Just Creepy: Scary Stories - 3 Skinwalker Stories That Will Make You Lock Your Doors

Episode Date: April 13, 2026

3 Skinwalker Stories That Will Make You Lock Your DoorsLinktree: https://linktr.ee/its_just_creepyStory Credits:►Sent in to https://www.justcreepy.net/Timestamps:00:00 Intro00:00:18 Story 100:26:16 ...Story 200:52:37 Story 3Music by:►'Decoherence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.auBusiness inquiries:►creepydc13@gmail.com#scarystories #horrorstories💀As always, thanks for watching! 💀

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Starting point is 00:00:49 Bro, Skycoin, way better than points. Never fly during a Scorpio full moon. Just tell the manager you'll sue. Instant room upgrade. Stop taking bad travel advice. Start comparing hundreds of sites with kayak and get your trip right. Bad advice? You talking to me?
Starting point is 00:01:07 Kayak, got that right. Nobody applies to work at a Forest Service relay station because they want to be around people. You apply because you want the opposite. You want four months of solitude in a concrete block building on a ridge in the middle of nowhere. Maintaining radio equipment that most of the agency has forgotten exists. You want to wake up alone and go to sleep alone and spend the hours in between reading gauges and running diagnostics and watching weather roll across a hundred miles of unbroken timber.
Starting point is 00:01:53 That's what I wanted. That's what I got. My name is Jesse. I was 29. This was 2020. The summer everything shut down, which made the isolation feel less like a choice and more like the natural state of things. The relay station was in the Olympic National Forest on the western side of the Olympic Peninsula in Washington State.
Starting point is 00:02:16 Not the National Park. the National Forest, which is a different jurisdiction and a different kind of land. The park gets millions of visitors a year, the forest gets a fraction of that, and most of them stay near the roads. Once you're a few miles into the interior on the west side, into the old growth valleys and the high ridges, you might as well be on another planet. The station sat at about 3,800 feet on a ridge line called Spur Ridge, between two drainage that fed into the Kynalt River system. The building was maybe 20 feet by 30 feet,
Starting point is 00:02:50 poured concrete walls, metal roof, one door, two windows. It housed a bank of radio repeaters that linked the ranger stations in the Kino and Queets valleys to the dispatch center in Olympia. The equipment was old but functional. My job was to keep it that way. I drove up in early June. The access road was 12 miles of single-lane gravel that climbed from the valley floor through second-growth Doug.
Starting point is 00:03:15 fowlis fir into old-growth western red cedar and Sitka spruce and then into subalpine meadow near the top the road was gated at mile three i had the only key besides the district ranger the station had a cot a propane cookstove a table a chair a bookshelf full of paperback westerns that previous occupants had left behind and a two-way radio for communication with the ranger station in the valley no internet no cell service. The nearest person was a trail crew camp about eight miles south by trail, and they were only there intermittently. The nearest town was Amanda Park, 35 miles by road. I settled in. The work was easy. Check the repeaters every morning and evening. Log the readings, run a test signal twice a day, report any malfunctions to dispatch. The rest of the time was mine. I read. I hiked the ridge. I watched the elk herds move through the meadows below the station. I listened to the rain, which fell almost every day on the west side of the Olympics, sometimes
Starting point is 00:04:24 for hours, sometimes for days. I want to talk about the rain because it's relevant. The Olympic peninsula's west side is a temperate rainforest. It gets over 12 feet of precipitation a year. The forest at lower elevations is dense and green and dripping. Hung with moss and ferns and lichens, the canopy so thick that the forest floor exists in a kind of permanent twilight even at midday. Sound behaves differently in that environment. The rain dampens everything. Footsteps on the forest floor are nearly silent because the ground is a foot of saturated duff and moss. You can be 10 feet from a Roosevelt elk and not hear it move.
Starting point is 00:05:06 The rain creates a constant white noise that masks smaller sounds. you learn to listen through it, the way you learn to see through fog. I was good at listening. By the end of my first month, I could distinguish the sound of a branch falling from the sound of an animal stepping on a branch. I could hear the difference between rain dripping off cedar boughs and rain hitting the metal roof.
Starting point is 00:05:29 I could tell when the wind shifted direction by the way the sound of the river changed in the valley below. I'm telling you this because I need you to understand that when I say I heard something that didn't belong, I'm not guessing. I knew those sounds. I knew that forest. And what I heard in August did not belong there. The first thing that happened wasn't something I heard. It was something I smelled. This was the second week of August. I'd been at the station for about 10 weeks. The weather had been dry for almost three weeks, which was unusual for the west side, but not unheard of in late summer. The forest was quieter without the rain.
Starting point is 00:06:07 sounds carried further. I could hear the river from the ridge, which I couldn't when it was raining. I was on my evening check, sitting at the console logging repeater readings, when I smelled something through the open window. It was sweet and rotten, the way a deer carcass smells about three days after it goes down in warm weather, heavy and organic and cloying. It came in a wave, strong for about ten seconds, then gone. I went outside and looked around.
Starting point is 00:06:37 The station clearing was about 50 yards in diameter, ringed by subalpine fur and mountain hemlock. The evening light was golden, and the sky was clear. I couldn't see anything dead in the clearing or at the tree line. I walked the perimeter, nothing. The smell was gone. I went back inside and finished my log. The smell came back the next evening. Same time, same intensity, same duration.
Starting point is 00:07:04 About ten seconds of thick, sweet rot. then nothing. This time I was already outside, sitting on the bench by the door eating dinner. I stood up and tried to track it, walking into the wind, but it vanished before I could locate a source. Third evening, same thing. I started to think there was a carcass somewhere nearby that I couldn't find, maybe in a ravine below the ridge where I couldn't see it. I planned to hike down and look for it the next morning. I didn't have to. On the fourth evening, the smell came and didn't. leave. It intensified. It went from noticeable to overpowering in the space of about a minute until my eyes were watering, and I was breathing through my sleeve, and it changed. The sweet rot was
Starting point is 00:07:50 still there, but there was something under it now, something sharp and chemical, like burnt hair or scorched plastic. Two smells layered on top of each other, neither one natural by itself, and together forming something that triggered a physical response I wasn't expecting. I was afraid. I hadn't been afraid. Not of the smell, not of the isolation, not of anything. I'd been comfortable and content for ten weeks. But in that moment, standing on the bench outside the relay station at 8.15 in the evening, with that smell washing over me, I was afraid the way you're afraid when you round a corner and almost step on a rattlesnake, instant, chemical. My hands were shaking before my conscious mind had decided there was anything to be afraid of.
Starting point is 00:08:36 I went inside. I closed the door. I closed the windows. The smell faded to a faint trace that seeped through the gaps in the doorframe. I sat at the console and tried to think. The rational part of my brain said dead animal, decomposition gases, unusual wind pattern. The other part of my brain, the older part, said something else. The older part said leave. I didn't leave. I had a job to do and a contract to honor, and I wasn't going to drive 35 miles to town because of a bad smell. I told myself that. I believed it. I went to bed. The sound started
Starting point is 00:09:15 three nights later. I woke up around two in the morning. The station was dark. No moon that night, overcast, the kind of Olympic Peninsula darkness that has actual weight to it. I couldn't see the far wall of the room. Something was walking on the roof. The metal roof was corrugated steel on wooden joists. Every sound on it was amplified. Rain sounded like static. Pine cones falling from overhanging branches sounded like gunshots. What I was hearing was neither of those things. It was the slow, measured impact of weight being placed and lifted, placed and lifted, moving from one end of the roof to the other. Step, step, step, heavy. Not a raccoon, not a raccoon, not a Martin, not a bird, something with significant mass walking across the roof of my station.
Starting point is 00:10:04 I lay in the cot and listened. The steps went from the south end to the north end. Then they stopped. Silence for about 30 seconds. Then they came back, north to south. Then they stopped again. Then something leaned over the edge of the roof and looked in the window. I know that's what happened because I heard the creek of the roof edge taking weight, and then the window on the north wall went dark. Not completely dark. The window was already dark because the night was overcast, but it got darker, as if something large was blocking the faint ambient light that had been coming through. I was lying on my side facing that window. I couldn't see details. I could only see that the window, which had been a slightly lighter rectangle in the dark wall, was now solid
Starting point is 00:10:54 black. Something was in front of it. Something was pressed against it, or hovering just outside it. I didn't move. I'm not sure I could have moved even if I'd wanted to. My body had locked, every muscle rigid, every joint frozen. The fear I'd felt with the smell was nothing compared to this. This was the kind of fear that shut systems down. My breathing went shallow and my vision narrowed and my thoughts reduced to a single repeating loop. Don't move, don't move, don't move. The window stayed dark for a long time. Minutes.
