Just Creepy: Scary Stories - 5 REAL Skinwalker Stories That’ll Keep You Out of the Woods

Episode Date: August 25, 2025

These are 5 REAL Skinwalker Stories That’ll Keep You Out of the WoodsLinktree: https://linktr.ee/its_just_creepyStory Credits:►Sent in to https://www.justcreepy.net/Timestamps:00:00 Intro00:00:18 ...Story 100:14:41 Story 200:26:22 Story 300:39:44 Story 400:53:06 Story 5Music by:►'Decoherence' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.au https://www.youtube.com/watch?v=wM_AjpJL5I4&t=0s► Myuu's channel http://bit.ly/1k1g4ey ►CO.AG Music http://bit.ly/2f9WQpeBusiness inquiries: ►creepydc13@gmail.com#scarystories #horrorstories #skinwalker 💀As always, thanks for watching! 💀

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Starting point is 00:00:15 Yamava Resort and Casino at San Manuel is California's number one entertainment destination for today's superstars. Catch the Jonas Brothers return to the Yamava Theater stage on April 30th, the powerful vocals of Demi Lovato on May 17th, and the signature Southern Country Rock of Eric Church on July 19th. Tickets on sale now at Yamavat Theater.com, only at Yamava Resort and Casino, celebrating its 40th anniversary. You in? Must be 21 to enter. You said this place was steps from the water.
Starting point is 00:00:48 We just haven't found the steps yet. How much did we save? Enough. Enough to get lost. Or you could book a stay with Hilton. Welcome to your oceanfront room. Just steps from the water. The Hilton sale is on now.
Starting point is 00:01:04 Book on Hilton.com or the Hilton app and save up to 20% to get the stay you expected. When you want savings, not surprises. It matters where you stay. Hilton, for the stay. I grew up hiking the Smokies with my older brother. not experts, but not clueless. We both know how fast light drops under a hardwood canopy in late October, and how sound carries along water. We've done Cades Cove enough times to predict
Starting point is 00:01:36 where traffic bunches and where the deer cross. We were staying outside Townsend for a long weekend, trying to unplug after a rough year, and we decided to do Abrams Falls because it felt familiar and safe. Safe is a tricky word. We left our phones back. We left our phones back. behind, mine on the nightstand at the cabin, his in the glove box, because we wanted to stop checking messages every five minutes. We had two headlamps, a small first aid kit, water, and one can of bear spray clipped to my belt. It was late afternoon when we pulled into the parking area off Cades Cove Loop Road. A volunteer at the signboard smiled like she'd said this a hundred times and told us bears had been active near the creek and that we should turn around
Starting point is 00:02:22 if we were still on the trail at dusk. She tapped the drowning hazard sign with the tip of her pen, told us the rocks by the falls get slick, and then asked us to sign in. We did. She asked us to sign back out. We said we would. The trail in was the smokies, I know,
Starting point is 00:02:40 packed leaves over hard dirt, roots like ribs underfoot, hemlock and laurel crowding the blind corners, Abrams Creek to our right sounding bigger than it looks. The air had that cool sweetness you only get when the maples explode into red, and the oaks are still holding on to the last of the orange. We passed the usual little foot logs over side streams, stepped around a few muddy spots, and fell into that autopilot pace brothers get after years of moving in sink. We didn't stop much.
Starting point is 00:03:09 We reached the falls in a little under an hour, and they were moving strong. Spray hung over the pool. We ate a bar each and drank some water. There was a sour smell downstream, not rot exactly, more like fish left in the sun for a couple hours. I walked 30 feet and found the source. A trout, split clean on one side and untouched on the other, set on a flat rock like someone had arranged it the way you'd lay out a tool before you use it. I said it was probably a bear. My brother said the same. We didn't talk about how the rock was dry except for the little damp circle around the fish. We didn't take pictures. We didn't have phones. We packed our rappers and started back. Light goes from gold to gray to gone fast there. On the way out, the creek is on
Starting point is 00:03:58 your left and the grade feels a touch more uphill than you remember coming in. The air cooled enough that I zipped my shell. Somewhere above the switchbacks, I noticed the leaves had stopped crunching as much under our boots. The ground was only damp in spots on the way in, but now it felt like everything had picked up a film. We were still making decent time when the smell came back, sour and animal. I was about to say something when a uniform stepped out from the rhododendron just ahead. He looked like a ranger at first glance. Jacket, brimmed hat, duty belt with a radio, the whole thing. He had the kind of face you don't register, neither friendly nor unfriendly, just neutral. He said the loop road would be closing soon and the gate crew didn't like it when cars sat after dark.
Starting point is 00:04:45 He offered us a shortcut, he said, paralleled the creek and shaved 20 minutes. He pointed to a faint path angling off from the main track. His badge was caked in dried mud. His boots were bone dry. The trail under our feet wasn't. I wanted to ask a few questions, like where the shortcut rejoined, but he was already stepping onto it and saying we should walk single file for safety. That sounded routine enough that my brain let it happen.
Starting point is 00:05:12 My brother glanced at me and shrugged the way he does when he's pretending this is still our decision. We fell in behind him. The narrow path kept the creek's sound to our left at first, and I tried to convince myself the damp boots thing was nothing. The man walked with his hands close to his sides. He didn't swing his arms much. He moved quiet for his size, and I don't mean stealthy, I mean light, like he didn't weigh what he should have.
Starting point is 00:05:40 Branches that scraped my jacket sleeve didn't seem to touch his. When my brother made a joke about getting a ticket for hiking after dark, the guy repeated the punchline in the same tone a second later, like he was practicing it. I have seen enough uniforms to pick up on little tells. He never asked where we were parked, never checked our names against the sheet, never reminded us of any of the specific safety rules I've heard a dozen times. The radio on his belt never made a sound, not even static. He called the volunteer the woman at the board, like he'd seen her without knowing her.
Starting point is 00:06:14 And the biggest thing, he kept getting ahead of us without passing. We'd round a bend and he'd be ten yards farther than he should have been, like the trail stretched between us without warning. I told myself it was darker than I realized. I told myself I was tired. The shortcut started to pull away from the sound of the creek. If you know that trail, you know the water is your best landmark. Lose that, and you're moving blind through knots of laurel and deadfall that all look the same.
Starting point is 00:06:46 I mentioned it casual. and he said the path would cut back. Same deadpan delivery as before. He didn't turn his head much when he talked. His lower body did more of the steering than his shoulders. His hips twisted a little too far, his knees bent a little too much. At a spot where the path split into two thin ruts and rejoined 20 feet ahead, I saw something I still don't like writing down.
Starting point is 00:07:13 As he stepped into the split, his outline seemed to widen, then double for half a breath, like two bodies overlapped and then sealed back into one. You can explain a lot in low light. Your eyes hunt for contrast and invent edges. I didn't say anything. Then my brother swore under his breath and squeezed my arm from behind. He had seen it too. We didn't have a plan.
