Kyle Kingsbury Podcast - #449 A Journey Through Sound & Science w/ Adam Fallen

Episode Date: March 20, 2026

In this episode, Kyle introduces musician and Chek Institute trainee Adam Fallen, an advanced BioGeometry student trained under the late Dr. Robert Gilbert. Fallen recounts growing up in Charleston’s School of the Arts, starting guitar at 12, gigging professionally by 15, touring with Clay Aiken at 18, moving to New York, and performing with Queen Latifah at the Super Bowl while also touring with major pop artists. Burnout and health issues on the road led him to holistic medicine, ayahuasca, Stanislav Grof’s birth-trauma ideas, and ultimately Paul Chek’s teachings. He describes a BioGeometry intervention that restored his hearing, deeper study of EMFs and “centering” quality, and how BioGeometry improved the host’s sleep and home environment. Fallen explains moving from LA to Austin after New Zealand building-biology study, fires, and illness, then outlines his upcoming book EARS (Energy, Awareness, Rhythm, Sauce), his Fallen Frequency Podcast, and a free energy assessment offer. Connect with Adam here: Instagram Fallen Frequency From Kyle: The Community is coming! Click here to learn more   Our Sponsors: Let’s level up your nicotine routine with Lucy. Go to Lucy.co/KKP and use promo code (KKP) to get 20% off your first order. Lucy offers FREE SHIPPING and has a 30-day refund policy if you change your mind. These are the b3 bands I was talking about. They are amazing, I highly recommend incorporating them into your movement practice.   Connect with Kyle: I'm back on Instagram, come say hey @kylekingsbu Twitter: @kingsbu Our Farm Initiative: @gardenersofeden.earth Odysee: odysee.com/@KyleKingsburypod Youtube: https://www.youtube.com/@Kyle-Kingsbury Kyle's Website: www.kingsbu.com - Gardeners of Eden site   If you enjoyed this podcast, please subscribe & leave a 5-star review with your thoughts!

Welcome back to the podcast. We've got my buddy, Adam Fallen. Adam is a check understudy as well as an advanced biomeetry guy. He's taken the advanced training just recently studied under Dr. Robert Gilbert, who's been on the podcast a while back. The late great Robert Gilbert, of course, was the guy who taught all of biogeometry for the Western Hemisphere for Dr. Ibrahim Kareem, who's also been on the podcast and the founder of biogeometry. So lots of cool stuff. Adam is a musician. He takes us through one of the coolest stories on his road through music, into the body, and helped. and wellness and into frequency and biodeometry. So I love this podcast. He's done a number from my house. I promise you like this. I'm not big on subtle energy. I mentioned on the podcast, but it's worth mentioning here. I can't feel. I can't read oras. I can't like I can feel someone in the room if something's going on. But I wouldn't say I'm super perceptible with that part of my faculties yet. But having this place tuned in, I sleep better. I feel better. And there's a real thing with that. And obviously, if you really want a deep dive biogeometry, go back and listen to the podcast I did with Dr. Robert Gilbert. And of course, Dr. Ibrahim Karim, who is the founder of it.

So fascinating stuff, you know, as Ibrahim calls it, it is a physics of quality. And there's a whole new science behind that. You know, he's opening doorways that have previously not been open. And I'm fascinated by stuff like that, especially as it concerns to EMF, 200,000 satellites going in the air and everything else that we're bombarded with on a daily basis. But that's it. Adam's a great dude. Awesome guy. I had a blast with him.

We will do it again for sure. Thank you, Adam, for coming on the podcast. Share this podcast with friends. And check out anything I've got offering coming up here on the breaks. All right. Thanks, y'all. Enjoy. Welcome to the podcast.

Are you falling? Like, I'm falling. Or is it like Phelan? Well, it's actually Fallon, but I go with Fallon because, I mean, it's just been mispronounced my whole life. So I just, that's why I like Fallen, you know, like Fallen, you know, like Fallen Angel. You know what I'm saying? Exactly.

Fallon makes me think of that quack, you know, Jimmy. You know, I want nothing to do with that guy. I would want no association with a Fallon. No relation. It's not spelled the same. I'm falling. Yeah, exactly. I like that.

Well, and that's how I came up with fallen frequency even. Oh, hell yeah. That's dope, dude. Well, look, who introed us? Was it online? Was it check? I think it was between Alex Ruiz, Savvy Mangrum, and Paul. Yeah.

Awesome. I love Alex Ruiz, too. It's a freaking amazing human he is. An amazing artist. Walk me through growing up. Your guy who's done a lot of things, you kind of remind me your backstory of Justin Nalt. I don't know if you're familiar with Nalt,

but like, you know, really big as a piano player, did really well traveling and kind of, you know, just ended up getting strung out, you know, being the party guy, being the guy. And I don't think that's necessarily your story, but you had, you know, a stint where a lot of success in there. Talk about, you know, growing up, what was life like? When did you start getting into music?

Yeah. And just walk us through that. Yeah, man. I mean, what a blessed journey. Seriously. I started out, you know, first of all, my mom is an artist, so I think I had a lot of art my whole life, you know, painting, drawing, doing all the things that are part of the creative aspect of humanity. Luckily, and my dad actually is an incredible drawler too, but he doesn't, you know, really flaunt it. But through that process, I think of just like my parents really believing in the power of art, they, you know, of course promoted that. And that led me to, you know, of course, just naturally drawing and painting and all this stuff, I ended up becoming part of a, I guess you would call it like a special academic program in middle school and high school where I was able to major in actual visual arts. So that's where it started.

And just really through that process, it was crazy because I continually explored that. And then there was this part in sixth grade where they wanted you to try a different major because you have 90 minutes a day of your major, which is incredible for, I mean, regular school. I don't know how I would have actually survived the regular school system. if it wasn't for art. And that creativity really led me to be able to then be open to other avenues because there's so many different majors. It's almost like it was, I think people have described it to that movie or that play fame where

it's like there's like all these different aspects, you know, people singing down the hallway, dancing, people doing like all this different choreography. And it really reminded me and showed me this possibility of music, but it was just in the background. And I was like a skater kid and I was playing. Were you in public school? Like I thought art was taking. out of most schools. Well, it was, but at least for this school, it was called School of the Arts in

Charleston, South Carolina. And actually, the program had you doing whatever you tried out for or whatever you auditioned for. So you would do that 90 minutes a day. And then they wanted you to actually try a different major on Fridays. At least this was this exploratory program that they had installed in sixth grade. And funny enough, they ended up canning it, I think most of the rest of my time there. But they put me in. in guitar and I was honestly pissed. I was like, what the heck? Like, I want to draw.

At the time, I wanted to design cars. And I was pretty frustrated, but then I was sitting there. Someone taught me smoke on the water, of course, classic first guitar song. And then all of a sudden, I was like, this is actually pretty cool. And I went home, was showing my dad this stuff. And at the time, too, I was with all these kind of delinquent 15-year-olds, because I was 12 at that point and all these kids were skater kids, you know, rocking out playing Nirvana and all this rock. And there was something about Nirvana too. Like smells like teen spirit when I first heard that.

I was like, oh man, I got a freaking. And I, for some reason I thought it was easy. You know, I picked up the guitar and I was thinking, oh, this will be easy. And then all of a sudden I couldn't do it. So there was this aspect of like wanting to figure that out. And luckily at the time, because my dad is actually or really was one of the most successful restaurant creators in Charleston, South Carolina. So he knew all these super badass musicians my whole life because he had them playing at his restaurants. Cool. And he told one of the guitar players that he was good friends with that, you know, my son's interested in guitar.

