Juste entre toi et moi - Claude Legault

Episode Date: July 28, 2025

Dans un entretien aussi drôle qu’intense, à son image, Claude Legault revient sur la série Minuit, le soir et sur son amitié avec le regretté Julien Poulin. Il se confie aussi sur la liberté de parole des vedettes du petit écran et sur les circonstances qui ont mené à son épuisement professionnel.

Hello, here, Dominique Tardiff, a re-beenew. At just, between, you're an episode Mett, making an end-ed-ed-ed to be someone that I had not only never interviewed, this episode Mett's someone to who I talked for the point. First time of my

my life. My invite today is the actor and scenarist Claude Leggo. There's many questions

at the beginning of the series Midnui the Soar why, me ask you? Because it's

one of my series preferre it's also simple than that, but also because

midnight the night year, it's 20 year, his 20th anniversary, in January, it

had been to be out of this series midnight the night, which is by moment

very grave, let's say like that. But we'll have been able that's also a guy not quite

comical. I think you'll you'll see it in what he's in the

next year on the grand theater of Quebec a gala just for

with like as like Catherine Levaq Martin Petit

Guy Guy Gaudoin Michele Charette I I'm you remember

like that you can read the article that I to try of this encounter

in the Press Plus, on the press. or in your telephone or in your phone,

it's when you're taking the time to jaze a little bit to get in studio,

before to pass to things serious, the time to be a bit coffee also.

Claude me said to be racked at cause of the trainment of box to which

he set to live the day before we're to jazes to box, and we

made to jazes the portier in the bar and we got to jazes and it's like that

Claude made to his friend Paul Buisson the defun Paul Buisso

Paul Animmel emission off at RDS he he was quitted

in 2005 at the age of 41 year I'm I'm quite

happy that Claude let have in my memory here my

interview with the intense Claude Claude Go. Just between you

and me it will rest around between me for one for a it

rest between you and me You were talking Tantot to your amitia with the regretted,

Paul Buissons. You were, you're in fact, of the same? We've met with Cerep, in fact. You'd have formed a duo

deparayed, let's see that. In fact, we've seen, all the gang to him, Paul. Yannima RDS,

it's there that we've known. It's not when I was when I was he'd He'd meet him. He did the music, with one of my

friends I'd have encountered, there also, Robert Pichet, and we've metered Michel Comanche at the same time. We'd see all right in the same years. And we'd turned these films with Paul, you know, we're doing, and after he's on the UNF, also, because he studied also at Concordia, he

so, we've done with him, but it's a mecham, Juanot. It's a fan-finie of sport, me with, so, there's on, we're going to be. But when we were going to go and we're going to go to the train of marines. We're going to be on a voyage. We're going to be on a while we're in a business. Yeah, we're going to be a bagarer.

No, no. Because you were talking to you were that you'd have trained. I'd probably with my co-de-box. But, no, we're in the United at Fort Lauderd, Daytona Beach. Daytona Beach. Daytona Beach. Where the car is roared, ma'etre, reigned, and everything you want. It's a long-jarray, the body.

So, now, we're in a moment, he's like in the magazines. He's in front of three Marines, in fact, three Marines. Not very great, by the way, because Paul had it kind of pretty six and five. And, I'm not too, to catch not too, de loin, what's what he's going to be. And then, we came to say, yeah, I think we've had a problem. I'm going to see, and the Marines it had to

have been interested to get to get a year. Just for the pleasure. But it would like

to be a big deal with they've been not been long time, and they've said, well,

we've done, we've found our Goliat. But it had often at Paul, the grand

like that, the grand, the great, and they're often, they're probably, they're just because they're

saying that it's a challenge, the it's a year, it's a yeah, Paul,

not mechant for Sincen, really, a d'u, you know, he jose with their own, and then I'm gonna'clock, and I try to disarmorce that a little bit also with an English

more approximative. And then I said, oh, you're a Marines, you know, I'm sure, you know, for, to go ahead to get their code

sensible. So, yeah, you're, you know, the base, he's, I'm explaining where's the base and then you say, okay, okay,

and then I said, okay, and then, my uncle, he's batted during the second year, Worldial, on the

American, the English, the English, and then, he's a mor, there's a no, no, no,

he's sure calmed the game, it's like, I'm at my five and seven face at three Marines,

it's like, it's like, to be back against two years, you can't you know, you know,

you know, you'll say, you know, you're doing, you know, I mean, it's a little anecdote with Paul.

Paul, at a moment also, we had set to get there had a serious problem, Paul, to... He's mocked to all the world.

It's a quality, but it could become a default in a certain situation. Yes, he was infreient because there was no filter. And it's plain to say, but these handicapped or gross person,

there had not to do any of the rector. And he had even the flicke. There, we'd be arrested by an highway patrol

in the United the night. We're going to a little bit. The monsieur did not not hear. He arrived.

You know, they have these chapos like these chappo like the coat, there's

his lunettes fris, we're four of the morning. There's a gun, his gun, it's all

what we're so it's so it's so on his arm and then we're we're bans

the fence, and then he says with a voice of Tiswood you know we'd

too fast, and we don't know the paper, we're from Montreal, blah, he parke the

papiers. He comes with a big ticket, you know, an adiquette and it's like payable

there. It's that I'd not, I had a terminal interac that had

at this time, not at that we're, so we're out of our cash, and pay the ticket, and

then Paul, he said, you have a receipt. He is obliged to give a receipt. Like that he looked

I said He's going to He's going to He's going to He will be able to He was He was in front of the Cache in his pouch

He had really He was going to He's put treading in the charl long time He said Go ahead And then I've seen

Go ahead And then I've seen Paul He said Paul He's not Chris We're finery atair The face

in the asphalt With the monot in the do and then he's eloyed and then he's maybe he said go ahead

so far that's been our phrase to the other voyage. Clint is Wood we've been we've got to

have been by Clintiswood. You'd have you had to a autograph in the place of a

I think we'd have had had a y'all he he didn't not

content. I think he's not put put to put to make the cash in

his he's he's he's he's part very young, your yeah, yeah, he

part's very after a lot of medical that had when he went to the hospital

in the madam Puyson, her had pursued the medicine and the hospital

not for to have to have to have an but to have made a they've been

intubed in a modest place they've done the medications that they had been

there had been plenty, plenty, plenty of gafe that had been to we know

we thought when he had when he was when he had his poe, you know, it was not that it was other thing. He was very costo.

He was costo, but he was also in surpoor, pretty morbid, you know, so, but, but, yeah, he's partied ben, ben, ben, de bono. Very, very young. It's just one of the chum that I've heard of the more young, so, yeah.

How many, you've lived here? We've seen, more, we've got to be, well, we've got to a bit, but, but, but, you know, it's been a shock when, my chum, Robert Pichet, me called me and said, hey, you're not the morn.

