Killer Stories with Harvey Guillén - The Dog Lady, The Killer She Loved, and Their Prison Break
Episode Date: April 6, 2026How do you smuggle a convicted killer out of a maximum-security prison? Apparently, you just need a cardboard box, some packing tape, and a dog trainer nobody suspects. Sources for this episode inclu...de: Living With Conviction by Toby DorrBreakout (Dateline NBC) Keep up with Killer Stories! Instagram: @killerstoriespodTikTok: @killerstoriespodX: @killerstorieshq Learn more about your ad choices. Visit podcastchoices.com/adchoices
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There are two kinds of prisons.
One is made of concrete and steel.
Gar towers, razor wire, a schedule that tells you when to eat, sleep, and stand.
We follow the rules and keep our heads down because we are terrified of these places.
But there's another prison, and it's harder to escape.
It has no bars or guns.
It looks like a ranch house in the suburbs, a steady job.
with a 401k, a marriage that died years ago.
So you pass each other in the hallway like ghost.
This is the invisible cage, the prison of being good.
Toby Doer is the warden of her own cage.
It's 2006.
She's 48, a mother, a grandmother,
the kind of woman you trust with your keys,
and one day Toby decides to break out.
She drives a van to the gate of a prison.
She smiles at the guard, she waves,
and in the back, inside a cardboard box,
she breaks a killer out of prison,
just so she can finally feel free.
I'm Harvig Ian, and this is killer stories.
To understand why a woman like Toby Doer would throw her life away,
you have to look closely at the life she's living.
It's 2004, Leavenworth County, Kansas.
The landscape is flat, gray, and endless.
The wind never stops blowing.
Toby works at the Lansing Correctional Facility.
This place isn't just a jail.
It's a fortress.
Built in the 1860s, it looks like,
like a medieval castle of red brick and limestone,
surrounded by motion sensors and electrified fencing.
Inside, the air smells of industrial floor wax,
unwashed bodies, and institutional food.
It's a sensory assault.
Toby's job gives her routine, legitimate access to multiple areas of the facility.
She's trusted, familiar and viewed as low-risk.
And in some ways, Toby can move through the prison with far less scrutiny than correctional officers or visitors
because Toby is the director of Safe Harbor, the prison's dog training charity.
She oversees a program where inmates train rescue dogs, working directly with the men to rehabilitate animals that society has given up on.
Her role is designed to support rehabilitation.
The concept of Safe Harbor is noble.
Take stray dogs from the local kill shelter,
dogs that are aggressive, broken, or abandoned,
and bring them into the prison.
Toby is the perfect face for Safe Harbor.
She's safe.
She's not threatening.
She wears khakis and polo shirts.
She has a soft Midwestern voice.
But if you look closer,
Toby is barely holding it together.
A few years.
years earlier, she had been diagnosed with thyroid cancer. She went through the surgery and radiation.
She confronted her own mortality. And when she survived, when she came home, nothing changed.
Toby's husband no longer looks at her. Their marriage is more like roommates than lovers.
They sleep in the same bed, but there's an ocean of cold sheets between them.
She feels like a ghost haunting her own house.
She's the good wife, the good mother, but nobody asks her who she is.
She's starving to feel something other than the numbness of a Tuesday afternoon in Kansas.
Enter John Maynard.
He's 27 years old.
He's 6'4 foot 4 with flaming red hair and eyes that seem to vibrate with intense.
John is in Lansing for a reason.
In 1996, at the age of 17, John and a friend carjacked a man named Donald England in Kansas.
But they didn't just take the car.
John shot him, point blank, in the chest.
He was sentenced to life in prison.
He's dangerous.
He is a convicted murderer who operated with a chilling lack of empathy.
He didn't view other people as human beings.
He viewed them as ponds in a game he was playing.
And predators like Maynard are excellent mimics.
They know exactly what you need to see.
John signs up for the Save Harbor program.
He becomes a dog handler.
He sees Toby walking the yard.
He sees the slump in her shoulder.
He sees the sadness in her eyes.
