Juste entre toi et moi - Patrice Robitaille

Episode Date: September 1, 2025

L’acteur Patrice Robitaille, vedette de la nouvelle série Antigang, parle des vrais interrogatoires qu’il a pu visionner afin de préparer ses personnages de policiers. Il livre aussi un plaidoyer au sujet de la quotidienne télé comme « dernier rempart à l’érosion de la culture commune », en plus d’expliquer pourquoi il compatit avec les personnes belles.

Hello, this Hello, here, Dominique Tardiff. Ah, well. At just, it's between, you and me. Good news, we, good news. We'll have some new episodes for you in the course of the next semester.

To start logically, by this, by the episode that you're the episode that you make in a vedette

the actor Patrice Robitai. It's it was an first encounter between Patrice and I'd

say that it's been well deruley. Patrice is the role principal in

Antigang is the New Contidien of Radio Canada written by Nadine

Bismut along an idea of Luke Dion It's on the antenna Today, 1steptember, on the Zondes Dicetel.

But as my habit, I'm not talked with Patrice of these recent projects. I've also survelled, perhaps not

the ensemble, but, but, the more a good party of his career, I've

evoke during this interview, certain, of these first short and medium

metrage that created with the realis Rikardo Ruggi. We're in a film that's

It's Arrived Pretty of Chie No. It's a medium-metrage that date of 1996, and there I'd say to Patrice

that I'd much see that this film that, imagine you that's quite easily in

this is coming to at home. Thank to the realisator of this ballado

Jean-Michel Bertiom who is manifestement more due than me for using a motor

of research, It's he has retrace the film. And, and talking of the artisans of this balado, you'll be able to hear, the first voice

of Vincent Blin of the studio Madame Wood. It's there where we're on register. He finisheds like to place the

micro. It's just to you say that you can read the article that I have taken

to this talked to the press plus on the press on the press on the apply

mobile of the press. And then, if you have liked this episode, nisite certainly

to be able to a good note or a comment on Apple Podcast or Spotify and here so much my

long tardy with a guy chancery Patrice Robitai I Just between you and me

it will it will it will be between you and me for a while, for a while, it's between you and me. So, you pass a moment, not so good day than that, I'm...

No, no, but it's just I've had some... You know, there's been a ticket, tantal. You know, plenty of... You know, I'm a thing, my piscine, my piscine me lach. You know, it's all the time, it's all right, when you feel a beau and you've got to be able to begued, you're like... I have a thing in my

Piscene that there's a I'm going to I'm going to I'm going to it's a there's a little problem,

it's been nothing to be a bit of an interview? It's like a table a little to play to

play on it's just in a fact, so, in fact that I'm not, it's true,

there are there's elements at all the way, that it's sure. Yeah, the different,

we're not certain, we're not in the people, well, in fact, it's because

the emuble finish their life In a chalet, so it would have been a chalet of the years of 80, probably. Yeah, yeah, there's a question. Yeah, it's true.

But, no, but, I'm, I'm... I'm a man of banyue, what you feel. But it's not a default. But no, it's not a defoe. I revendic that, I've got any problem with that. Is it me seem that our regard has changed on the general of banlieue,

at the measure that the price of the Mons in Montreal, it's not possible to buy. I mean, I think it depends on the distance with the village, but there are plenty of, there are plenty of of vill as well as it's a explode also. The price of the mansion is quite ridiculous. But I don't know if it's a regard to change time of that.

I think there's still a little, sometimes a little, a little regard rotin. And more in the world cultural, in the milieu cultural. Well, how to say? It's a good question. Well, it's because it's those who are... You know, I'm in the milieu cultural, and then, it's me that you're going to interviewer.

So, so it's us who have the parole. So, it's sure that it's more of these voices that that come in these comments. But I think we're not formalized. You know, I think in our life, we're all the same, you know, sometimes we're like to reconforting our choice. So, you know, if you're, if you're,

If you've made the choice of the landlue, if you've done, that the mannedule be there's a lot, and if you've made the choice of the village, you know,

I think, ultimately, the people are doing what they want to be able, and it's a partying. But it's like the dynamic with the quality you're familiar,

the dynamic between Quebec and Montreal. Yeah. The people don't have been to think and to defend the idea

that the city where he abit is better than the other, while that's absolutely if you're happy, if you're

happy, I'm sure I'm sure in I'm sure completely But, you know, I think there's a whole complex by rapport to that

it's the complex of the most little little bit of the complex of the young of Quebec, oh. Well, no, but I think Montreal, there's

about a Toronto, Toronto, there's a lot of New York, you think it's all the time that's... And New York by the Lune?

Well, yeah, and here, we're a complex by the French, you know, there's like, you know, yeah, I think it's our insecurities

in fact, that in these moments in these moments in these moments and, and it's sure, we're like we're like

we're like, when we're just, When we sense juged, we're going to to get a capote and we're saying, oh, my God,

I think it's so. Like you say ultimately, if you're where you're where you're being,

let's it. There's a lot. You know, do you have you many of the insecurities, you know,

I'll read an interview that you had done to Natalie Petrovsky in 2014. Okay.

At the moment where you're ready to play Serrano. Yeah. And Natalie is very

very entone that a guy seems too as happy that you who's this personage that

that is more complexed is more complicated, and then you respond, I don't see not a man without a man

I think it's a great response. Can you do you do you? It's a bit, I

go right in the same sense, you know, well, yeah, I don't know I'm full.

You know, there, you know, I'm afraid to start a project that's very, very great

and I'm very insecure by that because there There's plenty of affairs that I'm not that I'm a head of control, but I like it's always, how I'd say that? I like to be in an environment

more, you know, my affairs are placed. You know, I'm trying to. I'm not, I'm not, I'm not the whole the artist, and eterre, and it's not that, you know, I'm actually practic-o-pratic, very, very pragmatic. So, when he me manned when there's, there's, that, there's

that there's an in-connew, well, it's a source of anguish that's a bit. So, yeah, that, it's a, that's, it's not really my insecurities.

But, but, but in the life, I see not, there's a, yeah, I'm,

but not, not the mass, I'd say, that's essentially about my work, and by my parents,

that's sure, also, it's a source of anxiety, in all the interviews that I read, all the text

at your questions, that you're probablyableableable so poor tormenting, while the image

that's the artist, of an artist, of a grand comedian, it's a person,

someone who knows, he nouries these babit, like, he's Jean-Lew or

Mario Saint-Tan. Yeah. Well, yeah, I think, I think, there's a plurality

of artists, there, there's plenty of different in this milieu that. I've done that I'm

got a way, and I'm probably, it's good, but it's good to do it but, yeah,

I'm sure I'm quite, it's quite pretty, pretty, I'm pretty well. I touch, I touch the head. Yeah, I'm trying to touch

to my blonde, his own family, it's the wood, it's about very well, but but it's that, um, I'm,

I'm, I think, there's all the sorts of artists, it's a little galvoddy, this affair, that,

that's, you know, it's all the time of the world, a little, I don't, I don't, I'm, there, but there are,

but there are, who are, and they're, and they're, and, they're very very, in the ecosystem,

and I'm an impression that I'm in the camp of the, they're not too perched, but what's you know,

I'm a lot of respect for those who are, who are, I'm trying to do, I'm not to make a proff of compassion

and to be an oray attentive, but you know, in my life, I think that's so, it's a

way, and I'm someone of too, you've done to be seen to listen, I'm sure,

I'm saying, I'm doing all the time, it's true, I'm trying to be privileged So, you know, I've

already, I've got to let's talk about too longed. Yeah, it's that's a lot of well, it's all right. I mean, I was always,

you know, there's been a, there's a declick, we, we know, we know, we're trying to, you know, it's what, in Grand Ours?

