera and a little sitting like looking to the

01:04:43 he was so so he and he he's he he's he

01:04:51 he's he he's he's he's he you think

01:04:58 there a man, sent out of the camera of my my child, you'll have imagined,

01:05:05 or you've played a brom to get a brim, or whatever so you know? But she said,

01:05:11 well, that's weird, no, because, well, we're, we're always there,

01:05:15 sometimes that, that's a part of an thing, like, and they're

01:05:20 going to start things. She's that she she's that she kind of

01:05:25 to record to be to be had known this new but I felt a

01:05:30 little a little a little a little a bit of trying to do a vocation

01:05:38 of what I've got to see in the skin a scalofri and it was

01:05:44 like if something was like I'm saying I'm I'm maybe I'm

01:05:49 going to get to this thing and I'm going to

01:05:51 go the days the days, the months and his papa manda a

01:05:59 amount of money to start a building a second piece. That's second

01:06:04 place was where she was normally with her mom, the there was the tia and

01:06:08 the the tio and the he said she's she's she's to get

01:06:14 to get to go going, they're going to they're there's the

01:06:20 escalation you you know you know there there's materiales tirados

01:06:23 and all a repented, it's how a point with filo

01:06:31 go traversing the suella to get to get to immobile. But, but,

01:06:41 before to feel a or or to do that

01:06:46 was saying, he said he he's that he's to the

01:06:51 end, like a house like a person that has been

01:06:54 observing. Imagine Imagine what how strong was this that she for a moment he forgot

01:07:03 what she was going to remember that in her piece had a clavent. And it was the fear that was

01:07:11 feeling of something that was that I didn't distinguish a form but

01:07:17 something was there and I think that it was like that was that

01:07:22 was going like if it was to be what was the

01:07:26 reaction of her like to serve of that festine of the pain of she said she said that

01:07:31 she was like she didn't how she not so how to go to go to

01:07:41 her and she's with her mom she was her and they cured her

01:07:44 and she said that of a part of that that that

01:07:50 that that that she's she that she that she that she that

01:07:56 she was that she she She would have to be up and put it to the television or she entretubiering. She said that only just was just there were noise. So, that, of prontos, the perrots,

01:08:10 started to laddra, to some points of the house, or to see a nada, but very. Or, of the pronged, chiggied of the mascots. So this was, but she'd get down the camera

01:08:24 because he had a fear of encountering with something. And his Tia one day He said Myja, me You know

01:08:31 No, I'm You know, I'm You know, Dorms That's the Ruele, At least is the Three and four

01:08:39 of the Manna I don't Why, Dissue But my You know, you're To be a

01:08:49 Reefirmat. Yeah, Rue-Rew? Yeah, Myja, I'm just My Jules You know They're

01:08:55 They're they're that they're that they're that's they're no tia but is

01:08:59 that's I'm so I'm I'm I'm quite I'm oh I'm I'm

01:09:04 I'm know you just you're just as you're all the you're doing this

01:09:10 this is more extra I'm saying that's so you and a

01:09:17 sometimes the mace and a when when I had when they

01:09:25 they were and they they were to get those to calm and no

01:09:30 more crispava the hair the the the little

01:09:33 all so that of the nothing it was like it was

01:09:38 calm all it still always even they even

01:09:41 they all this still and said that he

01:09:46 so there she went to see a little

01:09:50 a little he was she was she could

01:09:59 and again another another a dream and it was like so like to try to try to

01:10:07 he's like to get to like a like a little she was she was she was

01:10:16 she said that one day so his mom had had had gone to

01:10:20 and she and she was on bism at the first of the first years

01:10:26 and that that day I was that was she was to go to a

01:10:32 dog he was he was he was the door the door,

01:10:38 the point-tita. And there was her mom. In the room of her was going to some things. She said,

01:10:47 she's cleaning my court. I'm going to get to get to her. His mom

01:10:55 was so much was so a but that was a reaction of the mom was to

01:11:03 say, no, me will be to do that for favor. No,

01:11:08 do you she said, Mom, but you thought is that was a phantasm?

01:11:13 No you don't, do that, for favor. But I'm going to, no,

01:11:18 you know, you'll do you do this. But why you're you're you're

01:11:23 saying when he was a little the enoch of his mom, he said,

01:11:28 he's that, before you you were, I, I was like a

01:11:32 sombra a dark, and it was the escalers

01:11:38 and he's to your court I thought you

01:11:42 had had you had And I went after to her to see you to open

01:11:48 the door and there's nobody. And I and I saw that that'somber advanced

01:11:54 to the sotea there there is a door with a key I have I have

01:11:59 I'm there no one there's no more in the house she

01:12:04 she's that in that moment she did you he's he said no I'll

01:12:11 do this He said that He passed More time And he took her To move to To the United With his papas

01:12:19 They've They've got So, Well, all these Things that They've been There are

01:12:26 The dreams But I'm But I'm Totally the reaction Of the Mampus Cases, Cas

01:12:32 And imagine To be Something be Something So it's So it's Soxcus And

01:12:38 To get To be To be To be To be So, well, she said that, yeah, no, no, we're going to pass anything. We're going to be in the States.

01:12:47 No, I think we'll see. This, what has been, I know what it's been. But, you know, a night, she prepares her to sleep. She's a costad-a-to-it and all. And he says that, at the long, of a sombra.

01:13:07 Negr. No, he distinguished very well the rags. But that sombra, You know you You and I We and we We know us

01:13:17 She was She was She was Impresioed And like And so on the Sheenho But that figure

01:13:26 No one had to be With the She had I've seen I'm I'm in the Cama

01:13:33 your Tio You Recurras Immediately Hemereated He He said

01:13:40 He said And he Mom, I know what happened, I mean, I saw, I mean, I'm, yeah, try-jolize, at the most is something that has to be with the change. Really, like, no, he presteau much importance. But it's like, another night more,

01:14:03 I'll be to dreamer. With a park. In this park, there was a young very particular, and that boy was so he was known. That was the child was the he had

01:14:16 seen in the fourth of his man. So this he made, without the voice. And she

01:14:29 said, I'm, I'm sorry of this. If no I'm going to see what he'll

01:14:36 not to me will be to get to in the dream. He said that he he goes,

01:14:47 and the he took the man and he he said, go, to where you

01:14:56 want to you Imagine that she, she saw with him and coming down for some of the callies, full of neblinna, difficult to

01:15:11 to be where he was until that came to a portoon a black. And at one side was a man. She was with this man, and the two,

01:15:25 and of this man he looks and he says, You don't pertainces here. Kedathe. He said that she He dido And de-pronto

01:15:37 He saw that That was the portemeterio And in that moment And the man Disapparecied He said that After that moment Yeah no

01:15:54 I was going to But He said that It was a very He was a very He was a very Because he was Dumbient

01:16:07 And he He said that And so That's that Soean That was To be A lo lejos, a newio that only

01:16:18 he did Manches. In fact, I think she gets to a reflection that at the most she, she, to get to the cemetery to get to be.