And he surprised me for, I think it was my 12th birthday with a guitar from a pawn shop and guitar lessons with this guy. And this guy was a nasty, like flamenco, gypsy jazz. He had the long thumbnails and everything. But then he also played rock and, you know, Led Zeppelin was into all. the blues stuff. And it was so freaking cool because then I just went full speed ahead. All of a sudden, just given this framework of how to learn an instrument and these technical abilities and all this stuff, to me it made more sense because I had, of course, the background

in art, but also I just had this motivation to be able to play like all these legends. And my dad knowing, you know, where all this rock stuff came from, I was like, oh, you got to check out this. And he showed me Led Zeppelin and Jimmy Hendricks. and then that just led me down a whole rabbit hole where I just wanted to play exactly like, I wanted to be Jimmy Hendrix at one point. You know, I thought I could somehow transform into him. Give me Jimmy and Hendricks sweat headband

with just like 10 doses of acid in it pouring in right through the front part of the brain there. But it was pretty cool because, yeah, just one thing evolved to another. I took a liking to it. And by the time that I was 15, I was already starting to play professional gigs. I was playing around town.

would pick me up and drop me off at these late night gigs where I would be playing with, you know, people that are in their late 30s, early 40s. Losers who never made it. Yeah. I mean, you can call them that. But a lot of them were actually just straight badasses that just stay low-key, you know. They get to live their dream. That's the thing.

It's like, oh, you never, you never make it. What defines success? Yeah. If you're playing your fucking ass off and that's what you love, like, and you get to do that every day and you've got enough scratch to eat and live comfortably. Yeah. And you see the world and meet. new people. That's a way better job than some cubicle where you think you're going to retire at a

certain age because your IRA's going to hold up. Oh, a thousand percent. A thousand percent. And a lot of these guys, they just had an innate wisdom because some of them came from that legendary, I would say, jazz lineage of like this kind of traditional jazz that came from a lot of the background and gospel and church, but bringing that also there was a huge influence of Gola tradition because like New Orleans, Charleston is actually one of the main. mainstays of where jazz was birthed in America, which is fascinating. A lot of people don't even know that. And so with a mix of kind of that badassery, but also them being really hard on me, I really was forced to really show up in practice. And yeah, that led to me competing in some contests when I was

like 15, 16, and I was winning against like 40-year-olds. And that's when I started to become known as kind of a blues prodigy. But I joke, I mean, you know, I love the compliment of a prodigy, but at the end of the day, I was honestly just practicing eight to ten hours a day sometimes. I would just be lost in the blues, especially for a long time, where I would just be playing one form of the blues. It seemed like two hours at a time, just going, going, going. And really, that just kept evolving. And I started playing more and more professional gigs.

And by the time I was 18, one of my, I kind of call her my music mama, she was, her name is Keanu Parlor, shout out to her. and she actually invited me to sub for the guitar player on Clay Aiken's tour, which was, you know, a U.S. tour really great. Right after he was on TV? Yeah, well, it was like almost on the downward trajectory. It was after he became famous on American Idol, so he still had a huge pull. But he was, at this time, he wasn't doing stadiums.

He was doing more of big performing art centers. Okay. But still, you know, of course, as an 18-year-old, I was asked to do this tour. It was great money. incredible musicians, like legendary musicians that had played with Aretha Franklin and all of these incredible pop artists. And I mean, they kicked my ass. They definitely, right at 18 years old. This is right at 18 year old. Yeah. Were you well accepted as an 18 year old? Oh, my God. They hazed the shit out of me. I was going to say like, it's like having, you know,

in anything, you get a young guy in the in the MMA gym and you're like, oh, you want to fight. Yeah. You know, like that's like, I just know how that looks, you know, so I imagine the music too. It's very similar to that. Hazing. You know, like, yeah. So you want to do this, huh? Yeah. Well, especially, I will say, I mean, it's not nearly as intense. I forget that movie, but, you know, the jazz world, there is a big culture of hazing and that whole culture.

I would say even of R&B and jazz, and I feel really blessed that I was accepted into that world, but did not come easily. They were very adamant about, you know, the bass player, the same guy I was talking about that played for Aretha Franklin, he was, at one point just got me up and was like, let me see you dance, man, let me see you move. He's like, you gotta have more groove than what you're doing right now, man. You're thinking too much.

Just play. Just stuff like that really set me on a great trajectory because, of course, it just made me hungrier for the next thing. And that brought me to New York, and I started at 20 years old, started just doing it got to the point where I was doing four or five nights a week of

gigs doing R&B and jazz. And honestly, the jazz scene there is so intense that I ended up going more to the funk and R&B and kind of pop music world. And that landed me. I got to play with Queen Latifah at 21 years old at the Super Bowl in the opening ceremony. Damn, you played in the Super Bowl. Yeah.

So that was the moment where I was like, oh. Where was that when she performed? Where? That was, it was in New Jersey. I remember, it's funny because I was so into the gig. I didn't even really know what was going on. I think it was like the Seahawks versus the New Jersey team. I'm completely out of the loop of football.

Jets? Yeah. That's so rad. Yeah, but it was just a moment where I remember I had, I mean, without going too much on a tangent, but I had a couple mystical experiences that I think maybe will be good seeds to plant for how things unfolded for my life. Because even at that time when I had done that gig, I had had a really weird experience where basically someone at a small group of all places like in church, which church to me was kind of... Did you grow up going to church? I did grow up.

I grew up mainly going to churches. And I really didn't mess with it. I mean, I went because my family went, but I was really, you know, I liked the atmosphere, but I was still skeptical, like, what is this whole God thing and everything? But then I would say, you know, one of many mystical experiences that really did something to me is this one girl just started crying in this, like, they were doing like this prophetic prayer thing. And they were, you know, some people had like close their eyes. They were praying.

And they said, you know, oh, I see this. you know, some like sweet things. I'm like, okay, cool, whatever, you could just make that up. Then this one girl just gets up and before she can even speak, she just starts crying. And she's, and you know, at the time, I didn't let anyone know I was playing guitar. And she was just like, I see you in front of thousands of people playing guitar. I see a piano. I see drums. I see a bass. And I was just like, I was getting chills. And then I was starting to tear up too. And she was just like, you're like an instrument that's like meant to carry this forward. And it freaked me out.

a lot at the same time, of course. How old were you when that happened? That was when I was like 17 or 16. So it was definitely, it was a period where I was still discovering who I am. And, you know, obviously that's a lifelong journey. But just going back to the Super Bowl, I remember in that stadium when I was looking around at everybody, I had this kind of deja vu moment where I thought, this really feels like that same vision that she had.

And that just carried me forward. More and more, I just kept going. You know, I got a lot of other tours. I was able to play with people like Jay Balvin and Rita Aura and, you know, a lot of these people that are at the very top of pop music. And, you know, you're a side man, so no one really knows who you are. But I kind of like that in a certain aspect. You're making good money. You're learning from these legends.

You're being able to play. But all of that being said, as, you know, we know about just the music industry in general, it's very disorganized. Even though it's like there's a lot of cool stuff to it, there's a lot of aspects that are extremely tough on the body, especially when touring, you have no clue. The keys of the castle, you know, at that time, I didn't know any of the stuff with Paul Chek. I mean, luckily, I grew up with a holistic doctor and chiropractor. So I knew a couple things, you know, with natural medicine and herbs. But that's what really led me to start to question my reality because, you know, I was gaining weight or getting sick on tour, stuff like that.

So the life on the road just started to take its toll. And how old were you in that happened? Early 20s still? Still like mid-20s, yeah. Yeah. So that's actually mid-20s makes sense to me because early 20s, I could get shit-faced. you know, at the bar, it was before Uber, cab home, sleep for three hours, kind of grogly, roll out of bed at 4.30, drive to the stadium for sprints.