Starting point is 00:11:30 I couldn't count them because my sense of time had collapsed. It could have been two minutes or twenty. I lay there and stared at the blackened window and waited. Then the darkness pulled back. The window returned to its normal shade of dark gray. I heard the roof edge creak as the weight lifted, then footsteps on the roof, moving south, then the sound of something heavy dropping to the ground outside the south wall, then silence. I didn't get up, I didn't check the window.
Starting point is 00:12:00 I lay on the cot until the gray dawn light came through and the birds started up and the forest sounded alive again. When I went outside, I looked at the ground below the south wall. The soil there was thin and rocky, mostly gravel and exposed root. Not good for tracks, but the moss on the wall, the thick green carpet of moss that covered the lower two feet of the concrete on the shaded side, had been scraped. Four vertical lines, evenly spaced, running from about six feet high down to the ground, as if something had dragged its fingers down the wall while dropping from the roof. I touched one of the lines. The moss was shredded, not scraped. Whatever had made the marks had claws or nails or something
Starting point is 00:12:45 rigid and sharp enough to tear through moss and score the concrete underneath. I radioed the ranger station. I talked to a woman named Linda, who handled communications for the Kinoe district. I told her I'd had an animal on the roof and asked if there were reports of bears in the area. She checked and said the nearest bear activity report was 14 miles south and three weeks old. She asked if I wanted someone to come up. I said no. She said to call back if it happened again. I spent that day convincing myself it was a bear. Black bears climb. They're curious. They investigate structures. A bear on the roof of a relay station wasn't common, but it wasn't impossible. The claw marks on the wall supported this theory. The smell could have been a carcass the
Starting point is 00:13:33 bear was feeding on. Everything fit if you wanted it to fit. I wanted it to fit. Five days passed without incident. No smell, no sounds, no roof visitors. I started to relax. I went back to my routine, check repeaters, log readings, read, hike, eat, sleep. The weather turned and the rain came back, steady and gentle, the kind of west side rain that lasts for days without ever getting heavy. The forest went back to its normal, dripping, breathing state. Then I found the elk. I was hiking a game trail about a mile south of the station, a route I'd walked many times. The trail followed the ridge line through a stand of old-growth silver fir, trees that were three and four feet in diameter with bark like cracked gray plates. The understory was Huckleberry and Salal and sword fern.
Starting point is 00:14:27 It was a beautiful stretch of forest. The elk was about 30 feet off the trail in a small clearing between two furs. It was a cow elk, full-grown, probably six or seven hundred pounds. It was dead. It was lying on its side with its legs extended, as if it had been running and fallen mid-stride. The eyes were open and clouded. The tongue was out. There was no visible cause of death. No wounds, no blood, no signs of a predator attack. The hide was intact. The belly was intact. Nothing had fed on it. But the head was wrong. The head was turned completely around, not partially, not at an angle. The cow elk's head was rotated 180. degrees on its neck, so that the chin pointed straight up and the top of the skull pressed against the ground. The neck wasn't broken in the way a neck breaks when it's twisted by force. There was no distortion, no bulging, no visible damage to the skin or muscle. The head had been rotated smoothly, as if the spine had been unscrewed and turned like a lid on a jar. I stood there for a long time looking at it. I could feel my heartbeat in my throat. The smell hit me then. The smell hit me then.
Starting point is 00:15:38 the same sweet rot from before, but fresher, more intense. Coming from the elk, but the elk didn't look decomposed. It looked like it had died that morning. The smell was wrong for the state of the body. It was the smell of something much further gone, something that had been dead for weeks, coming from a carcass that couldn't have been more than hours old. I went back to the station. I didn't run, but I walked fast, and I didn't stop.
Starting point is 00:16:08 I radioed Linda again. I told her I'd found a dead elk and described the condition. She was quiet for a moment, then asked me to repeat the part about the head. I repeated it. She said she'd send someone up to take a look, but it might be a few days because they were short-staffed. She asked me if I was okay. I said yes, I wasn't. That night I closed the windows and bolted the door and left the propane lantern burning on the table.
Starting point is 00:16:34 I didn't want to be in the dark. I lay on the cot with Louis Lemore novel, open. on my chest, and I listened to the rain, and I tried to read and I couldn't focus on a single sentence. The footsteps came back around midnight, not on the roof this time, on the ground, circling the station, slow, heavy steps, muffled by the wet ground but still audible through the concrete walls, around and around. I counted twelve complete circuits. On the 13th circuit, the footsteps stopped at the door. The door was solid. Steel frame, steel skin over a wood core, with a deadbolt that I'd thrown from the inside. It was the most secure part of the
Starting point is 00:17:17 building. I'd told myself that many times. Something pressed against the door. I could hear the steel flex, not much, a fraction of an inch. But I heard it creak under pressure the way a car door creaks when you lean against it. Then a voice. Jesse, you need to come out. There's a problem with the repeater. My voice. My exact voice. Speaking words I'd said a hundred times on the radio when reporting equipment issues. The cadence, the pacing, the slight flattening of vowels that I'd picked up from living in the Pacific Northwest. Perfect reproduction, except for one thing. The voice was coming from a height of about eight feet. I knew this because the door was, door was six feet eight inches tall, and the voice was coming from above the top of the frame.
Starting point is 00:18:06 Whatever was speaking was standing at my door with its mouth at a height that no person could reach without standing on something, and I hadn't heard anything being dragged or placed. I didn't respond. Jesse, I need you out here. The same voice, my voice, but flatter now, the emotional content draining out of it, the way color drains out of a photograph left in the sun. The words were right, but the life behind them was faced. Jesse, open, two words, stripped down, like it was losing interest in the performance.
Starting point is 00:18:38 The pressure on the door increased. I heard the deadbolt grind in its housing. The steel creaked louder. I was sitting on the cot with my back against the far wall, as far from the door as the room allowed, which was about 18 feet. I had a hatchet in my right hand. The hatchet was for splitting kindling. It had a four-inch blade. It was nothing. The pressure stopped. stopped. Silence. Then the scraping started on the south wall, the same wall where I'd found the claw marks in the moss. But this time, I could hear it happening in real time. Something was dragging its hand down the concrete, slow, controlled, the sound of hard material on hard material, like a knife being drawn across a wet stone. It went from high to low. Then it stopped.
Starting point is 00:19:24 Then it started again, from high to low, over and over, five times, six times. 7. I realized it was reaching up and dragging its hand down the wall repeatedly, the way a person drags their fingers along a fence as they walk past it. Casual, almost playful. Then it stopped. Then the smell came through the walls. I've said the smell was sweet rot and burnt chemicals. That's what it was the other times. This time it was different. This time it was worse. This time the smell had a third component, something I can only describe as biological wrongness. the smell of a living thing that isn't put together right, the smell of organs in the wrong places,
Starting point is 00:20:07 of fluids mixing that aren't supposed to mix. It was the smell of a body that was functional, but not correct. I gagged. I pulled my shirt over my face. My eyes streamed. The smell lasted about ten minutes. Then it faded. The footsteps moved away from the station,
Starting point is 00:20:25 heading north along the ridge. I tracked the sound until I couldn't hear it anymore. I didn't wait for morning. At 4.15, with the sky still black and the rain coming down steady, I put on my boots in my rain jacket and I opened the door. I had the hatchet in my belt and a headlamp on my forehead, and I walked to the storage shed where I kept the truck. I got in the truck, and I drove.
Starting point is 00:20:48 The road down was 12 miles of switchbacks and gravel in the dark and the rain. I took it faster than I should have. The truck slid on two corners, and on the second one the rear end came around, and I nearly went off the edge into a ravine. I corrected and kept going. I passed the gate at Mile 3. I stopped to lock it behind me, and while I was standing in the rain fumbling with the padlock, I heard something.
Starting point is 00:21:14 Footsteps, on the road above me, coming down, not running, walking. The same measured pace, the same steady rhythm, coming down the gravel road in the rain at 4.30 in the morning, following me. I got in the truck and I drove. I didn't lock the gate. I left it open, and I drove to the highway, and I turned south, and I drove to Amanda Park, and I pulled into the parking lot of the general store, and I sat in the truck with the engine running and the headlights on, and I waited for the sun to come up.
Starting point is 00:21:42 I called the district ranger's office at 8 when they opened. I told them I was done. I told them the relay station needed a new technician. I told them I wasn't going back up. The ranger, a man named Holt, asked why. I told him a version of the truth. I said there was a large predator in the area that had been coming to the station at night and I didn't feel safe. He asked if it was a bear.
