It Could Happen Here - CZM Book Club: "The Orchard of Tomorrow" by Kelsea Yu
Episode Date: July 21, 2024Margaret reads you a story about what enormous love it will take to rebuild the world and take back what's ours from the powerful.See omnystudio.com/listener for privacy information....
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Hi, I'm Ed Zitron, host of the Better Offline podcast, and we're kicking off our second season digging into tech's elite and how they've turned Silicon Valley into a playground for billionaires.
From the chaotic world of generative AI to the destruction of Google search, Better Offline is your unvarnished and at times unhinged look at the underbelly of tech brought to you by an industry veteran with nothing to lose.
Listen to Better Offline on the iHeartRadio app,
Apple Podcasts, wherever else you get your podcasts from.
Welcome to Gracias Come Again, a podcast by Honey German,
where we get real and dive straight into todo lo actual y viral.
We're talking música, los premios, el chisme,
and all things trending in my cultura.
I'm bringing you all the latest happening in our entertainment world
and some fun and
impactful interviews with your favorite Latin artists, comedians, actors, and influencers.
Each week, we get deep and raw life stories, combos on the issues that matter to us, and
it's all packed with gems, fun, straight up comedia, and that's a song that only nuestra
gente can sprinkle.
Listen to Gracias Come Again on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
at iHeart.com slash podcast awards.
But hurry, submissions close on December 8th.
Hey, you've been doing all that talking.
It's time to get rewarded for it.
Submit your podcast today at iHeart.com slash podcast awards.
That's iHeart.com slash podcast awards.
Cool Zone Media.
Book Club, Book Club! Book Club!
It's the Cool Zone Media Book Club!
That's our new intro. I'm totally going to get it exactly the same from now on.
I'm very good at consistently making up ditties.
Welcome to the Cool Zone Media Book Club.
I'm your host, Margaret Kiljoy, and every Sunday I read you a story. It's like a book club, only you don't have to do the reading,
because I do it for you. And we read fiction. And sometimes we read stories that are like
the perfect story for Cool Zone Media Book Club. Sometimes we read stories like the one today.
Today is an example of one of the perfect stories, in case that didn't come across.
Because today, I'm going to read you a story called The Orchard of Tomorrow by Kelsey Yu.
Who's Kelsey Yu? Well, I'll read you her bio.
Kelsey Yu is a Taiwanese-Chinese-American writer who is eternally enthusiastic about sharks and appreciates a good ghost story.
American writer who is eternally enthusiastic about sharks and appreciates a good ghost story.
Over a dozen of her short stories and essays appear in Clark's World, Apex, Nightmare,
Fantasy, Pseudopod, and elsewhere. Her debut novella, Bound Feet, was a Shirley Jackson Award nominee, and her next novella, Demon Song, will be published by Titan Books in 2025.
Kelsey's first novel, It's Only a Game, is published by Bloomsbury. Find her on Instagram
and Twitter at anovelescape or visit her website kelseyu.com. Her name is spelled K-E-L-S-E-A-Y-U.com.
Kelsey lives in the Pacific Northwest with her husband her husband children and a pile of art supplies
and as one shirley jackson award nominee to another did you get the rock one of the coolest
things about the shirley jackson award is that if you're nominated they give you a rock that's
engraved with um you know shirley jackson award nominee like year. And it makes me really happy because it's a clever
joke about the story of the lottery. Ooh, I wonder if I can read that to you all one day.
I don't know. I'll have to figure it out. But this story that I'm about to read to you,
The Orchard of Tomorrow, originally appeared in Clark's World Magazine in July, 2023.
And I just want to shout out Neil Clark is the editor of Clark's World magazine in July 2023. And I just want to shout out Neil
Clark is the editor of Clark's World. Neil keeps winning well-deserved awards for his work. He's
one of the best editors in speculative fiction. And honestly, if this is the only place you get
your stories, that's great. I love the stories that I read to you. But there are a bunch of
really good speculative fiction magazines out there right now.
Like we are actually living in a golden era of short fiction, which is interesting.