Yeah. Hit, you know, 16 sprints with the team while it's still black outside, going to the gym and PR in a lift after the sprints while I'm half hung over. Alcohol is still on my breath, right? Totally. You could do that in the 18, 19, 20, 21 years old. But yeah, you're right. Like mid-20s, it starts to slow a bit.

And I think the pressure cooker of that much travel, especially under those circumstances, and the weight of it is like everything has to be done right. Yeah. You know, there's no fuckups allowed. It's not like, you know, you can be late or anything can happen, you know, in that situation. So like the pressure of that must have been huge, especially with you being the young guy. A thousand percent. Honestly, that was the biggest part for me, too, just being in these circles where, you know,

rightfully so. A lot of these musicians are putting pressure on you because there is a lineage of these people that have carried the torch of this. So they want to make sure the young guy isn't fucking it up for everybody else. But at the same time, yeah, just that. And that's really what I talk a lot about, even in everything that I'm now putting out

of just this idea of like, by the time I was 28, about 10 years in, I just started getting so burnt out. And I would be on, of course, these really important big gigs, but I would have all this mind nonsense in the back of my mind of just like, don't fuck up.

Like, this is a super important gig. It got to the point where I feel like now when I reflect back onto it, Of course, I think music and art is what kept me alive in many aspects, but all of these different aspects of not knowing how to eat for myself, not knowing how to drink good quality water or how much water, the right amount of sleep, all these natural things that should be innate to all human beings for the knowledge.

I feel like since kindergarten, but of course we're not giving these keys. And yeah, it just started to have me ask questions. All right, guys, quick break to tell you about lucy.com. Lucy offers 100% pure nicotine, as always tobacco-free. Lucy breakers are nicotine pouches with an extra surprise. Each pouch holds a capsule that can be broken up to release extra flavor and hydration. Set yourself up with a subscription and have Lucy delivered straight to your door. My favorite Lucy product is the bangers, is what I like to call them, but the mint pouches.

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It is fantastic. You will love it, I promise. Lucy.com. KKP at checkout. And how'd you get turned on to Paul? Was he your first, like, big teacher in that respect? Well, yes. So luckily, there was a myriad of events that I just started listening to podcasts at that time.

And that was like when podcasts were, you know, just getting on the frontier of being a big media outlet. And of course, I was listening to Tim Ferriss and two that really affected me. One was Rick Rubin, who talked a lot about just the creative act and this idea of being an artist in a way that, like, our whole life is actually clearing away the muck so that we can actually be the clear. vessel that we are. That was hugely effective. But then I also listened to this one with Gabor Mate. And of course, you know, Gabbar Mata is just a powerhouse in his own right with psychology, but he had talked about plant medicines. And at that time, you know, I had done some shroom trips and things like that. But it was really interesting to hear a clinical psychologist that had a serious background of award-winning knowledge and research on childhood psychology,

and addiction, and especially even just being aware of addiction in my own family lineage and wanting to be able to be aware of that, something just hit me so hard in this podcast because he was talking about, you know, ayahuasca and ibogaine and the success rates of getting people that were addicted to heavy drug completely out of it in like three sessions. That didn't make any sense to me. But then he discussed how it was brain surgery pretty much and that there's this aspect if you really have to take this in the most serious of manners because you're resetting the whole serotonin dopamine pathways and all of this different science behind it that I think gave me this grounded aspect of oh wow this is a really powerful route if you do it in the right way right

you know set and setting and it led me to just start doing all this research where I wanted to know more and I was thinking man I would love to go down to the jungle but how is that ever going to happen at this point you know like I don't want to go to the wrong person all that stuff And of course, the way that life unfolds, the synchronicities, I was on a wedding gig, you know, and wedding gigs are great pay, but they're kind of soul-sucking after a long period of time. Play, she's a brick house. Yeah, pretty much.

Free bird. But basically, you know, on one of the breaks, the director was honestly really uptight. So I thought it was a trick question to get me fired or something like that because he was basically, he started talking about psychedelics, and then he was asking, If I had ever done ayahuasca, and I was like, how do I answer this? I don't know if I... Do you want the truth? Yeah.

And I was like, no, but I am really interested. I've actually been researching it for a year, honestly, figuring out how I could maybe sit in a ceremony. And he was like, well, I actually have like a legitimate shaman that's not, you know... That is exactly how that shit works. That is exactly how that works. When your heart's... When you have the calling, bingo.

Exactly. Finds you. No, and I mean, dude, it was so wild because there was this aspect of it. And of course, shaman gets thrown around a lot today in the new age circles, but this was a legitimate shaman that had actually studied in Peru, gone back and forth for 15 years. And she was hosting ceremonies in upstate New York. And it was incredible because basically, yeah, I found myself riding up on a train by myself, you know, on my own volition. And, of course, they have all these different trials or different interviews to make sure you're the right fit and that you're actually. actually ready and you're mentally fit for it, which I appreciate because now, you know, you hear

about so much crazy stuff that's going on in those psychedelic communities. But at that time, you know, I was kind of scared. But at the same time, I just knew it was what I needed to do. And in that ceremony, I mean, with that, that's a whole other podcast, but I went through, you know, my birth process. I started to understand. Like Stanislav Grove stuff? Yeah. Actually, St. And that's where I got turned on, you know, luckily one of the people that was the assistant that was actually trained in psychology, who was super deeply. knowledgeable about Stanislav Graf. So after my experience, he turned me on to that book.

I forget which book it was, but it was one of his main books talking about the birth process and this kind of psychosomatic aspect that we actually are conscious in our birth process and that it's actually the first trauma and that we're actually recreating that trauma, which, you know, that's also its own podcast in itself. But it just gave me this whole other understanding that, you know, there is so much more to the reality than we actually think or can even imagine. and that our ability to actually tap into our own soul's knowledge and clear away all of the things that are, you know, all the programming, all these ideas of what we're supposed to be and actually getting into what we are and who we are and that natural connection to, you know, God, life force, all of these different things. There was an aspect where it just showed me all of these childhood fascinations that I had since from when I can remember were actually not random and that they were showing me the keys to the castle of my dream.

life. And of course, music was an aspect of that, but the kind of hard truth at the time was realizing that music was just the little tip of the iceberg of what I actually was here to discover and that all my fascination with animals and biology and indigenous cultures and just the way that things work and engineering were not random and that they were actually showing me this deeper part of myself that I really believe many people are in touch with now, but it's like this Renaissance type of person where it's like you'd look at Da Vinci or you look at Galileo all these people were not just studying one thing you know everyone's telling you niche down niche down but they understood this grand matrix of reality because they were looking at all the different systems and

seeing how they all intertwined at expert levels yeah we were just reading a magic treehouse book to the kids on Benjamin Franklin I was like this guy fucking did it all dude like it's wild wild to think about that but yeah in the I like that there's a return you know and I like the idea of the Renaissance man, the Renaissance woman, a polymath gets kind of used in the same ways. Yeah. And it's also what I feel like I'm a Jack of All Trades Master of None, but it's still better than an Ace of One, you know, kind of things. I love that.

But these guys were masters at multiple things. Like they weren't just good at stuff. They were freaking masters at so many things. I'm always slightly jealous of guys like that. But you're right. There is a return to that. And there's a need from a, from a societal lens for us to return to that, to being multifaceted to seeing things holistically to not over specifying ourselves into a corner where we can't

see the whole picture you know so you get turned on a check you start getting into the body you have this mystical I guess that's mystical experience number two with ayahuasca well yeah so exactly and actually I'll just say the quick aside of actually just to answer your question about Paul is just in that process I was like okay I want to become somewhat in the healing world how do I get into that and you know through happenstance, I just happened to turn on a podcast with Paul. And it was not only like he was reminding me of all the things that I had thought about and experience in the ceremony, but also because I grew up with a holistic doctor and chiropractor that really taught a lot about this understanding of the vital life force and

kinesiology and this idea that there are subtle realms that were in touch with that a lot of science is still fighting back and forth of whether it exists or not. But on some level, there was something about Paul too just as an integrated. man that I feel like, you know, you hear a lot of people in the spiritual world that are talking amazing stuff, but when you look at their physical body, it doesn't look like they're fully integrated. When I saw Paul, I was just, I think that's just like how I roll is like an, you know, even coming up in music, you know, when people are really all about what they're actually talking about and they can play just in the realm of what they talk about, there's something about that that really speaks to me.

