Juicy Scoop with Heather McDonald - Blake Lively Win, Bravo Shakeups and Climbing in Heels
Episode Date: June 10, 2025The judge sides with Blake Lively. Real Housewife of Beverly Hills adds Rachel Zoe. Bravo is sued for 20 million. Did Fifty Cents’ baby mama testify in the Diddy trial. I share my Karen Read theory.... Then I interview best selling author Elaine Goldsmith-Thomas about her book, soon to be TV series “Climbing in Heels.” Elaine was a Hollywood talent agent before she decided to create a novel about what female executives in Hollywood had to do in the 80s to make it. She is currently Jennifer Lopez’s producing partner. Elaine and JLo are very close and she shares a side of Jennifer we never hear about. We also get into the cut throat ways of Hollywood and so much more. So Juicy, Enjoy! -Stop putting off those doctors appointments and go to https://Zocdoc.com/JUICY to find and instantly book a top-rated doctor today -Go to https://MeUndies.com/juicyscoop, code juicyscoop for 20% off, plus free shipping. -Find exactly what you’re booking for. Booking.com, Booking.YEAH! Book today on the site or in the app. Go to https://Booking.com -You can get a 30-day free trial PLUS 25% off your annual subscription when you go to https://DipseaStories.com/JUICYSCOOP -Go to https://legacybox.com/JUICY to get 50% off today. Stand Up Tickets and info: https://heathermcdonald.net/ Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: https://bit.ly/JuicyScoopPod https://www.patreon.com/juicyscoop Shop Juicy Scoop Merch: https://juicyscoopshop.com Follow Me on Social Media: Instagram: https://www/instagram.com/heathermcdonald TikTok: https://www.tiktok.com/@heathermcdonald Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Hello and welcome to Juicy Scoop.
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And now for our show.
Heather McDonald has got the Juicy Scoot.
When you're on the road, when you're on the go,
Juicy Scoot is the show to know.
She talks Hollywood tales, her real life Mr. Safe
and Serial Data and Serial Sister.
You'll be addicted and addicted fast
to the number one tabloid real life podcast. First, let's talk about the latest news just popped up on my TMZ.
This is huge in the Blake Lively, Justin Baldoni case. A judge just dismissed Justin's defamation lawsuit,
which was against Blake Lively, Ryan Reynolds, and the New York Times for defamation. He believed
by the article that was written in the New York Times that that was defaming him. And the judge
said no, because the article that was
written in the New York Times was based on a legal complaint that Blake made. And you
really can't do that. Otherwise, anyone that would try to make a complaint about sexual
harassment or anything, then the person could come back and say, you're defaming me by suing me or
going to the police or whatever. So that is what I think is kind of behind it. Again,
not a lawyer, but that's a huge win for her. Also, it is dismissed with prejudice, meaning
he can't refile something similar based on a smear campaign, defamation. And also that he could be liable for her legal
fees, which has cost millions of dollars that she's spent so far. So, you know, I don't
think this is where we thought this was going. I'm kind of shocked, but I can see the logic
behind it, the legal logic behind it. However, also in
Blake Lively news, I thought this was kind of interesting. A girl, what I always say,
you know, a TikToker left a shopping experience in New York and immediately got on her phone
and she had like 197,000 followers and is like, I don't know how anyone can be a Blake
Lively fan. I was just in a store in New York and she was, you know, so rude.
And she said to the person working there, can I see a fresh one of this item, something
that, you know, hasn't been out on display and other people have touched.
And then her security came around and she was ignoring her kids and she was ignoring
her nanny.
And I don't know why anyone's her fan. So listen,
I always think these stories, I think these stories have gotten out of hand because if
every person that wasn't famous was being judged when they walked into a store or a restaurant
on their behavior, I just, I don't know, it's your right to see that behavior and make content out of it. But at the same time, I'm like, look, she's shopping. She's not there to watch her kids. She has a nanny.
She's shopping. She's going to get what she wanted. And then I saw in the New York Post article
that wrote about it or whoever read about it, Daily Mail or Page Six, that then she got these
little patches for this little bag and she promoted the store
and was like, look how cute this is. Blake did that. So, I'm sure the store was more than thrilled
to have her come shop. And, you know, I don't know what this TikToker did, you know, how many
patches she bought, but I'm just saying let's keep an open mind a little bit.
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Big Bravo News.
Rachel Zoe of the Rachel Zoe Project of the Rachel Zoe Lifestyle Line has made the announcement.
It is 100% true.
She has joined the Real Housewives of Beverly Hills.
I talked about this on my Patreon, which came out Friday, but I record on a Thursday that
I had heard this and it is true and everybody's thrilled.
I don't think there's, I don't think I saw one comment that was negative.
And she has since gone on her Instagram to say how pleased she is with the response,
how much it means to her.
She always said she would come back to TV when it felt right.
It's totally right.
I mean, her kids are older, she got divorced.
So we're going to see her dating and see her life a little bit.
I don't know what's going on with actual like her brands, but obviously she's very successful.
I know there was a time where she had one of those, remember FabFitFun boxes?
I remember I promoted them and it would be like all these like products and then you'd get them
and oh you get four a year and whatever. She did something like that. I know she had that thing.
I knew she had a podcast with her husband because I interviewed her. Obviously that pod,
I think she still has a podcast, but it's obviously not with a husband.
And so I'm very intrigued. Like they were college sweethearts just a few years ago when I interviewed the two. It was her. No, maybe it was just her and she talked about him. I can't remember if he came
on or not, but it really seemed like they had such a great partnership and everything. But you know,
some marriages don't last forever. Still very
successful union. And I wonder if it's friendly. I wonder if he has another girlfriend or partner
or whatever, but that will be fun to see. Some people wonder how is she going to work with
Dorit being that Dorit is known as the fashionista and everything. And I think that it's going to be
and everything. And I think that it's going to be just great. Like I think Dorit will be so excited to meet her and I think she'll be kissing her ass and then bows will feel left out and it's going
to be good. So we'll see who else, if there's anybody else that's going to be announced.
Brynn from Real Housewives of New York made a big announcement today. I'm not coming back. Well, I don't think the show is coming. We didn't think the show was coming back,
or at least they're going to start with a fresh slate. We don't know. But it was kind
of smart of her just to be like, I know I'm not being asked back. So let me take this
moment and get some press out of not coming back. And the second part of her statement
on Instagram story was, but I created this dating app and
it's doing so well.
I have to bounce between my London and New York offices.
It's going to be the greatest date.
It's the greatest dating app ever.
And I have my book coming out.
So be excited for that.
So I thought it was pretty nice.
And I want to say Brynn, come on Juicy Scoop because now that you don't have the Bravo Golden handcuffs, I want to get more and know a little
bit more about what you were thinking when people were saying things about you that weren't
true.
What all went down last season which got weird and dark or we don't have to talk about
that.
I don't know, but I find, yes, she,
I can see why the audience didn't necessarily like her. But I have to say, you know, it must be,
it is very hard for someone to be a real housewife because when people say, you know, you're not
doing a good job or we don't want you here anymore, it's not because you fumbled the football. It's because we hate your personality. Like you can't really change your personality. It really is you.
So whether she chose to do this on her own or was just being savvy, you know, she wasn't
really well liked at the end. People didn't like her though. They did like her in the
beginning. And I just think that is a lot for your mental health because it's like you just feel like everyone hates you and
there's it's like this is you. I'm being me. I'm not playing a role. I'm not executing
a design for a home or something. This isn't HGTV. It's just me being me walking around
talking to people and you guys all find me annoying. so goodbye. Britt goes by Britt on Real Housewives of Atlanta is suing Bravo for $20 million.
This is the woman who is behind them, really one of the most horrific things that have
happened on Real Housewives of Atlanta.
This girl Britt and Kenya Moore were getting a little tiff.
It seemed a little weird. It did seem like Britt was trying to engage with the big dog
and the big dog being Kenya was like, why are you trying to get your moment on TV? Somehow
that really pissed off Kenya. She also felt threatened because she heard Britt say like,
I'm packing, meaning I carry a gun or something. So then when Kenya had her big Kenya Moore hair care,
the first brick and mortar store that's kind of like a hair care center or whatever that she wanted
to make it like a blow dry bar eventually, she decides to have this party. Brit comes, gives her
some flowers. She's like, just please leave. I don't like you. And she's like, okay. And then she's like, my, I've been threatened everybody. Thanks for coming to my event,
but I've been threatened. And I did some research on this woman who threatened me and is trying
to take food out of my daughter's mouth. Here you go. And she went and had some people
do research. Then she went to Michael's and Kinko's and made a big like a science project thing.
Like, like it was like one of those, you know, how the board has a two sides.
Like, I don't even know what she was doing.
And showed these explicit photos of this girl back in the day when she was a webcam girl
or a video cam girl.
I don't even know.
And it was her with a man's in her mouth. Okay.