He sees the invisible cage she's living in,
and he decides to pick the lock.
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A little over a year into the job training dogs,
John approaches Toby about non-work matters.
He'd ask her, what's going on in your life?
Because you seem so upset.
Later, she'd tell Business Insider,
no one else had even asked me,
including my husband, you know, how I was doing.
I was really struggling with a lot of things.
He asked her about her dreams.
He asked her about her poetry.
He treated this 48-year-old grandmother
like she was the only technicolor object
in a black and white world.
For a woman who hadn't been touched emotionally or physically,
in a decade, this was heroin.
They couldn't touch.
The prison has cameras everywhere and guards everywhere,
so they improvise.
They use dogs as couriers.
Toby brings in bags of dog treats.
Inside the bags, tucked between the biscuits, are notes.
These aren't just scribbled messages.
They are desperate confessions.
John writes,
You are beautiful.
They don't see you, but I see you.
He writes, I will protect you.
We will be free.
Toby takes the notes home.
She reads them in her bathroom with a door locked.
She smells the faint smell of dog food on the paper.
And to her, it smells like hope.
She starts to change.
She loses weight.
She begins wearing makeup to prison.
Toby starts living for the 15 minutes a day she gets to stand near John.
One day, Toby comes to work straight from the hospital.
She's been visiting her father, who is,
dying of stage four bladder cancer.
Not exactly the kind of morning that puts us spring in your step, you know?
At this point, John is a regular in her program.
They see each other every day, and he notices she looks shaken and asks, what's wrong?
It's a small question.
The kind people ask all the time, but timing matters.
And by the end of this conversation, Toby finds herself questioning her marriage.
questioning her marriage in a way she can't just ignore.
Over the next few months, Toby and John spend more and more time together.
At first, they only had 15 minutes a day, passing moments in the yard,
but once John became part of her program, those minutes multiply,
until they were spending hours together without anyone noticing.
which again, this is still prison.
Eventually, John tells her he loves her.
He tells her he wants to run away with her,
and somehow that doesn't sound as alarming as it should.
Later, Toby will say she didn't question him.
She wasn't thinking about the consequences.
She was thinking about one thing.
Finally, feeling chosen.
In 2006, the fantasy turns into a plan.
They decide to run.
But the logistics are a nightmare.
Lansing is a fortress.
How do you smuggle a six-foot-four 200-pound man
out of a facility designed to keep El Chapo inside?
You don't use a disguise, you can't tunnel your way out,
you have to get far more creative.
Toby withdraws $40,000 from her retirement account
because nothing says fresh start,
like emptying your foreman.
401k, she buys a used truck for $5,000, and she prepares the van that would carry John out of the prison, hidden inside a dog crate.
John realizes he's too big to smuggle, so he decides to change the physics of his own body.
He starts starving himself.
He stops lifting weights.
He drinks only water.
In a matter of weeks, he drops 25 pounds.
His muscle mass withers.
His ribs begin to show through his skin.
He gets a modeling contract.
That last part is not true.
But he does start looking like a skeleton.
He's preparing his body to be folded.
Toby's job is to get the vehicle and the container.
She uses the program's white Ford cargo van to smuggle John out.
The guards see it every day.
It might as well be part of the landscape, but Toby also has a second vehicle waiting.
Days before the breakout, Toby quietly purchased a used pickup truck and stashed it at a storage facility nearby.
The van is for the breakout.
The truck is for the getaway.
She also needs a hiding spot, so she finds two large cardboard boxes.
Standard shipping boxes, nothing special.
on the side of one, she writes in thick black marker,
Save Harbor, dog supplies.
The plan is audacious in its stupidity.
It relies entirely on the good girl camouflage.
February 12, 2006, the day of the break.
The weather is cold.
The sky is that flat Kansas gray.
Toby drives the van into the prison loading bay.
I imagine this suburban crows.
grandmother's hands just shaking so hard they can barely grip the wheel.
She leaves the engine running.
She talks to the guards.
She acts normal.
Then the loading begins.