We are not in a golden era of short fiction readership. We are in a golden era of short
fiction authorship and publish ship. We're also not in a golden era of Margaret making up words. We're in a pretty
mediocre era of that. But I highly recommend Clark's World, Strange Horizons, I don't know,
just the magazines that are out right now. Full of good stuff. You should read them if you like
stories, which you probably do or you wouldn't be listening to this. The Orchard of Tomorrow
by Kelsey Yu. In the rich eventide glow, I wait for her in the place where the peaches once grew,
mouth-watering little golden dusts to signal the arrival of summer. Hefty O'Henrys, skin dark as
rust, honey-y yellow flesh bursting with flavor,
dainty summer ladies impossible to eat without juice dripping down your chin,
and reliably sapid fair times to close out the season.
As our elders tell it, this orchard was once bursting with varieties of the fuzzy-skinned fruit.
I kneel down, dig my fingers into the soil, and scoop up a handful. It's dry,
too dry, and it crumbles in my hand. I close my fist, sweat from my palm soaking the dirt as I try to imagine a time when the ground was rich with nutrients. When the landscape was filled
with ripening peach trees, silhouettes full and dark against the twilight sky, when my
grandparents' backs and arms ached something fierce after a full day of picking fruit.
All I had, all Lane and I ever had, were stories to show us what the world had been like.
The sun dips below the horizon and my hope sinks with it. So much has changed in all the time that's passed, but her haunts remain the same.
I would rather have sat outside her place, the one that was, once upon a time, my home too, and awaited her return.
But I knew I should give her the choice to see me or not.
After eight years apart and everything I said to her when we last spoke,
it's the least I owe her. So I shoved a note under her door. Meet me at the orchard at sunset.
It was the right thing to do. Yet here I am, now, in the gloaming, all alone. I unclench my fist,
and a dead beetle tumbles out with the clumped dirt.
It lies belly up on the ground that once teemed with its kind.
I brush my hands off and reach into the pocket of my thin coat,
checking to make sure it's still there.
The surprise I've saved for Lane.
The one that might be my saving grace.
If she gives me the chance to show her. I turn, making my way toward the tree
at the edge of the field, the lone survivor. It's barren of fruit now, but it's still standing.
Leaning back against its trunk, I close my eyes, thinking of when Lane and I spent all our days
whispering secret dreams for a hopeful future. So, what, you're back now? I open my eyes
to see a hollow-cheeked version of Lane, wraith-like and disconnected from the version of her that lives
in my memory. Her sloppily patched shirt is too large, hanging strangely on her bony shoulders.
Eight long years, filled with who knows how many hungry days, hungry nights, have whittled her away to this.
Guilt twists in my gut, leaving me momentarily speechless.
If she's shocked by how different I am, it shows only in the slight narrowing of her eyes,
the same warm brown as I remember, but ringed with dark circles now.
brown as I remember, but ringed with dark circles now. Lane was always closed off to anyone outside her tight circle, and I'm no longer snugly on the inside. I suck in a breath, sharp with the pain
of distance between us. This is a waste of time. She turns to leave. The movement is so like her,
so very Lane, that it reminds me of how things used to be,
of why I'm here.
When I made her angry too many times near the end,
she did this.
She was usually the one to run from our fights first,
but she always came back, unlike me.
I reach out to grab her sleeve.
Lane, wait.
She crosses her arms.
What do you want?
To go back to the way things were.
I bite back the words.
I, miss you, want to share a tale with you.
It's a dirty trick.
The terrible winter after Lane's parents died in a flash flood,
she moved in with me and Mom.
On cold nights when Lane's grief threatened to swallow her whole,
Mom would wrap us up in blankets and tell us stories of Swan Wukong, the Monkey King.
I see longing cross Lane's face.
Then she straightens.
Her veil of indifference falls back into place.
She pulls away, forcing me to let go of her sleeve.
I don't want to hear it. Please, I say. falls back into place. She pulls away, forcing me to let go of her sleeve.
I don't want to hear it.
Please, I say.
Andrea, please?
She sighs, and I still know her well enough to know it's a victory, however small.
Somewhere inside, the prickly creature standing before me,
the ghost of my former best friend, lives on.
In the celestial gardens of Shi Wangmu,
the great queen mother of the West, three types of peaches of immortality grew. The first bloomed
but once every 3,000 years, granting an extension of life equal to its growth time to anyone who
consumed one. The second grew for 6,000 years, offering immortality and strength of body.
The third ripened every 9,000 years, and its gifts were the most precious of them all,
for the consumer of the rarest peach would become as eternal as the sky above and the earth below
and live as long as the fiery sun and the frigid moon.