Starting point is 00:07:37 We didn't need one spelled out. We fell into the kind of agreement brothers can do without words. First familiar landmark, first point we can. can aim for with the senses. We break off and run. I unhook the bear spray and slid the safety cap off with my thumb. I watched for any opening back toward the creek. The smell was strong again, not garbage, not rot. A wet animal smell you get in fish camps when somebody cleans a catch and leaves the pile under a board. The path narrowed so much, we had to turn sideways. He halted and pointed through a black gap between two hemlocks, said that cut.
Starting point is 00:08:16 went straight up to the loop road shoulder. From where he pointed, I heard water off to the left, not ahead. It didn't line up. My brother must have heard it too because he moved at the same time I did. We didn't announce anything. We just went, hard left toward the sound of the creek. Brush clawed at our pants. The ground tipped down fast. It wasn't graceful. We slid, corrected, slid again, and burst into a little open bench above the bank. I could hear him moving behind us, not a full sprint, more like steady fast steps with branches parting. He didn't shout for us to stop. He didn't say anything. We hit the water without counting to three, because if you give yourself time, you'll delay. It took my breath right away. Cold climbed from
Starting point is 00:09:05 ankles to shins to knees. The rocks shifted under the leaf slime. I put one hand on my brother's pack to keep us tied together. Something stayed on our side of the bank, pacing us. Pacing us. step for step. I know what an animal sounds like in brush. Either it crashes because it's heavy, or it stops when you face it, or it bolts if it's not a predator. This sound matched our rhythm. When we slipped, it paused. When we stepped, it stepped. The water pressed at my knees hard enough that my calves shook. Halfway across my brother stumbled and went down on one knee. As I yanked him up, a hand touched his shoulder from behind, skin that felt like riverstone in shade, fingers too long, cold enough to burn. He jerked forward and we both scrambled the last few steps until the gravel
Starting point is 00:09:55 shelf rose under our boots and we were on the far side. I turned because I couldn't stop myself. The figure crouched on the bank we'd just left, not pretending to be a ranger anymore. The hat was gone, or maybe it had never been real. And the jacket hung wrong. like it was a size off in three directions. It leaned forward too far, past the point most people could hold without compensating. It didn't step into the water. It tilted its head as if measuring distance,
Starting point is 00:10:26 and then lowered itself back into a squat. A beam of light cut through the trees at our backs and found our faces. Hey, a woman's voice said. Not a whisper, not a stage call, just a clear voice with the edge people get when they're worried. It was the volunteer from the signboard. She was breathing hard and holding a flashlight in a way that said she'd been walking for a while, not jogging. She asked if we were the two brothers from the Abrams sign-in.
Starting point is 00:10:54 We said yes. She asked where we came from because the main trail was 20 yards to our right, not where we'd just busted out. I said we'd followed a ranger on a shortcut. She didn't look toward the other bank. She kept the light on us and told us to move toward her path. She didn't turn her back on the creek until we were on the trail. We walked out together with the beam staying low and steady, lighting roots and rocks. She didn't ask a lot of questions on the move, just kept our pace brisk and checked our footing at the foot logs.
Starting point is 00:11:27 At the lot, a real ranger was waiting by his truck. He had a reflective vest and an actual radio that chirped with a live channel. He took one look at us and said we could sit on the bumper. He got our names and asked us to run through everything once. We told him about the volunteer at the start, the fish on the rock, the muddy badge, the dry boots, the single-file instruction, the path that pulled away from the creek, the moment when the shape doubled, the crossing, and the hand. I expected a raised eyebrow or a smile meant to calm.
Starting point is 00:12:01 He didn't do anything like that. He just nodded, wrote, and then looked at the volunteer and thanked her for coming to come. up the trail when we didn't sign out. He said no one on duty matched the description we gave. He said there had been odd reports over the years around that stretch, mostly chalked up to folks getting turned around at dusk. He didn't feed us a story. He didn't try to fill the silence. He asked us to come back at nine the next morning so he could show us something. We checked the sheet and saw our name still underlined in the in column. I signed us out with a shaky hand. We slept badly at the cabin.
Starting point is 00:12:37 Every sound outside read like movement in the leaves. That self-inflicted fear. I'm not proud of it, but it's the truth. We went back to the trailhead as asked. The ranger met us by the lot and walked us a short way down to a muddy stretch where the main trail narrows and a seep crosses it. He crouched and pointed at a set of prints. The first few looked like boot soles, but you could see where the tread lacked detail, as if someone had pressed a smooth template into the mud.
Starting point is 00:13:07 Then the shapes widened and lost the heel to toe profile. A dozen steps later the impressions were bare, long, no arch, toes that didn't look right. They trailed toward the creek and stopped at the water line. He didn't say much about it. He didn't have to. We filed the incident report inside the truck and thanked both of them. The volunteer told us she went out because she got an off feeling when she tallied the sheet after dusk. She said people forget to sign out all the truck.
Starting point is 00:13:37 the time and it's usually nothing, but our car was still there, and she knew the light drops fast in that hollow. We asked about the gates. She said the gate guard had radioed around midnight that something walked the road shoulder on and off for hours, never stepping into the open meadows, just keeping to the edge. The guard couldn't get a plate or a figure, just movement. They chalked it up to a stray black bear or a person without sense. We cut the trip for short by a day and drove home quiet. On the way out of Townsend, my brother said the word first, Skinwalker. He said it like a test to see if I'd argue. I didn't. I know that word means a lot of different things depending on who you ask and where you heard it. I only know what we saw and what we
Starting point is 00:14:25 felt, a uniform that was a costume, footwork that didn't match bone and tendon, a voice that ran a half second behind. Dry boots on a damp trail. A hand that didn't feel human. Tracks that started like boots and ended as something bare before vanishing at water. I don't care if this reads like superstition to you. It's not a campfire bit. I'm writing it down because I need it out of my head in the exact order it happened, and because someone else will start that hike late in October and tell themselves they can beat the dark. We don't hike after three in the smoking. We don't hike after three in the smokies now. We both carry headlamps with fresh batteries in our own can of spray. We sign in and out like it matters, because it does. When people ask what happened, we say we had a scare
Starting point is 00:15:14 and leave it at that unless they press. If they press, I tell them a man who wasn't a ranger tried to walk us off the trail. If they still push for a name, I say the word we both agreed on in the car and watch their face. Most people laugh or change the subject. That's fine with me. We're home. We're alive. The rest can stay where it belongs. On the far bank, crouched at the line where the water starts. Not loving your AT&T or T Mobile Bill? Yeah, we've been hearing that a lot.
Starting point is 00:15:43 Good news. Bring your AT&T or T Mobile Bill to Verizon and we'll give you a better deal. So get away from that unfortunate phone bill and get to Verizon. Run, ride, canoe. Whatever it takes, we'll be here. Bring your AT&T or T Mobile Bill to a Verizon store today and we'll give you a better deal on the best network. A better deal.
Starting point is 00:16:00 No surprises. That's Verizon. Best Network based on Route Metrics, best overall mobile network performance U.S. second half 2025, all rights reserved. It must provide a recent consumer mobile bill in the name of the person who gave me the deal. Additional terms, conditions, and restrictions apply. I'm not a first-time hiker, and I don't scare easily. I'm careful. I bring a paper map, headlamp, and a real first aid kit.
