Juste entre toi et moi - Florence Longpré

Episode Date: September 3, 2026

À l’approche du tournage de la deuxième saison d’Empathie, Florence Longpré parle de ses doutes constants face à l’utilité de l’art, de l’importance des scènes qui ne servent à rien et de l’influence de ses parents sur sa vie artistique. Elle offre aussi ses réflexions sur le rapport de notre société à la maladie mentale.

Hello, here Dominique Tardiff. Ah, well, just, between you and me. Welcome to an episode, metering on a vedette, a creatress, that I had hoped to receive for quite, very long time. Very long time.

This creatress is Florence Lompere. Florence is, obviously, the autrice of the series Empathy, series in which she plays also. The series Empathy It's apparently 20 times in the list

denombed the next Gallas of GMO. It's not nothing, 20 times. Empathy, just here

was available only on Crayve, but know, good news, that the series

will be that the series will be used on the new, until the 8 September

at 20 hour. And I you know in another order of idea, that an

episode of just between you and me It will be recorded before public the 18th September

at the occasion of the Festival. It's a grand festival of podcast that's derue at Montreal. My vite this day will be

the Anne the Breche of Rour. I'm well you can reserve your billets gratuitly to www. Festipode

point C. Nesite not also to you let's a good note or a comment on Apple Podcast or on Spotify

It's a contribution to Rionnment of Balado. And, here, without more my entretion with the sometimes

melancholic Florence Lomprie. Is that you do you do the guitar, Florence? No. No?

Is it not? No. We'd say, we'd like that that to play an instrument, we said,

Dominic Gravel, the photographer and you, you know, you say, but it's perhaps that I think

that I'd think I'd fatigant because I like really I like really really much the music so it's it's... It's not

in the series that you create. Yeah. I think I'd be the person desagrable that's

that's I'm old, who's I'm gonna be able to that. We know that we're

with who we go to karaoke and there's a bit too serious. Yeah, I'm

going to get to on this pence. There, I'm surprised a few minutes,

I was I'm directed to You're a new rue that's not the street, so I've been interposed and I cried a whiff, Florence! And you're returne? And you had realized

that it was melled? But you were not mingled? I'm not malle, but I'd could be malleable, it's my genre also. We're not quite what I've seen, and I don't know you to bless you like that in the beginning,

but I've got to be your genre. Yeah, no, I'm very lucid by that. You're not very lucid. I've made several pairs of gamblant for anything. No, it's so. No, no, it's it's a conned. But no, but I've

been in the corner, I've got not reveled your studio to all these auditors. I don't know just to be in the studio. We're just

on the studio Madame Wood, he's a studio of music or and it's a beautiful, which is very, very beautiful, yeah,

it's fantastic. It's in my Lex, in plain and melancholy because I have been in the coin

with plenty of copen, artist, in an immense love that had parted to be a vulgar

machin at the point. Wow. Yeah. And we co-abit with the vulgar

machin during a moment. Their studio was still there's fun. He was

very very gente. And we were all in pain of love and we were all

trying to try to to be doing to be very not cheer. We have

also some cockerle with me but these beautiful The good memories.

The beau souvenirs are you don't know, it's not grave. No, it's not great. And there's a salte of

my foe. At the hygiene. Douthous. In collocation, it's not always clear who

should charge of the menage of the house of the same? No, no, it's not

always clear. L' envy it didn't be perhaps also. No, but I exaggerate.

We're just on proper, but But in this time that that you know, I've lived with Akim Gagnon, the other one.

It's very ethereclid like group Richardson's Effie. Okay, the humanist. And, and other who have been

with us who could be able to know, there, there were the vulgar machine for a little

book, and there, you know, who are, who are, who are, who are, um,

who are, but, people are, um, Yes, it's true. It was a lot of improv.

There were Maria Madda who'd come in a time that that came in a house sometimes, Virginia.

Virginia Fortin. Virginia Fortin. Thank you. It was a bollonant this apart. Okay, and what's that you can

you know to do you know to Ritcharsend Zepir or Akim Gagnon? Well, there's not cheap.

It's a bit compromise to be compromis. Akim Gagnon we had had some a little of a

thing to do you do that's it's a like it it's a it's a bit of a

bit of a bit of a piece of penise in stirophonse it's a it's really really a lot it's sort of

it's it's a I'm not used the romance I'm gonna I'm gonna I'm sorry I'm

I'm he's probably in a time of this apart. Is it he's nom?

Is there a person who is a personage to be in this romance? No, no no no

No, no, no. He talks more of this time, a little bit dissolution. Yes, it's so, but, right. But reawe's. My reveuse. You're at least in the years

who had been, the end of the school of the theater? It's a long time that I had finished. It was a long time, yeah. In this time,

I, I'd write to theater. I'd play a lot of theater. I'd do many of tournies to the theater genest. Um, I'd have really enormously,

but for very little of of money. But, when I when I thought to think,

oh, my God, it's, it's the galarer. It was really, like, it was really

like the song, but we would say, I was a little to go to a restaurant

to a time, and I lived with very little of the way, we're, we're,

we're, and it's a serious, but for to respond to the question, I

who, it was, it's, it's, it's, it's me. But at this time,

you'd have to what at what at the moment I'm trying to do you have to do you know,

it's a coming to for a for a few for my way, I'm a new my life, I'm

I'm a formation to come and then I'm we're going to the intro, and the

mete an interpretation is, it's made on and as much it's made,

it's very liberal like art for the improvisation. I've been after I've done

since I've done I was I was able to write to but in the art of the

sudden, like I realized that I could do it also with plenty of reflections at my

and I really that. Without having the pressure of the sudden. Exactly.

And of a fool who you judge for a good for a good

for a time sometimes sometimes yeah it's so but

yeah it's mixed and And not long time after, in the same years, well, the, like me, had commenced, and then, by the suit, me, and then, yeah, and, you know,

and you've got to be there in collocation, in a apartment, where de cockerle, it's been ex-appanue. Exactly. Yeah. It's the second time that we've seen,

and it's a peteu, it's in bonso. Yes, it was in a bit of business. Yes, it was in person to Paris. You're passed very rapidly. Yes, I'm going to pass it because there's because there's

because there's I'm trying to advance to you. I'm a little astoned, but I'm salue when you know when we're

when we're going to see a while, we're going to and you're sitting there and you're sitting there because you're Florence Lontrae. I've not presumed

that you had an idea of what I remember my face and there we're all right we're all right at all the same

event, at same event it's a series mania, the festival of series TV that's derrolled at Lille

in France each year, each year, where empathy has triumphed in 2025. Yes, yeah. Yeah, yeah, but then you were in 2020 for accompany

vitrerie, yeah. And then what's that's really flat, it's, it's, it's, it's I'm still that you're

that you're very gentle, you've got written, you have found on Instagram, because it had to bring

a train of Paris, of Charles of Gaul, the airport just at the island. Yeah.

