Leap Academy with Ilana Golan - 68 Rejections, One Yes: How I Built a $100M Startup Against All Odds | Dan Shapiro | E119
Episode Date: August 5, 2025After getting laid off from his corporate job, Dan Shapiro launched his first startup, Photobucket Inc. (formerly Ontela), but faced nine months of rejection from investors and no funding. Despite the...se setbacks, his persistence led to a successful partnership, which later turned sour due to a managerial dispute. He took these lessons and went on to build multiple successful startups, including Glowforge, a $100M company revolutionizing 3D laser printing. In this episode, Dan joins Ilana to share the secrets to startup success, how to navigate entrepreneurial challenges, and what it takes to build a company that not only thrives but also transforms industries. Dan Shapiro is a serial entrepreneur, innovator, and CEO of Glowforge, a company that pioneered desktop laser technology, enabling creators to produce millions of custom products. He previously created Robot Turtles, the most successful board game in Kickstarter history, and founded Photobucket Inc. In this episode, Ilana and Dan will discuss: (00:00) Introduction (01:56) Early Upbringing and Entrepreneurial Drive (04:47) Corporate Experience at Microsoft (08:14) The "Poop Umbrella" Leadership Principle (11:42) The Darkest Nine Months of Dan's Career (16:39) Securing Funding Against All Odds (20:35) The Brutal Truth About Entrepreneurship (24:32) The PhotoBucket Merger: What Went Wrong? (27:56) From 67 Rejections to a Google Acquisition (31:38) CEO Strategy: Delegate vs. Lead (36:24) The Bold Strategy Behind Robot Turtles' Success (45:16) Building Glowforge: From Idea to $100M Business (51:47) Leadership Challenges and Ethical Dilemmas Dan Shapiro is a serial entrepreneur, innovator, and CEO of Glowforge, a company that pioneered desktop laser technology, enabling creators to produce millions of custom products. He previously created Robot Turtles, the most successful board game in Kickstarter history, and founded Photobucket Inc. Dan also served as CEO of Google Comparison Inc. after Google acquired his startup, Sparkbuy. He is the author of Hot Seat and a prolific innovator with over 60 patents to his name. Connect with Dan: Dan’s Website: danshapiro.com Dan’s LinkedIn: linkedin.com/in/danshapiro Resources Mentioned: Dan’s Book, Hot Seat: The Startup CEO Guidebook: https://www.amazon.com/Hot-Seat-Startup-CEO-Guidebook/dp/1449360734 Glowforge: https://glowforge.com From $500 Startup to Open Source Pioneer: How Tim O’Reilly Built a Media and Tech Legacy | E109: bit.ly/tim-oreilly-leap-academy Bad Blood: Secrets and Lies in a Silicon Valley Startup by John Carreyrou: https://www.amazon.com/Bad-Blood-Secrets-Silicon-Startup/dp/152473165X Leap Academy: Ready to make the LEAP in your career? There is a NEW way for professionals to Advance Their Careers & Make 5-6 figures of EXTRA INCOME in Record Time. Check out our free training today at leapacademy.com/training
Transcript
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Wow, this show is going to be incredible.
So buckle up, and I'm sure you're going to enjoy it.
But before we get started, I want to ask you for a favor.
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So subscribe and download.
ever miss it. Plus, it really, really helps me continue to bring amazing guests. Okay? So,
let's dive in. A lot of people celebrate entrepreneurship and say, it is the thing you should do.
I'm the opposite. It's the thing you do because you have to, because you're so driven that you
can put up with pain in order to get to the other side. Dan Shapiro, he is the CEO and co-founder
of Glow Ford. Dan sold a startup to Google and created the most backed board game in
kicked out her history. I actually got laid off and I was terrified and hurt and I read everything
I could about startups and went out to go fundraise and spent nine dark months without raising
a dime. And I remember getting so much advice that was terrible. I'm like, so how do you
raise money for your company? And then when they all don't call you back, then what? And I promised
myself that when and if I cracked the nut, I would tell everybody.
Entrepreneurs who I'm talking to who are new to entrepreneurship will be like,
how did you get Glow Forge funded?
Here's the actual answer to the question.
Dan Shapiro, Serial entrepreneur, is underpinero.
statement for this person. He is the CEO and co-founder of Glow Forge, 3D laser printer that is
transforming homes, classrooms, small businesses around the world. They raised over $100 million to
date. Now, before Gloverge, Dan sold a startup to Google, authored the startup guide Hot Seat and created
a board game, Robot Turtles, that was the most backed board game in Kickstarter history,
My family loves it. I can't wait to chat with you.
Thank you so much, Alan. I'm so excited to be here.
Take us back in time. How did you grow up? Were you always tinkering with different things?
I guess I'm the answer to the riddle. What do you get when you cross a social scientist with a computer scientist?
Because my parents are both professors grew up in a house that was like somebody was always doing research.
Sometimes they did research together. And from my dad, I learned all about technology. And from my mom, I learned all
about organizations and people and how they work.
She actually was a professor of speech and communications who specialized in organizational
communications.
So my dad's research was on things like database design and scaling.
My mom's research was on things like, is it more efficient to have centralized communication
or decentralized communication?
And then they would work together on things like, well, what happens if you run those
experiments but with computers in the middle and use computers as a means of communication?
And I grew up and that was the dinner table conversation.
So that's how you get the tech entrepreneur, at least in my case.
What years was that?
Because I still played Frogger, I think, at this point.
Like, it sounds like you were pretty advanced.
Yeah, I actually, until I was 12, we lived in Fargo, North Dakota,
which is a very peaceful and calm place to be a young child.
My parents were both professors at North Dakota State University.
And when I was 12, we moved to Portland, Portland, Oregon, the big city.
And we got to go to a really great public school.
I was just talking to my mom last weekend about some amazing folks who came from there and had
wonderful extracurriculars. It was a really nurturing experience. One of the reasons we
decided to send our kids to public school as well and got to do all the things. I got to do
drama and speech and debate and science Olympiad because I was a big dork. I didn't last long
in drama. I did that for like a year. But speech and debate and science Olympiad were the things I
like poured my heart and soul into after hours, which turned out to be handy skills later in life.
So you finished school.
You were kind of entrepreneurial, if I remember correctly, even as a kid.
Tell me a little bit, where did that take you?
Yeah, I was always the one looking at an interesting angle and, oh, maybe I could sell this or do that.
But when I was in college, I went to Harvey Mudd College, which is a small science and engineering school.
I had an engineering degree.
That's funny because nobody told me engineering existed.
That was the guy who drove trains.
And then I'm like, wait, you can like make stuff for a living?
I thought I was maybe going to go into physics, but I didn't love the math.
Anyway, so I got very excited.
And I wound up putting myself through college building laser displays, like Pink Floyd the
wall at the planetarium, that sort of thing, but like little ones and selling them on
the early internet, on like Usenet, and then doing laser shows around the college campus
for parties, and then wound up with the DJ business.
And that was my first real entrepreneurial endeavor.
Lasers would be a theme that would come back much later.
Oh, yeah.
Yeah, it sounds like you're closing the loop and we'll get there.
So you started in corporate, Microsoft, et cetera.