And it was the same with health where when Paul was talking all this knowledge, he was talking about organic farming, the soil, just all the things that are going on in society. But at the same time, he was talking about union psychology, aspects of Rudolph Steiner's understandings of the etheric body and just God, you know, just all of these different things where it just really pulled it all together. And I was just fascinated. It got to the point where I was on tour and all I was doing was watching YouTube videos of Paul Check. Like it was hilarious. That's what it was pre-podcast there. It was all YouTube videos with the black chalkboard and all the different colors. Exactly. Exactly. And then that.

just it led me so deep into it where I actually hired a check practitioner in New York and it was amazing but it was quite an investment for a musician at that time because he was one of Paul's top guys in New York. It's like 250 an hour. Rightfully so but at the time I was just trying to figure out how to make that work and at the same time they had started doing advertisements. Paul had just launched this podcast and they were advertising that the academy was online and that you could do all the prerequisites online and then you could actually come to the in-person classes and finish the process of getting certified. And I just ended up once again, it was almost like when you know, you know, and I just signed up without asking permission from anybody. I feel, did you do the whole thing?

I've sent a lot of people his direction, but like did you do the whole, it was, there was one point a few years ago where he combined like the whole. Yeah. So it used to be physical side, mostly, and then holistic lifestyle. Yeah. So you had to do all. all of it together to actually do this academy, which was cool. Very cool. Because at the time, I was only interested in the holistic health side, but then the physical integrated movement science, it was fascinating. But I was like, do I really want to do that?

But I was like, you know what? I'm just going to say yes. And I'm still technically, like I got to the third year and I took a break because honestly, I just had so much knowledge. It's a lot, dude. Going around my head because you learn everything about the spine and gland and organ relationship and how that interface has meant. emotionally and how to train people so that you can get them out of pain and all the things

you know of course you know well um but it was fascinating because yeah that really it just gave me so much information that i then wanted to integrate it and luckily you know i started to have the opportunity in l.a um because i moved to l.a in the middle of the pandemic actually because i was in the check institute i had met everybody you know and realized oh my god there's a lot of weirdos like me out there after being in the Czech Institute. So I just was inspired. And of course, I didn't want to go back to a cold apartment where all my gigs were canceled. And so I just stayed in L.A., you know, and of course, California was crazy too.

But at least I was in sunshine. I was with good people. And it just gave me an opportunity because, yeah, I started having all these different clients. You know, of course it starts out. It's just a trickle. You know, you have like two clients. And then I got hired at a organic grocery store, Airwant, for a minute. That's dope, dude.

I have spent thousands, thousands of dollars at Venice, Aeroa, thousands. It'd probably only been there a handful of times. Dude, and it's funny because, yeah, like, I mean, for people, we'll talk more about my book, but, you know, I have a little story in there about Aeroon in my book because it was like this kind of humbling teacher for me because I think after being a free, you know, somewhat entrepreneur as a musician, and then because of the pandemic, it was the natural, forces guiding me to actually get back into this corporate world, which honestly, you know, of course, Air One's probably one of the better, but still, it was tough, man, just like,

it was like a true ego hit of actually going to these, you know, stadiums and huge stages to then just working in a grocery store, but it's what led me to really creating this stability for myself, being able to, like, learn how to eat good quality food, you know, be the living example of all the Czech stuff. And at the same time, I was meeting all these people in that world, and then that led me to actually working at this chiropractic clinic where I was actually, you know, sometimes seeing five to seven clients a day really good money. And I did that for like two and a half years. Well, no, do we need to go back. Yeah.

Did you, were you able to buy the food from heroin while you worked at heroin? Because I had a lot of friends that worked at Whole Foods who would shop at Sprouts and Costco because they couldn't afford food at Whole Foods. That makes no fucking sense to me. So I don't want to talk too much shit, but I will be honest in the fact that part of what rub me the wrong way with heroin is that they are growing extremely quickly. They have a great base of people that are coming in there, but they, I think, are starting to expand too quickly to the point where they're losing their quality of the type of people they're hiring. And I feel like I was in that bracket where I was in the crossover. So I really knew my shit. And that's what made me stand out.

I feel like in that situation. but yeah they honestly it was hard to afford to eat there a lot of the time because they they actually so many employees complained to a certain point where they eventually made it to where you could have one meal a day half off but still that's ridiculous yeah i worked at burger king for two years i got one free meal a day and then everything else was 50% off yeah and i fucking took it to him dude i ate so much food before i knew how bad that was 14 to 16 i mean my body is built on burger king i love that but yeah but yeah Yeah, Arawan, just so people have a general idea, it's worth going to.

It really is. It is, absolutely. It's the first store I've ever been in where I didn't have to question a single ingredient. Yeah. In any product, I didn't have to question a single ingredient in any products. There's no other stores like that, right? And everything's organic, everything is this, everything's that. They're hot food section.

Phenomenal. But just to give you an idea, you can find grass-fed filet mignon for somewhere between 22 and $25 a pound. In the hot food section, Arawan sells mac and cheese, gluten-free mac and cheese for like $22 a pound. Yeah. And let me tell you,

you can order pounds of that and fly through it because it's fucking mac and cheese. It's heavy, it's delicious. There's eight different exotic cheeses in it, and it's gluten-free. Oh, my God. It is so good, dude. I'm telling you, every time I went there,

I drop a grand every time I was in L.A. Dude. No, it's one of those things where it was a constant joke. you'd get two or three items and then you're looking at your receipt like what the hell how was that 80 bucks like and that one supplement you know puts you with the $300 mark because you needed the one supplement and they had it yeah I didn't mean to derail you like so so you got no no but I mean I appreciate you bringing that up because that is part of like you know I mean I don't necessarily want to go too deep into it but I do believe that there is an interesting thing happening with the corporate world and health where of course

like we want people to have access to it. And their whole mission statement was to bring organic food to the world, which I love that. But at what cost are we, you know, cost benefit analysis are we actually doing that? Because I find that, of course, like I super respect the owner and all the people that are creating these avenues because, you know, everyone's got to make their money. But I just wonder the sustainability because I don't love that like it makes. And even in, I would say in the whole holistic health world, I don't love. that it seems like it's only for people that have a bunch of money. Right.

It's like Elysium. Yeah. Right? Like that's what it looks like to me, the movie Elysium, is that you have this, you know, the haves and the have-nots and the haves have the ability to access the best medicine, the best supplements, the best everything. And I thought I've been on both sides of the fucking coin. Yeah.