And you me said, what's, I said, what's, uh, what's, you're

attend to and then what he's produced, I'm not to think I'm not quite a question, but what he's

produced is that my telephone was really that's really that's a mode of a on a lot of on the car

yeah, yeah, my my, my, and I'm saying, if my telephone

me're, I'm here, I'm here at the airport Charles de Gaul, and it's terminated, uh,

my feet, my feet, they're going to grow but, but I'm sure that you were,

snob? Yeah, at this moment No, but it's because I I know that we're talking We're making We're quite We're quite

We're quite a minute To get in a train We could have We're probably Yeah, Yeah, it's not Yeah, it's It would be a

Another genre podcast But well I said Ah, well, I'm just jazes But, but you know,

You me snobby So, okay That's so, I've got The occasion of a life Yeah, and After, after

I've been There, we've been there We're there We're there during We're trying To try to

You want To try to interview with you, because it was your great return at Lille, where you've triumphed in

2025, I'll repeat it. A grand word. She had triumphed. And it's not possible because that all the whole people

was in Rolrance Lomprie. I'm like as it's not. But it's still a weekend very occupied for to, that's

true. Yeah, it's true because not only there had Vitereric Joyal, who had

flamboyant also there there and and we We'd also to find the plus of publicity

for the series there's and there's I'm trying to share the time with also, you know, like these

journalists and the people who had about and there's and there and it's sure that,

but it's so it's really it's grisant like event and we're being received every time we're there

and I see remarked but the delegation Quebecers was immense that the idea that

it's a Cirmanianian it's not so that press I had depenched on the place, because there were

a lot, because there were many people, there were still there's a thing that's a thing, it's exceptional. Yeah, and there

there's a who, they're going, but... They've been who were... Yeah, who were, that

it was cool, I thought, it was, it was, it was, it was very very good, and it's, because we're,

in, you know, in the, in the people, we're in many of some of the difficulties, in the

world of the in the in the world in the world of the world of yeah. So,

during this second week we're we're going to we're going to show we're in doing to show,

and we're doing in the joy, it does it did well, even me that's not implicated

in the world of that way, I'm I'm quite I'm actually to observe to see what

to see. In the the little cocktail there were there were all the people were

all you're like, ah, what's what's you do what's I've crossed the cocktail, so I'm not organized by the Sodex, if I'm not true.

There was Henry Paul Rousseau. Yes, a monsieur, very, very important and passablely, impressionant, who is the delegated of Quebec at Paris, who had on place, and there I was seen, and what's he said, Mr. Rousseau? He was very proud of all the team. And I even verified with the little questions he had really seen the series. You had made a pass on a test. No, no, but it's a super remover.

So, in the episode 9. How it's how it's how it's a few. No, it was just a good,

and we wanted to plenty of the fun for the following, because he was content

that we've had been in the Quebec, a little all around and in France,

obviously. In assisting at the price of the festival Ciriamania,

this year, I've really the measure of what it signify the

price of the public that you have been to be my the price of the public. We understand

that it's prestigious. Yeah. But, it's the price that recouped all the other

category. It's a moment hyper important. It's the moment the moment the most important in the game of the

story that. We're talking of an ovation of 13 minutes but I've thought that it's a shift that

was a bit. We're we're probably of nine minutes. It's like every journalist the fact

it's a great but it's not great. for me, it for 20 minutes. All that, that's not when we got

the price, it's after the projection. So that's even not, it's just the restancy, it's by so

who had decided to be to see empathy that's completely keb, and it's really some people of

the island or of France. It's a festival where the people who live

the island participate. Yes, it's not just the people. Exactly. And the allenture. So, it's really, you're in front

your public, so it's, it's, it, it's, it's, to see, I mean, I was also an enormous stress,

is that the people are to understand, you know, you know, the person who played Mortimer, Tomann Dijell

also, it was not someone that we're not someone that also. It's their first role,

dramatic. Yeah, exactly. You, it's, it's, It's more a humorist there and a comedian a sketch. It's not, it's not, it's not, it's not, but in what we had

seen, it was that. So, I had, I had, I had, I had, and he also was nervous to see how it's to be re-sue. So, when it's finished, and I've seen, and I've seen, and I've seen, you, that's, you know, that's palpable, well, it was just, for real, I, it's a great moment, to live in my life of an artist. It was really special.

And you're not at you, so, so it's super destabilizer. I remember of a moment where it's in the first minute of the series when there's

the scene of the divacca. How about about it? I've seen plenty of people,

it's been, and it's and they're saying, oh my man, they're talking, oh,

my God, it's just that. It's an experience more universal that we imagine. Yeah,

exactly. That's it's a good and it's, there's there's not there's not

there, but it's like, there where we have been a little be

droulasse that's to function yeah yeah, yeah, it's cool. There's a

scene, we're talking about the episode nine that's verified with Mr.

Rousseau if he had been he had been in this episode, I think

that's in this episode that the father of Susan

who is incarned by Martin David Peters he he is

on the door of his house he just he he

rems all he He's new, also, by other, he cries, these insanity, he co. And then, Suzanne, he said to have a conversation with him, he'd explain that his existence of creator,

of an writer, and he's not a reason. Because I see where you'd have, I see who you're going to say, but I think. Is it a, and then, your personality, Suzanne, is to reassure his parents in saying, it's useful,

large, it, so it's a conversation that you have, with you in this scene? Is it that you think that I'd like? Yes. I know.