What did you learn there and what made you eventually jump from that to entrepreneurship?
Because it's very, very different.
It was senior year, and everybody was lining up interviews and talking about who they wanted.
And I was interviewing with anybody and everybody who would have me.
And somebody's like, really, you want to go work for Microsoft?
It was for something like, no, no, no, this is my not McDonald's interview.
And I said, what do you mean?
I'm like, well, if I get a job offer there, then I don't have to work at McDonald's.
And as soon as I get my not McDonald's job offer, then I can be picky.
And until I get my first offer, I am not going to be picky.
And so I interviewed at Microsoft, in a bunch of other places, and I got a couple of offers.
What year is that?
1997.
Okay.
So right before the whole web.
Yeah, just at the tip of that iceberg.
And the recruiter said, hey, you were offering a job.
And I said, honestly, I really don't want to go into soft.
I studied hardware, and I really would just. She's like, yeah, but we have this thing called
a program manager. And so you don't have to be a software engineer and you've got to be
technical and we've got this thing on the hardware team and Windows. And I was like, well, that's
kind of interesting. I've never heard of being a manager when you graduate. What's a program
manager? What does that do? And then I said, no, I don't think so. She said, look, I'll fly you
out to Seattle and you'll spend one day interviewing. And then you'll get as long as you want,
You can take multiple days, rental car on us, you drive down, hang out with your friends and family in Portland, and you can totally dial it and you don't have to interview for real. It's okay. I was like, really? She's like, yeah.
That sounds like a dream.
She knew because I went and I met the team and I'm like, this is amazing and this is
incredible stuff.
And I wound up working on Windows 98, then 2000 and then XP and I wound up program manager
responsible for increasing scope and hardware and then half the UI for Windows XP.
It was this incredible experience of getting to see software built at scale with some of just
the best and brightest and to get to see a company through a period of dramatic
transformation. This is when Bill handed off to Steve. This is when antitrust lawsuits happen. And I got to
present to Bill and Steve and have them critique my work. And I got off okay. The person after me got yelled
that a lot. So I felt pretty good because they just said, oh, hey, good work. Keep going. Next.
And so it really helped to learn a lot of lessons that otherwise I would have had to learn on my own
in sort of the hard way. But also, I only spent five years there. And I feel like that was also good
because there is a lot to be learned from those excellent companies that hire, especially at the time,
hire just A-plus talent.
Microsoft was really one of the best places for talent in 97 and get the most from that talent.
And there are a million things to unlearn that are not just unhelpful, but actually counterproductive
in the startup world.
And so getting to learn those things.
And then what they did next was go to a startup and getting to unlearn them.
I went to a startup called Wildseed.
I was building a Linux-based cell phone like Android,
but before it was a good idea when Android did it.
We were very early, you know, forkred hat Linux and build the OS from scratch
and build all the apps and everything and build the hardware.
And spent three years with a bunch of really great, passionate, driven startup people
seeing what to do and what not to do.
It's actually funny because when you said that, I was like, yeah, I got into Intel
so that I won't be a waiter.
So it's the same.
What are the things that you feel like you studied in Microsoft that you needed to unlearn?
There was something this just came up at a manager's meeting at Glowforge.
We started talking about this notion of being a poop umbrella.
I think I got this from a tweet, which was the emojis poop umbrella.
And it was talking about the virtues of great manager.
I said, great managers are poop umbrellas.
That is, a company at large just rains down chaos and nonsense and randomization
and they don't understand what you do.
And a good manager's job is to be a poop umbrella
and to protect your team from the company.
That's a good lesson at a big company
because they are full of chaos and randomness and misunderstanding.
And I want exactly the opposite at a startup.
I want to get rid of the poop.
I don't want the chaos and randomness,
or at least the useless chaos and randomness.
But when there's real chaos and randomness in the company,
when customers are changing their mind,
a company has to pivot when you truthfully are saying, look, we know what feature would
build today, but I'm not sure a feature we should build tomorrow. Don't pretend. Don't insulate.
Don't set people up so they can go work for two years on a project, stick their head up and
go, what do I do next boss? Because at a startup, that's wrong.
To start up, you want people who can deal with whatever's raining down.
Hopefully it's not poop, but whatever's raining down, you want people who don't get insulated
from that. So one of my goals at Glow Forge is to connect people to what happens at the company.
to help them understand what's going on in finance,
to help them understand what marketing is doing.
Because I've been a part of so many conversations
and guilty of going like,
oh, those stupid marketers,
if only they do,
you know,
they're just off doing whatever.
Oh, man, finance is so dumb.
They're grinding us over this thing.
If only they understood how important it was.
And then you bring those people together.
And you start to understand how and why finance does what they do.
And understand the difference between like cash flow
and accrual-based accounting.
What's EBIT done?
Why does that matter?
And suddenly,
very smart people all over the business.
businesses are like, oh, that's why you're doing what you're doing. You're not stupid. You're not
evil. You have knowledge. I don't. How often do you hear somebody say, I can't understand why,
insert thing here. And what they think they're saying is, you're stupid. What they're literally
saying is, I can't understand it. People say, like, I can't understand why X, and they think that
they're saying, I know better. But like, the literal words that are their mouth are, I don't
understand. And I see that so much, especially in big business, where each team, you know,
doesn't understand the others, and they assume that's because everybody else's bozos or idiots
or misaligned or whatever else. And in a big company, it's hard to make it work any other way.
There's a lot of value to a manager who can isolate, insulate, and let you go do your one thing
in your little poop-free bubble. And at startups, you can't do that. At startups, if it's raining,
if it's sunshine, if there's poop out, if it's a wonderful day, you want everybody there in the
mix with you. What you just said is so, so, so important. And I think,
think it takes a level of the truth.
But you didn't think you were going to get that many poops in this conversation.
I know, I know, I know.
I apologize to that.
Hey, you know, each one.
No, but this is so true.
And I remember one of the startups that I was in was acquired.
And I remember not understanding why would we go with a competition until the CEO said this
one thing that I realized that I just didn't have the full picture, right?
You could see one little detail, but you didn't have the whole thing.
So I love this example.
But then you went to.
to found your own company, which is a whole different level of poop, whatever.
And then emerge with Photo Bucket, which I was actually a user of Photo Bucket.
But take me there for a second.
When you decide to leave the salary-based comfort zone to some extent and start your own,
it's a very different dynamic.
I had a little intermission.
I actually got laid off.
I told my manager, hey, I think we're nearing the end.
I'm going to look for other work.
And then I remember one day I was washing my hands and my phone rang and I didn't, because I was
washing my hands and then it rang again. It was my boss. I was like, we called twice in a row and I saw
him like 20 minutes ago. And then I picked up. I was like, hey, Peter. And he's like, Dan, could
you come to the conference room right now? And I'm like, layoffs, right? He's like, could you come to the
conference room right now? I'm like, yeah, no problem, Peter. I'll be right over. And so got laid
off, had that experience and went to go work at a company called Real Networks.
Before that, can you tell me what was it like?
We have a lot of people listening and with a lot of layoffs right now, what was it like?
I had the easiest, most chill.
I was already looking for other jobs.
I totally expected it.
It was completely reasonable.
It wasn't because I was bad or whatever else because they were doing layoffs and
they knew I was going to leave anyway.