01:16:39 To get to be. I think the sombra that negra was a, in some way, was atrapado and she was

01:16:49 the, let's, let's, let's, let's, let's, let's, let's, let's, let's, let's, she,

01:16:54 when he said, let's go, to where you say, and for that's the neblin, the fear, no, the

01:17:01 dark, but she has helped her but she she's, she has, she, yeah,

01:17:06 she, yeah, she, yeah, that's, to do that to do that this.

01:17:10 Wow, and that the guardian, he said, you know, pertains to you, wow,

01:17:16 what, what, wow, me, so much, much, but, so,

01:17:21 so, so, that's, so, so, so, Saul, you know,

01:17:22 the You know, you count's very good. Thank you. It's that, I think, I mean, apart, I feel that it's like a way of to show us to show us to give this. And, the truth, I like, so, I mean, like, to live it. It's that you put in the chapats of the people, to see that, the soundings.

01:17:40 Even if you get to imagine those, the ol'ers. I mean, it's fantastic, this. Wow. So, yeah, it's super good. Me, loved it, was a lot. It's, it's very cladled in the story. It's that's a very good part.

01:17:53 What he's going to, if you have to be going to be. It's a good. Amarita, a second part, I think. That's going to tell. If something else happened, to us tell. A bit, let's see. This next story, it's going to be. You're going to be.

01:18:09 Marjeli. And it's our friend Noraili Sanchez. Fiatte, because are some numbers that are the most of the most of the non-America, in Mexico, but in other parts of Latin America, I hope I've said well the name. The name, she's called Noira Eli-Sanchez.

01:18:28 She's in Maracaibo, Venezuela. And there, is where this story, because, actually, she's in Houston, there in Texas, but the history is in this place,

01:18:43 in Maracaibo, the state of Zulia, in Venezuela. And, well, resulta that the history comes when she and is a baby

01:18:53 and when it's a babycita before that I'm to learn to to the father is it's very

01:18:59 rare to see her that you know you know you know you know you

01:19:05 you're like you're you're but it's rare that a baby many sometimes

01:19:12 being being a being like observing something and playing and and rying-and-se and venting manasos

01:19:20 like if, there was a there was a there was a little bit of like that's like a rarro,

01:19:27 no? So, so my mom he said, well, he said, that since she was a

01:19:34 baby, that she, she, she, he, was about, he said, and he

01:19:38 said that he'd and I'm, and I was growing, that now she had been, like,

01:19:44 you know, they were like, some some words but they're very platicators the babies

01:19:51 and the babies and the repents have gotten to be some and so and solos and says imagineate

01:19:58 he said when you know you know when you know when you know that's you're playing with someone

01:20:04 when you when you started when you're you're you're conversations super

01:20:09 large with another new but then this continued and and he went to

01:20:18 the age of four years and yeah obviously not only only he was but a sometimes he was

01:20:25 and even he was to put in and he was she was a man and the mom

01:20:34 and the she said with who who you you're you're and so with Margelli

01:20:41 Moma Margelli me is Margeley me is not not want to with me. Marjelly me is

01:20:46 molestando. Margelly? Yes, Mom. My amma. My amy. How is your my friend? He asked. Yeah, he said, well, Margelly. Mom, you've seen. Well, describemela. Well,

01:21:06 always is a suce. He has the cabello long. His vestido is like as like, a black, with manches. Margelly. well the mom obviously

01:21:21 is talking with her four years that for her is normal this and she alarm a little he seems a strange because this was a situation

01:21:30 literally literally since he was a dayrio so so then so then

01:21:37 it's it's to ask to ask to her about this tal Margelli and he

01:21:44 begins to get to get information of the supposed Margelli and all the information was

01:21:49 I'm going to I'm going to you're going to do you're going to I'm no mom I think more at

01:21:58 because Margelly is a because Margelly because is a Trice Margelli

01:22:05 well me says that she's she's but that he wants

01:22:13 that I want to he will he will get to and he will be

01:22:18 well, obviously the papas just all right they're with this situation. They were thinking

01:22:26 how to try to limit this that's going to the migra with Margelli when this

01:22:34 is she he's four years of age and of and of he said hey,

01:22:51 well he he was he he was he was a little Margeley he was so he

01:22:55 was Marjellie, he was about from the house, the patio internal of the house. So, she was, and she stiro, opened the door, she saw her the door behind her. She was to Margelly. We're going. How you're going? How did you? How did you?

01:23:25 And so, and so he started to go. He started to pass her head, his brazo, and she was out and he was out. And Margelly said, Apurrater, gorely. Come, come to play with me. Go, Margelly,

01:23:46 I'm going. And when I was about to go ahead, a man, and they they're going to get to the

01:23:52 house. That man was of her mom. She saw Margelli parada in middle of

01:24:00 the the carie while past the the coaches. Margelli was

01:24:06 he was to come to that cross to the car and the Mom, well, she puss, what you're doing?

01:24:14 Mom, I'm going to play with Margelli. How, you're going to play with Margelly? There's a, there's mom. There, mom, there's a way. And he said, no, no, no, no, no, no, no, this is not bad. And she put, what I do, what I do? And they said, you know, you? There's a man.

01:24:36 He was a little. So there was with the four years I go with the Brujo the Brucho the Brucho commenced to

01:24:43 do you and he said yeah I know what is what happens Margelli

01:24:52 is the phantasm of a little because she consume the energy

01:25:02 of your little a little but you know is sufficient and he looks

01:25:08 to keep with his So, what this this little Marjeli was that your

01:25:16 daughter to go out of the carlera and you one of the one of the could be consumed all the spirit

01:25:23 of your for your but not you'll be to help us and this this broo he gave

01:25:32 an amuletto that had some listones rogos and a stamp bendita to protect her and they

01:25:39 And they thought that really had been effect because during various years no he was there

01:25:45 a Margelli. So, he's 10 years of age. And a day, just

01:25:52 she had had been the anecdote of the friend imaginary that had had been

01:25:59 to cross to the day. Yeah, he was he was he had done, when,

01:26:05 he was there was there was there was in the the It was like a little

01:26:12 a little that was in the piece what is this no so it

01:26:21 so he's to get a move it is that and of but you're not

01:26:34 a little she said that was a humanoid like a humanoid like a

01:26:43 hyper delgated hyperdelgated like just only were the skeleton and the the skin. And the

01:26:53 was like grisacea almost black. The head was just was like strated.