I know it is impossible, but for real, when I was written, I'm not really when I'm not when it

turned. Because the the differe wanted to cut this scene that. But it's very that

it's not a bad, it's really the way to do it, but it's not necessarily progress

the rick. No, and that, you know, I've I've written often the scenes who are not

pre-guess the story, or you're not a or it's just for a gag, or it's just for the ambience

or the sentiment or the pure cinema. So, I think, for a... And then, they're not con,

the diffusers are super, but, like, for a different, especially when, you know,

we know, it's not that, it's a lot, it's, it's, it's truffe of,

of people to talk, and the movement is very interior, rather than in the explosion and

the enlivenment of So we've got been in a lot of the film has been enormously contribute to this scene

that exists. Guilla Yeah, yeah, the realisattor. Yeah, and then I'm really,

very, very serious when we turn, it's the only that I've seen a one of the set, and

he was very emu because he had been very much conversation on our and then

there, but it's that it's that it has been to be like his rapport to

his own it's probably a bit too meta that's it's it's it's

it's it's it's perhaps for me reassure but it when I saw it

I've said oh my God it's very it's very it's but I'm

but I love but I'm it really very very very very

thing and I'm the very, very, very, very bad, right, in sense, and, you know, I'd say, I'd like that, we'd be able to, you know, and we'd return to mortimer, and the DOP, he, he's a very hard that, you've worked, I've seen, I've seen, I've seen, and the apparel, you know,

because, obviously, we don't have a lot of the camera, and it's a lot, it's in-sores, it would have been so it's so, and he's the fact, you know, and the fact of being bursed by what's the

scene that you know, you know, so that's you know, I'm going to do you know, but I was

I was completely in the history and in the idea of this personage that, who is a little nervous

also, and in a moment, nebrose, who he doubts of all before that's had and I

sure that I've not made the parallel with me right. Well, now that

I'm going to now. It's completely there, I think, also. But I think I just

used to use my whole of the little little little bit of writing to well, and what I

would say to say to someone who was even to I'm even, I think it's more that I don't know

in an way, I'm I'm because I think I because I'd not

a lot of I'd I'm auto-censur a lot of what you do do you doubt of the utility

of your work? Ah. Because it that's that happens often? Yeah,

yeah, yeah, yeah, I'm going to I'm not I'm not always, but I

think that my arm has enormously to especially when I 've been I've been

lived in the moment more sombre, or more difficult, or for to learn, or simply for to be able to be able to if we're in,

if we're making it to say, it's super-util, and it's super-thewed, and it's good for our

fun. After that, it's a difficult, it sometimes, I'm like, it's like, it's like,

it's not that. It's just that. We're not, we'd be a life without,

a, without fiction, without music, without spectacle. It would be plattern't, I think. It would be really

platte. Imagine, this piece that is full of an instrument magnificent, of guitar.

Yeah, of color, of tapies, of the people who have to think of color, the lamp,

the architecture, it's, no, I think we're, you know, I'm convinced finally.

You know, I'm convinced, finally. The of the works, you know, who you have made to to intervie when you were

when you were in the noir cell? Oh, good question. In the infance or at any case?

Well, the music enormously, enormously. I like a composer that's called Thomas

Newman. I'm I've I've seen that I've seen the film Chachank Redemption.

that I was in contact with this compositor that. He me in mind in the spirit. He has made a beauty American, on the tendency to find

Nemo. It's really eclectic the compositions that have made. In Quebec, I've really

also more young and I'm like the life the life. It's Stefan Bourguignon. It's a

marked. We had the good to pass the time with you. Yes. It's true

of empathy, even if it's in a context completely different, we have to be with Mortimer and with Susan.

And their joyous band. And the joyous troupe? But perhaps not with all the people.

There are a bit more a bit more a bit more than the other. Yeah. But,

there are there are there are there's there's even not that you know that's even not that

it's just that you give you know you're going to you're going to maybe in maybe in some but I think

it can have an impact even if you don't a bad moment. I mean when I'm

I'm going to do you do to find confidence I'm pretty almost I'm

I'm a god of Kanii West Oh, wow. It's a song completely megalomaniac. Yes. No, but now, it's because you have to have been

to be able to be able to be someone who's in surconfiance for that you're a little bit if I'm a little bit. If I'm like 10% of the confidence of Kanye-West will be able to traverse this moment. But your reason,

it's a cool well. Yeah, you've already trying to try and in court. Yeah, or whatever exercise physical. It can be It's pretty gregal. But it's also that Gagne O'est

has been accused of different things. Yes. It's a horrible in the last years. It's probably for this bout that

that's a little haute. Yeah. But it's between you and me. Yeah. Okay.

Yeah, shh. And all these timbre. I don't to pose a question too banal, but how do you , how they appear,

your characters, because there are empathies that very, very singular like Mr. Dallé, especially singular, in fact,

but I'm still him in-the-the-performance, because the performance also of Bonnebrillard, she's exceptional. It's a magnificent. And, and in parentheses, the person is all the time. He is gentle, yeah.

Really, really. And it's really fun to work with him and it's someone to give and he's really much and who's super-enthusiast. It's really sad. But just to let's push this barb, it's a

good sacrifice to so. Yeah, of him. Of he, it's just. It's his idea? Yeah, he would have to, we'll have left There's a lot of space

to comedians, of how they intervoy their characters. They've had a lot of liberty, and we've

been a most of what they've done with that. I'd say that's a melange. I've

made really a lot of research for this series that. I'm full of history,

I was full of the degue, of plenty of, of, of, of,

of, the, of, the, of empathy also. So it's not it's not very difficult

to imagine to create I'd say I'd say I'm even by the real life dimed

enormously is that would be not it would be credible one once

transposed in the world of no no no it's it's

it's a part for certain cases but it's obviously

it's these people hypotheque, rockambolesque, often tragic. So it was not difficult to find

the inspiration and even it was I'd addoucisse it for that be able. We're

there some inutile that sometimes it's not the way, it's not the

way to be the way. I like the term. Is it not so? that's what that's what's

that's the quality of time of the film and the series that we appreciate that there's that's nothing to be

in any of any time are absolutely essential? Well, it's because we've accorded a lot of,

and it's correct also, you know, a film well, I don't know to that where each

scene has a place, and then to other other thing, it's good also, but I'm also

certain scenes who, they're not inutile to do you but we're more in the resenties

in the atmosphere and we're a melancholy for the spectator. For me it's a

cardo that we do, like we're not just don't just give the info

we're a little like when we're like when we pass from one on

another you know the the TV the cinema sometimes it's not all

just to just to just to just to there's an expiation that's a feeling of liberty,

to resent, so it's useful. It's just, maybe, encre in something that's not palpable in the structure narrative. And then,

and then plus, when it's only on paper, I imagine that's more difficult to defend. Yeah, and I, and I, think,

it's, it's, it's, it's, it's, it has looked to tend, and to be masturbate in their text. And particularly in empathy, I've got plenty of love

for the diffuserers and the people with the producers with who I've worked we've got to be fascinated on plenty of affairs but they've got to make sure that and they're on the

paper they could have but they're so it's it'd be there the ballorism and all the long scene of 11-page of people

who talk of schizophrenia and and it's it's it's so, it's so, it's it It was, it was to be. It was to be it.

