Upstream - S4E25: The Descent
Episode Date: October 30, 2025It's our spoooky halloween episode, and this year, lets watch a movie that has an all-woman cast and yet somehow manages to say absolutely nothing about femininity. ----- Friend of the show Bella, a... refugee evacuated from Afghanistan in 2021, is raising money for her gender confirmation surgery! Anything you can give would be hugely appreciated! https://www.justgiving.com/crowdfunding/team-bella ----- Check out friend of the show Mattie's new book Simplicity here, or wherever fine graphic novels are sold! ----- FREE PALESTINE Hey, Devon here. In our home, we talk a lot about how insane everything feels, and agonise constantly over what can be done to best help the Palestinians trapped in Gaza facing the full brunt of genocidal violence. My partner Rebecca has put together a list of four fundraisers you can contribute to- all of them are at work on the ground doing what they can. -Palestinian Communist Youth Union, which is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 -Thamra, which distributes herb and veg seedlings, repairs and maintains water infrastructure, and distributes food made with replanted veg patches https://www.gofundme.com/f/support-thamra-cultivating-resilience-in-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here: https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com , as well as on our Bluesky and X.com the every app account
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Belial, Behemoth, Beelzebub, Asmodius, satanus, Lucifer, November Kelly, Abigail Thorn, and Devon.
Hello, devilish listener, and well.
Welcome to a spooky Halloween episode of Kill James Bond.
I can ask for Santana Braxas.
I never ordered Santana Braxas.
Terrifying greetings and welcome to our Halloween episode of Kill James Bond.
Hello and welcome to kill James Bond.
I couldn't think of a way to kind of spookify the name of Kill James Bond.
It's already quite scary as it is because of the murder that's in there.
But yeah, it's a little thing that we like to do this time of year where we take a break from our
regularly scheduled programming to explore something a bit scarier and we did try and think about
whether or not there was a sort of a scary heist and we had a lot of good suggestions from people
all of which we ignored we've got to stop doing that to them at some point well no the thing is
they like it when we don't respect them right to make them feel valued they like to be ignored
you guys are dirt but so I apologize if this episode we struggle because this was my kind of
suggestion. And the reason why I suggested it was because it's a bit of memory lane for me.
I picked out 2005's The Descent, which is a sort of naughty's kind of all-female horror that has
a little Halloween in it, absolutely no heisting in it. And the reason why I know it is because
back in the day, I learned how to watch films and talk about films doing film studies at
Croydon College. And one of the things that I distinctly remember, spooky, Croydon.
Oh, yeah, yeah, yeah, yeah. It should be. Yeah, yeah. The eighth circle of hell.
We'll get some Castle Thunder, you know, maybe mixing some of the, like, Croydon tram link kind of
announcement bells. I don't know how many circles of hell there are, but Croydon's won down from
that, yeah. It's bad. It's bad. However, I learned a lot there, genuinely. And one of the things that I did
on that film studies course was a module on horror and gender.
And so I remember this was like a set text for this, the dissent.
So this is really like...
Oh, that's so cool.
In my wheelhouse.
Yeah.
That's an interesting choice for them for reasons that I'm sure we'll run into
through the course of the movie.
I would say so.
Yes.
I enjoyed the film.
There is some gender going on.
There is.
There is.
There certainly is.
There's a lot to talk about.
And I think, again, just to just to shout them out.
Like, Croydon may be a terrible place, but if you like the way I talk about films,
that's something that in large part I learned to do there.
So, yeah, thank you to them for that, I suppose.
Check out Croydon, if you get in Jones.
Don't.
Cildon recommends Croydon's one recommends staying away from Croydon.
It's probably nicer now.
I don't know.
Avoid orange light warning for Croydon.
yeah but so this is this is a horror movie that has an all-female cast but is directed and written by a man namely Neil Marshall who did dog soldiers which is not a good movie which we'll talk about oh shit I didn't realize it was the same guy he did dog soldiers wow that was that he did directly after it so I studied gender and film by being in the army cadets where dog soldiers dog soldiers was a set text
So, yeah, I'm looking forward to talking about that on the podcast.
But no, as I understand it, this wasn't originally written to be like an all-female cast.
No.
They just kind of shook out that way.
It was an idea that someone kind of suggested to him.
Yeah, yeah.
And he sort of took and ran with.
And so what you end up with is a movie about a group of women.
And we'll talk about how they're written, right?
But so we begin.
As I understand it, this is a story about, it's a metaphor for.
for a group of women just like being online.
Yeah, that is true.
It's a metaphor for logging on.
Yes, it is.
And then possibly also contains a metaphor for logging off.
But so we begin in some whitewater rapids where this group of women are like...
The girls are rafting.
They're sort of rafting.
That's the verb.
Yeah, that's the verb.
This is really fun if you go out the chance to do it listen.
I've done this rules.
I've never done it as a woman, but I imagine it'd be even more fun.
I've only done it on a really like placid river.
I've never done like sort of white water
rafting that's too dangerous for me
but not for these women
these women are like
very into their extreme sports
adrenaline junkies kind of thing
they are they are Johnny Utah's
of their own gender Jane Utah
yeah exactly
towards a feminine Johnny Utah
these are part of our core
I'm moving towards a feminine Johnny Utah
I try
sliding towards a feminine Johnny Utah
this is
This is our, like, part of our main cast.
We've got our protagonist here, Sarah, played with Shawna McDonald.
We've got Juno, who is the friend group antagonist, and you can tell because she's wearing
red instead of blue.
And because she's the hottest one there, to be honest.
Natalie Mendoza, hello.
Every friend group who has one member who is, like, evil and up to something.
Listeners, if you don't know who that is in your friend group, that's you.
Start making some plans.
But in this case, it's Juno.
Look to your left.
Look to your right.
Are you the hottest bitch there?
Are you wearing a kind of evil-coded outfit?
If so, start scheming.
I so often am wearing evil-coded outfits,
and I'm very rarely scheming.
I'm falling behind.
You've got to be scheming more.
You've got to be scheme-maxing, number one.
You've got to be having an affair with one of our partners.
You've got to be.
Can it still be an affair?
I don't.
You also have Alex Reader's best.
Hilariously, I am not doing that anymore.
Oh, you've given that.
I was doing that.
It's not an affair.
That's just polyamory.
There's no final content to it.
If everyone knows about it and you're hanging out together, that's not evil.
That's just normal style socializing.
I'm not doing it anymore since November hit me in the leg with an ice accent, left me in cave.
Yeah, yeah.
I, listen, you deserved it.
And I'm sure I will experience no consequences from doing this.
But yeah, so we establish these women.
And there's like 50 of the fucking...
Yeah, there's like six women.
At the moment, there's three women.
At the moment, there's three women and an indeterminate number of members of the security department
who will be beaming down onto the planet with them to establish threat.
Yeah, yeah, yeah.
Absolutely.
You're so right.
The other thing is we establish...
One of the first things about Sarah we establish is motherhood.
She's a mum.
None of the other than she's a mum.
She's got a husband and she's got a little daughter waiting for her by the side of the river watching her.
And they're all very proud of her.
Yeah.
Which is cool.
However, as they tie up the raft, we see, you know, Sarah is very close to her daughter and Sarah's husband weirdly close to Juno.
Yeah.
Curious that.
They're very a little bit of a prank, Juno stands up and goes, yay.