Yeah, I think it's the first time that we're working together on the same, we're trying on the boys, the series TV,

and we've had had the chance to go to the country with so, so, so, so it also it's, it's a,

it's a, It's a consolid a little the amitiers, and it's a guy super relaxed. I think it's a guy like Gil

as a guy like I mean, it seems. Yes, Morrisette, I've already said that. He had made... I think it's the guide of the family, perfect. And he had said that. After that, we've seen,

and at the first, and he had said, ah, you know, when I regarded Gilles, I'd say, oh, more than you he'd have made this role that,

and I think that very flatter. It's an actor that I like I'm very sure. I think we, we're, I don't know,

we partage, a bonomie or, I know, and in the same time, on the level of there's something, there's something, there's a great monsieur.

It's a great monsieur, That's so. You've played, talking about of Louis Morissette, you've played

in The Mirage, the film that's written by Ricardo O'Try. There's a scene in there in your

character, I'm with a passion, almost of sensuality of his extractor to use. It's one of

my scenes preferer in your own work. Is that you think that it's possible

to bring that and to do a spectacle an hour? Because I would pay a 30,

40, to go to see. You'd like to see, hey, it's it's real, you're talking to that, and I'm like, I'm saying, I mean, you know, I'm sorry, I don't know, I'm sorry, that I'm sorry, that you tripped

really on the extractor adju, and, me seem we're in soccer, I'm not, like, the extra, yeah, yeah, it's, but, you know, I, I'd probably, I'd probably, I'd probably not to talk to the scene

more than that, you know, for me, it's, like, for me, it's these impressions, and it's , yes, it's, it's they're, but, you know, At the level of the text, for the real, I'm in a few of the bar,

you know, so it would have to demand, you know, to ask, I don't know, well, he could put it all right, but he would

be produced also this show, I think we're going to be going to be able to do a new project to the time, in plus,

well, well, well, soon, I'm going to, I'm, one of the one of the

extractor to juice that makes the juice more jute plus you, it's still it's still

even, Obviously. How do you prepare your characters? Well, I do all the time same thing. For me,

the text is the material of base, but at the same time, it's the material principal. We're

that all that we we can go to have some of the observation. It's real, I was

I'm going to on a documenter on Paul Newman, and he talked to, man, actor studio and all that,

he prepared the role of a boxer, had to go and have been to passers for, like, how he'd move it, and all, I'd, I'd say, yeah, okay, yes, but it's true, when we're co-toyed

someone who practices for the metton, we're, let's have a person, let's, let's, like, I'm prete to have a police, well, I've had been the chance for a project

preceding, and then I've got to encounter other, so, so, so, so, so, so, but in the same time, I think, it's not, uh,

sometimes, I'm also, I think, it's a bit sure, it's a few sure, did these affairs, you know? To inventing a past that exists

not, it's not a for me, it's not to be able to me inventing, that he had been to

the gum in second to the car, it's that doesn't a lot, it's, it's, like I

tell you, the material, it's, it's the story that I've been about me to be the

backstory, I think it doesn't, it's not that's not really that's not personal,

and I respect the people who, the people people who people who people who my method,

I'm, I'm just Now, I'm like imagined a guy, but, you know, for the role that I'm prete to have, I decided, by example, that I had to lose the power. That was like something that was trying to do. I just to have a policy that was, well, that had my shape of, yeah, six months. So we're going to choose our adjectives with precaution. I can't say that I'm not, I'm not, I'm more in form, I'd say.

And then I said, ah, you know, I've got to do this, I've got to do this. You know, at one part, I see that it's a great project, so I would have to be in form for affronted this project but in the same time it's, it's a fun also that's another silhouette

so that's something that's something that I'm interested, but if you know, like I said, it's really

the text and after that it's to imagine how how, how I I'm going to render

this affair that and to bring it to something to very very credible to something of something

of something of senty and to give access to a vulnerability but not not, how I

I'd say, not I'm saying, it's the fun of the characters who are the fun of the people who are to open, but I'm not too

large. Yeah, and at the moment when you open, there's a value. Yeah, exactly. The mission

on you talk for which you've encountered the police, it was the appell? Exactly. That's that. It's a mission

of Luke Dianne. Exactly. That's written. Antigang, it's created by Luke Dianne Bismuth who He's an idea

of Luke and it's so we're in trying to be there he wants to he wants to he wants to look he's

quite a lot of contact. But is it is true that for the appell he's envoyed in an envelope

these interrogator? It's all right and it's malade seriously that is that? Because you you're just a policeier,

a inquieter? Yeah, I'm an investigator and you know a moment Luke had said that

he'd like the melanched that I'm at the same time, at a moment he said, he said, to a way to who I'm saying,

which is based on the history real of the guard of the fact, at a moment, I, I've received some of the

interrogator, you know, where he had Godass gained, and it was Robert Pijon that he

had been he was a man, and I, see, I, know, it's a malade, you know, I said, you

part that, you know, it's a clue USB, I received that in an envelope matlacee, it's a

good podcast. Ah, no, it's I was a fool, I said, I said, I thought that I had access to something, you know, a document privileged, you know, so I think, it's not true. No, it's all right, and I, I'm sorry, and I'm, I'm sorry, for, it's, it's these hours, you know, the, the interrogator of Godass,

I don't know how, I don't know, I don't know, it's not six hours. But, I, it's mad, there, there, there's an attention, there's a silence, there, a lot-died, and, John, he is malad, that, it's so much what he does, it, it's an hallucinant. No, but it's true. There's a comprehension of the psychology human, he he's, he's

to madue the guys, but the few, it's these solilock, they're part really long time in a, in a, in aft, and the guys look to go,

and he fines always by to get to do something and he he's about what in these solilock? But, in fact, it's like

if he said to, well, he's like, he wants to, he wants, he's, like, he's, he's, like,

he's, he's all over, he's flophed a lot of so that's not all the time the technique of the good cop

bad cop but there's a bit of that he's like create a point with those he'll have really really very much

to complicit and he he's on current to tell, tell, tell, tell, that all right,

it's like it's like he's like they're doing the demonstration that you know that I'm not a con,

you know that I see how I'm saying bullshit, me not, we're going to get done

to make to let's make to make sure to make sure it's re-serre a lot, so I'll be to

let's be a little to be a little bit to be able to go ahead. Is it what you're

going to do you? Exactly, but he's really very very able and it's so,

in the flattant in fact, he reached at a moment of an year, to open a breache

and to let's and let's and that I think at a moment on a moment

it's, it's like like, it's like they're being them also to be

to be valided, they're, they're content of their good good, they're

content of their realization. So, a moment he said, you know, when you're doing, you know,

by example, with Goddance, on a moment he'd say, you know, if you've been in a job more standard,

he'd say, you'd have been, you know, you know, it's a dealer to dope, you know, so,

so, he said, you know, you'd get so much your territory, and you're revanderer, and you,

you're, you, you're, you're actually really like as a person, and you know, you know,

it's, completely. Ah, completely. So, so, so that's very, very interesting. So,

so that's so it's a good to become actor? Well, I think, like, like,

like, like, many young I, I think, I've wanted that, be policed,

I've wanted to play hockey, I've long time, to play hockey, and I like, so I'm like,