That multiple times in my life. You know, even when I was fighting, I lived in my mom's garage for five years with my wife. While I was a professional athlete, the best food I could buy was grass-fed, grass-finished ground beef for $4.99 a pound, right? And so that was five nights a week. Chicken breast, organic chicken breast was $9.99 a pound. That was a special treat on occasion. And then once in a while, we'd get like a wild caught salmon from Costco. You know, if they have a good deal on at Coho coming in sometime of the year, that kind of thing. But, you know, that's what we survived on because it was the best food I could afford to pay. And, you know, I've had plenty of examples like

being on both sides of that coin. There's something I always think about, you know, I'm thinking about that consistently in pricing for your shit that I sell online from coaching to whatever. Not everyone's going to get one-on-one coaching. That is price-tie for a reason. But can I give, can I offer things that cost less? We thought about this a lot with it for service. Yeah. Having the $4,000 price tag and we gifted like, I don't know, maybe probably 20 slots a year,

every year to people that had written us and had like a bomb resume basically. Yeah, for your fucking end, for fun, you know. So, but it's tough, dude. Totally. It's a tough thing. And even that's, I think that, you know, that leads into even all the things that I've been developing for, you know, not only artists and musicians, but just people that really are high performers that want to learn how to get into that flow state with, you know, understanding that I truly believe that creativity is one of the missing components on the list of hydration, nutrition, movement, sleep, all that stuff. You call that a part of Dr. Happy too, right? Yeah, totally.

That's a thing that lights you up. Absolutely. Walk me through this because I want to get in the meat potatoes of the book and what you're doing now. But so you go from check, you know, you're working at Airwant, you're taking on clients, you're doing great at the chiropractor's office, you know, is, just leave me down the list of things, you know, did he turn you on to Ibrahim, wouldn't you get turned on to Ibrahim cream? You know, when we start to wrap this up holistically and we can dive into all this. Yeah, absolutely.

I'll give you a little aside with that too because that was fascinating. So, of course, with the biogeometry work, you know, a lot of people that are now starting to follow me and get to know me, you know, it's a big part of my work and it's a big part of my work. and it's a big part of my evolution. And, you know, of course, I went through the music realm. I got burnt out. I went through, you know, the shamanic ceremony. I was able to find Paul Czech.

I became a Czech practitioner. And then, you know, working in L.A., but in that process of becoming a Czech practitioner, of course, you know, biogeometry is starting to be more enweaved in that actual process of getting trained as a Czech practitioner. But at the time when I was about to attend, actually, this is a, a trip. I actually, it was the same weekend, I think I met you at the Mandala Workshop. So I had lost hearing in my right ear for about two weeks. And I was freaking out because, you know,

that's my livelihood. Yeah. And I was searching for answers, but I was at some level, I was trusting, okay, my body may be just going through a healing process. Maybe this is part of the Mandala Workshop because it was literally the day before the Mandala Workshop. So it was freaking me out. Did it just happen in your sleep? It happened in my sleep. Yeah. Yeah. And And, you know, still don't necessarily know what happened. But in that process, I, right after the Mandala Workshop, I was attending holistic lifestyle coach level two. And during one of the breaks, I was talking to Angie, and I was just giving her, you know,

some background and just saying, you know, is there any health tips that you understand for the ear? And she's like, honestly, I don't know that I could help you on that tip, but I am becoming trained in this science called biogeometry. And I could give you a little five-minute session. and, you know, maybe it'll help. And I was honestly thinking, okay, whatever will help. Yeah.

And so we did the session, and at the time it was very mysterious, but, you know, now it's a big part of my work. She was using a process of physical radiosthesia or physical dowsing to actually use an anatomy chart and find the area of disturbance in my ear with a pendulum, but tuned to my personal vibration, our personal wavelength is what we call it in biogeometry. and she found the area of disturbance and found a one-to-one match with what's called a biosignature, which is an acupuncture meridian type of energy flow in the organ that is the energetic blueprint that we all innately have. But she found the one that was disturbed in my energy field and actually just drew it on my arm and set me on my way. And I'm just like, okay, I hope this helps.

But the next morning, I woke up and within 30 minutes, it was like someone just turned on a switch. sudden my hearing just turned on like and I got honestly frightened I was like what the fuck is happening and that was just the moment where I wasn't necessarily fully sold but I was like I got to understand what is happening with these shapes because how the heck could a shape on my arm do something like that and that led me to get the book and then I was just once again super deep in this process of studying it I was really fascinating because it was answering a lot of these visions I had even in some of the ceremonies about the Egyptian pyramids and these different, you know, temple sciences, but also the indigenous cultures and the way that they were able to build these certain

structures. But then it got even deeper. And all these synchronicities just kept happening. Like it was like I, I mean, I wasn't trying to escape it, but it was following me around. Like Scientology. Yeah. Not quite.

But I was basically, actually, I was in Airwan one day and, you know, just I won't go into all the synchronicities. but another one that just really struck me is this woman that was there doing Instacart shopping for like a year, because I worked there for probably a year and a half. And I never talked to her. And I'd been doing a lot of research on electromagnetic frequencies and understanding 5G and all of these different aspects that are kind of an insult to injury in our modern world. And biogeometry seemed to be one of the only answers that I could find of like,

what are we going to do about it? And anyways, I was just talking about EMFs. And then I think I somehow ended up striking up. a conversation with her. I'm talking to her. And then I'm like, yeah, I'm really fascinated with this science called biogeometry. And she's perked up a little bit and was like, how do you know about biogeometry? And I was like, oh, I just, you know, I found it through happenstance. And it's really fascinating to me. She's like, I studied with Abraham like 20 years ago when he first came to US after I got out of the Navy. And at the time, too, I had bought the pendulum, but I didn't

know what to do with it. It was just in my pocket. And I was like, yeah, like, out the pendulum. She pulls out her pendulum and we're just like holding them next to each other. And that's when I was just like, okay, this is weird. I got to get to the bottom of this. And, you know, through that process, I think the last kicker was hearing Robert Gilbert talk about it and just shout out to Robert. Yeah, Robert, rest in peace, brother. What a gem. Who did you hear him on first? Was it check? I heard check first. You know what's funny is I never heard him on a podcast. I just was searching by a geometry. I'd heard about him through, you know, some of the clips I'd seen on sacred geometry. Yeah, he's got, he had that ton of shit he did on Gaia before he left, right?

Absolutely. And what was so fascinating is he actually had a, and he still, it's one of my favorite ones to send to people that are really want to get to the deeper levels of how biogeometry works. But it's like an hour and a half lecture that he was obviously doing before one of the seminars. And it was recorded, I don't know, probably 10 years back. But I found that. And I had already listened to everything. I had read a lot of stuff from Ibrahim and I'd listened to even his daughter, Dorea. and it all had made sense, but there was something about the way that Robert brought it all home with all of his background, especially being even in the nuclear biological warfare and defense and understanding this grounded aspect of science,

but then also getting into deeper aspects of how that crosses over to the esoteric systems in the homalias. And there was just, yeah, I mean, he really laid out the groundwork where all of a sudden it just clicked. And I watched that video over and over and over. It was almost like a piece of music you find that you like. But I got to the point where it just explained so much about the reality of life for me because he does go into this myth that Ibrahim uses to teach about the myth of the caveman and just this idea of what sacred power spots really were in our lineage of humanity and all of the city and town planning and all of that.

And it got to the point where he really made me want to take the class. I was like, and I especially wanted to take it with him. And yeah, you know, lo and behold, I saw that they had gone on sale. I got the notification. And one of the last classes was on my birthday. So I just found it. I was like, yeah, I was like, this is going to be the best birthday present. I looked at my account.

I was like, okay, I have the money. I'm going to buy this right now. I don't care. And I did it. And that was just what set off an entire other journey because that first class just really answered so much of my, what I already felt like was the sputting understanding of the vibrational reality we were in, especially. as a musician, but being able to see that there is actually a physical vibration that exists,

that our thoughts, our words, our deeds are all actually something that we can measure that are beyond the electromagnetic spectrum. And just to see that with my physical eyes and to really feel that and even feel the subtle vibration of what biogeometry was creating in my own home, there was something about it that I just couldn't let go. So I just went deeper and deeper. and I studied it the same way that I studied music. So it was just like I actually took all the exercise they gave us like it was me learning the guitar. And I just kept practicing and practicing.