Sarah like pushes her in when we see that Juno is like slightly bitter about this and then she's she's making
fuck eyes at the husband she's like I'm gonna I'm gonna be having an affair with you it'll be revealed
later unless you get killed now yeah well and that's really weird but she said that because
pretty much immediately thereafter they're all driving back home in the car and you're just like you're in
the car and you're like why do I hear not from the radio or externally but from inside my own
head the public service announcement if you hit me at 30 miles an hour voice well so we we at
the most point get a return on the podcast of an old friend the pipe that kills you instantly
oh god now come here mr husband you're about to be impaled with a pipe it's filmed quite
effectively but as a kind of jump scare he like veers into the the like oncoming lane
and gets it like a head-on collision with a van
which is I guess carrying a bunch of metal pipes
like copper pipes that shoot through
and final destination to this guy
If you get impaled by a copper pipe at 30 miles an hour
There's a 90% chance you'll die
Yeah yeah
The accent
A little bit regional but not sure which region
It's doing a little tour
Not even really how the original thing sounds
She's doing that thing in the car
Where you like turn the whole way around
to talk to the kid in the back
and like any time you see that in a movie
it's like you're dead
it's over for you
I like it's a husband
getting fringed for once
yeah it's nice
he's like distant for a second
and like she goes
hey what's up mate
and he goes
oh you know it's I've been thinking
it's just for
dead over it's done
I'm thinking about how
I'm not going to tell you
I'm having sex with your friend Juno
and then kujuk
yeah
piped down instantly
to a fatal end
Sarah wakes up in hospital
it's a solo
you're about to be impaled by a pipe
Yeah, and she's like
Oh no, I know something's wrong
Because it's a Dutch angle
Yeah
All the angles are Dutch
And she's like, oh shit
I'm like falling over
Because everything's canterly
She like rips all the stuff out of her
And she gets up
If we don't get out of her
In the next 10 minutes
We're going to the Dutch hospital
It's really good actually
Well she suspects something's wrong
Because of the Dutch angles
And then she knows something's wrong
When the Dolly zoom hits her
And she's like oh shit
Yeah
She's like Spike Lee
Don't dolly away from me
And zoom towards me at the same time
That's scary
And the hospital is completely
completely empty, and then the lights in the corridor she's ran out into, start going out behind
her and she starts sprinting, and eventually runs full force into Beth, one of the other women,
the nice one, and has this kind of, like, sobbing breakdown in the corridor, as Beth tells her,
oh, yeah, your kid also got, like, incredibly killed.
Yeah, yeah, yeah, yeah.
By the way, the whole time, there are, like, stuff, like, moving past them, and I just write
down, like, average level of NHS patient care year 2025.
One of the moves of like a trolley, like, around her while she's on the floor screaming.
And I'm like, she's...
It's 20-25.
They'd also be tutting.
It's like, oh, come up, man.
It's not their fault that grotesquely underfunded.
Anyway, so, yeah, she is, of course, going through it because of this.
And then we jump forward.
Of course.
Yeah.
There is Juno.
Juno is in the hospital, but doesn't come forward to it.
Yeah, she's like in the background.
She's like, oh, shit.
She doesn't come forward to comfort, Sarah.
She's busy doing evil things.
You know, she's busy whispering in the ears of junior doctors being like, no, don't go on strike.
So we jump forward a bit to like a year later to the Appalachian Mountains, bracket, Scotland.
It's so clearly Scotland.
This is the same bit where they filmed under the skin, the ending of that.
It's, yeah.
Nice and cheap to film.
We have to establish that, this is true, we have to establish that like,
Appalachia is spooky because it's in America and it's scary and it's rural.
And also because this movie fucking loves deliverance,
which is also, I suspect,
where they're white water rafting in the beginning.
Oh, God, you're so right.
And so it's like, oh yeah, there's just like banjo music on the radio.
All of the signs are like shot through with like shotgun pellets
and there's like spooky skulls hanging up and stuff.
What's a great way to establish that something's ominous?
You have one of your characters go, that's ominous.
Yes.
It's like, oh, great, cool, thanks.
Beth tries to do like checking in on your girls
for when you're friends have women's mental health
which goes roughly along the line of
babes you've been really miserable
since your husband got impaled by those pipes
and then like two exes at the end of the message.
Yeah.
It's not working is the thing.
Sarah is still miserable because she's sad about her daughter
and she's sad about her dead husband.
She's putting a brave face on her though.
She has come on this trip, which is pretty cool.
They arrive at the cabin
and there we meet three more ladies
who as November said are from the security
these red shirts
who were Sam Rebecca and Holly
I was like yeah redshirt's dead
show it
yeah Holly
Holly is more memorable because she's
described as Juno's protégé
and what we mean by that
is that she's also kind of adventure junkie
the thing is I don't think this is lesbian coded
right because there is a specific
generational thing to
this movie of women who are in their
like 20s
like late 20s in
2005 right so like
women a bit older than me
who would have and this is still true
really really short hair
really like tomboyish affect
and be both straight
and incredibly homophobic and transphobic
oh that's disappointing yes that is
that's true that's real that is
that is how I read this is not as a gay
thing but just as a this generation
of women, sometimes a few of them were like, yeah, I have short hair, and because of that,
I have even more toxic expectations of masculinity for my straight boyfriend kind of thing.
That's the same.
Yeah, I see what you mean.
Something just went wrong at the factory with that generation.
It's like, oh, they're kind of fucked up to it.
Possibly.
It all gets about LGBT alliance.
But perhaps I'm projecting, I don't know.
I'm sure they're all very happy now and normal.
Yes, of course.
But so all of these women, there's like.
a little friend group here
it's sort of centered around Juno
and Sarah is sort of reluctantly along for the ride
and we get a lot of like
dialogue of how women relate to one another
yeah this is
so this is your first indication
for the rest of the movie that it's going to be like this
which is I suspect that our writer here
Mr. Neil Marshall thinks of women as kind of like people
which is great for the time
but he thinks that the way that you show that
is by just writing them as men
and just casting women
like they just
they're so fucking blokey
they're like so unbelievably blokey with each other
well most of them are English
and I have met English women who are like this
it's true it's a kind of generational aspect to this
there is an extreme sport aspect to this
but like it's that's the actors carrying that off
the script I think is is kind of
misfiring on this one
they're all sporty spice
yeah
oh god
yeah
She had a Boring from Ripper Street is here as well.
So that's cool.
She's great in Kill List as well.
Oh, yeah.
Of a movie that will watch at some point.
They all get drunk together.
And at some point, some indeterminate point, they're going on a sort of like expedition adventure.
But before then, Sarah has another jump scare because this movie really lacks the kind of self-confidence to like, you know, think that you're going to keep watching it.
So it's got to be like jump scare, jumps scare, jumps scare.
So she's looking out of a window
and she hears like
if you're standing by a window
30 miles an hour
So now are you doing that?
Yeah. She gets him
The pipe that kills you instantly
hits her in the head and she wakes up
She gets in front of the pipe.
Yeah.
Also the previous evening Holly's like
Oh we're supposed to be going to these caves
But these caves suck
It's really tame.
They're like loser caves.
They're gay caves for idiots.
And then Juno is like
Don't worry.
I'm sure the caves will be
plenty exciting.
there's like thunder and lightning
and they're like
shit you know how should do that
really really funny
you know you've got to be less arch
at the female gathering
this is very weird
Holly also puts a foot in it
because I was sort of all sitting around drinking
and he's like I'd love to like get married
to a man someday and have a baby
or have like a small child
about like four years old
who's about to turn five
and Sarah has to be like
yeah yeah the pipe that kills you instantly
killed my husband or whatever
I'd love to be a really careful
driver, things of his nature, sensitive things.
Sarah was like, pro tip, don't let him drive.
So the next morning, Holly
is the one to wake everyone up, and I
should have got a drop of this, and I didn't, so I
apologize, but there's a really funny
moment where she
bangs on the door and issues
maybe one of the most distressing things you can say
the single wiki.
Not wiki, wiki, just one.
Just one wiki.
That's a wiki with the weight of expectation
behind it. Slightly too late,
the second wiki strikes
the North Tower but it's like this is
at that point
that's two single wakeys if they're looking
at that on Morse code that's two dots man
it's over it's very much like the
how many instances of
chugger do you do before chew chew
when imitating a train right and the most
upsetting number is one
because you can't do that
yeah there's something wrong with that train
yeah
Sarah's also
taking the pills that show you
that show you're vulnerable instantly
that's how you show your protagonist is vulnerable
as they're taking pills
we don't know what they are
Juno is doing
sort of like
very aggressive yoga poses
where she's lifting like
one leg up to the side of her head
she's literally flexing on them
Juno takes her role
as friend group antagonist so seriously
she's like jogging before dawn
she's waking everyone up
it's fucking annoying
she's the black side spike air
she's the evil Charlie Angel
she's my favorite
hands down
yeah yeah no she's the best
they're all this is terrible
by the way, they're all wearing the fuck-ass
like naughty, zip-up polar fleeces.
