It Could Happen Here - CZM Book Club: Kushtaka, by Mathilda Zeller
Episode Date: October 5, 2025Kicking off spooky month with a story about demons that I don't want to spoil by telling you more about but it's so good I promise.See omnystudio.com/listener for privacy information....
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Hi there, this is Josh Clark from the Stuff You Should Know podcast.
If you've been thinking, man alive, I could go for some good true crime podcast episodes,
then have we got good news for you.
Stuff You Should Know just released a playlist of 12 of our best true crime episodes of all time.
There's a shootout in broad daylight.
People using axes in really terrible ways, disappearances, legendary heists, the whole nine yards.
So check out the stuff you should know true crime playlist on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
The murder of an 18-year-old girl in Graves County, Kentucky went unsolved for years.
Until a local housewife, a journalist, and a handful of girls came forward with a story.
America, y'all better work the hell up.
Bad things happens to good people in small towns.
Listen to Graves County on the IHeart Radio app, Apple Podcasts, or wherever you get your podcast.
And to binge the entire season, ad free, subscribe to Lava for Good Plus on Apple Podcasts.
Hey, I'm Jay Shetty, and I'm the host of the on-purpose podcast, recently.
Recently, I had a conversation with the one and only, Madonna.
When I was broke and I had no friends, nowhere to live, I was held up at gunpoint, I was robbed.
Always horrendous things happened to me.
I had such an unhappy childhood that whatever happened to me in New York is better than what my life was, so I'm not going back.
Listen to On Purpose with Jay Shetty on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts.
Book club, book club, book club, book club.
I've never gotten to do the spooky thing before.
That's not true.
I've probably done it every October.
But I don't remember it, because why would I remember doing something cringy?
Although, as they say, only the cringe are free.
That shouldn't be our tagline here at Cool Zun Media Book Club,
but it kind of could be,
except actually I would say that this week's story isn't cringy at all.
It's just good.
I'm the one who's cringy.
I'm your host, Margar Kiljoy.
This is the only book club where you don't have to do the reading
because I do it for you.
There might be other book clubs where you don't have to do the reading
because someone else does it for you,
but it's not this one.
Also, sometimes I resent my own choice in using that tagline
because while having a story read deep,
is different than reading.
It's like not so fundamentally different than reading.
I listen to a lot of audiobooks
and I tell people I read those books
because you know what?
Every single word of them went into my brain
and what is reading besides having words go into your brain?
Anyway, we're going to do some horror stories this month.
And this is one of them.
Okay, one more time.
That's what you're supposed to do, spooky.
Okay, first up this week, we have a story called Kusduka,
and it's by Matilda Zeller,
and it first appeared in the 2023 collection,
Never Whistle at Night, an indigenous dark fiction anthology.
It is a creature feature and a slasher,
centering around a figure, the Kushduca,
which is common in the folklore of people native to so-called Alaska.
And as for what the creature is,
I will let Matilda explain that to you in a second in the story.
And it is a spooky story and heads up that not everyone's going to make it out.
You could probably guess that.
There's a little bit of goar, mostly off-camera.
I'll probably be doing more content warnings than usual for spooky month
because, I don't know, whatever, people of different ages
and different desires of listening to things, listen to things.
I'm squeamish, and this one was all right for me.
As you listen, you should keep an ear out
for what Matilda is doing with perspective.
And now, Kushduka by Matilda Zeller.
You don't have to love him, just make his baby, Mama said,
hanging the fleshy swath of salmon to dry.
It might have colored eyes, you know, maybe blue eyes.
No pay you to keep quiet about it.
Mama had always been Machiavellian, but this was next level.
Not even the old ladies who gossiped about her would have guessed she'd try to pull something like this.
I shuddered and slid my knife up the side of another salmon,
severing a long fillet of red flesh and silver scales.
The cold, wet flesh reminded me of Hank Ferryman's lips,
which he constantly licked
while talking to us village girls.
His hands were wide and stubby,
his cheeks were pocked and ruddy,
and his breath smelled like a caribou carcass
that had been left out in the sun for a week.
He's rich, Mama reminded me unnecessarily,
and I'm sure he wouldn't be wanting his wife back in Kansas
knowing he's got a kid up here.
The money could really help, you know?
He's probably got kids all over the Kobuk Valley,
I muttered.
and I don't want to make anyone's baby.
Except maybe Pana's, but even then, that's not happening until after I finish college,
which costs money that we don't have, which is why this conversation is happening in the first place.
I brought down my knife too quickly through the fillet and caught the side of my thumb.
Blood blossomed along the cut, and I brought it reflexively to my mouth,
the taste of my blood mingling with the fishes.
