Juste entre toi et moi - Patrick Huard

Episode Date: May 2, 2026

À l’occasion de la parution de la série Bon Cop, Bad Cop, Patrick Huard parle des bénéfices de consulter un psy, de l’avenir incertain de la télé québécoise et de sa relation avec son père. Il se confie aussi au sujet de deux amis récemment disparus, Franco Nuovo et Louis Saia.

Hello, here Dominique Tardiff. A good A just between you and me just between and me

who, no, is not Marr, the balado is not on pause, we're in pause, we're in

past, but we're in back, we're in a new formule, in fact, we're in

a new frequency, just between you and me you're being presented a month, you're presented a month,

each month you'll have a new Entretion to put in the ears and we'll repart the machine in grand with someone that I've wanted to receive for long time

my invite today is the humorist, actor, animator, amateur of science that you'll understand

later, my invite today is Patrick U. U.S. He's been many things in the life of Patrick U.S.

It's the time because it's the 7 May next that will be put on the platform Crave,

the first season of the series BonCop Bad Cop Bad Cop because Yeah,

because yeah, you know, Bon Cop Bad Cop, it's now a series TV. Patrick U.

A. after the 5 June 1, on Crave, the show, Fear Factor, celebrity.

I'll remember that you can read the article that I takeed to this

in the Press Plus on the Press. So, or the apply

of the press. And, And here, without more tardy, my entretion with a guy humble. Patrick U.R. I've prepared a question

baver's for to start. Is it a good idea to it's a good idea to be, my God? Is it you think that I'm what to do you know,

or I'd have been to two other people with me for animing this affair, let's a cuisine, grisone,

a bit sexy, and a comedian, irreveranceious, comic, but pertinant. Yeah, it's, my,

my habit, now, to be in an team, to be a way,

it's form of, it's a very, I'm sure, I'm sure, it's, it's, it's not

not always the result of the interview men, by people, we're doing two men, of Aure,

with Rosalie, yeah, well, it's a apprenticeship for me, because, you, I,

my experience that I had, it's at the tour, you, you know, you'd be your boat, so,

I'd be my boat, and I was a method, also, I have a method that is very particular. So, that this method,

it was easy to get a only, even if my team, at drip, but there, to arrive in

a train that's a thing that's not often in the time. I'm usually I'm at the origin of the project.

So, there you have to try to do to find your place, to make your personality,

in respecting what exists before quite quite long time, and this

job that that he's work together. So, so it was like new, but it's been

quite a lot of and I'm sure I'm able to get a method to me in this thing, and we're a lot, and we're very

like what I'm the open to the open up to the world the curiosity, it's a man curious, curious, super-intelligent

of all the team, and a year. And a journey that you go more well, it's a place where you can

arrive and you can say to you can tell to do you I'm a day a day of course and then everybody's

we got you back, you we're there so that's that's what that's really that's really I'm very

I'm very that. Is it easy for to say to to do you to work that's a

day that's a more to make, to make, to make, to show to make to make

more than more, I'm more of the series bon cop because when you're I'm really the captain of the battle,

you're... You're... you're... ...triaried, entre, inspired confidence, to ensure that everyone will be

good, and also, sometimes, to say, but you want to make panic the people, so that, this balance that, sometimes is very difficult.

I've been in this time to attend to long time, to play Superman for a boot, and to attend a little bit too

long time. So, so you do it docement, all the way a measure, generally it's more for all the

people to be to be like, we're going to do it like that, we're doing it's an idea, that's the

time, that, to learn to do it, to learn to what it's more than it. I think that's the

apprenticeship of a life for all the world. It's true that it's also an view cliched

for a reason, like the couch of Yes, we're in the great, we're in the orgasm, we're probably in the performance, but now the performance,

I'd say that's attains all the world. And then, there are two things, there's, to learn to express these things,

the future and to learn to learn to be able to make sure, these two caches. And it's a challenge for

all the world, because when you work in group, the group finished by having their own vocabulary also. And it's important

to be in in this vocabulary there and to sassure that when it's impossible to express to the things and to not affect the

people. That's not possible. He will have people who are people who are people who are people who's going to be

and it's important. That's it's impossible. But it you have to try to try to the group

to the bar when we express that's all that's all that you have to learn.

What's what has to have brought to your career to be an interview in animing at the tour and now in

in anima two men in order? At the level of the crature, it's sure that it's

enriching because you enter really in the intimacyity of people in discussing with them

that I have brought very, so much, so when you do a few hundred hundred hundred hundred

every it's impossible that all the people who come to sit down you're in some of the people who you can't

but I'm trying to that at the end of the question that it was my challenge, it was my to always

to always to always to search the line when I do the interview and then it and that's part of the

game of the you do you there's a there's a We're playing between the characters, and you have the link with the partner of the game with who you work. All this becomes a little galaxy.

I call it a galaxy. A plateau of tournage and a casting, it's the personage principal and that is the sunlight of this galaxy. And there are different planets that come to gravitate around this sun. But at the same time,

the sun is not the solar of all the sun. Sometimes it's someone of other who devine the sun and it You know, we've got to gerry all of with the people. I'd like that the people can't even. But you can't even.

But you can't see that, and there are people in the life in general who have the fashoes tendency to think that they're in the sun of all the galaxies. We've never met up. We have plenty of galaxy

in our life. We have our galaxy of our galaxy of familyal. We have our galaxy of different projects. We have, sometimes, a galaxy an galaxy of an activity.

You know, we have there are some Sliens, these times, that's related by an activity that we have,

and we're doing that we're never cotoying. It's the force of boys, that, you know, it's this rammacy,

there, of people of all the people who had never been a , you're not playing or

playing with, especially, and that, and that, it's a, it's a galaxy, but we're not the

sun, the galaxy, but we're that, so, So, yes, it's a good-a-buckled, to do make the interview with the people, to know also when is it that I'd have that I'd have to bring the ball of the conversation,

when is it's going to have to be. You know, an interview that's going to, you know, you're trying to not be in the gym. I think of the consens that someone who has already done. Farm to your own. Yeah, exactly. There are some moments where you do, hey, I've got to do. I'm going to shuffling in a little bit, and that's it.

And there's a lot of time, you've got to work more. But, as I said, it's a little bit of the writing, because you enter in the arm of the people, you're into in the world, and you're in the humanity is formidable.