It's really bad.
It's such a time capsule.
And they're driving up
and they're driving too fast as well
because they're all thrill seekers.
So they go to the cave.
Sam is wearing a goofy-looking watch
and someone's like, hey, can I draw attention to that?
So when it comes up later, we would be surprised.
She's like, yeah, it's like, yeah, I'm wearing it
so it can do a thing later, yeah, yeah, yeah.
You can check off watch.
The only problem is his alarm's too loud.
There's a little bit earlier on where they're talking about Holly
and one of them refers to her as that mentalist that jumps off buildings.
Just wanted to have, just wanted to get that in there.
Mentalist.
Yeah, she's a base jump.
Yeah, mentalists, again, very 2005.
But so they leave the cars and we see that Juno leaves the big book of caves,
the cave instruction manual, the Haynes owner's manual for caves.
The Dalling Kindersley Book of Caves.
Yeah, the guide to the cave that they're supposed to be in,
which is the Boreham Caves in North Carolina.
Yeah, yeah. The, like, printed out gamefacts.com.
Really shit labeled, labeled diagrams.
Yeah.
Game Wiki for the cave.
It's like got Asky art of a cave at the top, you know.
The Prima Strategy Guide to Caves.
She leaves the dungeon map behind.
As you may be able to tell, listener, this movie's a little thin on the ground for summary,
so we're having to, like, fill the gap with a lot of bit.
it's a pleasure to do
but she leaves the fucking Prima strategy guide
behind in the car
and as they're walking up to the cave
I think it's I think it's
Beth says can we hurry up
we're late to which I go
it's it's a cave
they don't close it at five
you'll woke up at the crack of dawn
and came straight here
also I was about to say like
well I don't know you don't want to go caving
when it's dark but like it's always dark
when you're in the cave
got a light, I hope.
But so, Juno is leading them.
She's out in front.
She's wearing a fuck-ass Indiana Jones hat as well.
Yeah, yeah.
Yeah.
And the party encounter a level one dead deer, which is, I would describe this as being portentous.
And when I encounter something that's portentous, I get real, like, superstitious about it,
especially if I'm going to go in a cave, which I'm not, because fuck going in a cave.
Yeah, I'm not going in a cave.
I would leave.
Well, it's not dead in the cave, is it?
It's straight outside the cave.
They take a foot.
One of them takes a photo of it and the refers to it, goes like, that's a real Kodak moment.
It's nice.
But you see on the deer that there are these like bite marks that don't look like wolves or anything like that.
Yeah.
And Juno's like, it must have been a bear.
It's Holly taking the photos.
And I didn't catch what camera she's using, but I do want to start internet movie camera database.
There was a bit where I went slightly insane watching the movie Spy Game recently because Brad Pitt's character
undercover as a, like a war photographer, and he has, in the course of two scenes, two likers
at once and a Nikon F, and I'm just like...
Like, oh my God.
What is the CIA's budget for this?
They're made of fucking money.
They get to the cave, which is like a hole in the ground, and they've got to, like, repel down
into it.
I don't know anything about caving, because I'm smart enough not to get into a cave.
Yes.
I've done a little bit, but I don't know that much about it.
The caves I've been in, you just walk in.
Yeah, I walk into it.
I walk into a cave
and it's like a show cave
I'm barely into a house
I don't even trust a roof
You can't get me in a cave
I've repelled inside some caves
It's not hard
So they repel
They repel into this cave
Holly
It's not hard
Golly goes too fast
Because she's a thrill seeker
And almost squishes
I think Beth
Yeah
Holly establishes
But she's reckless
Yeah
And then one of them
One of them goes to like
Investigate one of
It's like beautiful
Or whatever down there
They've got like flares to light it with.
One of them goes to like the, the mouth of one of the sort of subsidiary caves.
I don't know anything about caves.
And instead of going to like tourist cave, Juno has actually taken them to Jump Scare Cave
because she triggers the fight or flight reflex of one trillion bats.
Yes.
One thousand bats.
Also, Sarah finds a bloody handprint on the wall and doesn't tell any of them.
That's the point.
I'd flag that up.
If the deer hasn't stopped me,
the bloody handprint is absolutely where I'm pulling the plug on this.
Yeah.
But so they continue into the caves.
There's a funny bit where Juno says,
the only way out of this chamber is down the pipe
that points to this hole in the ground.
And I'm like, don't mention pipes around Sarah.
Come on, you really have a pipe thing.
She's got pipe trauma, yeah.
This bit is like quite well.
A pipe killed by husband.
This bit is quite well filmed,
and then it does show us effectively how disorienting.
it is being underground because, and it's also an excuse to, like, you don't really have to follow the rules of editing because it's meant to not hold together, right?
But it does work quite well.
So it's a nicely edited sequence.
I forgot, though, that the problem with a movie set in the caves is that in a visual medium, one of the things about the caves is that you can't see.
It's pretty tight.
Yeah.
Yeah.
Yeah.
This is all a beautifully constructed set.
All of the, like, cave bits are.
And they do some really interesting stuff with it.
Yeah, absolutely.
I don't know, bits of it might be foam or something, but like, yeah, they go in the cave.
And as I understand it, not knowing anything about caving, rule number one of caving is just kind of go off on your own, you know?
Yeah, like have fun and enjoy yourself, number one.
Don't check in with your homies.
Fib, yeah.
Don't leave any kind of markers behind.
It's the first instance of Juno sneaking up behind someone wordlessly.
She loves to do it.
Something she loves to fucking do.
Well, the thing is, she loves.
She loves to jump scare her friend who has jump scare trauma.
Which is a really funny, evil thing to do.
By the way, they've been down here like three minutes,
and Sarah is already hearing her daughter's laugh.
And I'm like, you go on.
Don't go into the cave.
The cave that makes you hallucinate instantly.
She's being beguiled already.
Yeah, she is, already, yeah, instantly.
The cave that beguiles you instantly.
Holly's quite impressed.
She's like, oh shit, I thought this cave was boring cave,
but actually this cave is kind of like rad cave.
for hell yeah
exciting cave
yeah
so they have to go through
a little like
claustrophobic bit
where you have to
crawl which is
very very scary
by the way
I have to say
in sort of Sarah's
defense
this might seem
implausible
but like
I would also
ask my hottest
most evil friend
if I could get in
on the like
all woman
adventure holidays
she was running
if that was a thing
you know
if anything
I'd be disappointed
to rock up
and find out
they're actually
caving
Yeah. Can we play Lemonheads, the outdoor type, right now?
Extreme Sports wasn't a euphemism? Oh, you're all straight? Oh, some of you were like homophobic, actually? Oh, fuck, what am I doing?
What the hell's going on? It's all, it's all like all the lesbianism is there, but it's weirdly sublimated. Yeah, no, this sucks. Give me the actual, like, unsublimated lesbianism.
Yeah. So they crawl through this one that all kind of fast. So sublimated, it's underground.
Yeah, quite.
And as they're getting through, Sarah's the last one.
She's got to bring, like, one of their bags of ropes, which again, supplementated.
Yeah, right?
Yeah, why is Sarah doing all this?
I don't know.
But as she's about to reach for it, the quest design means that you can't go back to the sort of
overworld until you've been, so you've, like, resolved this dungeon.
So, like, a bunch of rocks fall and, like, cut off the thing.
First, again, she gets stuck.
And, like, she's stuck in the cave.
and there's all the shots of her stuck in that tunnel
and the whole time I'm going
I would simply not be in this situation
I'm never going to be
I'm not going through a cave tunnel
at the best of times
not if there's like
like if there's an edge case
but I'm going to make it through
you'd hate to find out in that scenario
that you're the biggest one in the friend group
oh you have to be like
oh I've gained weight
when it's like oh shit
actually we have to break your collar
to get you through this Beth
calms her down and stops her panicking
Best technique for calming her down
is crazy
is to like
I'm going to yell my friend
through her panic attack
by being like
no you're fine
you're fine
and then tell more sublimated lesbianism
she literally goes
the worst thing that can happen to you
already has and you're still here
it's like don't bring that up
don't bring that up
remember when your husband
got impaled through the fucking head
killed your husband and child
and then she says
how do you give a lemon
and orgasm you tickle
it's citrus.