And it was wretched.
I had layoffs on easy mode and it was wretched.
And even though I had every reason to know why they did it, I questioned myself, even though
I had active interviews on the way, I was terrified of not being able to ever work again.
Oh my gosh.
It's so hard.
Because me, I imagine you and I imagine a lot of our listeners, a big part of our lives
are what we do.
It's part of our identity.
It's part of how we spend our time.
It's part of how we provide for our families.
And having that go up like that.
is terrifying. And I appreciate you're saying that. Your entire earth is shaking and your identity
many times is attached to the title, to the company you're with, which is a big thing that we're
trying to prevent a little bit. So you'll have some personal brand and some multiple streams
of income to lean on. But I get it. It's scary as heck. But you kind of lick the wounds and
what makes you start something on your own? Well, I had one year in the middle. So I wasn't sure what
I wanted to do and I was terrified and hurt and distressed. And so I grabbed a job. It was fun.
I ran that games team for a local company called Real Arcade. And it was interesting when I
interviewed, the culture was very nine to five. I picked up on it immediately. The pay was
significantly less than what I had at Microsoft and even when I had at the startup a little less
than that. But divide by 40 instead of divide by 60 and that pays pretty good. And I thought,
this is great. I can do something interesting and fun. Plus, many men of my generation working
at a games company was like the ultimate dream. I'm like, oh, so I get to check that one off the
list. That's fun. Get to learn a lot about the gaming world and figure out what I want to do next.
So went there and spent a year working on that and just immediate was like, oh my gosh, this doesn't
work for me because I want to be passionate about what I'm doing. I want to be fully invested.
I want to come home and still be excited about what it was I did during the day and have my family.
At that point, have my wife, didn't have the family and the hobbies and everything else and friends,
but I did not want work to be a nine to five where I just left because it was over.
And so started thinking about what to do next and what kind of company to start.
And I read everything I could about startups, which in 2005 was not very much.
There were just a few investors who were blogging, David Cohen, August Capital, I think, and Bradfeld, one other, who I'm forgetting.
And I read every word, devoured it, and then went to all the coffees and all the networking and everything else.
And finally, found a friend, and we came up with an idea for a concept, which was basically a service that synced your dumb phone, because this is in the pre-Iphone days, synced your dumb phone to the cloud and to your PC, and decided to go.
So I quit my job and became the full-time CEO of Antella, which is what we were called
at the time, and went out to go fundraise and spent nine dark months without raising a dime.
Nothing.
That was my full-time job.
Not only was I failing at it completely, I literally had nothing to show for it.
It's not like I had small checks or term sheet, like nothing.
And it was nine months for the first check cleared.
This is so important because most people, after the fifth meeting, they give up and they say,
never mind, I can't do it. So talk to me a little bit about trying again, again, and again,
getting back up and continuing because it hurts. I got so hyped up on caffeine for my five coffee
meetings a day. I would have coffee with anyone and everyone. This was back to the not McDonald's thing,
Right. I got a lot of advice that was like, pick your five target investors and really invest your time and energy and make that work. I'm like, nope, I will talk to anything that moves. I will pitch anytime, any place, anywhere, any way. I'm a tape. You walk up to day and you push the button, you get the pitch. That's it. And I remember getting so much advice that was terrible. I'm like, so how do you raise money for your company? Well, I mean, you go to your network and,
And think about who the investors in your network are.
And I'm like, what are you even on about the investors in my network?
I don't have any.
Yeah, how do you solve the problem?
Well, start with your solution.
And I'm like, no, that's not helpful.
And I would get this just so pitching thing.
Like you put together your pitch deck and you schedule the meetings and then you do
the follow up.
And I'm like, yeah.
And then when they all don't call you back, then what actually happens to get you
across the line?
And I promised myself that,
When and if I cracked the nut, confident, but not blindly confident, I thought I was going to,
but I very much accepted the fact I might fail. When and if I cracked the nut, I would tell
everybody. I was not going to keep this knowledge. I was not going to get sucked up into that
now that I've been successful. All that I remember is what it's like to be successful. I would
share that with the world. It's funny as a side note, entrepreneurs who I'm talking to who are new to
entrepreneurship will be like, how did you get Glow Forge funded? And I'm like, I don't mean to be critical,
but that's totally not the question you want an answer to. What you want to say is how did you get
your first company funded. Exactly. And let me tell you, terrible. That's why I'm going there.
Yes. It was nine months of pitching anything that moved. And here's the actual answer to the question.
There was this guy who was an investor in Seattle. All he did was telecom applications straight down the
center for us. And I've been trying for the entirety of that nine months to get. And I've been trying for the
entirety of that nine months to get a meeting with him. And every time I'd gotten no answer or blown
off or whatever else, gotten some introductions and amounted to anything. Nine months in, I bought the
budget tickets and we're going to share a hotel room with my co-founder. At this point, there were three
co-founders, with my co-founder to Barcelona, which had the world meetup for mobile. He'd worked at
Lehman for a while, so he got us an invite to the fancy Lehman Brothers mixer. Leman was the big
investment bank. Yeah, consultant went bankrupt. But at the time was a big deal.
Yeah, not for a long, yes. And I'm like, okay, put on my suit, target rich environment, here we go.
And I was going around chit-chatting and I saw him, the guy who I've been trying to connect with.
And so I ran into him at the bar and said, what company you with? Oh, that's interesting.
Where do you live, Seattle? Oh, my gosh, what a coincidence. I live in Seattle, too. What sort of work do you do?
You're an investor. Oh, my gosh. Oh, that's really funny. What do I do?
Oh, we have this company.
What are we doing?
Here's my pitch.
Yeah, no, that'd be great.
I can't believe we've been running into each other.
Yeah, we should get together back in Seattle.
He was the first check.
Wow.
Unbelievable.
Here's the terrible, horrible truth.
The grand truth I learned was, I don't freaking know.
Bang your head against the wall until you make a hole.
That's the most uninspiring and useless advice, right?
I don't know what it was that got it done.
It was just dumb luck.
And sometimes all you can do.
do is work until your luck changes. But you did kiss a lot of frogs. And I think there's a lot of
to do with that. You can't quit after your 10th meeting and say, that's it. I will never make
it happen. Tell me also, Dan, what happened around the home as well? Because you might get questions
from a partner. Like, can you get a job? This is ridiculous. I think there's two things. One is
entrepreneurship. I think a lot of people celebrate entrepreneurship and say it is the thing you
should do and recommend it to everybody. I'm the opposite. My advice on entrepreneurship is it's like
becoming a professional athlete or artist or singer. It's the thing you do because you have to
because you're so driven that you can put up with the pain and the high risk of failure
in order to get to the other side. Our country creates
venture-backed companies at a lower rate than it creates Olympic athletes. Every year there's
more people who become Olympic athletes on average than become venture-backed. The odds are not
great. And by the way, as a side note, the number of companies that are founded and that are
successful that are not venture-backed exceed venture by a huge margin. So the first thing is,
are you passionate about entrepreneurship and creating something? And the second question is,
do you actually need venture to do it? Because, spoiler alert, most companies don't. Most companies are
better off without it. Leap Academy right now is not venture-backed, and we don't need it. One of the
fastest growing companies. Let's go. And you should not take that check unless you need everything
that comes with that check. I just had a friend who was asking me for advice about venture financing.