Starting point is 00:16:27 I know how fast I move over Rock. That morning, we picked old rag in Shenandoah because the Ridgeviews are famous, and if you start at sunrise, you can beat the crowd and still get home before dark. early November leaves mostly down, forecast said sunny but cold. It felt simple. There were four of us, me, my friend Jared, who always carries the kit, his girlfriend Tessa, who sets a steady pace, and our buddy Luke who's had a bad ankle since a soccer injury. The plan was the usual loop, ridge trail up the rock scramble, tag the summit, come down saddle trail, and out weekly hollow fire road to the lot on Nether's Road.
Starting point is 00:17:07 Nine or ten miles. We strapped microspikes to our packs just in case the shaded slabs had ice. Jared had a can of bear spray. We told ourselves it was overkill. We hit the trail at first light. Blue blazes on gray stone, a thin frost on leaves, our breath drifting when we stopped talking. We were moving well when I noticed a guy ahead of us, a gray hoodie under a brimmed hat. He never looked back. He climbed with his hands in his front pocket like he didn't need them for breakfast. balance. We made the usual friendly call about slick rock, just a heads up. He didn't acknowledge it. We shrugged. Some people want quiet. Here's the first thing that didn't make sense. We stopped for a minute at a viewpoint, let two college kids pass, and fell back in. No one came up behind us.
Starting point is 00:17:58 Then we rounded a switchback, and the gray hoodie was ahead again. Same distance. I scanned the slope. No spur, no shortcut. After leaf drop, you can see a long way through the trees. If he'd passed, we would have seen him. We kept finding him like that. Always ahead. Never passing. We'd call out when we hit a slick patch, just being decent.
Starting point is 00:18:21 He didn't turn his head. The hood sat too high on his neck, like the fabric couldn't lie flat. I told myself it was a bulky hat under there, or a weird haircut. We kept moving. On the upper scramble I heard. Luke suck in a breath. He'd planted on a damp shelf and rolled his ankle. No pop, no collapse, just pain. We got him seated and wrapped it with an elastic bandage. He stood, tested it, and said he could go on if we dialed our pace. We switched him to two poles. Tessa and I carried a little
Starting point is 00:18:53 extra from his pack so he could keep weight off it. We made the summit quickly, cold and bright, ice and shady cracks. The wind cut through layers in a way the forecast hadn't warned about. The sun felt like it wasn't doing much. We didn't linger. To protect Luke's ankle, we chose the gentler descent, down the saddle trail and out on weekly hollow fire road. It's wide gravel after the single track and the grade is friendlier. We'd still have daylight, but not much.
Starting point is 00:19:25 On the way down, we passed a sign for one of the bird's nest shelters. The post had long, even scratches in it. Not random, not a tangle. spaced in a way that caught my eye. I didn't like how high they started. We kept moving because none of us wanted to stand still in that wind. A hundred yards later, we came to a stretch where coarse white-tailed deer hair lay in a line across the trail, not clumped like a kill sight, not in a scatter, a line. We looked for tracks, nothing that told a normal story. We stepped over it, quiet. Ten minutes after that, we came around a curve and saw a brimmed hat,
Starting point is 00:20:03 hanging from a branch at shoulder height. Wide crown, brim a little warped. The crown looked altered, seams cut and re-sown. Jared reached out and tugged the brim just enough to see the stitching, then let it go. None of us had seen anyone behind us. No one had passed. The single track ended and we spilled onto the fire road. It felt good at first, room to walk side by side, gravel under our boots, ditches and
Starting point is 00:20:33 culverts doing their job every few hundred feet. We got into a rhythm. Luke set the speed. I kept my eyes down the road and on the ditches. At one of the culverts I saw movement low to the ground. Not a fox. Not a person walking. It moved on elbows and knees and then pushed up into a stand in one smooth motion that didn't look like a normal stand. It stepped back into shadow. I couldn't see a face. I did see the outline of a hood. Tessa said very low, that there's a word in Appalachian stories for things that move wrong and copy people. I didn't want to talk about that. I wanted to get to the lot. We kept to the center of the road. Luke stayed between me and Jared. Tessa walked the right side but still inside the two tire tracks. We agreed not to step to the edges. The air off
Starting point is 00:21:24 the culverts was colder than the road, and that felt like a detail worth respecting. We didn't hear footsteps, but at the next bend the gray hoodie was behind us, 20 feet back, like he'd been walking our pace the whole time without sound, hat back on. He held his head at a slight tilt that made the brim look uneven. We tried a normal tone. You good back there? He didn't answer. He closed to 10 feet.
Starting point is 00:21:50 I can carry him, he said, nodding at Luke. The sentence had the words you would expect, but it didn't land like a person offering help. It sounded like he'd practiced the line and didn't know where to put the feeling. Jared said, We're okay. Thank you. Calm. He stepped left so the four of us formed a wedge with Luke inside.
Starting point is 00:22:10 I matched him on the right, pulls out. We didn't break stride. Permit, the man said, and lifted a laminated card. I've had passes on my dashboard for trailheads. This wasn't that. It looked like a clear sheet with dirt rubbed into it. No print. He held it at a weird height so the hood bowed.
Starting point is 00:22:27 bunched and the neck looked wrong underneath, like something was taking up space under the fabric in a way that didn't match a normal skull. We kept our formation. We didn't run. We didn't stop. The man drifted toward the ditch, then was gone from our direct line of sight, then came back into view at the next culvert crossing like he'd traveled inside the drainage. Each time the road crossed water, he was there again, aligned with the mouth of the pipe, not breathing hard, not sweating in that cold. I tried to reason it out. Maybe he was cutting through the brush
Starting point is 00:23:03 and we just couldn't see the footpaths. Maybe he was messing with us to get a reaction. Either way, the safest place was the center of the gravel where you can see everything. We agreed on a plan without much talking. If he pushed in on us, we'd put Jared's bear spray out as a wide fan across his path, except the blowback,
Starting point is 00:23:23 and cut cross-slope through the brush to regain the road beyond whatever obstacle forced the choke point. Better burning eyes than getting stuck next to a culvert mouth with a stranger too close to us. A quarter mile later, we rounded a bend and hit a problem. A mess of fresh stormfall crossed the road. Not a single tree, more like a tangle, slid down from upslope and stopped right where the road narrowed between banks. Bark shards and fresh cambium showed pale where the branches had scraped rock. Beyond that tangle on the open, and rode, stood the man in the gray hoodie and brimmed hat. He didn't move. The hoodie hung weird across his shoulders, like there was more frame under there than the fabric was cut for. We checked the
Starting point is 00:24:08 wind. It wasn't in our favor. It swirled in the corridor and would push the spray back at us. We accepted it. Counting down helped me commit to the move. Three, Jared said. Two, I said. One, Tessa said. Jared raised the can and laid a broad orange fog across the gap. We went left into the brush as a tight cluster. I took the front through waist-high branches. The thorns didn't need dramatics. They just scraped. Luke leaned on both of us and kept his feet moving.