Humanity is formidable. And it's that I'm that I've searched to see in the people. And then I just just came to read two things that I'm fascinated by that this time

there's a group of scientists that, you know, there's a group of scientists that's interroge on the time. What's the time? Yeah. For, finally, I'm

you know, when you're you do these civilizations that have existed, there are even of civilizations that have no no

no for define the future because in their perception of their

future doesn't not because it's not created it's it doesn't anything

all all all that all we're we're explained

that the line of time common doesn't not in fact

and I think I think that's really that presentment you and me

we have something a moment, a line of time, but your perception of this line of time is the mine is not the same

it's all the blocks of the moment that we live and we're in our boot of conversation between the questions that you have, let's,

and that's like you define your line of time presentment. Yeah. And saying, there, it's a

eight minutes that's just asked four percent of my questions, which I'll I'll poseer not.

So, you're already in a line of time that's different of my book with my file with

the question. Exactly. Our wonderful technician that's on there's

isolated to us so he view a line of time while he partage the note, he's

one different in his cubicle preoccupied by other things, assurried that

these levels are on that's that and also. And also,

and also and also, so he view a other line of maybe with

someone presentment. So, if there there there's any any

line of time common. The time doesn't exist not very really about. The time is something we

have a joke on the scene and that's a whole people have the impression of a moment common. It's a bit of the people are

that's the last 45 seconds of what I said, and there's maybe the last two minutes of what I

say that he's made to make to a minute to live in a little point common but the line of time is not the

time is not the It's my fascine completely these times and when you do you get into that's what you're going to be able, these moments that are different of all the world, in fact. And we can be so rapprochet of a moment where our time is the same,

that's to say that we can be to be that, that we partage a real moment. Absolutely. I mean the most, in fact, to be mening these interviews like this, is that it, it's that it may ever more than the life, to not think just to a one thing.

Yes, and then it's trying to do with an interview, and I'm in front of my question. Exactly, and on the conversation that we're in. This moment that exists. It's real, but it's not common to the universe. It's in the sense that that the time exists. The time is, is it concrete, in fact? It's so.

I'm sure, Patrick, in any way, I'm just capote completely on your own. You're really fine. Have you an example of someone who had to have been to get a

minute, and that at the end of the end of the end of that you had to be able to I'm not

I'm not, no, I'm not, I'm not to know me there, there are there,

there are moments, by count where I I've I've I've vicar something

very far, you know, like, with Fred Pellerin, I admired Fred, I was intimidated by

him, and I had been astoned of the rapid connection that created with me. You know, when you're intimidated

by someone, and that the connection to create rapidly, it's disarming a little. And I'm remember in my

life, I've had had seen with Yvonne DeChan. You know, Yvonne was my

idol, you know, to, you know, to, a model, you, you know, a model and

all, and we're presented five times to I I was capable of to be able to to be able to

what's the people are saying Patrick, here's like, so they're going to go, hello. So we're going to be able to be

and he'd be thinking that I didn't know I don't know until at a time that we had a, we were doing

we were doing and there there two persons who are presented, and there's having to have to

have to be having to we're saying and the fact that he said that has been the manner

that he he said, it's it's an an nervousity, and this time I'm

talking about, yeah, I know already talked about how you're having repulsed at the moment

when you had consulted a psychologist, a specialist in health, and you do do it, if you don't know,

after having a episode difficult when you've quited the animation of the tour.

Yeah, and I'm there's a parre at you when I'm talking? But, And I know that you've already said that it's because you wanted

to preserve your bibits that are useful when you incarnate these characters, when you create. But is there not also there's not in the organeuvreousaline? Because, I just came to start to do, consult, and I'm not the impression to be the guy the most...

I've always pretended to be it a little bit evoluery, you know, like, like, you know, like that. And, now, I'm going, I'm going to, I'm going to be, because my blonde started to insisting, and she'd say, I'd say, I'd say, I'd say, I'd say, do good. And what I realized,

it's that in the whole of the whole of the I'm just a question, and I never judged the people around to me who

consults, but I'm thinking at the same more than that. I'm sure. What's the did when your question?

I think it would have you either? Well, the first time, what it's that you don't know,

for you to you'd be in a few things, I'm many of the things that I'm sure sure sure I'm able

to surmount this new problem by me And when she's finished, you know, at the 10th time that it's been, it's a final, it's just that in my brain, just that's my heart. Yeah. And I'm just said that, it's that. If I'm at least, I'd rather perhaps me on remit also to her,

to say it, and to try. At his judgment, her, your regard. Yeah. It's sure that also, it's so impoverable when you're saying that, because you say, my God, I'm too so impoverable than that. Yes, it's that, you know. Is that I'm a monster? Exactly.

That's what you mean, presentment, I'm a monster. Exactly. That's not that. Not that. You know, you know, it's something important that I realized I'm also.

You know, we're in orgayy, is it? We're in to be able to to pass to a travel something

alone. Yeah. But the important is to pass to travel or to pass on the

same? Yeah. I'm past on the but at how much it's a

create an other? You know, if I've regained this problem that, and I created three

other in cheme, and I've I've lost two amity maybe it's not a big success.

And I'm there's a question. And I'm going to get to get to question, I'm not in

question, I'm going to get to be in your feet. You could, you could, it's a good challenge,

but it's a moment of a moment of a and I'm in presentment, and it

has been a good and it yeah, I had fear the first time to go

to go and consultate because I had these via creations, and it's a fool, it's a it's an article stupid that I had in the years of 90, that,

an actor who had been to be in therapy and that had never been ever been so much before, and I had creed this affair, you know,

this kind of myth stupid. So, that in the fact, for me, it's completely the contrary,

the fact, to make face to my bibbitt, to be able to be able to know they're to know more of control

on her when I'm I have a I'm in I'm doing for to play. Because

it's that it's a tough when your actor is that you see things for real.