01:27:02 With the box open about. Almost a skeleton. The eyes dark,

01:27:07 horrible, horrible. And was involved in some robes and you and she

01:27:14 saw, how it was a large, large, large, large, large, and he

01:27:18 was he was front to her and he observed. And

01:27:22 She, when she saw, the only in what he thought, was Marjali. And he asked, Marjeli, are you? And the entity did so? And the entity did so. But he gave much fear. And he began to get to see it back. And the entity was observable. And so he started to be, also, the entity, to be back. And she was per die or esconded in the sombras. She didn't

01:27:55 She didn't say to But then She goes to To sleep And in his Sueyes, she went to She went to

01:28:04 And she said Margelli Movia the Covey the She said You want to me? He moved to the Cabe to

01:28:22 What you? She's He's more And more And when I was She was She was

01:28:30 She went his hands large, large, with the two wessudos and the dark,

01:28:36 and she took the coogeal and she to horker. And, and while she

01:28:43 was, she was, she felt like she was getting without no, I could

01:28:48 retire the hands, nothing, no a centimeto. And this entity

01:28:54 with the eyes and the boca-abirda and of a bit and he he went to and he

01:29:06 desvaniced and he and he he he he he

01:29:13 he went to and he and the coo he

01:29:19 had rogo mark the marks like that really

01:29:25 they had had been he had another day

01:29:28 he was to to sleep, but that day, before to restarse, he said that had seen

01:29:35 like Margelli he observed, like if were in every rinkon of the house. And she

01:29:41 would be nothing. But I felt that that that respiration rarer. And

01:29:50 he would be to the other side, and there had nothing. And she had to to be

01:29:54 to be. And, and in the A dream profound, she'll her and then

01:30:01 Marjeli? Asient with the Cabe No, you I'm I want to I'm

01:30:12 and he's No, Marjeli, no and and I and he and he

01:30:21 and he's getting and he's there's the mark so, and a penit so he he

01:30:33 but he left the mark of the arraknasos. Passed a time. His parents they took to go in a voyage of a job.

01:30:47 And she was super-assustada. So, the papas he said to the brother and the wife

01:30:55 that they had to her she had a year, she had to get to work and something

01:31:02 and something and a well, well, well, so, well, well,

01:31:07 so, well, so, And he said that in those days that not their papas, the cause was a bit more. Because he gave fever, no care to dream,

01:31:15 because just he read Margelli, he had a carousal. He was a carousal. And she thought that the entity was going to the world of the dreams, to the world real. Sentia that was a more present and she had every more

01:31:30 more devil. Then, he said to his cunada, "'Ajudam, for favor. Margelly is real.' He said, no, you know, you're Fierre, you're hallucinando, it's a

01:31:44 pesadilla, no Margelli is real, help me, for favor, acuestate. The accosted, she calmed, and she kept

01:31:54 dormita. And the cuneada, well, she kept with this idea that she was very preoccupated without a a little,

01:32:03 and of a night that was like that was like she was like, I'm going, he was

01:32:08 like, and he went rapidly to the room, opened the door and the coonied, she saw her and she vittance like,

01:32:24 like, 10 or 15 centimeters of the camera. He was like totally tense and trying to get to and flotando

01:32:36 and when she saw, and when she saw, and so, And in that moment He came And he was And he had the

01:32:46 Cuello Margelly me was overcating Margelly me was working And the cuneas Only the coonoh Only pronounced

01:32:55 A phrase Is real Yes Well, So, And then, And the cunea He said

01:33:03 I was, I'm He said, I No, I'm hallucinand, not some pesadias, I was

01:33:08 living, and the and the papas were, what do you do you? Well,

01:33:16 yeah they had the contact of the broho. They put to look and

01:33:21 they were a woman that was very known for to make about

01:33:26 and she she was, she he said there, there there was

01:33:32 a phantasm that when you were a child you

01:33:35 you Margelli but this is different. He's occupant the same energy

01:33:45 but this is distinct so I'm going to do some rituals and some to be to you

01:33:53 and it and it was the woman that it was she did know

01:33:59 that this was not because I don't have fever and I not had

01:34:05 so much me. But, of a bit of when I'd know, I imagine Marks of the

01:34:11 and the Margelli he was orcae and he had to say, no,

01:34:16 this no this is not it's a six months he was a attack

01:34:20 brutal. She was she was her her manito minor was there

01:34:27 was there not dormida and was being what he he was

01:34:31 playing he chand an eye to to this that little, when of a

01:34:35 minute, he felt a man friar, he was a he took to the rostro. You know,

01:34:41 he said, he said, Margelli. And in that moment, he gotro from the the cabo

01:34:48 and he fell to the and when he was he was to get to make that, does it

01:34:56 come, so like this that she saw him saw him came the same, they were

01:35:01 the hander the hand the coo and they had to be in the piece trying to

01:35:09 keepers, those hands that were putioning the coo and they were awgando, the little the little

01:35:17 the brotherito only was he was in the soil, peleando, and he started. And she

01:35:24 could, grittable and he was, and then a becine a becina and she

01:35:31 heard what was going and he to talk Abran! Abran! Abra! He saw of the

01:35:38 door was open. Abriot, entered, and he was in the floor so, and he

01:35:45 at a point to die. And the vicina was, he saw something about the

01:35:50 coo of her and the only that he's what was to do you do you

01:35:55 do you know, he was he was brought. I'm you, God,

01:35:59 and you is with you. And, of a solto, and she, and in the yant, and, no, help me. For favor, helpen me. Lerner, the papas. Well, the chaos. I know one person

01:36:16 that if I was, I can't help. No, it's that we've been with brujo, sanators. No, no, no, no. Goll with this person. It's a man. It's a sanator. But, but, but, you know. When When when this person he's going to do what is happening, Margelli, this, the other.

01:36:34 A bit, I say, I'm going to do a lecture of the little. And then begins to do the lecture. No, no, here no, there are nothing rarous. And the volted to see her, to the mom. Me permit to do a lecture to you? Yes? And he begins to do your lecture.

01:37:06 Uff. Uffo. The problem is the The next, sir. When you was embarrassedada

01:37:17 of your daughter, you recently had terminated a relation with another man,

01:37:26 right? This man his name starts with this letter right?

01:37:37 This man was he felt rejected for you? Is this?