To celebrate the ripening of the peaches, Shi Wangmu and her husband, Yu Wong, the Jade Emperor,
would invite all the deities to their Azure Banquet Hall
on Mount Kunlun for a magnificent gathering.
There, they would present the peaches of immortality for all to partake,
thereby ensuring the deities' continual, immutable existence.
In the brief space of my tale,
Lane's eyes have grown wide and attentive. Her arms are still crossed, but her posture has loosened.
I can't help myself. I shift toward her, the movement so slight I hope she won't notice.
Instantly, she's on guard. Lane steps backward as if I'm a creature bearing fangs.
Her shoulders stiffen and she presses her arms tightly together again,
narrows her eyes as if to remind herself to stay wary.
When she speaks, her voice is pure ice.
Let me guess, you learned that story from one of the dragons.
She spits the diminutive that we, and most other common foreign folk, use to refer to the world's wealthy elite. I wince. No, it's not like that. Did you enjoy it
there? Waking up on a clean, fluffy bed every morning for eight years? Eating your fill each
meal and spending your leisure time enjoying all the things they stole from us?
Everything they hoarded in their precious locked towers so they could continue to live in comfort
while the rest of us died for scraps? Lane's voice breaks at the end. Her choked sob is a
thing with spikes lodging itself deep inside my heart. This is so much worse than the way she
screamed at me when I first told her the
dragons had offered me a job in one of their distant preservation greenhouses. Back then,
Lane and I spent most of our days doing any work we could find in exchange for food and basic
comforts. For mom, for her, for me. Whenever we had moments free, my mom would rest at home while
Lane would visit the elders in the community,
listening to their stories as she helped them in any way she could.
I, meanwhile, spent my time applying the knowledge passed down through my family,
trying to work out how to restore the damaged soil so it would grow things again.
The planter at our tiny shared house had barely begun to sprout, my first successful attempt, when a recruiter showed up.
Lane was gone, knowing the dragons as I do now.
He likely waited until I was alone to approach me.
I took in his clean, tailored clothes,
his rosy cheeks, untroubled eyes, and perfectly styled hair.
The disdainful look he directed at the home I shared with the ones I loved most.
And I told him to go to hell. Sure, he said with a dismissive little laugh. I'll do that. But first,
you'll want to hear this. We can give you all the resources you need to grow things, real things,
not this child's play. Your grandparents were farmers, right? I glared at him.
child's play. Your grandparents were farmers, right? I glared at him. They had an orchard,
back before the world broke, before assholes like you came and took the last of their fruiting trees in exchange for resources that should be freely shared. Now get the hell out.
I was ready to run inside, grab my ama's old shovel and smack him on the head,
consequences be damned. And then he made me an offer I couldn't
refuse. I did enjoy it for a time. I finally admit to Lane, thinking about the day I entered
the dragon's lair. I won't lie to her. At first, it was a relief. Lane stares at me, and I'm afraid
I've made things even worse, but she doesn't say anything, so I go on.
I, it's useless to describe what it felt like to get a full night's sleep, to have so much food available that I gorged myself sick for a week before learning to take it slow, to know my mom
would stay alive for three more years thanks to the pills the dragons hoarded for themselves.
I can't say any of it. Lane would only hate me all the more. So I say the only thing I can say.
I missed you, Lane.
I'm sorry I left.
She presses her lips together and turns away.
She's tense, agitated,
fingernails digging into her own arms,
and she's about to begin pacing.
I can't tell if I'm closer to regaining her trust
or losing her forever.
So I begin the next part of the story,
knowing it'll be hard for her to resist a tale about the one character she always loved hearing
about the most. Which is these ads! No, it's not part of the story. I just, there's ads and they
come here. This is where the ads go. This is where the first of the two breaks go. I trust you to
find the forward 15 second button. I mean, listen to these wonderful deals that we all believe in. Here they are. celebrities, athletes, entrepreneurs, and more. After those runs, the conversations keep going.
That's what my podcast, Post Run High, is all about.
It's a chance to sit down with my guests
and dive even deeper into their stories,
their journeys, and the thoughts that arise
once we've hit the pavement together.
You know that rush of endorphins
you feel after a great workout?
Well, that's when the real magic happens.
So if you love hearing real, inspiring stories from the people you know, follow, and admire,
join me every week for Post Run High.