On what you're obstinia, the diffuser and you? Well, on exactly what we're talking, you know, sometimes, there were not that it wasn't interesting, but that was too

didactic, that it's really a lot of people who are saying, so we're trying to the convict, and Guillaume had been

also that with the realisation, we'd create a movement, a tension that would be, I'd be, I think,

let's, let's see, at the scene with Madame Moisein there's in, you know, is so, there's a lot of things, we're getting, we've got to, we've got, we've got to, we're doing, that they're doing, well, even if it's, it's, it's, it's a, it's a discussion.

But, but, but, in, you know, my, can't you? Yeah. Your own, you're, there's, there were, also, not many, the scenes, I was, I'd say, it's not, you know, it's just that. You know, a lot of times where the three

and they were all the time it was always these moments where we're on, we're learning about on the interiority and on the past, on who are these characters, in reality.

But it's not necessarily of the same that made progress the racy of the plan, of the manner classic, let's sure that it was zero

of the TV classic. You know, the episode one, that I'm on the, all the episode

repose on the fact that they want to go the film and they don't money. It's that

the quathe, it's, it's, it's, it's, it's, but it's encrised

in a reality completely real for these three young there, and you, at the

through this, it's like, it's like, you know, you know, the foce and the, the,

the, the, the, the, the, so, for me, for me,

it's super interesting, but, you, it's, it, it's, it,

it's, Is there again a while you convict that the people with you work that it was essential

that the series exist in this manner yeah? Yes, yeah, yeah, enormously.

But in the same time, he wanted it was there, there was a idea for

that, Donie Dubois who is a patron at the Quebec? Yeah, at the

time, who was at the programation. I felt all his love and his confidence

me it was super confrontant and he had not made not made a fiction for 15 years and then

a sudden he puttable a lot of fiction where it would say it was there was

I had never written for the TV the first episode was on

word because the scenarists don't not so the people probably the command

Morten, you know, I don't know that, but there's really a program. It's called Final Draft, and it's very, very, very useful. Well, I've learned after an episode. But, me also, I'm a babbustiment, so I couldn't really of what he said when he

talked to cournarrative, and to hook at the end, and to make the pose at a tell place, and like, we could not make the generic in the middle of the episode, that it was not, and I was, like, well, well, this, because, we're not, we're not,

we're not all do you do feel a sentiment for making it's not it's not

it's not it's like, it's so we're so we're so we're so, we've got to

some discussions, and then sometimes things, and then we have a reason and, well, it's a

battle perpetual, like, to try, to try, to try, to try, and in

these moments is, is that, is it difficult for you to find the confidence necessary for

to turn your end up my I'm fighting in the time to do, like to make the

bacon on the without like, no, you know, you know, and you

don't know, and you don't know, and you can't get to see sure, you know,

it's kind of there's a moment when you're just all with the scenario you're a

little all at the realizatrice didn't not even married Miriam

so you So you're like, all with plenty of of people, and you're punged with the doubts of the people, but also your

proper doubt, so that's a moment that, he's very stressing. And also, you know, I don't be the person who

can't be the art collective, you know, you know, you're also, your partner there's there there's really

there really good productors who have some good artistic also, you, that they can have

a very good input. So, the, the jose is difficult to find,

I'm in trying to listen to be in tether and to be charned I'm charned I don't know I'm trying, I'm trying to

Yeah, yeah, this position that, my God, is uncomfortable and, obstinely,

but say, at the end of so, if I'm at the bad, I'm the

bad, I'm telling they're too. Ah, yeah, exactly, you. But I think, also for that.

Yes. And the good diffuser are going to say, well, if I'm an artist who's he's going to

say, he says, I'm insecure also, there's a lot who are going to do that. So,

and at the final, maybe it's more to be more the proper errors than having made

the compromise and to have redonded, you, and, by example, when it's when it's not

fair of something, I'm not this reasonabement I'm in a little bowl, and I said, I'm at chie, but I think I think that's what I'd say to say to have a man.

But it's not to happen to happen. Well, yeah, there's plenty of things that I'm not here. Obviously, I don't do not, and I'll list the public as a lot of people that don't know what I've done

also, but there are a lot of people who they love also. But no, I'm not, I'm not all year to do. And it's happened that's why it's be there's some of the people who had reason also.

It's emuven, all that, a new one of an other of the series that's entitled Audrey and Revenue. Yes.

That's co-ecrite with... Guillaume Lembert. We like, we like, it's the story of a woman who

revien to the conscience after having been in the kohman for 16 years, she's

six years. She retrove the life, it's more, the more, and it's a little also the story of empathy

in a certain manner of what I'm in a question of the life that's after having had been in many times

very, very, very, very sombre. There you opinion, like that you like the people can't be

present. What's it's true that the notion of the renew is, is that you

subscribe to do you do scry to my analysis definitely? Yeah, yeah,

yeah, there really there really really, there really, there's what's what's

what's interpels there? Well, it's You know, it's that Guillaume had worked on

a series on the Komen who's how it's called, how it's age adult? Yeah, it's a

very good source Yeah, who were, who had had been, who had, had, he had an

idea, and he had been to me watch, with this idea that, and I'm, it's really,

you know, you know, you're flored, but, like, it could really, we could really to be

on the so. So, it's made a not a lot of this.

And then after the writing, we've met a young woman that's

exactly this story that. So, Audrey, she exists. Yeah, she

exists. So, so we got it's enormously inspired of this

story that, and also of plenty of people, because we've met to people

to who it's had After that, it's a parallel of renouva with empathy, but it's in the

renouvo, but it's more a coma for Susan, it's more a a coma tragic. Yeah,

or a coma of the emotions, if we're saying. And, and the coma is illic also at a certain moments.