01:37:46 Yes. It was a man that I pretended. But I said that no. I was never I'm inamorated of the father,

01:37:54 of my wife. This man he was he felt a rechasado and and with the orgulio

01:38:07 destroyed he, acudio with a person and ordered a work very

01:38:15 in the dark. But this man not knew that

01:38:20 he was a job the time did you do you did you but

01:38:26 recalue his from her because she has been she's with her

01:38:31 right she absorbed all the energy a sometimes the

01:38:39 mothers absorb all all so to protect to

01:38:42 his children in this case his absorbed all the

01:38:46 bad to protect you we're going to revertire this situation seven days we're going to do you

01:38:59 and water and fire and so so he's and said and it's that these

01:39:06 these were but brutal sturas that they were they were

01:39:13 agotated this man was this man was destroyed but I sentia

01:39:19 the presence that was And then the seventh day Trasso a circle of alcohol Around her She put to the center and he

01:39:32 He said, no, you know, do you know what you Do you doves No, it's not that you see as, and that You know, no, you moveas We're going to esterrar to this spirit, malignant we're going to go to

01:39:52 and where he's, but if you move you, he's, he's going to take control of

01:39:59 your body. And no there's nothing that we're and believe

01:40:04 the fire no, and it turned it the fire and said

01:40:11 that she said she's there was front to her front of

01:40:17 her and the centimeters and that of And,

01:40:21 of creased, to grow, to grow, to and it's a light a little. It was like,

01:40:25 like, like, a yellow to a room to a little. And, of this, was aterrador,

01:40:33 to feel that you were to, you were, so, you were to you were to keep, and

01:40:38 the thing, and the fire, and it and it's and it's that she

01:40:45 seemed to a liby a And the sir He was smiling and he said

01:40:52 The Lentte Regressed He came No, but you'll be Heading And he passed Another way

01:41:05 Much years She went To live to Houston To Texas And a day Recently In term

01:41:17 She was She was Sheppinando Sheppes When she When of a repent he sent you

01:41:23 a mirabye that he recognized and he went to back there

01:41:30 no there and he he was that he in an arbust something something

01:41:37 was and he kept seeing the abust and he recognized

01:41:43 briefly because this disbande to Margelli Niya and she's

01:41:51 there's the arbusts but her his mirab was infantil and

01:41:59 and she's she desvanceo and she she's she's she

01:42:06 a more that was really had been a sound a memory not a

01:42:14 he's not much case he went to his house he was

01:42:17 there was a little with the a carouseliorated, thinking, no is nothing,

01:42:23 no, or maybe he's not, no, no, no, no. No, I want to think that's

01:42:29 no. No, only was a memory. And he had cost to to do to the

01:42:37 morning next, he was he was so- because the telephone was he was

01:42:46 he went, he was he, he was his mom and Well, I said,

01:42:52 Well, I You know the man That's I'm I'm not

01:43:00 I'm I'm Yeah, Mom. Well, I received a Notice

01:43:09 A night A night Marjeli Yeah no willver to molestarty No

01:43:21 just I'm going to say this If you If at this point

01:43:27 Who's who's is you're listening, no, has all the light is preended? I mean, what,

01:43:34 what way to tell her? I'm sure that when you were saying, that's saying, no,

01:43:41 I was, I was seeing, I was there that I'm there. No, no, no, no, no.

01:43:48 So, for that, I don't know, if there someone, already, the light, story. In

01:44:00 serious, that every thing you told you're I'm sure that I'm imagining.

01:44:05 I'm just to be sitting down of Fepo, to hear the narration and all, the manner

01:44:11 that's you're thinking. It's imagine. No, no, the very,

01:44:16 no, the really. And apart that story is that. Yeah, the story is the

01:44:20 good. Yeah, I'm to say one. When I let's say a

01:44:24 thing, when I'm saying, if you're I'm going to thank you. If you're subscribed,

01:44:30 subscribe, if you don't know they're on Spotify, do not see. Pongal a rating

01:44:36 alto, five strelaties, 10 if they're and you put forward. Dehen

01:44:41 a commentio. Quenten us that story that were aterrador when they were when they're kids, when

01:44:46 they were kids, for favor. It's super important. We're they're very for being

01:44:52 these stories more fertes, more macabras. Yeah. Boom, you talk, I'm, I go, I mean, is that's the time?

01:45:01 I'm going to do. I'm going to do. This, and yeah, with the one of the rest. Ah, yeah. This, I, jole. Well, if someone still has the baio of his house in the patio, I think no will be to be.

01:45:14 I think, I think, that's all right? Oh, yeah, what you know, what you think, if you're just there in the comments with a hashtag if are Tim, Luses Apagas or Tim Luses Presented?

01:45:24 Lusus Presid. I think will be going to win those apagas. I hope that. And if you have the light on the prendias,

01:45:29 appellas. Yeah, so it's more. For these three stories. Cere the eyes.

01:45:35 Sub them the volume. Yes, yes, yes, let's get for these voices.

01:45:39 Tomeen the sabanita protector, any other things, so, so, you know,

01:45:44 the time, you tap the feet, that you, that don't see, so, because if you know,

01:45:49 oh, I'm going to say, much people, much many people know, many people,

01:45:53 many, you know that reference. I'm going to see that reference. Well, this is called non-nacid.

01:46:00 It's anonym. And the story is a strong. It's a strong, it's strong, it's strong, it's very, it's

01:46:05 great, it's this person that this was so it was when it was a six or seven years.

01:46:13 He said that she was in one of those in those in the house, in the patio.

01:46:19 The you had to go to the quarters, to a patyec't, some have to have a

01:46:24 a post or another a lot of a fountain and the baio so the window. So, then she's that she's on this

01:46:32 house, well, always she put in his primus, with all those who were a person that had

01:46:40 a lot of many people, but he said that day there were some people to visit her and she

01:46:46 took her three and out of the patio. Well, you know, you know, you know,

01:46:49 you know, the air and all that, overbechating the patyecito. And yeah. Yeah, entered at the night, she retina the visitas. And she's

01:46:59 she's, she's to go ahead. And no, it's a bit of the sunno, those gas, no? To go. To get.

01:47:11 A patty. The chanke. Then, then she gets, oh, what fear I was to have been? So,

01:47:15 she never it he had done. Sal. And, and of the curiosity or

01:47:22 like I feel that something he called the attention to work to be in the same. That's

01:47:26 that they said that while she goes to look like something like a little like a

01:47:36 little like a box of plastic but that starts like a form.

01:47:44 Then she she said what is that? So, at a most mom I'd have a

01:47:49 tawler of the visitas what is but it's that he's that he's a little

01:47:55 a great, a brilliant that he gave that was a consistence luminous

01:48:02 blank but that no reflect in no object I

01:48:07 like I'm I imagine more like an hologram like

01:48:11 if had been an oldogram that was sitting

01:48:13 that she of the MEDO He won't No manches But he's But he's

01:48:23 He said that He was a He was Sentado The young The man He looks And he

01:48:30 And it was Like he He wanted To say Like She said That She didn't

01:48:38 That He To give To She She's She's She's

01:48:43 She's She's She's She's She's of a repent between

01:48:47 he he opened the eyes and he tried to get to see, he was

01:48:54 he was to go ahead to his and he was to tap it to the head to the

01:49:02 other day he put to play with his primos and he was that there

01:49:07 in the night when I went to out of the patio to go to

01:49:10 go to there in those siyes that had had a mother

01:49:13 was a was a little. He was a little and I knew a so I'm really a

01:49:18 really very because it was like it was like a lot but a light

01:49:25 but a light extrana opaca he said they said they started to re

01:49:32 a little importance and even his mom said oh my my my

01:49:37 maybe you maybe you you know you didn't I don't remember to have

01:49:41 put something on the sills, but, well, but between all the children, they were because, it's that in those days, the people

01:49:50 tirade and one of his primos, he said, you know, you know, you know, and says, yeah, no, it's for

01:50:01 the angels, those are despidient. Before that in the days of all the Sontos, previous to this,

01:50:09 here in the place where we're, because they're like to turn pyotectia as a way to

01:50:16 a little to the little that's then she said, well, a better was that

01:50:25 was that what I was someone who was to communicate to me and was he.