I've made, okay. We're going, we're going to, we're going to be at anterment, at the church, all too, and the church, it was very,

very, very, touchant, because her sister, who had the cancer at the time, she had a great danceess of the Balacanadi, she,

she, had danced at the church around her tomb, yeah, yeah, it's too, that,

it's too, So it's a little. You know, it's a guy who he was a real, it's a girl, he was a drowl, in plus, but really, a droll cave. But it's that, his role, the RDS, it's an emission,

it's an edition that he had a grand tonneur comic. It's so, and he had so much an audace that he'd to be able to talk to everyone. There had not, there had, there was,

there was not, the limit, Paul. He could reach to talk with all the world, to convince of anything. Paul, he was convinced He could

He could Vend to X-Lax to someone that had the flu. I said, it was extraordinary

it's extraordinary. It's extraordinary so that he had a bigot so he had known a lot of

people, so the church had bonded. It was really, it was plenty, plenty of

players of hockey who are new, the commentator sportive, plenty of people of people who

had been it's strangely, the most betterment that I've seen. And it's

Duelvis who played in the church because Paul is a fan fined of Elvis there were all,

the discs, the bootlegs, the pirate all the there were there were a trac that was a

hearing of the Elvis or the Elvis in studio in the car he said, but he would make that

we're so in the church in the English, it's the Elvis that you have you

have you have a grand fan of Elvis in Gasbar Blues yeah Chip,

who he mackrised Well, the English and the words of the songs. Like me, I want a chuck-cock. Yes, no, he's not all right, Elvis,

let's be brawling, what's going to? You've got to be able to your film, your filmography is impressionant, but that's one of your third or fourtheem

film, if I'm don't know, yeah, it's a probably one of my first, Louis Belanger me had called me,

he said, I'd say, to, to, to come to come a little role in the film.

Well, yeah, Louis Belanger of any other any other when I'm in a current.

And I didn't know, I'm going to be able to do that because it's really a good film. All the

whole is good there in. All the whole is good. It's been written, it's very realised,

it's, it's a touchant like a very, very beautiful film and that he had a

bit past in the beer to remise to price because this day there I think

it was the decline, I'm not too, not a decline, but, there was a a

big film that was a a little in the banjoer at trophy, because this film that, an other year, this film, would have re-remorted a trophy. But it's one of, one of the bo films, I've had you fun.

We had it, imagine, we were on September, they were on a garage, on a terrain vague that had in a village. I went to a velo, it was at four minutes of our show. And we turned in September. September, there were several years, he'd normally in September, not so hot. The September of Antone.

But there, it was due 32, 35, 38 degrees all the time, all the time, all the time. And we had these vests of the month of October. It was occurrent. The makeoes, he knew machiae at Truel. It was a fonderable. We had it. And we were on the asphalt all the time. It's a garage.

It's a station service. It's a gas bar. But it's been really, really fun. With Real, we're also. with Creale Basie, who did the non-voyant there, my chum, non-voyant, you know, the pass of pizza?

Yeah, it's just so. He'd eschaped her by-ter, and you pittes to try to do give him, and he said, and he said, he said, I'm not e-chaping, oh, fuck you. But...

It's how to work to work with Serge Terrio? It was fun. It's all the fun. It's sure that Serge was particularly, you know,

the moments he he'd never, he'd never, what he'd be, what he'd be what he'd, and, finally, it'd, you know,

it was a, It's a gestion. It's a gestion. But, I know that he had to be the same a little,

so I decided to be very a care with him. Sometimes I talk about with him, I'm like,

I'm an idol for me. And I'm doing, you know, a coffee, you know, oh,

yeah, oh, yeah, we're going to get to get a coffee, and see, all the whole

all, and he had superbe in the film. It's formidable. It's really. It's really. It's allversive.

Bluversant. The scene the first with the chip where he's to make open the door to be

the door to do you know I'm to make brawny me yeah, and you're too buggy

you're just to be able to the morning you think he really, you think that he'd really that

had a gang of garage and he had been a lot of his own vulnerability also with

his debut of the malady it's a great actor we're we're talking the

the viders, the portiers, the Dorman tantal, because you've created with your friend, Pierre Rivard,

to have played in the night, it's immemorable. You've played with an other grand, there's Julian Poulin. Julian Poulin.

I just had quitted. Louis Champagne also, which is very good. It's how to to work with Julian Poulin?

That we had a few in this genre of role, it's evident that it was associated for to always

to Elvis Graton. There, he us made, he us much emu. When we

we did the auditions because when we did the auditions I participated in those auditions so I'd give the replic my role

was assured so I'd give the replica to the other I'm at and I'm in confidence also when you

play with those other and there were pods there had also Tianan and Glenn and that

the productress and I see the line-up I've seen Julie, Pooley you know like all

all the other, I had, you know, he had made a party and all right, with Follardo, but it's been a little he was very,

very associated to Elvis Graton that I never, because he had had been the return of Elvis Graton

in the time. It's so. So, associated to the comedy, let's, more burlesque than other

things. Designed a great tret, let's, at a big crayon of salt. And,

but, but, there, I see, the line-up, I'm, yeah, Julianne Pooleine?

Yeah, Diana Zwoe, I'm sure I'm going to see, I'm going to see, I'm going to be in accord

with that, okay. We're going to have passed many, it's very good, in auditions,

but nothing to create a mother, you know, and there arrives this, this,

this good man, so, so, so, gently, I'm sorry, genuinely,

I'm sorry, want to do not do you, a mule, you know, a muleau, you know,

he rent, Well, I say, hello, hey, how it's going to be? Clod, I'm content to be. Well, it's all you who did you? No, yeah, you're going to be briefed. I mean, I'd be briefed before, you know, they'd be briefed, how we'd have to do, like, and then we'd have to start this up. And then, I said, well, Julie, look, you're the most vieue of the gang.

They're called the Vue. And you're going to lose your job. and your job, it's all that. It's not complicated, and you're chum, me, and Louis, but it's a...

So, there's just that in life. Rien, just that. Okay. But the scene, one or two,

he's super good. He's really super good, he is touching at death. But, I'm just a little to the Q. You know,

I said, okay, I'd know that of Junio Pooley. There, there's a scene where he'd be more

more rough because, you know, we're in a head because, you know, we're trying to get to get so they're like

to understand that they're old school in plus, to understand that are able to be able to t'clock

there's a minute, so so, so, so, so, we've done to be fashed, he'd

arrive at more. We'd have had a one, two, three times, he'd not,

to be, he'd never, to be, you know, to be, and then, you know, we'd

We just took a little break, and then, he said, we know, he said, we've got, we'll have, we'd, we'd, we'd have it, we'd, we'd, we'd have it, we'd be able to, we'd, we'd, we'd, he'd be able to, but it'd be Radio Canada also. You'd have, with the tape, and it'd, we'd, we'd, I'd, I'd call, and I'd, and I'd just, and, then, yeah, I'd say, and, yeah, it's so we're we're we're

we're doing all the other you know you're there it's so the person but

you know that you know that you think you're able to you're able to you're a Dormand

you you're really that you Fach too okay we're

we're one two two the third the third the

there's not cried there It's just her farce. He's in the eyes

full of the and you know, the dands there's a lot of there's a person

in the name. Ah, see, me. And when you, you know,

and then, and I'm, and I said, okay, I'd me make a pipit

to, you know, and we had made, and, and then, then, we've made

there, he's part, but he's parted again, you, like, like, my God,

I'm excuse to be there. Yeah. We saw regard, Diana Glenn, Bob, and we've made,

Chris, it's he, it's he, it's so. He, he comes to try to what we

have done. And it's that's the man that had started, and I have done

three years, more than the fun, I've been there's not had a conversation in my

life, I've not had any any a real conversation of home to home with my

father. Never. It's not not happened. Like a many of a lot of my age.