And everyone's like, oh my God, the next day she finds out that this happened when she
wasn't there. She's totally mortified. Kenya gets asked to stop filming. And according
to Britner lawsuit, she just found out that the woman that was displayed at the party
for the cameras for everyone to talk and blog and everything about
wasn't even her. It wasn't her. According to her, it was not her. So, she's stressed about all of
this stuff, was horrified, was like, I don't know, I've done a lot of things in my life. There was
some revenge porn of me out there. And, you know, so now she's suing Bravo. Bravo has very strict contracts about suing each other for defamation.
We're filming the way the show goes.
You know, we can't keep what someone says out of their mouth.
We let it unfold as it was.
We did reprimand Kenya for it.
Kenya, whoever she got to be her investigators, really fucking dropped the ball if this is in
fact true and this was just some other girl that resembled her. It's just a mess. It's dark.
And out of all the lawsuits that have been made through Leah from Real Housewives of New York,
and I don't know if Brandy, Brandy Glanville was suing and her lawyers dropped her,
pushing like alcohol and this and that.
This one I feel like, I don't know,
this one is gonna be a hard one
because it's like they were just filming what was going on.
If they can't, if none of the producers were involved
in going to Kinko's or Michael's
and none of the producers even knew
that she was bringing these boards,
which if they can prove that they did not know that she was bringing these explicit photos of
this other cast member onto her event. Then I think that they'll win the case. But obviously
for her, I mean, talk about some major vindication. It reminds me of when the earrings were fake,
that feeling of like, oh my God, they were worth $40. They
were not worth 10,000 or 3,000. Hello. And then everyone's like, I'm tired of that
story. Well, I'm not. And if this is in fact true, whether you don't like her nasal voice
or not, she deserves to have her day. Jaxx from the Valley, Jaxx Taylor, from what I
see, he was doing a podcast tour that has been canceled
due to the backlash of the viewers that are seeing him as a husband to Brittany, seeing
that he was the last episode, she's talking to his sister on the phone and they're filming
at their house and she covers all the Nest cams in the house, but I guess they have audio
as well. And all of a sudden,
she's like, oh my God, the producer just came up to me and said that Jax was listening to us. This
is crazy. He's rage texting me right now. Like, oh my God, Jax is like the worst. I don't even
know what I'm going to do with him. Like this is crazy, but I just, I just, it is kind of great
that she just has to laugh because it really
is so insane.
But I think to the women at home, that was like a final straw.
I mean, already they didn't like seeing what we'd already seen, the way he talks and everything
to her and the fighting.
But also I think him doing a podcast tour when he just started his new podcast without
Britney, it might be a tad premature, but you got to strike where the iron is hot.
But the popularity is just not where it's at.
He's got to have like a little redemption.
He's got to, you know, find a new girlfriend who then Brit loves and they co-parent together. But right now in the dark thick of this divorce, it's just not on his
side. Also fun news of the weekend is I came across Ramona's Instagram story that just keeps giving.
And she was like, hello. She's like, you know what? It's so gorgeous out.
I'm in the Hamptons and I am enjoying myself because I'm at a friend's house and they
are actually serving the food. So I have to do anything. Isn't that great? And then the
next one, she's even like a little more buzzed about to set. Look at this beautiful table
that I didn't have to set up
because I'm a guest for once and it's just beautiful. And I was like, you know what? Good
for her. She is having the time of her life. She was, you know, a bottle of Pinot Grigio in,
in the sun, feeling grateful, picked up her phone and just wanted the world to know how
great her life is. And you know what? I've been there. So, okay. Also, JLo was performing this weekend, which we get talk about JLo in my interview
at a worldwide pride day. And, you know, some people were a little shocked by her body suit,
which was extremely tiny on the actual VJJ area. So you got this side cleavage of the vagina or whatever
you want to call it. And some people were like, Heather, I want to know what you think.
Well, first of all, the body was banging. It got us talking. Also, you know, the outfit
requires like really good tight tights and then like a fishnet
over it to like camouflage.
So you're really sucked in.
Like you're, you're, it didn't look comfortable.
It didn't look comfortable.
And thank you.
Everyone said, Heather, your prediction is right.
You said vagina cleavage was going to be all the rage this year.
And here we are.
It's been proven many times to be true that that particular prediction
is true. Also, just recently, I mean, you guys, it is getting kind of scary, the things I say on the
show and then like articles come out. Just recently I said, I really hope some news comes out that
cold plunges aren't that good for you or don't
do anything for you because I'm not cold plunging. Everybody else is. And I really can't stand
going in cold water. I like my pool warm. I like a hot jacuzzi. Well, this week, multiple
articles came out saying it actually shrinks the growth of your muscles, plunging all the time.
I'm just saying what the article says. Don't come for me. Don't drain your
cold plunge. I mean, whatever your story is, is your story. But it's more about me saying it,
and then it comes back. It's okay, whatever. Also on the Hulu show, Secret Lives of Mormon Wives, Demi and
her husband who are at the center of the whole Vanderpump Villa guy flirting with her and
then it turned out he was actually flirting with Jesse. And anyway, they did not make
the reunion. And when asked about it, she posted on social media, Demi,
well, they told us the date very last minute and we had a whole Disney World thing planned with
hotel rooms or Airbnb and we already bought the tickets, we already got the flights.
And so, we didn't go. And I don't know, you know, Hulu is different than Bravo. Bravo,
you don't show up to a reunion and it's like a huge no-no.
Like you get in a lot of trouble, you lose out on a lot of money, especially if you've
been in there for a long time.
And they really don't like it at all.
But maybe when they were filming this show, maybe the reunion was not something that they
had planned for.
Maybe, you know, I don't know, maybe it was a last minute thing, but I'm
sure the next contract will include a reunion and a penalty if you don't show up. P. Diddy,
the trial continues. At the end of last week, there was another girlfriend after Cassie
that last couple of years that was with him and she was anonymous going by a Jane Doe,
but she's on the stand. There are people in the courtroom. It's a federal case. So there's no
like court TV filming it. That's why we just get the sketches of like Diddy.
And you see just a woman, you know, of tan complexion, like crying.
you know, of tan complexion like crying. And people believe that this is 50 cents ex-girlfriend, baby mama of the child that he had in like 2012. When someone had said this on a podcast
a while ago, Fitty got very mad at that person. So I'm just saying what is people are talking about on TikTok that this is in fact her.
She got sucked into the world of P. Diddy, feeling special that she's with a powerful
guy, agreeing to do these freak offs, very similar to what Cassie said.
They'd go for three to four days.
She'd get the UTIs.
She'd be exhausted, she'd get, you know, yeast infections.
Every time he'd promise her, you know, she'd be like, does every time we get together have
to involve three or four other paid escorts?
And he'd be like, okay, I mean, fine if you're not down, but like, you know, I'll see you
soon.
It'll just be us.
And then she'd get all excited.
And then you'd be like, are you ready to bring me some entertainment? What have you got for
me? And then she'd have to set it up and find the guys. And at one point, one of the guys
was like so gross and smelled that after 30 minutes, she's like, I just cannot, Diddy.
I cannot be with this gross guy. And he's like, fine. And then he flew out another, which, you know,
crossed state lines, which that is a crime. Sex work is not legal. And so improving that the
racketeering case, that's all goes into play. And that the assistants were like, one time she was
like, just excited to be with him alone. And then she sees, oh God, she looks up in the hotel room,
she's like the red lights that he wants and the assistance there getting the baby oil
and the, you know, candles ready. And it just seems awful. And then why didn't she leave?
Well, I was a single mom and then he agreed to pay me, I think he was paying her rent and $10,000 a month. Okay. She said she would do these weekly, these freak offs
with three to four men that would go on for several days. And then when they weren't
freaking, they were like sleeping. Okay. And trying to recover and getting like an IV and like a
collagen smoothie or something. And so therefore, if you do the math, she
was a very poorly paid sex worker, girlfriend, whatever you want to say, only 10,000. And
if she is in fact the mother of Fitty's child, what was that about? How was she not getting
enough money from him? She did say on the stand that my ex and Sean did not get along. So, I mean, I don't know if it's been confirmed,
but very juicy. If not, not a great deal for you, poor thing. And it sounded awful. Justin
Bieber looks like shit. Everyone's concerned. It's turning into a Britney Spears
account. He's posting weird stuff. He's looking awful. He's just like doing like photos like to
a friend, like, you know, and weird cryptic things. He's not dancing around in brown sensible pumps
in front of an open fireplace like this one.
But it seems to be heading in that direction.
He and Hailey Bieber are still together.
They were over the weekend with security going to get something to eat.
A lot of people also think that her billion dollar road sale doesn't really make sense
for her makeup.
People are like, haven't I even heard of it?
How many products are there? Is this even, what is this? So there's a lot of talk
of the conspiracy behind all of that. Let's see. Oh, and then Karen Reed trial is continuing.