01:50:34 But I said that of a sometimes like something, like something something that

01:50:39 something and like that I felt that that was there. Of a sudden he said that he went to

01:50:47 see that he went furtively to pass in a room and a little he said, hey,

01:50:56 no, there's a there's a house? No, no, I've seen, I've

01:51:02 seen a little, he's little, no, I know, I'm, three,

01:51:08 five years. And Notable the mom I'm nervous Like, like

01:51:15 there there was a secret family Yeah, so she

01:51:21 she went So, she went So, no? Dice that there was a

01:51:26 moment in the plan see, he, he was, and another

01:51:31 was this this necessity to want to hear with she

01:51:36 this this this time in the of fear was like like to recognize someone

01:51:41 that is part of your entorne. We're going to let's do. No, I want to say,

01:51:49 Moma, you have to talk to what's what you have been, well, I'll tell

01:51:55 to what what's what's here in this house. Your brothers when were

01:52:00 more children, well, they used to use to play. And here in

01:52:05 the Fenty, always had water and a sometimes salpicka a little

01:52:09 afuer and it was a redvalos. They were and they were there

01:52:14 but one of them one of them without never he was and his his head

01:52:22 gave with the wall of the front that he made that he

01:52:27 he was that he was with the face up

01:52:31 he said one of the one of the recines he my jit

01:52:35 my jitio what's he's he's got he's that he's that he he's

01:52:40 that he he's he gotro a suetter black that he he he put

01:52:48 in the rostro thinking that was that had had passed

01:52:54 something that when she the mom see that the image of the woman

01:53:00 covering a her you enter in desperation and it's that the nerves they stalled

01:53:08 the fear the fear the person that's he was not was he, he was

01:53:15 he was he was he was he was he was he was he said he's

01:53:21 to get some some on the stomach and the body a lot

01:53:26 very intense a a a for the because the Susto

01:53:36 because he said the doctor his son your his son he's his

01:53:38 only he was inconsient of the but it's going to get to

01:53:45 get to her house but but what you that

01:53:51 that that that that that she was that

01:53:59 was she was she was I not she

01:54:06 was not vision, that stress, the impact, and all, then, so, they were that the body... Rechasara. ...theirchazzed.

01:54:20 ...al be... So, this is to it's a little and she immediately says, I think, I know what was what I. I think what was

01:54:35 what has been in silence, mirandons He said that this has been a moment of the

01:54:48 in her family but that has has made think a how to help her says that

01:54:57 in some she does she has oration and try to get to get

01:55:04 for a sort of a sort of a kind of to make

01:55:09 that he He says that this type of Acconcings they're a way in the life and

01:55:20 he said that there was a a a a dream in that she she felt that something

01:55:27 was that that was that that that was that was something something was

01:55:36 she was she she was that she was so she Until that she recognizes that is something, that's a little.

01:55:46 He says that possibly he has protected, he has helped under other things, and she has done this. The piratinea, the pyrotectia,

01:56:01 the way to that he could be to be a lot of. He said that was to understand that sometimes the phantasmas not us don't

01:56:11 they don't know that sometimes they're they're they're not a certainity

01:56:17 of us and more when they're family and in this case is a man or

01:56:24 an her manna that she no he knew but he that he

01:56:29 knew that he would be to be to be to her and so

01:56:34 that this story saying that no there no

01:56:43 The Firt. The brother No. He was there. He was and also

01:56:48 he was a form of that that's soxed that was so impactant

01:56:52 It's wow. More because it's a reference of the sweater. Yeah,

01:56:57 the shirt, the Ropa. And that was the reason for the cause

01:57:02 the end up the end up but that history It's that you

01:57:09 tell you not all the time is not all the questions that you say,

01:57:13 I mean, I'm trying to and I'm trying and I'm in a chisdue that's a question. But,

01:57:19 I mean, so, there are moments that they're making, they're a way. Barbarro,

01:57:24 eh? Yeah. What history? No, man, me, I'm done without words.

01:57:28 That, what, that, that's a good, that's, wow. Well,

01:57:33 well, well, my time my ultimate story, me, you know. This history

01:57:36 is Matthew, and is anonym A person that This us says that

01:57:44 has more 15 years working as a new a speciality and in that time has seen many

01:57:52 many things and many things. Enfermedities terrible despidies dolorous and

01:57:57 the body, but nothing absolutely nothing he had prepared for what I

01:58:06 would be to live with Matthew says that that he thought much,

01:58:11 much, much, in mandarin this story. Not not because the most sure is

01:58:17 that there is that there's not not because it was about it

01:58:23 not a respect of if the people they were or not but more

01:58:28 more than if did communicate this but he was he

01:58:34 was meditating and and he and I think, that was prudent

01:58:40 that was like a way of not to be a loco figate when he he knew a Matteo he had

01:58:49 nine years of and he had a type of cancer terminal very aggressive his family

01:59:01 decided that was that was his last in a place in an entorn tranquil

01:59:07 in an an environment, well, family, and not an hospital. And he was

01:59:15 contracted and assigned as his first he had a time, he had a lot of a place,

01:59:27 a department very ample in the colony of the valley, in the city of Mexico.

01:59:32 He said that the department for-s- was a location, was a bit bit

01:59:36 silencio, things rar in the city of Mexico but that calm also that

01:59:42 that's a silence with the situation that was going to be being a

01:59:48 little a little a little more more dense the environment and

01:59:54 well from when he was he did know of something that

01:59:59 maybe the people pass by after Matthew was

02:00:04 special Matthew not only only had a madurest in a young

02:00:12 in a short-ed- but that Matthew, of a repent he was

02:00:18 looking and he was not in his face, in that the that was

02:00:25 that not only was simply contemplating a point to the son but

02:00:31 was observing something something that we maybe we can't we can't

02:00:38 see that a bit of the techo or simply actually a skin agutized

02:00:42 his view and even he was he was like if someone to be

02:00:48 there was he he thought the first that maybe

02:00:54 that was something was something that was doing to

02:01:01 that I was that I was living or well, because it was a effect secondary

02:01:07 of the morphine that well, for the but one that was there was there was there

02:01:16 was helping him he was he was really and he he was he was

02:01:24 he was he was with a very very free and and he he was

02:01:28 you also you too also you Simply responded, To who is Matthew? And the

02:01:39 little he said, to those who come to me in the night, no they're not they're saying they're

02:01:46 saying. When he said when he said this, he tried to not not to be perturbed for this

02:01:55 that he said, and simply he responded to something he said a very vague to not give the

02:02:01 importance to what was horrible of what he had said, and he but he said that he responded

02:02:08 like, oh, maybe it's a bad dream a pesardia that you've but the the new he's

02:02:13 no, no, no, no, no, no. No, doorme when they're just so I get a

02:02:20 quiet. They're they're and me and me they're saying that I'm a little.