Starting point is 00:22:06 I said I didn't know. He said he'd send a wildlife biologist up to assess the situation. A week later, Holt called me. He said the biologist had gone up, inspected the station, found the dead elk, and reported that the elk appeared to have died from a spinal injury, possibly caused by a fall from the ridge above the clearing. He said the claw marks on the station wall were consistent with a black bear. He said there was no evidence of an unusual predator in the area.
Starting point is 00:22:34 I asked about the elk's head, the rotation. Holt was quiet for a moment. Then he said the biologist's report didn't mention anything unusual about the orientation of the head. I asked if the biologist had actually seen the elk. Holt said the biologist reported finding a dead cow elk approximately one mile south of the station in a state of advanced decomposition, partially scavenged by coyotes. He said by the time the biologist reached it, there wasn't much left to assess. Advanced decomposition in one week.
Starting point is 00:23:06 In August, in the rain, with the temperatures in the 60s, a 700-pound elk doesn't reach advanced decomposition in seven days. It takes weeks. unless something accelerated the process, unless something had already been breaking the body down from the inside before the elk even hit the ground. I didn't say any of that to Holt. I said okay.
Starting point is 00:23:30 I said I wouldn't be returning. I said they could mail my last check. That was six years ago. I live in Bellingham now. I work for a telecommunications company, which is funny if you think about it. I still maintain radio equipment. I just do it in a building with fluorescent life.
Starting point is 00:23:46 and other people in a parking lot and a subway restaurant across the street. I haven't been back to the Olympics. I've thought about it. On good days I tell myself that I should go back, that whatever happened has an explanation, that I let my imagination build something out of sounds and smells and isolation. On bad days I know better. Eli told me something once, not the Eli from the other story. A different Eli, a coworker, Makha, who grew up on the coast, near Nea Bay. I told him a shortened version of what happened, without the details, just the general shape of it. He listened, and then he told me something his grandmother had told him. He said his grandmother said the old-growth forests on the peninsula are not all the same.
Starting point is 00:24:33 He said most of the forest is just forest, trees and animals, and water and dirt. But some places are older than the rest, not in years, in something else, in presence. He said his grand grandmother called these places occupied, not haunted. Occupied. She said there were things in the deep timber that had been there before the trees, before the rivers cut their current paths, before the mountains reached their current height. She said they didn't have a single shape because shape wasn't a fixed thing for them. They wore shapes the way people wear clothes. They put one on when it was useful and took it off when it wasn't. He said his grandmother told him that if you go into an occupied place, and you feel wrong, you leave. You don't investigate. You don't come back.
Starting point is 00:25:23 You leave. And you don't talk about what you felt, because talking about it is like leaving a scent trail. It gives them something to follow. I asked him what they wanted. He said his grandmother never answered that question. She said some questions are doors, and that one opens in the wrong direction. I think about that a lot. Some questions are doors. That one opens in the the wrong direction. I don't ask it anymore. I do still think about the relay station, though. It's still up there. I checked the Forest Service website last year, and the station is still listed as active, still staffed seasonally, still maintaining the same repeater bank I used to check twice a day. Someone else sits in that chair now. Someone else sleeps on that cot. Someone else listens to the
Starting point is 00:26:09 rain on the metal roof and reads paperback westerns by propane light and watches the elk move through the meadows below the ridge. I hope they keep the windows closed. I hope they don't go south on the ridge trail. I hope they never smell what I smelled or hear what I heard. But mostly I hope they don't open the door. Because the thing I keep circling back to, the thing that keeps me awake on the nights when Bellingham is quiet and the rain is falling and my apartment feels very small and very thin is this. Every night that it came to the station, it tried the door. It pressed again. It pressed It tested the deadbolt. It asked me to open it, and every time it left when I didn't. But it wasn't giving up. It was practicing. Each night the pressure on the door was a little stronger.
Starting point is 00:26:59 Each night the voice was a little better. Each night, it learned a little more about the shape of the lock and the weight of the steel and the words that a person might respond to. I left before it finished learning. I don't know if the next person will leave in time. Get styled. A plus on the outfit, Miss Turner. You were about to slay parent-teacher conferences. Oh, these? Just the most perfect fitting jeans. My stylist sent me. Oh, hello, you. Who didn't set one foot in a mall and still looks amazing?
Starting point is 00:27:31 Just share your size, style, and budget, and your stylist sends personalized looks right to your door. Stitchfix. Get started today at stitchfix.com. To my stylist. This look is dedicated to you. Thank you. Thank you. Ryan Reynolds here from MintMobil. I don't know if you knew this, but anyone can get the same premium wireless for $15 a month plan that I've been enjoying. It's not just for celebrities.
Starting point is 00:27:54 So do like I did and have one of your assistants assistants to switch you to MintMobil today. I'm told it's super easy to do at mintmobile.com slash switch. Up front payment of $45 for three month plan equivalent to $15 per month required. Intro rate first three months only, then full price plan options available. Taxes and fees extra. Seeful terms at mintmobile.com. This happened in northern Arizona, a little over three years ago, in a stretch of forests so far back that once the sun went down, you couldn't tell the rest of the country still existed. No cabins, no highway noise, no phone service,
Starting point is 00:28:37 just miles of black timber, dry ground, and old game trails that twisted through the trees and vanished into ravines. My friend Owen asked me to go with him on a weekend scouting trip before deer season. He had drawn a tag for later that fall and wanted to check a remote area his uncle used to hunt back in the 90s. The place sat near the edge of a big patch of national forest, far enough from the paved road that getting there meant driving a washboard service road for nearly two hours, then taking an unmarked spur that had grass growing down the center. I almost backed out the day before because my wife was pregnant at the time, and I felt strange leaving her. but she told me to go and enjoy one last quiet weekend before life changed. I wish I had listened to the feeling I had in my gut instead.
Starting point is 00:29:25 We got there in the late afternoon on a Friday. The sky was clear. The air had that dry, cold edge that shows up in the mountains once October settles in. Owen drove his old Tacoma, and by the time we reached the spot he had marked on his map, the truck was covered in dust and pine needles. The clearing was barely big enough for two tents. There was an old fire ring, a few flat stones, and a deadfall log where somebody had chopped wood years earlier. At first glance, it looked perfect.
Starting point is 00:29:54 That should have been the first warning. Places that far back usually show signs of use if hunters know about them. You see cut branches, old boot prints, spent casings, at least some trash left by somebody too lazy to pack it out. This place looked untouched except for that fire ring, and even that looked old enough to have sunk into the dirt. It was too clean. No candy wrappers. No beer cans. No tire tracks except ours. Even the game trails around the clearing looked thin, which didn't make sense because the slope above us had bedding cover and the drainage below had water. Owen noticed it too. He stood there with his hands on his hips, turning slowly, then said, feels dead. That was the exact word he used. Dead.
Starting point is 00:30:40 I laughed it off and told him maybe that was a good thing. Less pressure. More deer once the season opened. He nodded, but he kept looking into the trees behind our camp, at a patch of dark timber where the slope got steep and the trunks grew close together. We set up anyway. For the first couple of hours, everything was normal. We pitched our tents, gathered wood, and made a simple dinner on a camp stove. We talked about boring things, work, money, his truck, the baby I had on the way.
Starting point is 00:31:11 I remember feeling relaxed for a little while, and if the night had stayed that way, this would have been one more forgettable hunting trip. The first strange thing happened right after sundown. I had walked a little way from camp to take a leak. Nothing far, maybe 30 yards, just enough to get some privacy. I was facing away from the clearing when I heard Owen behind me say my name in a low voice. Not loud, not urgent, just close. Matt.
Starting point is 00:31:38 I turned around expecting to see him standing there, but there was nobody. I could still see the glow of the camp lantern through the trees, and Owen was back in the clearing by the stove, bent over a cooler. I watched him for a second. He never moved from that spot. I went back and asked if he'd called for me. He looked up and said no. I told him I'd heard my name.
Starting point is 00:32:01 He stared at me for a beat too long, then shrugged and said the trees were weird with echoes once the wind picked up. The thing is, there wasn't any wind. I let it go. I wish I hadn't. By full dark, the temperature dropped hard. We got a fire going and sat close to it. The clearing beyond the light looked flat and empty, but the trees just outside the glow felt
Starting point is 00:32:25 dense and close. I kept catching myself staring into them without meaning to. Owen was doing the same thing. Every few minutes one of us would turn our head because we thought we heard something moving, but when we listened there was nothing. No footsteps, no brush breaking, not even animals. That was the second thing that felt wrong. If you spend enough time outside, you get used to the normal sounds of night.