Exactly, it's true. But there can I think the two series are also emuvant and powerful because there's like the promise of... Of course.

Yeah, of a re-comencement, that it's always possible while what we come on to live plenement at new. It's a theme that comes in almost all that I do. In this moment, I'm in, and then it's

probably durer a whole life, but I'd like not to do you make a a spectator in a defeatist

or in a a lack of an lack of in the air of the

I think there's there's a lot of the reason of the way

I'm used I'm used I'm sure I'm I'm not the espion of the

expansion of the social and of what we're to be the more than we're

more, we're trying to in the real there's already in a lot of in my heart I'm I'm a

little bit a little hueor yeah and in the same time it's to be able to to be not,

no, no, completely not, it's very very hard, I think, on what I think,

on what I agree also, but I'm back on my own sinister, and I'm,

I'm, I'm I'd try to let it in my eubbs. Because you have an inclination natural for that? Presque no, but yes, I've only. You've got to get it? Well, we don't get any of the same.

We're in a little d'Och, I think. But in a lot, to find out, in a lot, to be there. To be a lot, I'm at least. Exactly. But for me, in case, but it does be different to

with other people, but the cynist is not, me, but I'm, not a good place. And, especially, he me I feel not be in the action.

It's a platy enormously when I'm in the zone that. I'm like, I'm not don't know

to do you want to be not trying to not get to keep a time. So, you've got a moment of a

moment epiphate where you have seen Yeah, very jemned. Yeah, a debut 20th.

Yeah. I was a bit dissu I think, of the world of the same, and of

my own, and of plenty of things that I'd had been it was a little time I was in a

time of the time I've been really had like, it's not it's not, it's not a way of

the way it's not, in the case, in the case, for me, it's not, it's not how I'm to be,

and to see, the world, and the life, and it's certainly not what I want to

transmit in my in my own. What's what you deceive to you're in time?

Eh, well, there, Dom, it's great questions. We're there

for that. Shit. You're not obliged to respond? I'm going to go to be

to get to get a violent. No, but it was a lot of a lot of

the power and the tristence, I I, I, I, I thought

that I'm very capitalists. It's not totally changed. Yeah, or,

you know, it was not all the time of the bell values, I

I had not been to be used to be able to do my auditions at the school of the theater. So I think I could not be capable of doing that's in life

and I'm going, I remember, I remember, I remember, I'm back to my scooch in this town that, and I was in

this landlue magnificent. There are a lot of things to do you, no, no, I'm full about the

mascoch I'm sorry, I'm in a state like that. That's an irony, yeah, but I'm,

but I I'd like the little bit of the little garden cut, and I'm like, oh, my God, it's all right, it's like, oh, my God, it's just that, you know, when it's the world is platt. All right. All right.

And, you know, it's, it's, it's all a lot, like, in t'clock, you know, like, the, the, you know, and I'd, but I'm nothing.

You know, it'd all rightse. You, I think, that I'd like, I'd also, normally, Yeah, yeah. But it's pitoyed and to be in this rejects of the society,

and just in the disgue, it's correct to live. And there's a chance that I'd have made to have plenty of changement. But to rest it in it, it's complacent, and I don't think I'd be a good human if you'd be there. Yeah, because it's true that, just at a certain point, it's true that the life is flat and that the world is cruel. Yeah, yeah. It's really true.

And you know, we're like, we're Paray. We're like, so it's it depends where we're and also, I think that when we try to

to look at that it, it's a way, vain, our existence, and even if it's these little changements,

it's a count. It's a count. It's a count. You're talking on the person of Martin David Peter on the door of

the mansion, the mansion so. So, to me Yes. But is we doing other

other things in the life to be to be in it's a different today. Today,

I'm in a labyrinth telephonic with the CNS to say, I'm going to say, I

say, to talk to be a because when you're an a employer

autonomous and so in company, because that's what my contes

to find to find in a Is what I can't call you just Florence Lombray? My real name of company is Flo Flo Flo, Inc. Okay.

For it's just but I discovered after all these years that I'm not assured. Ah. So, it's that, I'm sure that I'm sure that

I'm not blessed so. So you've done to talk to to you're doing. No, that's what I'm trying to talk

to people. I've had to be able to say, it's not easy. Let's say that the creator do that

do you say to say to say to denoued of things, but I don't,

I don't it's a description too reductrists of a creator or an creator or

of a question. I hope that's not that's not that's true that's true, but it's

sure that it's part that's also what we're and also, what we're what we

amoe, but, you know, the fact to pass by other subject and other reality,

at least it's that we're what's what you interpolled in the

of the life of these characters that I'm in, I'm in here, who are in a middle of a very,

very poor, while you've grown in a middle, what, the class modern? Very class high.

Very class very. Not at not of the poverty that very, very cryant. And,

often when we dipin this poverty, that at the way, a little a bit on a bit on

a bit on too, yeah, caricatural, if not, or the case of this series

we had the impression to have to have a few world? My family my family, my family, my parents

have been in my parents, had been in many people, with a lot of humanity, and the moor, but there was

a lot of a threat, so it's a very, a subject that I could know a good, I'm talking

with my father, to have not to have been to get to to go to get to be in

a vogue, you know, like, poor, you know, it's Burramilas, really.

So I had to talk about to talk about for a long time. I'm anchored

in a reality that's my mine at my time, but I would say

that's the same distress and the same light that I've tried to have to make

and I know that and my aunts also me on and I talked and they

have to be these stories and this time it's like

it's divertic as suffol and it It's really Trice in the same Because he

we're with humor Yeah, and it's this generation that's a different sometimes it's actually

not at their sometimes. sometimes. I've got to be the time. I've had the emotion when it's made

really of my family. We're we're not that's the past of Quebec, but it's a past that's a

relatively recent and that's it's our parents, it's our right, exactly, exactly. I'm in my

case, it's my part, yeah, who's, yeah, who he'd he'd

at 11 years. 11, yeah, and he paid a part of the loy, well, I'm not

to be able to dewelle his life, and you got, and he's been a country,

that's the yeah, he's on my real, he's on my father, yeah. You're your

parents that are, um, Is they've encouraged to go to the world of the creation? Yes, more than me. Yes, more than you. Yeah, more than you. Yeah, more than you.