And I, you know, we've all talked about all the different theories. And first and foremost, there is enough doubt that she should not be convicted of any kind
of murder or anything like that.
Okay.
So I'm going to say that, but I feel like this could have happened.
And the only person that knows the truth is the dog who's missing.
Okay. The German shepherd.
Once AI is able to read the minds of dogs, we are going to be able to solve so many murders
because the dog always knows what the fuck happened.
The dog in the OJ case saw it all.
That dog named Kato, yes, there was Kato Kaling, but there was the dog was named Kato.
Dogs see and know everything.
If we could only just get them to talk.
But what if he did go in the house, she's waiting for him because she said he went in
the house.
She's waiting, waiting, waiting.
He gets in an argument with people in the house.
It gets very physical.
Maybe something's hit on his head, like a weight or
something. It's down in the basement where they change that floor immediately after.
The dog gets involved either protecting its owner, who is someone who lives in the house,
or trying to break it up or whatever, causing the scratches and the bites on his arm.
He gets out there. They see him leave. He's like, you're fucking crazy or whatever.
And he leaves. So they think he leaves beat up but alive and they're all wasted. As he's
leaving, he's like, oh, thank God she's here. But he sees her backing up. So he tries to
stop her to get her attention. And she inadvertently hits him, but maybe like midway in the three point turn.
And then he is left in the snow and is unconscious and dies.
When the people are leaving the party wasted, they don't see him in the corner of the yard.
But when it turns out in the morning that he's found on the lawn, that's when they
all start scrambling and being like, oh my God, she says she hit him.
But let's say he never even came into the house because let's get ourselves out of
this narrative.
We definitely don't want people to know that there was a fight.
We don't want people to know that we were drinking, maybe doing drugs.
We don't want people to know that we drove home from the bar drunk. We don't want people to know that there was a fight. We don't want people to know that we were drinking, maybe doing drugs. We don't want people to know that we drove home from the bar drunk.
We don't want anyone to know. So, that is when they started to scramble and get rid of all their
information. Now, the only reason I think this is a possibility is because I just think that Jen
McCabe, even though she's like the worst friend on earth, I don't
think she consciously knew that a man that she knew was dead when she was looking up
the um, how long does it, how, how is my daughter's soccer or whatever volleyball team doing this
week?
Like what, what that's what she was doing at 2 45. Then the,
how long does it take to die in the cold? She said that's from the open tab for when
she looked up the daughter's thing at 2 AM and not looking at it too, that it was at
6 AM. That was the technical thing. That's still very hard, but I'm just, I still think
she should be acquitted and she should not be tried again. But I'm just, I still think she should be acquitted and she should not be tried again.
But I'm just saying we will never really know unless someone in that house speaks.
And I definitely think he went into the house.
That's what I think.
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I'm really excited to talk to a very juicy interview.
I know it will be because she is a Hollywood agent,
was a Hollywood agent, turned author,
executive producer of movie and TV shows,
your own book, Climbing in Heels, which is all about,
it's a fictional book
based on some real characters, maybe,
but about women trying to make it in Hollywood
in the 80s on the executive side.
And I've heard so much about it.
So like I was following Kyle and Kyle from Beverly Hills went to your
book party and that's where I first was like oh this is cool and I think I
followed you and then you DM'd me. Yeah. And I was like yeah I'd love to have you
on I think this is like a fascinating book but also I want to know about your
life. Yeah it's it's it's not a straight, right? I did I DM you wow, that's so bold of me. That's so unlike me, but okay
I'll take it
Maybe I DMed you and you
Either way it was yeah, I mean, you know, I think life is about
The pivot I think this book is a fictional tale
about three secretaries who come from very different
backgrounds who meet at the Sylvan Light Agency
in 1980 Hollywood.
And the terrain is rough, especially
if in one of their cases their wiggle was more waddle.
They were not the cheese in the mousetrap
that they were forced to run in.
So they had to become different cheese.
They had to figure out a way in.
And it's before me too.
And I don't know if I'm allowed to say this,
but there's a lot of blow and blow jobs.
It's the 1980s, but there's also a lot of tenacity.
There's a lot of standing up when they pass you by
and saying, I won't quit when they want you to.
It's the story of survival and friendship and betrayal
and how some of the women become a lot
like the monsters they worked for.
That is so true and I don't think people recognize
that enough about executives in this business
that are female or in any business.
I've said it. I feel like sometimes they are not champions of other women because they're...
Well, I can't... I don't want to judge... I certainly don't want to judge the characters
in my book through the prism of 2025. And I'd like to think that they think they are.
But that they... It was funny. You Magazine did this article on me and they said,
well were you a monster?
I said, at some point I probably was.
You do your best to uphold your integrity.
And then you look at the people around you
and you become a force.
When I was a little girl there was a cartoon,
I think his name was Vavoum, it would be before your time. You become a force. When I was a little girl, there was a cartoon.
I think his name was Vavoum, it would be before your time.
And he would go up to mountains.
He was a little Eskimo and he went up to mountains
and he went, Vavoum!
And the mountain blew apart.
And that image, my sister-in-law Mimi gave me
actually a cell from that cartoon
because that image is emblazoned on my mind.
I wanted in so badly.
All of these characters in this book
wanted to invent or reinvent their lives.
And they were all formed and I guess informed
by their mothers who were their fuel
and their kryptonite, right?
Nobody can bring you to your knees better than your mom.
And I think that I can't judge them.
I'd like to think that women now are more aware
and more empowering.
I know my producing partner as Jennifer Lopez
has put me on her shoulders, on her skinny shoulders,
but I've stood there and has promoted my book
and has embraced the fact that I'm not only a producer,
I'm a writer, and I was her agent.
So kind of reinforcing this idea
that we can do more than one thing in life.
So, okay, let's just go back.
So you, now you weren't really an agent in the 80s,
you're too young for that.
I wasn't an agent in the, no, I'm not too young.
Thank you.
Okay. Oh, thank you.
I must look all good today. I was an agent in the 80s. I started very young, I started. Oh, thank you. I must look good today.
I was an agent in the 80s.
I started very young, I started at the age of 20.
I graduated college early and I was a secretary
who like Beanie Rosen in my book whose wiggle
was more waddle, I was too loud, I was too bold,
I was too smart, I was too ambitious.
And in those days, secretaries had to say
they just wanted to be secretaries.
The mail room was the M-A-L-E room.
And that's where the trainees went.
That's where the boys went
because they were training to be agents.
And I finagled my way through.
I found women who did support me.
A woman named Toni Howard, who's still agenting.
A woman named Sue Mengers, who was a legend, who was hard on me,
but who saw my talent, and I think she saw herself in me.
And they helped me through, they helped me navigate
around the system that was designed to keep me out.
And I became an agent in the late 80s,
and I came out fast, I wanted, you know. So did you ever work with the agent Iris Burton?
Iris Burton, the child agent.
I remember, I mean, I may have spoken to her.
She was a generation before me.
Right, right.
But I know that she represented,
I think her son was Barry Miller.
It's Barry Miller.
She represented children.
Yeah, but you know her son,
do you remember the movie Fame?
Did you ever see the movie Fame?
Yeah, yeah, yeah.
The young guy in it,
Barry Miller, who was brilliant actor, is her son.
Oh, wow.
Yeah, yeah, she was a child,
she was an agent of child actors in the 80s, I think,
but before me.
So she was like very harsh.
And so we lived in Woodland Hills
and this neighbor had these friends come over
and their kids had an agent.
And my mom was like,
I think my kids, my daughters would love to have an agent. And she goes, oh, well then we'll introduce you to Iris Burton, our agent. And my mom was like, I think my kids, my daughters would love to have an
agent. And she goes, Oh, well, then we'll introduce you to Iris Burton, our agent. And
so anyway, we went up to her house, the three of us, like I remember going up these steps.
And she looked at all three of us, my two sisters and I and was like, okay, like I'll represent you.
And then the other girls-
Is this the 80s?
This is the 80s.
This would have been, even before then,
this would have been like 1975 or six.
I see.
And then I just remember my mom thought it was like so harsh
because this other family that had come
to see if she wanted, she didn't want them.
And she said, leave
the light on for the McDonald's as they were going down these like scary steps in Hollywood.
Then years later, you know, she was still around and representing another person I knew
another and I actually did like a caricature over at the Groundlings because
it was like she wanted identical twins.
I haven't had a good set of twins since like, you know, because twins would work twice the
amount of time.
And so I always just think of that as like, you know, the harshness of seeing how hard,
you know, and then I never booked anything.
It was a little bit.
Yeah.
I mean, I think I spoke to her a few times,
but I worked at the William Morris Agency.
So what happened to me was-
Can you tell them I'm their client?
I've been there for a long time.
No, that's an interesting testimony.
Just kidding, everybody.
I was in love with this guy, in love with him.
I grew up in the Valley.