Starting point is 00:32:49 Insects, distant owls, something small moving through leaves, branches creaking, coyotes off somewhere far off. Even when it feels quiet, it's never truly empty. That night it was. Around nine, Owen finally said what both of us were thinking. Where the hell are all the sounds? I didn't answer because I didn't have one. We sat there another half hour, the fire burned low.
Starting point is 00:33:16 I threw on more wood. Owen unzipped his jacket and reached for a beer from the cooler. He got halfway through opening it before he froze and looked past me into the darkness. I turned. At first I thought it was a deer standing just beyond the edge of the firelight. All I caught was height and shape. Then it moved behind a tree, and I realized the proportions were wrong. Too narrow, too tall.
Starting point is 00:33:40 The head sat too high. I only saw it for a second, but that second hit me hard enough that my arms broke out in goosebumps. What is that? Owen asked. I stood up. We both had headlamps, but neither of us put them on. I think we were both afraid of what the light would catch. Instead, Owen grabbed the lantern and held it up while I stepped forward and shouted. The normal thing, human voice, strong, me trying to believe it was just a person. Hey!
Starting point is 00:34:09 No answer. I shouted again. Nothing. Then from somewhere off to our right, deeper in the trees, something gave a short whistle, not a bird whistle, a person trying to whistle through their teeth. Owen swung the lantern toward it. I remember the light shaking in his hand. The beam hit trunks and brush and dead needles. Nothing else.
Starting point is 00:34:30 Then the whistle came again, this time from behind us. I spun around so fast I almost lost my footing. Again, nothing. That was enough for both of us. We kicked dirt over the fire, grabbed. our pistols from the truck and agreed we were sleeping in the cab instead of the tents. Neither of us said we were scared. We didn't have to. The whistling went on for another hour. It never came close enough for us to see anything. It moved around the clearing in slow arcs,
Starting point is 00:34:58 sometimes to the left, sometimes behind the tents, sometimes farther downhill. Every time I thought I had the direction, it came from somewhere else. Owen wanted to leave right then, but the road in was narrow and rough, and trying to drive that thing in the dark while panicked, felt like a great way to roll the truck into a ravine. We told ourselves we'd wait for first light and get out. At some point after midnight, I must have dozed off. I woke to the sound of somebody tapping on the driver's side window. Not pounding. Not scratching. Taping. Three quick taps. I jerked upright and saw Owen awake too, staring through the windshield with his pistol in his hand. The tapping came again, this time from the rear passenger window.
Starting point is 00:35:44 Tap, tap, tap. I twisted around, but the glass only reflected the inside of the cab and the dark outline of the trees. Then a voice, low and rough, came from just outside my door. Matt, it was my wife's voice. I don't mean it sounded close to hers. I mean it was her voice. Exact pitch, exact tone.
Starting point is 00:36:04 The way she said my name when she was tired. Every part of me went cold at once. Owen whispered, Don't open that door. I was already reaching for the lock to make sure it was down. Then the voice changed. Open up. Still my wife.
Starting point is 00:36:20 Still right outside the truck. Owen raised his pistol and pointed it at the window. His breathing had gone sharp and shallow. I could hear mine doing the same thing. We sat there, frozen, listening. Then, very softly, from somewhere near the hood of the truck, came the sound of someone laughing. Not a loud laugh, not crazed, just a quiet, ugly little chuckle that ended in a wet cough.
Starting point is 00:36:46 I hit the ignition, the truck roared awake. The laugh cut off immediately. Owen threw the headlights on full beam, and I saw it. It was crossing in front of the truck from left to right, no more than 20 feet away. I only got a clean look because the headlights caught it at an angle. It was on two legs, bent forward, moving with a quick, stiff gate that looked wrong at the hips and shoulders. Its skin looked too pale under the lights, but patches of it were dark with dirt or something else. Its arms were long. One hand touched the ground as it moved. The head turned toward us for a
Starting point is 00:37:21 second, and I saw eyeshine flash from a face that looked almost human until you noticed the mouth. It was smiling too wide. Then it was gone between the trees. Owen started shouting at me to drive, so I did. I threw the truck in reverse, nearly jackknifed us against the trees. I threw the truck in reverse, nearly jackknifed us against a stump, then got it pointed toward the road out. We left both tents, half our gear, the cooler, everything. I hit every rut and rock on the way down that spur road, both of us bouncing off the seats. I didn't slow down until we reached the main service road. When we finally stopped, it was almost dawn. We were breathing hard, covered in sweat, and neither of us spoke for a full minute. Then Owen said, we are not telling people that.
Starting point is 00:38:08 remember laughing at that. Not because it was funny, but because I felt so close to coming apart that laughing was the only thing I had left. We agreed we'd tell people we got spooked by a bear moving through camp and bailed early. That sounded stupid, but it sounded less stupid than the truth. We should have left it there. We didn't. The next morning, after breakfast in a little diner outside town and about three hours of daylight making everything feel normal again, Owen started talking himself into going back for our gear. He said we had left hundreds of dollars worth of stuff up there. He said maybe what we saw was a sick person, or a tweaker living in the woods,
Starting point is 00:38:48 or our heads getting weird because we were overtired. By the time he finished his second cup of coffee, I could feel my own fear turning into embarrassment. It's hard to hold on to terror once the sun is up, and somebody is listing practical reasons why you might have been wrong. So we went back. that decision almost got us killed. We reached the clearing a little before noon. Bright sun, blue sky, same trees, same dead quiet. The first thing I noticed was that one of the tents was gone,
Starting point is 00:39:18 not collapsed. Gone. The other one was still there, but it had been sliced open from top to bottom. The sleeping bags were dragged halfway into the dirt. The cooler had been overturned, and all the food was gone except for a torn package of tortillas. Our water was. Our watching, water jug was punctured. One camp chair sat upside down 20 yards away. Owen stared at the mess and said very quietly, we need to go. I agreed. Then he pointed at the ground near the fire ring. There were tracks all over the clearing. Some were ours from the day before. Some were deer. Some looked like coyote. And mixed through all of them were prints that made no sense. Bare human feet, but long, narrow, and deep at the toes. As if
Starting point is 00:40:04 whoever made them had been pushing off hard. A few steps later those prints changed into something else, something that looked more animal, with long claw marks dragging at the ends. I wish that was the worst of it. It wasn't. Owen had started backing toward the truck when he stopped and looked uphill into the thick timber beyond camp. I followed his gaze and saw a shape hanging from a low branch. At first I thought it was part of an animal carcass. Then I realized it was my flannel shirt from the night before, tied in a knot around the branch. Hanging under it by a piece of cord was Owen's truck key. He had left the spare in his tent. It took me a second to understand what that meant. Whatever had come into camp hadn't just torn things apart. It had gone through our gear.
Starting point is 00:40:52 It had found the spare key. It had carried it uphill. It had hung it where we would see it. Owen said my name, and there was panic in his voice now. He didn't want the key in his key in anymore. He wanted out. I did too. But we had already locked the truck when we stepped away from it, and the main set of keys were inside on the passenger seat because Owen had set them there while loading up. He turned to run back. That was when it hit him. It came out of the trees to the right so fast I only saw a blur of movement before Owen went down. It was on him in a single bound. One second he was sprinting toward the truck. The next his legs were gone out from under him, and something gray-brown slammed into his back hard enough to drive his face into the dirt.
Starting point is 00:41:37 He screamed once, loud and raw, and I saw blood spray across the needles. I drew my pistol and fired without thinking. The first shot missed. The thing jerked its head toward me and I got a full look at it from 15 feet away. It had a human body, but wrong. Same basic shape. Wrong in every other way. Its skin looked stretched and dirty, and patches of dark hair clung to its.