Mama sucked her teeth.
Stupid girl, go inside and clean that up.
You're getting blood everywhere.
The cut stung, but it was a way out of this conversation and away from Mama.
I jogged back to the house, pressing my jacket sleeve around the cut,
which extended from the tip of my thumb down the side of my palm.
Not wanting to take the pressure off it, I kicked the door with my toe.
It was Pana, not my Anna, who opened it.
My heart fluttered a little, despite having known him my whole life.
What are you doing here?
He grinned that perfect grin, complete with deep-set dimples and one-eye tooth missing.
Having tea with your honor.
Why?
Not that I minded, but he was supposed to be on shift in the mines.
There was an accident down at the mines, Frankie and Ocklock, and a couple of the white guys, too.
You know, the ones visiting from Kansas.
Which white guys? Maybe one was Hank Ferryman. Maybe Mama would leave me alone then.
Jim and Bob. They all survived, but they're in really rough shape. Had to be flown to Fairbanks.
Oh, my heart sank a little. How did they get hurt? Pana's face darkened. Maybe you should come
inside. Anna waited on the overstuffed chint sofa, her dark eyes smiling at me from their nests of
deep wrinkles. She was aged but ageless. I swear she hasn't changed since I was four years old.
It was Sedna, Anna said by way of greeting. She's the mistress of the underworld and they're
mining into her domain. Pana shook his head. The foreman said it was a bear, or maybe some
wolves. A bear and maybe some wolves? Anna repeated, cackling. He didn't even see what happened.
He is throwing guesses into the dark. I sat down next to Pana.
Sedna's mythology, Anna.
Sedna is angry, Anna interrupted.
They're coming uninvited and taking what's ours.
They don't belong here.
In our land, in our beds, she clutched her, draw tight, swallowing hard.
But Sedna is gracious enough to give warning.
She only tore their guts out.
A wolf or bear would have stayed to eat the guts.
They wouldn't be alive in the hospital right now if it weren't for her grace.
I turned to Pana, my own innards tightening.
Their guts were torn out?
Pana nodded.
Torn up across the abdomen.
Torn up everywhere, in fact.
I raised a skeptical eyebrow.
And they're saying it was wolves?
Pana shifted defensively.
If they weren't saying it was wolves, you know who they'd be accusing.
Us, all of us, I nodded my head.
What did you do to your hand? Anna said,
reaching for me with one hand and smacking Pana's knee with the other.
Pana, why didn't you see she's hurt? Go get the bandages.
Pana jumped up to get them. He didn't need to ask where. He knew my house as well as I did.
As soon as he was out of the room, Anna leaned towards me. He wants to marry you, you know.
I sighed. I know. Pana had been saved last year by a visiting preacher and was now determined to marry me before I moved in.
Common law marriage was what basically everyone else did, but not Pana.
Hannah, no. He wanted to go to a little white chapel and promise God he'd love me first.
Your grandfather married me first, Honor reminded me, smiling. I know, I repeated. I'd heard the story
a million times, how he'd waited and saved until he could take Grandma and Eddie, her baby from
a visiting school teacher, all the way out to Fairbanks for a marriage and adoption. He'd wanted
to do it properly, he said. She thought it was stupid at the time, but it had grown to
to be a major point of pride with her. I wasn't sure I saw the point. It was a lot of money,
but Pana cared about doing it that way, and I cared about him. Pana returned with the first aid kits
and pulled my hand into his lap, gingerly unwrapping it from a jacket sleeve.
I'm taking Hank Ferryman's boy hunting this weekend, he said, pouring some iodine onto a bit of gauze.
Hank says he wants him toughened up out there on the tundra. I rolled my eyes,
Pana and his crew would do no such thing, not if they wanted repeat business.
They would take the kid out there, make him feel like a big, tough hunter
while doing all the actual work of packing things, unpacking things, and hauling things,
and he would have stories to take back to his buddies in Kansas.
It was about the kid's ego, and the dads, too.
I'm sure he'll shoot the biggest caribou known to man, I said, with razor-sharp teeth.
Pana grinned.
By the time he gets back to Kansas,
he'll have turned into a polar bear.
That he killed with his own bare hands,
added Anna, her face splitting into a wide grin,
revealing teeth worn down by years of leatherworking.
Like this, her hands made violent, strangling motions.
Pana and I melted into a fit of giggles,
as if we were both ten instead of nearly twenty.
Pana finished my hand, and I stood reluctantly.
Here, with him,
with my Anna. This was my heart's home. Outside that door lay wolves and bears and Hank
Ferryman and Mama. When I returned to Mama, she was smiling. You have a job this weekend.