It's where we take the conversation beyond the run and get into the heart of it all.
It's lighthearted, pretty crazy, and very fun.
heart of it all. It's lighthearted, pretty crazy, and very fun. Listen to Post Run High on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
Hola mi gente, it's Honey German, and I'm bringing you Gracias, Come Again,
the podcast where we dive deep into the world of Latin culture, música, pelÃculas, and entertainment
with some of the biggest names in the game. if you love hearing real conversations with your favorite Latin celebrities
artists and culture shifters
this is the podcast for you
we're talking real conversations
with our Latin stars
from actors and artists
to musicians and creators
sharing their stories
struggles and successes
you know it's going to be filled with
chisme laughs
and all the vibes that you love
each week we'll explore everything
from music and pop culture
to deeper topics like identity, community,
and breaking down barriers in all sorts of industries.
Don't miss out on the fun,
el té caliente, and life stories.
Join me for Gracias Come Again,
a podcast by Honey German,
where we get into todo lo actual y viral.
Listen to Gracias Come Again on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
of AI to the destruction of Google search, better offline is your unvarnished and at times unhinged look at the underbelly of tech from an industry veteran with nothing to lose. This season I'm
going to be joined by everyone from Nobel winning economists to leading journalists in the field,
and I'll be digging into why the products you love keep getting worse and naming and shaming
those responsible. Don't get me wrong though, I love technology, I just hate the people in charge
and want them to get back to building things that actually do things to help real people.
I swear to God things can change if we're loud enough. So join me every week to understand
what's happening in the tech industry and what could be done to make things better.
Listen to Better Offline on the iHeartRadio app, Apple Podcasts,
wherever else you get your podcasts. Check out betteroffline.com.
And we're back.
In the course of his journey to the West, Sun Wukong angers several gods and gains heavenly powers, thus attracting the attention of the Jade Emperor. At first, Hu Hong appoints him Keeper of the Horses, the lowliest position in heaven,
intended as both a slight and a means to keep him under observation. An outsider to the deity's
politics, Xuan Wu Kong does not immediately recognize the offense. Once he learns of it,
he's outraged. To contain the vengeful, destructive monkey,
Hu Hong sends a band of his celestial warriors, but Sun Wukong defeats them all. In doing so,
much to Hu Hong's chagrin, Sun Wukong earns himself the revered position as guardian
of Qi Huangmu's private orchards. Sun Wukong is pleased with his new role,
having witnessed a fellow monkey
die of old age earlier in his adventures.
He fears death.
He will do anything to avoid it.
And his fortune is great, for his appointment
coincides with the rare ripening of the precious
fruit. He watches
as preparations begin for the banquet,
anticipating both the taste
of heavenly fruit and an end to his
mortality.
For surely, as protector of the peaches, he is guaranteed a spot at the table.
Yet, the feast of peaches approaches and still, no invitation arrives.
Suon Hu Kong thinks of the peaches of immortality laid out on a serving dish in the Azure Banquet Hall,
awaiting the arrival of Chi Wong Mu's honored guests.
He thinks of the way the gods slight him at every opportunity. He thinks about how they never wanted him here, and how, now that he's forced his way in, they still find ways to exclude him.
And he finds a way to sneak inside. Lane's eyes are a war zone, torn between the hurt that must have been festering
during our time apart and the legend of the Monkey King she loves so much. And this tale is new to
her. I discovered a translated copy of Journey to the West in the Dragon's Library the month after
Mom died. Each night, curled up alone and on my warm, cozy bed, I read. If I held the book at just the
right angle, kept only my bedside lamp on, and turned away from the empty bed on the other side
of the room, I could almost pretend Mom was still there, just out of sight, softly snoring as I
whiled away the evening. Weeks passed before I read far enough to discover the tale of Suon Wukong and the Peaches
of Immortality, a tale mom never told me and Lane, despite the fruit at the heart of it, despite my
grandparents' peach orchard. This one, where my mom and Lane's mom grew up playing together while
their parents picked fruit. Or maybe because of this orchard. When Lane and I were 10 and 11, Lane's mom told
us about the scorching hot summer when a wildfire destroyed most of the peach trees. The way the
sickly scent of charred fruit and thick miasma of smoke lingered for days. The way volunteers from
town came over to help glean the salvageable fruit and discard the ruined ones, to call the
dead trees and cut the rotten bits from the ones that could be saved, to make jokes with my ah-gong
to distract him from the pain of seeing his precious trees charred to ash, and bring my ah-ma
discreet tissues to soak up the tears she pretended she hadn't shed. Lane's mom was the one to tell us,
because decades after the fire,
it was still too painful for my mom or grandparents to speak of.