Starting point is 00:42:02 shoulders and spine. The face kept confusing me, human mouth, animal teeth, eyes too deep, nose too flat. The left side of its face was streaked with old dried blood, and around its neck was something that looked like strips of hide tied together with cord. Its hand was buried in Owen's shoulder. I fired again and hit it high in the chest. It let out a sound I still hear in my sleep. A choking cry that turned into a bark halfway through. Then it sprang back. backward off Owen and hit the base of a pine, twisted, and was gone uphill between the trunks. Everything went quiet, except Owen screaming. I ran to him and rolled him over. The back of his jacket was shredded. The flesh over his shoulder blade was peeled open and blood was coming
Starting point is 00:42:49 fast. There were teeth marks in his upper arm and claw cuts across the side of his neck. One ear was split. His face was gray and he kept saying, It was on me. It was on me. It was on me. over and over. I dragged him by his jacket collar to the truck, got the door open, and shoved him inside. My hands slipped on blood so badly I could barely grip anything. I kept expecting the thing to hit me from behind, and every second felt stretched out and wrong. The keys were on the seat where Owen left them. I threw the truck into gear and started down the road with one hand on the wheel, and the other pressing a towel against Owen's shoulder. He was fading in and out, cursing, gasping, asking me if it was still behind us. I kept telling him no, even though I had no
Starting point is 00:43:36 idea. About five miles down, just where the service road crossed a cattle guard, the truck died. The engine didn't sputter. It shut off. I tried the ignition again. Nothing. I looked at the dash and saw that the battery light and oil light were on. I swore, popped the hood, and jumped out with my pistol still in my hand. One of the battery cable, had been almost completely cut through. Not chewed, cut. There were tool marks on the clamp. That was the point where the last normal explanation left.
Starting point is 00:44:08 I slammed the hood down, grabbed the toolbox from the back, and managed to cinch the cable tight enough with a wrench to get power again. My fingers were shaking so hard it took me three tries. While I worked, I kept hearing movement in the trees beyond the road. Slow steps, then nothing. Then one step again. Whatever that thing was, it had. hadn't stayed at the clearing. It had followed us. I got the truck running and drove the rest of the
Starting point is 00:44:34 way out without stopping. We made it to a highway pullout where another hunter found us and called for help. Owen spent four days in the hospital, 47 stitches in his shoulder and neck. He lost a lot of blood, but he lived. I wish that was the end. For Owen, maybe it should have been. He moved in with his sister after the attack and stopped going into the woods at all, sold his rifles, sold his rifles, sold the Tacoma, wouldn't even camp with his family in a state park. He never fully said what he thought attacked him, but he believed it was still out there, and I knew he was right because I started hearing things at night after we got home. Three days after the attack, I woke up at two in the morning because I heard tapping on my bedroom window. Three quick
Starting point is 00:45:21 taps. My wife slept through it. I sat up in bed and listened, heart pounding so hard my chest hurt. The tapping didn't come again. I made myself look out the blinds anyway. There was nothing there. The next night I heard someone whistle outside the house, the same whistle from the clearing. That was when I went looking for someone who might know more than I did. The ranger station near the forest had an older guy working the desk, a man in his 60s with deep lines around his eyes and a way of listening without interrupting. I told him the cleaned-up version first, wild animal, weird behavior, attack on my friend, mimicked sounds. He let me finish, then asked one question. Did it call your name? I felt every hair on my arms stand up. When I said yes,
Starting point is 00:46:12 he leaned back in his chair and looked past me toward the window for a second. Then he said there were stories in that part of the forest older than the roads, older than the station, older than the maps people use now. He said if something takes interest in you, fear is what keeps it coming, and distance does not always help. He asked if I had brought anything back from the camp besides the gear we recovered later. I told him no, then I remembered the key. I had shoved Owen's spare truck key in my jacket pocket after the attack and forgotten about it. It was still in the junk tray by my front door at home. The ranger nodded when I told him. Get rid of it, he said. Don't keep anything it handled if you can help it. And if it comes close again, don't let it
Starting point is 00:46:57 draw you outside. I asked him what it was. He didn't answer right away. Then he said, Some people would call it a skinwalker. I took the key that night and drove it out to a gas station trash can 20 miles from my house. On the drive back, I kept checking my rearview mirror because I felt watched the whole time. For a week, nothing happened. Then Owen called me. He was whispering. I could hear a TV on in the background, and his voice sounded thin and worn out. He said something was outside his sister's place the night before, something tall, something that moved along the back fence and scratched at the sliding glass door. He said his sister's dogs had hidden under the kitchen table and pissed on the floor. Then he told me the thing had spoken. It used my
Starting point is 00:47:43 voice, he was crying by the time he finished. That's when the fear became something else, not bravery, the kind of anger that comes when something has crossed into your home and your family, and you realize it's not going to stop on its own. My wife was seven months pregnant, Owen was falling apart. Whatever this thing was, it wasn't staying in the woods. I made a bad choice, but it worked. I went back, not alone this time. I didn't tell Owen. I told my wife I was helping my brother move a couch. I drove up before dawn with my shotgun, my pistol, two extra fuel cans, road flares, and enough food and water for a day. I also brought bolt cutters because I couldn't stop thinking about the battery cable on Owen's truck.
Starting point is 00:48:32 If something wanted to trap me again, I wanted answers, or I wanted it dead. The clearing looked different under a hard gray sky, smaller. The sliced tent was gone. So was everything we had left behind. The only sign we had ever camped there was a black circle where the fire ring sat and the deep ruts from the truck. I parked in the middle of the clearing and waited. Nothing happened for almost three hours. Then I heard a woman crying somewhere uphill.
Starting point is 00:48:59 Not loud, choked, hurt. It came from the same dense patch of timber where the key had been hung. Every part of me wanted to leave. Every sane thought I had said, get in the truck and go home. Instead, I took the shotgun and followed the sound. I found the place in a shallow cut between two ridges, hidden by brush and deadfall. There was an old line shack there, half collapsed, built from logs so weathered they had turned silver. The roof had caved in on one side.
Starting point is 00:49:29 The door hung crooked. The crying stopped the second I saw it. I moved closer. The smell hit me first. Rought, old blood, wet hide, and something sharp and came. chemical underneath it all. I edged around the side of the shack and found a pile of bones in the weeds. Deer bones. Coyote bones. Smaller ones I did not stop to study. Hanging from nails driven into the outer wall were strips of skin and old clothing. Torn flannel, a child's sneaker,
Starting point is 00:49:59 a faded orange hunting cap, and pinned to the wood by a bent railroad spike was a photograph of Owen and me from a fishing trip years earlier. I had that picture in a frame in my garage. I don't know how long I stared at it, a few seconds maybe, long enough for everything in my head to go wrong at once. Then behind me, in my wife's voice, right at my shoulder, something whispered, Matt. I spun and fired both barrels. The blast knocked chunks off the side of the shack. The thing had already moved. It hit me from the left with enough force to send me into the dirt. My shotgun went flying. I rolled just as claws raked through the back of my jacket and cut across my ribs. I felt the heat of it before I felt the pain. I got the pistol free and shoved it up
Starting point is 00:50:47 into a body that felt too thin and too strong at the same time. It slammed my wrist against a rock. The pistol went off. My ears rang. Its face dropped close to mine, and I saw the mouth open wider than it should have. The teeth were human in the front and wronged deeper back, narrow and stained and packed tight. Its breath was hot and foul. One hand clasped. One hand clasped, clamped around my throat and squeezed until my vision narrowed. I jammed my thumb into its eye. It shrieked and recoiled. I crawled backward through dirt and pine needles.
Starting point is 00:51:21 Found the road flare clipped to my belt, yanked it free, and struck it. Red light filled the space between us. The thing flinched hard. That gave me enough time to get to my feet and run for the truck. It came after me, fast enough that I could hear its hands hitting the ground between strides. I hit the driver door, dove halfway inside, and grabbed one of the fuel cans from the passenger floor. When it hit the side of the truck, the whole vehicle rocked.
Starting point is 00:51:49 The rear window cracked. I threw the fuel out through the open door, and it splashed across the hood and windshield and over the thing clinging there. It screamed and clawed at the metal. I tossed the flare. Fire spread across the truck front in one heavy burst. The thing dropped off the hood, burning, twisting in the dirt. and for a second I saw what I think was its real shape.
Starting point is 00:52:11 Not man, not animal, something starved and hateful that had been borrowing from both for a long time. I started the truck, jammed it into gear, and drove forward. I felt the tires go over it. Then I reversed and did it again. When I stopped, the fire had spread into the dry weeds around the shack. I grabbed my shotgun from the dirt, got back in the truck, and drove until I had enough distance to call emergency services from the ridge where signal returned.
Starting point is 00:52:40 The fire crew contained the blaze before it reached the larger timber. The sheriff's office took my statement. I told them I had been attacked by a person living out there and that the shack caught fire during the struggle. They searched the site. What they found never made the news. I know because one deputy, a friend of my cousins, told me off the record after a few drinks months later.