And with Julian, I had. Julian was more than more than 15, 16,

years than more than 15, 16 that with. In the series, I was, I was a

little paternal to Louis and I, and I, and I, I was the leader

aggressive, the little leader. but he was the sages and Louis it was a little bit

a little a kid he's an old he's he's really a guyson

but he's but he had some of the conversation we're jose in the loge

we jose had of everything and at that I'm there had a separation Julian

and there had there had some problems I think to have to have

his and it troubled so he he was very very emotive so that

I mean, I've had these conversations so much-touchant with him. We've read like these ballads, also in tournant with him. Because we're in the moment

dramatic in the night, but there were many times, there were many times. But in the tape and there were not even worse because,

Julia, it's a main cave. And Julian, I'd really the family. And we were, and we were, and we were,

and we were, it was a lot that had danced so, so there were many people, and some, we'd say,

Julian, Julien, rest with us. Res with us. Focus, Julia. Yeah, she's correct. She, she's correct. She, she called.

Rebecca, she came to... He'd know the names of all the world on the plateau. He could say their CV where's who came. He had been, he had been. There were...

All the figurates. All right. They had been all new. So, it was, it was really... It was really a condeer,

Julian, on two parts. Really. It was not too conscient of... I never met He seemed not too conscious of all the love that the Quebecois had for him. There had a misery to bring that,

Julien, we'd say. There had no misery to, there was no more than to, because, no, he would have done, he had, you know, I've had some, I've had some of, you know, and he had fun with me, he was fine with,

Louis, with Julie Beirot, he was, he, he was enveloping, but, but, he, to receive, the stock, it was difficult. It was, yeah, it's tough. we'd say for

him. But he'd finish by the problem, you know, but I think it

has always been always and mal-alase with Elvis. You know, the love debordant,

it's been something, it's been something to be too gross for him, he said,

I'm not to say, I'm not to the old Elfis, all the people called Elfis,

It's a lot of the other. It was a bad or the other. It was a cash-22 for him. He'd be like, it's not someone who had the bono and facile, I mean. I'd call it the beauzeeotrists,

me, Julian. There were these eyes tendre, but all the time a little bit of melancholic. But, in a meantime, it's a way of co-cave, you could make some jokes, it's not probably

that he'd be able to have to be it, it was really a medium toton, he was droll in tabarwet. What's he did like like? There's all, those,

But Louis Champagne, it's a medium. He's a cave also. It was a droll. And one of his pleasers, it was to decohered, Julian. And then to let me have decrochet. And then, he is droll. Louis Champagne, he is really very droll.

So, Julie Perrault, who, she, she, had, but non-stop constantly, so when we'd see the three, the poor Julie Perrault, she, had been able to find his sin. It was effraiant. and Louis Champagne

and Julian adored that to make cracker Julie. Julie, it's our, Julie, she would have

that say, I'm my three, my three protector, my three, my three of Armand,

you, and it was, it was the reign, it's our reign, on the plateau. Is it

you've been in contact, Julia and you? Not a lot, but a time time,

I'd have called, a couple of months before his death. In a minute, All right,

you know, he's in the campan, in the boar, you know, you know, it's Clough

the little, uh, the little O'clock, hey, Clay, Darlene, and then

and then, and then, Marcy, hey, it's, it's, you know, it's a

thing, you know, I think Louis, he'd also, they're also, you're,

they're, they're, so, we're, they're, the first, The first film in which you've played,

is the party of Pierre Farardo? In which Julian Poulin. He also he's a scene disheerant when he is

invited to and that's a blonde and that The Coeur is a Boathe Is it?

Is it? Is it? Is it? No, I'm not Croasie. I've not had the chance to be crosser

in my journey where I were there. I've not had this chance that. I've been chaste

to work with Falardo, you know, I've had a little role of nothing, but it's not grave.

He had been to play at Eleni in a week. I think he had seen he'd have used to say,

oh, he'd be called directly to Farlardo, sometimes. You're not by the image, more,

it's a bit like the plume, the traverse of the cinema, you know, the institutions, he s'

crissed a lot, and I, and I'm not to meet, I've been the chance to turn a day

with Falardo, and the midday, oh, the guy, I'm involved hot-dog, and he

I mean, you know with us other? Oh, yeah, yeah. So, you're going to go ahead. You'd have to go ahead. Yeah, yeah, we went to go. There was a little room in the corner, and then I'd listen to Farlardo and I'd, and I'd say, and I'd say, I'd say,

he'd probably, no, no, and he'd, and'd be able to, and he'd be able to, and be able to beckon. You, it's not a bougon, like, all the bougonue, or anything, you're really, you know, someone who'd be, you know, these people, you know, people are too often, when they're

He ried, it's extraordinary. It's like a... It's like a buffet of oxygen. Yeah, it's a lot of a little visage that's developed before you, you know,

and when he ryeed, at a moment, he ried, who's got, who's said he'd had fettry, he'd conted these conneries in the bar,

in the restaurant. There, he ried like a malan in two boucher of dog. So, so it's been a great,

a great, a great, a great deal, I just this chance that, and I didn't, it, to go to work with his alter ego

a few years later. Julian, it has been a encounter markable. You're talking at the instant of the moment difficult that you traversed on the plan personal during the tournage of

the night of course and that Julian Poulin traversed also. Is that aid to offer the mayor to his personage than to be

to be tornated if we had to someone? He's what is the case in the night night of night. It can.

It can. but in the time, I think you can be in plain bonner, and you can't make a job like for a while, and it's it's not, but it's sure that

on certain affairs, probably that in my night of night, I've got some things that were not in writing with Pierre Eve, this

series that would be much more comic than that. Well, it's sure that on montage, we've got to but we're doing all the time,

just a cliché, and then I'll do time, we said, we've got to forer by our inconsiant in writing. And it's been a lot more deep, more dramatic, more a more more, more a poisey noir than a comedy. But

it came to us, it was of our two guys who came to turn to the quarantine, so, all our demons pasted, and all our interrogations of present, and all our inquietude of the future who he sorted. So, all that, it's

out of the writing. And then, when we've written all that, a moment, after the first year, it'd have to play, and then I'd have regarded that, I said, hey, I'm you put in a marne, me, to have written

that? It's going to do you. It's going to be days. And I'd say, and I'd even not, if I had, at this time, I'd be seen, I was, I'm not very affirmed as an actor,

not very solid in my head. You, I had a level of confidence that was a chateau of card. But I'm thinking, how I'm

going, is the potential? For the real, it's my, is, is the potential

to play that? I have the potential for the create, I'm the potential for the potential to try to

work, to have to have a car to a barterier of the route, I'm,

but for that, but how it will do you do? And it's that

that He's He's done confidence. He made confidence, who has directed like a master, a chef of orchestra

hallucinant, a matter in scene, a meter in scene, and someone who can be able to

make a tetris with the emotions of a scene and the emotions of the personage. You know, all the time, all the time,

he likes that when it's when it makes chaotic. And I'm chaotic in life. It's like

I'm organized but just to get the right to rotter, you're the right. Thank you to be able to

if you're if you want to, yeah, I'll bring that and I'm going to be talking to

something super important. I know, I'm going to suffer from I've left the same. I'm trying to

I'm I do respect for my invite for my inveter. I can't I'm not their rotte

to the visage. I can't. Is it we're No, no. No, no, I don't know. Okay. It's just, I'm going to die.