Starting point is 00:24:38 The spray blew back into our faces. It burned eyes, nose, throat. I couldn't see well. We didn't stop. We aimed for a shallow angle to meet the road again 50 yards beyond the tangle. I kept my left shoulder to the sound of the little stream that cut under the road because I didn't want us wandering into the drainage and giving up our angle. I heard coughing behind me and realized it was all of us.
Starting point is 00:25:03 We hit the gravel like a team breaking through a line and didn't look back. We held a pace where we could still give quick cues, rock, puddle, ditch, but no one wanted to talk about anything else. The lot came into view through leafless trunks. It felt like a real thing we could reach. I saw the metal kiosk and a white truck near it. The truck door opened as we came out of the trees. A park ranger stepped down.
Starting point is 00:25:30 He didn't do the TV show thing where he cracks a joke or lectures you. He asked if anyone was hurt, then asked what happened in short questions. Where, when? What exactly did the person say? What did the card look like? Which culverts? We kept it to facts. We didn't add anything to make it sound bigger.
Starting point is 00:25:50 We gave him the times as best we could, the hat on the branch, the hairline across the trail, the block on the road, the spray, our route through the brush. He wrote it down and nodded. He said we weren't the first to talk about a copycat hiker out there after the leaves drop. He didn't use any spooky words. He said he'd hike that section in daylight the next day and check for downed trees and sign damage. He gave us an incident number and told us to watch Luke's ankle. We got in the car. My eyes still burned from the spray. We didn't pass many words on the drive. We went home, iced Luke's ankle, and counted the small winds. No one fell.
Starting point is 00:26:29 We stayed together. We didn't let a stranger split our formation. The next day, the ranger sent a message through the park's kiosk system. I read it twice. They found deep scratch marks on a saddle trail sign about eight feet up, too high for the usual wildlife in that park. And a brimmed hat in the brush with seams cut and sewn again to make the crown wider. They cleared the log jam.
Starting point is 00:26:54 He thanked us for reporting and closed with the case number. Luke's ankle blew up that night but settled in a week and a half. He jokes now that he's retired from rock scrambles. We still hike because that's who we are, but we changed a few things. No shoulder season endings. We plan for the sun dropping behind ridges faster than the clock says. We don't step near culverts if someone is shadowing us, and we won't go back to old rag,
Starting point is 00:27:21 not because the mountain is cursed or anything, because something out there wanted to be close to us, and we didn't give it that chance. If you hike there in November, and a man in a gray hoodie with a brimmed hat shows up ahead of you without ever passing by, don't be polite about space. Keep your people in the middle of the road, keep moving. And to the copycat hiker from Old Rag, who offered to carry my friend on weekly Hollow Fire Road, let's not meet. I guide a few trips every summer in the boundary waters, and I've done enough cold shoulder runs in October to know where the light runs out first.
Starting point is 00:28:06 This wasn't a rookie thing. My buddy Matt and I planned a tidy loop with one long last push across Knife Lake, two short carries, then out at the public landing at the end of the Gunflint Trail. We left our phones locked in the truck on purpose. We kept it simple. Paper map, compass, two headlamps, one ultralight. pack and a Kevlar canoe with everything strapped down. Nights had already dipped below freezing that week. By mid-afternoon the water was flat and dark, the kind of flat that makes you think you've been given a free mile. If you paddle here in late October, remember this part. Free miles always collect interest. We cut a long knife from west to east, bow pointed toward the south arm. I kept my cadence steady and low to save the shoulders. I've had good water turn on me fast. We passed Thunder Point without the usual stop.
Starting point is 00:29:00 We told ourselves we were skipping the overlook because of time. But the truth is, we both wanted the landing more than the view. The air had that clean, dry bite that makes you swallow more often. You keep an eye on your feet in that kind of cold. Wet socks can end a day. About two hours from the carry, we coasted past a campsite that didn't fit. Ten feet up a birch, someone had lashed a straight pole to the trunk. Hung from it were scraps of fur, a length of cord, and a row of bottle caps punched through
Starting point is 00:29:32 and wired like crude bells. The caps were matte, so not new. The fur wasn't deer hair. It looked like something from a trap line but too neat, too high, and too far from any obvious trail. I marked the spot with a pencil dash on the map border. Nobody said much. The day was quiet enough that every paddle lift came with the small drip of water back into
Starting point is 00:29:55 the lake, and we didn't want to add more noise than we needed. We hit the first carry with time to spare. Locals call it a liftover more than a portage. Matt took the canoe. I took the pack. It's a narrow ribbon of dirt and roots. We made maybe 20 steps when we heard movement that matched us on both sides of the path. Two lines, like something pacing in parallel through brush.
Starting point is 00:30:19 Not crashing, placed. When we stopped, it stopped. When we started, it waited a beat and then continued, like it was checking our rhythm before agreeing to it. That pattern tells you more than tracks ever do. At a bend, a birch had a wide strip of bark peeled back, fresh enough to show pale flesh underneath. Four deep divvets pressed into it as if someone had driven fingertips straight through
Starting point is 00:30:43 the first layer. The spacing was off for a hand I'd call normal. I pressed one finger in next to a divot. It was narrower and went deeper than mine by a lot, and I'm not so. small. We didn't trade theories there on the trail. We finished the carry without speaking and slid into Otter Track clean. Something moved with us on that lake. It stayed near the shoreline and kept pace without splashing. You can hear splash from a long way out when it's that still. There was none. At every point of land we rounded, we saw it again ahead, as if it had cut across
Starting point is 00:31:18 a path we couldn't see. You tell yourself it's a runner on a game trail or a wolf skirting you for curiosity and not a threat. But a runner doesn't show up ahead when the point you just rounded is solid rock and deadfall, and a wolf's gate has a look to it that you can name right away if you've spent time out here. This wasn't that. We aimed for the second carry, the monument portage. Big stone markers stand up there in summer, and you can always count on boot prints. In October, it feels like a hallway nobody's using. We pushed up the steep pull from the otter track side, my breath getting hard and white. The pace on both sides kept with us again,
Starting point is 00:31:59 left and right, quiet but heavy enough to move berry canes, not small animals. At the top, there was a drop toward the swamp side, and that's when a voice called out from the last campsite, the one closest to the landing. Hey, you two headed across? I could use a ride before dark. That sentence by itself is ordinary.
Starting point is 00:32:20 It's exactly what people ask here all summer. We edged the canoe, toward the landing because habit is strong. The figure stood back from the water about ten paces. When my headlamp line brushed the face, the features looked arranged more than grown. The eyes sat a little too far apart, like a taxidermy job done from memory. The teeth were square and even, almost like uniform pieces, and not in a cosmetic way, more like blocks. The smile was there, and then it wasn't. No fade. Just gone. as if removed. The cheeks didn't move with it when it was there. That's what made my throat close.