Starting point is 00:53:04 They found remains in and around that shack from more than one animal and at least one human death that was old enough to be mostly bone. They also found another body in the burn area that did not make sense to anyone who saw it. The official report listed it as a badly burned transient male, identity unknown. The deputy said the teeth were filed. The fingers were broken and reset wrong many times. Pieces of animal hide had been tied under the arms and around the waist with raw cord. There were fresh gunshot wounds in the chest. He asked me if I had known the man.
Starting point is 00:53:41 I told him no. That was the truth, at least in the way he meant it. After the fire, the tapping stopped. The whistling stopped. Owen said the thing never came back to his sister's fence. My wife never heard anything around our house again. My son was born healthy two months later. So yes, there was an ending.
Starting point is 00:54:04 As endings go, it was better. than we deserved after going back that second day. But I still don't hunt that part of Arizona, and I still lock my doors before dark even in the middle of summer. Once in a while, usually when I'm tired, I'll wake up in the middle of the night and think I heard someone just outside the bedroom window. Three quick taps. I never check right away anymore. I lie there and listen to my wife breathing, and I wait to see if my name comes next. It hasn't in a long time. But if it ever does, I won't answer. Looking for the best place to shop this Mother's Day?
Starting point is 00:54:38 Go with the brand that makes it easy to send something thoughtful to everyone on your list. 1-800flowers.com. Right now at 1-800 flowers, order one dozen roses and get another dozen free. More flowers mean more smiles, all backed by the quality, attention to detail, and trusted delivery experience
Starting point is 00:54:54 that make 1-800 flowers my top choice to send something beautiful mom will love. Make Mom's Day at 1-800flowers.com slash Spotify. That's 1-800flowers. My grandmother owned 40 acres at the end of a dead-end road in Mingo County, West Virginia. The property sat in a hollow between two ridges in the southern coal fields, about nine miles from the town of Matawan, and about a hundred years from anything that resembled the modern world. She had a house, a barn, a root cellar, a chicken coop, a garden, and a creek that ran
Starting point is 00:55:38 along the eastern property line. The house had electricity, but now. no central heat. She heated with wood and cooked on a cast iron stove that her mother had cooked on before her. Her name was Edna. Everyone called her Mama. She was 81 when this happened, and she was tougher than anyone I've ever met. She'd buried two husbands, raised four children, survived a flood that took the barn in 1977, and rebuilt it herself, and lived alone in that hollow for the last 12 years of her life without ever once suggesting she needed help. When my mother would call and ask if she wanted to move closer to family, Mama would say I'll leave when the Lord takes me and not a minute before,
Starting point is 00:56:23 and then she'd change the subject to her tomatoes. My name is Brooke. I was 23. This was the fall of 2016. I'd driven down from Morgantown, where I was finishing my last year at WVU, to spend a long weekend with Mama. I tried to visit her every couple of months. She wouldn't admit it, but she was slowing down. Her knees were bad. Her eyesight was going.
Starting point is 00:56:48 She still kept the chickens in the garden, but she'd stopped splitting her own wood, which was the first concession to age I'd ever seen her make. A neighbor named Delbert brought her split oak and hickory once a month and stacked it on the porch. She paid him in canned beans and pickled ramps. I arrived on a Thursday afternoon, in late October. The drive from Morgantown was about four hours, the last 45 minutes on roads
Starting point is 00:57:12 that got progressively narrower and rougher until the pavement ended entirely, and you were on gravel winding through hollows so deep the sun only hit the bottom for a few hours a day. The trees were at peak color, red and orange and yellow, so vivid it looked artificial, the way fall in West Virginia always does. Mama was on the porch when I pulled in. She had a blanket over her knees and a mug of coffee in her hand, and Captain, her old Beagle, asleep at her feet. She waved like she'd been expecting me at that exact minute, which she probably had. Mama had a sense for arrivals. She said she could feel the road change when someone was on it. We hugged. She held on longer than usual. She was thinner than the last time I'd seen her, which worried me, but her grip was
Starting point is 00:58:00 still strong and her eyes were still sharp behind her glasses. We had dinner, Pinto Beans. We had dinner. Pinto cornbread, fried potatoes, and green tomato relish she'd put up in August. We ate at the kitchen table while Captain lay under my chair hoping for scraps. Mama talked about the garden, about Delbert's wife having a baby, about the church getting a new roof, normal things, comfortable things. After dinner, while I was washing dishes, she said something that didn't fit the rest of the conversation. She said something had been coming around at night. I turned off the water. and looked at her. She was sitting at the table with her hands folded, looking at me over the top of her glasses. I asked what she meant. She said for the past two weeks, something had been coming up
Starting point is 00:58:47 from the creek bottom after dark and walking around the property. She said Captain wouldn't go outside after sundown anymore. She said the chickens had stopped laying. I asked if it was a bear or a coyote. She shook her head. She said it wasn't an animal. She said she'd seen it twice from the kitchen window, and both times it was walking on two legs. I asked if she'd called anyone, the sheriff, a neighbor, anyone. She said no. She said what would she tell them? She said they'd think she was losing her mind, and they'd use it as an excuse to move her out of the hollow. I asked her what she thought it was. She took off her glasses and cleaned them on her sleeve, which was something she did when she was deciding how much to say. Then she put them back on and looked at me, and said she
Starting point is 00:59:36 thought it was the same thing her mother had seen in 1943. Mama's mother, my great-grandmother, was a woman named Pearl. I'd never met her. She died in 1970, eight years before I was born, but I knew her from Mama's stories, which were plentiful and detailed and always told with a precision that suggested they'd been rehearsed and preserved like the relish in the pantry. Pearl had lived in the same hollow, in the same house. The house I was sitting, in. In 1943, her husband, my great-grandfather, was overseas. Pearl was alone with three children under the age of 10, running the property by herself. One night in November, she heard something on the porch. She went to the door with a shotgun, expecting a person, and saw something standing at the edge of the
Starting point is 01:00:27 yard where the grass met the tree line. She told Mama the story once, when Mama was 16. She described it as tall and thin, standing on two legs, but shaped wrong. She said the arms were too long and hung at an angle that made her think the shoulders were dislocated or built differently. She said the face was pale and flat and the eyes caught the light from the kerosene lamp in the window. She said it watched her for about 30 seconds, and then it walked backward into the trees without turning around. Pearl said she went inside and didn't sleep for three nights. She said the thing came back every night for a week, standing at the edge of the yard, watching the house. She said on the sixth night she took the shotgun out to the porch and fired both barrels into the air.
Starting point is 01:01:15 The thing didn't flinch. It stood there through the blast and the echo and the silence afterward. And then it turned and walked into the creek bottom, and she never saw it again. She told Mama this story exactly once and then told her never to repeat it. Mama had repeated it to me when I was 12 on the condition that I not tell my mother, who didn't believe in things like that, and would have been annoyed. I'd always thought it was just a story, a family tale from a scared woman alone during wartime, seeing shapes in the dark and building a narrative around them. I didn't think that anymore, sitting in the kitchen watching Mama clean her glasses, and tell me that the same thing her mother had faced was back. That night I slept in the small bedroom at the back of the house, the room that had been my
Starting point is 01:02:03 mother's as a child. The bed was a full size with a metal frame and a quilt Mama had made from feed sacks and old shirts. The room had one window that faced east toward the creek. I lay in bed and listened. The hollow at night was not quiet. The creek made a constant murmur. Owls called from the ridge. Things moved in the leaf litter outside, mice and possums and whatever else lived in the brush. Captain snored in the hall outside Mama's bedroom door. I heard these sounds and I cataloged them, and I told myself there was nothing to worry about. I was in a house I'd visited dozens of times, in a hollow I knew, and my grandmother was an 81-year-old woman with bad knees and fading eyesight, who might be seeing things she wasn't
Starting point is 01:02:50 actually seeing. I fell asleep around 11. I woke up because Captain was barking. Not the way he barked at squirrels, which was lazy and half-hearted and mostly for show. This was the bark a beagle makes when it's cornered something dangerous, rapid, high-pitched, hysterical, and it was coming from right outside my bedroom door. I sat up. The room was dark. The window was a faint gray rectangle. I could hear Captain in the hall barking at the back door of the house, which was about
Starting point is 01:03:21 six feet from my bedroom. Then Captain stopped barking and started whining. same high, thin wine I've heard described in other accounts. A dog that's gone past aggression and interfere. Then Captain went silent. I got out of bed. I opened my bedroom door. The hall was dark.
Starting point is 01:03:39 I could see Captain at the end of the hall, pressed against the wall, trembling, staring at the back door. The back door had a window in it. A small square of glass, about 12 inches by 12 inches, set in the upper half of the door. Through that window, I could see the yard. The security light on the barn was on, casting a yellowish cone of light across the gravel between the house and the barn. Beyond the light, the tree line was a wall of black. Something was standing in the yard.