A job? With Hank Ferryman, he's having a party at his lodge. He needs hired help. You know,
cooking, cleaning. A curdling feeling gathered around my ears. Why don't you go work for him?
It was a stupid question that we both knew the answer to.
Mama rolled her eyes.
I already told him you'd go.
You're going.
No.
No?
Mama's hand tightened on the knife she was holding.
I did my best not to look down at it.
My heart trilled like it was trying to beat for three people.
I don't want to.
To my surprise, Mama's grip loosened on the knife and she shrugged.
Maybe I'll send Esther then.
My mouth went dry.
Esther was my 15-year-old sister, my sweet, compliant sister.
Mama wouldn't.
She couldn't, as I stared at her, though.
I knew she would.
I'll go.
I picked up my Oulu and rocked it across the salmon, chopping its head.
That's what I thought, Mama replied.
Some days, I hate her.
But do you know what we don't hate?
You're a cool zone media book club.
We don't hate
All of our advertisers
That's right
Not all of them
In fact
You can play a game called
Listen to these ads
And decide which ones you hate
Or you could skip them
I don't actually care
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Hi there, this is Josh Clark from the Stuff You Should Know podcast.
If you've been thinking, man alive, I could go for some good true crime podcast episodes,
then have we got good news for you.
Stuff You Should Know just released a playlist of 12 of our best true crime episodes of all time.
There's a shootout in broad daylight, people using axes in really terrible ways,
disappearances, legendary heists, the whole nine yards.
So check out the Stuff You Should Know true crime playlist on the IHeart Radio app,
Apple Podcasts, or wherever you get your podcasts.
All I know is what I've been told, and that's a half-truth is a whole lie.
For almost a decade, the murder of an 18-year-old girl from a small town in Graves County, Kentucky, went unsolved,
until a local homemaker, a journalist, and a handful of girls came forward with a story.
I'm telling you, we know Quincy killed her. We know.
A story that law enforcement used to convict six people
and that got the citizen investigator on national TV.
Through sheer persistence and nerve,
this Kentucky housewife helped give justice to Jessica Curran.
My name is Maggie Freeling.
I'm a Pulitzer Prize-winning journalist, producer,
and I wouldn't be here if the truth were that easy to find.
I did not know her and I did not kill her,
or rape or burn, or any of that other stuff.
that y'all said it.
They literally made me say that I took a match
and struck and threw it on her.
They made me say that I poured gas on her.
From Lava for Good, this is Graves County,
a show about just how far
our legal system will go
in order to find someone to blame.
America, y'all better work the hell up.
Bad things happens to good people
in small towns.
Listen to Graves County
in the Bone Valley feed on the IHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
And to binge the entire season ad-free, subscribe to Lava for Good Plus on Apple Podcasts.
People called them murderers.
Ten years later, they were gods.
Today, no one knows their names.
A group of maverick surgeons who took on the medical estate.
who risked everything to invent open heart surgery.
Welcome to the Wild West of American Medicine.
I'm Chris Pine, and this is Cardiac Cowboys.
If you like medical dramas, if you like heart-pounding thrillers,
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And we're back.
The Land of the Midnight Sun, bellowed Hank Ferryman, punching my shoulder playfully.
More like the land of 6 p.m. bedtime.
Was he always this loud, or was the closeness of the truck amplifying his voice?
He chortled at his own joke.
Tapisa, hey, Tappy, I cringed at the improvised nickname.
Tell me a native story, I shook my head.
That's a bad idea.
The sun had said an hour ago, and we were bumping over the half-frozen ground in the dark,
with nothing but the truck's headlights standing between us and the darkness.
Snow had begun to fall, thick and fast.
Alone with someone like him, in the darkness like this,
seemed the worst possible place to bring up the stories that could catch
the attention of a spirit.
It's a swell idea.
Hank Ferryman doesn't make bad ideas.
Don't forget, I hired you for the evening.
The last sentence felt like lead between us.
He had hired me to cook and clean for his party,
not tell him stories.
I wasn't hired to do whatever he felt like doing.
My hands curled into fists.
Still, maybe you would shut him up.
Fine, fine.
I racked my brain, but in the darkness.
I could think of nothing bright and benign.
There once was a girl named Sedna.
Her father threw her over the edge of his fishing boat.
She tried to save herself by catching onto the ledge of the boat,
but he brought a knife down onto her fingers and cut them all off.
They became the first seals, walruses, whales.
She became the goddess of the underworld.
Hank waved his hand impatiently.
I already know about Sedna.
I got your buddy Pana to tell me about her.
Tell me something new.