Starting point is 00:33:01 Matt didn't raise his voice. He just said one word under his breath. A word I don't use for stories because I spend nights out here, and I don't bring that thing into my tent with my mouth. He said it anyway. Skinwalker. The change in the figure was instant. The still posture changed to alert without any motion in between. You know how a person shifts weight before they move. This had no precursor. It was facing us. Then the head tilted in a way that looked like a question on paper, but felt like a test. I back paddled once, twice. We turned the bow without taking our eyes off it and set a diagonal that would put us on the open water of swamp, with the narrow run toward the public landing beyond. Open water is the only place you can build a gap
Starting point is 00:33:47 on something that knows every root and rock. That was the whole plan. If you stay tucked along shore, you're giving up the only thing a canoe has on a runner. It figured our line right away. On the ridge that runs along the north bank, it moved fast enough to gain on us. It had a human outline on the sprint, but when it dropped to all fours, the gate changed to longer, cleaner arcs, too smooth for a person on hands and feet. I kept the cadence steady. A small north wind came on, nothing major but enough to throw a short chop across the surface. In a canoe that's a nuisance, but on a shoreline ridge that chop means slick rock and slower footing. I focused on the angle of our bow to the channel. Matt watched the ridge. We had one thing to
Starting point is 00:34:34 throw. The food bag hung from a carabiner in the pack so we could pull it fast at camp. I unhooked it and tossed it high toward shore to make noise and smell. It arced out and thumped into brush. The runner stopped so sharply it looked yanked. It bent forward at the waist and held there too long, like a hinge. It lifted its head and went through the motion of smelling the air. But in that cold you can see breath from anything that pulls a lungful in. There was nothing, no frost cloud, no chest rise. Just the still shape of a head raised to test a scent it didn't take in.
Starting point is 00:35:11 We kept moving. I counted strokes in my head and filed that detail in a private place I didn't want to open again. The landing came on as a dark patch of gravel backed by timber and an old stump. A battered aluminum skiff sat there, chained up with a length of rusted link. We rode the last little break and ground the bow up just enough to get mad out first. We both dragged the canoe past the first lip of shore, and then a light swung across us and held steady, not blinding, just firm.
Starting point is 00:35:42 You boys okay? The voice came from an older man in a canvas coat standing on the slope above, one hand holding a flashlight near his shoulder the way people hold a phone. I didn't answer the question. The only thing that came out was, Can you give us a ride up the road? He studied our faces and didn't push. He hooked the canoe to a light trailer
Starting point is 00:36:02 with the kind of practiced hand that tells you he's done this a hundred times. You can warm up at my place, he said. It's close. From the landing, the little road snakes back toward the end of the gunflint. His lodge sat behind a line of scrub and rock. It had one of those office signs
Starting point is 00:36:18 that looks like it's seen every season ten times. He didn't ask for a card. He didn't make small talk. He brought us inside, turned on lights, and locked the front door. He put a kettle on and pulled down two mugs while we sat without taking off our coats. He glanced once at the window and then at our faces again. I'll run you into town in the morning, he said, and that was that. We didn't argue. I don't think either of us could have explained what happened in a way that would make sense at night. If you think this part is just fear in the dark, hold that thought and hear the rest.
Starting point is 00:36:55 At first light he drove us back to the spot where we ditched the bag and cut for the open reach. We walked in a straight line, all three of us quiet, eyes where we put our feet. Just beyond the point where we threw the food bag, we found tracks in damp leaf litter and shallow mud. At first they read human in shape, but the stride length changed midline.
Starting point is 00:37:16 Three long, one short, like the leg length itself had shifted during the run. Ten feet up a birch, a fresh break hung like a bent arm, and on the pale face of the tear were tooth marks, flat even, too regular for a deer, too high for a person without a ladder. The old man exhaled through his nose, the kind of sound someone makes when they see something they expected, but didn't want to see again.
Starting point is 00:37:41 He didn't say a story. He didn't offer a name. We walked back without talking. He drove us to our truck and we paid him in cash for the trailer hall, even though he tried to wave it off. We left the state the same day. I've come back since to guide in summer because this place is part of my life. But I won't plan another late October finish on knife, and I won't line up a landing after
Starting point is 00:38:05 twilight. When a thing shows you how fast it can move across ground you thought you understood, you change how you move through that place. Before you write this off as nerves and shadows, think about the sloth. small stuff. Caps wired too high on a birch to be a joke by kids. Finger-deep scores and fresh bark with spacing that doesn't match a normal hand. A voice at the last campsite asking for a ride without stepping forward like people do when they want help. A smile that doesn't pull the cheeks. A head raised to smell without the simple proof of breath in air cold enough to make steam
Starting point is 00:38:39 from your own mouth. None of those details need magic. They just need you to accept that not everything out there is a tourist or a wolf. Here's the part people remember wrong. We didn't win because we were brave. We didn't win because we had a plan that would beat anything. We got out because a short wind put chop on the water and because open water let a canoe do what it's built to do. That's it. That's the advice buried in this. If you ever find yourself on knife late in the year and someone asks for a ride from the last campsite, don't drift close. Don't test the smile. set your angle for open water. Throw what you can spare if you need to.
Starting point is 00:39:21 Keep your cadence steady. Get to the gravel. Ask for help from real people with real breath showing in the cold. We went back with the lodge owner to pick up the things we'd dropped. The food bag was gone. The small fish carcass we'd seen earlier on a rock by the first carry stayed in my head more than it should have. It's how a person set something down when they plan to come back for it.
Starting point is 00:39:44 On the drive out, the old man watched the tree line more than the road. I don't think he was nervous. I think he was measuring distance the way we were, between what we knew yesterday and what we knew now. I keep the map from that week in a drawer. There's a pencil dash at a campsite on knife where a pole sits too high on a birch with fur and caps hanging off it. If you're the type who wants to go see for yourself, I can't stop you.
Starting point is 00:40:12 But know this. Rules that sound like folklore kept us alive. Don't linger on late-season water to admire a view. Don't pause on a carry because something wants you to. Don't take a ride request at last light from a face that looks like it borrowed its pieces. And above all, don't count on shore to save you. Shore has trails you can't see. The lake, even cold and black and rough, gives you one thing a runner can't use.
Starting point is 00:40:41 We left Minnesota that afternoon. I still guide, but when the calendar tips toward real cold, I write different roots. I don't say the name out loud anymore when I talk about this night. You can call it campfire drama or a warning dressed up as a story. I don't need to convince you. I only need you to remember one line if you ever paddle out there late in the year. Make for the open water, and don't look back until your bow is grinding gravel under a real light held by a real hand. That's the only part of this that matters.
Starting point is 00:41:12 I'm a visiting climber from Ohio. My partner that day, Tyler, grew up in Kentucky and spends most weekends in Red River Gorge. We'd climbed all afternoon at left flank and bruise brothers, burned hands on sandstone, and packed up feeling pretty good about ourselves. It was a weekday in late October, the parking lots half empty, the air cool enough that chalk actually did something. Tyler suggested we chase a sunset from a small arch he'd seen years ago somewhere off Tunnel Ridge Road, Not the famous spans, something quieter, he said, a short detour off a social trail where
Starting point is 00:41:56 you could see the sky go orange over the trees and be back to the car before headlamps mattered. I had a half coil of rope in my pack and a working lamp. Tyler kept a few nuts and small cams racked to his harness out of habit and carried a water bottle that knocked against his thigh when he walked. We had no map and didn't pull up any track on a phone. The plan, as he described it, was simple. Park off Forest Service Road 39, follow a thin path toward the Star Gap Country, stay on high ground, and let the ridge lines point the way.