So, to be to live for real, sometimes it's more to get more

to get to what, but in knowing, I'm really, I'm able

to make my valve super very quick, and just to

me serve to even if I'm just, I'm But it's a good fool to

to go to consult and to go to talk about someone who has a special of emotional

and it's just in the question, and it's just in the way, it's to structure his own

when you verbalise, you structure, it's a reflex, and you, think not, the people

that people who are people who are just proper to that they create, all the world, when he

talk, he structures. When you you're going to tell you to get a anecdote of something that's

going to be in a second of you know, you structure, you structure this you're in the way of the time that you

have used, it's this new line of time that exists and the other exists no longer. We're going to be in the

same, so that's what that's a bit of the fiction also. It's a mix of fiction of what

we're seeing. But it's also that in part you're talking you're saying the same the person who is before you're

there's a there's maybe something that we're going to explore in, you know, it's like to

be preoccupied, in the case, it's a lot to be important. Uh, yeah, and I'm in my case,

it's, it's the grand challenge, there's, and that's very much amplified it's,

it's, it's the part of deceiver, and I'm there's there to learn that,

that's, well, it's, it's going to be the people, that's, to be the where I'm able to give 100% and a day

and a day is 68. It's so my capacity and that's what I'm to be in the top of the head and to be in the eye, the other who is dissu, of my response, of my refus, of my incapacity to have something, to be in a surperformance, because the way that I've verbalized this week, I said,

I've said, I've said, I've said, I'm saying, let's, let's, The water bough at 100 degrees. Yeah. At 110 degree, it's just

continue to boil. At 140 degree, it's a point out of more. It's just

bouye. The difference, is that is that evapor more rapidly. And I'm that I'm

to get a 140, I'm not to gain, but I have more to per because I'm evaport

more very fast, meup and I'm there's a gain. I'm at my maximum.

I'm at my maximum. And to accept that. and also a form of culpability

I think I've grown in a middle very, very, very, very, very, very, very,

very, very, very, very, very, very, I've grown to Rosemont, I'm in a family

of a family of really, gaspaysian, who, the most are exiled to come

here to work to work in construction. So, your father is in New

Gaspe my father and my mother are born in Paspebi yeah, and

my family came from there, very modest, And so that when we proposed these contracts, I'd say always, yes, essentially,

by culpability. Because I was saying, I'm not to say, it's not a sense. When I think to my dad who had passed his shoes in his case of construction, for the money of this salary, I can't say, no,

you know, it's not a matter. But, man, Daniel, it can't just be that to be able to find some of the choice. You know, it's not because I can do it, and so, it's not because I'm

all these things on which I'm trying. But it's all right. say that you're scared to be a bit of a state

of your career where you're totally accomplished that you could rather than to be able to be a lot of

the way of your position, you're saying you've got to be nothing to prove. But this

concept of the success that that the people perceive I'm not that. I'm not

I'm not like that. I'm trying to continue to am am amelioring, to

to find, new things, new things, to be better, and it's constantly to start to be

when I'm coming, when I'm getting nothing, I'm refreshing, I'm having with a new

affair. After that, my chit is become my chit, and then you make, how I

reinvented this affair that, in restant me, you know, the challenge he changes,

you know, he's different, it's the same kate, it has not changed. and she'd be

more in the ambition, by the when I was when I was a little bit more ambitious while there's really

in my craft, in my my my career, in, I'm sure that I'm

a benist he's at the same research of the wood magic of the

little finish of the it, it's that it's that

is a thing. Is that a woman you too who has pushed

to the consultate? This This time, no. This time, no. This time this is it's been of me. Really.

But it's sure that Annick has an importance fundamental in my life. It's more that to want to continue to have a couple that's working. I'm going to do

the bonner, it's be a lot of work. You see, if you want to be a lot so far-faces, and then to sit in six months, it will be

not well. But to be with But to be with people all the time, and the people that you like, and the people that are important for you, well, it's a force to work on to try to be better, to have more of the cut,

to adapt, because we've gone, so when you think that you've got, you've got put, because the other person is rendered to be there. So, I'm in memory, I'm in a situation, a phrase that you've pronounced at the

mission, come to see, come to the comedian that's animated by Renaud, I regrette. I've not put to the It's not available in line, so do you know if it's

concord with your own memory. I remember he he'd asked to explain to explain to why you're to refuse to participate to Boys 4

and then you had said something like a trilogy is the parin and more than that it's Paulis Academy. Yeah, I've said that.

I've not said that at Renaud Mirroa, I've did that to Paul Arcan. Paul Arcan. Yeah, you did

some interview at the time of the time. It's like a Good formula. It's well punche. It has a du bagu. Is it really?

I don't. I don't know. I don't know. There's... We like, but compare the boys, but compare the boys to the trilogy of Parin,

it's maybe a bit far of coffee. Ah, perhaps, maybe not, don't know. Maybe not? Maybe not. It's been a great success,

certainly. And the third edition of the boys, is a good film, contrary to the third edition of Parin. Yes, exactly. But if we compare the trilogy,

if I do you make a real comparison, really with a recule, and super-critic, let's on, okay? It's indeniable that the trilogy of Parin has the quality artistic,

to long superior to boys. But I think that the impact cultural of boys is superior to the Parade. In the territory of

Quebec, yes, it's, it's, it's in its, in some, in its in what the people are going to see, the impact cultural, fundamental,

rassembleer, identitar, is a much more far as to the boys than at the parin. So, for me, it's a trilogy

that objectively is also valid. But there I'm going to in fact, the question, the new question baverse that

I've asked is, with Bon, Cup, bad cop, that becomes a series tele,

is we, is we end in the director of Police Academy, or we're still at the part

at the The trick with that, is that you know, you know, you know, when you do it, because if you do do it, you think that's a good idea, you think that you have other other thing. The public, he will be

perhaps me say, well, there, you've been Polic Academy, my job. I don't know it's not. Because, I, I've invested a lot of

affairs, financial, human, all my talent, what I'm able to do in this series for three

So, obviously, I'm, I think, I'd know if I'd have been I'd have something to say, I think that I'd have something to tell, something to explore, in the universe of Bon Cop. And then, and to try to modernize, to let me learn to year, in respect to the mythology, it's a big defeat. Is it done

I don't know. Is it really a lot? But it's the crueotty and the beauty of the art, is that there's there's nothing of all that's in

that's not in when in Quebec when you know, when you think a

great part of that is made with the money so it's doubly that it's

it doesn't not. So it so it inveter a certain humility uh

yeah and I think that I have always in the sense where

it's possible to have confidence in his capacity and to be able at

at the way. But when you commence your career as a humorist, and that a a day, you do you

do a show, and that's ovationed for six minutes after what you've done, I exaggerate,

maybe three, and that the land of mine, you're in a bar at St. George de Boas, where the

people, when you perform, you cry, decalice. So, all that is the experience

It's been a lot of life. It's a lot of place the humility to be in the bad place. The humorists have their bulletin

at all the 20 seconds are on the scene and at all the 20, 30 seconds, they know

what the public thinks of what they're in the deal that with the public

can't be more clear for a humorist. It's not, it doesn't be,

I'm not, I'm not that, you just come to me shocker, you've to me

touch, it's instantan So you know, it's what the deal? And as I've grown in that, even when I do a film, you know, or that I know that I know very well that it will be

a object only when he will enter in the minds of and in their head and their car to their to their heart, it's an idea. Some when I get in an

interview, I mean, this guy, he's really humble, you know, there's other moments, and I've read a packet of interview that had to come over the years, and we'll sullign, at

how point your assurance sometimes deborded a little, in something else? Is it the real Patrick U.S.? I'll... I'll still talk to certain a theory scientific that me fascine.