I'm like, the, the, the, the, the, the, the,

the, and, and, and, you know, at the time you're, you're trying,

and, And, I mean, it had been valorized, and I'd been with many, my friends, my friends, it was these guys imminently brilliant. You know, now, there are many people who, it's sure, who are made of their own studies, and there are with their own medical, there are, you know, avocat, you know,

they're guys who are really pretty well in the life. And, me, at a moment, I, I've got punged my, I don't know, my, I don't know, my question. No, but I'd say, Chimmy Physic,

in a moment I mean, I said okay, I'm like, I'm not, this boss

that of the science, I'm zero, you know, and there, I don't know, the hockey

that's finishs a bit, you know, in a case, I was, I was

like, I was, I was, I was, I'm going a car of class that was

a class, that did a class, and I'm in second, at three. And, I'd say, not a revelation, but I've said,

it's a lot of tripping to do that, you know, so. So, the year following, I was, like, inscribed in parascolair at the end of the year, I chose that, you know, and I've made

these encounters, I've made these encounters, and I'm trying to, and I'd say, that's the art of the first spectacle that I've

that I think that's made, you know, I don't, I, I'm sure, I, I'm sure, I, I, I'm feeling, the, you know,

I think, it's so, we're all, we're all, we're all, we're all, I liked the regard that's

ported at my endroar I mean I shanted in fact a mini power, I know

how to explain that, but in the more sense of the term. Oh, yeah, and it's

really that, you know, a power, but, how I would say, a power by a

public, you know, to see, to see, to be a regard curious, and I

see not, I saw, I, I saw, like something in the people who would have

that's it's like, and it's it's a time before to be able to be able to name what,

but I'm that's a thing that I've got used to reproduce at a couple reprise, so I'm doing

all my secondair, and after that I'm having to get at the university, and then, I've made let's go.

I'm trying my chance in an school of theater, and then, I'm entree. It's what

the first piece? The secondaire? The first piece, the secondaire, I think that I

played in the deprim. And then, after that, I had made a new piece the year after. But sometimes I'm quite, a piece

that's called Black Comedie. Comedy in the noir. Well, it's a whole concept. It's a theater of the

day, but the show starts, it's black on the scene, and the actors are the entente, and allude,

and all right, the light, and for them, it's a pan of electricity. So, the light, the public,

the complice, and they're Wow, what I think it's a good flash, but I'm not sure that it's a genial on one hour and a minute, you comprehend? But for you can't even after all these years, it's been making.

Yeah, but it's been markant, like I said, in my heart of young garso, you know, it's like, we're trying to, we're doing, I don't know,

two so far, two representations, this affair, that? Before a centen of people. Before a centen of people entaced in a gymnas, so,

I'm not sure, no, that it would be very, very, very, very good, but we had it so much in the more pure pleasure of the game, in fact, and it's that, these times,

it's hard to reattend, in fact, in the way, it's, it's, my job, so, so, so, at a moment, the emmervement, I don't,

I, it's, you know, it's all to let's start at midterm, every time. How do you do you do,

how you do you do, how many, No, but some, it's at contact of other people. You know,

by example, with Pierre Luke, I'm sure, when we've done a year, but you know, it's often

that when we're doing with the young, you know, they're like, hey, he's like,

hey, he's like, he arrived there, and it's like, the mayor of his life, it's the life, you know,

and then, you know, then you've been just to call on, on his energy, you know, it's had

the same thing, I'd say, when I've said, when I've had The people of the community Vietnamese, they were

so content that this film, that's a story were to be. They were in front of represented. It was mad. It was beautiful, because there were

many people, because there were their family were there, the parents, they'd, they'd, they, they'd,

in the space of a cell of attend, when we're because the team technical change of light, exactly.

But all these moments, they were totally there's really, you know, there's a person who's on the phone in trying to do other things, but I don't know

that's bad, but, you know, sometimes that's that's more, it's more usual, you can't, and there's all people who are

invested at 100% there, there's no, there's so that's so it's really the fun, it's so much, it's just

the bonoor, really. And your parents, and you're thinking what, that's what, you've been to become

a comedian? Ah, my parents are always encouraged, I'd say my parents, I,

Because they didn't from this milieu. No, not to do you. My father, my father, my

father, my father, I'm a director of school in a polyvalent, and my mother worked in a

community in a commission schooler. And, in fact, I'd say I'm all the time,

in their part, in fact, yeah, I think, like, he was a little inquire,

when you know, when you knew that, I thought it in my capacity, but their insecurity,

they pushed to me to me say, a plan b. retrospectivelyively I think that, I think that perfect. So, they've always said,

and then, and she had been really implanted very, very too, it's like, it had been indicted that I was, you know,

we're going to pay your studies, to get to the university, so I'm going to, so I'm going to the university, and the idea was to,

it's so, to have something if it's not doesn't, you know, you're not necessarily in secondaire, let's get,

let's, let's, I'd have finished my secondar, but, you know, He thought it's important that I had like other things.

It's like a filet of security. So, it's that I've done. It's what the plan B? I studied in communication. We'd say that's, what I'm interested was, it was a publicity. That's a little, the part at-cote.

Exactly, the part of the because I'd have liked that to be a conceptor of publicitarian, so there were again of the creation, you know, and it's people for who I've got a lot of respect, and I've worked

and I've worked and I'm often. We're seeing at the TV, in the publicities. Yes, and especially, if the people are attentive,

there are still many of voice. And I think it's really a pant of our work that's really tripping.

I adore to find the voice. And it's at university that had met Ricardo Trudey?

Yeah, Ricardo, I know I'm at the university Laval. I'm just there, I'm doing the theater

and I did do the intro, and it's in the course of our match improv, Ricardo was in another

group, and it's there that we got to see that we're talking about so you're not if you

don't see not if it's all of the short-metrage by Ricardo Trogi, but it's the first that figure in your CV, the note of

the author in 2015, it's arrived pretty of Chie-E-Vue in 2016, it's a pastiche of the film Belgian,

the press that's the same with you, at this long, exactly. Via and there's substitutes in 98.

Ouch, in 2000. Yeah. It's all all of the things we're doing so, we're doing

to be able to be visioned these films because I have had some of You know, honestly, I think that they've been, I guess,

well, I don't know, it's not, it's not, it's not, he's not, I don't have something, he'd have have a vivacity, an, a, a, I don't know, a desire of, I don't know,

you know, you know, you know, you know, you know something that, you, who, he, can't just to exist,

you know, who, you know, that, you know, we had, it's, it's, it's been a super a nice Reconce,

Ricardo and me, you know, it's like it's like it to be realisattar, and I knew that's to be an actor, so,

so there's there's a lot that there's just Ricardo, there's just Ricardo, you know, it's a sure, brief,

ouch, it's an film muet or, I'd say that that's not our best. It's the story of a

Halloween that's chew a busheron and he's he cras with a pick up. So, it's the

last film before Quebec, Montreal. Yeah, but we've made, and I said, it's not our mayor, but, yeah,

I don't know what to say what I'm going to do but it's a very great be able to see a course while I'm trying to I'm trying to to go to conservative,

not long time after Ricardo, he's part of the course, I don't in the order, but, you know, when he's revenu, he is

been to set up at the coote to show, at home, so we're on the road, of Ruan, exactly,

we'd rest at some parts to one of each time I'd come in the conservatory, I'd rhoded at home, we'd jose, we'd reinvented the world, and so, so that's so.

And not long time after, our chum Pearson had demanaged, he also in Montreal, and he's been to establish at the end up of this rue, so there,

we were like the trio and then, and it's there, after that we've made of Quebec, Memorial. We're suestim the power that the

geography has on our destin. Well, it's very, but, you know, if there had not to be able to be so,

it's sure that in sort of the metro, I'd write not at home, I'd return to But then it was like, ah, well, I'm to have been arrested at a while, I'm going to

go to do with him. Exactly. It's arrived at your house. It's a guy who's vented of his conquests? Yeah, well, you know, the film...