It's just a boy. It's just a good debut of, if it had been a last interview, I thought that we had something if we're taking something. Yeah, it's true. You know, I'm sorry. But how, concretely, a realtor

works with an actor who has been to gain a little in confidence? I mean, I didn't say that I had been to gain in confidence. By course, I'd say, often, and I'd compare it when we're going to work in the year past, we've worked

together on the collect. Some, I'm not sure, I've worked with my affairs, and I say, hey, come on, we're going to see that, boss. And then, he me I'm saying, I don't know. I'm saying,

now with him, I've seen, I've seen, I've seen by these realisators or realizatrice, yeah, no, it's going to you, don't,

that when I understand that, man, I've got nervous. It's, they say, they're not

less than me. He's going to say it's all right. On the cross in the door. It's really of the mouth. So, Pod, he said, I don't know. We'll have to find. All right. I mean, it's all right.

It means that he will be lachers up on the way. You, we'll go to do it, we'll pass it to travel. So, there's been a scene very complicated, as soon, and... Pod, he was very encouraging, but he was very...

He'd say, like you want, I mean, I'm going to descend in the cave, the bar, and I demolit it all. He'd say, how you want to do that? I just, I don't know. I just, I don't know. I don't. I don't know.

I'm going to decryce, but totally, there probably, like, you said, I'm going to say, I'm going to search some things in front of, who'd dormant, before a good bout. I got petted in the gull but in the box

of carton and the chases that I've launched in the mule when the scene had finished it's that

that's the more the scene had ever more he ried no, he had to contact had violence

I'm sorry when the scene he had left his head and he said

tabar mac and he he ried and he had a arm to the

eyes he'd say whyon don't can you can't do you can't do you

can't Well, we're finally, we're doing two. And it's been super content. So, at the part of the other, I'm just, I'm content, he's happy, he's not, my confidence has grimpy, tranquillment like that. After that, there's been the scenes of intimacy,

the scene of more complicated, more hard. It's been able to be there on, because he's super accompanying there in, and he doesn't confidence, it does, and I don't know, but I've heard that

because of an improv probably I'm a if I'm a if I'm to play at Lennie

in the league major, in the league university, I don't not, I don't know the cut of

I'm saying, if you're a 10 minute and it's for 22 minutes I'm there I'm not not really

if you see, not I'm going to continue and Paul he was he'd be at a

minute, he'd be seen and he had never no text there, and he'd

could not. I mean, I'd continue. And then a few, he'd prented their butt, there'd be, and then, he'd let's continue. In improvising. In improvising, because we

knew what we had to do, we know who we'd as a person. So, it's it'd give a confidence in moody. So, I'd tell you, the

meter in scene, the realisator that made, that's made, that's made, that's made, it's really, it's really.

How is you have applied to be an actor? You've often talked, of the influence, the role major that the improv has played in your life and in your career, but the improv, is a type of game particular

that's not the same than when we're in a camera. It's these cousins, you know, like the theater also, it's just technically, there's a level, well, you have to be in a good place. You have to be more far,

but to try to get a moment, at the television. I'm still trying to be someone of I'm someone that's I can be extrovertis, but I'm

introvertie also. So, I'm not the rectangle or the core of the television me vauby.

Because I don't know far. And I've learned that also I have to be that you

don't know that's about it. So the level of the game exaggerated, we're not

not made not. You're not making in plus. You can't like that's So I think that's

I've been I've seen a thing the research like in the literature, the literature me had been

to be a good actor, I think, because if your scene is a is very, there's a

lot of your scene and in your game, the world that's it's always in line it

on the in pro, in improv, I, each improv, I'm a question of life or more, you

I'm really, it's true what I'm even if I'm trying to chaboshy on a shovel, in an edifice in in a pro, and couriered by

a gang of Skenned, it's true, I'm, I'm if you're doing I'm not, I'm not, I'm not, I'm not, I'm doing,

for that I'm the comedy French, the comedic francis, there are not, but the bonn, it's that, they're not,

they're not, they're not, they're not, it's not, it's not true, but in the time, it's not, it's like,

it's like, It's like that I've developed the in observant also the other you're observing other actors that are extraordinary and you say, wow, okay, tabarwet, why it's it too,

you look, and you say, because he's not because it's not far. Too, it's like to pass, it, too, it's not It sounds simple when you're explaining that it's not.

There are some more easy than other. There are some things, it's more complicated. You know, these scenes of emotion Braille, it's not that

that's the more too. It's just someone who has a good to braille and that's the more tough to do

and that and that's more more more touching than someone that's that you feel that he has

the good to explode but it doesn't that's to do to do to do

to do? With 15, 20 time to distance, what you get

this period of your life where you've passed of an actor a bit of icon, you were venerated. I'd relised the papers,

there's interviews with you at the time of 192 also. You're treated like a prime minister, but a

prime minister that we'd very much. I'm not the prime minister presently. Now, you'll have

to beckarri. I'd have been able to that you'd ask, Francoe, my character The first of the bye-bye,

it's the monsieur who's not capable to say bye-bye. It's not a boy. It's not right. He's not

where he's where he's the first person that I'm the first time to play. It's a a faux pop

of Guantel. Well, he's going to find a man, he's a miserable to say,

he's not to get, he's got to be a pereux at the head, and a moustache and away,

and then we're there's that I'm not pain, it's not pain? It's not bye, and it's

the sole he's there, but we don't but we're not what he says. And it's who's a Mr. is a question

is a lot of maybe a mix of things that I 've got to be in a shot but yeah, it's not right.

I like the man, he's not I'm sorry. I'd probably a time of a hour

with that Mr. I'd pay 50 Piers to go to go to be yeah, we'd have to

have been there'd be put some you'd be some you'd say, you'd the other

the other that at at this at Each word that you pronounceed was considered as a word of the evangelist.

You've even published a biography. What do you get today on the clode lego mania? Oh, boy. I've certainly

realized at this time that I've had an enormous pleasure. That's, it was... It's not

that's not no, no, no, no, not, no, no, not, no, I'd be able to say that. No, no, no,

I'd have been very my life, in plus. And, you know, Pierre-Ive and me, before the end of the years of the years of the 90, we've worked as well as, my view, but without, to obtain, you know, and there I had an impression

that it was all the vendange. You know, I had also, I'd be proved a lot of me even, also, that, like, my God, I can, with Pierrei, I could write these things percutant. I had, you know, We've been to create the galaxy also

that's kind of that's quite we'll be able to talk about a series cult, actually it's been, but we've been an idea

at this time that it's a cult, but it's in a thing to be something of monstrous and as

as a, as a actor, I, I had seen for several years ago, I've seen Luke Picard

in Umberta and in a moment there's a scene where he saw that he will be an infiltrate

there in, and he got of the time out, and he's not sure if it's that, and I'd see, he's allume in the smoke he can't, he's, he has a fear, he's afraid, I've seen, I said,

calm, fair, that this guy, I'll, I'll just be able to, and I'd be, and I'd say, at the time, if I could play a third of what he's capable

to do, I'm going to my life. I think, I think we, can't say that you had to get with, with my Mark Foray,

and you're trying, I think I was to arrive, to, I'm, to have to play in his tally with him, at his, at his, at his, at his, at his, on level of all. I mean, I'd never be able to do that.