Starting point is 01:04:08 It was at the edge of the security light's reach, where the yellow faded into dark. It was facing the house, facing the door, facing me. I could see it clearly enough to know it wasn't a person, and I could see it poorly enough that my brain kept trying to make it into one. It was tall. The height was the first wrong thing. It was well over six feet, probably closer to seven, and the proportions confirmed that this wasn't a matter of a tall person standing in my grandmother's yard. The torso was too long. The arms hung to mid-thigh. The legs were oddly angled at the knee, bent slightly forward in a way that made the whole body look like it was about to pitch onto its face.
Starting point is 01:04:50 The second wrong thing was the stillness. Not the kind of stillness a person achieved. by standing still. The kind of stillness an object has. Zero movement. No breathing. No shifting weight. No micro adjustments. It stood the way a fence post stands, fixed. The third wrong thing was that it was wearing something. I couldn't tell what. The shape of the body was obscured from the shoulders down by something draped over it, something dark and irregular in outline. It could have been clothing. It could have been a hide. It could have been its own skin hanging loose and full. I couldn't tell, and I didn't want to look long enough to figure it out. I stood in the hall and stared at it through the window and it stared back.
Starting point is 01:05:35 Then Mama was beside me. I hadn't heard her come out of her room, but she was there, in her nightgown and her slippers, standing at my shoulder. She looked through the window at the shape in the yard. She said there it is. She said it the way you'd say there's the mail truck, flat, resigned, the voice of someone who'd been dealing with this for two weeks and had moved past fear into exhaustion. I asked her what we should do. She said nothing.
Starting point is 01:06:01 She said don't open the door. Don't talk to it. Don't look at it too long. She said Pearl's rule was never to look at it for more than a count of ten, because looking at it was what it wanted. She said looking at it fed it something. I looked away. I looked at the floor, at Captain, at Mama's slippers, anywhere but the window.
Starting point is 01:06:21 Mama went to the kitchen. I heard her open a cabinet. She came back with a Bible in a box of table salt. She poured salt across the threshold of the back door, then across the threshold of the front door. She set the Bible on the kitchen table, open, face down. Then she went back to bed. She did all of this without urgency, like a routine.
Starting point is 01:06:44 I stood in the hall for another ten minutes. I didn't look out the window. I heard nothing from the yard. no footsteps, no sounds, no voice. When I finally looked, the yard was empty. The security light illuminated bare gravel in the side of the barn and the first row of trees at the creek. Nothing there. I went back to bed.
Starting point is 01:07:06 Captain followed me into the room and got under the bed and stayed there until morning. Friday. I got up at dawn. Mama was already in the kitchen, coffee made, biscuits in the oven. She acted as if nothing had happened. I sat down at the table and she set a plate in front of me and poured my coffee and asked if I wanted honey or jam. I asked her about the salt. She said her mother and her grandmother and her grandmother's mother had all used salt. She said it was an old practice from the mountains, older than the churches, older than the English-speaking people who settled these hollows.
Starting point is 01:07:40 She said she didn't know why it worked, or if it worked, or what the mechanism was. She said she did it because Pearl did it, and because doing something was better than doing nothing. I asked her about the Bible. She said that was for her, not for the thing outside. She said the Bible didn't have power over it, but it had power over her fear, and fear was the thing that would get her hurt. I asked her how she knew fear was dangerous. She said because Pearl had told her that the thing reacted to fear. Pearl said the night she went to the door angry, with the shotgun, were the nights it stayed at the tree line. The nights she went to the door afraid were the nights it came closer. It could tell. It could feel what you were feeling, and it moved toward fear the way a
Starting point is 01:08:25 dog moves toward food. I spent Friday doing chores. I split wood because there wasn't enough on the porch for the coming week. I fixed a hinge on the chicken coop door. I cleared leaves from the gutters, physical work to keep my mind in my body and out of the dark space it wanted to go. In the afternoon while Mama napped I walked down to the creek. I told myself I was checking the water level, but I was really looking for tracks. The creek was about 40 feet wide, shallow, running over a bed of smooth river rock. The banks on both sides were soft mud and sand. I walked along the near bank, looking down. I found tracks about 200 yards upstream from the house, where a game trail came down from the ridge and crossed the creek at a shallow riffle. The tracks were on the far bank, in a patch of
Starting point is 01:09:15 gray mud between two sycamore roots. They were footshed. shaped, roughly human in outline but elongated, with toes that were too long and too widely spaced. The print was deeper at the ball, and the toes than at the heel, as if whatever made it carried most of its weight forward. There were claw marks ahead of the toes, four short gouges in the mud where something sharp had dug in with each step. The tracks led from the creek up the game trail and into the trees. I followed them for about 50 yards. Then I stopped. The smell was there. I hadn't expected it because I'd never smelled it before, but I recognized it instantly from descriptions I'd read. Wet decay and something chemical and bitter. It was coming
Starting point is 01:10:00 from uphill, from deeper in the trees, from whatever direction the tracks were leading. I turned around and went back to the house. Friday night. I didn't want to be in the back bedroom. I moved my things to the living room and set up on the couch, which put me closer to Mama's room and further from the back door. Mama assaulted the thresholds again. She opened the Bible on the table. We sat in the living room together. She knitted. I pretended to read. Captain lay on the rug between us, awake, ears up, eyes on the front door. At 9.30, Mama said she was going to bed. She put her knitting in the basket, touched my head as she passed the couch, and went to her room. I heard her close the door.
Starting point is 01:10:46 I heard the bed creak as she got in. I turned off the lamp and lay on the couch in the dark. The only light was the faint yellow glow from the barn security light coming through the front window curtains. I waited. It came at 11. I heard it before I saw it. Footsteps in the gravel between the barn and the house. Not from the creek this time.
Starting point is 01:11:07 From the barn. From the direction of the chicken coop. The chickens erupted. All of them had won. once, that frantic squawking that chickens make when a predator enters the coop. It lasted about five seconds. Then it stopped, not faded, stopped, all at once. Every bird going silent at the same instant. The footsteps continued, across the gravel, toward the house, toward the front porch. I sat up on the couch. Captain was under the coffee table, pressed flat against the floor,
Starting point is 01:11:41 silent. The footsteps came up the porch steps. One, two, three. Three wooden steps, each one creaking under weight. Then nothing. It was standing on the porch, on the other side of the front door, and it was quiet, no breathing, no rustling, no movement, just presence. I could feel it the way you feel someone standing behind you in a line, the awareness of mass and intention occupying a space very close to your own. Then it spoke. Brooke My name In Mama's voice
Starting point is 01:12:14 Perfect Every detail right The Appalachian vowels The softness The slight waver that age had put into her speech It was Mama's voice Coming from the front porch
Starting point is 01:12:26 And Mama was in her bedroom 20 feet behind me Brooke honey Come out here and help me I fell on the steps I pressed my hand over my mouth I was shaking My whole body was vibrating
Starting point is 01:12:38 The way captains had been vibrating the night before. The fear was enormous, physical, a weight on my chest that made it hard to breathe. Then I remembered what Mama had said about fear, that it moved toward fear. That fear was food. I took my hand off my mouth. I took a breath. I forced my hands flat on my knees. I pressed them down hard until the shaking was in my arms instead of my hands, and I got angry. I got angry because this thing was tormenting an 81-year-old woman who'd never done anything to anyone. It was standing on her porch using her voice. It was killing her chickens.
Starting point is 01:13:18 It was taking the one place in the world where she felt safe and making it unsafe. And it had been doing it for two weeks. I stood up. I walked to the front door. I put my face close to the door, close to the wood, close enough that if whatever was on the other side could hear breathing, it would hear mine. I said, get off this porch. I didn't yell.
Starting point is 01:13:40 I didn't whisper. I said it at normal volume, steady, flat. The way Mama delivered statements she expected to be obeyed. Silence. I said it again. I said, you're not welcome here. Get off this porch and don't come back. I heard the porchboards creak.
Starting point is 01:13:56 One small shift of weight. Then another. Then I heard something that made every hair on my body stand up. A sound from the other side of the door. from very close, from a height that was level with my face, or just above it. A low, rumbling vibration that wasn't a growl and wasn't a voice and wasn't mechanical. It was organic and deep, and it resonated in my sternum, like standing next to a cello being played at the lowest possible register,
Starting point is 01:14:24 a sound that went through the door and threw my chest and into the bones behind my ribs. It lasted about three seconds. Then the porch steps creaked, one. Two, three, going down, then gravel, then nothing. I stood at the door until my legs gave out and I sat on the floor with my back against it. Captain crawled out from under the coffee table and put his head on my thigh, and I put my hand on his back and we sat there until dawn. Saturday morning I went to the chicken coop.