And even though it was my family's history, my family's tragedy, Lane, as much as I,
soaked up every word. It was Lane who wanted to right what she saw as a terrible wrong.
It was Lane who wanted to bring the orchards back to life, to restore the land to
what it had once been. It was Lane who first suggested it would be worth trying to restore
the soil, revitalize the land, to pick up the work my mom had begun before she had me,
the work mom would have continued once I was grown, had she not become ill.
It's Lane who stands before me now, surrounded by the ghosts of my
family's peach trees, in the orchard that my grandparents had once thought would sustain
my family forever. Why are you telling me this tale, she asks, voice wavering between confusion
and anger. Did she, did your mom, is this one of her stories? Mom died five years ago.
My voice is even.
I've learned to mask the ache that accompanies those words.
Lane worries her lip, bites back a tear.
I'm sorry, Andrea.
I nod, but I'm frustrated with myself.
I would do almost anything to repair Lane's and my friendship,
but I won't use Mom's death.
I won't use Lane's compassion. I won't use Lane's
compassion, her grief, her sympathy to my advantage. She didn't tell me about the peaches
of immortality. I learned about them later. Lane stiffens. Her voice grows hard again.
The dragons. They had a library and... Lane kicks the base of the tree hard enough to make me flinch. A fucking course,
a private little library they keep for themselves and their sycophants. How did it feel to work for
them, to help them preserve the fruits they plundered from us, from farmers like your
grandparents, to keep safe in their walled off greenhouses? How did it feel to read the stories
they made sure to save, to collect for themselves under the claim of
preserving knowledge for the good of humanity. Why are you really here? Did they finally let
you off your leash for one evening? Or are you on some mission for them? You know what, Andrea?
It doesn't matter. I don't need you anymore. I'm done. Lane turns and strides off. Lane,
I left. I left my work there. I'm done with them.
She stops for a second
but doesn't turn around.
I see her take a deep breath.
Then she shakes her head
as if to remind herself
that she's done with me
and starts off again.
I hurry to catch up.
I didn't just leave,
I call out after her.
I also stole something precious from them.
This time, she does turn around.
You did what?
Let me finish the tale, please.
Then I'll tell you everything.
Fine, but I'm going to keep walking.
All right.
I walk alongside Lane, hoping like hell
it isn't the last time I get the chance.
Swan Wukong eyes the centerpiece
of the celestial banquet table.
A bowl of eternal peaches,
larger than any earthly peach,
perfectly proportioned and plump with juice.
His stomach growls something fierce
and his heart fills with longing
for the fruit of the gods.
The key to shedding his mortality
lies within reach.
He takes one, waiting for Huong to appear in a rage,
for a band of celestial warriors to attack,
for the guests to arrive and show their outrage in any number of ways.
But no one stops him.
Xuan Wu Kong eats the peach of immortality.
One is all he needs, one is all anyone has ever needed.
But he eyes the bowl of precious fruit.
Grown in Shi Huang Mu's sacred, guarded garden, hidden away and cultivated for her innermost circle.
A guarantee that they'll stay eternal, stay in power.
A gift for those who already have everything.
The peaches are not meant for folk like him. Suon Wukong eats another peach, then another, his heart hardening with each bite. He's
full to bursting, so full that hunger is naught but a distant memory. But he keeps eating
until he's finished every last one. He washes them down with a vessel of heavenly wine,
and just to spite them further, he seeks out the corner of Lao Tzu, the father of Taoism,
and steals his infamous pills of immortality.
Xuan Wukong swallows those too,
before he leaves Shi Huangmu's palace.
He knows that.
What the hell, Andrea?
Lain interrupts.
Is this supposed to be some sort of allegory?
Are you supposed to be Xuan Wukong,
the heroic monkey king who stole something precious from the corrupt elite? Are you supposed to be Swan Wukong, the heroic monkey king who stole something
precious from the corrupt elite? Are you going to try to convince me you worked there because
you wanted to get close to them to do something for good for us commoners? Lane's practically
breathing fire. She's so angry. You know, when I saw your note, I wondered how you'd play it.