But I had seen this guy there, and I've done, he's good. He's been born, he's been a lot of way. But, now, I'm becoming conned, also. It's had been an other affair. I, you know, I don't know what it would have to become connew, you, see?

And what's what it does? Well, it does advantage. It's a man, it's a lot, a lot of advantage because you can't you can't you can't

you can't you work to work and it means so that you don't feel the head

and you become a perfect or that you realize that attention it doesn't do not

it's awful you know I'm doing and it but it you're going to be the savour of

a moment that will be able to get to yeah it's so it's all it's so it

it's it's been long time But I established my at this moment I'm able to write and I'm able to play,

so I'm able to do you're able to do you know I'm able to find my base and it's able to work after that and continue to

to continue to to work but to be also known in the space of an year,

an year and after one a year and a year and a minute so it's effriant you know at a

at a level of it becomes different, because there's not the same contact with the world. Now, it's

like, okay. You're not just with the girls? Not just with the feet, not. Partoo,

now, where I go, it's just, it's not that's not, it's not, you've got to TV.

Hey, you're not at a party, the other time, the world to be a language

with a person, but he don't go to be to be, you know, but

but there, it's systematic. You go in the pharmacy, to buy the capote, they're trying to look at least you're trying to

I'm going to I'm going to they're going to do that that's all right. The mark the other guy, it's too cheate of caoutchou.

But I'm not a minute. They'd not be done the munitions. Oh, yeah,

yeah. And so, so, And that, it's a thing. So, it's a good. So, you know, to be in form to be to have to be able. After that, it's the parole.

I've always used, not a grand yell, but... Proche. It's to say, I think, that I could say, my opinion.

I'd never be invited to say my opinion on these shows. So, I'm in case. But if I was at some, there's a where, and,

there's a debate that parted, and it's froisset or whatever, I could launch a line a million-pirece, like we're saying, and it's like

that it's a lot of all the way. If they're they're going to have to decalice these banyolee because we're not that they

do you have to be passive? That's one of your declaration of the subject of the crime of 2012 for the

for which you are quickly I'm not retracted, but I'm not retracted, but you were the side of

the students but you were not I'm not I'm not I'm not not more. But I didn't like it, I didn't know, his government, I didn't know what he

did, I didn't, I'd like, he'd be sneaky, he'd make sure. So, I said so, you know, because I'd even that's, it seemed, like, the pudriar, and I thought that the government, the way of federate, you're a government, you're supposed to, like,

the, as the Prime Minister, you're supposed to the popat, the population, when the Shikane is polled in the family, you're supposed to try to attenue to attenue it. I'm supposed to try to attenue of that. I think that's I think it's my idea.

I think it's my idea I think that I think I think it would make the marble. Well,

then after that he'd preter a rab and all. But, well, effectively, fired the

chors, the citizens at the end of course, it was not a good idea. So, so I'm

taking that. And there, it's like Camille, my agent had come to me because it

had been to me to me brought with the journalists sport Also, it's

arrived a couple of of times. With the journalists? Well, to say, a moment, prene your polo,

the canasier may not, even not push the puck again, the game, the season may not

come back and they're not that they're not going to give them to give you do you know a chance.

Finally, I've said, it's always the name of the mongol that's called a line over, and

brief, it's never not, it has a couple of effect, of one, we don't do that,

in plus, and I'm it's not question of view of the more, in the case, it's not... Absolutely, not. Well, it's not so grave. Well, it's not very...

So, now, Camille, my agent, who is very, very, very... very... ...preoccuped by these... Why, he said, Clod, there's an affair, you've got to understand. She'll have seen that

with other actors. I mean, you, in your head, you're still, you're in Claude, or Claude. And it's true. But for the people, you're Claude Legault. I'm right, but it's my name.

No, no. You're Claude Logo who in a great I'm at a night night,

you're in the salon of the world, you're in cinema your your word

now, she's scruted at the loup no matter what you imagine

in this time that imagine today. Yeah. So, you have that you

have to make you make a attention now. I'm okay and it's

that I have I'm to get to learn to a part of my

liberty that's the the price that's a price of liberty that you can't, it's a part of liberty that it's correct, it's a great, it's a very, it's a very old galartist, and then you said that it said that it did that it had to do good to receive so much in a period of austerity and of coupure savage. We had changed the Prime Minister, but it was still the Libero who are at the

head of the province. That's a declaration, it's a pretty, I mean, it's a pretty dull, like a declaration. Yeah, but you've got to enter into by the Libero. Yes, but why, it's not a problem, so, that we confiscate the that every time that an artist that would have been, a aide to liberty,

it's pronounced on a subject like that, we'd like, you'd have to tear? Yeah, but at the same time, who proposes you know, you do it, you know,

you've got to be to get to your and there's a lot that's not that I'm going to be, that's, I'm not to be able to be doing with me.

You know, we can't, you can't be chie, I'm not to trouble with that, you're not don't, you're not

But I think not that they'd try. There are many also who have done there's a lot of

for them right. Yes, because it's because it has been very much there's,

and then, and some, and some some of ex-ministers who had to do capital that's true, I'm not

Chris, they're saying serious, it's serious, it's correct, they're not they're not of course

with me, it's correct, I'm not there's not there, I've been there some there,

there's not, there's not obliged to to be with me. And, no, serious, seriously, if you have

all of all, we're not we're not in a system of democracy, we're not in a system where we can

jazes because we see in the world, there's plenty of, guard in the United,

the people can be people, they're so, so I think, I think, I think,

you know, you're not that, he's not after that, it's, it's, it's not,

it's not, it's not, it's not, it's not, it, It's me who he said, okay, it's correct. Your sense of the indignation, it's where? Look, look at the world.

It's easy. You're not going to reason to be indignier. Facil, to be it. You're been like that, already, adolescent? I've always been the same. I've always been to be. I've always been, yeah. In fact, I'm a sponge at positive.