And I was like, first off, if you do do it an investment round, please include me. I generally don't
invest, but sometimes I fall in love with a friend's thing. And I was like,
was in love with this. I was like, please not me. And I was like, so now I'm going to argue against
interests. And I don't think you should do it. And at the end, he's like, yeah, no, you talk me out.
I'm sorry. I won't take your money. I won't take anyone's money. I'm going to keep going.
And I'm so happy for me because that's the right thing for that business. The advice is you really
have to be passionate enough about it to drive you through that. And you have to be lucky.
And luck comes in a lot of different ways. Probably the biggest one is the degree to which privilege
correlates with success. So privilege of having the resources that you can go at for a while,
and then you can spend nine months banging your head against a wall with no income. And I'd
talked to my partner, and we'd agreed we could do a year of this before I had to turn around.
So my clock was ticking. It comes with white men get venture backed at a rate that dramatically
dwarfs everybody else in the industry. Totally and wildly unfair. I was doing it on easy mode.
I was a white man, and it took me nine months of banging my head.
to get there. The unfairness of our society contributes to this because if you're a white man,
you have an enormous leg up on everybody else. And any way in which you do not fit the standard
mold can dramatically and unfairly harm your odds of success. And so I was doing it on easy mode
and it was still profoundly difficult and I almost failed. Maybe that's a reflection of me as a
poor entrepreneur that I had everything to my back and still almost blew it. But you kind of have
to sign up for that level of trial and tribulation, and you have to be ready to fail.
You know, I see the stories of people who like mortgage their house and went deep into debt
to make it work, and I'm like, I don't know that that's the thing, because for every one
of those that you hear about that works, there are more that don't. So you kind of have to decide
to only bet what you can afford to lose. You have to understand the degree of commitment and
passion that's necessary to take you through all the trouble. And to know that there's tremendous
opportunity and joy and wonder, but there's a lot of roadkill.
I love that you're so honest about it, Dan.
I think it's one of the things that I tell people, and I don't know if I realize
that there's a huge difference between number one and number two.
And if you're comfortable was being two and one of the later one, that is always so
much easier than trying to run the show.
But you then merge into Photo Bucket.
How did that come about?
you get your investment, you suddenly become, I don't know, I mean, I know Photo Bucket.
I think most people our age will know it.
That was kind of the pioneer.
Yeah, it was a wild adventure.
We basically had Photo Bucket as our biggest partner, and they were quite large.
They'd been bought by Fox Interactive for about a quarter billion dollars because they were
part of the Web 1.0 wave.
And I put together this wacky deal where basically I bought them for Glowforge Common Stock
and then renamed the company to Photo Bucket and merge the companies together to set the
company up for the next wave of opportunity, which was mobile.
Because that was a point when Instagram was a tiny little crappy app on the app store
that was not getting much traction yet or was just starting to get traction.
And it was the earliest days.
And it was anybody's guess how that was.
going to shape up. I had a meeting with Mark Zuckerberg when Facebook was like a hundred people
and they were pitching that we would go write their mobile app. And I'm like, this is a terrible
idea because you're going to write your own mobile app. And if we do it, you're going to be mad at
us and then you're going to get rid of as quick as you can because you're going to want it
internally. Like I know how outsource development works and I know how this sort of thing works. You've
got more money rolling around here than anything. You're going to be unhappy with whatever comes
out. What wound up happening was we turned them down. They hired somebody else to write their
mobile app, one of our competitors, and it unfolded exactly that way. They were frustrated and
replaced it with their own app months later, and it was a huge waste of time and totally distracted
that company. But that was the plan. And in the course of all the horse trading that went
through, we wound up in this sort of complicated political situation where the leadership of Fox
and Photo Bucket and I all did not see eye to eye. So I said, great, I'll
step out. And they said, no, no, no, you can't step out. You got to stay as chief strategy officer.
He said, chief strategy officer is chief officer in charge of quitting. So is that what you want?
Because we could just cut out the middleman and like, no, no, no. Okay, be cheap technology officer.
I'm like, okay, we'll give it a shot. Six months later, I'm like, are you done with me yet?
They're like, yeah, no. It was a thing where it can be really valuable to have somebody who has a different
view, who has a different perspective, who has a different direction. And the leader of that business,
who's actually somebody who'd come from Glow Forge,
who's my chief financial officer, who's fantastic.
In that role, now had to please Fox
and had to please the Glow Forge investors
and had to do this and that.
I'm the one who's like, yep, okay,
fire me if you don't like it.
Here's what we're going to do.
And he's the one who's like,
I'm going to try and find a way to make everybody happy.
So I wasn't helpful.
I was trying to be helpful, but I wasn't helpful.
Well, but the truth is they didn't make it to mobile.
All the rest came and I think replaced them.
It was the classic problem where they said the first order of business to make sure we don't mess up the web operation, and mobile has to be second.
I was wondering, it was like, make mobile first, and everybody's like, no, we have to make sure the web business is solid.
And it took everybody's full-time energy to make the web business solid, which was a dying opportunity and eventually went to zero and never got around to the mobile business, which could have been.
It was classic innovator's dilemma.
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Now back to the show.
So at some point, you decide to start another startup instead of going to the beach and just resting.
First of all, why?
So I still had a chip on my shoulder.
and I still wanted to make it work.
A lot of entrepreneurs have a chip on their shoulder.
Me actually, less so than many that I know.
But I've definitely came out feeling like, oh, no, I've got to make something work here.
It was great as far as it went, but this isn't headed in a direction that I'm going to be proud of,
and I want something to be proud of.
And I had a bunch of hairbrained ideas, and also I needed to buy a laptop.
And Windows laptops are complicated in a mess.
And I made this spreadsheet, and then I hired somebody in Pakistan.
to go and research every item on the spreadsheet and type in all the details.
And I was like, filter, filter, filter, sort.
Okay, that was cool.
That was kind of neat.
So I flew down to the Bay Area to talk to, see, now I had investor friends, just like all
those people who I sneered at.
And so I went down to go talk to my investor friends and say, what do you think of this?
Because in the process of pitching photo bucket over and over and over again for all the
various rounds, I met a lot of people.
By the way, just to give you numbers in February of, I can't remember,
year. I got a term sheet for a series B. I started on January 5th, and I did 68 pitches between
January 5th and the last day of February, and got a term sheet from the 68th one. So 67 knows.
67th one was a yes. And I made like Alaska MVP 50K whatever in February flag all over the
country. So beat your head against the wall until you make a hole, right?
was the approach. So I flew down and talked to a bunch of people, and I was like, I have these
three ideas in the stupid spreadsheet, three interesting business startup ideas, and by the way,
the stupid spreadsheet. And on the way back, I hate talking to people on planes. But my rule of thumb
is, if I get upgraded to first, or if I'm flying to and from the Bay Area, I'll talk to the
person next to me on the plane. It was just like my obligatory networking. And this was both.
I was flying back from the Bay Area, and I was upgraded to first. And the guy next
to me, worked for Google, and he said, were you working on? And I had like, these three ideas.