I pulled my coat tighter around me.
There are Kushduca.
They appear to us, taking on the appearances of those we love.
They try to get us to go with them.
To go with them where?
I pulled my coat even tighter, suddenly feeling cold.
I don't know.
Hank was quiet for a blessed minute.
Then he let out a guttural snort that blossomed into full blood.
laughter. Well, you call that a ghost story, Missy? Your ghost stories are as bad as your
watermelons up here. We don't have watermelons up here. Damn straight, you don't. I can tell you
some ghost stories from Kansas that put hair on your chest. In fact, my head slammed into the
dashboard as Hank floored the brake, sending us into a fish tail. When the car finally stopped,
he sat his chest heaving as he stared out at the road ahead of us. A figure, a figure,
Figures stood before us in the headlights, cloaked in heavy furs.
Black hair tumbled down in wild rivulets to her elbows.
She pushed back the rough of her parka.
She was me, or would have been, were it not for the pupils that covered the whole of her eyes
and the hideous, obscenely wide grin that distorted the lower half of her face.
Hank let out a small scream as he floored the gas, ramming straight into her,
A thunder roll of sickening thuds juttered through me
As she tumbled up and over the hood of the truck
I looked behind us but saw nothing in the taillights
As Hank continued to pick up speed
His breathing ragged and shallow
He muttered to himself thickly for a moment
Before looking over at me with a little nervous laugh
Some deer you got out here, huh?
I stared
That wasn't a deer
Don't be stupid Hank coughed
I saw it of my own two eyes.
You saw it with yours.
It was a deer, plain as the nose on your face.
A gentle tapping noise sounded on the glass behind me.
I shuddered, unable to turn around.
I think there's something in the bed of the truck.
Hank's hands tightened on the steering wheel.
No, there isn't.
Do you hear that?
I felt those eyes on the back of my head.
Those eyes all see black pupil, wide.
and hungry.
All I hear is you trying to amp me up
wasn't enough to tell me your ghost story
as you want to spook me now.
His body stiffened at the noise.
Stop it, Topisa.
It's not funny at all.
It's not me.
Surely he could see both my hands silent in my lap.
He huffed impatiently,
but didn't say anything else.
The tapping stopped.
He relaxed, laughed a little.
You really had me going for a minute there.
I didn't reply.
There was no point.
By the time we reached his lodge
and oversized monstrosity
on the edge of the lake,
he was back to cracking bad jokes
and resting his hand on my knee,
removing it when I batted him off
only to drop it there again, a second later.
You'll love this place.
I can't believe I've been taking you out here yet.
I had everything flown in from Anchorage.
It's all custom.
top of the line.
He was grinning like a kid.
I hated his familiarity,
as if I were a friend
who hadn't gotten around to visiting
instead of a village girl
whose mother he'd leverage to drag me out here.
He slipped out his side of the truck
swinging back his keys and whistling.
I sat on the passenger side,
my dread growing in the stillness.
I turned this time and saw her.
She was me.
this Kushduca, with inky black eyes and black hair, billowing and wild.
When her eyes met, her face split again into that freakishly wide grin
that nearly reached her ears and revealed pointed molars, meat-eating molars, flesh-ripping molars.
Hank's voice registered from somewhere in front of the truck,
Aren't you coming to Pisa?
I opened my mouth and closed it again, unable to bring myself to make a sound.
The Kushduca tapped the back window of the truck once more
with a long, black fingernail and disappeared.
I tore my eyes from the back window to see him trundling over the door.
You're one of those fussy old-fashioned girls, aren't you?
You want a big, strong man to open the door for you, is that it?
He chuckled to himself and opened my door.
I climbed out, scared to take my eyes off the truck bed,
as if doing so would make the Kushduca materialize again
and leap on us, ripping at us with those pointed teeth.
The lodge was massive with vaulted ceilings and mounted animal heads everywhere.
Above the fireplace hung two spears, crossed over each other like they were European swords or something.
But they weren't European.
They were Inuit.
I recognized the carvings on them, the worn leather bindings that secured the pointed stone ends.
Those spears, artifacts, they're incredible.
Aren't they? Genuine ancient
artifacts, you know.
They're my grandfathers.
Hank Ferryman's smile
stayed frozen on his face.
After a pregnant pause, he laughed.
You're mistaken.
There are so many spears out there like these.
I recognize the carving.
There are nothing indigenous motifs
that have been carved a thousand times over.
The back of my neck felt tight,
beyond cringing.
If they're not his,
where did you get them?
Hank shrugged as if I'd asked a stupid question.
My secretary found them for me.
Found them?
Stole them more likely for my widowed Anna.