02:02:29 Well, the person that we said that's that's he's that's that's

02:02:34 many things in patients terminals, infinity of things but it was the first

02:02:37 a other a only that he was a patient terminal

02:02:41 that was a child but it was that was that

02:02:45 was so that that that that that even

02:02:51 a adult he was to feel he said

02:02:54 that not the classic hallucination of patients terminal

02:02:58 but that so that lucid and the form to

02:03:04 say it matto like really this And the security, me imagine, how they were saying? The security.

02:03:11 And then, he, was, I'd be, like, like, and the mom he asked, you know,

02:03:19 you're doing? And he said, yes, no, is that, of a repented, me, me,

02:03:25 me, me, I'm, what, what, he gets to make to Matto.

02:03:31 And the mom, he said, look, here, between us, I'm, to say,

02:03:36 to say something, to say, what I'm, Mateo when he's He's not He has a curiosity

02:03:43 Well, is my He's my He's what he's what he's saying And when

02:03:49 he's He's talking in the night Dormido I'm I'm I'm

02:03:53 I'm So I To get his To get him And I'm And he He's Murmurant

02:04:03 And he Murmura The Familiaries That's that's Muredus But

02:04:12 I'm to make sure to some of these families that you have transcended Matthew no those

02:04:20 he's simply it was a anecdote that commented the mom she

02:04:30 disculp't maybe maybe maybe have to have said he he

02:04:34 don't you don't you don't no but a night a night a

02:04:39 two days after after another that was one of those nights

02:04:43 that he had had to to sleep there. And he said that at the 3 of the

02:04:47 madugada, more or almost, it's a good in the room in the room.

02:04:53 And then the first in enter, was he, because he thought that he was he had

02:04:58 had been and he fell to the camera, no, at the more, he was having

02:05:03 a lot, and he had been to have been and he he was he was

02:05:08 the first in enter, and when when he went, and when He was not even, but Matthew was

02:05:16 sated at the camera and he was impaped of the odor. He was notable, he noted really agitated, aspantadissimo. And he was signallowing to the door and said, No, no, no you know, you know you get-est, Tio, Ernan, no you go, for favor. And the papa, that no

02:05:44 he went but if he was up and he was he said he was he he said what he said

02:05:51 he said he said he he said he he was a not he was a father but that he was

02:05:59 he reacted he he went and he he went to he he brought to him

02:06:04 he he was he was a calmate he's he was a man he was he was

02:06:09 heurna no Tio O'ernal No, Yorave, and I was calm and he He was calming,

02:06:16 he was He was He was He was So, Mattieau was like Rarro

02:06:23 and the mom he was questioned and he he, I was parro the

02:06:30 orue and he he asked What was what was what was what last?

02:06:36 And Matthew he said No, no sonne? I do to a tio? To the man.

02:06:49 The man of Negro, mom. The man of the Negro was there. The man, no, he said, and he, he, obviously, no,

02:07:04 he, he, he, he, he, no, he, he had,

02:07:08 been, he had, been, he said, but three days after this success,

02:07:13 then, he's being the the of something in Veracruz

02:07:19 the man had had had had he was

02:07:24 he was a he was when the he was

02:07:32 he was he was he was just of

02:07:35 that he had about Matt and obviously there

02:07:39 the family he he he he he he

02:07:43 his his condition that's even he notable that the mom and the papa

02:07:51 it was like they were with with respect to the little. Well, yeah, they were

02:07:56 in serious. There was like respect and the and even a little of the little bit of

02:08:03 the things that said or said Matthew. But the the times started

02:08:08 to advance and Matthew evidently for his condition he began

02:08:12 to be to have had perdy much his peso, he

02:08:17 was very very I'm he was a lot, I'm about a little,

02:08:22 but a time when he was there was there was he

02:08:28 was to say to him he's a he had taken as

02:08:33 he had a and a and a day he he

02:08:37 said a sometimes the most the people not

02:08:42 but others come with good. With a good to where? He asked he.

02:08:54 To where me they're when I do you? There there are many,

02:09:00 many people. He's he's he he's now he's

02:09:07 he's he he said he he just he had

02:09:13 he was with the man he was he he

02:09:16 he said he he can I can comment

02:09:19 to some And, clear. Is that Matthew me said this

02:09:26 and he told. And the mom she got very serious, he he was

02:09:31 he said, and he said, no you know your place. Pardoname my

02:09:43 sir. It's all. Yeah no let me more of this.

02:09:48 Sure that he. Well, he simply he had to guard

02:09:55 silence. The night in that Mateo murio he said

02:10:04 was one of the most strange of his life. He said that during the day

02:10:09 Matthew had been very more than the habitual. Apen he had

02:10:14 about. And, well, yeah he was the family and, for

02:10:19 so he was a question of hours. Yeah no going to pass

02:10:25 much time. So, so in an act that he was to he's

02:10:32 He put them, they were in his camera to get him to get him to

02:10:36 get him he, he, he was, to prepare the last the last the

02:10:43 that were and the and the father and the father that was the

02:10:49 last for the last that was the family he simply he

02:10:54 he he kept that night because they were that in that

02:10:59 there were a a crisis. And he said that was exactly at the 2.19 of the morning. The parents had had gone to

02:11:07 his abetation to sleep, to conciliate the sunno. And at the 29 of the morning, another again,

02:11:14 a goal in the room of Matthew. And he pared, separated the the papas

02:11:21 and, they were when they're when they were all right, all right, and Matthew, was in

02:11:35 to the center of the room with the mirabed with the just were observing to the ventana, He fell to the

02:12:15 soil and no no explanation simply his heart he was

02:12:27 and the medical that he had to get to get to the night he was

02:12:32 a murder subit expectable in the condition that he had

02:12:38 simply the the body he not he no I want

02:12:40 more he he no he he he had to he had

02:12:45 to help to the family in this process and he

02:12:48 No, I want to molestarl us. Two days after the mom he called for telephone and he said, you know, he's prudent

02:12:58 if you want to you're going, it's good. You can't and then, and then, he went to and he said

02:13:06 that when he went to, he was the family, the papa, desech, the mom, too.

02:13:14 They were very Tristes, but like the Mama wanted with a posture and he took rapidly his

02:13:22 things. And he said, many thanks for having me done the work, for having me

02:13:27 to know to make to know me, I'm to retire. And the mom,

02:13:33 he said, me you're a minute? Yes, sir, he said a gesture.

02:13:43 Entran to the kitchen where there was a mess, desalunador, and in the

02:13:48 mesa there was a little a little. What is that, sir?