And I explained. And he's like, oh, it was really interesting. I was like, and this one stupid
spreadsheet thing. And I showed him what I'd done. And he's like, that's amazing. If you build that
into a business, please call me. If you start building that, I said, great, thank you. Great to meet
you. Shook his hand. Lost his business card promptly. That was the end. Wound up falling in love
with the idea of building a service that would help people find the right product by bringing
better data and creating a massive data store that would let you surface what the product
that best met your needs was launched on TechCrunch with 500 invitations because my
CTO was like, we can't do it. It's not ready. I'm like, wait, it's fine. It's ready enough.
He's like, no, it'll follow. I'm like, well, then we'll limit to 500. That was our negotiated agreement
was that we would launch with only 500 tickets. Matt from the plane got ticket, 480.
emailed me immediately and said,
I'm the guy from the plane.
You did it.
We should talk.
And Google acquired Spark by three months later.
And same lesson from Chapter 1 is just luck.
It's just random.
I'd sometimes say part of the responsibility of being a CEO is you're also the chief
serendipity officer.
You're the one who chases down all the weird blind alleyways because one time you stumble
into the fountain of youth or whatever you find out.
When you go down 100 blind alleyways, sometimes you find whatever it is that you wanted
or didn't even know you needed.
But I will say that I think one of the confusing pieces is that as a CEO, you're going to
need to wear a lot of hats.
And I think sometimes people come with, I'm passionate about X, but you're actually supposed
to put your sales hat on, your marketing hat on, your management hat on.
You're actually not going to usually do a lot of what you're passionate about.
actually going to do all the rest? I have this theory about CEO superpowers. I'm going to rewind.
At Glowforge, we're a pretty big company at this point, maybe 70 people. And I had an executive who
had just promoted, who was really frustrated. She'd taken over the marketing team and did not have
a ton of marketing experience, but had deep product and analytics experience, which is what I wanted.
And I had a background as I think it was Anderson or something like that, consulting. And I knew
she could do an amazing job at this and I knew she'd require a lot of guidance. And she was trying
to find how do I balance the fact that you're trying to empower me and have me do great work with
the fact that you have a very clear idea of how you want things done and you're giving me a lot of
feedback. And so the idea of I'm your training wheels and I'm going to keep you this way for a while
and then once you've got that, then I'm going to come off and you're going to be able to lean all
the way over. And I'm going to sit there going, that's not how I would do it. And that's going to be
fine, but first we're going to learn. So, like, we had these conversations. There was one point,
though, that I remember, she said, hey, Dan, my startup experience comes from the valley. And the height
of CEO achievement is delegating everything. The CEO's job is to delegate everything. So get the
sense that that's not the way you think about it. But, like, your ultimate success is to have
everything delegated. How do you think about that? I'm like, oh, man, I don't know. I don't
I don't know. Such a good question. This is one of the reasons I loved working with her. Marlo Struve is her name and knew that she would do great at this, is because she had that deep questioning mind. In this case, challenging me at the very core of what I did. But in a way, that got me really thinking. And I realized that as I thought back, the CEO role models who I got to see reasonably close and who I really learned from were folks like Bill and Steve at Microsoft and Larry at Google.
And the description that I use for them is lead from the front and lead with their strength.
I'll just give you an observation.
Under Bill, Microsoft was a technology giant, arguably one of the best technology and product
companies, very arguably, and really let's debate that.
Under Steve, Microsoft had one of the best sales practices in the industry.
Product and technology were kind of a second tier.
Bill led the company with his strength of technology and product, not just in the sense of him
demonstrating how to do it and doing a chunk of it, but he actually formed the company
around his strength. So it led with that, and he delegated all the sales stuff to Steve,
who did a great job. And then when Steve took over, Steve took over and led from sales from
the front. And the strategy of the company started to be sales first. And he did,
delegated the product and engineering to smart and capable people, and that took a second
chair. You saw the same thing with Eric and then Larry leading Google. And so I think about that
as what's your core strength? In the earliest days, you're going to have to do everything.
But if you're the right CEO for the business, then your greatest strength and passion is going
to let you lead with that from the front. You're going to be the business that minds every penny
because the CEO leader understands finance deeply
and can build a more efficient operation than anyone else.
Or you're going to build the most technically sophisticated product
succeeds because of its technical excellence
because that's where the CEO comes from.
There are CEO general managers
who just delegate everything and manage everything well.
That can work.
But the model that I understand and live and connect to most
is the CEO who leads his or her company
with their strength and passion,
and that is the North Star for the business.
What's been your experience?
How do you think about that in your business?
I am very much a delegator
because I feel like once I figure out something,
I want to almost get rid of it
so that I can focus on the next big thing.
And sometimes I delegate too much.
And then I need to like, oh, never mind.
Let me rewind for a second because nobody caught that.
I think they both work and they both work beautifully.
And it's a matter of as a CEO and leader understanding
what's the model that works for you?
This is such a great discussion,
but I want to go to Robot Turtles for a second
because you then sell to Google,
and again, you don't go and just lean on the beach with margaritas,
which sounds really good, actually, at this point,
but you decide to start another thing.
What happened?
So after two years at Google,
I was a CEO of a wholly owned subsidiary called Google Comparison Inc.
I was helping a friend with his project.
He was working in television, and we put together a pitch for a TV show that was
Kickstarter meets Shark Tank.
That was the idea.
And we had a lot of success.
We had to take it to a production house.
They took it to Sony, and things are going great.
And I'm like, I should figure out Kickstarter a little more than just backing.
I should put something on Kickstarter.
The same time, my twins were four.
If a boy and a girl, they're seeing them blurry behind me.
Now 16.
but at the time four years old, they were just old enough for board games, which I love.
And my board game options were things like Candyland, which I loathe.
And I'm like, how do I teach my kids the joy of board games without having to play Candyland?
And then totally separately was really frustrated because I'd learned a program in high school
and dabbled a little here and there, but I'm terrible at it.
And I wanted to pick up a modern programming language.
And every time I looked at the options there, I'm like, these are languages designed for people who know
them already. And their languages designed around the idea of being represented in
ASCII text. And that seems so backwards. What would it look like if you had a language that
was not designed to be text? What would it look like if you had a language that was designed to learn
rather than to be mastered? And somehow that idea and the board game thing kind of squished together
had this idea for a board game where the kids would play the game by writing
code. And then the click that went off my head was, and where the fun part for the kids is that
they get to boss around grownups, just like programmers boss around computers. And this was
something that as I was thinking about values I was trying to impart to my kids. It wasn't,
I want you to be programmers. No, no, no, not at all. But there was this thing that, this learning
style that I had, and I don't quite know where it came from, where I would just try stuff.
And I would read stuff and I would pick stuff up and I'd be kind of skeptical of the knowledge in
the textbook and I would really lean into the knowledge that I found on my own and the things
I tried and didn't work. I was very sort of experimental. And one of the things that I loved
about programming is that you can learn by failing in almost all of education. And it's really fast.