Sport and student? I was going to do with snow. Okay. I was super sportive, and I did the gym also. But we'd remorse to your parents? Oh, yes, we're going to be remorse. It's a lot of my mother, that, that's, that, that's forced to go to visit a school of the theater after the primary,

because I had done some spectacles here, my mother and my mother had, my father

had, my father, they're, like, for the really, he liked really,

he liked, but I'm not the fact. And I was very timid when I when I was so,

it'd be so, it'd be so much, it would be so much, my mother, me had forced

to go visit an school of a school to offer a concentration theatrical, and when

I've seen the school and all of all right, I'm saying, I'm saying, that I want to do really, and there's a

place, because we're too in a time, there's a young girl who's that I'm doing to get to

I'm trying to. We're on the rest of the way. I'm a chefo to have this same trajectory.

A little a leg, a leg, a leg, a job, I'm a I'm probably ranced in

other way, it would be a spinos to the Olympics, where I'm where I'd out a CD

music after my career. But it's very very good how our parents often we know more than we're especially at this age. Oh, yeah, yeah.

And for the real, I'm super-touching of that because it's very, very rare, that's the contrary. You know, it's a vocation that's super

for the parents. Yeah, I'm in, in my parko, theatrical, I've not met a lot of

family that when their their own they're going to they're out of their way, I'm doing a

comedian who have been a way, yeah, you're sure, you're really really plenty of time,

like, prepare to, not the plan B, false, you know, like, that's a

real way, precious, I think, in my story, my sister also, me full

encouraged. Yeah. What's what, the scene and the improv you've

allowed to learn to learn to do the um, the improv,

that's, it it's a really an school, I think, you know, a school,

I think, because it's not the blagg, I'm extremely timid, and then, and in plus, a good dyslexia,

I've seen an orthophonist in my primary, so the people have been, I think, it's really a miracle

what I'm doing what I'm doing, I'm doing, I'd really, and the way, and, and, I'd really,

I'd adore the improv, I'd really in fair. I had been in the

sous-equip at the sub-equip, it was very, very humiliate, I'm really

really not good. So, so it had been to be to be to plant

really, really, really, really, really, you know, day, a very

young age, so we're, so, we're like, it's like, you're so,

like, you're so, like, you're so, literally, yeah, , you're not

droll, yeah, And I, Elenie, I didn't to receive some of the crack, but it's a work really

the humility, and I do do you know, for that because, one, it's foisoning of artists,

and to test some things, but you're still, I never view something of when it's bad,

it's not bad, it's an impover, it's an people, and the people are, because it's not

good, and it's, like, stress, more four minutes in the improv, and it's, it's,

it's, to go to the road, so I think it's I think it's I've brought enormously of humility and of courage

to get on on the scene even when it's chie. So you're not to listen I am a god of Kahnye West

for trying to find out. No, not on the side, no. But I have my mom in.

Is it had an occasion? Is that you've been to, is you, have been pussed in

full. But, yeah, enormously. It's my more grand fan, that's I had had been to say,

she had she said, I think she she said, she said, she'd not that she'd

be worried of that, she'd make it, she sure, but, no, I've had

the time to say, when is when you think she? Oh, all the time. All the time.

All the time. Yeah, but, yeah, in total, I don't know if your two parents are still in the time. Yeah.

Well, it's like if when you've been it's like when they're in life, it's just that you can not tell you to be to say,

but it's also with my dad in the phone. But you're to get into a lot of things, you know,

of where they come, of these things that explain their behavior, or you do you face

to what you have seen what you as an adult, So it's a relativist so much to be the and it's

a pace to be in a few my parents have been super super imperfect but they

we've been we've we've we've so when you're that at the base

I'm I'm I'm am made plenty of and it and it

makes plenty of things to have oh it's it's it's it's

it's you've seen that. So it's a time every day. You know, it's a

year. Yeah. But it's true that it's not a good, I'm not a good

to be in our parents completely. Oh, full. In other it's a that's,

it's easy, to say that because I have been quite much of a lot in my

relationship with you, but I'm not all the time the time the that's not all the

apparent you're imperfect, but you're not gigantic to their reproach At all the goutes, they're really

dutue. That's the definition even of a parent. If it's the more reproach that's in their fare, it's...

No, no, I'm not, but the essential was there at the end up. Nothing un-pardonable.

No. He has been announced recently that you had to the new port-parole of the

foundation Pinel. Oh, yes. We have the impression that our conversation

collective around, I'd say, a malady mental, what we say, of the health mental, that's

that's regla that, that we've had, and that, we're in the acceptation total of

all the reality that these two words that that can be created. Is there

there still a taboo about that? I, I think yes, really, really,

really, really, very, really, really, I'm, I, I'm asking my question

where the response is clear. Well, yeah, yeah, yeah, yeah, yeah,

no, no, it's still super taboo. An place where I think, where it's

liberated, is that I think, the people, after, after, after, after,

they're able an episode, are more able to and it and talk in the moment present,

it's still I'm quite difficult, I have the impression, even with the certain proches, even at

a time, I'm in an episode of a impressive in this moment. You know, there are who are who are

that they're not, it's not normalized, I'm the impression, not. It's because

we know to say, or it's difficult to know how it's when it's going to say, it's not,

I don't know that's a way, so I'm sorry, I'm sorry for you, I'm sorry

for you, I'm sorry that's just you can't not much, but it's that's not very, it's

yeah, exactly, to power, in the case of Pinel, we're talking of other things. Yeah, it's really

more grave. But it's attached to the vision of the center of psychiatricks. That's it's like to

say that's you've got to have a period, there's not people who don't know, I'm not

not of Pinel, I'm just, there's there's just, there's been there's there's just,

there's a way, I'm I think it's not, it's not, it's not well, it's not well

treated in the sense where the people who work there do they're with the people who

have, but it could be really better better than the the way that we can

do with with the people who have some of their health of their mental, we

it's just to be all over in the society. Yeah, it's it's not

a pack of problems social, particularly the crisis of the itinerer. Yeah,

and then plenty of And so, like that as a society, it costs us to be really too much more more

emotionally, and financially to be there in prevention, and to accorded more of importance and of that for the real,

it's really tentacular at what it's, it's it's cost to share in the

society, in all the sense of the term, to not to not to be a very young

age, I could... What's what you've What's been What's been in the research that's made at the time for empathy

and in devening a port-parole for the foundation Pined? What's we could a solution simple that we could make in place

for and digger some problems to the source? It's really really, really, at the infance and at the adolescence