02:13:57 It's a libretta that was a little he was the

02:14:03 we'll see. And he he was he was he

02:14:12 was a little was just in this little

02:14:18 there no there were there was super heroes.

02:14:25 They're figures human and all those obscuras all

02:14:31 of the and lineed and eyes with the arms extended

02:14:38 to a little a figure in the little a flechita Mateo

02:14:47 he he he saw he he was he he

02:14:54 went and he went and said that is the only

02:14:59 time in his 15 years of career as a farmer as a ever that something

02:15:03 that has affected to he's that a sometimes he a

02:15:07 he's that in the situation in a corner in a corner

02:15:14 and behind he there there there there many

02:15:20 many more and he and he he and

02:15:27 what what can do is what and what many people

02:15:33 more are seeing what we don't want to be is Matthew a exception

02:15:41 or only the first? It's that good question for to start. And many

02:15:54 times say, ah, is the imagination, has a imagination. If

02:15:59 Matthew was that's more than that there. But is

02:16:03 that also, how in that point in the that

02:16:06 we, we say we say we're going to extinguice um like that

02:16:14 certain qualities to the person of the person of the I think that's almost

02:16:21 those in those have seen something, have seen something has been a option

02:16:27 between power to move between both no for so yeah

02:16:31 but imagine imagine in a man you have to deal with

02:16:36 that with that quality that that that you can

02:16:40 to understand see things bad, be things good, no? It's that,

02:16:47 it's like a little people who think I'm, I have a know, I'm not, I'm not,

02:16:52 you're going to see what you want to be in the way conscientious to ask me things, no, no, no. Fiatte,

02:16:59 we, we're, we're, we're doing some, we're doing some we've talked to be,

02:17:06 if you could be the future, so, how would frontaries that, because, not all the

02:17:10 time going to do you're things good. A little to be to take when a family very good

02:17:15 is a little and you can't do you know, and there's nothing. Or there some of the things that

02:17:22 for much that you visualizes or that you can change, that they're coming passing. Like he

02:17:28 he saw, that's the murder, that's the that was that I was saying, that he was going to

02:17:36 do you're not, no, because it was like he. To goop. Yes. No, it was

02:17:43 any an accident, no, it was a not you're going to go to go to your house? Only they're

02:17:49 consuming. Or so, no entities they're consuming and the the disease, the infirmat

02:17:56 it was that it was done. I think, more than that if you have or not

02:18:02 of those qualities or those facilities of the future or what so, I think

02:18:07 are the message clear, of that you Approvecha what you have now. Disfrutta, co-vivir with the people for that the day that not stay, not you're

02:18:15 repentienting of what you did. Sure, disfut your reality. Yes. My ex-a-weller, I said, oh, that's good that you let's do you're going to do with us. Because me'm going to get to get us to enjoy.

02:18:26 And my vis-a-uil was much of that. And I was, almost all the vacations, of that. In these, of seminars, and that I'd get back with her. And I always had talked about that. Discrutta much.

02:18:38 Your amist. is, a pair, or whatever or whatever that's that they're there's because the day

02:18:44 that you don't have to you don't you have to you know, and in the other than you're in

02:18:49 the regret for the you're for the sentiment or because, well, yeah

02:18:55 not for that's not for a repentiment and I think that I'm quite quite very clavoured

02:19:00 and I try to do with my my parents, with my kids, my wife,

02:19:05 a friend, people sometimes I'm not one so upurated or what you want to do you know,

02:19:12 or send to give you know, how you're gonna you're gonna keep up a minute me, I think that's me never more

02:19:19 messages, so we're gonna yeah, almost we're gonna go ahead yeah, yeah, yeah,

02:19:25 yeah, all those, those, those, we're, we're, we're gonna be people,

02:19:31 we're gonna be back, see, yeah, yeah, yeah, yeah, yeah,

02:19:33 yeah, yeah, yeah, yeah, yeah, we're, we're, So,

02:19:38 I mean, you know, we're not to start, eh? I go. We're going with this

02:19:42 story. It's a very good. I'm good. And I hope that do you.

02:19:51 And I am sorry. I'm sorry. And see, that I don't start. Now,

02:19:58 that's to be, now that's a start. Well, this has been the title

02:20:01 Eric. It's called this story. We're the Natalia Funtalia

02:20:06 Funtus Ag Goodel. I hope mentioned well, the second appellee. And, well, now we're going to transport to Medellin, Colombia. This area where

02:20:16 the bandeja, there's many other things that prepare are, are richlysmas. The bellissima, Colombia. That's. Coffee, all. Everything, all, awesome. Oh, and much people there us, we see, eh?

02:20:28 Yes. And they're in good places, are those that are there. And yeah, we're going to visit it. Yeah, yeah, has been a meet

02:20:37 with you. And apart of, 100. There are many stories, many places that are

02:20:42 a lot of a story that's going to be a day of a sphere. I don't goy to reganer.

02:20:50 But, well, there, we're going on there. Well, we're going to this story

02:20:54 was about about 10 years. Okay. I'm to make reading because there

02:20:59 are that are very good and complemented the narrative. We're going to

02:21:05 to go to the date of 16th of December of 2013. She tells that he gets with his papas to a

02:21:13 house new. Let us to start a new life. They're there, they're

02:21:18 they're and they start all. But he's that his mom from

02:21:24 that's he got a little the environment me did be a kind of something

02:21:32 I don't let me to be a He said that one day they were two in the kitchen,

02:21:38 in the kitchen, in what he's and he said and said that they're a little, he said,

02:21:45 he'll be like he said, and the little, he was, he said, and he

02:21:54 he's, to go, to the mom, he, it's just that's what,

02:22:00 what's the thing, he's in the first place, they're two solas,

02:22:04 the husband had been to to work because they'd work in a discotheque of the family of them, and then, he'd, he was back to the madrugada, no, at the other day. He said, he did very extrano, that. He marked, you know, that's what, that's chifled?

02:22:18 And the little, like, responded, no? Oh, you're, you're, not? I'm not, I mean, yeah, I'll see, um, yeah, but, no, no, but she, so, like, she's, like, sentio that was, you know, He felt that was that point where starts to change everything. He said that, like, like you've got to be a little,

02:22:45 the baby that, like, I talked to, the baby, she put to talk to talk about to, but they're in platticas, large. And, of a repent, no, yes, dam me this, my juggette, and like, they'd, like, they'd, and, like, peleaban.

02:22:58 she has it started to be very strange because he said I'm imaginary I don't

02:23:04 think I mean I'm I'm saying I'm the impression like if really someone somebody

02:23:10 somebody was there was a his wife he's that he's that he's that he's not

02:23:18 and me avianta and then she said that she said that she was that when she'd they'd

02:23:25 thought that was her her still passing the time and he

02:23:32 said that in a occasion he said what's doing, I'm I'm here

02:23:36 playing with my friend. With your friend? With who?