There's a person who is. He's posed this great question that, and it's a scientific. He has written a text, it's a little bit of, I thought. I'd say, but I'd say. but I like that. I like that science, but I mean,

but he has reached a text that if he said to people, I'm going to do the analysis of the crature, write me a text of a page, and I'm going to analyze your writing. And it's a little text of one page and a minute that he had composed, and systematically, he'd don't know the same

to all the world, and 87% of the people see to this text. So, he's parted of that in saying, well, it can't be not that all the world to identify to the same

thing. So he's parted of that, and he's made to make to ask the question, and he he's arrived a conclusion really interesting.

He said, he said, here's who we're we, we're, we're what we think we, we're, we're what we're

what we're, and we're what the other think we're, we're a melanched of all that. So, is

that I've been already been arrogant, assurably, is, is that I've been able, absolutely,

absolutely, is, is that, are the two in same time, probably and is

is that sometimes I think of I'm sure I'm sure and that's that I'm trying and that's

a lot of that's a mix of that's a but I'm sure it's a bit attenue with the years.

Yes, yeah, because the milieu of the milieu of humor is a medium

formidable but it's a milieu super competitive and when you're there when you arrive

in this milieu you're trying to you're trying to you think you know, you think you do have to be in a time of the end of

you know, when you go to and then you're going to see the chair there's a chair there's a chair to go. It's a chair

to go and so it's like when a minute you and you're like to get your chair and we'll be able to see that's

it's all interest the people so. So the new season of BonCup Bad Cop but the first

season has made the new incarnation of I've got to the one cop, bad cop. I've seen the first episode. Yeah, I've got this chance that.

It's a derog Giscapegag? Yes, I've been pretty much. It's amygamer, yeah. How is that you have had this idea that,

dinkleur, because the two films opposed the Canada Francophone and the Canada anglophone, the Quebec, and the rest of Canada. Yes. And then, suddenly, the reality of to

un-sook, in Bocopop. In fact, the idea is arrived there's a bit 10 years on

a bar of the river caskapedia in gaspiesie. I'm I've got to fished by my family

with his friends who are the people who are there's a and then I know I'm and so

Franks Travis who are they're property and they're property he's there

and he's so now he's now he's now he's he's before he before he

had been in his wife yeah his son his son he was supposed to be the

the next chief. He had even been at table of negotiations for the oilian with the

prime minister at the point. But, and we we're we're doing, I'm trying,

I'm really really astoned at what the point the autoctone on the bon-up

bad-up, and he he said, why you're like, why you're the duality of the

culture, I said, yes, I'm, you've been you've been in,

you've been He'd say, no, but, you know, there's a duality of the language, the shock cultural, so it's normal that we're tripe and then to

all the films that I've made and like, and it's a community that's a community that's a majority,

they'd all know, for Bon, Cop, Bad Cop, and it was very flue all the rest

that I had in my life, but he tripe so, so, a moment a day,

in a time when I think, if you're if you're if you're trying, if you're

Autocene in Bon Cop, It's going to? And there, he said, it's a sadden. But there, we're being in a bad one

before, it's two years ago before a bon cop two. And then, I jongle with this idea that I think

really, and I'm, my God, I'm not ready to write to that's I'm not

not ready to to write to so. So I think I wrote my own idea for

the second film with the voles and the world, and all, all right after, it's

it's just like, okay, the next thing, I'm trying to a third policy autoctone, more young, so he will have a shock of generation

in plus, it's interesting, etc. In plus the shock of generation and your character and it's character and it's character by

Sarah Jeanne La Bross? Exactly, so I, I thought that rich, and then I did it like,

I don't know I'm not, I think not I'm the time, because when we're made the first the first, Ontario, or the other, we're

charged of decades of of conversation there's being to say to be to be reconciled of a packet of a truck.

By the time, we're not, we're not on the same place in this we've been on trying to get to learn existence.

Exactly. To live exactly, to live together for it's, I'm saying, it will be be at ease with the subject,

for a packet of a fair. And in plus, like I had more to make more of the relationship.

You know, a film is drived by the recis, a series is driving by the characters.

Grosmodo, it's not that's not much that's a form of, because the duo of the book, I had

had been in there, you were to be a face, and they were finished the second

film like two three. So, we, they can't be dysfunctional and all

all the time to chicaned and all of all the all of the , so, how how I arrived

to to bring this sort of of Babel, how I, it's in entering the new characters.

So in amending this police autoctone, that is a new shock cultural, the two guys of the

village, who arrive in camppang, who are fish out of the water, David, who is with

his female, who, in plus, the little curveball of the life,

is in the writing that, so David does just accept to be able to be able to

be an adult he's, a grandper, and a little with who he plays with who he

he plays at Ruebe. Exactly. And the fact that David has now a woman like that

by Christine Beaulieu. Exactly. All that all of me would make to continue the mythology

of Bonco Backup but in fashion modern, as we have done, you know,

you've had used some of some some of some during this tourage

that, Sarah John Labus, you're You've been integrated. Yes. And it's created some

it's a thing that's really, it's exacerb the touch and the comic at the way, and there's also

a member important of the distribution who were that's more available. Yeah. Calm Fury,

who, who, who, who, who, who, how is that you've

had acue that, the moment when you the moment, when you're not available, my partner

is not possible, the planche on the under your feet, disappeared, You know, it's

it's a few that I'd think the planchie on the top of my feet and it's really not

the fun to bring, it's really not tripping, you know, when Sarah Jean to me appelled

for me say that, whoop, grossess, surprise, et cetera, well,

it's, it's going to fit in your but you when you intact all that,

you, it's change I just, I just, I just, I just add I don't know and then it's quite a good news. It's super, exactly.