Found them, bought them, it doesn't matter.
You're here to work.
There's the kitchen.
He pointed to a corner of the lodge
sectioned off by granite countertops.
My secretary was here earlier.
They've dropped off recipes and groceries
for tonight's dinner.
I stalked over to the kitchen and grabbed the Oulu that was sitting on the wood holder on the counter.
Hank bounded over and snatched it from my hands.
That's an artifact.
It's for decoration.
I looked down at the Oulu in his hands.
It was newly sharpened.
The baleen handle was worn, polished to a bright shine from all the times it had been gripped.
I wonder whose Anna he stole this from.
It's a tool for cutting.
Hank rolled his eyes
You are basically white
Your dad's dad was white
Your mother is white
You should be able to understand
That modern knives are better
He pointed to the block of knives on the counter
Carbon steel
flown in from Japan
Top of the line
Try them honey
I promise you'll never go back to an Hulu
If he saw I was shaking with rage
He didn't show it
I strode to the knife block
and drew out the largest one,
grabbing a cutting board and a bag of potatoes
before I could give in to my urge
to run him through with it.
See now, isn't that fabulous?
Hank Ferryman pumped a fist
as if he had just taught me to fish
and I'd caught one.
He didn't wait for a reply before continuing.
I'll go to take a piss.
Make sure the champagne is in the fridge, will you?
No one likes it warm.
And you know, here at Cool Zone Media,
we serve all of our products
and services. Freshly chilled. Just how everyone likes them.
Ah, come on. Why is this taking so long? This thing is ancient. Still using yesterday's
tech upgrade to the ThinkPad X1 Carbon, Ultra Light, Ultra Powerful, and built for serious
productivity with Intel Core Ultra processors, blazing speed, and AI-powered performance. It keeps up
with your business, not the other way around. Whoa, this thing moves.
Stop hitting snooze on new tech.
Win the tech search at Lenovo.com.
Unlock AI experiences with the ThinkPad X1 Carbon,
powered by Intel Core Ultra processors
so you can work, create, and boost productivity all on one device.
Hi there, this is Josh Clark from the Stuff You Should Know podcast.
If you've been thinking, man alive, I could go for some good true crime podcast episodes,
then have we got good news for you?
Stuff You Should Know just released a playlist of
12 of our best true crime episodes of all time.
There's a shootout in broad daylight, people using axes in really terrible ways,
disappearances, legendary heists, the whole nine yards.
So check out the stuff you should know true crime playlist on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
All I know is what I've been told, and that's a half-truth is a whole lie.
For almost a decade, the murder of an evil.
18-year-old girl from a small town in Graves County, Kentucky, went unsolved, until a local
homemaker, a journalist, and a handful of girls came forward with a story.
I'm telling you, we know Quincy Kilder, we know.
A story that law enforcement used to convict six people, and that got the citizen investigator
on national TV.
Through sheer persistence and nerve, this Kentucky housewife helped give justice to Jessica
My name is Maggie Freeling. I'm a Pulitzer Prize-winning journalist, producer, and I wouldn't be
here if the truth were that easy to find. I did not know her and I did not kill her, or rape or burn
or any of that other stuff that y'all said. They literally made me say that I took a match and struck
and threw it on her. They made me say that I poured gas on her. From Lava for Good, this is
Graves County, a show about just how far our legal system will go in order to find someone to blame.
America, y'all better work the hell up. Bad things happens to good people in small towns.
Listen to Graves County in the Bone Valley feed on the IHeart Radio app, Apple Podcasts, or wherever
you get your podcasts. And to binge the entire season ad free, subscribe to Lava for Good Plus on
Apple Podcasts.
Hey, I'm Jay Shetty, and I'm the host of the on-purpose podcast.
Recently, I had a conversation with the one and only, Madonna.
When I was broke and I had no friends, nowhere to live, I was held up at gunpoint.
I was robbed.
All these horrendous things happened to me.
I had such an unhappy childhood that whatever happened to me in New York is better than what
my life was.
So I'm not going back.
Listen to On Purpose with Jay Shetty on the IHart Radio app, Apple Podcasts, or wherever you get your podcasts.
And we're back.
I made dinner.
Other men showed up and ate, made passes at me, laughed and talked to Hank.
I passed the hours in a deep, fuzzy rage.
forcing myself with the motions of arranging canopies on a plate,
pulling a roast from the oven, slicing it up on a serving tray.
I couldn't bring myself to fake smile at them.
There was something outside the house that was clearly murderous and looked just like me.
There was something inside of me that was clearly murderous and felt nothing like me.