Really fast. Most of education, you learn by avoiding failure. You don't try five answers on a
multiple choice question, get the last one and go, hooray, I figured it out. You like failed four
times, but it took together. Like, that's silly. And almost all school is like that. You learn by getting
it right the first time. You learn by studying and then perfection. And so I said, okay, what if we
literally made it impossible because there were no rules except you boss around your parents? And the parents
were the ones who knew the quote unquote rules, but there's no penalty for being wrong. So the
kids just get to try stuff and see what it does and learn by doing. And there's no penalty.
There's a bug card, as you know, you hit the bug and you say bug and you get to undo what you did
and you don't lose any moves and there's no penalty and kids would enjoy it. They'd sometimes make
mistakes on purpose because it's fun to undo them. It's fun to make the parent do it. And so that
notion was really the core of the game, more so than loops, more so than order of operations,
all of which are in there. It was this idea of doing that. But the magic moment for the game happened
when I was talking to a friend of mine,
John Weissman, who owns Calliope Games,
board game publisher.
I don't usually out her
because she was actually the villain
of my Kickstarter campaign.
Oh, no.
I was talking to her about the game,
and she said two things.
She said, one, make sure it has four players,
four player games where the market was at.
So I was like, okay, great.
And she said, and second, you talked about board game companies.
They would never publish this.
I'm like, why?
And she said, because it requires a parent.
and board game companies have tried games that require a parent and they don't sell because parents say that they want something to do with their kids,
but what they really want is to shove their kids in the corner with a board game.
And I said, oh, oh, Don, can I make you the nameless villain of my campaign?
And she said, what do you mean?
And I'm like, I want to say a board game executive told me that nobody will ever publish this because board game executives know parents don't want to spend time with their kids.
And the only way that this Kickstarter will happen is if you prove them wrong.
And that became the rallying cry.
It's true.
That became the rallying cry of the campaign is this game will only exist if you bring it to life
because the board game companies think that you don't want this.
So let's show them that they're wrong.
Amazing.
So you make her a villain and that's what made the Kickstarter so successful.
Anonymously, because she's a dear friend.
I did not.
No, no, no, no shaming.
No shaming.
No, she was happy to do it.
And by the way, the happy end is that it's published by Think Fun, which is now a subdivision
of Robbins Burger, and they are wonderful.
And they've given a great home still for sale today.
And for a while, it was everywhere, MoMA, Target, et cetera.
And it's still in museum gift shops and specialty game stores, which is really gratifying.
But again, what made that Kickstarter so successful?
Because a lot of people are trying kickstaters, and most of them go kind of silent.
You know, I was listening to your conversation with our mutual friend, Tim Riley, who is
amazing thinker.
And just a few episodes ago, he was talking about how he didn't market his book.
I think it was a book that he was talking about.
He didn't market his book about the web.
He marketed the web and his book came along for the ride.
That idea that the product that you're doing represents something and the thing it represents
is way more interesting than the product itself.
I think that's what it's about.
And so I wasn't selling a box of cardboard.
I wasn't selling a board game you can play with your kids.
I was selling the idea that your kids can learn, even before they can read, can learn structured
thinking, can learn to learn by trying instead of learn by being taught, and can have a wonderful
experience with their parents.
It's positive and collaborative.
That's what I was selling.
And that sells a lot better than, you know, I was going to say the questionable art on the cover.
The art's great.
I'm relatively proud of it.
There is one funny story that I don't know I've ever told this publicly before about the art on the cover.
Oh, my God, I want to hear it.
I went to a high school reunion.
And I mentioned early on, I went to a great public high school, Beaverton Public High School.
And I ran into a skateboarding buddy from seventh grade, whose name was Angus McLean.
He asked me what I was working on.
I was like, this, that, the other board game thing.
I asked him, and he's like, actually, I went to Rhode Island School of Design.
I went to Pixar, I never left.
He said, what are you working on?
He said, I can't tell you.
He said, okay.
He said, can I see the art?
I showed him, and he kind of scrunched up his face and looked pained.
And I'm like, what is it, Angus?
He's like, the eyes are wrong.
And I was like, oh, what's wrong with him?
He's like, can I draw eyes?
I'm like, okay.
So he literally pulls a Sharpie out of his pocket, grabs a cocktail napkin on my phone.
He's looking at them, and he draws the eyes.
And I'm like, oh, my gosh, those eyes, you're right, those eyes are awesome.
Like, can I use this?
And it's like, yeah, no problem.
The thing that he was working on that he couldn't tell me was co-directing, finding Dory.
Oh, so cool.
So Angus McLean is legendary Pixar artist, which I didn't really realize at the time.
But, yeah, the eyes of robot turtles are Pixar artist extraordinaire.
That's where they came from.
And Angus and I reconnected and been friends since.
But, yeah, that was the one thing about the art I was really proud of.
He delivered on that.
Everything else was a contractor I found on...
I can't remember which contracting site, who did great work, and I was really happy with it.
But at some level, it was me as art director.
I don't know what I'm doing and somebody who was working on a fixed rate, putting that
thing together.
But the thing that pulled it through was that it ultimately connected to something that
really reverberated for people.
And I think that's true of everything.
I think that's true of what we do at Glowforge.
It connects with this desire of people to create.
And the thing that we're selling, it's a neat product.
And it's transformative.
and it impacts people in meaningful ways.
But the reason people buy it isn't because of what it is or what it does.
It's about what it can make them feel and what it can do for them
and the way it can change their lives.
Let's talk about Glow Forge a little bit because I love also how it's not about
selling a vision, but you're talking about the vision, not necessarily the product itself
or not necessarily the details and the minutia, but really it's about what is the
possibilities.
So talk to me about Glow Forge.
you were starting it in 2014.
First of all, how do you juggle the things?
Because Robot Turtles is still going on.
How do you do all of it?
So I'd gone through the process of,
like we'd finish the Kickstarter campaign
and I'd gotten a U.S.-based game manufacturer.
There are not a lot of those left to manufacture it.
And I'd organize logistics to get everything shipped out
and that had all come together.
And then somebody had suggested,
oh, you should do a deluxe 3D edition.
Actually, there's Luke Crane who ran games at Kickstarter.
He said, that would be something people would really get a kick out of.
And so I said, okay, all right, I've always wanted to try a 3D printer.
I'm going to go to the local maker space and I'm going to try 3D printing a turtle.
So I got my laptop, got ready, went in, and they like staged an intervention.
They're like, you don't want to 3D print your turtles.
I'm like, why not?
And they're like, you're not going to be happy.
I'm like, what do you mean?
Like, I'm here.
Look at all the 3D printers in the window.
And they're like, it's going to be.
ugly and it's not going to work the first three times and you're going to be mad at us because
it's going to cost a lot of money. I'm like, but it's like 50 cents a minute. Like you want to use
the laser in the back. I'm like, yeah, but it's going to take you like an hour to do the first one
and I'm like, and I'm like, look at these people, I'm like, you're traumatized. These 3D printers
have hurt you and they're trying to talk me to using the laser. I'm like, okay, look, I promise I
I will not be upset. I'm in a 3D print a turtle and then a laser cut a turtle. Okay,
I'm like, okay.
So I 3D print a turtle, and sure enough, it's a pile of blue spaghetti, and then we try again,
and finally we get the turtle.
It's like, hairy and lumpy and, you know, one color.
And okay, and I'm like, that is not a thing that I want to offer to the people who back this vision.