So, so that's positive. But, now, it's sure that's tough, but, not the first that's the story

of show business, no more. We talked about the boys I was a lot, I was not in a bads, I'm in series. You're a

bit in the boys'clock at the beginning. Yes, but it's super very much, you know, things continue to exist and for me, Bon, Cop, Bad Cop, it's a partying to

people, it's more grand than we even, and the life has been super, has been incredible, and I'm invited Henry Journey, who is a guy extraordinary. He is fool, he gotaged there in a couple

days of life, at the beginning, he was terrorized, and, and, and, in plus, he is arrived, first day,

live on the community at Giskepe Gagame. In a fashion to turn

that is different in a we've the the shock cultural I'm more

more than the other because I know but it can't but it still

we're it's an incredible he had been an generosity he has it He made confidence, he us

made confidence, and he has plunged there and then, it's to have been a super experience, you know, but you know, I... I can't pass some hours to talk to someone who's not there.

You know, I'm talking of the people who are there. You're there, you're the good to be there, we're together, we're on the same, we're doing. On the other side, the motivation, the choice, it's not me who has made.

Have you passed a bit of a bit of a few of phone? You've said, come on, man. Oh, well, obviously, we can't obviously that we've got, you know, but he has all the team there's got to be, you know, they've done, you know,

they've done it is what it is. But if the people want some detail there and they can't even, you know, I'm, I can't talk about in his own, okay, I'll ask you.

Okay, I'll have applied to you, we've asked, we've got a surprise, but in the same time, it's, it's, it's, it's, it's, can't even acablan,

that the budget in tele-be-beced of many of 20% in 20-203 and 25, and of 35% for the fiction, more specifically. I know that recently

you've defended to an issue of Marluis Arsono the subject of the future, of the culture, in a manner general. I'd

not be to re-fair the tirade, but what's that will be for our governments agis? Because my

impression is that when the artists talk of that at the TV, there are people who

think, who tire the conclusion that you defend your poche to you know, I'm going to believe, if you're being in your finance, it's

not a lot of your finance to be in question. It's, it's of my industry. Yeah. Which is it can live the

million people? 60,000 people. 60,000 employees, an industry that's a year after year,

somewhere, between around two point five million, sometimes three, sometimes a little more. We're not

an industry marginal, It's an industry important. And is you pose this question that when you've got a pub of the productors of lead in saying,

they find that for their poche? Evident, they find that for their poach. The productors of wood, the syro of arable. Is it on these questions they have, they have these pub at TV,

they have du lobby super efficac. We're even not fouted to have one who is structured and that is organized. We have zero lobbyists inscribed

to the government provincial and federal. and we're always in trying to excuse to exist, while what we do, it's a real mity. It's a really that you have been

the song that they've done for Francoe unfortunately, it's that it does when you're not when you're not an amateur

to get to be that they're to do you, it's like it that's over that we're going to it's over and it's like to

a joke what I did, but it's true. The image was formidable. It's great. There's, there's people

who don't want to investire in culture, but who wouldred don't well be to be known to be doing

what he would be don't be to be able to be able to be being so you never Seline I'm not I'm not

minister I'm never never a question I'm never ever ever I'm able to have the abnegation

personal to me let's be not you're not a monologue in public you can do

it's super cool make you a party of karaoke and same but please let's

the art to professional. For all the hour of the of them, you'll please. Man,

I've seen after that's that the song, okay? Because at the first time, it's difficult

to capture. When it it's not clear, but... But... La, la, oh, la, la, la.

But we're not to have not to be professionals of what we're more, the talent that I've

had to tell them, to tell them, there's their talent is to mounte of the

structures of a house. There are that's there's a architect, there's that's a

lot of that's a question, but why the mien would be more would be so much of

while that if I'm sure that the pandemic, it's a bit about that all

that's a little that you go to I'm going, I'm going to turn in some

there, among other for Ego Tripe where it was a very great poverty.

The Republic Dominican, and in the in the camp of refugees, well, the night, seven night on seven,

they're doing the fight, he dance, he chant, there are who who reads the poise, he can't at that, because it's

what we're that we're a moment to know. And the transmission of the culture has come

by the design, on the mure, and then after that, by the cont, and after that

by the songs, and after that by the books, who has transmised all these

cultures, it has always passed by the creators who their word of their group. It's the

one of the new, who he'd recounted and he mette in the books in the village or

of the civilization the history of his people. It's not the same that's not to have to

have to have a hound to have to be the point they live all the time in the

culture. The vestments who have created by the artists. The new colors are

created by these artists. The chars are designed by designers. And you by the radio in your char.

Exactly. The people live in this culture. So it's always a pain when he has rennie or who shiol

that's a and in thinking that's something that's a talk about it. It's a base to 35% the budget.

Is it the gas has been to get to? So, I don't know. So, I have 30 vehicles

non-stop at a day long. Have you have to be the price of two-per- per-kast

every time I'm making a t'clock to catch something The cost of astronomical. So it's not a so it has not

been to 35%. It has been to be able to be able to more than that. It has been to beckes the taxed

by this time that? Absolutely not. They've got on a point of rupture. It's going to decide.

Is it going to continue to be to recognize in what they're going to listen, or if they

want to be American? Because that's that the choice. There's not other choice. If you to be American, let's go.

We can accelerate the processus, and we're doing that. After that, I have a little doubt that you've identified to what you're really to be able to to be the United

presentment. And it's not just for a question identitar, that's important. We'll continue to to talk about to economy two minutes.

Bon, Cup, Bad Cup, has made, at the first Bon Cup, $12 million of dollars. You have the

most great success of the cinema Canadian, is right? Yes. The calculation that we can What we can do you do to do a price and 25 in concession for a

piaz of a box office. So we're all 14 million of popcorn and liquor who are being sold just on the first presence in a cell of Bonco or Backup. 14 million on which the TPS, the TVQ, has been perched. There are some people who have worked for to be vand this popcorn, who have paid

the impo and who have continued to have an employ and have, given to have, and that a power of acha. That's a film. That's on

just one. There's been many of other and there's been there big success enormous of a pack of

a truck and everything. There's a thing that a guy, a few of a few hundred three,

1714 in the where it's been used. Every year, there's every that's done that

exists and who they're going to it's a very mity it, it's You have to be to say, to

have to say, I'm trying to say, I'm privileged, of what? To lose 35% of the budget for doing what

you did, to gore, to have, to have to play 23 page by day, to finish your

day, you, to me, when I, when I'm back-up, the series, I, a pretty

day, it's 14-hour, it, it's a little, and the two days of conge, I don't know, I'm not, I'm

I'm trying, I'm trying to do. So, it's not a privilege, it's a real work. But if our eludes, if our dirgents, not talk about more than the culture, it's because it

would be serviered not politically to do do it more. Exactly. It means that it serves someone to depain the artists like the,

the formula used, it would be kept to the intervention. Yeah, and the baby gaudet, and those who are in Watt. It's,

it's, I don't know if it's but I'm not they're not the impression that it they're in they're not again one way,

I'll repeat all the ideology have been being used by the artists. Is that we

are, is we on it in about the ecology, let's on the world, without the artists on the planet?