Stupid.
I was like, I was going to say put it inside a tart, but all right.
It's pretty good.
But the cave starts collapsing and then they have to...
The joke's so bad.
It collapses the entire cave system.
Yeah.
They have to leave the rope bag behind.
And then they're trapped in there.
And then they have their like little argument where they're like, all right.
Well, thankfully, we've still got the book.
We've got the book, right?
We got the book and she's like, ah, the book was kind of cringe.
we don't need the book for reasons that I'll reveal it, just a bobbin.
Yeah, second rule of caving is fuck books, just vibe it out.
Yeah, yeah, yeah.
And they're like, well, okay, well, before you go caving, you have to file a, like, a plan with
mountain rescue, so they know what time we do back, so they'll come find us, right?
And she's like, yeah, but the flight plan says that we're going to the boring shit cave
for gay people, and we're actually in like uncharted radical cave that just opened, actually.
Yeah, there's a different movie about a very,
extreme lesbian polycule just having a lovely time in the like shit cave pricks but we are we are in the new cave that just opened yeah we're in bad time cave yeah and juno's like i i wanted us to be the first people into bad time cave juno goes immediately blames every single other person there like tries to deflect so much she's so real for that she's just like well holly was saying that it would be boring to be in the normal cave so i thought and she's like don't fucking put it on me it all gets a bit your party down there
It does, it does.
And especially because it turns out
they're all fucking each other's partners
behind their backs.
Well, quite.
Yeah, because Beth says,
Juno, you brought us into like shit to it.
You brought us into a shit evil time, evil cave.
And also, by the way, I'm bringing this up for no reason.
You weren't there for Sarah when the crash happened.
And Juno is just like, I'll have you know,
we all lost something in that crash.
It's like, yeah, okay.
Juno, why are you saying that so portentously?
We all know what you lost in the fucking.
crash, Shudor. We knew it from the first scene.
Yeah.
They were driving her car at the time. She's just so fucking cut up about it.
It'd be really funny.
She's like, if it totaled my car.
Shuna was actually the kid's mom and Sarah didn't know.
And they're just like, wait, what?
We all lost something in that crash.
For instance, I lost my keys in the course of coming to meet you in the hospital.
So really, like, who's the asshole?
You.
Couldn't find it for like a couple of hours.
Yeah, I lost the whole day.
I lost a lot of time
I lost my duolingo streak
because I had to take you to the hospital
and you never said sorry
never once to me about my duenoo's been doing
like a thousand days of like
duolingo like Chinese and she can't speak a fucking word of it
because duolingo's terrible
because they fired everyone to replace with AI last year
awful so they're gonna cross like
this is like the fucking crystal maze in here right
It's like Fort Boyer
They've got to cross like
Like a void
They're gonna cross a gorge
Yeah, an underground gorge
Yeah Rebecca fucking saves their asses
I love Rebecca
She's fantastic
She's fantastic
She's got to hang off the ceiling
And then put like spreaders
The like grappley points
Into the cracks in the roof
And then like monkey bar her way across
Putting rope through it
You've got to have like wicked
fucking shoulder strength
And as she's three quarters
Of the way across
She notices there's already
I forget what the name is
for this little piece of equipment
A petan
Thank you
Marshall Petan
There's already a petan
in the ceiling
and it's like an old one
An old-timey one
Yeah
Okay crazy
But she makes it across
She doesn't just
She also
This is a real kind of zombie bite
situation in that she doesn't tell
any of the others
that there was already a petan there
And she also chooses to like
rely on that
Instead of hammering in one of her own
Next to it
Yeah
My jackals
my sort of climbing and formed jackals
who I watch this with
inform me that this whole sequence is
and I quote,
baffling rope work,
which I guess is what you have to expect
from cis women.
Your jackals would know.
Yeah, quite.
Sarah and Juno are the last ones
to go across and then Juno's like,
hey Sarah,
I wanted us to have a win.
That's why I brought us down here,
you know?
I was going to name the cave after you.
And then Sarah's like,
you wanted a win for yourself,
Juno.
And then so Sarah shimmies across.
and then because Juno's the last one
and they need the equipment
Juno has to do what Rebecca did
but like backwards
so she can't use the safe rope way
she has to like come across
and she's the one who pulls out the paton
and it's like oh an old time he put on
Juno is interesting here because she's like
okay I accept that you're sad
because your husband who I was fucking
got perfectly lanced through the face
with a metal pipe
would some settler colonialism
make you feel better
would like naming a landform
and exploring it for the first time
make you feel good.
Yeah, they get to the other side
and Juno's like, so this is old Tommy Piton.
It's like at least 100 years old
which suggests two things.
Firstly, people have already been down here
which sucks for my wanting to claim it.
But also secondly,
the fact that this cave system isn't known about
suggests that whoever did make it down here
did not make it out, which is slightly worrying.
We missed a bit in that she falls.
She doesn't make it a course quite so easily.
Oh, yes, you're right.
Yeah, she's like.
falls and one of the security team, I don't remember who, maybe it's Rebecca, Rebecca, got her
climbing gloves from Timu because she's like holding the rope, which of course then like gets
pulled really hard by, you know, by Juno falling and it properly like fucks up her hand.
Yeah, like fully cuts it.
Which, uh-oh. You don't really want that, especially when she's the one of the main like ceiling
hanging ones.
Yeah, yeah.
Yeah, she's kind of the boss climbers. Yeah, it's like, oh shit. Stakes are raising. It's good.
That's good.
Just incapacitate your strongest one.
So they progress forward into the thing, and they run into a prehistoric cave painting,
which all of them immediately shine headlamps on, destroying it.
Yeah, completely blurring instantly.
This is real, like, Lasco cave painting shit.
Yeah, it's, fuck it, yeah.
This is where I put on my big glasses and I'm like, oh, those are, those megafauna weren't in North America.
Dumb cunts.
that's based on the French cave paintings
you just like fucking put it straight there
coffee pasted it yeah
they weren't up there
there were no horses
they noticed something interesting
there because there's
it's like a drawing of the mountain
that they're in
and there's two caves
they're like oh
there's an exit on the other side
there's another entrance
something that I noticed
which none of them commented on
is that all the animals
in the drawing
are running away from the cave
which is a nice little detail
oh that's pretty cool
I can catch that
it suggests
It suggests both some prehistory and some indigenity to the cave as well, right?
Like, there have been people down here who, I don't know.
Really high effort cave paintings to, like, warn people away from the cave they're in.
Yeah, I would have put that at the entrance, actually.
Yeah.
And then we get another jump scare as sort of further up on the cave roof, like, across from them,
some, like, blood seems to drip down from like an open mouth.
And it's like, there is a guy down here with really bad ginger vices.
There's a creepy, there's a creepy little guy down here.
It might be a creepy guy down here.
Because of this creepy little guy, we get another rule of caving to drive, which is get really scared and sprint off on your own.
Yeah, run around, scream a bit.
Yeah.
Yeah.
If you see a guy in a cave, just lose your shit and start running.
Holly doesn't even see him.
Holly just runs ahead.
Holly sees a bit of light.
Yes.
Like phosphorescence from the rocks or something.
Oh yeah, yeah, yeah. She does. In the daylight community, we call that Fool's Daylight.
She takes a run for it. Everyone's going, Holly, don't run in the cave. Like, what the fuck are you doing? It's made out of water.
Trip hazards. There's cables everywhere. And it's not real daylight. It's just phosphorus.
Fosser essence.
Fools daylight.
And she falls down into like a big hole.
Big hole.
Deadfall pit into a big hole.
Yeah.
Oh, it gets a protruding fracture too
It's a nasty fucking fracture
Yeah, yeah, yeah
Oh, you don't want that anywhere
Not even, especially not in a cave
Well, like, because they get down to her
And they try and splint it first
Which is like, we're good luck
Splinting an open fracture in a wet cave
Or indeed at all
Mm-hmm, mm-hmm
Yeah, she's lying in like a river
And I'm like, we should probably move her
At the river before we start fucking out of the bone
You're gonna get a bunch of like cave organisms
And in your blood, but like
Yeah, you'll die in the stuff
No one's ever even seen before
Yeah, yeah
Which I guess is what happens, but
Yeah, exactly. Yeah, it is. Yeah, yeah, yeah.