It's he's that I'm really going to be able to something like that. It was like a movie movie movie, you it's a quite quite a bit of

a person who... It's a story. It's a shower in series. It's a group of a tournation who see a viewer in series. And it's a bennoe Paul Vardt who

did that, and we had tripped and we're saying, oh, we're to do you have to doer in series, it's a dragger in series, you know,

and it's been a lot of the principle of the improvisation, so so I think, like, there's a few he's called me

to say, we'll go to somewhere, and so we're going to get at a park, we've done at Quebec, we've had,

in a while, we've been here in Montreal in in, I don't see, there, there's, there there's, I'm there, I'm going to

see where, I'm going to see who, but in all, you, we've made many nisries and I think there two

scenes that are really more scenarized in the film. There's a scene in a restaurant, in an restaurant Italian, and there's an other... I mean, I don't even. But, yeah, I think there are two scenes

really that are more written, but, you know, the rest, it's really... We've had a canva, and it was, the grand improvise, and we were in this movement, that, that's that that we're, that we're interested in,

and I think it's that we've tried to have made in Quebec, Montreal, you know, an species of tone on level of our language, we wanted that it was in

it's a, I think, it was in our work of research, you know, so it was it was a lot of that it was and I think

we had made some canva of our scenes and let's go of the jazz and a lot, and it's so, there's some,

there's some, there's things, I'm saying, my God, we have too, we've told these innocentry

there in the person that's hallucinant, he did tell of these horrears at a minute, there's a We're on the terrace of the French, Quebec,

and there's a woman who is in a while she's all right, you know, is all right, she's all right, she's all right, but, you know, we're trying, like, two beau-freyers, you know, there had anything to organize, you know, it's been telling us, it's a lot of thing. So, it's for that the film, probably

that's not, he's not really because there's person who has signed the release, you know, it's just, anything and the person I think, the person

that's married, and in the case, we're doing, we're in we're doing, we're doing

I'm using. I'm still more the more about, but it's because you have decroached a contract

with TeleKeebe for create a series? Yeah, it's so, the history short. You can

even make the version long. The version long, Jean-Philip Pearson at this moment

to work at Ch. Just for RIR. And he is on department TV, and then he

he wants this film that at the gang of the department TV. And there's an interest it's cool.

And they say, we'd say, we'd have like a declineson of this affair that in format,

it was the 30 minutes for TeleKeebeck. It was always an team of tournage, but he

was a personage different different, we're in development, we've written in

it's not many, we're like, we're like, how I'm, how I'd I'd say that. There's a different.

I think it's the term. There's a different with our boss. And we've turned a pilot, in fact. And the pilot, in my memory, he's not so bad

that, but I don't know, the patrons were not content. And, I'm, what I think flat, it's,

at all the whole people and that we make, hey, apporting to do you, I think not that all we've

done to dogeny, but I don't not that all the thing we had done it's not but it's not like that that's been percuss, I think,

and I don't know, maybe we're not maybe trying our part of blambe in this affair that, and as I think, I'm the impression

that at this time, we were we were young, we were, hey, it's not right that, you're you're coming to

you're trying because you have made the tone of what we have made, we're trying to we're trying to defend,

in fact, our idea and we're revendique our independence. But I'm not to defend, but in

the same time, it would not It's not been the first time that we've got to recruit these young, and then we try to let them get in a mule. Exactly. And then, so, it's like not passed, you know, and we've made valourne of our point, but I think,

with vigour, so well, we've done the port, and... At that point, yeah, really, you know, and I think they've redone the subvention, they've done the money at Telekebec, so, brief.

But, that's, that's your most great project in career, just that. Well, we, we're, we're, we're just at our job, it's like, hey, we're we're all, and we're, and What's what's our chum, Jean-Philip, Pearson, not only, he has

lost this job, but he has lost his job just to go to the department to play. So, he's a double perp. But if we had got it

got these three together, a bar, like, I'm, it's the first time I've got a job, it's like,

oh, yeah, well, coudon. And then, we're, we're just, we're making to resace

these affairs, of the ideas that we had in the time before, you know, and Ricardo had encountered

Nicole Robert for a project of film. At a moment, he he'd were, I'm seem, he wanted wanted to make

one of the life of Stephen Borgignon, the principle of Gézer, I think in a couple of young realisattar and then,

and I think she had been very much the energy of Ricardo, and he had said, if a moment it's a project, I'd like me

be able to, so like, yeah, he'd have said, hey, hey, the guys, what's we did,

blah, blah, blah, and I've said, hey, I've got, you know, I've had this idea

for long time, to do a trick, Quebec, Montreal. But, my idea, it was in time real, we made a camera in the auto, you know, again, it's my trip to do things

to do things to do things, so I'm saying, we're going to, we're trying, but the idea was to be in time real, and I think

that's a bit droll, like, they're all right on the Madrid, and he's out of ten minutes because they're going to go to

toilet, and, you it would be not been the same success. No, it's not been the same success, but,

me, it's that's all the idea that I had in the head. And then, I said, I'm sure, we'd prefer to do what with that. And then, we're going to be to work, you know, to work, and we're going to go to

see, look, and we're going to be done a money for develop the trick. So, finally, our day, it's been a super beautiful day, and then, after that, after that, we've started to write this affair, and the first version, it was, I think, in 17 or in 26, auto,

I mean, it's been, but it's ridiculous. It was super anecdotic, it was platt. And then, I'm going to, me, I'm I'm having with the idea of these etapes of a relation I was very much, I said, I'm it seems that it would be able to circumscries our affair,

you know, and it's just for us all. Ultimately, we're ultimately, we're like the grand tarque of this affair that, but there,

ah, we're parted each other bar, you know, we have, we've reached to do something, we've made together the grand Schem,

and then after that, we're parted, and then we're we're all, we, there, there, there was really something, and it's been

a tournage really tripe, really, very, the fun. It's all fun, to defend this affair that with my

amy, you know, to go to baton with with these friends when you're all to win and everything to get to get, it's quite an extraardinear like an adventure. I think it's

one of the characteristics that define your work in plenty of shows, and in plenty of films, is that you're not

always like to have some while you do it. You're right and I think the, the pleasure is

contagious, I think, as a spectator, when I regard something, sometimes I feel that they have been used

the pleasure to turn who's, and it's the same affair at the theater, you know, sometimes I'm going to have to be a lot of, I'm going to be

to be a lot of, after, it's, hey, I'd have had the good to be with you other, I'd have the good to play with you other, that's weird, you know, you're quite,

and you know, they're like to have the fun, the fun and it, it's, it's so, that, I think it's sure that I see that there's a fun,

effectively, and I'm and I've been chanceo, you know, yeah, yeah, I'm in the same time, I've been associated at plenty of projects,

the fun, And so also I've already said, but I'm entoured of people talentedue. I've got used the chance to have some people who are the talent. So, you know,

I feel like one nouries the other and the fun finish by be at our rendezvous. But there also, I think, your own

time, who's in Quebec, Montreal and who has done a packet of project, you're, you're doing, of great friends in the life?