I grew up, you know, I was born in Pacoima,
my mom called it Arlita.
We moved to Sepulveda, my mom called it Northridge.
I never knew where I lived,
I just knew it wasn't good enough for my mom.
But I also learned that image was more important
than truth.
And I think that, you know, for my mom,
the measure of success was if you lived
south of the boulevard, boulevard being Ventra Boulevard.
There was like the hills and the hills not.
And we were in the hills not.
But she kind of, you know the guy on the IS,
who does the Zamboni machine?
She sort of nudged our reality into her truth or her truth into our reality.
So suddenly we were, where are you from?
We're from south of the Boulevard.
Or our temple, it was always the aspiration to just,
I never thought about living in Beverly Hills.
It was just, the Encino Hills would have been fine.
But I was in love with a boy who was Hills,
and I was Hills Knot, and he was short.
He went to our temple, a very upscale temple.
He was, I don't know, he said he was five foot eight.
He was probably five foot five with lifts,
which meant he was five foot three.
And I'm like five, seven, and we looked like Mutt and Jif. And I just wanted anything for him to like me.
And, you know, and my dad was a salesman
and he had taught me that no just meant try again,
try harder, which was good in some instances,
but was bad when somebody wasn't into you.
And he wanted an agent, this guy.
And I said, gaffaw, I'll help you get an agent,
not even knowing what an agent was.
I bullshitted my way.
I zambonied my truth.
Oh, my father is related to somebody who can help you.
I zambonied it.
Or you might say I manifested my reality
because I said to him, I'll do it.
And I was going away to Berkeley and he was staying local.
And I had the summer to do it.
So I put a list of franchised agents together
from the Screen Actors Guild,
and there must have been 5,000.
I'm not kidding, tiny, tiny print.
I had the girls at the card store I was working at help me.
And every day I went out with his headshot,
which I had paid for.
And I went to the receptionist to get to the agent
and then, no, you go to the receptionist
to get the secretary, the secretary to get to the agent.
All summer it's taking me just to get to the secretary.
Meanwhile, I'm tap dancing for this idiot.
Oh, any day now, oh, my dad's gonna help.
Don't worry, I'm gonna, you know,
just trying to deliver the yes for him. Finally, at the end of summer, I went to this idiot. Oh, any day now, oh, my dad's gonna help. Don't worry, I'm gonna, you know,
just trying to deliver the yes for him. Finally, at the end of summer, I went to this one agency
and I saw the agent behind a scrim and I was desperate and I started jumping up and down,
holding his picture saying, I have Al Pacino in here, I have Dustin, every short actor I could
think of, Dustin Hoffman, Steve McQueen, so he comes out and he goes,
who is he?
I said, he's brilliant, you've gotta just meet him,
it'll take 10 minutes, what do you have to lose?
He said 10 minutes.
And I said, and if you don't,
you're gonna be walking down Hollywood Boulevard,
you're gonna see his picture on every billboard,
and you're not gonna ask how short he is
or what's wrong with him, you're gonna say, I could have met this kid, and you're not going to ask how short he is or who, what's wrong
with him. You're going to say, I could have met this kid and I didn't. And this kid was named Tom
Cruz? No, but he said to me, the best thing about this kid is you. But Heather, I got the S and I
went to a payphone for mobiles and I called him and I was so excited and this loser gets picked up
by this agent and I don't know, maybe two months later
he gets this little roll on chips and I think,
oh my God, he's gonna be carved out
into the Mount Rushmore Hall of Fame.
Then he gets a semi-regular roll on happy days.
So he's really taken off.
Yeah.
And shortly thereafter he dumps me.
But you know, I never forgot the thrill of getting the S.
And because of him and that stupid situation,
I found my way to being an agent.
Because I knew I was good at selling people I believed in.
I knew I could manifest his career.
I understood the architecture of the cell.
And that's how I became an agent.
So how did you then start representing
or meet Jennifer Lopez?
Oh, well, years later.
I mean, I became a secretary who found my way
to becoming an agent.
I came out fast.
I represented Nicolas Cage.
I represented Julia Roberts.
And I spent the 90s building my career.
So was she your client during Pretty Woman?
Yeah.
I signed her at Mystic Pizza.
I loved that movie too.
And all the way till Aaron Brockovich.
So that was my trajectory as an agent.
And we grew up together.
Let me ask you a question.
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How is it, because as someone who was aspiring to be an actor back in the day, how is it
that you get a young talent like Julia Roberts and you know, no, she's for movies, not for
TV and not for a soap.
Like it always used to be like, okay,
you start out with commercials,
then you might get a soap or a thing,
and you move your way up.
But I'm always like, how do some of these
really young, talented people just get like plucked
and then on the movie train?
Well, they have the right people and back them.
I mean, I was a motion picture agent.
Okay.
I didn't do TV. That was the area I found, I was a motion picture agent. Okay. I didn't do TV.
That was the area I found, I wanted to do TV, but I was in the motion picture department.
She was signed by a friend of mine in New York by a woman named Risa Shapiro and Kevin
Uvain.
They signed her in New York.
I was the West Coast Contact, and she and I just clicked
that we had an overlap.
And, you know, she was raw talent.
You could see it.
Brilliant, lovely, funny, beautiful, and smart.
And-
Did you have any idea when a script like Pretty Woman
would come across that it would be such a phenomenal hit?
Because when you think about it today,
the concept, it is a fantasy, it doesn't make sense,
you know, like that a girl that looked like her
would actually be on the streets,
like giving job jobs.
It was the darkest script you've ever seen.
Oh really?
Called 3000, and Julia was attached to do it at a place called Vestron.
And they went out of business and the guy who ran it,
rest in peace, Steve Ruther, went over as a producer,
Laura Ziskin, all these people that were involved.
And I chased it hard, it went to Disney.
And we were like Disney.
And Jeffrey Katzenbergberg who is a genius
Saw the potential and what it could be and the pig million of it all and he hired Gary Marshall genius and
Julia we really had to campaign for that and
She tested and then we had to get the guy and and we watched it
Sort of blossom into Pretty Woman. It was a dark
script called 3000 written by
Gary
And and it was remarkable and you know, I I always thought, oddly, being from the Valley,
because I grew up with Valley Girl, right?
And it was like a joke.
So did I, so yeah, women health.
And I'm sorry that I was raised south of the Boulevard.
And it was a big thing that we talked about.
You were south of the Boulevard.
Yes, because my parents were realtors,
so they would constantly talk about south of the Boulevard.
Yeah, we lived where the housekeepers lived.
I didn't know the difference except my mom did.
But you know.
But then you know when I got to SC,
was the first time I realized to be from the Valley
was trash.
Well, that's the thing.
I thought I was killing it.
You didn't know that it was,
until Valley Girl happened for me,
I thought it was the best place to be from.
And then I started not telling people I'm from the Valley,
but you know what, again,
me being from the Valley informed my commercial instincts
because the Valley is your local mall.
By the way, to this day, I'm very happy in a mall.
The Valley is very middle America.
So my tastes, I found, were very similar to female tastes
and they still are across the country.
I learned to trust my instincts on material.
And oddly, if it hadn't happened with my boyfriend,
me getting him an agent,
I think I would have just become a writer.
But I realized I was good at more than one thing.
And so I became an agent,
and then I became a very successful agent.
And in the 90s, I represented, yes, Julia and,
and, and, and gosh, you know, Susan Sarandon and-
So was part of your job then being able to detect
if you thought a script had legs or not?
Absolutely.
It wasn't the ones we said yes to,
it was the ones we said no to.
And we were smart about it.
And Julia had really good instincts as well.
And I also worked with Madonna in the 90s.
Speaking of Pretty Woman, I remember reading a story
that they thought Madonna would be good for Pretty Woman.
And she said,
oh no, you need a much younger girl, like a 21-year-old.
That's just something I remember reading in an article.
I don't think that.
I don't think that was accurate.
I mean, I don't know.
This was, Pretty Woman was, I think, 89.
No.
I remember when they changed the title to Pretty Woman,
we went, what?
But Jeffrey Katzenberg, it's his genius.
It's his genius.
That movie, he was the architect, honestly.
And I can't say it enough, especially in looking back
and having a front row seat to all of that,
it was wildly fun.
But I didn't sign, by the time I signed Jennifer, and having a front row seat to all of that, it was wildly fun.
But I didn't sign, by the time I signed Jennifer,
it was, I don't know, 1998,
and my husband saw her in a movie.
And at that point, you know, I was this big deal agent.
I, you know, represented big stars,
Cage and, you know and really big stars.
So then you were successful.
So then you were, where were you living then
in the Hollywood Hills, Beverly Hills?
Where were you living when you were having to go
to your office every day?
Well, I'll tell you, I was at William Morris until 1990.
And it kind of like what happens in the book
that CAA was very much on the rise.
And they were picking off the clients at William Morris.
I felt like I was in a target practice.