You know, when I'm in a place and it's positive, I'm going to remorse all. When it's negative, I'm remorse all, too. That's a problem. I have the misery to gregory. If it's anxiolytic at cause of the geopolitic or all, I'm going to become anxious. You know, like presently,

as cause of the gross march that I've been of Donald Trump. That's the etron Yeah, I'm sorry, I'm anxious. You know, I'm anxious of the situation in Europe, I'm anxious of what's what

is going to be in Africa, I'm anxious to the bank of Gaza, I'm anxious to the economy, of all, because we are I'm who is a fan of history, we're really in a mountain

that seems at the mountain of the 20 and the 30. And we know how it's the end up to finish

in Christ. 3945, I'll not call that a bell that. Your uncle Evarist

who has combated during this year that what he would be what he would be

at the point when he was at the point when he was not the level of conscience that, you

it's a He was a young man. He was a farmer on a firm where, like, there was a radio, perhaps in the village. At the new Brunswick, he said, at least, he was on, on his inscription, why you want to be able to get,

and he just marked two-fight, he'd be there's, so he'd be spogne with the world. He'd had to be sponging with his allies. There had some people. He had some of the other board, it's not peree, he had to punger some time, a time,

because, but he... But he'd have talked to all that when you're... We've been a lot. But when I was in front, I'd have made the war, but I couldn't not quite the second

war. Okay, my name, that's the second war. You know, I've that I've heard of the Canadiya that had made the

war, because if you'd see the cinema at the time, you'd just that had the American people, against the

Japanese and against the Germans, you'd just the American in all the films, it was all the films,

it's all the British, oh, oh, the British, oh, oh, the Canadians, who's carted the naviers,

in the first year, not the Americans, the Americans, they're going to enter more later. You know, all that, you can't feel like, I said, my uncle, he's batted, okay,

there's in Italy, poof, okay, okay, my uncle has seen the world to die, okay, my uncle has been

to be dead. It's also, we'll be... We'll be... It's all the problem. It's all the problem. The gas, it's not a show,

Chris. It's true. But the war, for me, it's the worst to do that. In the humanity, it's the worst thing. Because the war

it's entrain to what? It's an end uproment of the economy. You've no more of the food, there's no food, there's no medicine, there's no of the war.

For those who who are the subis, I don't know, for those who are chubes to make these bombs and the aviom full pin for for for fornir Israel

and then Ukraine and the chum a little partoo. Not that. It's paying for people. Because, no, there are not.

I think that the war is payante for the world. The First World War had been very payable

for the companies French and the other and then the companies American, it's very paying the

war. But it's an horror without no. It's terrible. It's the famine also. It's all

that, and we have constantly. it's cyclical. I think we're these imbeciles, of us men. We're trying to be

happy, we're tanning to be a man. We'll make the mark. We've got to start. We'll make a note sick of horror. And we'll arrive to the end up.

It's, hey, it's all right, we're going to go ahead. We'll go ahead. And we'll reaffirm, we'll reaffirm. We'll have the most never,

we'll never, You see, the First Guard Worldial, it's the d'air, the dare of the dare. The last year, it's the only, it's been. A desire, an espoor, that's not avaried. 15, 16 years later, they're on toped one who has made, you know, and he's made it to the bomb atomic.

Hey, it's joyous, I'd say. Let's talk about something of more joyous. In a galaxy, pretechey, you? Yes. Is there still things to say, there's a lot of you, who have never been told? You've said? Well, there's

a documentary, there's an interview, it's a series that's decontiqued, second by second. There's a third film that's you came to depose the scenario. Yeah, we've deposed the scenario. So, now, it's in the mind

of the institutions. So, we're at times. But what's what this series, prove, is that when the TV is audacious and it's the same thing to a certain point

with minuil the night, is that when the TV is audacious, it can give a very, very beautiful things. Is it you think that our TV is sufficiently audacious? Well, by the moment, yes, I think,

there's a question of budget also, now, I think that the TV has been punctualed for years and the years, so at a moment of a day, I'd say, it becomes a bit more familic,

the way for to do you know, today, we'll be that, we'd say, we'd say, we'd say,

we'd say, we'd say, we're going to be going to be that. And it's not about

there's a 19th two. No, oblivies that we can't not be nine two.

Because you, you regard pretty all the series now, it's found in

these clos, it's not so it's not much, it's just, and there's there's really

really, really, really, really can't make much of action,

Yeah, I can't have two shots in the same episode. We see, we're getting there. So, it's difficult. It's abrid the creation to have to be able to make these calculations when we write a scenario.

Yeah, and the famous adage, yes, but often the contraint to make a creativity of that, and I'm going to say, that's, that's, it's these

phrases at $1,000 for to make gobb that it's correct that we can't cut in your budget. That, I'm excuse, it's the same when you're a

government says, well, we're going to develop other, no, no, stop, when you cut, when you

cut, you cut not the creativity, but you cut the possibility to do something to do you, you look,

the platforms that's develop at a v. In the most of the people, in the

case, you look, you look, the series that are in many of the Scandinav of the

countries, some, even, of Africa, I'm, I'm the impression that they make

more more not to have to be. I don't know why. I don't not. I don't know how much. But it's difficult now. But as an artisan of this telete, you know, you know, we're you know, even the productors of now and all that. All right. All right. It's difficult. I'd have arrived with the project 19-2

today. He refused, it's sure. Personn't can't that. It's impossible. Even in the last year, we'll be able to try to have more, to have more, to have more, to patroo. Chris, he's going to be two guys in a jar. But in a meantime, our productors were very comprehensive there but I'm not sure

that we're not able to find in a fourth year. It's true that Canal Family you have made turn a pilot in France international? Yes,

in the galaxy. We've been we've been a bit of success malaisant that was radio infer. Successet malaysant

for, hey, it's me that got to get irritated? Do you know? Yeah, I've seen it for a little

moment. You've been so? And it's good. I could say, I could say, I could be vented for the rest of my life that I've

I've seen I've seen Claude Leggo rotter yeah rotter in retinue No, but it's a

all in finesse But it's like we It's like An rottenue To your Improvisation Livre

And for them A rot Subt Subt Oh, I'll place I'm To bring a

sifflet for that You're Okay Yeah Radio on fair Radio

Anfer Radio Offer, functioned at fond. It'd be like to say, we're not to be right. You don't

compete not. You're not I'm not. No, I'm not. I'm not in a state. No, okay.

It's been a great success Radio Anfer. And by the language in Radio Anfer he was sloppy. You know,

moat, and sloppy, and very keb. But the young, adored that. And it's good,

Radio Anfer. You can't think that it contributed to the success of the series. It's a very ingredient. It was natural. Very, very natural. And it was energetic.

It was a very good series. Yeah, played, being turned, well, realised. The Kid,

they'd capote there on the end up. We, we'd have, I think, people, not totally,

there were in a family, who had made that in all of their entire, and there

other, who there's not at least with the level of language. So, when we're

we're an impression that there that have who have wanted to say, oh, this new series we're not

not going to we're not we're going to get to get on the language. So, like,

they're made a pilot. But he wanted that we wanted to a French international,

which, for me, a language that doesn't exist not. The French don't

not not. It's the idea, that you're in fact with the result of

it's so that it's so that it's not both. It's not So it's a pat dame. You know, when you

listen an actress or an actor or a actor-jew, it's like to listen a musician. There's a music that's a music that's out of his mouth. A language, it's a music. It's a jazz or it's rock. The Quebecois is a

music particular. It's exists nowhere. It's not. The accent of Provence, it exists in Provence. The Antiet, he part in a way, the Magrebans

in a other way, they're in their French and they're their accent us. We do that.

And, well, the decor, it was not that's not color, it was a mission too baby.

There, it was also the time of, we're doing a focus group. It's correct.