Starting point is 00:42:29 I trusted him, and I trusted the terrain I'd learned to read. That combination almost put us over a cliff. We stepped off the gravel around five in the evening. Daylight had that late fall angle where every shadow looks deeper than it is. The first stretch was straightforward, sandstone plates underfoot, laurel crowding the edges, a narrow space, spine dropping fast on both sides. Tyler called out little landmarks he remembered, a shallow rock house on the left, an old split rail graying into the dirt, a low fin of stone with a notch
Starting point is 00:43:02 you could heel hook if you were bored. He'd been out here a hundred times, he said. He knew the first half by heart and could dead reckon the rest. I didn't argue, I should have. We found the first wrong thing 20 minutes in. On a stump beside the path, a fresh deer hide was spread smooth, Flesh sighed up, like someone had started a tanning job and vanished. There was no camp, no fire ring, no carcass nearby, no tarp, nothing to say this was someone's work in progress. The hair still had that shine you see before dirt dulls it down. Neither of us touched it.
Starting point is 00:43:38 Ten paces later we came to a wooden post that used to hold a trail marker. The face had been scraped flat, deep into the grain, and re-etched with long vertical lines, each groove clean and straight. No number, no blaze, just tallies. I felt the skin on my arms react the way it does before the rest of me catches up. The ridge kept rolling. Tyler kept saying, it's just past the next saddle. And then the next saddle fed into another.
Starting point is 00:44:07 Light fell out of the hollows first. Our eyes adjusted, but distance got shorter with every step. At 6.10, with the sun just grazing the tops, we hit a three-way tangle of faint paths in a stand of Laurel. Tyler stared down each option and pointed east at a low dome of rock like he recognized it. I told him we were burning daylight and that we'd be smarter to turn back. He nodded. We pivoted. That's when a voice ahead, just past the leaves, said, This way, we both stopped.
Starting point is 00:44:38 The voice was close enough to hear the breath behind the words, and flat enough that you couldn't guess in age. An orange safety vest hung between two trunks like a marker. Above it, a brimmed hat, no tool in hand, no pack, no radio. The vest moved a couple of yards and then stopped again where the path narrowed. Tyler raised his tone, the way you do when you want whoever's listening to know you're not timid. Hey, what fire road does that connect to? There was a pause that lasted long enough to register as a choice.
Starting point is 00:45:13 The nearest, the voice said. The vest drifted farther along, always. just out of clear view, and each time we closed the distance, it was waiting a few yards ahead again, as if it had slipped through the brush without catching a twig. Dry leaves under our boots made a steady noise. Whatever wore the vest didn't make the same sounds. I couldn't tell if I was hearing it at all. We asked if he was with the Forest Service.
Starting point is 00:45:40 Another beat. I work out here. No name, no area closure, no follow-up question. the kind of answers people use when they want you to keep moving. We stayed on the ridge because that's the rule that keeps you alive in that terrain. High and solid, trees for breaks, stone for footing. The vest kept angling us toward a shallow sandstone bowl I recognized from other parts of the gorge, one of those natural amphitheaters where leaf litter slides on hardpan to a smooth lip,
Starting point is 00:46:09 and then the ground drops away in bands of cliff. It's a known trap at dusk because it looks safe until the last stride, and there's nothing to catch you if you lose it. I leaned close to Tyler and used a word I grew up with in Appalachian families when conversation quieted and someone drew a shape in the air like a warning. Skinwalker, he didn't look at me.
Starting point is 00:46:31 He just said, louder, we're bailing to the road and angled us left, trying to take the lead. We couldn't get in front of the vest. Every time we tried to pass, it was already where we meant to go, standing at the next bend or on the far side of a slab, vest center frame, hat brim hiding the face.
Starting point is 00:46:51 It didn't push or wave or yell. It let our own choices carry us right to the lip of that bowl. The slope below was the color of rust and marbles. The line it pointed down looked like a ramp until it wasn't. At the edge the figure finally turned to face us. I didn't get a clean look at the face, just a field of shadow under that brim. The proportions were wrong in a way I can only explain by listing them. Arms hanging a little too long in the vest holes, neck that let the head tilt far past normal, posture that didn't shift with breath the way a tired body does.
Starting point is 00:47:27 The right arm came up and made a slow motion, open hand dropping like a traffic cop showing you where to go. No words. No warning about the cliff. Just that motion. Tyler moved to a car-sized boulder near the rim and did what climbers do when there's a question. He set a nut in a constriction,
Starting point is 00:47:46 clipped a sling, and loaded it with his weight. Small grains shed off the rock as the sling tightened. He didn't like it. I didn't either. He unwound the sling and pulled the nut back, one smooth yank, and coiled the sling in his hand. We both backed from the drop. The figure's head went farther to the side
Starting point is 00:48:06 until the brim touched its shoulder. It stayed that way for a breath too long. We decided to skirt the bowl, staying on bare plate where our shoes had something to bite, and where we wouldn't leave a clear track in the duff. It's slow moving like that, stepping edge to edge, testing each patch of sand for ball bearings. We talk to each other in short calls, the way you do on a route. Good. Left foot higher. Two steps more, then weeds.
Starting point is 00:48:36 I could hear something down in the leaves keeping our pace. It wasn't footfalls. It was a sliding, jointless sound that never snagged, never snapped a twig. When we paused, it paused. When we hopped a clean gap in the stone, I expected to see it struggle with the brush line. Instead, it was already waiting where the line we'd take would spit us out. There's a narrow saddle out there that people who know the place use as a shortcut when they're off trail. It leads to a short down climb.
Starting point is 00:49:07 Ten feet of stone you can belly over and drop to a ledge. then a slanted ramp that funnels into a gully trending toward the road. Tyler found it from memory. The last 20 yards to the saddle were the longest of my life, because I knew that once we committed to the down climb, we were out of sight of the rim for a few seconds. I threw the coil of rope first to get it out of my hands. It hit the ledge and unrolled.
Starting point is 00:49:32 The orange vest stepped to the edge above us and looked down at the rope like it hadn't seen one used before. That fixed attention felt worse. than anything, like it was learning. I kept my chest on the stone and slid feet first. Shoes scraped, forearms burned. Tyler moved next to me. When I got to the ledge I looked up and the figure was there, arm reaching over the lip. The fingers unbent farther than they should have, long and straight, like a strip of bark peeled and pulled end to end. It held that shape and did nothing else. I didn't wait. I crabbed down the ramp and pulled Tyler along.
Starting point is 00:50:10 We both took the turn into the gully at a half run because there is a kind of fear you can manage only by turning it into movement. The gully carried us. Flat stone slid under our shoes and shot ahead. I kept to rock whenever I could and avoided the leaves even if it made the angle worse. The parallel sound above us faded and reappeared like it was moving along the rim. A few times I looked up and saw the vest a ridge over, holding the same distance but never scrambling, never even seeming to sweat. It didn't jump. It just made sure it was where it needed to be to keep eyes on us. When the trickle in the gully turned into a pronounced line of water, the slope eased.