And I knew I had to leave.
And so it was, do I go to CAA with a man named
Michael Ovitz, who ran it, or do I go to ICM?
And a brilliant man named Jeff Berg called me and my partner
at the time, Risa Shapiro.
And we went to ICM with a group of other women.
We all went there, causing William Morris
to have to acquire another agency.
It was pretty titanic.
It was like a big tsunami when we went.
I think it was six women who went,
and on the cover of Los Angeles Magazine back then,
it had William Morris with the Titanic sinking
because we had tipped them.
And part of us went because we weren't recognized
the way the men were.
And so then you were able to bring
your top clients with you.
My clients came with us, yes, our clients came with us,
and, but in 94, I wanted to move to New York.
I had met my husband through Julia, actually,
and he lived in New York,
and I'd always wanted to live there.
I always thought, people thought I was from there.
It sounded cool, it would be fun.
And somebody at my agency said,
if you do that, it'll kill your career.
If you move to New York.
If you move to New York, it'll kill you.
No one will sign with you.
You won't be hot anymore.
And I was afraid.
I didn't recognize my power, Heather.
I didn't realize, wait, I have the biggest star in the world.
I was afraid.
And then someone else came to me and said, do it.
Always vote for yourself.
And I'll never forget that advice,
because I went to New York, and then immediately I
signed Madonna and Spike Lee and Matt
Dillon, all of these people who at the time were just huge,
and Jennifer Lopez.
And Jennifer, I kind of felt like,
and I was representing a lot of people in those days,
but I thought if I don't represent you,
like I'm gonna feel like devastated.
I loved her because when I met her, first of all I loved her talent,
I loved the fact that she wanted to do more than one thing, I loved her
resilience, but when I met her the thing I noticed most was she's not judgmental.
We had gone to this concert, this thing, and Barry Manilow was playing and so I
thought to be cool I would say you know Barry Manilow was playing. And so I thought to be cool, I would say, you know,
Barry Manilow, and she looked at me and she said,
I love him.
I love his music.
There's not a judgmental bone in this woman's body.
She is somebody who looks at you and says, you know,
you can be and you should be whatever you need to be.
And I had never met anybody like her.
That's great.
And so then when you,
then when did you go from agent
to let's produce these projects together?
In 2000, I knew I wanted to write.
And other than Jennifer,
not a lot of my clients were excited
about the idea of their agent being a writer.
It's weird how we keep people in one lane, right?
If you, as if you should make one decision your whole life
and that's all you should do, God.
It's not that you only live once, you only die once.
You live every day.
So if you have a passion to do more than one thing,
don't marginalize yourself, Don't minimalize your talent.
The fact that I'm a good writer made me a better agent.
And it's kind of like Jennifer.
Here's this woman who's this dancer
who became this amazing actor.
When you look at the breadth of her career,
the role she's done and how long she's been doing it.
Yeah.
And then who became this beautiful singer
who's had like 80 billion streams.
I mean, massive amounts of hits,
and yet she's marginalized.
You know, I saw this interview was resurfaced recently,
made me enraged.
And look, it's old, I'm sure it's
not the way she feels anymore, I would hope,
but it was such an interesting interview
that Larry King did with Mariah Carey,
where Mariah said, he said,
"'Does it make you upset that Jennifer Lopez
is such a big superstar?'
And she said, "'Well, I'm a singer.'"
Implying, of course, that Jennifer wasn't.
Now, our next movie is Kiss of the Spider Woman.
John Kander, who wrote the music for that,
who wrote the music for Cabaret, who's 97,
cried when he heard her doing her prerecord.
She has a beautiful voice.
But yet, we, and sometimes women do this.
Wait, Kiss the Spider Woman is something
you are doing right now?
It's coming out in October.
Oh, wow, cool.
You're gonna see Jennifer.
It's a story about love is love.
Yeah.
It is a beautiful movie.
No, it came out like 30 years ago, right?
Yes.
This is a remake?
This is a, what came out 30 years ago
was Bill Hurt and Raul Julia.
This is a musical about two men who are in prison
who ultimately fall in love.
And they do it through the imaginings of this movie
that one tells the other about.
And Jennifer is the star of that movie.
It is a beautiful movie that Bill Condon directed.
And her voice is pristine.
And I just think, you know,
it's a shame that we marginalize people for doing
more than one thing. It's almost as if our fear that we only do one thing causes us to
limit them or limit their talent. She's extraordinary. And because of her, I was able to sort of
stand in my truth and go, I'm a pretty good writer and and I'm a good producer, and I've never stopped being an agent.
You know, you can do more than one thing in life.
Heather, you're a brilliant standup.
I love groundlings, by the way.
I didn't realize that you were in the groundlings.
I loved, I used to go there.
It's funny because you say about, you know,
oh, you pivoted whatever from standup to this.
I still am from standup to this.
I still am a standup.
But now I want people to say I'm a standup
because everyone has a podcast.
So, you know, in talking about how people are,
it's like everyone's an influencer,
everyone is on Instagram.
Like we were watching the Pee Wee Herman doc last night.
And I was saying to my son, it was good.
It was a little too much about the shows to be honest.
Like I wanted to just kind of get more to like his life.
And you know, he's passed
and he's really brilliant in the documentary.
Like he's funny as he's just like messing
with the documentarian.
But unless you were a super fan, it was a little too much on like...
And then in this episode, I was like, okay, come on.
But I was trying to explain that there were only a handful of famous people.
It was special when a famous person did a TV appearance. Like if Cher was gonna be on his, it was a big deal.
Now, the most famous people are on Instagram.
We see their outfits before the Oscars.
They're selling just like a 25-year-old selling,
which I get, that's life, Hollywood's changed.
But I think, so then sometimes when you're doing something
that then everybody's
doing, you're like, well, everyone can have a podcast in my case, not everyone can do
stand up. So it's like I kind of want to like, you know, and so when I did this thing the
other day, they their description of me, which I changed, and they didn't make the change in time, which is fine, was our next presenter is a great comedian and she also has her own podcast called Juicy
Scoop. I'm like, who doesn't have their own podcast? There's literally two billion podcasts.
I'm like, no, that's not, I was like, that's not really how I want to be because
like just because you know, so I get how people sometimes are thinking like, wow, my identity has changed because so many other people have maybe. But here's the thing, you're you have a
really fun podcast because because you know, and because I'm getting asked to do so many of them,
I was like, hmm, hmm. And I watched yours and it's fun,
but you're also a phenomenal comedian.
And if you wanted to be a writer.
I haven't written two books, but that's okay.
Okay, there you go.
But the point is that in life,
I don't think it's ever too late to pivot.
No, it's never too late.
And I think it's really great.
And I'm curious to like, did you always have this idea
and why did you decide to do fiction
instead of a non-fiction like memoir of like.
Wow, because this is far more interesting than my life.
These girls are far more body and brave and witty
and desperate and you can turn left in fiction.
In the book, I go back, it takes place in the 80s,
so I do flashbacks to show who they were.
So I went back in the 60s,
in some cases I'm back in the 50s,
in some cases I'm back in the 30s.
There's a character, a woman,
who is a ball buster in the 80s.
She's already achieved her success.
And I go back to watching how she achieved it.
And I do use, I season it with real people,
you know, with people who were famous in those days,
in the 30s, in the 50s, in the 60s, in the 80s.
So I season it that way, but the characters are fictional.
And, but you know, there's some things in there
that I'd heard about.
I remember so clearly this assistant saying to me,
and I dramatize this in the book,
where an actress, where, you know,
the secretary came into this agent's office
and found an earring.
And the secretary says to the trainee, whose is this?
And what you discover is that the agent
would audition actresses every Wednesday.
And he'd ask them, he'd get a casting director on the phone
and the casting director would say, well,
what she look like, is she tall? Is she sexy?
Is she fun?
Well, she's tall and she's sexy,
but are you fun?
And she'd giggle.
And then she'd take off her shoes
and take off her sweater and so on,
and take off her earrings.
And the secretary said to the trainee,
well, how do you know?
How do you know how it transpires?
And the agent would let him listen as a bonus.
If he did a good job or if he worked on weekends.
He'd let him listen as he
messed around with these secretaries.
So you know-
Actresses.
I mean actresses, also secretaries.
When they were interviewing them for different roles,
different positions.
Sometimes they wanted spinners,
sometimes they wanted long legs and no last name.
Now, not every person was like that, but it was real.
And you tell it to young,
like young women today are reading my book,
I'm thrilled and it's a best seller,
it's taken off, all of that,
but they're reading it going,
God, the 80s seems so great.
Well, you know, it's really, I think it's,
well, I think it's really brilliant that
A, that you wrote it from that era,
there's obviously the hits that have come
in the last couple of years that have been from that time,
whether it's the Menendez brothers or whatever, the nostalgia
that's on TikTok of kids like wanting to see.