02:23:42 Is that my friend with I'm he he visit, but

02:23:47 he's he's, but he he's enoch and when he he gets to do you

02:23:54 know, he he's called Eric. But, no I see

02:23:59 a sometimes I mean he looks very enoched his miras like,

02:24:04 and I know there's there's that I'm there's that I'm but he's that he

02:24:11 a part of that moment like the things were more intense and said that one

02:24:18 day the she was she was playing with a torre of yenga

02:24:24 and and of he she's like she started like she No, no, no, it's my.

02:24:32 Ah, yeah no I want to play. And, of a sudden, p, p, salle in the pieces ballando. She said that was going to,

02:24:40 because he said, what happened? Is that Errik's enojured and he started all the pieces above of the sillon.

02:24:47 Because he was I going and effectively. There were pieces above of the sillon and regas.

02:24:56 But she was under the doubt that if really was this friend Eric, or, well, the

02:25:03 little was the little she was doing it. He was inventing maybe. So, it's.

02:25:08 Until that one day, it was a thing that's going to do that

02:25:15 and it's when the mom says, oh, I think this this is

02:25:20 question of the imagination. Because so it is this story saying that he's

02:25:26 that he know what you know what that what said, they just don't

02:25:32 think that possibly was something was something something or something

02:25:36 was really was like like a fantasy between she and she said they were

02:25:44 in the kitchen eating the she satadita and she

02:25:49 when she went to serve more that the she was

02:25:53 that the no no no me don't you don't me it's

02:25:57 me no ah She's A She was a But she She was able to

02:26:05 To see To look at Her daughter She was How something? Shellable She'll have To be

02:26:12 Like if someone Enojado He would have Pegged To put her To turn to her You're gonna be I'm gonna

02:26:23 I'm gonna I'm gonna I'm gonna And I'm gonna I'm gonna I don't want. This he gave

02:26:30 much fear to his mom. And he said no you know, you know, you're not

02:26:35 to be the way that he's he's not she's not. He said, with her motherita of Sarah.

02:26:44 And she gave a medallita. This medallita she let put and he says

02:26:50 that, we say, we go a little of intensity the encounters with Eric.

02:26:55 But even he She was present, with Ruidos, molestando a little, so, not of all, it's had been.

02:27:06 He said that she did, she said, and she said, putting her some cruises to the little bit, making that this was to be

02:27:15 but it more enojava, like he also he also he also? Well, now I know I'm molested more.

02:27:25 Ah, now you've put this medal to the new. And if I'm then they're going to

02:27:32 happen to do that things that started to start much the reality. Dice that's

02:27:38 that's that's that's not really and they were to another house

02:27:43 to where was her little to be there there thought that

02:27:48 the things were going to and that Eric had

02:27:53 had been in the other house but not was so she

02:27:59 she she went she she he he and he

02:28:05 lastimating and she she when she she said that she

02:28:09 he he was he he gave a he

02:28:14 he gave a to get She was just to her be able to him and it

02:28:26 he was he was he was not you can't go to me when the

02:28:32 mom he asked why she he's he he's not he doesn't he

02:28:36 he doesn't to he he he does he do you do

02:28:39 I don't I'm I'm I'm I'm I'm he he's

02:28:44 he he took to help and they went

02:28:49 with a person that he did a ramito of

02:28:53 gerbys, a medall, a spada of San Miguel Archangel, and all this was they had to

02:29:00 put down of the colchon. He said that she did, and he said that, well,

02:29:09 cesso all. A good time, no knew they're not so she said that

02:29:15 in the 2016, yeah, Sarah, more great, but one

02:29:21 night was in her court, they did want to go to

02:29:25 go to go to the and she was. She she was she's

02:29:29 she's like that she open the door of the room and

02:29:37 of the he see a Eric there but he's so

02:29:43 little to a little she had said you

02:29:48 don't have a you don't you with voice

02:29:52 firm when they want molestar? Dilless, no. If Eric again to

02:29:57 say to to play, tell you, no, but firm, without fear. He said

02:30:03 that she said that said, he said, he said, no, no, I want

02:30:10 that's here. He, he said he said that's he's more great.

02:30:22 To grow that figure to to be to become in

02:30:28 something of dark of eyes and it it was that the

02:30:37 head was she brought a piece of she put a grito of the the

02:30:55 but she was she she she didn't she was he was he was

02:31:03 going to he was he was her her mom turned the the light and

02:31:12 he's not Eric or what she was she was Eric he said that

02:31:18 they were to go with other people an expert that he

02:31:22 said what is what you is that was that was

02:31:27 that was that at I was but when I

02:31:33 not I wanted he he was he he

02:31:36 he he said that he had he He was in the carers.

02:31:42 He, he to all the things. He said, no, he is a little.

02:31:49 And I think he a phantasm. I think Eric was a demonio. The

02:31:58 mom and Sarah, in that moment they felt a scalof she.

02:32:06 She said that after that they did a medal of

02:32:11 San Benito and they did orations and a sort of ritual

02:32:17 I go to visit her Eric but he's that he can record that

02:32:26 that that that that that that that was

02:32:32 insist much in she she she she she

02:32:37 she at final every every that we that

02:32:41 we say Sarah repite the same. No, he was a

02:32:47 new never was. Oh, no Siamer Mila! Yes, you know

02:32:58 manches. We're we're we're suzading me the hands No, you pass

02:33:12 Saole. Ah, I'm out of the larkinita, that I just just

02:33:22 I just I just I'm going to do this he's I'm sure, so you

02:33:27 don't manch Wow I don't know I don't know just when you Yeah Yeah Yeah

02:33:35 So, look There's Wow We're We're gonna Wow What we're

02:33:49 What kind of What kind of Pardonem And I'm Can't be And the Mnecochoky So...

02:33:57 It's Callio So... He was There's There's Yeah If you're

02:34:05 You're I'm Spotify, I recommend that you go to go to YouTube

02:34:09 of the insomnia and you see it. Or to the red social. We're going

02:34:13 to see that clipcito where so that's me par the carol so that

02:34:17 what I do you do that coincidence no manches you did you did you

02:34:24 did you did you did you did say when I was doing when I'm was

02:34:33 I'm no you manches, no manches we're we're we're we

02:34:38 So, Saul, much thanks. We can repeat your your social because,

02:34:42 for respect we're going to be in so much. In Instagram I'm like S-A-H-B Yombe

02:34:48 B-S-I-D but they're on the reds of insomio and not they're

02:34:54 these stories every day is put much much better much more. Yeah. No,

02:34:59 I don't see this can get to be to be able to be what you was what it

02:35:04 was that was and that so Of really, well, I don't know nothing. We're getting without.

02:35:15 We're going to do you. Thank you. Much thanks to all. We'll see the next week. Here in Insomnia

02:35:23 for that we see us relatating these terrorifices experiences real of the audience and you listen them.

02:35:31 If you see, they're trying. Chau.