Probably not. Is it where we're at the level of the equality without the artists?

The integration all these discourse that Which, he derange people, who who think we're woke, and that's, that's, that they're,

that's, they're always part of the evolution. And I'm in the beginning, I'm in the beginning, I'm doing, I'm doing, but in the union

of the artists, there, there, there, there, there, that, who are in the soye, the poverty, so,

there, there, there, there, there are the stations of TV, presentment, that, are the floreons,

and canadi, is what you want, to come? It's a choice, that. I'm just a very question that I'm asking, but at least of always to go, you're all the time in trying to shawl,

I'm asking a question simple, is what you can't, is what you can't, if you want to confirm the shop? If the response is yes, the answer, it's all. And, I'm, and plus, I'm triplemant chanceo.

I can always return to make some blagues. I can part to do doff, my life will be correct. So, no, it's not just for me that I'm talking. I'm just for all the technicians, the scenarists,

the actors, the actresses, You see, you see, there are these actors and the actress that you see, and you think they're rich. At all, they've done in a show in this year. He pray for not being in a nomination, or they're going to be able to get an robe. They don't have any way. You know, it's not a sense.

And by the suddenment, recently, I've done with Martin Matt, on the subject of the series that will present it on Prime, the drug-joyal. And then, yeah, I've seen a... That's very, very good. I've seen the three first episodes. It's very hard to watch.

But I've received a packet courierle of the press is that's that's a desol, who denounce the fact that Martin Matt, and the creator

of his series, receive of the money of Amazon Prime because it's an enterprise multinational

American and that we're going to turn the door to those States in the context of the context

political actual. Okay, well, is we is we do the tour of

all the companies can't have the interests American because we're

75%. We're 15%. But we're exige many of the artists? Always.

It's always, it's, it's, it's, it's, it's, we're doing that

so simple that. So, presentment, Amazon, we can, you know, we can shioling

against certain of the company, all right, all right, but presently, in the gross

players American, it's those who investes the plus in content Canadian and in the

people, it's those they're the most, you, while Netflix are

at about pretty nothing they've been they've been to have done a pack of

stuff. But we're a system that's a system that's the system that the system

that's on the cable when you do you do you do you do invest a percentage

in a revenue canadian this law that not made for what what is

what you do you just bring the system in fact it would have there are

there are there are that I'm who are going to be for sure. But the reality is... Well, the people are in trying to do one per one. Yeah, but we're going on the time.

Firmone the cable, we're going to this system and these argent, and remet on it in the new platforms and that we're in the content of Canadian that, that's

that's presented on these platforms and that, and that existes in the content Quebec and Canadian. It exists already.

It's just to be transposed. Well, it's reggly, this dossier. It's fair. Thank. I just to talk, Patrick,

two people that's coutoyed in fact I presume that you've ever Franco Nouveauvo

your name who's part of a way that he's pretty everybody how you've how you've

been really tough it's really really tough it's really really much boolversed is that you

were close no we're talking we're talking about sometimes time we're like a bit per bit

of the years it's So it's a lot of it. So it's a bit. You say, it's, I'm going to get up. Yeah, I guess of this time.

Because it's a guy that I adored, that I thought brilliant, touching, and I'd really so, to be with him. We've been very

very much, we've passed a lot and a lot of many, and some like the relations of couple, it's a little like the relationship, and a moment of

the life we're going to and it was a guy extraordinary. He had been a lot of culture. He liked all. Franco, he liked all. It was a cinephil. He made as much the boys

than a film of Vim Vandler. It's a change anything for him. I mean, I'm just, I'm trying to see. I'm saying, how is an journalist to have been amy with an artist like that? Oh, my God.

How do you? How's it happened, Franco and me? It's arrived, I think, at the time, by Mary Plurde. That was her voice. Yeah, we've got we met. We've got to be in a clicker.

It's just had a clicker. But Francoe had always a little like that. You see, you look at the photos, he was always with the artist. And it's not

someone who he had a responsibility to create a line and a fissure well, in some of the I think he had part of this ecosystem.

You know, he would say what he'd say. I'll tell you confirm, because even in the privy, he'd He'd say that, so it's so that change

nothing. Franco, I'd not imagine, but that that's a thing for that's really good.

In talking to your talking to yeah, yeah, and I'm we're we're

we're abstined sometimes in a way, when Pierre Bourgo, you're mad

that's a friend, it's an friend also, Pierre Bourgo, we, we had been a dinner

with certain friends um, and then it was that were probably the last time

we had been the time we It's chicaned, obstinied, all the gang, during two hours, but I don't know how it's a point

it was like a form of love for us, to argument and to think that the other always, you respect to see the other and his intelligence to say, oh,

yeah, I'm, me, me, had to be, my, I ran, had to say, we, we're refas the world all the time. I think that's

that I'd like, with Franco, we'd re-feas a world, all the time, all the time, there was something of

very romantic. And, and of our song like one is the preferer, it's a bohem,

so it's a bit that, yeah. But it's very that we imagine always that we have the

time to renewing a relation with someone. Yeah. And then, sometimes not.

Yeah, sometimes the life decides differently. But the moments that we

have passed with someone rest with us, you know, and I know, I'll rest

and I think for Franco, like, it's the text that I've I've written,

when Pierre Bourgo, I'll come to that, because it's related also our relationship. You have had picked the power in

the funeral? Yeah, well, in fact, it's really weird, the people know, but it's really weird to say that like

that, but it's me who had made the in sign of the funerreye. It was like someone to get a

thing, because there, you, you know, you have the politics, you, have the artistic, you, you, you have the family,

you, you, and it's kind of, they're made some, they've made, you, would you,

like, So I've made that. And then they've been to read the text that I had written. Because when Pierre is more,

Pierre had his space in the journal in the Montreal. Exactly. And then they they've demanded to three of

his proches to take his column for him to give his own time. And I had written a text on Peter. And he

had to be in a funeral and it's because Pierre was atte but he wanted that his funerail

are at basilic, because he had in that like a place like a kind of that was

And I had written a text on the life eternal in saying, I know, I know that you think that's not a lot, but it's

all you know, all what you're doing, all the people that you've touched, that are influenced, will bring that

change and they transmit to other person, and for me, it's the concept of the life eternal, and I think

that's the same thing, that's what that's what that's that's brought in my life, even if we're

in the last years, it will still be my and he's He is still, he is in me, because this guy that has transformed, you know. The other person who has quitted,

is Louis Sayah, who has realized the film of the boys. I've already recounted in an interview, how you had, I don't know if my souvenir is exact, but that you have re-ecried together, the first scene where we saw your character of Guy who, he, has visited a house. A condo, yeah. Yeah, who decry that, he decry

like a palet, while it's a condo too croche. Exactly. There was, like, a base of text. And we'd have turned that the afternoon. Louis, he came to see, it seems it's more than it's more more than you're more.