Even when I talk to young people, they're like, because I wrote a book about my dating
adventures like in the early 90s.
And I called it, You'll Never Blue Ball in this Town Again, because I was an old virgin
who was trying to make it in Hollywood.
And you remember those books.
You'll never make love in the town again.
And you'll never nanny in this town again.
You'll never have lunch in this town again was the first one.
And then the one about being like a high class hooker in Hollywood was you'll
never make love in this town again, which was so juicy.
Wow.
And so anyway, I was like, I'm just going to play off of that and make fun of
these things.
So anyway, I was like, I'm just going to play off of that and make fun of these things. And because it's a time where there was no social media and you had to call or leave
a message or maybe you would miss a call and you wouldn't know what the person was doing
so you could like be coy and all of that, I feel like the Gen Z, they just, it's like,
what was that like?
They want to dive into that world.
They do.
And watch it and read about it
and imagine what life was like
before everything was online.
And it's fun.
I mean, look, the hair was big,
the shoulder pads were big, the phones were big,
but there were other things that weren't so big
even though they thought they were.
You know, it was fun, but the truth is it was all we knew.
I didn't take a moment to think, gee, this is unfair,
or gee, this is hard.
It was just the terrain that I was facing.
So I had to think, how do I get in? How do I get the yes?
Because no just meant try again, try harder,
which is really great if you wanna be an agent.
May not be so great personally,
but it's really great if you wanna be an agent.
And it was a great training ground.
My mother sort of manifesting the life she wanted
and my father teaching me
that no just meant try again.
Was there any client or project that you did turn down that you maybe didn't regret but
they went on to enormous success and you're like oh you know like when you hear about
actors passing on big scripts and stuff. I had a client who shall remain nameless.
I never ever wanna tell tales nor will I.
But they were offered a sleepless in Seattle
and did not do it.
And I was on my knees.
But again, out of that,
I was able to develop a great friendship
with Nora Ephron, rest her soul,
who told me back in 2000, you know, you need to write, you need to write. There's a lovely man
named Ron Bass. He was a lawyer who became a screenwriter. He wrote some of our favorite
movies. He wrote Sleeping with the Enemy. He wrote My Best Friend's Wedding, and they were doing a reshoot on it.
So he came into my office and we were bullshitting around.
We always used to talk about ideas, he and I,
and I loved it.
And he came in and he said,
they're doing a reshoot on it,
and this is what we're trying to figure out.
So I pitched him something,
and he called me later, he said,
would you write that down? just the way you pitched it?
And I said, no, and he brought me the next day,
final draft, which is a computer program.
Computers are kind of new then, it was like 95, I guess.
And he taught me how to use it, and he said,
just write this scene, and this other scene
that they were reshooting in a bathroom. And he said, just write this scene and this other scene that they were reshooting
in a bathroom.
And he said, just for the heck of it.
So I did.
And he ended up showing it to the studio
and bless him, he gave me credit.
In other words, he told them I did it.
And he made me believe in myself
in a way that really helped me stop being afraid.
I was afraid to admit I wanted to do anything really helped me stop being afraid.
I was afraid to admit I wanted to do anything other than agent or anything other than produce.
I was afraid I'd be judged.
I was afraid it would somehow minimalize one.
So I guess that's why I'm so enamored with Jennifer
because she recognized that my ability to be a storyteller made me a better agent
and she didn't make me stay in one lane.
She, I wasn't ever afraid that,
oh gosh, if I tell her I want to write,
she'll get another producing partner.
If anything, she stood beside me and shouted louder.
And it says a lot about her.
And then, so this has already been made into,
going to be made into a series.
Darren Star. For Peacock.
Darren Star read it.
Darren Star, who does Sex and the City,
and Emily in Paris, and Younger, and many others,
read it when it was in its infancy.
And he was a friend of mine,
so I just wanted to know, is it too steamy?
Because there's lots of, it's very spicy, this book,
Very Belly of the Dolls.
And so he went, I not only love it, I wanna option it.
I said, come on.
He said, no, I want to.
Then he called me three days later, he said,
Universal wants to option it.
I was like, gaffaw, my favorite word. He said, I he said, universal wants to option it. I was like, gaffaw, my favorite word.
He said, I'm serious, universal wants to option it.
I said, I haven't even, it's not even published.
Universal optioned it.
Then we got a call from Peacock who said,
we will give you a straight to series order
if you don't go anywhere else.
So we're gonna be a series,
so right now we're writing the outline.
Isn't that crazy?
So will Jennifer be a producer on it as well?
Yeah.
Oh, that's great.
Yeah, yeah, of course.
Yeah.
So I mean, that's gonna be really fun.
Do you say, will you be a really big part of that or not?
I wanna be.
I mean, I wanna, I'm writing the pilot right now
with Darren.
Yeah, people say, well, how are you gonna do both?
And I guess I say, watch me.
No, it'll be, yeah.
I'll figure it out.
You know, again, these rules that we have to do this
or we have to do that,
emancipate yourself from other people's idea of your life
and design your own.
Do you like the casting process?
Do you sit in the room through all these projects
that you've done with Jennifer
and watch people read for it?
And is there something, as an actor, I've always,
I'm not good at auditioning, I'd get so nervous,
and then I'd hear people would take beta blockers and I'm like,
should I take a pill before I?
Really?
Yeah, but then I could go do standup
like in front of, you know, whatever, thousands of people.
Wow.
And like not be nervous.
But something about like parking at the studio,
like walking, you know, hoping to have it memorized,
but maybe not have it memorized.
We had some acting coaches would say,
don't have it memorized, hold the thing
and act like you don't care.
I don't know, I would say memorize it.
But, and then like, then the distraction
that happens in the room of like, hi girl,
and you see people and then there'd be someone else
that would just be reading a book.
I'm like, how could they be reading a book right before they go?
Like there's so much.
So I always wonder like, and what I tell people now is like, they want it to be you.
They want their job to end.
They don't want like, but I think going in, there was something in my mindset that like,
they weren't going to like me or they didn't like me, you know, instead of like, oh, you're
going to be so happy I arrived because I'm the one.
Like I didn't have that attitude.
Now I do, but I didn't in my 20s.
I believe, listen, you know,
Abra Kadabra in ancient Hebrew translates to
say it, see it, be it.
Abra Kadabra.
I have a chapter in the book called
The Abra Kadabra Girls.
I believe in manifesting your reality, I guess, from my mom.
So when I'm in the casting process
and I'm looking at people reading,
I have great empathy because I represented actors.
I try to make everyone as comfortable as possible,
but I'm looking for someone who can play the lie,
who it's just so natural.
It's like they embody it.
They're not reading their being,
because then they're manifesting right in front of me,
and then you can't shake it.
Then you can't shake it.
Was there any time that you wanted someone
that was less famous for the part,
but then the studio or the network
was pushing the name?
There was a time where one of the best things that,
well, not best, but I represented an actor named
Tim Robbins, who I would read every script early.
I'm a voracious reader, and you have
to be able to read quickly.
And I think my talent was most honed in knowing great material.
And I read a script called Rita Hayworth and the Shawshank
Redemption, and I loved it.
And I sent it to Tim.
I said, they want Tom Cruise.
But maybe one of these other
and he was obsessed and he was really hot at the time.
He was sort of coming up.
He had done this, I think he had done The Player.
He had done this kind of mock you series.
I loved The Player.
Thank you, yeah.
That was about the industry too.
Yes, it was, yeah.
And I had put that movie together.
With the murder, right?
Oh, that was so good.
That's a good Juicy Scoop classic history type of show.
Bob Altman directed it, rest in peace.
But anyway, I chased that movie for him,
Shawshank Redemption, so hard,
and talked to them because the crews wasn't doing it,
and they didn't know which way,
and I said, you need somebody who could become it
and then I said to Tim, if you want this,
you fly out, he was hot at the time.
You audition and then you audition again
and he did and he got it.
And to me, it's one of the best movies ever made.
And was he nominated for it?
I think so, I know Morgan was.
It's just, it's probably one of the most beloved,
I call it love stories ever made.
Anyway, yeah, was there anybody I wanted to,
that I said no to who became a big star?
Is that, was that your question?
Or a script that you didn't think would be a hit or?
I'm pretty good with scripts.
Yeah.
I'm pretty good with scripts.
Look, sometimes things can hit
and they aren't great and they hit.
Yeah.
But I'm pretty good.
I, and you know, you can't base success on box office.
You have to base success on are you happy with it?
Are you proud of it?
Are you happy to have it on your resume?
Here's like a hard question.
What about when you have to call the client?
Yeah, and say they didn't get something.
Well, that's hard, but also, well, tell me that,
and then I have my next question.
These are fun questions.
Nobody's asked me these.
This is fun.
Well, it's devastating.
When my clients got a yes,
it was like I got a yes.
When Julia won the Oscar for Aaron Burr,
I won that Oscar.