Starting point is 00:50:52 The air changed. You can tell when a road is close even in the dark, it breaks the uniformity with a kind of manufactured emptiness. We followed that. We spilled on to gravel like two people staggering out of a river. The last light was thin, just enough to make the crown of the road. show. I'll own this. I threw up from the way adrenaline dumped out once my feet hit something that didn't move. We didn't talk about going back up. We didn't argue about protocol. We stepped to the
Starting point is 00:51:22 middle and waved arms when we saw headlights lift over a bend. The truck was an older Chevy with a county plate. The driver rolled down and took us in without theatrics. He wore a fleece with a department emblem I recognized. When he spoke, I heard the former job in his voice. You boys all right? We said we were. He said he was a retired firefighter out of Stanton, and asked if we were lost or if someone was messing with us. We gave him what we could without trying to sound like idiots. He had a radio mounted under the dash, keyed it to a local channel, and told someone he'd picked up two hikers near Tunnel Ridge, who were shaken up by a man in a vest leading them toward a bad drop. He didn't push for details. He just turned the truck
Starting point is 00:52:07 toward the lot near the Oxier Ridge and Double Arch Trailhead and let us breathe. A ranger met us there, professional, calm, not interested in making us feel small. He checked for injuries, made sure neither of us needed medical help, and then asked for specifics. Time we left the car, landmarks we passed, where we turned around, what we saw, what we didn't see. He asked if the person carried any tools. We said no. He asked if there was any. insignia on the vest. No, he asked if we noticed a name tag, a radio mic, even a painted mark on gloves. There were no gloves. I told him about the deer hide on the stump and the post with the long straight grooves. He wrote both down and didn't make a face. He said he'd go
Starting point is 00:52:56 in daylight, document what he could, and flag anything that needed removal. We went back to our rental, and I didn't sleep much. Every time I closed my eyes, I saw the way the head tilted at the rim with the brim touching the shoulder, as if the joint cared more about range than use. Two days later, the ranger sent us a report number and noted they'd found a vandalized post with vertical grooves in the slot we described, and a scraped stump with hide remnants nearby. He said it was logged for cleanup, that was it. No lecture, no angle, just the facts you can put on paper. I didn't expect anything else. What I needed was a plan so I wouldn't make the same mistakes. We still climb at the red. The routes are worth the miles, but we treat dusk like a hard
Starting point is 00:53:42 cut-off now. And if one of us says, turn around, we turn around. Tyler replaced the sling he almost left on that boulder. I kept the one he yanked back, twisted from that quick pull, looped on a peg near my gear bag, where I see it every time I rack for a trip. It's not lucky. It's a reminder that high ground and your own judgment are better than any guide you can't vet. If you're a climber or a hiker and you end up near Tunnel Ridge Road on a weekday evening in late October, pay attention to what the terrain is telling you. If someone you can't quite see keeps appearing where you're already going, don't let your pride or your schedule talk you into following.
Starting point is 00:54:23 There are places in that forest where a simple suggestion will carry you over the wrong edge, and you won't even know when you committed to it. We chose our own route. That's the only reason I'm here to type this. Looking for the best place to shop this Mother's Day? Go with the brand that makes it easy to send something thoughtful to everyone on your list. 1,800flowers.com. Right now at 1,800 flowers, order one dozen roses and get another dozen free.
Starting point is 00:54:47 More flowers mean more smiles, all backed by the quality, attention to detail, and trusted delivery experience that make 1,800 flowers my top choice to send something beautiful mom will love. Make Mom's Day at 1800flowers.com slash Spotify. That's 1,800flowers.com slash Spotify. Listen, if you ever hike Lost Valley in early November, remember three simple things. Stay where you can see 30 yards ahead, make a sharp noise when you lose that sight line, and keep moving toward people. Don't waste time asking a stranger to explain how he got in front of you on a one-lane track.
Starting point is 00:55:31 Don't argue with timing that's off by half a beat. I didn't learn those rules from a video or a forum. I learned them with my dad on the Buffalo National River near Ponca, Arkansas, the morning we went to see the elk and took a short day hike that should have been nothing. I was home for a long weekend. I'm 24. My dad's 54. We've done simple trails together most of my life. That morning we watched bulls push cows in Boxley Valley at dawn, breath visible, calves moving tight with their mothers along the fence line. After the sun cleared the ridge, the traffic eased. We drove a few minutes to the Lost Valley Trailhead. The plan was light. Follow Clark
Starting point is 00:56:11 Creek, peek into one side hollow, turn around by early afternoon. No phone on, no earbuds, no gadgets. We had a printed map, two waters, layers, snacks, headlamps out of habit, a whistle clipped to Dad's chest strap, and my rescue inhaler tucked at the very top of my daypack. We started about 9.30. The fog along the pasture had thinned. The weather was cool and still. The first stretch of trail was wide and kind. Limestone underfoot, cedar and hardwoods on both sides, bluff lines stacking up to our right. Clark Creek stayed to our left, clear enough to see pale rock on the bottom.
Starting point is 00:56:53 We swapped small talk about a family thing I was dodging, and kept a pace that let us breathe through our noses. The first wrong thing looked like nothing. On a damp slab beside the creek was the clean imprint of a right boot. The lug pattern was crisp, outer edge heavier, like the wearer rolled the foot just a little. It was the kind of print that makes you guess size, 11 maybe. And what store sells those souls? Ten yards later, same rock type, we found it again.
Starting point is 00:57:24 Same pattern, same pressure points. But this time it was a mirror image. Not a left boot, not a heel drag. Just the same right boot, perfectly flipped, like a mirror. a copy pressed into the rock in reverse. It sat in my head like a nail you step on and decide didn't break the skin. We stepped into a side hollow that caught sunlight a little higher up. The floor was matted leaves. In the middle of the clearing, someone had pressed a pile of wet leaves into an oval and dragged something with two parallel lines across it, grooves spaced like tines.
Starting point is 00:58:00 There were thin sticks laid next to it, four in a row, then the line broke off. No art, no message. It looked like someone pressed, held, took away. We were headed back to the main track when he stepped out of a cedar thicket on our right, three body lengths off the trail, canvas jacket with the hood up, cuffs damp, gray hiking pants without dirt on the knees, which is the kind of thing you notice when you're looking for anything normal to hang your brain on. He nodded past us toward the meadows and said, You see the herd. His teeth were clean, squared, and didn't quite meet when he smiled. Not a gap exactly.
Starting point is 00:58:38 More like his jaw stopped a touch early. Dad said, Yeah, earlier, in the voice he uses with chatty folks at trailheads. He gave a friendly chin lift and pointed us down the main track without inviting a conversation. The man didn't push it.