And then, of course, that led to the advanced course. And then I took the special topics course. And I actually got to go to a seminar where I got to hang out and talk to Robert Gilbert. That was honestly extremely impactful because he had given me a lot of ideas in the way that he was teaching it, that what if this was brought to music in a way where, because they actually do have a couple of music projects in biogeometry, but they're more in the classical world, but this idea that maybe it doesn't have to be this woo-woo medicine music. And, you know, there's nothing wrong with that.

I love that stuff. But, you know, is there a way to bring that kind of centering energy into something like hip-hop or R&B or these newer levels of music? And especially my background being in gospel and hip-hop and R&B, I would love to do that. And so I talked to Robert about this idea, and we talked for probably 15 minutes about this idea, of maybe bringing something to a stage design or a studio design where he was, at the time, I mean, I'm bummed that ended up not crystallizing, but he had offered his own help. He was like, honestly, after you take the advanced course, if you want to email me with some of your

ideas, I'd be happy to help you kind of formulate what you could do for these stage spaces and bring to the music world. And I mean, even that he just was into that, because I didn't even realize he ended up being a huge music fan and absolutely loves musicians. So we just immediately bonded and we're talking. And it was just so impactful because, I mean, he's just one of those people that, I mean, there's a lot of people that affected me. But he's someone that really, I feel like speaks through me and many, a lot of my work now today. Yeah, he's incredibly special.

That definitely gives me the answers that I was looking for in terms of like kind of round it out. If we haven't tackled everything, I'll let you tackle it in a second. But I just want to talk Robert, like he was a guy. You know, none of these guys is like now I'm 40, I'm 40. be 44 in a couple months. No delusions of grandeur in terms of like living 250 or anything like that. I'd be happy to live healthy until the last day between 85 and 90. That's fine.

If I go to 100, great. But I don't always think about like the older generation. And the truth is there's not a ton of older people. You know, my grandparents have passed on on both sides now. There's not a ton, though, that were like wise elders that hold like a certain holy shit. And then Robert Gilbert was that. Yeah. you know, and he's so healthy.

Like we, we got to meet at Arcadia. And he had already been on the podcast, but it was just a, you know, telephone podcast kind of thing. And it was like, oh, hey, Kyle. And, you know, big smile. And, you know, it's an event. Aubrey and him talk. And he's like, you know, teach whatever the fuck you want. Like, you can't, like, you can't go wrong.

Like, it's, you can't go wrong. Teach whatever you want. And so, you know, he pulls me aside, give each other big hug and shit. And he's like, I think you're going to like the topic today. And I was like, I'm going to love it. So I lay down, like, front row just looking up at him and he goes into the rosicrucians and he goes into like all the you know the Steiner stuff and he goes into like the the idea on the three main energy centers and now in any

classical school you either start from the route and work your way up or you start from the crown and work your way down but Steiner and the Rosicrucians wanted to start from the heart and work their way out yeah because if you had mastered you know these that lower three first then you could be you know aromonic. You could be too invested in making money or too invested in the material world. And if you started with the crown, you could be detached. You might be too luciferic. You might be overly spiritual and not grounded here on earth. But the heart is where that makes all make sense. And so he goes, you know, he's explaining this perfectly. Easy enough for a child to understand. And of course, I'm butchering it. But he did such a beautiful job of relaying that to people that probably half of

them were high, you know, and just nailed it. And then he gives us the key code, which was just like, fuck yes dude so he goes he goes you take a low dose of sealis yeah and sealis works for men and women to draw blood flow there and hold it Viagra does not Levitra does not seales will work for both for both men and women and you use a very small amount and to me a lot of spiritual people are like no pharmaceuticals are out like that he was like that dialed spiritually and you're still saying like this is what awakens the lower chakras yeah then you have you know a hundred migs or one point of MDMA to open the heart

chakra and then you have a half half a gram to a gram of psilocybin to open up the third eye and that top chakra and I was just like damn dude this dude just gave us like the the turnkey sex magic experience with the person you love he's like you're not doing this with just someone you meet like this is for your your person yeah right that you love and you're invested in and you go slow and you explore each other and you make a ceremony in the joy of each other's bodies wow right and I was just like dude the fucking crowd erupted you know and he's this old man, he's smiling up there. He's got his goofy Vegas jacket.

I love that, yeah, totally. He was a silly-ass coat on and his glasses and I was like, dude, I never in a million years would have thought that this is what you would talk about? He really, like, lived the full spectrum, I feel like, especially, I feel like, even to his later age, even just talking to Sayad, you know, in my last training about it because, you know, they were all kind of making jokes in the biogeometry world. Oh, man, like, Robert moved to Vegas. He's just like living it up, but it's almost like because he had such a stove.

kind of monk-like reality that he lived in most of his life that he had to go the complete opposite spectrum and just enjoy. And I just love that about him so much. Yeah. It's like truly, you know, truly one of a kind person. Yeah. You guys know I've tried just about everything when it comes to human optimization, from fasting and peptides to breathwork. But the biggest breakthroughs usually come from getting your baseline right. And that starts with your brain. I've been using a supplement called Neuro by Tonum. And it's been a. become part of my daily routine.

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Ermal Hadrabe, who is passionate about improving cognitive performance and long-term protection from reoccurring concussion. I've noticed I can podcast longer, retain more, and stay locked in without feeling wired or burnt out. If you're serious about your performance, not just in the gym, but in how you think, focus, and show up, definitely check out Neuro by Tonum. Go to T-O-N-U-N-Tonum.com slash K-K-P and use the code K-K-P and get 10% off your first order of neuro. That's tonum.com slash KKP and using code KKP for 10% off your first order. So you go through, obviously, like we've been working together on biogeometry. The reason I had you on the podcast is because you are phenomenal.

And just a brief bit on biogeometry, I heard about it through check, you know, got the necklace. I'm not a guy. I can't see people's oras. I trust that that is true for those who can for most of the time. There's obvious, you know, palm readers and fucking crystal ball type. Yeah. You know, give me 20 bucks and I'll read your future. But there's, a lot of people to have the gift of that. Check being one of them, right? And undeniably so. I've had so many interactions with Paul where it's like, are you inside my fucking head?

Like paintings, all kinds of shit that Paul's done without any words that just nailed exactly where I was in life. So people, some people do have those gifts. And where was the biogeometry piece. So like I can't feel subtle energy very well. Yeah. But I could tell how my body's doing. And so when I first got the pendant, I noticed flights that I had far less jet lag,

wearing it on a flight, you know. And you don't have people even think about the EMFs on a flight, but 30,000 feet up in a metal tube flying 30. There's a lot of EMFs in planes. And you got Wi-Fi and you're only at 8,000 feet elevation. So you're getting less oxygen. There's a whole bunch of things why. Cosmic radiation.

Flights kick your ass. And so that was the first indicator like, oh, this is super legit. And then I read a couple of Ibrahim's books, which are also a little bit higher than my pay grade scientifically. Yeah, they're deep. They're deep. But started listening to him, really dove into Robert Gilbert's stuff. And then, you know, had Ibrahim's books.

the podcast and just loved it. And his stories about how this works in nature were the thing that drew me to it. You know, because it was like, wow, this is, you know, on government letterhead, you can see that this whole country is verifying what he's saying about the growth rate of the grass, the birth rate of the cattle, the health of the cattle, you know, in the cities that he was in, the decline in divorce rate. Yeah. That's a fucking, I was like, wow, dude, the divorce rate drop significantly, like 20, 30%,

right? So, like, this shit does work. And it will continue to work, no matter when the, there's 10G or 100 G or a million satellites, it will always continue to work. So that's why I want to spread the message of it. But when you came through here, you were the highest practitioner. And it's funny because you had a thing with Angie. I was in ceremony, you know, with the crew. I'll just say that. And it was hard, like really hard. It's really challenging for a lot of us. And she just floated in like a little angel. And she's like, would anybody like some bigeometry

signatures? And I was like, yes. And, you know, she just tunes us all up. She's like, oh, a little bit in your liver and your kidneys. And like, it was smooth sailing for the entire rest of the 10-hour journey. Like just, I went from rocky waves, oh, man, to, ah, the whole rest of the journey. And that was palpable, immediately palpable. Wow. What you did here at our house, immediately palpable. You know, like, all of our sleeps improved, and we didn't sleep poorly before,

but just like, there's a feeling here, right? People come, they're like, oh, I feel different inside your house. I feel different on your land. I love that. You know, and that's one of the things that is the magic of what you're, you know, this physics of quality, the science that you're being in a deep dive. So tell me now, you know, you have moved here to Austin. and talk about why you moved here and then talk about everything that you're creating now with, you know, so many great, you know, places that you've really cemented your foundation around.