No, we have to like set the, but we have to make the fracture stop being open and start being closed.
We have to close the fracture by pushing the bone back in.
Oh.
And then you can splint it.
Yeah.
I don't know, I don't know about the kind of emergency medicine there, but like, it's good horror.
I don't know how medically sound that is, yeah.
It's good.
Sarah's just fucking hallucinating all the time in this point.
She's like most of her auditory input is hallucinatory because her daughter's laughing and running around the cave.
She wanders off to pursue this hallucination.
She finds an old-timey helmet, which I thought was quite nice.
A morian, yes, making them like Spanish conquistadors, I guess.
Oh, okay.
It's that kind of style of helmet.
Do you think of like...
Oh, that's fun.
Anand Cortez, so, yeah.
And the other thing she finds is Gollum.
Yeah, she hears some guy sipping at the water in this, like, cave that she's in and just
like lowers the light.
And you get like a real pale guy in the distance.
Yeah.
And he, like, scampers off.
and she makes the court decision immediately and goes,
oh, that's probably a guy and he can help me.
I'm going to start yelling.
Yeah.
Just yell as such as possible.
Play riddles with me.
And he's like,
kind of like,
it's like, that's clearly a cave creature.
What are I got in my pocket?
I mean, to be fair, everyone is yelling
because Holly is getting her bone reset and is, of course, screaming.
They're using a, they're like,
give her something to bite down on,
which is a quick draw,
the like, a, like, loop between two carabiners.
And I'm like, that's lesbian.
That's lesbian technology.
This is appropriation, you know.
But, so Sarah gets back to the group and she's like, I just saw award-winning actor Andy Circus.
And then Juno's like, no, Andy Circus isn't real.
Like, Andy Circus is just a fucking myth, okay.
Gollum is an entirely CGI character.
And she's like, no, no, no.
I saw the movie they made out of the series Luther.
He was real and he was in it.
Andy Circus is a CGI creation of New Line Cinema.
He's like the Muppets.
Everyone pretends that Andy Circus is real, but he's not actually real.
You didn't really see Andy Circus, right?
Yeah, why do you think they call him Andy Circus?
Yeah, right?
Because he's not real.
Like the circus, which also isn't real.
They don't call him Andy Play, do they?
You saw a shadow on the cave wall, Sarah.
You saw nothing.
Yeah.
Come on.
Come on, fucking Plato.
And also, the daylight wasn't real.
It's illusionary.
You saw a ping pong ball on a stick, so you know where to look.
Yeah.
So they start carrying Holly and they're like, this isn't real, this is all just green screen.
However, one of them has brought the camcorder from the Blair Witch Project, which was very nice of them to do that.
They mentioned into the next room of the cave, the bone room, which you don't want to be in the bone room.
Well, sometimes I want to be in the bone room, bracket's literal bones.
I don't want to be in a cave.
If I'm in a cave, I don't want to be in the bone room.
Plus, Holly has an exposed bone right now,
which means she's, like, the bone room has an affinity for her.
They have arrived at Bone Town.
Yes, yeah.
This bit's really good, actually.
We get some, like, POV, the camcorder.
It's in infrared, so they're kind of scanning around it.
And at this point, I did genuinely leap up and yell the words,
whoa, fuck.
Yeah, this is a really good creature reveal.
I love this.
They're panning across all of them and, like, going back and forth,
and then just one of them just has a big fucking gollon standing behind them,
and I was like, ah, fuck!
I love the shot because he's so fucking stanced up and it's very much like, hey, guys, thanks for inviting me to your function.
It's genuinely like, suddenly the seventh member of the group knows Faratu, is he?
How I feel hanging out with cisgender women for real, for real.
He's not like fucking crawling troglodymode in the corner of anything.
He's stood full in the middle of the room.
Hey guys, what's up?
The episode art, I think.
Yeah, he's really funny.
And when they, when they notice, when they notice this, can I say profoundly British-looking creature?
Yes.
He does look very British, yeah.
Yeah, this very pale, very kind of like toothy.
Well, they shot it in Scotland, you know.
They can save it his Appalachia, but that's a British cave creature right there.
Weird standing freak.
He doesn't attack them either.
He just goes, we're like, oh shit, sorry.
He's awkward.
He didn't know he wasn't supposed to be there.
This guy looks like what Harper's thinks gooners are.
He's down here in the goon cave.
He's been gooning for too long.
He's a borno-sexual gooner and now he's confronted with real woman.
It doesn't know what to do.
He's been in the goon cave so long he's like evolved into a cave beast.
Yeah.
It's a shame, you know, it's a real shame.
But these things happen.
The male lonely this epidemic is not a joke.
Yeah.
So the gooner disappears back into the shadows.
And we get a lot of them sort of like, looking around at each other terrified.
It'd be fair to say if they lose their minds a little bit at this point.
You would.
He would.
Yeah.
There's some like skittering noises.
There's, and then, of course, that's when they're going to start to like get you.
Right.
Yeah.
They start getting people at this point.
Yeah.
These being British creatures.
This fucking goon that does a full back, because they're carrying Holly.
Yeah.
I think Juno is this guy like does a reverse backflip over them and like rips out.
Holly's neck with his teeth in mid-air.
And so Holly's fucking,
Holly's toast at this point.
Yeah,
it's like,
that's crazy, man.
How the hell can you do that?
Lots of gore.
This is a British creature
or a British coded creature in 2005,
so of course he's into parkour.
Mm.
And,
I mean,
he's playing fire starter in the background.
Yeah.
Yeah,
for real.
And so Holly is fucking compromised to a permanent end.
Yeah,
it goes over for Holly.
Mm-hmm.
Everybody else.
Scatters.
Yeah.
Yes.
This is where Juno goes fucking Juno mode.
She does go to you know.
I'm not putting up with this fucking...
We'll talk about the groups at Scalage.
We'll start with Juno because she's going crazy.
She locks in immediately.
I'm not putting up with this fucking wank battling limey.
I'm pulling out in my sacks and I'm going fucking Juno mode and she kills this fucker.
This is why you need your hot evil friend in the friend's group.
It's because occasionally she might have to go Juno mode.
Yeah, she kills it
She kills one of them
with Isaxx
A second one starts attacking her
And it's like a long, drawn-out fight
That she eventually wins
And then, you know, she does it all the time
But she can't take it herself
A friend silently creeps up behind her
And goes, hey, do you know how you doing
And get some Issax just directly
To the fucking throw
It's Beth, yeah
Who I've written down in the thing is Hot Beth
Which, okay
Beth who hasn't really had a character moment yet
So like whatever
But she gets
she gets axed in the side of the neck
like Leon Trotsky, like sideways
Leon Trotsky. Yeah, yeah, yeah.
And then Juno, as more
there's more like Guna's
closing in, you can hear the clicky noises
of the mouses that they use, and then
Juno has to leave Beth behind.
Juno's like, I'm out, I'm done.
I now have to have to introduce
a bit of theory to this, right?
Oh, Beth takes Juno's necklace
as she falls over by the way.
She's got a big fucking necklace.
Big fucking necklace.
So one of your kind of
seminal works of feminist film theory, particularly about horror, is Carol J. Clover's book
Men, Women and Chainsaws, right? And one of the things that that book posits is that part of
the kind of function of, it's the book that coined the expression the final girl, right? Like the one
woman who survives, right? But one of the things about a final girl is often a kind of
androgyny tending masculine
that involves like an appropriation
of a violent phallic symbol
most notably in Texas chainsaw massacre
that's a chainsaw right
in this case
this is like a big fucking
ice axe that Juno has
and this
you know this is a again it's a like it's a
phallic penetrative thing
and I encountered in the course of my
research into this
a film studies
article about this
aspect of the descent, the title of which was chicks with picks, so you cannot fucking
avoid the trans misogyny in this.
It's just around all the time, which is apt, because that's also how this movie tries to convey
male violence, right?
Because all of these Andy Circus-looking motherfuckers have been male coded, right?
And what we get is a lot of women in the dark surrounded by the constant looming presence
of male violence.
And again, these are all, like, big white, naked guys who are just going to jump on you.