And it's these people who have a science that we don't know we're not. We've

made a focus group. That's a public before the We're going to present. Yeah, and we, we're

cached the other side of the VIT, and we check our mission to find out of a piece. By the people who are not

necessarily of the specialists. No, but they're to be showing it's like, but you do it,

you know, you know, if you say, you know, it's almost to the aguilly to like,

not that, you know, but at a time, he had a reason to not like that, I'd say, we'd say,

we'd say, we'd say, he'd say, France International. It's the reason. The kid, it's not not. And the decor,

it's not that's not, it's been quite, it's quite, it's been, it's a lot. The pilot. Then we said,

well, we're not not far as, you know, we're not we're not, there's been there's a discussion. You know,

Jose Farsi? Yeah, a firm, very important in the world of the comedy. Very important in the life of Pierre

and me also. And, And then, and then she said, well, they're going to be, but he's not been, there's person who will tripe there on the comedy, it's a time. They're not doing it. They're not trying, too, it's not detain, like, in the family. But Charles Patnode can't tell you, in France International. Sean Patnod, he is at cheval all the time, and it's so that that's funny. But Guy, Guy, Guy, has jazzed his personality, he's he's fabricated, a little, a little.

But that, so, we've put that to side, the France International. And there, O EFSI, there was a demand to do that in front public, like Radio Enfer. We, we know, not in front public. The level of joy, you're obliged to have

another level of joy, plus theatrical, plus gullet, plus veller, we don't want that. And we wanted the 4th Mew for to put

to make some effects special, and we're in the space. It's important to send the wicklough.

They're all There's not They have no more They don't have chosen Yeah, yeah, it's so So, it's not, so it's got to be,

and after that, we'll make some re-en-en We said, we said, we They said, we all they said, we've got to

And we're done, we're there, we're not, we'll make not a rick on can, you know, we'll make not a rick,

so it's not that, so it's not been able to that, so it's all, we've had all all past these steps

there, but it had you've had to be your boot. Yeah, we, we. But we had some people who

were at our family, and there were I think they'd more what they'd be more, someone who's

my friend, I'm not, and I'm going to, and he'd have responded maybe because she'll make a point

not a joke. Pierre he can be quite also in these responses, so, but finally

we've, you know, I've read the book that William Shatner has written on Star Trek.

It was funny because at very little scale, we'd subissed a little bit the same problems that Star Trek, who risked to be flushed to almost, almost, you'd say, it's, it's going to be flushed, it's going to be flushed. We also, we had that in the first year, we have these cuts of semency, like, hey, that, we're not...

You know, it's not sure that we're not. Not to do. How you go, Claude? Yeah. Yeah. We're scared for you, for you, a little bit of years. Count me in that. When you've

your impugement, yeah, yeah, yeah. Until at how point you've

had to be at the beginning to the career where it's not quite a great thing. Is there a

moment where you've accepted all because when we had already had a fear

to not have of a job, we bring all what we're there. There's that,

but I think also, it's that I'm someone bordelic organized. I mean,

I know I'm a badelic so I'm organized. A bordelic that's it takes four more than

someone who is not a problem. So, to be organized it's a time, but I'm doing

so it's all the hours to eat. And so so, I'm, for almost 25 years,

I've rolled a cruture and I'm in same time. And create for the TV, it's an

business a saucer. You know, you're going to get in sort of some of the version, you know,

if you're at some of the deadline, it's not that you're going to be at the time, I'd

write at a time, I'm writing, and I'd even time, and I just, and plus. Joy,

it's not just just, it's, let's on 35 days of the tournage play,

but there there's 22 years where you have to learn of the text,

it's on to the journey where I'm going to write the text. So, there's

all that accumuling together. I'm not de demur. I've never had a gradator.

Thank you for the French international. No, French. No, French. I'm not

demer. It's not demer. It's not off. So, so when I travel,

I'm on off, and I don't think the button I'm the button

red is lit for long and he said, man, your

bad at the level of the essence for the long time. I've been the sun the light

glinted, it ignotate the oil with, the penu your face, you know, I'd say,

it'd time that I went to garage, yeah, it was in these moments that also

that, in these moments of febless that, that are naturally that are

that you problem, that you pelt to the country, they're remount in plain

face because that's not far. You can not they're going to

they're not at force they're not to be in their own and they're often accompanied

of other so they're like a train. They're like when you go to the

little number and you're at 36 and there you're all you have a time.

But it's your problem to you don't to you. In

your biographies you talk of the own to exist It's the expression that you're on the floor

who, at a little bit, who'd abetted when you were adolescent, before to encounter, to find the improvisation. What's the rest of that, in to say?

The honor to existe? Yeah. I said that, I said that's what you said, that's what you, that's written

your biography. Yeah, a mal to live. It's more, in fact, it's, it's not a person,

yeah, we're not a person, an hound, it's more, it's a, it's a, the merit of the

is what I'm is what I'm you know, we're talking in the book, I'm in the book, I'm in the of an accident. You've got to have a friend that's in, when I was in, when I was when I was 5 years,

we were two, and it's he's he who's dead. At because of a camion, It's a carmion that's a carmion that's he wanted to be a carvered like a flash

I'm just I'm gilled and the cabion he's made a job so the camion he's passed and it's

stopped there but I did all so so but but I'm too pretty I'm too

I'm I'm not any idea I'm I'm gonna after that and I'm an infant

I'm I'm I'm no idea that this this bomb that's installed

in me. This poison that's installed to see. I don't know that's been to get to be in

my own like a cancer that said, why you're not not partied why it's he's not

he's parted, why you're living and why he's dead and why he's these things things

things things, it's things. But that it's remount when you

when you a ado at adolescence, we're troubled, we're, we're talking, we're on the sort of questions.

We're still still in front, but we're going to be these demons have been remounted. So, I'm not conscious

of that. I'm not any idea that can be branched to whatever that, like that.

There's not just that, but there was so. So, yeah, I have, I'm, you know,

and then I'm , and then I mean, I'm saying all right, why I , of life.

And then, I'm sorry, I didn't think of this accident that for the years, years, but really, and I'd never, I'd really not, it was normalized. For me, it was like,

well, it's just that, I said, and at a moment, it's, it's not paid in the head. But poppy, there, you know, when these

affairs, that arrive, it's not, like, it's happened to, you know, you can be in trying to get an muffin, you, an afternoon,

in a lot of money, Pah! Why I'm trying to think to that? Do you see that's out? No, I said I've got any idea. I've got to go to the space with the galaxy.

I've got no idea where it's how much where it's the same. But it's because it's because it's a troughed in a lot and a Christy to boot, it's a trough of a miffin and then it's out.

Is it re-frey surface sometimes? Yes, but then, and then, and then, and then, and, same because now

Deny, I'm in my my friend yeah, yeah, I'm like a pain

with that, you know, sometimes in the moments difficult or in other affairs, it pop

in my head, so I communicate with like I can communicate with, like I

know, what's what you do you say to do you? Well, I said I'd

have a better than than that you'd be able to Guard, what I'm trying to do. Look, I'm trying to do. I'm trying to do.