Starting point is 00:58:54 He just watched us go, then move too, shoes barely loud enough against leaves. We kept Clark Creek on our left and headed upstream. The trail had not. narrowed. To check behind me I had to turn my shoulders or stop. Each time I turned, he was farther back than he sounded. Each time I looked forward again and walked, his steps came in clusters and
Starting point is 00:59:15 then nothing. Not quiet. Wrong. Dad knelt to fix a lace. The man closed the distance until he was where you talk instead of call. He was speaking to me like we had been mid-conversation, and he asked, Do you still keep your inhaler in the top of your pack? I do. I hadn't used it. I hadn't said anything about it. My hand moved by reflex to the zipper. Dad stood fast enough to put a palm on my shoulder and push me a half step behind him. We're turning back, Dad said. Polite, final. The man tipped his head toward a faint thread of trail that hugged the rock wall. I'll show you a better loop, he said.
Starting point is 00:59:55 There was one narrow track. It was the one we were on. We both looked toward it. No spur, no side cut. We looked forward again. and he was ahead of us by a dozen paces, already standing at a pinch point where the bluff pressed the trail toward the water. There was no way past him without brushing shoulders. I said one word to dad, low and clear, so there'd be no pretend I'd said something else. Skinwalker. I saw the color drained from his face. He didn't argue folklore or definitions. He tapped the whistle with a knuckle like he was checking that it existed, and then nodded once. We didn't run.
Starting point is 01:00:34 We didn't play tough. We did the only thing that felt like ours. Pick ground with sight lines and force anything that wanted to get close to do it where we could see it. The creek bed was open stone in long sections, slick in spots but honest. We cut over to it. Cold water hit at the ankles, then above the arches. It kept us from overthinking. Dad lifted his whistle.
Starting point is 01:00:58 and gave three sharp blasts before we rounded a bend. The man flinched late, not a startle that lags a fraction. A full beat after the sound died, his head snapped and his shoulders twitched, like he had learned what to do and missed his cue by a second. He kept trying to land in front of us. He'd cut straight through cedar and appear already facing the direction we were moving, not the direction he'd just come from, like he'd skipped the pivot. He crouched low at brush he could have stepped over and then stretched tall under branches that didn't require it. If you've ever watched someone rehearse positions in a play, changing height and arm angles to fit marks, it looked like that. Except there weren't any marks. We stuck to our three rules, sight lines first, make sound
Starting point is 01:01:46 before a blind turn, keep moving. We stop talking except for short words. Step, left, stop, now. On a midstream slab, the silt showed two parallel grooves an inch long. Space like antlers might leave if you pressed, and dragged and lifted. No tracks around it. Dad glanced at me and kept going. The shallow cascade was where it tightened. The water dropped in two short sheets over pale rock, and the exit pinched hard against the bank. If you wanted to intercept someone there, you'd pick that spot.
Starting point is 01:02:21 I took the first step up and my shoe skidded. My knee hit stone. It wasn't dramatic. It was a dull, stupid pain that made my eyes water and stalled me for a second I didn't have. The man was three long steps away on the bank, hands loose at his sides. Chin lifted like he had found the right height for whatever he was trying to be. Dad didn't yell. He took the stainless bottle off his strap and threw it at the rock just to the man's right, hard.
Starting point is 01:02:48 The bottle hit the stone and rang. The sound came back off the bluff in a flat, metallic way. The man's head snapped toward it after the ringing was already gone, hands opening with the reflex a beat late. Not the moment of impact. The second after. It was like he had taught himself to flinch and hadn't nailed the timing yet. The gap was enough. Dad pulled my pack up by the strap and shoved me across the lip. We took the exit in two ugly steps and pushed into the open. We didn't sprint. Sprinting dies in a hundred yards. We picked a step. We picked a step. steady pace that made my teeth click. Every time we lost sight for a second, Dad hit three blasts.
Starting point is 01:03:30 Every time, I watched for that late jerk in the man's movements. It came, over and over, the same wrong beat following us like a drumline that had learned the song off the page and not by ear. The last bend opened, the trail widened, the lot was visible past the trees, a rectangle of gravel with pale sedans and muddy Subarus, a uniformed seasonal ranger stood by a green rig with a clipboard, writing plate numbers and making notes with a pen that left dark lines you could see from a few steps away. Her head came up when she saw us. I must have looked bad. My knee was bleeding through a thin scrape, and my throat had that cold metallic taste fear leaves behind. Dad said, Someone's following, with the tone he reserves
Starting point is 01:04:17 for emergencies where information wins seconds, knows things he shouldn't. The ranger keyed radio without looking away from the trail mouth. She gave a compact description, male, hooded jacket, gray pants, odd behavior, approaching hikers. She asked our names, asked what he said. We told her about the inhaler. We told her about the mirrored prints and the grooves pressed into the leaf pile. Her pen paused at that, mid-stroke, then kept moving. Another ranger rolled up fast from the lower lot and jogged the trail at an even pace, hand on the strap of his own whistle. We stood by the rig while the first ranger positioned herself to see the first 50 yards of trail without letting us drift alone. The second ranger was gone longer than I liked and shorter than I feared.
Starting point is 01:05:04 He came back with nothing to show, and said, breathing evenly, that he'd heard talking off trail that didn't sound like a conversation. Words spaced wrong. Not argument, not a call. Short pieces, each given a slot like someone practicing lines spaced too far apart. We drove straight to the sheriff's substation in Ponca. The deputy at the desk had a lined face and a steady voice. He took the report like you want a report taken. Time, place, details.
Starting point is 01:05:34 He put a dot on a wall map by Lost Valley and asked two more questions that told me he had read other dots. He didn't try to tell us a story. He didn't try to sell us one either. He said, During rut we get calls where somebody hears the elk and then hears something trying to match people too. Could be a person. Could be more than one. Could be someone not well. You did the right things. Open ground. Noise. Keep moving. That's the end of it. No dramatic chase. No heroic swing. No final photo. We changed small things.
Starting point is 01:06:12 I moved my inhaler to my jacket pocket and put a spare in the glove box. I signed up for a self-defense class when I got back home and kept going until I could do the basics without thinking. Dad added grip sleeves to our bottles and a second whistle for the car. We still hike. We go early. We stay on marked trails. And we don't go back into that side hollow. If you're asking yourself what it was, stop. Pick safer questions. Ask what you'll do when someone is behind you and knows a detail he shouldn't. Ask how you'll buy a second when your knee hits rock.
Starting point is 01:06:45 Ask how you'll move when the only track is narrow and the person who is behind you is somehow ahead. already facing the way you're going. Out there in that season, some things try to copy. Elk do it. People do it. And sometimes you meet something that is good at copying posture and worse at copying time. So if you go to Lost Valley in November and a man with squared teeth that don't quite meet
Starting point is 01:07:09 asks if you saw the herd and then falls in behind you with footsteps that come in clusters and then go silent, don't bother with lectures. Don't trade questions. Get to stone. Use sound. Keep moving until the trees thin and you see plate numbers and green trucks, and someone with a radio who won't laugh at you for doing the boring things that work.
Starting point is 01:07:30 That's how you get back to your car and drive to Ponca and put a dot on the map and tell it once so somebody else hears it. That's how we got out. And that's the only part that matters.

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