And that's that kind of, like, fighting game tech as well is very, like, jump on and
then bite, which is not just, you know, you're sort of monstrous thing, but it's also like
it's, that's, that's sexualized, right?
Yeah.
Yeah.
They also look like Gollum.
I don't think that's necessarily like a point of criticism with the movie.
That's just what's happened right now.
Yeah, no.
I think that's, if anything, I think that's effective.
Yeah.
Yeah.
Yeah.
Yeah, it's one of those things where it's like, it's actually better that you made this with all women.
It wouldn't have been as good if you had some guys down here,
which is also why they just said part two isn't as good, I think.
But Sarah wakes up alone.
She has the infrared camera, and she's surrounded by a bunch of human skeletons.
So she decides quite wisely, I think, to leave the situation.
Yeah, that's absolutely reasonable, I think.
Yeah, yeah.
She's like, okay, I'm going to get out of here.
I want to be voided like those guys in that move as Scully Hansen.
And then we get another jump scare because Holly's body gets dropped down right next to her.
and like four or five Andy's circuses
start eating Holly
she's like right next to Holly
but they don't notice her and this is how she
discovers that she's like
oh their vision is based on they can't see
yeah it's because of it's dark in cave
because a cave yeah a blind
they don't need it because they live in a cave
it's interesting again to see from
from white noise the kind of like
video camera as a like a defensive lens between between yourself and the horror you know because she's
she's watching this and it's our only way of seeing them is to put the camera between herself and them
but it's also this kind of layer of abstraction which I think the movie conveys quite well with
the mix of kind of night vision from the camera and not one of the things I really like about
this movie is the lighting because yeah the like the group split up and each like individual or
like pair of like characters together.
Yeah.
They use lighting to distinguish separated characters in identical environments in a way
that I really like.
Yeah, it's really cool.
So Sarah finds them knife and the material to make a flaming torch.
So she's got a fire.
I think Juno has a red glow stick.
Yeah.
And it's Sam and Rebecca have a green glow stick.
Yeah.
So we can always tell who we're with.
Sam's watch beeps really loudly and the Guno nearly finds them.
And so that we, that's check off's watch.
That's how we feel that.
Yeah, that's how they figure out that they can only hear as well as they're like,
oh, the watch from earlier because of...
Sam says they use sound to hunt like a bat, except not in any of the ways that a bat does
because they just hear stuff.
Yeah, they're just, this thing too.
I like being pedantic about that.
They use sound to hunt like anything does.
Juno sees one going down a tunnel and then she's like, right, I'm gonna fucking kill that
con.
Juno has got a taste for fucking blood at this point.
I'm like, yeah.
Juno's been like how many of them are there?
like four. I'll fucking just kill them all, I guess.
Easy.
Yeah, now we're in business, right?
Yeah.
Sethyl colonialism mode very much in effect here.
You know, I'm going to kill every life form in this geological feature and then name it after me.
Yeah.
Juno actually saves Sam and Rebecca because the goona with the watch goes after them and then
Juno fucking kills him with an ice axe again.
She's like, this is great.
Have you tried killing them?
Yeah.
You've got ice axes.
Just fucking hit them.
You don't have to feel guilty about it.
They're not even sentient.
You can just hack them up.
This movie gets, I think, some unearned praise for having invented, like,
uh, girl boss stuff like this,
which it really didn't, like alien was doing this stuff decades before.
Alien was doing this shit, yeah.
I still like it in the sense that this is like, yeah, this is, this is heroic, right?
We also do get some cool.
I like the way that the gooners fight because when you get,
they do like ambush and flips and stuff,
but when you get in a one-on-one with them, they're kind of shit on account of
they're blind.
so they do kind of like flail around
and so in this fight
people so like they don't have like claws
or teeth really
yeah in this fight between
Juno and this one
like it's it can hear the three women
because like Sam and Rebecca
are also there making noise
it doesn't know which one has the ice axe
and Juno just kind of goes straight
down the middle and just kills the fucker
and it's like oh actually it's
yes it's tense in the sense that like
there could be everywhere and there's many of them
but also like you can fucking beat these guys
in a stand up fight they're not the predator
yeah and also the thing
is being stuck in a cave with no way out is bad enough that like adding the sort of flesh-eating
beasts only takes it from like an eight to a nine really yeah you're basically like taking this
in stride I mean you're like fine yeah there's beasts okay cool they make some horrible noises
which I like they're kind of a mix of like pig noises cat noises and some wolf noises I think
they're really good costumes like clicky noises too yeah yeah so so so Sarah they're same as dog
It's just really good, like, creature design, great costuming.
Yeah.
Sarah sneaking around, runs into Beth, who is still bleeding badly out of this neck, like
Sideways Trotsky.
Beth, fucking goss queen, shit-stirring queen.
Holy fuck.
Yeah.
She's on her death bed.
She is bleeding out from an axe wound to the carotid artery, and she's like, come here, come here,
I want to tell you some gossip about Juno.
She's fucking your man, girl.
Yeah.
Did she know that you have been placed in the cuckpastard?
passenger seat of your own car.
Yeah.
She gives her the necklace, which is engraved with I Am Your Secret Boyfriend from Love Paul,
presumably the same.
Yeah, like Paul's favorite catchphrase, I don't want to get killed by a pipe.
Presumably got it engraved the same place, Anthony Hopkins' wife got that watch engraved in the edge.
This is pro tip from the Kill James Bond podcast, if you are having an affair and you want to give
the person that you're sleeping with secretly some jewel.
jewelry. Fine, do that. That's romantic. That's sexy even. Don't get it engraved. Don't get it engraved
with a secret message that is something you say all the time. Don't get engraved with your name
and face. Can I offer a suggestion at this point? I would like to suggest that Sarah's late
husband, Paul, he of the pipe, be awarded posthumously the Brian Cox Award for Studies
and Intelligence. I actually am fully with your knowledge. For getting his side
chick the most obvious piece of jewelry possible that like when you see it is enough to fully
convince sarah that like judo is having an affair you are my side chick love paul
paul bracket sarah's husband yeah you know sarah's husband got like an engraving of his own
face on there as well just so you're really like dental records national insurance number as well
If lost return to Paul.
Just to make absolutely clear,
yeah, like, I am the same guy who is married to Sarah.
I will never die in a pipe accident.
P.S., don't tell Sarah that we're having an affair.
Yeah.
Massive necklace, honestly, kind of weird that Juno was carried around
this whole time was really heavy.
Kind of a flavor-flav situation at this massive fucking clock.
Like small text.
No, I'd have left that at home when Sarah was around, you know?
I wouldn't have worn it.
Long history of when they started cheating on his wife and then please turn over
other side of necklace because it keeps going.
It continues on.
Oh my God.
Yeah, like I just, I just, I don't know, Juno.
I don't think you're sending yourself off for success here.
And the thing is, I want to defend Juno so bad because everything she does in the cave
post the point where she tricks them all to go into the wrong cave is like,
Correct.
Yeah.
By the way, listen, there's all that stuff we were implying about Juno being evil and maybe
leading them knowingly into the cave.
No, forget about that.
Juno rules, actually.
She's great.
It seems unlikely that she did that.
It's relatable to me to the extent that, like, I like getting jewelry enough that I would
keep the jewelry that, like, was evidence that I was cheating on my husband, you know?
Like, I would probably do that.
I don't think, have I ever done that?
Just, I just don't know.
Just like, is that in the Rolodex, yeah?
No, none of my infidelity involved jewelry.
Sadly.
Yeah, that's crazy.
I know, yeah, yeah, got it.
You got to, yeah, absolutely.
But so, Beth is dying.
And Beth is like, hey, I need you to do me some, like, end of life care here by axing me to death.
I don't want to be eaten alive by these gooners.
I mean, this is a good argument for sort of like euthanasia in this case, in the sense that if I'm going into the cave,
I want a cyanide pill, you know?
I don't want to, and I want that accessible to me at all times, at a second's notice.
Like, you tell me it's going to take five minutes longer to get out of the cave than I thought it would, cyanide pill, you know?
This is why you can't have the cyanide pill, so we had the discussions in the office meeting last year.
We're not letting you have a cyanide pill.