Yes. And that's, we can be projected in your time when we have represented at the screen, even if I

I don't know that it's not the same amitia, but it's clear that it nourished. Well, yeah, you know, in coming here, I got here, and it was a moment, because he had been parted on vacation, it had to be a moment I didn't even, and I was going to talk to my friend. You know, it's like, you know, it's like, it's, it's, it's, it's, it's, I'd say, not on a base cotidian, but we're trying really to be really, to be very, very, very often. So, you know, when I've had these decisions important to, you know,

it's sure, I'll talk, obviously, I'm talking, you know, with my blonde, you know, with my family, but rapidly, you know, I think, I think it's important also in Josek, with my friend, and then, and I'm a other friend, no, no, I'm not, I've seen, no, I'm plenty of friends, but, you know, there's a lot, you know, I don't know, who I don't know the same type of reality, or, in any way, who, in any case, so, I think that, I think that, super, super rich, and, you know, Francoe, you know, Tentot, you me said,

Ricardo, I'd have metered at the university, but Francois, it's two before I was going to seep, we had done to seep, we had made the theater and then after so we're doing it's a pro, but we had done in the pro, but we

had made a theater also together at the university. He had come on to see, he was like, it was like, it was it's quite,

he didn't, you know, we're, we're chan't change that, Francois, Franco, and I, I, I think, we've not changed

time than that, we're, I, you, I'm the impression that we're just the contrast is a bit a bit too, yeah, the contrast would

be a trance, but, you know, the grand trait of our characters are still there. Our, yeah, our grand trait of personality, I

would say, are more still there, but I don't know in age-saint, yeah, I think we're mury and we're

and we're I've already received here, and it's the winter, so the technician, here on studio,

he had said, you can't be it can't get there a panne with the pantos in Fentex that person

made, because he's he had made. He's had made. I've had this image that

graveed in the memory But in the same time, it's confo. Ah, but, you know, he's probably opted for the comfort, effectively. Yeah, but at the same, it's a good,

it's a good guy, you see, that's all the consign. And, there's just, he's obeyed to the that's it, that's it. Yeah, yeah,

the consigne is there, probably that I'm, probably that I'm probably that's a bit for that, that we're saying, it's one of the reasons for the

because we're quite, because we're kind of very, very different, he and me, but, uh, we're,

we're, we're, we're some, we're we're like you're like, you know, you're like,

you're like, it's like you know, it's like to do you're not so refractive than that yeah,

yeah, yeah, I'm doing that sometimes, we can't have a little with the authority,

but in any case, but in the commandment that, there's no problem, we're going to enfil the

pantuff, yeah. It's, the, the decisions that you, that has helped to help,

you've been particularly your name Francho? In fact, I can't know you know something of specific

but I'd say that's the friend with which I'll be able to be able to talk about I'm able to

I'm talking about you know, the things you know, exactly, but it's a few that, you know, we have,

he and me the same countable and we, we see, we're seeing on a lot of

there, you know, there's like the steps important of the life that we've been in the same

time, you know, I'm, I've used a first child, not long time after, he also. You know, there are like these steps important of the life that are

in the same time, and we have a little, I don't know, I don't know, even if we don't have the same style of life, you know, I'm the manliuze, he's the guy urban, you understand, we're, at plenty of places, we're like I said, I can he talk to all, and I'm an impression

that he thought, it's, you know, the decisions that had to learn when to to me judge, that's, it's already made of a boot. Now, he's just in... He's all in a boot. Exactly, even as I'm like I'm,

and I'm like he's like, and I'm really the impression that I can he confiing a lot of what, and it's so, so we're game to go to get in the subject, more

more taboo, and to say some things, probably that probably that we'd never in the sphere public, but not probably,

that we'd never in the sphere public, but that we're to be able to be really, we're really not not agree,

and it's the fun to be changing with someone, I think that super precious. Some decisions of career, by example? Yeah, well, yeah, that's sure that's been, it's sure, some, yeah, yeah, it's been, it's a,

some of the subjects which we have had to jazes, it's clear. And I'm an impression that it's still, it's it's in respect, and if there's heritants, well, these heriters are named, and, well, after that, we're trying to combate the damage, and it's that

that's what, you know, it's like, In other My, it's an Amity I'd not say at a point

it is precious You know, it's a rare this genre of relation and I'm I'm sure

that's cherey on the phone sometimes? No, but it's not with Francoe, I know,

I know, I know, it's it's written in a magazine of something, with Franco,

it's with with my Rone with Reneene with Rene Rene, I'm not it's not

who's who's yeah, Reney Reney, it's a guy, it's a guy formidable. It's the Fis of Fe, Rocky, Rehom,

Breezeboa. But listen, yeah, it's with him. Reni, he's a grand fan of the sport, and me also, so, but François We're going to correct this information now, today, it's, it's a one for all, exactly, but it's with him, I do, I don't know, it's a base regular, but, you know, sometimes a little game,

and there's at home, we're at least, at three, we're probably looking at three, in a lot, in papata. The people of the generation, in bed, of the mine, I arrive at 40 years, the people more of the difficulty with the telephone. I don't know. You'd call one of these people

without, they're asking what I'm going to be to call to call. It's been a... But, you know, that, we'll get into. Reglone that.

It's a little neneo this affair, that. Because, you know, at the telephone, it's akearant, you, you know, you're talking to

direct to your interlocutor. There, there's the texto. There's rendered that the texto vocal. We know,

we're approached to the telephone. The book the book, it's, soon, It's what is the most efficacious. Sinon, the other, it's like if, I don't know,

it's like if, I'm enerv. I will say, I'm a little texto, apart if you conduit, and even if you're in the main lib, appell me, Calvace, I think, there's something of, I'm not the time to tell you, I'm talking to, I'm worried,

I'm talking to, I'm going to say, and I'd retiener not as time to cell phone, I'll call me, we'll close it, and there will, and, you know, it'll be a rapport human. I, you know, I think, I think

When I go to the When I go to the epicery, I try the best possible to go to the caseier or the casier. Combrand you, I like that,

the machine. I'm saying, it's important to have some human in the life, and that, but I said, we're going to

all the time so, it's all the time of the machines, and if we're not going to get in a texto.

I think it I'm really personal, a petexto, I'm doing it, I'm going to find, I'm and I'm going to

do things there's things that there's things that's in textos. But, sometimes, appell don't.

Appell don't, and he's don't, they're just jazed a bit, and then sometimes, not jazes,

but the other will be saying, that's not the voice, that, hey, you know,

there's a moment you respond, and you say, oh, boy, he was prez but he was probably,

and I'm just so. Yeah, and then sometimes, we're saying, hey, is it's like,

oh, my father, I'm trying to get in the hospital, and then you know, so,

so, It's like, it's like, it's a long time to have long time to do you, the questions, of this type,

yeah. Yeah, that's all I'm doing it. No, I'm doing it, and I'm doing my pleasure. In fact,

I know, I'm going to that, at a moment of a moment on the beginning, we're, yeah,

I don't do you know, when you're going to start from an school of theater, you're like

an little absolutist, you, you, you're like, a very, a very old idea of what is

your work. Exactly. And then there were some of the I'm alweb not. You know, I'm saying, I don't know,

I'd rather I'd like to that a little bit to look at the guy the more snobble we can't

imagine. But in the impression that it had an impression it had been a moment it's had

an emission special, he wanted a special invincible, and Rimi Pierre, Parkin,

and to Francho Lejean, and he said did the quiz, and François Plymore, we're like, we're doing, like, the gull fin. And then, we'll say, ah, come, don't, it's, we'll be the fun, we'll tripe, and it's a show that Sebastian Benoit animates.