And then I'm like, how do we do the laser?
And I tried cutting it out of acrylic.
And I was basically sitting behind this barrier while a woman who was operating and was doing it.
I'm like, could you?
I want to touch?
I can't touch it because this big industrial laser and she's trained and there's all these safety things.
and I wanted to try.
And I wasn't happy with it.
And I said, okay, oh, boy, what am I going to do?
So one thing leads to another, and I wind up with this industrial carbon dioxide cutting
laser imported from a factory in China, installed in my garage.
And I come up with this idea of taking a photo print and then laser cutting around the photo
print.
So you get these beautiful little tiles that actually look great and are physical and tactile.
And the brief for this was a friend said, I want some things.
that my kid can shove in his pocket and carry around all day because he loves the turtle.
And I was like, okay, that qualifies. And so we did, I say we, but I don't know why, because
it was just me, did this deluxe laser edition because it was laser cut and because the turtles
had lasers on their backs. Side note, the reason the turtles have lasers on the backs was
because I built the ice walls, which are one of the features. And I was playing with my daughter.
She said, and she had a very low scratchy voice at the time. And she said, I want that wall to go
away. And I was like, okay, well, how should the wall go away? Do you push it? No. Do you pull it? No.
I'm like, do you make it away with magic? And she said, lasers. And I'm like, I can do lasers for you,
honey. That's where lasers came from. And that impression does not capture the adorable
nature of my young daughter. But that was where the lasers came from. Like, oh, this is the special
laser edition. It's laser cut pieces. It's great. So literally, we had a family vacation to
Hawaii. And I was late in getting to the car and driving Hawaii because I was trying to run the
last batch of these to get them shipped and out. So I was making everything in our garage with the laser
cutter. And it was amazing. And I said, this is something truly remarkable. At a time when everybody's
talking about 3D printers is, oh, just dream up whatever it is and you can make it. This is actually
delivering. It's not lumpy plastic slowly. It's beautiful things made quickly and done
out of materials that people actually care about.
And I invited this whole parade of entrepreneurs to come by my garage.
Again, things you can do on your fourth company that you have access to that you don't
otherwise.
Investors and entrepreneurs, it came by.
And I'm like, look, I'm going to make you some swag.
And they're like, you're insane.
What are you doing with this industrial factory tool?
And then I do the thing.
They're like, okay, that part where you push the button and the cool thing came out,
like three minutes later, that was neat.
I like that part and like anything else.
And I was like, okay, how could we just distill it down to its essence?
where you push the button, you get the beautiful thing,
but it sits on your desk, and it's simple, and it's easy to use.
And that's how GlouForge was born.
Incredible.
And you've been at it for what?
A decade.
A decade.
It's a decade.
So from a little toy in creating turtles,
you actually created a decade for yourself and raised over $100 million.
And it's still a thing I love every day.
When I think about my superpowers, one of them is love to make stuff, and I love making things
with our product.
I mean, the stupidest thing, but last weekend, I had to fly down to San Francisco and realized
that my laptop was missing.
And I'd, like, turn the house upside down because I have to leave in, like, an hour, and I
cannot find my laptop.
And so I'm like, okay, we're going to do this raw.
I'm going to be using my phone.
I found a Bluetooth keyboard, and then I'm like, I need a stand.
And so I'm like, okay, I'm going to print a stand.
And so I grabbed a piece of plywood, throw it in there, go into the catalog, find the stand, and I'm about to hit print.
And I look at it. I'm like, no, I want to put magnets in it. So it's easy to carry.
So I immediately go over and draw my entire thing from scratch. And I'm like, okay, I'm going to design it my way.
And meanwhile, I'm ticking down to when I have to add to the airport. And I put together this little thing, which is like my...
Oh, my God. He's showing us on YouTube, by the way. For those who are looking, that's crazy.
And it has little magnets in it, so it snaps together. So I could carry it in my backpack.
There, you can hear the snap, and it held my stand on the plane, and it was great.
It all worked.
It came together.
The ability to just dream something up and be holding it literally five minutes later, still magic to this day.
And again, I think there's another element that you help hundreds of thousands of designers
produce hundreds of millions of custom products.
Now that you've been at it for a decade, what are some of the challenges of building something so big?
it's really different. Go forward to the scale that I've never led through before. And honestly,
doing has been like nothing I've ever imagined in particular because of the strange
transformation of the world during COVID, which was something that impacted all of us in
unusual ways. But for me, there was something really profound. I mentioned my not McDonald's job,
but I also, I had one set of parameters, even before I got my not McDonald's job that I wouldn't
interview for. I didn't want to interview at a company where if I was bad at my not McDonald's job, but I also,
job, people would die. So no medical companies. And I didn't want to interview with a company
where if I was good at my job, people would die. So I didn't talk to military companies. And that's
not because those jobs aren't important. Obviously they are. I just didn't want to be on the line for
that. I am willing to take on tremendous personal responsibility. But at the end of the day,
I did not want those stakes for what I did. And when I realized that I was going to have to make decisions
for 100 people in my company at the start of COVID that were literally life and death.
Like, do we try to keep running the company and risk people dying?
Or do we shut things down and risk losing the company and 100 people being out of work
at the start of a pandemic?
I didn't like that.
That was not what I signed up to do when I signed up to be CEO.
A lot of responsibility, yes.
That really changed me in the way that I thought about leadership.
because I very much had the, I was not here to do this, and I was not chosen for my ability to do this, and this is not what I expected. And yet, here I am, and I have to make the best of it. And it was tough. There was one moment that I recall when I was standing right over there. I work for my basement. I go into the office once a week. We have about 80% remote now and about 20% in person. But I was down here in the basement at the very start of things. And I learned that,
the factory was going to shut down production unless we falsely claimed we were medical equipment
with a big elbow elbow of like, you can falsely claim your medical equipment, and it'll be a long
time before anybody figures it out. And what did that mean? That would mean at the time that factory
was in Mexico, we since moved production back to the U.S. But at the time, that meant 70 folks
who worked in the factory were all going to go into work without proper PPE because it wasn't
available at that point to go make our products at great personal hazard and decided not to do it
and said, okay, this may cost the company, but I think it's the decision I have to make.
And then two days later, they found stocks at PPE, they got permission from the government to open,
they put protocols in place, and everything became okay. The problem was solved through a different
channel. And that, oh, I did not mean to be here. I did not mean to be holding these precious things
in my hands, but here I am and now I've got to do it. I think that in many companies that
happens, and it often happens in a little bits when we at least expect it. I was just talking to
my leadership team today about how I'm sort of a weird aficionado of the stories of terrible
CEOs and people who've done horrible things. And I'll look at something like Theranos and I'll
say, what if Elizabeth Holmes wasn't evil? What if she wasn't our cold calculating profit
optimize her, just hypothetically. What if she was actually trying to do the right thing? Is it possible
that she could have gotten herself into this accidentally? Because if so, that's terrifying and I
should really understand it. So I went and read bad blood. And, you know, the truth is somewhere in the
middle. It's a great book, by the way. And I still think that eventually she did start really trying to
do something good. And there was a little bit of the fake it till you make it Silicon Valley thing that
went too far. But with hells, it's hard to play, right? Yeah. If I look at it charitably, and that could be
the wrong way, but for my purposes, it's the right way because I'm trying to look for the cautionary
tales for me. And if I say, that happened because she was bad, I'm good, then I don't learn
anything. And then I just saunter on saying whatever decisions I make are fine, because I'm a good
person, so everything I do is fine. And that's dangerous. If I look at that and say, she thought she was a good
person. Maybe she thought she was trying to do the right thing. She got into trouble anyway.