for real, it's just many of young who are they have been when there's a man

on the level affective. And that it's there's there,

you know, in the life of someone, it's there that you have to intervene

in the schools, to primaries, the centers, who are in the prison

also, it's there where would have more more of

the formation, of to try to try to counter that and that it's

avert in pathology because there has been made plenty of things at the infance

and the time it's just cut in these resources that so I'm that me that me

feel like that I'm the argument of the argument financial that would not be

the argument that we invite to to to bring the measures

necessary for there but it But he's there still, why is we're in

so much, I imagine that in the campaign electoral that's in we're not talking about

if I'm not really to see on the previous the campaign electoral. I don't not,

but we have to a lot of the whole our system of health

after that like you like you the it's, it's, it's, it's,

it's, it's, it's, it's, it's, it's, what they're going,

and what's, having, have, having some, have, having, have, there's

plenty of system in place to remit the right of the way, so we could do that not there in the final, it's a cost

share, but if after we it's not, it's the calculation is easy to do. It's the same thing in it's in

it's, it's, it's, it's, it's, it's, how to read it to the source, you know, then we've

just to be in reaction, Well, it's sure that it's easy to say for me to sit on but it's it's quite my constable. It's just

that it's not as as well financially. Yes, at least. If it's just that that interests.

And, you know, honestly, I don't know, I think not, I think there's plenty of people in politics who have plenty of

care, and they want that the people have to be of marred and that has an interest to,

as there is there is there where there possible in these lives there, but it's sure that it's not sexy to talk about

that, and it doesn't really a great reflection of society, but I think that would be the resulta

enormous to be there on on the if it's in color? Ah, it makes more more

more than, that it that it that it makes me in color because to see,

you, I've seen, I've seen the, there, these young view in this

process And there's there's a lot of there would be to be to be able

and that far from and that's horrible we're not not all all rechape

these but there there there's there there there there

there there would be my this phrase that too too

of imagine if if you see if you see there

every there, there's a packet of view real of drama, of detress, of the person, the person,

in charge and in a lot, they're being for real. There's a there, a guy, flagrant,

let'sone, a young, I think, he was 17 who had been in his mother, who's,

who was in psychose, who had been in the reality. But this family, is super

present with this young, it's, that's, that's, that's, that's,

that's, that's, that, that's, that, that's, that, that's,

that's, after that it's after that it's a time, and then, when he arrives, the system

he's in a way, he's going to be treated. But all what this family has been

that has been in what's what's what it has been to the society

also, it would really not be not to be able to it. It's

a example flagrant where we would have been intervened or there could

be been being had been been have been we'd have

never run to do it. And empathy, there's a scene where Susan and Mortimer are

in trying to get to be on the same and they're going to be in the words exactly, who they're

and they're and then said to Mortimer, there's something there's a thing to

and I'm not if it's true. Is it that you think that that's that you're

that's that you don't, I think there's there's there's not to say that you can't

say that you're not to But, no, no, it's the affair that he bris. And we're trying to try to breakle. Yeah, exactly. We're going to pass it by a other way. But, like, we're going to be, we're going to be. It's the experience human.

It's the experience human. And it's a living on the edge. No, but because it could sound like a constable, um, tragic, uh, d'ulure. There are some things that's not. Yeah, completely. But I think that this personage

that, Susan, she's not long to be able to be able to think that all the time.

She, she, she, she, she, she, she's more optimist than more, she,

at course of she has been piqued really more more easily, and she like, she's seen,

as, like, she's the thing that you have to be so this is the

state that you need, so, so, so, so, so,

so, so, so, so it , the next season of empathy? Well, there, I can't say it's a lot, but I'm not,

I know, it's not quite the right to be talking about, because there's, there's kind of things really interesting, new, there will you be good? I see not.

Hey, there, you know, you're not, because I was at three weeks, in three weeks, we're talking, we're coming to

turn, and it, and it's, it's, like, in an episode of Vomies where I'm doing, it's not good, everything, I'm not good,

I'm not good. It's normal. I'm used to live with these curbs that. But I hope I've been really far.

And plenty of people have worked really hard. But it's that all the words are written. All the final draft.

Not in Word. Not in Word. In the good, I'm doing in the good, the right? It's just that. We're

There, there were two days, we had a lecture with all the comedies. It was extraordinary. We did it, we're all the episodes. It's super long. But like,

we're a view of ensemble. That's like a luxe to what I understand. Yes, I think there's a person who does that for us. But it's a lot of and for me,

I prefer some iratement also to find. I've said a lot of times that. It's the word that we

we don't understand too often in the season two? I don't

know. There are many of there are many of but I think I realized that

the work, but the comedians, the comedians do the work that

naturally with with the script and it there's in the characters

and then you do you do know, we're like you know, like the

animators of radio that They repeat the name of their invite constantly. There's a, you know, there's a little, you know, there's a few. We're at a retoe with Florence Lompre. So, Florence Lompre. How are you, Florence Lompre?

Yes, it's, it. On the, it's like a little chouchevore. It's, it's a bit more natural. But the comedies are so much, they're so they're doing their menace of us. They're all right. But I'm going to remove a little couch. Suzanne, your character, in Patti, she has been

by her in a public. Yes. Well, what's the one? No,

no, I'm not to find a analysis, but is, if we're going to a kind of

a metaphor, it's like a value of a metaphor in the series in the sense we'd rather to look in what we

consider like like the publicel? Yeah, like the deches of the society. Yeah,

completely, but in what we consider and the milieu that for the number of the number of

that's It's a lot of it. So, it's not just a metaphor. No. Malarution. No. It's really

often. It's flat, but there's some of the road of the way, in the

poohel, in the camions of vidange. It's an tristence infinite, but no, it's what

that's what is what you do? How do you do you do with all these stories,

in I don't want to voles these punches for people, but the episode where Susan is in a play in intervention, because there's a dam who, we know that she has made to do mal

to the children. And then the episode is termine and we can just click on the episode following on, we'll be able to get to get, these children are,

if it's not, it's just, you know, only, that's just, no, but, I'm going to see the real story, by reason.