And then, we're going, and we've had fun. And I think it was a pyramid. And then, uh, and then, uh, I don't know, I've made the hand in an ingranage, and I recount, often the same anecdote, but, you know, it's savourous. The moment, I've made the show of the acuilly,

the union, we've had the force. And, uh, this show. Now, he had been projected in the time of the fairs, it's been diffused in the time of the time of the fight. By the moment, the telephone of Sony at home, and it said to do you go to play in the pre-none? Because Serge DeNoncourt, when he doesn't

he, he looked at the TV. Well, in all, he looked at, and then, I did that for him, and the night, he made up to say, it's like, if the Union-Fed the Force, has changed, you know, so, so, so I'm saying, in fact, it's that, I'd say that,

I'd say that, I'd say one of the reasons that explain that, and on another other side also, there are some of the people for who, I don't know, there's people who are, there's people who are people who are, you look, to work, don't you look at the

parkour, and you say, oh, it's a parkour interesting, you know, and at a moment, there, there's someone who's working at my agency, and who's a woman that I adored, Mary, who me had said, because

I'm the same agency than Anne-Marie, and she has worked with, I mean, she's a great actress, and I, you know, I think she She thought that has made these affairs more, how can't say, more large public,

and she has made these tricks more pointue, and she, she, she has made the TV, the cinema, the theater, experimental, to do that exactly, you know, and I, you know,

and I'm interested, so, I look at the fashion on these people, and it's an family imminently brilliant, so, you know, for me, it's like,

I'm going to look how she has her affairs. And Mary, me had said, in a moment of the year, I don't know, I've had been a question for I don't know what I'm saying, she's like, what I'm saying, look, Anne-Marie, she said, Anne-Marie, she used in a tele-romat, let's on,

TV, and she said, at every year, she'll have her, she'll have, I, she's not, a, I don't, you know, because she's, it's, you know, it's like a service after-vend, you know, and in the same time, she, she, she, she, and in the same time, she, more point-tue, more, more-sibled,

let's-on, so I don't, I don't know, I'm like, I'm like, and I'm saying, well, yeah,

and at least, every time I was in the impression that she was, she, in, you know, in a quiz

or in a show to theater point-tue, she, she, she, and then, I'm saying, well,

it's so that it's just to be so- self-mame, and it's to be in all honesty, and,

like my and that, I'm the impression that's trai never. So, that's like,

it's like a kind of a way to work, I'm sorry, I'm trying to me think, but I'm afraid, it's to,

to be too to put into serious. In an interview, for example, the people who talk of their work, like it's,

like, yeah, that it's a good, that's it's over the, and, you know, I think, I think,

also, I, I, I, I don't know, in the last years, I'm trying, to be, to be a few

discret, because I think we don't know that we don't I like very the parole,

and I know, I'm at a one of the volume, we're on the end of these innocentsry. I think it's

quite, I think that sometimes we, I don't know, sometimes I think, I don't, I think, sometimes, and

it's a lotcant. And I'm very, very sincere when I do that, I don't, I think my job, I,

I know, I know, I think you don't say that. I think the culture, it's super important, but that,

I mean that I'm going to say the contrary, and I'm very inquire, I'm very inquire, actually, the disinterest, and I'm, I'm, maybe there's people, there's people,

I'm saying, hey, I'm very, I'm going to, I'm going to, I'm going to, but I'm, if I'm not, if I'm sorry,

I'm saying, I don't know what to say, but you know, the people have, like, some, when we're going to say, hey,

I'm content, I'm still, I'm still, I'm going to look, the TV, Quebecoise, and I think we're,

we'd be, we'd have to be in Fierty, you know, and to be conscious of the ecosystem in in which we're

that's not the years most fast for our culture, but we're on fire and support we're that,

that's my editorial, but this is I think, I think, I think, I think, sometimes I think

we're doing a, I don't, I'm, I don't say a word, but an importance that's a bit sometimes,

relax on, you you know, In the same time, you have a charism and a naisance of in a while in case that makes it agreeable to you tend to be able. Yeah, yeah, it's for that we're prent to get to the game, but sometimes it's like, well, you know, you've got to have a good lecture of so-mame. You know, I think, in the life,

the people who have made, they're doing. Yeah, and it's them that's the most bad, so, you know, I'm trying to, I'm premuner, you know, I'm trying to be, I'm trying to be at afue of that, and, you know, to be at an echo, you know, and to be at an accout. You talked to search of non-court, that's a little bit of quiz by Patrice Likin.

When he said that you had said that you'd think to you had to be able to on a scale of 10 your desire to

detrangle if you're where? Well, it's so it's not it's a it's a

nice time. Yeah, and you know that's an essential I, you know, I,

I go to say if for him if for him if for you didn't get to work to work to work with

me, you understand. And there's a good beer, the Cache of Sports. Yeah, yeah, there's a good beer, and, well, yeah, and, and, since I don't know, the onion rings are not prepared. And it seems, they've changed their card, like, it's like a tavern chic. But, you know, I'm not part of the Caj, and, you know, I'm not part of the Cache, and, you know, I'm saying, you know, I'm saying, sir, you know,

he's, you know, he has to say, you have the sense of the formula, it's a guy who, you're sure, it's a guy who can see vend the show and he, who is interesting in an interview, and, you, So, I caught, I'm pretty for what it would have to be quite as. In the category, realisattar, who's not quite, if it's not clear, if it's an end, there's Alexi Durambrough, who had said that you'd have not afraid to be let at the screen. Yeah.

Well, I, that, I've been pretty compliment. That's a very compliment. But it's a very compliment because... It's a real compliment because he me let's specifically for a scene in the film that we've made ensemble, who's called The Petit Rain. But it's a scene where... It's a scene very, very, very violent, you know. You'd play a pretty, not a man.

No, no, really not. And the personage that I incarned just to agress sexually, it's, it's, it's a, inspired the story of Genevieve Jansom. Exactly. So, he's the entrainer,

and they have a relation a little tordu, and, and, she, I'm in a moment where the facts, the fact, so, you know, there's really something of de-gallase. And,

and it's been in a hotel, and they're each of their chamber, and she has been in her room, and, well, they have, like, a relation, but finally, it's,

in a, it's like, it's like, the character sexual, and it's really degrading, and then it's,

he said, hey, he'd, yeah, he'd say, yeah, I'm gonna, and I,

I know, I'm, I mean, I, in the point, I, in all, I'm not,

I'm not, in something, in something, I said, I, could be, maybe, probably,

probably, maybe, he could be, I'm, I'm really, to go to something in something of graphic

and of the degolasse you know, and it would be not being not quite not really to make up right. Exactly.

Exactly. You've got all you've got all all right. And then it's suite to this scene that that I'm

did that, and I'm really brought like a compliment because that my function in this film that's to be

that I'm going to go to go and I've got no problem to go to when it's when it's

when it's with my partner, it's, it's it's it's very very well it's it's

So I'm not afraid to go there, and, you know, if we go in a little more macro, you know, I'm going to, I'm going to be a lot. What I mean, in fact, is that I'm a lot of compassion for those who are who are beautiful and beautiful. Because they're not only the same, it should be good, but in plus it should be beautiful or belle. You know, and I, I'm the chance to not, I'm not, I'm not a chance to not. So I think I've got to have done things, but I'm not that.

So I mean, when I'm just, I never, I never that I'm saying, oh, I think when I'm going to face that, it's not bad. You know, never that I'm saying that. I don't know that I'm saying that the people do. But I think that, you know, the hockey, they say, the coach will not say, but the bagarer is, you know, when you have to be baggerer. Well, I think it's that, you know, the beau or the belle.

I think that he so will not say, like, there's the time that you know your face assassine, like, of criff that you're both or you're belle. but I never that, you know, so I've got, so I've got a liberty, I can do what I want, and I think it really

pleasant to not have, me, I'm asking, it's to be good. It's that, it's that, the command that I'm so, so I think, so I think it's really

pleasant. And when you're to play these scenes like that, I imagine, on the plan psychological, in the Abo-Malais

also, you had these scenes of violence in the last season, how you view that in the interior? I understand there's a distance

because because they're not just that you pose to say, but... I'm not that, in fact, I'm not, I'm not

not really the scenes of intimacyity. The scenes of violence, I don't know that's not it's not, you know,

it's not, you know, it's not, it's sure I'm maldormy, you know, in saying that, in saying that I'm going to

make sure that, it's sure that the day I'm going to be to have a summer more preoccupied, yeah, and it's not the fun.