Someone popped the cork off the champagne bottle and I jumped, letting out a small scream.
The room exploded with laughter, and Hank grinned at me,
pushing a champagne glass over the counter towards me.
You clearly need to loosen up.
I pushed it back towards him and left for the bathroom.
I needed to be somewhere, anywhere, away from these people.
I locked the bathroom door and pulled myself onto the counter,
leaning my head back against the mirror.
It was colder here, a welcome relief from the heat in the main area.
I breathed deep, sizing up my head.
options, wondering if I could get the police to look into how Hank got my grandfather's
spears, if they would actually care at all? Probably not. A heavy dragging sound slid across
the hall outside the bathroom. I looked down, watching a shadow pass along the crack under
the door. The air filled with the thick smell of old fish. The shadow paused. I pressed my
lips together, hardly daring to breathe. After an eternity, the shadow continued on, past the
bathroom door and down the hall. I slipped off the counter and stood in front of the door.
The murmur of laughter and conversation went silent. Hank Ferryman's voice broke the silence.
De Pisa, I told you to leave the artifacts alone. His voice should have sounded plaintive,
but it didn't. It trembled.
A scream tore through the air
Followed by a trampoline of feet
Breaking of glasses
More screams
I sat on the counter
My mouth growing dry
Someone was running up the hall towards me
The handle to the bathroom door rattled
Followed by pounding that made the whole door vibrate
Let me in
The heavy crack of a skull on the floor
preceded a wet tearing sound
Something dark seeped under the bathroom.
door, and it wasn't until the smell hit me that I fully registered what it was.
Blood.
Primal growls turned into satisfied chewing and smacking noises.
I pressed my back against the bathroom mirror, drawing my knees to my chest.
My heart thudded in my ears, and my breathing sounded too loud.
It, that Kushduca, would hear me.
It, that creature, would find me.
my blood would join with the blood on the floor.
After what felt like an eternity,
a rustling of furs and padding of feet told me it was leaving.
I heard the front door banging open,
the sound of feet on gravel walking away.
I couldn't stay here.
It could come back.
It would come back.
I needed to get home to my Anna and her shotgun.
Would a shotgun work against a Kushduca?
Surely it would,
If it weren't flesh and blood itself, it wouldn't be able to do whatever it just did.
I dropped to the floor as silently as I could, holding my breath while I turned the doorknob.
I had seen a lot of blood in my life.
I had gutted fish and caribou, slaughtered ducks, and sliced up eels.
But that was orderly, deliberate, purposeful.
This, this was not that.
Bloody footprints covered the floor.
blood spatters and smears graced the walls.
There weren't men here.
There were pieces of men, entrails of men.
I took a step forward and my foot grazed something wet.
I looked down.
It was an eye, bloodshot, across the Salara.
It rolled, revealing a blue iris, as blue as Hanks.
I fell into a squat hugging my knees,
pressing my toes down to stop myself from falling into the mess.
I didn't want to touch the ground.
I didn't want to touch anything.
I pressed my shoulders between my knees and vomited.
Outside, Hank's sled dog started barking, working up into a panic.
I looked around.
I had to get out of here.
Hank's keys had been in his pocket, but now I could barely bring myself to cast my eyes around the room again.
This was a search I couldn't undertake.
The dogs.
The dogs would take me home and away from that thing, whatever that thing was.
I grabbed my grandfather's spear off the wall, the Oulu off the counter, and stepped lightly
out onto the gravel. New snow was starting to fall, dusting the gravel, and recoding the already
fallen snow in the yard. I pressed my back into the log exterior and sidesteped towards the barn,
where the huskies were. Their barking had died down, and now they were all panting and whimpering
anxiously. I stepped into the shadowy barn, straining my eyes against the darkness. If she was
in here, they'd know, wouldn't they? If she was still there, they'd still be barking. But they
weren't. They were just whimpering and staring at me. Still, my scalp prickled. She'd be coming back.
Something deep inside me knew it. I grabbed their harness and began hooking them up as quickly as I
could, praying that the snow is deep enough, that the dogs would know where to go, that I
wouldn't fall off. I'd driven a sled a few times before, but I wasn't good at it, not by a long
shot. Something shuffled in the dark. The dogs whining intensified. My hand shook as they
buckled the last clasp and I jumped onto the runners. Something shuffled again, and the rancid
fish smell filled the air. She was here. Go! I hissed to the dogs.
The dogs whimpered, looking around anxiously.
I tried to whistle at them, but my mouth was too dry.
Something bit into my arm, sharp and cold.
I screamed and the dogs took off like a shot.
I snatched the handle with one hand and slapped the kushduca with the other.