I'm going to stay. I'm going to stay. I'm in five minutes. Yes, some of the time happens to think of that. Yeah, but it's not, it's not, it's, I train that like a,

a, um, a great phantom or a demon. It's like, what you want, it's happening, it's for that, you know, we're talking, we're talking,

we're talking to, you know, what's the, what's going to happen? to all these young that who live what's

what's what's in Ukraine and in Africa and in these war

and in Gaza and if I'm if I'm fockee because I've seen

a car because it's normal I imagine us I'm it's not

it's not too it's moffoon or no it's it will be it's

it's it's it's it's It's a little... Oof. You can't not rot even if you can

me help. I'm sorry. I'm sorry. I'm sorry. What do you do pre-miner against a other epiluism

professional? I choose more. I say no, more often. So, I've got to consider to

choyier, that's accepted to be here today. I'd say but I'm not that, but I'm

don't know, it'd be to come. It's You're going to animate a gala, just for air, at Quebec? At Quebec, yeah. And it's not your first

path in the world of the humor because you've collaborated with comedies in the last year. You've even participated there, there are several, years years,

a day, a showery, in 1914. Yeah. I've made the tour just for a year of 2014, with Christian

Bejain, Patrice Cochro. That's not that? Yeah, written by Pierre-Irne, me, and Christian. And it was a stand-up? But a lot of sketch, a lot of sketch

with a link there was a year there's a bit of that, and we've made the tourne of Quebec with that. We've had you fun in our tabooat.

At what that was to be resembling, your galette? It's, well, it's a lot of I can't

not talk about these themes if I'm going to me far assassinate in certain, there's a guy with a bizarre that I'm suede

before two years. There's a sniper, yeah. Yeah, it's strange. I don't know of our language

he's like, I think, Mafia Chechen, I'm not too. But it will be I'm resembling. I think my my virtue,

I want to do with the whole with the public. It's really, because I've done many, I've done with with Sylvain LaRock. And I tripe

we're in tandem, but I want to be all right, but I'm really on with the world in my number of overture. After that, I've privileged

these sketch with people in the galah. And he will have my presentations also. I'll have my presentations also. But my job also is to am amuse me and to go ahead and get to enjoy my pleasure to me, but I've got to work. It's one of the great moment of my life

presently. Yes, yeah? But in plus, I can't rotte. I've not eaten. We've had started the interview at midi. Ah, it's that. It's my fault. It's me who called at midday.

I didn't want to blame, but, effectively. You've got to be able to do you. You've got to incarnate at a other time. I don't know. I'm going to be a mission that created a lot of controversy that has been retired to the antenna rapidly. Yeah.

In what you know, you know? I think, I'm in the love, the real, it's to say, who he comprehends the empathy, the solidarity. It's in that that I think. I don't know if I I think I'm not in God or whatever.

I'm not... Is your position has to be assupley with the years or it has always been the same? My position over the religion

not is assupley and it's redid and I think that you can't be not to find more rabble than that. I'm fonsherment

laic. I think the laisity protect the religions, protect the religions, it should continue

to be laic. The religions, I, I, I have due respect for Who do you believe, I have no problem with that. But, I don't know any of the religions who

want to be seen as in the domain public and in the politics. That's no. It's always no. Let's the imam, the rabbin, the priests, the curate,

the curts, the curts, the curts, they don't have in our own, they don't have to our laws, they don't have in our schools.

That's, I'd change never of the idea. Because when he grand, it's fudu. But the idea of the

transcendence, you're open to be able to a certain point. Transcendance? Well, there's

something of more. Well, I look at the nature and I'm said, I'm interested

by the space. When you regard the space, you interest to the space, it's a

unble, Blan Tabarwood. Because it's the human that has decided in these cross-

that the world is the center of the universe. And Chris, they'll have you

rated the shot. It's It's really not so. We're even not a grain of sand in the universe.

And when you say, I'm not talking I'm not to ask you. Yeah. And you're not to have not

a ban to have anything. No, I confirm that I'm not fueing. Okay. Yeah,

but the universe, he has a, okay. He can't there. But there where he

then, it's what after? It's what that's what that contains an universe? There,

suddenly, I have the impression to have fuming a bit, and what is the

container that contain the universe, you know, I'm saying, we can't to believe, because there's a lot of

us over the other. So, yeah, I'm not going to and the people have to believe

to believe, also, it's a good-beye of the religion, I'm not a problem

with that. The enrolment negative in the religion, the supercheries in the religion, as we go to

the United presentment, Trump, who's mad to the gang of clun and the salopopards,

of fascists, and the salopards, I understand that you don't I like you don't like that Trump I'd say I'd like, I'd like, and then I'd say, I'd have voted these laws that would have

uprovere, and really to have done, Jesus, oh, Jesus, Lord, man, farm to the year, man, is a little, they're even not jane, in plus. They're even

not chained. So, no, no, no, the religions, pried, most, the mosquets opened, There's no trouble, but rest at your place. Claude, this balado,

it's entitled, Just Between You and Me. For real? I'm not, no, farce. It's not just between a rote and me. Is there a last thing, or a rote, what you do you? A rote, what you'd. A good.

Thank you. Can't. You'll invite, in our gal, just for it. A good show of moor. Depends, the Calambeau, I hate that, but I think it was good. Thank you.

It's a little thing to say? Have you a last thing to be to be able to? Well, yes, and all the people who are, all the people

the people who are. The 10s of million. The 10s of million. What's what I'd say? I can't say I can't say quite say quite, I'm going to

start to start to play hockey. Oh. You've played in a league of games? No, it's a long time. I've been not played.

I've been blessed but it's been operate, but then I'm going to start to play at deck hockey. You play at which position? I'm defensive. It's on the last

to turn. I'm not great. I see. I'm not great. I'm not, I'm not. I get it. There's been like a judgment in your face?

No, no, no, but... No. You think I'm a player of attack? Well, yeah, an attacker, a center that's on a center that's foe, or an

ally who's... No, I'm a defenseer, but I'm a very good defenseer defensive, but I'm very good in offensive also. I mark a lot of defense.

You play in the two sense of the pastoral. I'm going to be in a lot of 45. I'm everywhere. Is who your defender preferring? Presentment? Well, no, no, in the whole history of the hockey professional. Oh, in all the history, my preferring, it's Larry Robinson. All right.

Raymond Bourke, yeah. Yeah, it's my book. The Big Tree. You know, Guy La Point, it's the Caccio. It's like a cellio. It's a good. It's a very good. Barbillor.

Barbiard. We're able to be able to get to be able to get to be able to do not. No, I know not as to

my hockey, it's jeanan. In fact, it's just my regard to deputies, is that I wanted to

say that I had a bit to make the foot to make a man, we're doing the patin

in the bush. The patty, yeah, it's far as. Yeah, it's pretty bad.

It's been very sexy. I feel like like Pott, I just let's You're going to be the bruce continue. But, I'm more, I'd like to talk, I'd have to go ahead of a new line

of open to sport because, you know, we're talking of the trophies that are remitted at each year, a marker, a major player of attack, a better attacker defensive.

I'm in accord. Why, at each year, the price of the mayor defender is given to the defenseer that has the plus of points? Because it's

because it's measured, the performance so measure quantitatively while that a game defensive is being, the deal

blocky? The mayor affatacant defensive. Why? And why we don't not a

major defencerer and a major defenseer offensive? Two trophies. Because I

think the defencers are never recompensed. It's in just. It's been my statement.

It's telling important in the world actual. Hey, now,

your agent and will say, Claude, you have to talk about, with the declarations incendiary. No,

but all the defencers defensive will be called me and say, thanks, man. Thank you, thank you.

Thank you. Thank you. Thank you. It's a patina. Oh, we're not just patine, we've done and we've done

and we've done and we've done we've made, we've been we're right. We're just between you and me

Oh