I've used to do it to do to do it so often, although the violence than the scenes more of intimacy.

In fact, the signs of when it's made in a, some, sometimes it's a little, it's a bit more

more easy, because you turn a little your car in derision, but there, there's kind of something,

you know, it's never, how I'd say that, it's not necessarily normal, you know, I've said that

my son, my father, you know, my father, today, he's all I was always, and I was in the Rue of Laval.

The people parted to work the morning, and I was at poile in the Rue of Lava. I was like, I had a certain where I was in a

garterobe, and, in any case, and after that, literally, I could, and the people were to go to

work, we're, you know, we're starting at 8 o'clock, and I'm in, and I'm just to be in a little, in a little,

in a little, because there was a man, but we're not He didn't even, but who's out of work, and he said, like, Oh, my God, my God, and he's like, oh, God, the night with this anecdote, that. Exactly.

I think I've had a guy, all new, and in a day, but, in case, it was more. You're resembled a little, a Patrice Robiton. But, yeah, but it's so. So, when it's, when it's made a little like that, in the register comic, we'd say that it's perhaps a bit more intimidating, but, you know, the intimacy at the screen, I think it's really terrorizing, and the violence also, it's tough, you know, it's both-malise of, to bracer my

my coppine in the show, who, who had played by Catherine Proulemie, and the most reason, it was during the COVID,

so there was an actress that also, who was like more dubleur because there was an affair of time,

of disantiation, and in a case, it was farfellue, so I'm serre one by the bra, and we

had, okay, attended a little, we're going to change an actress, and

in the case, it was not the conditions optimal, but that it was the context that,

that made in a sort of that it's passed in this way, but I'm not about that in fact. But you're

dwee for render the scenes that could be banal to give them to give the substance.

I mean of Pierre in Fee and then the dialogue are succulent the series of Julianne Cochette

with who you partage the bedette at the and so the dialogue are succulent but you

you're coming to come with her and you you propose it's going to bring a march

we're we're we're sure that you The toilet, the phone, it's the, you know, they live on one on the top of the other, and they say, they're sorry, they do these things of the cotidian, you know, there's a scene there on the side of enter with a little forchette d'anterre.

I mean, I think, it's these great scenes, right, it's these scenes, but in the same time, with, there, there's some of the, you know, what we do, and what's the sujassant, it's two, uh, it's two things completely different, but, uh, yeah, it's a personage, truculant, uh, I'm, I'm so much tripe to do this affair, because he's all the time at broil,

you know, he's like, he's like, it's like, there's an energy that's not my energy. There's a lot of age mental. Exactly. And that's, it's fun, because it's

a series also, it's very verbose. So, I've really had really, a lot, so, you know, like I said, to Julianne,

and to Mark Claude, the realizatrice, it's like, it's the first I was, I called this show that, our show,

jazz. But I had the impression we said, it's like a bit of jazz. Mark Claude, sometimes, you know,

the crissue to get to and it's very written, but in the time, sometimes, we're in some that's rare that

you're in the scenes as long that's, there's a two, there's a lot, there's, we're doing,

it's like, a scene, a set of nine minutes, it's like a TV of an other time, you know,

when you look, these, old emissions that used, who used again, on R.T. you're,

my God, it's a other rhythm, you know, there's like, it's like, it's these long scene

but with a rhythm of 2025 so it's we're really we're really there's really these enveling

verbal and it's really fun there's a lot of there and there after five minutes I'm saying it's horrible this series like

how it's how it's how it's the first episode it's a one of my series preferred to all the time

but it's exactly but I think it's been the case for many of people because I'm there's

people who I'm I'm I'm telling I'm even this actually the language, sometimes

it's something that's something that's a lot of but I think I'm very much because Julianne talk a little in the life

I'm, I'm, I know, I recognize Julianne in his writing in some and I think it's really very valuable

very rich. It's a few she uses that in the life, there's many some quite quite quite

quite a few sometimes and it's it's, it's like, it's like, it's a question it's

a particular singular and I'm I'm very very Well, you've ever seen, you go into anti-gang, the new

The New Daily Canada. And then at all the time that the people talk, it's always on a tone of the genre like, you know, like if you're

like if you're like if you put a decision that's admirable but also a little innocent. Yes, but that,

well, it's not like that I'm not that I'm I'm seeing that as a immense defy,

and it's a difficult to, you know, I'm good to And I'm out, in fact, you know, and I'm, you know, I'm not, I know that's, I know that the charge is colossal, but I'm not that's, actually, I'm, I'm, I'm going to be a monastery and all, you know, I know, I'm going to have

made the boucher double and tripe, but I want to, but I want that on the plateau, again, there is a fun, and I want to be acoyant, because I know that it's not easy to arrive on a, you know, and that's true for this series, but it's true, let's just like that I'm, you know, When someone arrives, and the series, it's for two or three years, the people are nervous

to arrive in a train that's already in march. So, you know, I want to accue the people, I want to offer the bestation that they can offer in the context that's not.

So I want to be, you know, that's so, gentie, and accoyant, and that the fun, still, like, the fun, the, the, the, the, I'm a bit

retro, and I'm a little retro, and I, I think I think it's one of the sole series of fiction that's still series of fiction that's still music, you know,

now the people enrogise a lot of things, they're in retrapage while the format I'm an impression that there's something that's

something that's something that's a real rendezvous televisual, sometimes in family because it's the TV is light, the

people get used a half hour of the TV and after that all people go, there are who are going to find their work,

there are who they're going to be able to it's just But I don't know, but I'm an impression that's a rendezvous, and I'm, in fact, you know, for me, the TV, it's that's what, you know, when I was ticked,

I regarded this white there, in the salon, she knew, and it was a moment that I partaged with the members of my family. Lansing, yeah, I'd answer count, but, you know, I'd never two-sand-toe with my parents, I'd listen to, but, you know, it was like, I said, ah, it's interesting those other, also, and, me, there was something that I'm interested in there,

And then this affair I think it's precious to regard these affairs in family and after that to have the same referent, if everyone's all over

on their bar on on their tablet and it's correct that, you know, it's rendered that life but I think nevertheless that it's

important that we need of the rendezvous common, and I think that the one of the last rampart

at the erosion in fact of the culture common, you so I think I think it's a rendezvous that's a

time, I mean, stat, my my daughter had started, when it started, my more young had been to make any episode,

she had started, she, and there were there was a time, that's not not the time, I remember, she had opened

the doors of the salon, and she said, she'd say, what's the moch? She'd have having to have six and a minute

or seven years. Bonn't. No, but I'll tell it's an type of drug, and it's like, you I'm an impression

that's the thing, they're exposed to plenty of things. We'd say that it's not capote. There's not there's a

problem. And I think after she has to learn, to do this thing she's there's a lot of that's not

that's a lot of that's a meeting with a important and I'm happy to part of this affair that and I,

I've got to be a good show and that the people are on rendezvous and that's that we're

that we're that's all that my trip. So, you you're saying yes, because it is

refuse just not a proposition. I said, yes, because there I just came to work with this gang

there, and it's super well past, and I'd say that I said, I'm a

moment on a while we did, I'm saying, I'm like, I'm, I'm,

they were content, I think, of what I did, and it's so, we know, on a sounded my interest,

and, no, it's a refus not, it's a refus not, it's a, it's a,

it's a a gross partition, and I've got the good to live that, and I'm sure, I'm really determined to do my mood? Accepted you to do, to us explain, to us talk, because, as as I read as well, I re-lue

many of the interviews that you've accorded over the last year's and then, and one of the anxieties during a little moment, is that you're confined to a certain type of personage. So, don't you're out, but, you know,

is, is it a problem so grave to be confined to a single type of person? Robert De Niro, I don't, I don't say that he's always made the same thing,

it's going to do the same and it's often very, very good. Well, I'm completely of a lot of you know,