Half the reason I'm here is because I wanted to know what excuse you'd come up with.
Now I know. You're going to paint yourself as some sort of fucking martyr.
At least I win that bet with myself.
No, Lane, I don't think I'm the goddamn monkey king.
I know I have no right to be mad, but her accusations cut away at my self-control.
My words tumble out, unvarnished.
Of course I don't fucking think I'm Swan Wukong.
And he wasn't doing it for the common good.
Didn't you listen to the story?
He was selfish as fuck.
He only wanted to take because he was pissed that he wasn't invited.
Everything else was a justification.
Unlike these ads that have no justification for being here,
except for the way our economic system works.
Here's ads.
Hey guys, I'm Kate Max. economic system works. That's what my podcast Post Run High is all about. It's a chance to sit down with my guests and dive even deeper into their stories, their journeys, and the
thoughts that arise once we've hit the pavement together. You know that rush of endorphins you
feel after a great workout? Well, that's when the real magic happens. So if you love hearing real,
that's when the real magic happens. So if you love hearing real inspiring stories from the people,
you know, follow and admire join me every week for post run high. It's where we take the conversation beyond the run and get into the heart of it all. It's lighthearted, pretty crazy,
and very fun. Listen to post run high on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. AI to the destruction of Google search, better offline is your unvarnished and at times unhinged
look at the underbelly of tech from an industry veteran with nothing to lose.
This season, I'm going to be joined by everyone from Nobel winning economists to leading journalists
in the field. And I'll be digging into why the products you love keep getting worse and naming
and shaming those responsible. Don't get me wrong, though. I love technology. I just hate the people
in charge and want them to get back to building things that actually do things to help real people.
I swear to God things can change if we're loud enough.
So join me every week to understand what's happening in the tech industry and what could be done to make things better.
Listen to Better Offline on the iHeartRadio app, Apple Podcasts, wherever else you get your podcasts.
Check out betteroffline.com.
Podcasts, wherever else you get your podcasts.
Check out betteroffline.com.
Hola mi gente, it's Honey German and I'm bringing you Gracias, Come Again.
The podcast where we dive deep into the world of Latin culture,
musica, peliculas, and entertainment with some of the biggest names in the game.
If you love hearing real conversations with your favorite Latin celebrities,
artists, and culture shifters, this is the podcast for you.
We're talking real conversations with our Latin stars,
from actors and artists to musicians and creators,
sharing their stories, struggles and successes.
You know it's going to be filled with chisme laughs and all the vibes that you love.
Each week we'll explore everything from music and pop culture to deeper topics like identity, community,
and breaking down barriers in all sorts of industries.
Don't miss out on the fun, El Te Caliente and life stories. And we're back.
Then why bother telling me the story?
Is it because you think I sit around all day and daydream about stories?
Because I'm a dreamer who doesn't understand what the real world demands?
That sometimes people have to give up childish ideals in favor of security and shelter and medicine, that things are more complicated
than I'm willing to admit, that some people grow up and grow out of being dreamers, while others
let themselves get left behind until all they have are dreams worth less than poisoned dirt.
Her words steal away my anger, my breath, Because they're not her words, they're mine
Thrown at her in anger on that last day
Before I left to work for the dragons
She says it like she's repeated the words in her head a thousand times
Like she replays them in her mind before she goes to sleep
Like every word is a fact, an inarguable truth
A bludgeon. Her words hit me the same way
my first taste of ripe, juicy peach did four months ago. The moment that knocked me from my
comfortable complacency, that reminded me of how much I love the woman before me, who should have
been there to taste that wonderful fruit we once dreamed we'd share someday, when we'd regrown the peach trees.
I feel it again, the self-loathing for every fiber of my well-rested, well-fed being, not
only because I was willing to leave her behind, but because I was willing to stay, long after
I should have left the dragons.
I want to crawl into a dark hole in the ground and wait there until my body grows still,
my flesh cold, and I'm nothing but meat and bones feeding the insects. I almost turn to leave.
Again. But Lane deserves better. Lane always deserved better than I gave her.
I'm sorry. The words are a drop of water on a forest fire as pointless as staying silent.
I wish I could take back what I did.
All I can do is tell you that I was wrong.