Toby wheels the dolly into a blind spot near the kennel area.
John is waiting.
He's wearing civilian clothes.
Toby smuggled in.
He looks gaunt, hungry.
The box sits on the floor.
Let's look at the dimensions, okay?
28 inches wide, 34 inches deep, barely big enough for a CRT television.
Certainly not big enough for a man, but John is ready.
He sits on the floor, he pulls his knees to his chest, he ducks his head,
he exhales all the air from his lungs to make his rib cage smaller.
He folds himself like a human origami.
his spine curves, his knees press into his eye sockets.
Toby puts the flaps down.
She takes the packing tape, rip, slide, smooth.
She tapes him inside.
She lifts the box onto the dolly.
It weighs nearly 200 pounds.
She wheels it to the van and somehow heaves it into the back.
She throws some dog leashes and bowls on the top to sell the lie.
She gets into the driver's seat and turns the key.
The engine roars to life.
Now comes the gauntlet.
Toby drives towards the exit.
She has to pass through the final checkpoint.
The guard at the gate is a man she knows,
a man she had chatted with about the weather.
The guard sits in the booth and Toby watches him in the rearview mirror.
her mouth is dry
this is the moment where fear usually takes over
if he steps out, if he checks the manifest
it's over
but he doesn't
he doesn't ask her anything
he just sees Toby the harmless dog lady
he raises a hand and a friendly wave
and buzzes her out
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When you imagine a prison break,
you imagine adrenaline.
and freedom. You picture Thelma and Louise driving off a cliff, hand in hand. But the reality of being
a fugitive is much more boring and much sadder. Toby drives until they are clear of the county and
she pulls over on a dirt road. She cuts the tape. Maynard unfolds himself from the box. He's stiff
and gasping for air. They ditched the van and get into the pickup truck Toby had stashed. They drive south.
and end up in Alpine, Tennessee, where they rent a secluded cabin in the woods.
Toby and John are free.
They have the money Toby cashed out from her retirement account.
They have the truck.
They have each other.
And that's it, guys.
That's the end of the story.
And it's happily ever after.
Good night.
Well, no.
It's happily ever after for like five minutes.
It isn't long before Toby Doer,
begins to understand something uncomfortable.
The strongest part of their relationship is physical.
Up until their escape, their connection had been emotional.
Letters, long looks, big feelings with nowhere to go.
But once they reached the cabin in Tennessee, alone, off the grid, and no longer pretending,
they acted on the tension that had been building for months.
For Toby, it was significant.
Maynard is the first man.
kissed and slept with since her husband.
At first, it feels like a honeymoon.
He serenates her by the fire and runs bubble baths,
which, just to be clear, is a bold move for a man on the run from the U.S. Marshals.
They take day trips together, wearing wigs and plain house,
like a couple on vacation instead of fugitives featured on the evening news.
But it doesn't take long for reality to catch up.
The intimacy never deepens.
It stalls.
And over the course of just 12 days, it becomes clear this isn't a great love story.
It's a temporary escape.
One that was never built to last.
Toby Doer and John Maynard aren't Bonnie and Clyde.
They are a grandmother and a convict playing house.
They do their shopping at Walmart.
And the security footage from these trips is heartbreakingly mundane.
Oh, there's John, a convicted murderer, pushing a shopping cart down the aisle.
Oh, and there's Toby looking over her shoulder, checking a shopping list.
They buy items that tell a sad story of domestic cosplay.
Toby dyes her hair brown, and John shaves his bright red hair down to the skin.
They buy acoustic guitars.
They think they will learn to play music.
music together in the cabin.
They buy PlayStation video games.
They buy snacks, and then
they wait it.
They sit in their cabin in Tennessee
watching the news.
And Toby starts
to realize the truth.
She hasn't found freedom.
She just traded one
keeper for another.
John changes.
The romantic poet from the prison
yard vanishes. In his
place is a bored, dangerous 25-year-old criminal who is stuck in the woods with a woman 20 years his
senior. He becomes moody and controlling. He spends all day playing video games and drinking beer.