Her nails dug into my flesh and searing cold, shot through me.
I raised the arm she was gripping and bit down hard on her hand.
A scream echoed across the tundra
As she fell back and we gained speed
I looked over my shoulder and saw her in the moonlight
A dark spidery figure
Loping towards us across the white snow
I shook the rains urging the dogs to go faster
The sound of her awkward lope and heavy breathing grew louder
We swerved through scrub brush
She bounded over it
She was gaining on us
Blam!
A shot rang out across the hills.
Blam! It was a shotgun.
Who on Earth was shooting their gun at this time of night?
Blam! I prayed the bullet would miss us, that it would find my Kushduca.
We had come to the river and the dog swerved to run parallel to it.
The Kushduca cut the corner, closing the distance between us.
I could feel her breath on the back of my hand, smell the blood and fetid flesh.
Blam! the smell subsided.
I looked back behind me and she was on the ground inert.
The dog slowed to a walk and my knees buckled with relief.
Blam! Why were they still shooting? The Kashduka was dead.
Someone grabbed me, throwing a hand over my mouth and another around my waist, tackling me to the ground.
Don't say a word.
It was Pana.
Buck, Hank's boy, has absolutely lost his mind.
I nodded.
we crawled behind a rock and sat stock still,
muffling our breathing with our coat sleeves.
Footsteps grated across the stones on the riverbank.
I got one, two, three little Indians all for me.
Buck sang.
I ignored Pana's whispered protests and peeked around the boulder
to see Hank Ferryman's son nudged the inert Kushduca with the barrel of his rifle.
You're an ugly one, aren't you? he muttered.
The Kushduca shifted.
Buck nudged the Kushduca with the butt of his rifle.
Are you dead? Or do I need to blast you again?
He spoke as if he were offering a complimentary turned-down service at a fancy hotel
rather than threatening mortal violence.
The Kushduca made a quiet, whimpering sound.
Or better yet, perhaps with my own hands.
He dropped to his knees and put his hands around the Kushduca's throat.
It made a strangled sound, writhing against his tight.
tightening grip. A knot twisted in my stomach. I should have been relieved to see the Kusduka go,
but in that moment she looked at me. She looked like me. Somehow, she was me.
Buck squeezed harder, and she kicked and flailed, her foot connecting with the butt of the gun,
sending it skittering towards me across the snow. Ignoring Pana's protests,
I lunged forward, grabbing it and bringing it level, jamming the butt of the gun, jamming the
into my shoulder.
Stop.
My voice didn't sound like mine.
It sounded desperate,
permiveal, superhuman.
My finger went to the trigger.
My voice trembled when I spoke.
You're killing her.
Stop.
I fired a warning shot above his head,
and he froze, then slowly stood,
hands above his head,
turning to fix me with a grin as ugly
and unsettling as the Kishdukas.
Those devil natives thought they could abandon me,
he said through his manic grin.
They were wrong.
They were all wrong.
I showed them.
Pana stood up now, turning a flashlight on Buck.
His blonde hair and pale face, his expensive thermal coat and snow pants.
They were all spattered in blood.
My finger went back to the trigger.
He wouldn't be missed.
His father was already dead.
If he lived, he'd kill and kill again.
He'd kill my people.
He'd kill Pana.
I leveled the gun at him and took aim.
Warm, gentle hands covered my hands.
and I heard Pana's voice in my ear.
Please don't.
He isn't worth what we'll pay for this.
The tightness welling up in my chest broke into a sob.
I lowered the gun.
This was it, how we all ended,
defeated by their brutality in a world that would choose them
and forget about us.
Buck screamed.
There was a spear in him.
The Kushduca on the ground held the spear,
grinning widely.
I was on the ground.
holding the spear. I was holding it with my own hands as Buck's blood trickled down and warmed
them. I let it go scrambling to my feet as he fell. There were bruises around my neck. My throat
hurt when I breathed. Where was the Kastuka? Where was Pana? Buck fell onto his back, the spear
sticking straight up out of him. Pana lowered the rifle, tears streaming down his face.
I thought he was going to kill you.
The Kushduka? Buck went on a rampage. Both elders who came with us hunting are dead.
There was a Kushduca. The Kushduca killed him. She was right here. She looked just like me.
Pana opened his mouth to protest that looked down at Buck. He took a deep breath.
You know what, Tapisa? I think you were right. I think there was a Kushduca. I pulled my hands into the thick furs I was wearing.
They were beautifully made.
The trim was black with little red flowers and green leaves trailing along the edge.
They were handmade, artifacts, even.
I thought I saw that hanging in Hank Ferryman's Lodge, Panna said.