Yeah. Well, and I just want to piggyback on a little bit of what you said, too, with biogeometry. I think one of the things that I find so fascinating with how it really is qualitative in the way that it works, but it actually has so much quantitative double-blind placebo trials now showing the efficacy of this kind of qualitative science that we can apply in our daily life. lives. And I just see it as something that is part of the future of this new golden age that I really believe that we can manifest if we start to become aware of this process that right now we're in such a quantitative scientific materialism age that until we actually start to look at the qualitative aspects and look at how things like energy shape and shape and function all are part

of our reality. And really this idea of even, you know, Ibrahim is such an incredible being in the way that he was able to actually reverse engineer this idea that sacred power spots have this thing called a centering quality or a centering energy that actually work on a scientific basis that he built, you know, on all sorts of science in microvibrational physics in the 30s and French radiosthesia. But then to be able to synthesize it in a usable manner for modern technology is just something that I just couldn't put down because it really showed me that there is an aspect of this that I really believe all of us could have access to it and even just this idea of creativity and how when you draw a circle, you're automatically creating somewhat of a BG3 center.

You're automatically, and this idea that we are in interaction with our environment in our forming process, we're actually forming things in our environment that if we are aware of these principles, we can actually have it interact with life force just the same way that we're a container for life force. You know, we're the ultimate qualitative aspect of, you know, in many ways because we are are able to immediately convert a color just by looking at it. We're not looking at it because we're like, oh, I love that 732 hurt, you know, frequency over there. We're just like, oh, man, that's a beautiful blue that we're looking at.

And there is this aspect that it just plays into music and all of these different aspects that I think are just still so unexplored with our modern age and how we're kind of heading more and more quickly towards this reality where it's going to be extremely electrified. And I, you know, I have no qualms with the idea that we're trying to save the planet. but at what expense to the people that are on the planet? Because we are in the planet, you know, we're not on the planet. And all of that being said, once I started to have this awakening and started to interact and really practice and bring biogeometry to my own life, this will go into a little bit of why

I ended up coming to Austin. But I basically had such a deep experience with it. And it just rewrote my whole reality that I had to see what else was out there in the world. And it led me to going to New Zealand. I'm also in this process of starting to become a building biologist, so learning how the ecology of materials and the health of materials that we're existing in in our buildings and modern buildings. You know, most of the time in America, for instance, a lot of buildings only last 30 to 40 years and they don't have walls that actually breathe and interact with the

environment around us. But in many of these cultures, even, you know, in Germany, it's super strict of what type of building materials you build with because they're supposed to last for hundreds, if not thousands of years. Same with China and Asia. They're, extremely diligent about that. So I wanted to learn more about these different cross-references because a lot of this falls into the world to a feng shui and vostu and all these principles of energy sciences that also interact with the land and materials. And New Zealand just seemed like the right place. And, you know, I mean, it's a whole story in itself, but I have a mentor that is an incredible medium and psychic that also told me it was extremely important for my karma to go and

visit New Zealand. So, and at the time, too, it was, I had not told anyone about building biology in the back of my mind, but he was like, there's something about like, what is it, ecology of buildings or building biology? Like, he's one of those people that can pull it out of thin air. And he was like, look at New Zealand. And, like, of course, there's only like a couple schools in the globe for building biology, and there's one in New Zealand. So signed up for that, went to New Zealand. I was there for what was supposed to be six weeks, ended up being 12 weeks. and I just had this deep connection to the land. I mean, rightfully so it's very pure in many aspects.

They still have a lot of respect for their indigenous culture, the Maori. But there's evidence that there's even more ancient peoples before the Maori there. And something about Rudolph Steiner too was really fascinating. I mean, bless that man and whatever angels that he has sent out for me to follow because I was in New Zealand and I tell you, I just picked a random spot on Airbnb. I was like, this is the spot I go to. And I was on a complete, you know, mission. I had school that I had to go to.

But I was there. And of course, it ended up being a biodynamic gardener, someone from Germany, someone that had studied deeply in Rudolf Steiner. And that whole process, she kept like, that was like a two-week process. I ended up doing work on her land. And even this idea of when I went to New Zealand, I was like, how can I leave New Zealand better than when I get there? And so I was thinking, how can I harmonize?

because they have 5G and all the shit too. So I was just thinking, you know, I'll bring up what I know of biogeometry because I'm still, you know, my disclaimer is, you know, I'm six months away from getting certified as a practitioner, but I'm still in that process. You know, I'm a student. And so I'm just offering what I knew. But there was this incredible journey that I went on because she sent me to another Steiner teacher, a Waldorf teacher, and then I was doing work on her farmland.

And then they sent me to another place. And then I ended up at this retreat center. And they have all these principals behind Steiner. And it just kept going. And obviously biogeometry and Steiner, they work well together because, you know, also, I mean, Ibrahim is inspired by Rudolph Steiner's work. He, you know, openly admits that. But there definitely was this enmeshing that was just starting to help me remember my soul because, of course, I was still offering music and all these different vibrational qualities to just everything that my life is about. And it just made me feel like, yeah, I can't go back to my regular life when I come back to L.A.

so I got to figure this out. And when I got to L.A., I mean, it was interesting. You know, there was that deep radiation fog, whatever was going on. I got super sick. That was very strange. Like a Stephen King movie. Yeah, it was like, you know, I mean, yeah, that's a whole other subject. But I just, you know, I don't get sick.

And I was very sick for two weeks. And then in the midst of that, only a month fresh of being back and already feeling like, I had this, like, idea that I was going to move in six months. the fires happen in Palisades and that freaked me out you know it looked too much like all the other stuff that's going on all over the globe right now and you know I do think there's some level of something going on you know it on a spiritual level or or you know even on a more physical emotional mental level with the purging of whatever energies are happening but all of that being said it really made me feel like I got to leave now you know the air is

toxic. The water is toxic. I can't be in LA. I got to figure this out. And I was thinking I was going to go to Northern California. And then literally within a day that I was going to leave, I got the main download that I need to go to Austin. Like, this is the spot I got to go to. It has the music industry still to some level. There's like my people's in that, but also it seems like people are really into wellness. They really want to know more about the vibrational qualities of reality. And they are also, there's a lot of people that are into the proper building on the land and farmland and stuff like that, even though, you know, it's like there's still a wide mix of people in Texas. And yeah, that's what brought me here. And it was like a full on soul journey. I literally

picked up everything within hours. I went back to my apartment. At the time, I was like staying in Joshua Tree just to get away from all the toxicity of the smoke. But within only a 12 hour period, I drove back, packed everything into my car and just did a full send. Like, I cleaned it up as much as I could so that like I could hopefully rent it to one of my friends that needed this place to stay which ended up working out but I just left with everything that I considered the most important in my life in my car and I just started driving east and I made it here and it's just been this full like ground up kind of really rebuilding but in the best of ways because I feel like everything is just unfolding on such a deep I mean even the testament of being on this podcast right now it's like there's a testament

to whatever is happening in my life that really is showing me what I'm here and I'm meant to do. Fuck yeah, you're in stride. Talk about your book that's going to come out probably right around. I mean, we'll make sure the podcast comes out when you launch here. So it'll be time together. I appreciate that. Yeah, I, you know, I've been working on this book for about two years. It is in its final iteration. So I plan to release it by March or April.