In my life, yeah. So, like, Louis, he said, it seems that could be more that's more than that. I know if it's more more than that. And then I want to do it in a sequence. So, it's just that it's been

that's true. So, we've got to re-ecre this on the hour of dinner? I'd say, well, okay. I mean, I'm just the middle of humor. So, there's nothing there which I seem strange.

So, so we're, we're, we're not not in the little trattoria where Louis

had often to eat, and we're we're coming and we're writing the scene on our naprons.

The little napro on paper, we've written that on on improvise, and there

I said, I said, when Louis he'd find that all, you know, you know,

you know, a great, a great rire, Like, ha ha ha ha. F'ke, he ried in the restaurant. There was something

of rablesian at his home. Oh, really. And then, so, we're part with our little napron, and then we're

going to do this scene, rebuted, we've got to be told the world, I've done two, three times,

and in plus, I've made a little surprise to Louis, I said, to say, to me, can't you

me make some to me to be to be the oldie, so he said, okay, it's, yeah,

that I, the, the accessoryist that I know that well, he made some of the pomne in and then I'm I'm going to

you know, I know that's that's a plan of sequence. Yeah, so he said action, I'm sorry, bye, bye,

blah, blah, and then I over the fridge and I'm and I'm and I'm trying to eat a mom, and

then you know, he's just super far, and I'm perfect, now we're, now we're we're part,

and I'm improvised even when when we did, so we've all the time to start to start

to start, at each time that I'd laugh at least, but it was the fun to work for someone like that who came

from a school that I thought I thought more that I'm more that's more, we're trying, we're doing, what's the more,

what's the way, what's the thing, we're doing today. And if it's it's the story of all the boys,

we'd re-echrived these lines, we'd refused on the spot, when we'd when we'd a good gag for someone

one of other, we'd we'd do next the riff in the in the on the on the show Rasteree Asterox,

Grand Prix, Grand Prix, Chammony, Chamanix that's all the gang that shot and he'd that to do that to

that do you to get a ping-point and, you see, all the moment in the moment that we've

written this scene that, it was formidable, and Louis he'd done at this space

there, he was he'd so, he'd he'd a guy who was a

he thought he wanted to people, he wanted to find that's he wanted to see, he wanted to

make the time, he wanted to be the pleasure, he didn't know, he would have a big shot, he'd have a pop,

in a tutte, we're talking, you know, we're talking. Before to the tournage, Louis, we, we're all

we've all to create our characters, with all the personage, that, tat, with the authors

that were, and then, we'd bextormed, and they're re-echried, each one of the characters and we're going to do it's a lot of

you're talking about in 2003 you put in the spectacle Levant, the mare, the rock with Eric LaPoint Kevin Parr and Daniel Boucher

Yeah, it's at that that Eric LaPoint has erited of his surname of Ticre I think that's in the

time that, I think that's Dan who it's called like that I'm called like that. It's been

an experience incredible, that that's been fool, that that's been fool, It was... I've been... I've

so... ...that when we're creating. Because you have played to music, when you were

at a do? I was I studied in music when I was young, and then I had... I had...

I had... ...and to make a show. I had just for to laugh. I had

started to and the gang had thought... And with the Franco, the gang of also,

we, we had to make the music of... ...of... of this show that, which was like a kind of

of a clind-dye to runeard, the loup and... Charles LeBois, Felix Leclair, and Gelsvino. Exactly.

So, so it's a gross command, can even. Yeah. But I had the three artists that it was

for, you know, all the people were at the summit of his form at that. And,

we had made a show really petted, really inclatte, five stage, we have made of things of a few

a moment of a day, it's the people that's the people transports to the guy,

in doing doing it's madate. Eric LaPoint was crucified in the middle of the full

to say, it was the fun also, because all everybody did the tour

of the other, um, yeah, it was there were 100, 000 people, there was

there's still in contact with Rick LaPoint? It's been a moment that we can see, that's not

talked, that's an for the for the reasons we're not I'm not I'm not really to talk about

to say it's very personal but I'm very person. But I'm permit to ask you to question on a project that's not

my question not about Eric LaPoint you're talking about you're talking about you're doing you're doing in 2002? Yes, it's

one of the first thing you're realized no? It's the first thing that I realized in my

my life. My question is because Pierre Falaardo and in this clip that he's made a cameo

You realize something for the first time of your life and you say hey, you could have Pierre Falardo like figurant.

Yeah, but that it was a part of all the gang of Chum you know, there was Falardo who had

Chalm with Picard. Luke, yeah, so. So, Luke, he was in the clip also.

It's he who who's the personage principal. Yeah. But, but my

my my life, is to try to me entourer to me than me than me than me.

all, and then to copy the people, and there are who's not, you know, you're not never really,

you're not, you're not, you're not, only, I think, that's really, that's true, that's true,

and I'm that's a and you know, the attachment of Faldado for Desjardin, all that, all, all,

all, but I'm in the world, I'm going to see Piers, I'm going to have a word, I'm going to

hear of my Firmier, and he's, and he has been, and he has been, extraordinary. He had extraordinary. He had extraordinary, of an humility,

of a generosity, of a patience. It said very well what I was in trying to live. He made me and made a little clind of all. But a moment grandiose that I 've lived with Pierre Falardo

is it during the three little cochons. I'm in trying to turn the three little cochon. Julie Perrault is in a jeep on the

Rubebos at Montreal. We have some of the tour, so the tours, we're we're, we're Arreight the tour, because I

do to him to hear of it. It's a scene super emotive, so I, you know, I go and I go he'd be talking about the window, and I... You know, I say, you know, let's try to get a little bit more lentment,

and then, you know, I'm trying to talk to you, and blah, blah. And there, there, there's... In my earring, just on the top of my my shoulder, right, I mean, you're saying, I said, I know, this little croutin. And he made a beck, that jude, and he's on the way.