Starting point is 01:14:54 Three of Mama's eight hens were dead. They were piled in the corner of the coop, stacked on top of each other in a way that chickens don't pile. They hadn't been eaten. They hadn't been visibly injured. There was no blood, no feathers scattered, no sign of a struggle. They were just dead, arranged in a neat stack in the corner, like someone had killed them and taken the time to organize the bodies. The remaining five hens were huddled on the far side of the coop, alive, but silent.
Starting point is 01:15:23 None of them were on the roost. None of them moved when I opened the coop door. They just sat there, pressed together, staring at nothing. I cleaned out the dead birds. I buried them behind the garden. I didn't tell Mama about the stacking. I told her a predator had gotten into the coop and killed three hens. She nodded.
Starting point is 01:15:45 She didn't ask questions. I think she already knew. That afternoon I drove to Matawan. I went to the hardware store and bought a motion-activated floodlight, a new deadbolt for the back door, and a box of 12-gauge shells. Mama had a shotgun in the closet, a single-shot break action that had been pearls. I'd never fired it, but I'd grown up around guns, and I knew how it worked.
Starting point is 01:16:10 I installed the floodlight on the front of the house, aimed at the yard. I installed the deadbolt. I loaded the shotgun and leaned it against the wall by the front door. Mama watched me do all of this without comment. When I was done, she said you're your great-grandmother's child. I didn't know if that was a compliment or a warning, maybe both. Saturday night, I salted the thresholds. Mama opened the Bible.
Starting point is 01:16:37 We sat together in the living room until 9.30, and then she went to bed, and I lay on the couch in the dark with the shotgun on the floor beside me. I want to say that I was brave. I want to say that the anger from the night before was still burning and I was ready. But the truth is, I was terrified. The anger had been real, but it had been adrenaline, and adrenaline fades.
Starting point is 01:17:01 What was left was a 23-year-old woman lying on a couch and on a couch in a hollow in West Virginia with a shotgun she'd never fired, waiting for something she couldn't explain to come back to a house. She couldn't leave because her grandmother was asleep in the next room. It came at 1045, earlier than the previous nights. The floodlight tripped first. The yard went from dark to bright white in an instant. I sat up and looked through the window. It was in the yard, standing in the center of the gravel turnaround between the house and the barn, fully lit by the floodlight, making no attempt to hide or retreat. I saw it clearly for the first time. It was tall. Seven feet or close to it. The body was humanoid, but emaciated to a degree that shouldn't
Starting point is 01:17:48 have been compatible with standing upright. I could see ribs. I could see the shape of the pelvis through the skin. The skin itself was grayish brown, modeled, not uniform in color. It caught the floodlight in a way that looked wet, as if it was coated in something, though I was I couldn't tell if that was moisture or the texture of the skin itself. The arms hung well past the waist. The hands were large, the fingers long and slightly curled. The legs were bent at the knees, not dramatically, but enough that the posture looked like a permanent crouch, as if the thing was always a fraction of a second from dropping to all
Starting point is 01:18:26 fours. The head was wrong in a way I'm going to struggle to articulate. It was the right size for the body, roughly, but the shape was off. The skull was elongated toward the back, sloping away from the face in a way that human skulls don't. The face itself was narrow, the features compressed into the lower half, with a wide, flat forehead above, and a jaw that jutted forward slightly. The mouth was a thin, dark line. The nose was minimal, two slits. The eyes were large and reflective, picking up the floodlight and throwing it back as a flat, pale shine. It was looking at the house, At the window, at me.
Starting point is 01:19:07 I stood up, I picked up the shotgun, I went to the front door and I opened it. I don't know why I did this. Every rational part of me was screaming to stay inside, to lock the door, to hide. But something else was driving me, something that came from Mama and from Pearl and from the women before them
Starting point is 01:19:26 who'd lived in this hollow and faced whatever lived in these ridges. Something that said, This is our home, and you are not going to take it from us. I stepped onto the porch. I raised the shotgun. I aimed it at the thing in the yard.
Starting point is 01:19:41 It didn't move. It stood in the floodlight and looked at me, and its mouth opened slightly. Just enough that I could see teeth. They were small and densely packed, and there were too many of them, filling a mouth that seemed wider on the inside than it was on the outside. I said what I'd said the night before. I said, get off this property. I said, you're not welcome here.
Starting point is 01:20:03 It tilted its head. The way a dog tilts its head when it hears a sound it doesn't understand, slow, precise, mechanical. Then it took a step toward me. I fired. The shotgun kicked hard. The blast was enormous in the hollow, echoing off both ridges. I didn't aim for the thing's body. I aimed for the ground in front of it, about five feet ahead of where it was standing. The gravel erupted in a spray of rock and dust. The thing flinched. It pulled back, not dramatically, just a small contraction, the way you'd pull your hand back from a hot surface. Then it straightened up and looked at me again, and it smiled. I've read other accounts where people describe this, and I know how it sounds. Things don't smile, animals don't smile. Whatever this was,
Starting point is 01:20:56 it wasn't human, and it shouldn't have been capable of a human facial expression. But the mouth widened and the lips pulled back and those packed rows of teeth were fully exposed and it was grinning at me with an expression that communicated something very specific. Amusement. It was amused. I broke the shotgun open and reloaded. My hands were steady, which surprised me. The adrenaline had taken over completely and my body was running on autopilot. I raised the gun again.
Starting point is 01:21:26 This time I aimed at its chest. It watched me aim. The smile faded. like it was scared, like it was done being entertained. It turned, not quickly, slowly. It turned its back to me, and it walked toward the tree line at the edge of the yard. Its gate was wrong, too smooth, too fluid, each step covering too much ground for the apparent effort. It reached the trees and it kept walking. Into the dark, into the creek bottom, gone. I stood on the porch for a long time. The floodlight timed out and the yard went dark and I stood there listening to the
Starting point is 01:22:01 creek and the echo of the gunshot fading in my ears. Mama appeared in the doorway behind me. She had her robe on. She looked at the shotgun in my hands. She said, did you hit it? I said no. I said I aimed at the ground. She nodded. She said Pearl aimed at the air. She said we don't try to hurt it. We just let it know we're not afraid. She went back inside. I stayed through Sunday. Nothing came Saturday night or Sunday night. I left Monday morning. Mama stood on the porch and waved until I couldn't see her in the rearview mirror. I called her every day for the next month. Every time I asked if it had come back.
Starting point is 01:22:40 Every time she said no. By mid-November she said the chickens were laying again, and Captain was going outside at night. Whatever it was, it had stopped. I want to say it stayed stopped. I want to say that the shotgun blast and the salt and the anger and three generations of women refusing to be afraid were enough. Mama died in the spring of 2019, heart failure, in her sleep, in her bed.
Starting point is 01:23:06 She was 84. Delbert found her when he came with the firewood and she didn't come to the porch. Captain was lying on the bed next to her. He wouldn't leave the body until my mother arrived. We buried her in the cemetery at the church in the hollow, next to Pearl, next to her first husband, next to generations of people who'd lived and died on that land. The service was small. The preacher read from Psalms. My mother cried, I didn't. I stood at the grave and looked at the ridges above the hollow,
Starting point is 01:23:37 and I thought about what lived up there, and I wondered if it was watching. The property went to my mother, who sold it within the year. She didn't want it, and I couldn't afford it. A couple from Virginia bought it as a vacation property. They've been there twice that I know of. I drove past it once, last fall, on my way to visit a friend in Pikeville. The house looked the same. The barn looked the same. The chicken coop was empty. The security light I'd installed was still mounted on the front of the house, but the bulb was burned out. I didn't stop. I slowed down and looked and kept driving. As I passed the end of the road, I glanced in the rearview mirror. The hollow was framed in the mirror like a photograph.
Starting point is 01:24:20 The road and the trees and the ridges converging to a point behind me. Something was standing at the tree line by the creek, tall and thin and still. I didn't stop, I didn't go back, I didn't look again, but I know what I saw, and I know it's still there. It was there before Pearl, it was there before the house, it was there before the road, and the church, and the cemetery, and the name on the map. It'll be there after all of those things are gone. The only question is whether the people from Virginia know to salt the thresholds. I'm guessing they don't.
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