It looks like the one my Anna made once.
I walked to the sled, my leg's shaking.
Let's take it back to her then, okay?
Pana nodded, tossing one last glance over his shoulder at Buck.
His freshly dead body smelled good.
So good, I was sure the wolves would find him soon.
I swallowed the saliva, gathering in my mouth.
Come on, Pana, I think I have your Anna's Oulu on that dog sled.
She'll be wanting it back.
Pana paused, then nodded, taking my arm.
Thanks to Pisa, I smiled.
You, my dear, are most certainly welcome.
The end.
I like that story a lot.
I don't know
I don't have a ton to say about it
I like when stories
have kind of like clear metaphors
but not quite like beating you over the head metaphors
and how you can interpret this
like a little bit more or less literally
depending on how you want to
and neither way feels false
like sometimes when things are sort of uncertain
you're like it feels lazy
and this happens actually especially in movies for me
but I don't feel that way at all about this one.
I just like this idea that inside of us is this certain capacity
and that capacity can kind of be understood
as something external to us as well.
That goes along well with my sort of metaphysical views of the world or whatever.
Anyway, Hazel, who helps me pick out the stories,
really loves how Matilda, the author,
builds tension so seamlessly in this story,
weaving routine horrors like extractive energy
and racialized sexual violence in with the supernatural stuff.
It sort of unnormalizes that stuff
and brings the horror that underpins much of our current systems into focus.
It's one of the things that makes horror so fun,
using fear, disgust, and intensity to investigate underlying truth.
So, yeah, it's spooky month where the real monster was
colonialism all along you all probably could have seen that coming because it's cool zone media book club
and we all know that colonialism was the real monster all along we'll be back next week with another
horror treat for your ears in the meantime you can keep up with matilda zeller online at matilda zeller
at wordpress.com how do you spell matilda zeller you might ask well i'm going to tell you you spell matilda
M-A-T-H-I-L-D-A.
And you spell Zeller, Z-E-L-L-E-R.
So that's M-T-T-A-Zeller.
Dot WordPress.com.
And I'm Margaret Kiljoy, and you can follow me wherever you want.
I don't know.
Okay, well, whatever.
It's Spooky Month.
My last book is spooky.
It's called The Immortal Choir Holds Every Voice,
and it's three stories set in the Daniel Cain universe.
It's the third book of the Daniel Cain series,
which you can listen to the first two
on this very podcast, and you can go and listen to the third one without having, well, yeah,
read the third one that I haven't done on the audiobook yet, because I would record the audiobook,
but for some reason I'm recording this every week. Whatever, I like my job. It's called The Immortal
Choir holds every voice, and you can read it. It's out from strangers in the tangled wilderness,
which is a anarchist collective and support work around businesses, and take care of each other,
and decolonize Turtle Island
and stop the genocide
and take care of each other
and it'd be good to each other
because we're all we've got.
Oh, no, I went earnest.
Spooky!
It could happen here as a production of Cool Zone Media.
For more podcasts from Cool Zone Media,
visit our website,
coolzonemedia.com,
or check us out on the IHeard Radio app,
Apple Podcasts,
you listen to podcasts.
You can find sources where it could happen here
updated monthly at coolzonemedia.com
slash sources.
Thanks for listening.
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Hi there, this is Josh Clark from the Stuff You Should Know podcast.
If you've been thinking, man alive, I could go for some good true crime podcast episodes,
then have we got good news for you.
Stuff You Should Know just released a playlist of 12 of our best true crime episodes of all time.
shootout in broad daylight, people using axes in really terrible ways,
disappearances, legendary heists, the whole nine yards.
So check out the stuff you should know true crime playlist on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
The murder of an 18-year-old girl in Graves County, Kentucky, went unsolved for years.
Until a local housewife, a journalist, and a handful of girls came forward.
with a story.
America, y'all better work the hell up.
Bad things happens to good people in small towns.
Listen to Graves County on the IHeart Radio app, Apple Podcasts, or wherever you get your podcast.
And to binge the entire season, ad free, subscribe to Lava for Good Plus on Apple Podcasts.
Hey, I'm Jay Shetty, and I'm the host of the Unpurpurposed.
podcast. Recently, I had a conversation with the one and only, Madonna. When I was broke and I had no
friends, nowhere to live, I was held up at gunpoint, I was robbed, all these horrendous things
happen to me. I had such an unhappy childhood that whatever happened to me in New York is better
than what my life was, so I'm not going back. Listen to On Purpose with Jay Shetty on the IHeart
Radio app, Apple Podcasts, or wherever you get your podcast. This is an IHeart podcast.
Thank you.