Conversely, when I have to call somebody and say,
Here, let's just do it,
because I've heard it a lot, okay?
I'm not getting it.
So, ding-a-ling-a-ling, hello.
Hi, Heather.
Hi.
So, they're going a different way,
and I think it's ridiculous,
and you know, but here's the thing.
The casting director loves you,
the director wants to find something else.
And inside though, while I'm telling you this,
I'm dying with you, I'm dying with you.
And I, but my goal is not to show you I'm dying with you,
my goal is to show you that there's another life ahead.
But I just wanna ask you a big B.
Oh, you're being you now.
Cause I thought, like I totally, are they going with a blonde because I told you I would
have dyed my hair blonde and I'm just wondering should I have dyed my hair blonde with that
last call back?
No, they're going with a guy.
Oh, well then I guess I can't compete with that.
No, but when you when you have to say no to somebody, you also have to keep them afloat.
Yeah. When you have to say no to somebody, you also have to keep them afloat. Because the truth is, I would do such a good job
keeping them afloat, zamboning the truth
so that they felt a little bit better.
But inside, I was dying,
because I felt so bad, so then I'd go and eat.
I'm not kidding.
Like, to quiet the noise, I would eat.
And it would quiet my own devastation
because nobody was comforting me.
But when I was a good agent,
I made sure that my client was comforted.
Okay, so now I have another uncomfortable call
that you have to make.
You hired me, I mean, not hired me,
but we were working together, you're my agent.
And you know, I just haven't booked anything
and it's just not, I'm not the next Ellen
like you thought I was gonna be.
And you gotta like just set me free
because you're not, it's just not popping, okay?
So now you gotta let me go.
So we're doing improvs now, right?
Yeah.
I just wanna know what it's like
to have to be on the other side
because I've been on the receiving of all these calls.
All right, well Heather, listen.
And I wanna know what goes through your head as the agent.
Okay, so they had this internal meeting
and they're making us cull our lists.
And here's the truth,
this agency is not doing the job for you they should be.
And I think you felt it and I've felt it
and I am gonna recommend you to this other agency
and screw them for making me do this
because I believe in you
and I'm never gonna stop believing in you.
And that's what you would say
even if you did kind of want to dump me too.
If you were my client, I wouldn't want to dump you.
Even if you weren't getting jobs,
I would be blaming everyone else.
I didn't turn on people.
Like I was very select who I represented.
I didn't represent hundreds.
And I believed in them, even when the town didn't.
Now, did you ever have somebody,
a client that you worked very hard for, that either
got poached or they called you and said, I'm so sorry, you're great?
I had a guy who was a bit of a pain in the ass.
He was a filmmaker who was a bit of a pain in the ass.
I was like, fuck, I can't believe I have to talk to him again.
He's going to ask me about why nobody's buying his script.
And oh, god.
And then he really was upset that nobody
was buying the script.
And he called me and he said, look,
I think I'm going to have to find another agent.
And I was devastated.
Yeah, and did I have clients that got poached?
I had people trying to poach my clients,
so I had to be careful.
The Oscars weren't fun for me because-
I would think.
Because then the agents, if your client won,
then all the other agents from the other agencies
would sort of circle.
And was it just you alone?
They might mention a script that you hadn't mentioned
and oh my God, why didn't you think of that?
And it was a lot of pressure.
It was hard back in the 90s.
It was the 90s, yeah.
I'm just wondering now if you have a client or whatever
and you open up their Instagram
and you think everything's good
and then there just happens to be a photo of them
with like a competition agent like smiling.
You're like, oh, fuck, they talked like.
If I was an agent, yeah.
You know, it's funny, our next movie,
Jenna and I are making a movie with Robert Zemeckis
in the fall, we're excited about, really fun thriller.
And I was talking to Mr. Zemeckis about movie stars.
He said, you know, Jennifer's one of the few
remaining movie stars.
I mean, other than like Leonardo DiCaprio,
Sandra Bullock, Jennifer Lopez,
Margot Robbie, Scarlett Johansson, Tom Cruise.
But there aren't a lot, as you said,
they're like influencers.
They're, I don't know, they own makeup lines.
They're not, it's as theatrical business is waning.
Yeah, I mean, I can't blame them.
Like I can't blame anybody for doing it all.
Like you gotta, you know, you gotta, like you said,
gotta pivot, gotta make it happen, you know, but then.
Oh, I don't blame, believe me, I don't blame them.
I think it's great to do more than one thing,
and I don't judge anybody,
but the way of the movie star in the 90s,
I guess maybe the reason this book is resonating,
it was a different time.
Yeah, it's a different time that-
People went to movies every Friday and Saturday.
Every single week, you went to movies.
That's what you did on the weekends.
Yeah. And it was like, yeah, if you didn't, you know, maybe there'd be one movie that
was nominated for the Oscars that you hadn't seen. But most of them I would make sure I
saw every single one. Now it's like, I don't know, it's just, it's like, it's so weird
and there's two months.
Now they're streaming. Now you're watching them at home every Friday and Saturday in I don't know, it's like it's so weird and there's two minds. Yeah.
Now they're streaming, now you're watching them at home.
Every Friday and Saturday in the 90s,
you would be, what movie are you gonna go see?
Well, I'm gonna go see this Friday and this Saturday,
and maybe Sunday you'd see an afternoon movie.
It was just the thing you did.
Kids did it, parents did it, children did it.
So the Disney movies, it was what you did.
So it has, the culture has
changed. And with it, I don't fault anybody for doing more than one thing and I celebrate them,
but the way of the movie star has changed. Right. Yeah, it doesn't really, it has a different,
yeah, there's, but like anything, like anything, you know, the
way you would do something, you know, changes. So it's like how you, now you can do your
own, you know, you can do your own thing, you can do your own thing on YouTube, you
can finance, self-finance, you know, all of that.
And you have to be okay with it. Somebody said to me, well, God, what do you think Kim
Kardashian's an actress now?
I said, good for her.
Yeah. Good for her.
I mean, you can play the referee, right?
And you could call foul, but the game's down here.
So play the game.
The life is about the pivot, play the game.
You know, back in the day in the 90s,
no star would do endorsements.
They wouldn't do commercials at all.
Now you see Clooney and Pitt and everybody.
They judged television, they judged commercials.
Now they aren't.
Right, well that's where I think sometimes it's like,
yeah, I mean I remember on a smaller level
when I was at the Groundlings,
I was also pursuing standup
and they were really snobby to me.
Wow.
They were like, oh, you're, you know,
at the chuckle hot, like you're a hokey,
you're hacky or whatever.
And then they realized, and I was like,
well, I like standup because I only need me.
You guys need four other people to do your sketch
or whatever.
And then, then they, that's when's when they started doing this hot cup of talk and Kathy Griffin.
And they started to realize, oh, we'll just do an alternative way of doing stand-up, which
is just basically storytelling.
But then they all kind of started to become stand-ups too, because it's just another,
it's an easier way to go.
Not to depend on another player.
Is that what you love to do most?
Um, I mean, I feel like it is the most, like I said, I think it's very few people can do stand-up.
People can act in a sitcom, people can get comedic timing, people can do podcasting, people can do sketch.
But like to actually stand on stage for an hour and 15
or an hour and a half and keep the audience rolling
and laughing is such a unique talent.
So I'll never stop doing it, but it's hard.
You gotta sell tickets, you gotta pack a bag,
you gotta book, you gotta get on a flight,
you gotta hope that flight's not late.
All of that part is not the fun part.
Do you like acting?
But actually getting on stage is fun.
Yeah, I mean, I loved,
I have done it and everything,
but then it was interesting how the,
so then when I was on Chelsea Lately
for many years writing and producing that,
and we had this like secondary show called After Lately, which was like, it was kind of like a curb your
enthusiasm but we were playing ourselves but like exaggerated and things would happen throughout
the year, like to me or my kids and then we had like a second team that would go, Oh my
God, that that's great for After Lately.
Let's save that story and like you know finesse it. And so then after the show ended
I was like okay so now I want to like get back into acting go out on auditions and basically
the people that were representing me at the time which I don't I like honesty so it didn't
about they basically said look at your age like I 43, wait, let me think how old I would have been when the show ended.
Yeah, like 43 or 44, whatever.
And they're like, there's so many other women that have been the sitcom mom,
that have the shows to back it up,
that it's going to be really hard for someone to want to take a gamble on you, even though
I'm kind of a known name and funny, over, you know, the Jolie, you know, Jolie, is that
her name?
Jolie Fisher, you know, Leah Remini, all those type of, you know, Cheryl Hines, all those
people that had consecutively booked things, they were always the wife, they were always
the next-door neighbor. And so I was kind of like, all right, I can see that. Like if I'm going to build a pool, this guy might have the coolest design, but if he's
only built two pools, I think I'm going to go with a person that built 50 pools.
So I kind of got it, and I was like, all right, well then I just will have to continue making
my own thing.