Now there's lessons to be learned. When the very first demo that doesn't work and you're like,
well, let's just do this one thing. You know what? Every company that I've worked at,
I won't even talk about companies that, every company I've worked at, Google, Microsoft, Real Networks,
everybody did that all the time. Apple was just called out by Axios because they demoed whatever
it was and it was like, why isn't that ready? And they're like, well, it was ready for a demo.
we couldn't get ready for production.
It's like, okay, that's the thing that happens.
But there's this very slippery slope
where you go from like just this one demo,
just this one time to when you're faking an entire company,
and it's easy to slip down that slope.
From the outside, it's easy.
Well, you just don't even take the first step.
I don't know successful companies
that only demo things that are ready to ship
that don't press the edges around the demo,
just to pick on that one example.
And so I look at those, like where do people go off the rails,
as a way for me to learn myself where the boundaries for my ethics and my judgment need to be.
That's hard because when you're the one ultimately responsible for the decisions of a company,
it all winds up coming back to you.
And that's a lot of decisions and you're holding a lot of lives and families and whatever in your hands
because all these families are depending on you and your success and your vision
and you're continuing to inspire, et cetera.
Like, it's a lot of responsibility, whether we like it or not.
And that's why I called my book, Hot Seat, Startup CEO Guidebook.
Those are two different things.
It's the guidebook for startup CEOs.
Startup CEOs are the ones in the hot seat, the ones that have to make the decision
and who no matter what happens are responsible for the outcomes.
I'll often joke with startup CEOs and I'll say, good news, bad news.
The good news is you never sit there wondering, is this my responsibility?
because it's always your responsibility.
It's great clarity.
And I find that very clarifying
because I don't have to do
all the mental gyrations of blame or finger point
or anything.
I can start from a place of peace
and go, this was my responsibility.
Is it my fault?
I don't know.
Sort of doesn't matter.
It's my responsibility.
And blaming a person
and saying it's their fault
and they cause us to happen
at the end of the day,
maybe that's useful.
Probably not.
If I can start from going,
it's my responsibility,
I can just cut through a lot of that noise
and be like, okay, if I'm responsible for it, how do I learn from it?
How do I do better next time?
Dan, so with everything that you learned, what would be something that we kind of look at yourself
or some of the people are listening?
What would you tell them?
There's this thing I've thought to myself so many times over the course of my career,
which is, well, that would be a good problem to have.
I just need to get financing, and I see all these people complaining about how hard it's
Okay, you've got a million dollars in the bank.
I'm thinking of my first series A.
How are you going to spend it?
That would be a good problem to have.
You've got investors who are trying to hold you accountable for like, you know what?
They're never good problems to have.
There's always this grass is greener about the set of challenges.
And it's funny how through careers that leads up, I've often teased investor friends.
Why would anybody become a venture capitalist?
Why would anybody become an investor?
And I have this theory that it's because you get your first job and you go, my boss is an idiot.
I can do their job better.
I'm going to be the boss.
And then you're a boss.
And you go, my CEO is an idiot.
I could do their job better.
Then you're a CEO.
And then you go, my investors are idiots.
I could do their job better.
And then you're an investor.
And then you look around and go, oh, crud.
So the grass is always greener.
Like some other problem always seems better.
And, you know, what do you learn from that?
You learn to think about what the work is.
You don't think about, oh, then I'd have independence, then I'd have freedom, then I'd
have an expense account, then I'd have these.
Because, like, at the end of the day, those things the do or don't come, and they're not
the thing that makes a difference every day, the thing that makes a difference every day,
is are you solving the kinds of problems and challenges that you love to do?
Are you working with people who bring you joy?
or at least intrigue and excitement,
at least make your life interesting, if not joyful.
And if you find the right place for that,
then wonderful things can happen.
But the path to that isn't always obvious.
It's funny, we had an executive session where we got together
and we're talking about the future of the company.
This is some years ago.
And one of the things we did was we took a big five personality disorder.
So for those of you who know Myers-Briggs,
Myers-Briggs is the pop culture-for-sale version of the academic version, which is the Big Five personality sorter.
So the actual researchers tend to use Big Five, not Myers-Briggs.
And one of the reasons for that is in Myers-Briggs, everybody's a special happy snowflake, whereas Big Five will tell you you're neurotic or have negative emotional externality as I think they're nicer word for it.
It's not all fortune cookies.
It is real talk.
And so we all took this, and for everyone there's a spectrum, and we plotted everybody on the
spectrum of how much of each of the different traits that you have.
We use disk, by the way, because it's actually surprised me how accurate it is.
And I'm like, why didn't nobody show me that?
Because I would have probably chosen very, very different career choices if I knew I'm very
high D, high I.
Like, I don't like the details.
So why did I do product management for so long and try to look at the features?
Like, I don't give a damn about the features.
Like, I just want to go this way.
I don't want somebody else to take care of the features and the dates and all the crap that goes with it.
Amen.
Why did nobody let me understand that we're all motivated by different things?
Like, I have a team that love Excel sheets.
You put me in front of an Excel sheet.
I just like, you like Excel sheet.
But I was just like, oh, no, no, no, no.
Too many details, done, done.
But I think at least know yourself and you know that different people are motivated by different things.
Absolutely.
And so we looked at this and everybody plotted themselves on a graph and their openness, everybody was pretty open.
Extroverted was sort of exactly what you'd expect.
We had our sales team on one side and then we had our finance team more on the other.
And everybody sort of mapped along, you know, agreeable.
People were pretty agreeable.
we didn't have too many folks on the neurotic scale who did hide.
There's one person who was like, I'm really high in the neurotic scale.
And three months later, he wasn't there anymore.
And the funny one was conscientious.
So conscientious in the big five is the attention to detail.
And everybody was in the right third.
And I was way over on the left.
And we put this up.
And what was funny with my team was like, Dan, this is just wrong.
I'm like, what do you mean?
And they're like,
you're on time to your meetings, you're organized, you're super conscious. And I'm like, no, no,
I have coping strategies and I have ways of managing and I have every single one of you. I've hired a
team of very conscientious people because I am not. And I'm not sure the company could take one or two
more of me. And so understanding yourself in that way, quantitatively, qualitatively, and
helping to connect with people who complement your weaknesses as well as your strengths, I think
is such an important part of that leadership. And why are we not learning that way earlier in my
career, at least? I don't know. But Dan, this was so good. I can probably talk to you for
hours. I know I went way over, but this is so good. Thank you for sharing and just incredible
to see your journey. Oh, thank you. I feel the same. It is amazing and could easily talk for
another hour about this. Thank you for being in the show. Thanks for having me, Alana. It's a pleasure.
That's leapacademy.com slash training.
See you in the next episode of the Leap Academy
with the Ilan and Golan Show.