It's what he was there? He passed by there. He marched. He had seen as he said that. He was going to me say that. He made to say that jude, and he was parted. Wow. I was like, what I've seen to live?

Julie, he was going to go ahead by the window. It's that, Pierre. And I remember, justly, I had made one of my son, which was the show homage to Richard and Jordan on the plains at Quebec. With all this gang, that, that was fabulous, it was fabulous. Falardo, you know, Luke Picardt, you're there, Luke Picardt, there, Julian Poulin, Tell, all,

all of the artist engaged, were there. I was making sense of that, and so, so, the day, we've done, we've made, general, et cetera, and then, we're going to do we all right, and then we have a little place privy, an species of terrace, to Capitol, that I'd know, but I'd like,

who'd always ammaged, so there we're in a dozen, and we're in a dozen, and we're just to talk of politics. Evident, and it was the

mounte to the ADQ at the time. And then, Falardo, he'd say, I don't know this affair, that's something

that's something that's a, and I'm saying, and I'm saying, here, this is my occasion to have pompe

Pierre. I want to get to get to get to get to get to I mean, I'm going to vote at the Q.

And then, silence. Silence. Falardo. Look, why? And then, I'm going to, give plenty of arguments. It's the only that is more like of my generation,

the other, you're completely and then, and there, I attack all, tut, tut, tut, tut, tut. He had never poned the nerves. He'd me

could, he'd He'd pose some questions. He'd try to understand. Hey, there's me who he was pogned in this affair that, it was, it was 25 minutes that I'd say, and it'd be, and then I said, Pierre, I've tried to

have to have pompey before 25 minutes, but now I'm able to turn it, I'm not sure. He'd say, like, Ah, Chris, I'm sure. I'm sullagent. I'm sorry, I'm trying to say, that the personage was less virulant that we'd have crue in the is a guy who's

interrogate all the time of a great, grand humility, grand sensibility. I'm a bit tanning

of all people who's going to be I'm a little tannie. It's Michel Cote who has

who worked with who's who I've worked with who I, Louis, Franco, I, it's,

it's difficult that, it's difficult to see, to see, the people that I'm to know me,

it's, in plus the people that we we would believe eternally, that's always in our

pageas, that's always, as a matter the rids, this, this kind of, an eternity

in those other who trained, you, and that, and that, you, and,

is that, is that, is that you, do you, think, to be the problem? Ah,

well, yeah, obviously, you'd be to be on a list, you, you'd be to be on

a list, me, who is terrorized by the more, in plus. Yes, it's sure.

Your father, your friend? My father, my father, my father, it was my fan

the most the fan, the most because when I had an artist, he tripe not far,

it was not, oh, yeah, it's super. The school of the humor, it's

how it cost to come here, I'm sure, I'm sure, that's it's true that I'm a privileged.

I'm going to the School National of the Humo and I'm going to pay for a year. You were paid? Yes, because

the school didn't have subventioned at the time. The school functioned with some of the don't, and

it was a program to development to the employ. So, it was like it was a chomach, it would have to

get on a humorist, we're not all too, we're all right, and they're all right, and he

paid 1766 per for a week to go to a formation with with which you have a job at a end of a

job at a point. Your father wasn't he'd not, he'd not tripe't not, and

he'd make a year, I remember, I remember, I remember, I mean, I mean, the magazine,

the affairs, I had an article, and they were , and at every year, he'd make an moment of an moment of a

time, I'm just a year new, I just had to my job of, and then, then, we'd say,

we'd say, we'd say, we'll send, we'd say, You've paid it with what, this charl? So, I'm... With my blag? He'd say, oh, you know, it's...

It's... You do you know, a bit one time by the week, and you're at a radio, it's all, I'm... Yeah, but, but, yeah, the radio is not paper, and then... And, um...

I've got to be a lot of 25 shows corporative per year that you see not, that I'll do for do with... party of Noelle, in bar, in the club of golf,

in all sorts of and stuff, I'm trying to but it's not to pay a char, I said, it's not to pay a shop

and then, he'd not know this concept that. There had to give monde the contracts, and there,

I was, I'm really paid, I'm really a real mithier, and I'm a money, and I

had enough to pay my char, but he thought, that I'm remember of a grand moment with my father, when I had

When I was said when I had 17 that I'd become an artist, I had participated in an affair that's called the Gallo Personality Youngest, presented by the club optimist. It's become a little bit later the secondaire in spectacle, if you want.

It was for the school of secondar. And I had written, there, there were three things that you'd have to do, but one of the things that I did, I had written, in fact, I had written two monologues, a monologue, a monologue,

and a monologue, humoristic. And it had marched the fire of God. Two standing ovation, the two number that I had written, et cetera. And he had been

to see me back and he was super fierre in his bra. And he made he said, it would have been so much

more easy for me it was not so he said that, it's like, that's like, that's the cause of,

that's I've got to live of an for the years. It was just that, he

had, he had, he had, he was, he had, when I had He was like, oh, Taborote,

even, I had made a while at least much, he had been working. Not paramedish, I'd say, but when he had seen do Fyterreliu, at the other, my father, my father,

my father, my father, he's an fan, it's a fan, it's a fan, it's a fan, he's a few he was initiated

at the cinema. So, that's, it's more concrete for him, that's the guy that's gonna do you, do you think

to think of your new project? Every day. Yeah, I'm, I'm I'm even, I'm even, sometimes.

What's he said? I'm in my head, I'm in my head, I'm in why I'm

to get in why I'm in it's not that's in my wife, I'm in my father was in construction

I said, when I'm a thing, and I'm a thing, that's a thing, I'm,

I'm like, I'm, I'm like, I'm, I'm saying, I'm saying, I'm the thing,

stuff, that's the thing, that's the patente, what's and then, and then, I'm,

and then, blah, blah, and then, you, see, I, I'm still present.

And then, it's not that I'm saying, let's turn to the series of the same. It's not that. Because that me, it's

it's all over verse. Patrick, this ballad also is it is intitue just between you and me

is that is the last thing you would be to be that would be just between

and me? You know, again one time, I'm in therapy for that, but I'm

I'm in the conversation that's the first thing, You're a disease, my affair. It's a disease. I said, at least, I'm able to get on,

you're talking. You're fine. I'm not dissu. Thank you, thank you. Thank you, Patrick. Thank you.

Thank you. Thank you. Just between you and me.