That, I've not reached to macketries, it, it's quite a lot. More than, but still many

so it's fascinating, you know, I'm in admiration with the psychiat with who I

work, and they're on the and they're talking about and they're very calm and,

plenty of empathy, but very detached also, they're really in, how we're in the

people, and then in the judgment, and then, in the aspect very

clinic also, And what's going to, you know, like how to start to help them? I don't know. I think that I'm a little bit more sensitive. And my chum, honestly, he's really

cool for that, and sometimes, he me sort, like, to, like, the time, the night I'm still in trying to look at the time, and to read that on,

and he's, like, no, there, it's just, like, the guy who has cached these corps, we'll leave this, he's like, we'll we'll listen to other shows.

We're going to take a march and we don't the right to go to be in these subjects. And I have some people who are

really good so that's so it's a but it's the only thing that I have to be that this

story finish because it's quite it's plombing in the boutle. So, is it is the second

season will be the second season? No, I I don't think. I don't think of it, I've got to have an one of the last year. It's a point to be the last year or not. In my head, I'd have done far as, but

you, all that, you know, that's all that. It's just so, we'll not have to do we don't, we'll not find a third one. It's not. That's true, you know, that's not, that's true, that's sure that would be a great after during a few, rapidly ingo-

We're going to, I think. It's parted in a band, and we'd, and we'd We would have all of what we need to enrautry our album. Yeah. Maybe less of more than nouritur, but I'm talking. But I'd be talking about the poulogne, because, in fact, the question that we'll go to come from, we'll start out of the scene, I'm sure. Thank you.

Dittell, solager, but... Thank you. It's a much. What's we'd have to do a advantage tendre the regard to what we're in what we consider as the pubes? And as a society, I think, and even in our own, we mean, it's that we'll never

to be able to end up or to enrails some way to make not a little bit the neck in our cacao and in the pubble. Often, it's these subjects low, complex,

that are going to take time, enormously of love and of attention. for to sort of something, you know,

you know, I think, and as a society, and maybe by the way of us so,

so, to be all the time in reaction or after, I think not that's not that

it's not to be the time, to be, to be the time, to be, and then, we're,

we're more in there to be there. You're questioned? You're I'm not in a speciality. Yeah, it's

that, exactly. The genre human. And to be the problem to the source, rather than to be in reaction,

in plenty of domain, and to make the effort that you have, and the soux that's in there.

Well, I have a last observation on my feels on subject of your own the boasts

of my memory of my memory of your time on your work. Okay. I'm there

to be there time perude. I don't I don't if it's flatter or inquieter.

It's flattering. Okay. But it's not true. In Audrey is Revenue, family biracial,

I don't know like that's like that. And in empathy also. It's true. Two families uny by

Martin David Peters, in the conjoin of the character of Josie Deschenes in Audrey Revenue. Yes. And that's

a conjoin of Linde Malo in empathy. He's formidable in Martin David Peters. It's, it's a long

that it's more recent that we see that it's to be to be a little more costal like the

like the question, why? What's the, what's the, what's what you're because I

think it's I think it's never, it's never signer that it's not a issue, let's not

a matter, it's not in empathy, nor in Odry and Revenue if I don't,

no, really not. But, but I've evolved in a reality and a decor that

that's a maskoche, especially in Montreal. but even a mask of course. So I depain my reality, and it's important

that's important that's not that's maybe a lot of time for that, but I'm not too. But I make a job of to the depend

and that we can't all know in these books, yeah. I'm what I think a lot of is when we

tend to explain why, ah, that is white, We're saying the We feel to make a parenthesis

for us while we're not important it's not not the same not really not really but it's a

family that exists and we can play with these codes that also I'm

what I'm love the mind sometimes the background and multicol it's all the

arcantial but there's no role of chair yeah that it's

it's it's it's not peree I'm it's not a finger that's the thing.

Well, there's all the shied. You know, you're not forced by and well, then in this case,

but in empathy, Lindemannel also, it's absolutely amazing, and we're more than more in the

year, but there's a good destiny, it's not advantage where she was completely

absent. Yeah, yeah, it was not necessarily that decision, what I'm not,

which I'm not quite, that we're so few view, while she's, she's,

she's magnificent, she's extraordinary also. It's become a friend, and droll, droll, droll.

But, you know, it's a mystery, why there's people that we've got no, that's fencing, and then,

who's fathes, but no, engage it. Is that you part, you're quite, you're very concerned,

is that you have been, that's that's the time, that's that's what you do? But,

yeah, all the time. It's been that's the first the day of my life of to see.

Exactly. I'm not a long. A little with just I'm just not sure I'm trying to

do you're in doing it. Yeah, I'm trying to to be part of the of the fear,

obviously. And what is, what is tough, I think, I think, I'm

really, the vande plenty, because it goes very, very well, and it's like,

I'd could live that's under a but, but, but, but,

it's that, our visibility and our our artis, it's just

like the thing is what they're so that it's a it's a plombier, there are

plenty that are more or more more. And he they're I'm excuse for

the plombier but... We'd not have the lobby on the dombey of the domes on.

No, no, effectively. But I think there's a many, but I'd

So I would have not to bring this example that but I'm quite, you know,

this, this, this, this, it's, it's, it's, for the

workers autonomous, because, and in the same time, I'm, I'm, it's even

not, you, there's even, you know, there's, so, it's even not just because

is, is, it's, is, is, is, if you're, if you're

in the , you can, you can't, you, , you, , he's the way

in the sense where if we we see more people but the people are if it's a good idea

to engage this person because we're not going to because of it's a question, and also if we

see we see that also. So, yeah, we're going to be on profite when it's like.

I think we're not too, in case, I'm just content to see here, we're in

we're not in a train, but it would be it, it would be sure it so quite

I'm ported that I'm on my time. Well, maybe we're No, no, we're not

We're not mad, you know, we're going to take on the other train? Maybe the mission will re-vene? We'll be able to go ahead and see. Josie Lito us would say that we're trying to a train for the life. It's true.

Well, I think we'll finish on the choo-choo. No, but I'm a very question. My last question is... Ah, my last year! This ballade also is entitled just between you and me

is, there's a last thing you'd like you would be just between and me and the timbre, and the guitar, etc. I'm content to have crossed out in a sad

a little of a moment of melancholy and you're that's a image that will rest with me as

not as there's there's always there's there's always some cue for employing an anglicism

of your series, the needle drop for employ an other Englishism that would the song

that could be the song that could start to this interview do the

locomotion do the locomotion Thank you, Thank you, Flores Dara Just between

you and me