And it goes into this philosophy that I've created over the years that I call the EAR system. So it stands for energy, awareness, rhythm, and sauce, like your special sauce. And really, I wanted to create a framework because my big thing is, you know, I really believe that we're an antenna. And every human has this aspect of being able to be a clear antenna or a fuzzy, dirty antenna. And of course, everyone wants to be a clear antenna, but what do we have to do to actually be that clear antenna? And so I really go into the principles of, you know, what is energy? How do we interact with it? What is the principles and the science behind giving us clues to how we can actually interact

and bring the vital life force back into balance in our own lives? And it's very inspired, of course, by biogeometry and radiosthesia. But also my own background as a musician because, yeah, there's a lot of aspects of it, too, that I think keep coming full circle where I see that a lot of what I'm creating in spaces with things like biogeometry are actually also happening when we play music. I have a really cool story for that. Maybe I'll save it just before I get through the rest of it. And then, you know, awareness.

How do we actually become aware? How do we look at the shadow? How do we actually interact with our own self-awareness and the microcosm of the macrocosm and learning how we can actually become clear to be able to be aware of our own, you know, self-limiting patterns that are keeping us from living our dream and living in our vibrational reality. And of course, it is a little bit towards musicians and people that are creatives, but I really wanted to create, at least for this first book, something that people can all really connect with wherever they're at in life so they can understand also where I'm coming from and how I'm tying it all together.

And then really getting into rhythm. Rhythm to me is one of the most important aspects of life, not only on a physiological level, but I've even been doing a lot of research into how our bones in many ways are aspects of creating certain rhythmic aspects in our life and actually how because it's creating the blood through the pulse of blood too it's actually connecting us to that divine rhythm as well as the heart and there's something even about bones and their crystal lattice structure that is fascinating to me that there's still so much so little research actually about this. kind of idea behind mechanotransduction and pisoelectric activity of the bone and there is some stuff out there but I really believe that the bones may be actually interfacing and creating their own vibrational quality through angle through color through these qualitative scales

while at the same time even on a physiological aspect I've been looking into these different like G protein coupled receptors that are actually responsible for when we get certain low vibrations coming through our bones, you know, movement, the tilting of the head, all of these different aspects of, you know, natural daily life. And that's why it's cool that now, like, things like the power played and exercise are coming out about the bones. But just getting into this idea that, like, bones are one of the main interfaces for our antenna and because they're creating the blood in our body. And really understanding also on a rhythmic aspect, I love to remind people,

too that there is this, I would say, when you look at like a rhythm or if you were to speed up, you know, just like a general just rhythm like just consistent, if you were to speed it up so much, it would become a musical tone. And so it also just shows me that microcosm of the macrocosm that we are consistently interfacing with this divine pulse that exists before creation. That's actually what's informing the physical, just the same way that Rudolph Steiner points it out. and even like I've had these weird dream like experiences where I've seen that we are in a kind of quantum rhythmic reality where we're not actually creating rhythm, we're actually falling into rhythm. So it's also, I go into a little bit more of the, you know, mental emotional context of how much of the time we're trying to force whatever we want in life. But when we actually fall back and trust our inner faith and our inner being, we can actually be in that rhythmic context.

that gives us the life force and allows us to be in our dream. And then sauce, you know, that is like kind of a little bit of a fun just play on words because I feel like every great, you know, dish has its special sauce. And I believe that each human has their own unique vibrational fingerprint that they bring to this reality and that when we can actually step into that and learn that there's not going to be ever another one of you, even if you've come from multiple lifetimes or whatever you believe, it's this time that you. you're able to actually show up as who you are.

And so how do we get into that? You know, and I try to just lay out some very simple frameworks of how we can maybe listen to the deeper parts of ourselves, just like I was talking about in those ceremonies where it's like, you see that there's all these little breadcrumbs that we leave for ourselves much of the time that are actually showing us of who and what we are in this reality. And so how do we actually become in that? And even on a musical context, it's like I've learned so many times from, you know, being around these great musicians that if I were to play everything, note for note,

the way that they played. Because it's coming through my system, my unique pattern of how I, everything from my posture, my breathing, everything about me, it's going to be extremely unique still, even if it's the exact same notes. And it's the same thing when we speak the same thing. I've noticed so many times even I have a, you know, a small budding podcast, but it's like, makes me laugh that there's so many times I'm describing what I've been trying to send to people a thousand times, like even my parents.

And they listen to it and they're like, oh my God, that's such a cool idea. What the heck? Like I guess I had to say it, you know, on a podcast where someone was listening to it, even though I feel like everyone already knows this. And so it's just that kind of understanding of like, how can we get into that and be the clear antenna so that we can actually live our dream life and be able to do what we're supposed to do here on this plane. Fuck yeah, brother. Yeah. What's the title of the book? It's just going to be called Ears.

Ears. All right. I like it, dude. That's awesome. Yeah. We'll have it linked there where people can get it and whatnot. Tell us to name your podcast where people can listen to you and find you. Yeah.

So it's called the Fall and Frequency Podcast. And I basically interview all of people in the intersection of not only nature and science, but also music and metaphysics and really just trying to bring this understanding that there are these cross currents of what's happening in our world that I, you know, when I first got into the world of holistic health as a musician, a lot of my musician friends were like thinking I was leaving music, but I'm like, no, this is all one and the same. And so it's just having people on my podcast so that they can help, you know, listen in and maybe get a deeper understanding of, you know, what's, you know, what's.

going on these worlds that I really believe there's a strong correlation to the health of ourselves as artists and musicians and how the creative act is also a part of everyday humanity that I think really needs to come back into balance. Yeah, absolutely. It's been lost for certain. There's cogs in the machine. It's been lost by design, but it can be regained for sure. Absolutely.

And then for your work, you know, people want to get a whole, strongly, I can't give you higher praise on what you do with biogeometry for the house. We've had you do some work here in the food forest because you can biogeometry, anything. And so, like, I for sure want the food forest, 400 fruit and nut trees to be, like, on point. You know, so that's an ongoing mission. But do people just hit you up through your website? Like, how do people get a whole? Yeah, yeah.

So anyone that found value in this and, you know, feel like you might be, you know, feeling like your energy's blocked or that there's something that you're looking for to be able to do things more efficiently and you just resonate with what I'm here to offer. I invite you to DM me on Instagram at the Adam Andre. Just DM me the word energy. Or you can go to Fallenfrequency.com slash KKP. I'm going to have a special offer for people that are listening to this where the first 10 people that reach out about this, I'm doing an energy assessment and audit of their own physical body and also the mental, emotional, spiritual aspects of themselves. And really, I'm going to do that completely for free as an offer to just help them understand what might be blocking them from their own, you know, highest good and being able to bring that back into balance.

And that'll be on for the first five days of the release of the podcast, just so people that are listening. and want to reach out. You can go to that. And yeah. That's fantastic, brother. Well, I always appreciate an offer like that for the listeners. And, dude, like I think the world of you. It's awesome.

Oh, man. I appreciate you having here. I love that Austin, for all of Austin's fault. I love that it is a magnet for dope people. You know, it's a magnet for everybody. But it is a, there's more dope people coming here. Yeah. And I love that.

It's been awesome to get to meet you and know you, brother. Absolutely, man. Thank you so much for having me. My pleasure.