I was absolutely wrong.
I...
No.
Her words cleave mine, sudden and vehement.
No, she says again.
That's the worst fucking part.
That you were right.
When you left, I had i had nothing without you my dreams
felt worthless all the things i thought we could do to change the world she shakes her head i've
gone so many days without food seen so many people suffer and die because of the greed of people like
the dragons and as much as i want to say all it did was make me more determined, that would be a goddamn lie.
Sometimes I wonder why bother.
We're too small to change anything.
We're too insignificant to do anything,
but do what we can to survive.
She lowers her voice to a whisper,
and she won't look at me.
Too many nights, I lay awake,
wishing I'd gone with you.
I put my hands on Lane's shoulders
to stop her in her tracks
because I can't let her go another moment believing this
because it breaks me to see her so broken.
Lane doesn't pull away.
She's shaking and when I draw her close
I realize she's sobbing with her entire body.
There's so little of her left.
I hug her and she cries on my shoulder the same way she did half our lives ago.
The day she showed up at my house newly orphaned face a wreck of blotchy tears.
I listen now as she tells me how the last few years have been especially hard, so goddamned
hard.
I swallow a reply when she whispers that this doesn't mean that she forgives me.
I wait until her tears run dry, until she wipes her face on the hem of her shirt, until she's spent.
Lane, I say, and she looks up.
You weren't wrong.
Lane starts to shake her head, but it's half-hearted, like she's too tired to care anymore.
I put more force into my voice. I need her to know. I'm not just saying it. I'm the one who
was wrong. We need dreamers. We need people like you who can imagine the way things could be.
Dragons think they're the only ones who are truly free because they've shackled everyone else.
They think that access to all the world's most precious things
makes their lives richer, fuller.
But all they've done is create private little fortresses of fear.
They play petty games with each other,
because they fear one another too.
They've taken everything,
and so they're afraid to lose anything.
I wish I could say that I regret my choice to leave.
I can't.
Not when that choice gave my mom three more years.
But I shouldn't have said the shit I said
just to make myself feel better about what I was doing.
I shouldn't have stayed for five years after she died.
I want to say I did it because I had some grand plan
to learn what I could from them and upend everything.
But the truth is, I got comfortable.
I told myself the security was worth it. Leeriness has seeped back into Lane's expression, but she doesn't leave. At least she's
listening. People like me lack imagination. I swallow hard. It's not an admission I like to make.
People like me can only see what's right in front of them sometimes.
People like me can only see what's right in front of them sometimes You never could see the orchards the way I could
I look around, trying to picture the trees the way they were in Lane's mom's stories
I wished for so long that I could, I say
Lane sighs, it's a long, weary sound
What doesn't matter anymore?
It makes no difference if you regret it or not.
It happened. You left, I stayed, we're here now, and it's too late. The world has only gotten worse.
There's nothing to come back to. All my dreams crumbled to dust, just like you knew they would.
You should have stayed where you were. I shake my head. There are two things I learned there in the Dragon's Enclave.
First, that the fruit of today never tastes quite like the fruit of yesterday.
Thanks to breeding, to natural selection, to climate change, fruit evolved in taste and texture
over time. There's evidence that peaches were domesticated as far back as 8,000 years ago in
northwest China, but those ancient Chinese peaches,
they're gone forever. She eyes me. Okay. And second, there is one good thing about the dragons.
Lane's lips turn down. I almost laugh at the skepticism radiating off her. Oh yeah? What the hell is good about them? They keep really good records on how to care for their precious things. I pull something
from my pocket and hand it to her. Lane's eyes narrow, but she accepts the small journal filled
with the notes I memorized and painstakingly copied from the dragon's records over the course
of the last four months. Her brows furrow. What's this? I hand her the other item from my pocket,
What's this?
I hand her the other item from my pocket,
the thing I've been saving, hoping it'll be enough,
a small, cloth-wrapped bundle.
She unravels the cloth, and her breath catches.
Is that?
Is it what I think it is?
The wonder in her voice makes everything that went into this moment worth it.
It is.
Lane turns over the ridged, blush-pink peach pit, running her fingers over its smooth grooves. She wipes her eyes and laughs involuntarily, a little hiccup of a thing.
And then her shoulders slouch again. But it's a waste. You should have smuggled out food and
medicine. That's what we need most. I did that too.