But fortunately, on this occasion, the cyanide pill arrives in the form of a big rock that Sarah just brains her friends with.
Which, to be fair, a cave is abundant in.
Yeah, very true.
That's true. That's kind of the natural home of,
of the rock, yeah.
And at this point, we experience
the female Guna, less mentioned
in the Harper's article, but the Gounette.
The Gounettes. Yeah, there's Guna.
Yeah, Gounet attacks and chases Sarah.
Yeah, well, so she, she kills,
because, like, genuinely, she, like, kills Beth,
and then she gets jumped by another Guna,
who she kills, and then the Gounette
appears and is, like,
you can tell it to girl, because it's got long hair and tits,
which is insane to have, like,
Beauty standards for the female gooner.
It's got a little bo.
It's crazy that they'd have the hanging tits.
It doesn't make any sense.
It's also defined by motherhood because it's sad because she killed its kid.
Yeah, she killed the juvenile.
And like it's got feelings, you know?
Because like women have those.
Women have those.
And Sarah has zero moments of, wow, we're not so different.
I killed your child with a pipe.
No, they kind of both fall into like a big pool of blood and like fight to death.
Yeah.
Yeah.
kills the symbol of motherhood
and she stabs it through the eye
with an antler, it rules.
It's a great movie
if you like women covered in blood.
I do.
I do.
Or if you like the one shot
of Arnold Schwarzenegger
covered in mud from the movie Predator?
I do.
Yeah, because the daddy gooner arrives
after she kills the mummy guner
and then she hides from it
and then like brains it with a bone club
and now she's like giving Sarah Connor
she's at a tank top covered in blood
And on my notes say, hell yeah.
Yeah, she's like, this is even hard.
Like, this isn't even difficult.
Yeah, I'm also strongly pro-woman and covered in blood.
Yeah.
Well, this is the thing, right?
They're killing these motherfuckers so easily.
It's like pure gym cardio.
Like, genuinely.
Yeah, it's like fine.
You're like women covered in blood.
You're going to love what I've just finished filming.
What could be coming out next time?
Fantastic.
It's like, yeah, these are giant beasts, but actually it's like, they've got no,
they've got no nutrients at all.
You can just tear apart, like, fucking tissue paper.
Yeah, yeah.
They've got no vitamin D whatsoever.
All these guys have rickets.
It's fucked, actually.
Such a shame.
So, do you know, Sam and Rebecca?
I'm having to go to the Wikipedia here.
Yeah, you're right.
All find each other, and they all realize they share the information that, like, their vision is based on sound.
And so they have to be quiet.
And so they sneak out to, like, another gorge.
Juno, by the way, gives this an impetus for a...
This is evil friendship, because Juno sees a bunch of...
Guna's following them.
They can't fucking see her, but she's the one who decides to yell, run, and then they're
chased.
Yeah, then they start running.
Sam has to cross the gorge, which is a moment of like cool character development.
She's like, oh, Rebecca's her big sister.
Can she do it as well as her big sister?
No, is the answer to that.
No, because there's a beast actually in the scene.
No, actually, yeah, the Guna kills her, uh, rips her throat out.
Guna rips her throat out and she like, like stabs it and then dies in a way that's a little
weird.
Hi Peter, Mianaburring, yeah.
The Guna falls into the kind of water below, and then as Sam sort of goes over the same ropes, like, fighting, she falls in.
Sam dead.
Sam's dead.
Sam's dead.
Rebecca also instantly is like, Rebecca doesn't have a lot of time to mourn her sister.
This is worse than like ice breakers at fucking uni.
I can't do this.
There's too many names.
Yeah, Sam is dead.
Rebecca has no time to mourn her sister.
because she's instantly just got
and then like chewed her guts the chewed apart
like the Irish guy from Shorto the Dead
It's instantly grabbed by the legs
and just like dragged down a fucking off tunnel
like they couldn't figure out how to get rid of her
in the scripts
Yeah, that sucks.
She's dead, it's a shame.
Rebecca gets fully revched and she gets like dragged down
into the cave.
Juno is the one who's,
so now there's only two left, Juno and Sarah.
Now it's just Juno and Sarah.
Two final girls, two girl bosses.
Yes.
Juno falls into the water
and the gooner who was like
who had previously been stabbed
wakes up and bites her or whatever
and it's like I want to give that
that specific guna
a Cronstein Roseette because he was waiting
in the water having been stabbed
for someone else to fall in so that he could scare her
yeah yeah in the dark
that's legendary yeah that's commitment
she pulls the knife out of its chest
and they like finishes it off starts climbing up
and then as she's climbing the wall
Sarah who's now gone false
Schwarzeneggerber just like pulls her into a crevasse
and it's just like covered in blood
looking rough as hell
and Juno's like what the fuck happened to you
this is compelling right
you were trapped in a cave
I've experienced some character development
yeah you're trapped in a cave
with the woman that you cuckled at who
found out that she's kind of too into killing
is a fun bit
this is the plot of the edge but underground
yeah yeah yeah I like it
but I mean
I do also write down the same thing
you said earlier, Dev, which is
why would you wear what I describe as the
cuck necklace or the cuckless
to this? Like, why would
you wear that to this holiday when he knew
she was coming?
And Sarah says, what happened to
Beth? And Juno's like,
she died. It was an
accident. Like, fucking...
I'm sorry, she snuck up behind
me when I was in a kill frenzy.
Like, I thought she was a beast. What's the problem?
I wasn't just going to let my special move
go, I built up my combo bar.
This is why Beth is kind of like
a gossip queen is because
she knew it was an accident and she
just went on a kind of anti-Juno
kick with her dying breath
for no reason. Yeah, she didn't
let Sarah know that it was an accident.
She didn't employ that at all. She was just like,
no, fucking Juno like killed
me on purpose and she was like,
she told me that she was mad at me when she did it.
She was kill crazy. Like, that
should be a legal defense.
Yeah, you snuck up behind her, yeah.
But Juno conceals this.
None of this is said.
This is all spoken only with the eyes.
They move on and there are many gounas in their path.
And so they just go fucking sicker mode.
They go crazy on these guys.
They do.
There's like five or six of them and they fuck them up.
Sarah gives one of them a taste of his own medicine by biting his throat out
and then pushes the eyes of another one into its skull with her thumbs.
And she's like, you're right, you know.
It's great.
You can just kill them.
And it's like, guilt-free.
Juno gets some good kills in with the icex.
This feels great, actually.
It's really helped me work through my trauma.
Yeah, violence is fantastic, right?
Yeah, I can see what men have been on about, actually.
Yeah.
And at this point, Sarah's like,
yo, I also picked up this huge necklace with this massive message.
Yeah, is this yours?
This manhole cover that you were wearing around your neck.
Yeah.
Yeah, is this your giant clock?
Oh, fuck, it is.
And so Sarah hits her in the knee with an ice axe and leaves her for dead, which is fucking ice cold.
Which is crazy because like ever since the fucking cave-in, Juno has done nothing but axed to like get them out of the cave.
Like she actually stepped up.
Yeah. Also, she's proven herself to be a valuable ally.
It's kind of like, but she leaves her with her axe so that she can die going to go Valhalla or Galhalla.
Yeah, legitimately so.
God damn, I want to die going to Galhalla.
Yeah, don't we all?
Yeah, got a die-in girl battle?
What?
Yeah, so again, I'm thinking about Carol J. Clover, right?
And about the punitive function of horror, right?
So, like, it's one of the main things in a slasher movie is it's why you get a final girl,
because a final girl is, like, androgynous in ways that we want to praise,
unlike other women who are bitches and therefore have qualities that make us want to see them get killed, right?
like, you know, being fucking insincere or unsurious or whatever.
And so a lot of the function of horror is to show us these kind of like constructed social negatives being purged by the form of like murder, right?
What is Juno's, okay, it's infidelity.
Juno's thing is infidelity, yeah, it's adultery.
She's a home wrecker, okay.
She is.
Her crime is being hotter than.
her friend. Really?
That's still a crime.
The movie takes the position that it does, yeah.
Apparently, yeah. I don't know if it says death, but...
Also, we don't know, maybe Paul seduced her. We don't know.