And I'm so grateful because-
But so odd that you felt, or they felt, you had to choose.
I mean, I was like, I'm going to go have to continue making my own thing. And I'm so grateful because...
But so odd that you felt or they felt you had to choose because you don't. I guess that's my point.
I don't know that they... Well, they weren't going to send me out on things. So...
Then...
I know how I was going to get them. And then I was like... And then I was literally like, well,
you're right. If it's such a challenge and it takes a whole day to audition,
like you have to practice, you have to get your outfit,
you have to drive down there.
Then during-
You're really into the whole prep of these things.
Because maybe I made too big of a deal out of it,
maybe I should have, but to me,
it would take a whole day out.
No, it does, it does.
And so then I was kind of like,
well, I'm not doing any making,
I'm not booking whatever. I you know, I'm not booking
whatever.
I never turned down an audition in my life.
Would never turn down an audition or work.
But then I sort of like stopped bugging them because I just was like, all right.
And then and then I was like, well, why am I not going out on like talk show things anymore?
Because I was like, I was up for actually Jennifer Lopez and her sister were going to
do a talk show, like a younger hip review.
And I tested for that.
Oh, wow.
But I didn't get it.
And then, but that's fine.
It didn't go.
But anyway, but I remember meeting her sister and really loving that.
I was like, oh my God, that was before Chelsea Lilly.
And so then I was like, why my God, that was before Chelsea Lilly. And so then
I was like, why isn't this happening for me anymore? And they basically were like,
well, you're just not what they're looking for. They're either looking for young and not famous or diverse and whatever, and I'm neither. So then I was like, all right. And then I literally only had this. I literally had only this podcast to make a living at,
at this and stand up.
And even when I told my agents I was gonna do this,
they were like, fine.
They didn't even try at that time to be,
to try to get a cut of it.
Are they the same agents you have now?
No, but they didn't even try to get a cut of it
because there was no money in it.
I made $250 a month for doing four shows that had 100,000 listeners. I was just like, oh, this is what you do,
like just to get people to know I'm going to the Chuckle Hut or whatever. And so yeah,
so now that it's here, like now that it's and everybody and every star is trying to
do it, I don't blame them. But it's like, you know, the veterans of podcasting kind of do go,
it feels a little like less, you know,
cause it was the thing that like, you know,
was sort of in the-
Made you special, but here's my thing
after listening to your story.
I would say, it's not too late,
you should start auditioning.
And stop breaking it down.
I mean, look, I do that too,
because I have to figure out my time.
Because here I wrote a book about background people
and suddenly I'm in the foreground.
So I have like a day job where I'm producing
and I'm running a company,
and then I have this job where I'm promoting my singer.
It's psycho.
So I do do that. I go, okay, so if I'm gonna do this,
it's gonna take this amount of time
and I gotta put some makeup on.
But I would say get out of your head.
And audition, tell your agents that you want to audition.
If anybody would like to send me an audition, I will go.
No, no, no, you've gotta be the fuel for your own career.
You can't just wait for them, tell them. I mean, honestly, that's why I did go. No, no, no, you've gotta be the fuel for your own career. You can't just wait for them.
Well, I mean, honestly, that's why I did just kind of,
that's why I made this,
because I was tired of waiting and asking and begging.
And honestly, it would be fun,
but I'm also extremely creatively satisfied
being my own boss doing this.
I don't have like an end.
They're not mutually exclusive.
Again, you need to do what you wanna do.
I love talking to you about this.
And my point is that really for anybody listening,
that figure out a way.
I'm looking at this, whatever that is, that piece of art,
that's careers.
There's no straight line.
I have an age range, I never say my age,
but I'm north of the boulevard, north of 50,
and I, quite north of 50,
and I wrote a book, right?
Because it was the right time.
And I've been a writer my whole life.
So my point is that, okay, tell your agents.
Put me up for things, put me up for things,
put me up for things where they need somebody.
They now have these web shows.
The idea of YouTube is so interesting
because it sort of, to me, it just promotes
the narcissistic idea of us filming ourselves,
but that's the world we live in.
But this show is on YouTube.
Okay, and that's the world we live in.
Yeah, I think, yeah, I think it's.
Oh, I don't mind YouTube.
I'm saying that it's an interesting,
it's an interesting title for what the world has become.
Right.
Where we film ourselves, where we sit like this
and we validate ourselves this way.
Of course it's the next generation for it.
Yeah.
There's no judgment in it,
because again, I'm not playing the ref,
I'm playing the game.
I'm on YouTube.
Yeah, yeah, yeah.
But they also have these micro shows now on YouTube,
these little soap operas which are taking off.
I was just seeing the whole thing on that.
And you should explore that.
That the studios are putting money into those
like 90 second like little soaps.
I don't think they're 90 seconds.
I think they're.
Those are the teasers.
Yeah, I think they're maybe four or five minutes,
but my point is that, you know,
wouldn't that be interesting at this stage of your life
to explore that, this, and it's sort of formation,
and get involved with one of those,
just like you did 10 years ago on your podcast.
Be on the frontier of it.
That's what I would say is an ex-architect of careers.
Yeah, I think that's a great idea.
Yeah, I love it.
Yeah, it's true.
Free advice.
It's funny because I just saw a TikTok video on that,
on all these apps that are going crazy
in these smaller little soaps, little movies, little series.
People have the attention span of gnats
because of our electronics.
So they may only wanna watch like a five minute thing
and then go, oh, I wanna see what happens next.
And then they download the whole 20 minutes,
which is 20 episodes.
And it's a way of you having fun
without the commitment of something else.
It's just an idea, I'm saying.
But again, there's no straight lines.
Figure out your way, be va vroom,
be my little cartoon character back in the,
whatever it was, the 60s,
when he busted every mountain in front of him.
And keep climbing in heels.
I love it.
Well, I am really excited to read the book.
Thank you for bringing me my copy.
I'm gonna sign it for you.
And then, of course, we'll look forward to watching it.
Oh yes, it's gonna be an interesting one
to write and to cast and to all of that.
And then you and J.Lo have a new movie, Office Romance.
We do, we do.
When is that coming out? It's so fun.
She did this with Brett Goldstein who wrote it.
Talk about manifest.
He wrote it for her.
He manifested this.
And I read it and I went, oh my God, is this funny.
It's funny and it's topical and it's smart.
I guess it's coming out next year, we just wrapped it.
We just wrapped it.
Yeah, we just wrapped it and we're starting
another one in the fall.
Yikes.
Yeah, yeah.
She's amazing.
She's like the Energizer bunny, like, you know,
the rest, huh?
Yeah, I've always just loved her look and style and face.
Like I just can't.
Yeah. Yeah.
I mean, look at her.
Amazing.
Amazing. JLo glow.
JLo glow.
But a girl's girl to the nth degree.
Yeah.
And people, I mean, listen,
they tear you down one year, then they celebrate you.
They're like worshiping her this year.
And again, Kiss of the Spider Woman,
I can't wait for people to see it,
but the thing I want people to know about her,
it's not that she's, I mean, yes, she's a great actress.
She's a great singer.
She's a great dancer.
She's an icon.
She's a girl's girl. She's a girl's girl.
She's a girl's girl.
And she, without cameras, helps more women than anyone knows.
And if I could tell the world anything about her,
I'd say that's my girl.
She's a good one.
Oh, that's so great.
That's so great.
That is something that we don't really see.
We see her as a mom. We see her as we don't really See we see her as a mom we see her as you know
Like we see her as a romantic partner because she yes, you know that she gets and she also gets stereotyped
Yeah, she's she's she has the audacity to want to do more than one thing and she lives out loud
And she gets stereotyped. I think because she's a woman and I think it's because she's a woman of color.
And I'm gonna marginalize what you do,
I'm gonna reduce it because if you can do
so many things so well, what does that say about me?
So, screw them.
Great, well I love it.
And everybody follow Elaine Goldsmith Thomas
on Instagram as well so you can keep up
on all the exciting things.
It's really fun meeting you. It's so fun meeting you Heather. Oh thank you.
And I love this whole juicy scoop.
Thank you. It's been good for me.
I want to see you acting next. That's where I think is your next step.
So do I. Just call me. You can DM me. Thank you.
Abracadabra.
Slide in there.
Abracadabra. Bye.
Hi, I'm Angie Hicks, co-founder of Angie. When you use Angie for your home projects,
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We're gonna introduce ourselves, the topics,
take a long hard look in the mirror, sigh deeply.
Then heat things up with the topic of the week,
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Maybe exfoliate a little bit,
hard, abrasive, but necessary truths,
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It's up to you, actually it's up to me.
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Join me each week for shower thoughts.
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Maybe some perspective on a dating dilemma
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I'm Tim Chantarangsu, a retired party boy
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Hey, yo!
We don't have it all figured out, but give us a call and with our powers combined, maybe
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