She shakes her head, still staring at the peach pit.
Then why bother with this?
One tree won't change the world.
Besides, it's not just that the dragons stole the last fertile peach trees.
It's that this soil won't grow them anymore.
Your grandparents' orchard will never go back to what it used to be.
No, it won't, I say.
Surprise alights Lane's face.
It probably won't, I amend. Maybe someday the peaches will return here, but there are pockets of the world that it will still be able to grow them, or places that will be able to grow them
for the first time. This isn't the only peach pit or the only fruit we want to bring back to the
world outside the dragon's protective little bubbles.
There are many of us, so many more than I ever could have imagined, smuggling out the things they hoard.
The plants, the animals, the stories, the technology.
Others are fighting in small ways, setting up a future where we take back what is ours.
But this is part of it.
People wrote stories about
fruit trees, built legends around them, because they mattered. You were right to dream, Lane.
Hope flares in her eyes, and it's the most beautiful thing.
We'll travel, find a spot for this pit. I have a few places we can start. I gesture towards the
notebook, and Lane hands it
back to me absently. And if those ones don't work, we'll find another and try again. We'll test them.
We'll grow them. We'll keep trying. We'll do anything we can. Our world is never going back
to what it used to be. Peaches aren't what they used to be. But with a lot of effort and a little
luck, maybe you and I will be the first to taste the peaches
from the orchard of tomorrow.
I reach out my hand, throat tight with hope.
I don't deserve a second chance,
but Lane was always a better person than I.
Lane looks at me, a gaze that pierces me through.
Then she looks beyond me.
She takes several deep breaths,
and I brace myself for her refusal,
for the pain I know I deserve.
This time she'll be the one to walk away.
She wraps the precious pit back up in the cloth and tucks it away.
Then she places her hand in mine, and though her skin is cold,
warmth floods me, lighting up my entire body.
She glances my way, and her expression is still wary, still
uncertain, but she doesn't loosen her grip or let go. You are going to tell me the end of that
Suan Wukong tale, right? I smile at her, blinking back the tears that fill my eyes. I'll tell you
on the way. I'll tell you every tale I read. She squeezes her hand in mine, and together we take our first steps towards the place
where the peaches will grow once more.
And that's the story.
I hope you all liked it half as much as I did,
because then you still liked it a lot.
I don't know.
It's funny.
I usually have so much to say about these stories.
One thing I like about this writing is that it's just clear, right?
There's allegories, there's thoughts and concepts in it and stuff.
And they're just written in a way where you don't need to really dig in
to be like, oh, I wonder what this one little thing here means or whatever.
You just know.
And it's also not heavy handed. Like,
I think this is an amazingly well-written story. I almost said well-read story and,
you know, well, that too. I don't know. I have no idea if I did well, but whatever.
So if you enjoyed this story, if you go to Kelsey Yu's website, which is K-E-L-S-E-A-Y-U dot com,
all of her publications are listed and linked there, so you can read so much more of her work.
And when I asked her what she wanted to tell you all, like what to plug here at the end, she said,
The stories most likely to fit a similar audience as The Orchard of Tomorrow are In Memories
We Drown from Clark's World, A Scarcity of Sharks in Reckoning, and Harvest of the Deep in Fantasy.
I have two books out, Bound Feet, which is a horror novella, and It's Only a Game, which is a young
adult thriller that just came out last Tuesday. And I have another
horror novella coming out next fall with Titan that's called Demon Song. It also ties in Suon
Wukong and Chinese folklore. So anyone interested in that story element might enjoy it. And I'm
looking forward to finding those books. They seem really good. All right. Well, if you listened to this on
Cool People Did Cool Stuff, you should also check out It Could Happen Here. And if you listened to
this on It Could Happen Here, you should also check out Cool People Did Cool Stuff. I'm Margaret
Kiljoy, and I will talk to you all next week with another episode of Cool Zone Media Book Club.
It Could Happen Here is a production of Cool Zone Media.
For more podcasts from Cool Zone Media, visit our website, coolzonemedia.com,
or check us out on the iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts.
You can find sources for It Could Happen Here updated monthly at coolzonemedia.com.
Thanks for listening.
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Welcome to Gracias Come Again, a podcast by Honey German,
where we get real and dive straight into todo lo actual y viral.
We're talking musica, los premios, el chisme, and all things trending in my cultura.
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