You know, maybe Juno was feeling vulnerable one evening and Sarah wasn't there and Paul
hit on Juno. We don't know.
Doesn't matter. We're constructing a socially acceptable kind of thing to punish,
which is infidelity, right? Like, cuckolding your friend.
Is it still cuckolding?
More films that could be solved with polyamore.
Cuck queen, I think.
Either way, you can't, like, no matter how cheated on you are,
you can't just kill her and leave her in a cave.
You can't come and murder about it.
You're not allowed to do that.
But she does.
She sort of puts an ice axe for her leg and then leaves.
Yeah.
I didn't seek retribution against,
I'm trying to think of the people who've cuckolded me.
Did I?
No, I've never sought retribution against any of them.
Yet.
Yet.
I know you're out there.
Do you want to come to a caving adventure
that we're putting on, by the way,
and you're not even going to say the name
in case you forget to bleep it.
Yeah, no, no, don't risk it.
Sarah is like covered in blood,
still got the eye sacks,
still got the fucking phallic symbol.
She's like fully final girl at this point,
and she, like, fleeing the gooners,
climbs up this kind of incline of bones
out through the earth,
into the open air,
It's like a rebirth, in it, because it's all fucking a bit Freudian.
The cave's like a womb, and it's all very kind of feminine and stuff.
Yeah, all right.
And then she flees to the safety of car, which we love car.
We love car.
Car is safe.
Yeah, car is safe.
Go to the supermarket, you know, like Don Cheedle's safe.
Probably where she was driving, too, so fast.
She's going to, I've got to go to a supermarket.
And drives past.
Get another jump scare in as we get an end cameo from the logs from final destination.
Mm-hmm.
as she gets like
sort of nearly missed
by an HIV
carrying those logs
has a panic attack
pulls over,
stops the car
throws up
yeah throws up
live by the jump scare
die by the jump scare
like throws up
sees vision of Juno
in the car next to her
now this movie
has two endings
if you are American
this is where the movie ends
but if you are
a normal person
who can deal with a tragic ending
and like
there's actually an extra 60 seconds
of it, which changes the ending.
It does.
And which makes Sarah much less sort of endorsed by the movie as a final girl, right?
And which makes the sort of plot a bit more obvious in the sense of like, oh, it's like a
dissent into madness kind of thing.
In the Brid cut after the Juno jump scare, Sarah wakes up and we're back in the cave.
That was all a fucking cave dream.
It was all, that was hallucination.
And the golems are still after her.
Yeah, but she's okay because she has a vision of her daughter, and it's like, oh, she just never got over it.
She's now completely like lost her reason.
As a piece of like sort of film it construction, I don't like this in the sense of like, I always think it's cheap to be like, oh, this last bit was a hallucination.
Yeah.
But it makes the movie a lot more coherent in the sense of like, oh, there's not really good guys here, you know?
There isn't really a final goal.
and nobody
gets to survive
because Sarah is just too
like insane
again the way this movie treats mental illness
not great
but like she's she's just like
gone right
she's not making it out
she sees a vision of her daughter
with her fifth birthday cake
the birthday she never got to have
and we kind of pull back
as these gooners close in
and presumably rip out of shreds
and then that's just the end of the movie
yeah which is a better ending
in a lot of ways
but it didn't test well for Americans
and so they cut that out, which is...
Also in the Descent Part 2, she survives.
Yeah, as is Juno, in fact, in the Descent Part 2.
Yeah, as is stupid.
Juneau alive in part 2.
Same two actors reprised their role as well, so...
I haven't read it to Descent Part 2.
I looked up the summary on Wikipedia,
but yeah, it picks up two days later with Sarah getting out with amnesia.
Oh my God, that sounds so fucking stupid.
Come out of amnesia and just get put straight back into the cave.
Yeah, she had a bunch of the guys go underground.
And then it turns out, also, because you have to reveal more about the gooners in part two and what their whole deal is.
And that just makes them less scary.
So they have like an alpha gooner who just fucks them up.
And then, yeah, Juno dies and then Sarah dies.
I mean, the thing is, it's more, it's more interesting when you sort of like hint at stuff.
There is an interesting thread you could unpick of this kind of terror of, again, like, American indigenity of like, it's something that like, because this movie borrows.
a lot from deliverance as well, which has like a kind of similarly kind of penetrative
horror of like rural white American violence. But here it's like we're kind of, you can construct
these as Native Americans in the sense of the cave paintings and stuff, right? And they've just
been eating conquistadors and you and your extreme sports girls are just sort of like
latter-day settler colonialists. And that's interesting to me. And I think that's a reading you
can absolutely make of the film. Is it a good feminist film?
I like that there's all women in the movie
I do too
but it feels like a bit of a gimmick in the sense
that like it feels like a film
and is a film in which
you wrote a sort of straight horror film
as a man and then someone said
why don't you make them all women
and you do that and you make no other changes
Oh yeah just like
just like erase them he's terminus shoes
I almost feel like the movie
would have probably turned out worse
if they tried to write women from the start
Yes certainly
Yeah you know
Because then they'd have a bunch of like
We're all women
Yes, we are
We're strong and independent
And it's like
We would have had a bunch of like
I would have been a lot smarmy
And more pleased with itself
If they'd set out to do that
Whereas I and also I remind you
Like this is what they did with Alien
Is that Ripley was originally written as a man
And then they're just like fuck
So Gourney Weaver did a good edition
Let her do it
Yeah absolutely
So I don't know
I kind of like it
I'd be in a movie like this
It's not a bad movie
You did this movie like this actually
A lot of jump scares
Which kind of date it now
We don't necessarily tend to make
horror films in the same way and watching it sort of like, you know, years after the fact of having
sort of like studied it. It's interesting how much, how different it feels and how like dated it
feels as well. But like, I think, I think there's kind of useful stuff here to talk about horror in
that way. There's decent film. I think it still holds up. Yeah. I agree. Yeah. It's just there's a lot of,
there's a lot of sexuality and horror, you know,
and there's a lot of penetration and fear of penetration
and a lot of sort of like,
both sort of phallic and kind of like womb metaphors.
And yeah,
it's just,
it's loaded for all of them.
This movie isn't examining them.
And it is crazy that you can do this stuff
basically by accident and just replicate these things.
Yeah,
I guess because I don't think the movie's really laying that stuff on thick,
but also like,
you know,
if you're killing someone with an ice axe,
that's kind of necessarily penetrative, isn't it?
Yeah, absolutely.
Unless he just bonk them with it.
You know?
Yeah.
Well, that's my feeling on the dissent.
But are we scumming this?
This is a mainline episode.
This is a mainline episode.
We don't normally scum our Halloween ones, though.
We didn't scum Van Helsing or Sex in the city too.
No.
Okay.
Well, I suppose we don't have to.
Well, we stick with the Cronstein rosette for that one gooner.
For the one guna, the underwater gooner.
And the Brian Cox Award for Studies and Intelligence.
possibly awarded to four
for Paul, yeah
The way Juno kills that underwater Guna
by the way is by grabbing the knife
that's already in it and twisting
but I like miss saw
and thought that she'd grabbed his nipples
and twist and say how he died
and unfortunately that wasn't the case
I had to go back for it
but like I couldn't let the episode go by
or that eventually.
It's a real hazard
It can happen, it can happen, yeah.
I don't like the way this movie
kills so many women
sort of broadly unthinkingly
as to establish threat
but you know
whatever.
I do think that Rebecca got
done dirty
because it's like
oh man
you killed her
in the same scene
as someone else
I'm like at least
give that actor
like her own
death
yeah
she had like
a big character moment
fortunately
I mean
most of the girls
managed to get
like a big character moment
in except for Beth
who just is
yeah
big character moment
is being a fucking snake
on the death bed
last word
gossip
she's so real
for that
final breath
fantastic
you gotta kill
Juno she's a bitch
yeah
thank you so much
for listening
to the podcast, happy Halloween.
Happy Halloween, listeners.
Don't go into any caves.
Yeah, never go in the caves.
Always spread gossip with your dying breath.
Absolutely.
Commemorate your infidelity
and the infidelity of others with you
with enormous engraved jewelry.
Grave jewels, yeah.
Subscribe to the Patreon.
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