He starts looking at Toby, not with love, but with annoyance. She was his getaway driver. Her job
is done. Now she's just there. Toby has blown up her life. Her marriage is destroyed.
She's humiliated her children, and she's become the most wanted woman in America.
Her face is on CNN.
Her reputation is dog food.
Sorry?
Sorry, that was too easy.
And for what?
To watch a murderer play Madden in a shack in Tennessee?
Toby looks at John, and she realizes the manipulation is over.
The spell's broken.
she realizes that the invisible cage she hated so much
was actually safety.
And she's thrown the key away.
She wants to go home,
but there's no home left to go to.
The law always catches up.
It just takes time.
On February 24, 2006, 12 days after the escape,
the U.S. Marshals find them.
They're driving on Interstate 75 in Tennessee, near Chattanooga.
A federal agent spots the pickup truck.
He checks the plates and radios it in.
The lights come on behind them, blue and red, flashing in their rearview mirror.
Toby looks at John.
She sees the shift in his eyes.
The wolf is back.
He doesn't pull over.
He floors the accelerator.
The engine roars.
The truck surges forward.
80 miles per hour, 90 miles per hour, 100 miles per hour.
They are weaving through traffic, dodging semi-trucks, driving on the shoulder.
Toby sits in the passenger seat.
She doesn't scream, she doesn't cry.
She just watches the speedometer climb.
She watches the trees blur into green streaks.
She realizes this is the only way it could end.
There is no happily ever after for a story that starts in a cardboard box.
John tries to take an exit ramp at high speed, and he loses control.
The truck swerves, the tires scream against the asphalt.
It leaves the road and hits a tree with the force of a bomb going off.
The truck flips, and it lands on its side.
Dust and smoke fills the air.
Then the sirens.
The police swarm the wreck U.S. Marshals with the assault.
rifle, stay troopers with shotguns. They shout,
Show me your hands. Show me your hands! And they expect
a shootout. They expect John to come out firing.
But John is pinned. His legs are
crushed by the dashboard. He is trapped in the wreckage
of his own escape. And Toby?
She's bruised. She's bleeding from a cut on her head, but
she's alive.
She crawls out of the broken window and drags herself onto the grass.
She stands up.
She looks at the guns pointed at her chest.
She looks at the men shouting orders.
She doesn't run and she doesn't fight.
She raises her hands over her head.
And for the first time in days, she feels the running is over.
The lie is over.
In the dash cam footage, you can see her face.
She doesn't look terrified.
She looks relieved.
John Maynard is sent back to prison.
They add 10 years to his life sentence.
And on August 25th, 2024, the story ends exactly how it began.
John Maynard dies in a prison cell at the age of 45.
Toby Doer is arrested and she's charged with aiding and escape and harboring a fugitive.
She pleads guilty and is sentenced to 27 months in federal prison.
She serves her time, but here's a twist.
The one thing nobody expected.
When reporters asked Toby about her time in prison,
She doesn't say it was a nightmare.
She doesn't say it was hell.
No.
She said it was a sanctuary.
And think about it.
For the first time, in 48 years,
she didn't have to be a wife,
she didn't have to be a mother,
she didn't have to be the person who runs a charity.
She didn't have to be good.
She just had to be Toby.
She reads books.
She wrote poetry.
She made friends who didn't judge her
because they're all wearing the same jumpsuit.
She realized that the prison walls weren't keeping her in.
They were keeping the expectations of the world out.
We spend our whole lives afraid of cages.
We run from them.
We build our lives to avoid them.
But Toby Doer proved that sometimes the only way to find yourself
is to let the door lock behind you.
She broke a man out of prison in a cardboard box.
What the truth is, maybe, maybe,
she was just trying to find a way in.
Thanks for tuning in to Killer Stories,
a Spotify podcast.
New episodes release on Mondays.
If you like today's story and want to learn more,
we draw up some of our favorite sources in the episode description.
Until next time, I'm Harvey Guillen.
Stay safe out there.
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