I think it's the Bascott who had said it's true, it's true, but there are that they're that's better

to do it, and at a man, it's really, it's really, I, I can, I'm an impression that I'm not

I'm not maybe I'm, maybe, but I'm, no, I can't do you, there's a thing there's a thing,

there's a thing, there's a lot, and he, He pranks another and there's other things

there's a thing, I think there's a lot of the I'm, I'm, you know,

I'm, you know, I'm talking about the physical that we have, you know, we've made a parallel

with Jill, Jill and me, Jill Renaud and I, but, you know, there's a

parentate, there's a good amy, there, a, you have, a, you have, a, it's a,

I think, I think, I'm the shape that I, I'm the energy that I, I impose, that I impose,

that I impose, and it's sure that we're for a type of role. Yes, I'm able to do you know, I'm able to do you know, I'm not the impression that all my

characters were similarable, just like Pierre in the Pierre in he, he doesn't, it's like that I'm in, in my point of view,

so I think, the demonstration is there, but it's just that, it's just that sometimes people are, okay,

I've seen there and there's well, yeah, okay, but I'm, I'm sure with you, Doniro, he's

good. Is what your theory of the generic and the medical, it's a theory in fact,

well, it's just that I'm, no, but I think, in fact, we're saying that I

realize that we engage also for our talent as an actor, actress, but also we engage,

I think, I think, well, I, understand me I mean, I don't say that we

don't say that we're not that necessarily, even that sometimes, it's also very,

It's also true because, well, for plenty of reasons. We want to be the mission on the way to be able to... Yes, and then, well, if this person, that will be able to try a little of people or, in the case, piqued a curiosity, but in the same time, to do the circuit of these emissions for doing the promo and all, so that's, you know, one nouries the other, and I don't say that it's the good way to do,

it's not that I mean, it's like that. And there's also the fact of the rapidity of execution. We'd say that the, you know, the metier, the tempo is accelerated. I'm a parallel sportive, but it's that's like, I think it's

I'm not in the time of Morris Richard than now, you know, but now, now it's just it's just there's a

for who it's going to be quite quite when you're not the chance to try to work, and you know,

it's that it's a injustice, the more you work, more you have confidence in you know,

and more you want to be to make, it's the same, so it's sure that when you in,

in, You're not to excuse me. You're content, you're trying, but you're can't even be sensible to the reality of the other

and I'm, I'm playing of compassion. But in fact, my theory, you know, what you said, what you said,

what I mean, I think as, as I think, if I'm saying in an school to the theater, it's sure that would be

the first and practically the only that I'd say on the world, it's a session very, very short.

Oh, no, but it's true, but, you know, find your to find your color. I think there's a lot of

some of the actresses who are a bit interchangeable and there's the real affair, you know, there's a lot that you look and you say, hey, that's it's a son affair, there's person who does that like that, and I have the impression that when you touch to that,

well, the job will come because we'll think to you when this type of role that will emerge. So, you know, I'm often the same, but, you know, I, you know, I I don't know, Catherine Trudeau, I don't know, there's a plenty, you know, but I think,

there's a, you know, there's a, I'm a lot, you say, ah, I, I see, I'll see what, Catherine, I, I, Sophie Cadieu, you, you know, I'm not, I'm in many plenty, you know, that's, you know, it's, ah, it's, Anne-Marie, Al-Marie Cadieu, you, you know, they're, they're their color, they're their saveour, they're,

it's, it's, so, so, so, so, I, so, I think, when you're a, there, there, a, you know, a very, a real, a, you know, a very, you know, there's a there's an actress there's a

there's a a gesture we're talking we're talking about it's like the first moment on a plateau where you're

being by what's that's been by a encounter with someone that's you've played

at your at your at your at a ta-tattatatow four and the life the life

the volcano tranquil yeah yeah yeah yeah it's not there

in fact. But I'm all of all that you're not not in the merveillance No, I'm inking

in a nervousity like Wattattattah he made a bandana on the head and I have a cocaine I'm doing

the cocaine and I didn't have for a million it's ridiculous I'm not very over

I'm not a mystic of grosyploc but the subtility that's not that's not what Wattattattattah

Tau accomplished no more no I think we wanted to dealed the drug but

you could at the Volcan, tranquill, listen, it's a little I'm doing, I'm doing this,

I'm doing a military, we're in a carriott, and I'm going to go, I'm going to get to be able,

but in the case it's not, no, that's not the souvenirs imperissable. In fact, one of the

first role of importance that I've used, I'd say, it's in time of time and it with Robben

Ober, it's been by John McDalpe it's super good, it's really so much,

I'd say mode of the telesseries more exigent, let's don't, were not not yet, it was not in prison.

It was super brilliant, and it was a story of dance, and all fute, and really well, I'm really

the impression that it's not the success that it's my lecture to the affair. And there there'd be a

big partitions, you know, I was like one of the chum of Robin, and it was super the fun what I did

that I'm never well that, but there I think I have a very clear because there's a series with a series with

a million that's, it's like a primary tournage really impressionant for me. I don't know

that's the first, but it's the first of a scene with Raymond Bouchard who had a little,

I don't, I know, I'm doing with Cremont Bouchard I, you know, I had like a lot of what, you know, I'm in

my, in my in my in my memories before long time, you know, it exists from the

It's always, and I always I always like his energy, you know, there's something elegant, there's something, you know, he can do the grand patron of enterprise, but at the same time, he can do the guy in Florida, you know, there's a big palette, and he has something very masculine. I don't know, there's something that I'm talking about it. So, it's an actor that I've always

much liked, and I, I thought it impressionant. You know, I thought that it's an nature impressionant, and I just had a scene with him, where I just, he'd have part of something, you know, just like you said, it's just like you said, it was going to be, and it was going to be in exterior, and I was on top of a talue, and then I'd say, oh, in the case, I'm just

you say, oh, in the case, I'm just going to say, that we're just going to, yeah, yeah, we've made the scene, but we've made the scene first on him, and then, in the rear of me, there was all right, but it's like if I'm trying not really the measure, and then, we're saying, okay, we're, we're, all right, then, all right of Mr. Bouchard, and then,

then, the camera was sure, I was, I arrived in the old of the talue, and I had a little moment, a little flotment, a little mini-vertage where I was a little view, you know, I said,

hey, there's a guy, Greg Raymond, Bouchard, but it's a durer a nanosecond, but I said, it's so much

pasted in my head, and I've done, and I've done to the take, it's been it, and I don't, I don't know,

I'm still, I don't know, it's a moment, it's a moment important. Yeah. Thank, Patrice. This ballade also is titule

just between you and me. Is there a final thing you'd like you'd like to be that's just

between and I'm in it's just between you and I'm saying that's just I've got to I've got to

intercepted, and he's been very gentle. It's been really I've made an infraction, I think, I'm not immobilized, I've really not arreter

the four of course of conduct. Your stop is a little bit American. Yeah, and it's elegant. me to make pleaded, I don't know, the article

three-point-quoise, it's, it's a other three-point of something, and then in lieu and place of three points of inaptitude, I don't know, I've got any of course, so it's like, it's like, I'm sorry, thank you, thank you, it's a lot of,

your character of anti-gang, is, maybe not also gente, oh, well, that, it's those autoers to decide, but no, it's a, it's a, it's a, it's a, yeah, it's a, I think it's a guy who will Don't have been given the chance sometimes,

but not too often. Thank you, Patrice. Good season. Hey, it's genties. Thank you to have received.

It's very very agreeable. Just between you and me and me.