Legends of Avantris - Edge of Midnight | Ep. 9 | Within Temptation

Episode Date: July 2, 2024

The mystery continues to deepen, and Marius faces a difficult choice...   Gain access to an exclusive campaign, Shroud Over Saltmarsh, over on Patreon: https://legendsofavantris.com/patreon The Crook...ed Moon, a folk horror supplement for 5e, is available for preorder! Get the Crooked Moon at: https://thecrookedmoon.com/ Watch more D&D adventures in the world of Avantris live on Twitch: https://www.twitch.tv/legendsofavantris Check out our merch store: https://shop.legendsofavantris.com  Join our community on Discord: https://legendsofavantris.com/discord Watch our many campaigns on YouTube: https://legendsofavantris.com/youtube  All other links: https://linktr.ee/legendsofavantris   Watch the full episode here: https://youtu.be/zd7wsZ9INPg?si=subgckJDCl3dWdGk

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Starting point is 00:00:03 How to do? Welcome to Legends of Aventress. I'm old Jericho Sticks and you're listening to Edge of Midnight. Here's what happened last time. Take this one evening to be married. Does indeed appear to be party time. Meet me outside in 10 minutes and you'll have a go. Your friend has made a fool of you. We'll meet again. Like hello! Pulls out a glass jar that's glowing with the same fungus that, that... Farron had taken from the Hackut. The matron has been spending a lot of time outside in the woods. I can't go to sleep until someone tells me a story. This is my book and it was taken from me when I entered the orphanage.
Starting point is 00:00:44 Good night, me mom and dads. And you all dream. The exact same dream. Oh yeah. You stared to two glowing red eyes, peering from the hood of a cloaked feminine shape. You awake in a start, drenched in sweat, and you hear the clanging of alarm bells. Your eyes notice it. The orphanage inflame.
Starting point is 00:01:02 malevolent cackle rings out across the land the face of a grinning hag stares down at you the hag moons overhead now larger than ever before it's been said that the most beautiful sound is a child's laughter well the opposite can be said of the final painful moments of a child's far too brief life and i hope that you never get the opportunity to hear it unfortunately for our would-be heroes they were not spared listening to such a sound. And now the hag moon is looming larger than ever, looking down with gleeful contempt, almost mocking them for what's happened, or even worse, for what's going to happen. But who knows? It's probably just a trick of the lie. The moon can't have thoughts of feelings of any kind, much less malevolent ones. Can it? You all stand outside of the smoldering ruins of what once had been the orphanage here in the town of Cyril. The stillness and the quiet is almost far more heart-wrenching and painful
Starting point is 00:02:13 than the sounds of the screaming that you'd heard mere moments before. And as you take in the scene around you, the hag moon looming overhead, its light shining down on the city around you, sounds begin to appear, not in front of you towards the orphanage, but behind you. where the houses of the residents are situated as more and more people begin to fill the streets of Cyril, the sounds of mourning, of crying, of screaming, of pain, of fear. What do you do? Is it still on fire?
Starting point is 00:02:56 Or is it's still on fire, but it's finally beginning to smolder and to go out, as if whatever had caused the fire as the fire brigade that is, throwing buckets of water on top of it. It seems to be doing work. The inside, the deep portions of it are still a flame, but you see areas that are just charred where the flames had licked up out of the windows and danced along the stonework outside.
Starting point is 00:03:24 You can see the trails of that. Dungeon Master, Mistress, I have two questions. Sure. The flames went purple. Yes. And then they went back to front. And we saw that similarly in the burning. That is true.
Starting point is 00:03:39 And my question is for the whole group. Who has Anya? Oh, so she's with us. Okay. Yeah. I'd turn away. I'd turn Anya's eyes away from the horror in front of us. You feel her arms tight around you.
Starting point is 00:03:54 You can, you feel the warmth of her breath as she's breathing into your, into your scalp, her face buried skin against skin. You can hear her whimpering, but she's making no other sounds. I mean, was it some kind of trick? We failed. We did not succeed in the way that we thought we did. Well, I mean, is it possible that it was another witch, other than Mother Midnight? Oh.
Starting point is 00:04:28 I don't think so. I fear that this is just far from over. Garsh, I'm going to admit something to y'all. I don't right think I'm smart enough for this adventure. Well, I mean, that's why some of these fellas are probably, you know, smarter than you are. Well, no, that's a very wise. I mean, Lefacus seems smart too. I just thought it just seemed so nice and easy.
Starting point is 00:05:01 We walked in. There was not much of a fight from the lady in the woods. And you know what they say? If it's too good to be true, it probably is. And I thought, well, no, that's ridiculous. Not missing. Maybe we got lucky. I guess I had never been lucky my whole life.
Starting point is 00:05:17 I agree with you, Jericho. I wanted to believe it as well. I mean, we were faced with what appeared to be hard evidence. I'm gonna just like slowly approach the small print of ruins to see if there is anything to say in anyone. You roll a perception check. since you're outside, I'll say. And you notice that the guards and the firefighters that are around the perimeter and rushing this way and that,
Starting point is 00:05:48 they pay you no mind, but they do notice that you're there. They don't seem to stop you. Given everything that's happened, even though the hag moon still seems to be back, it seems, even with the people coming out of their house, that you are still in a bubble of favor with this town at this moment, whether that will change when, the morning comes, who knows. But right now, you are still seen in the light that the Knights Templar aren't going to stop you if you want to do anything with the orphanage.
Starting point is 00:06:18 What was your role? 20 total. You make your way up to a window that is lower down that you can easily pull your, even with your armor, you're strong enough to pull yourself up a little bit and look into. And you see that in the core of this, the fire is still raging and that men are dark, this way in that you see women firefighters and women Knights Templar in their arms throwing water on the flames. And I will say you even notice that amidst all of them running around almost more nimbly is Skinny Dudley who seems to be helping to throw water on the fire, though he
Starting point is 00:06:59 looks a little out of place. Everything in this place is charred. Books, seats, not photos, paintings, anything that was here. You see a few things that you remember seeing that as you passed by, sceneries of idyllic cottages and things of that nature, storybooks all completely incinerated. As dark as this is, is there are there clearly corpses? I would say that there are, you can see that most of these second story has collapsed and there are clearly charred remains littering the entire floor of this place. I will bow my head to myself and say, by the time to please, watch over these poor children,
Starting point is 00:07:46 and then retreat back to the rest of the room. Can we save anybody? No. Who did this? And I look around and I'll at the fire brigade. I'm like, I'll try to flag somebody down. Roll a persuasion check. What's wrong with Viking?
Starting point is 00:08:18 That is a 11. Okay. You attempt to flag a You attempt to flag a Knights Templar down And he stops for a moment And then you hear like a whistle or a call From inside of the orphanage And he grunts, but he shakes you off
Starting point is 00:08:42 And tells you, sorry, we're too busy, not right now And he rushes inside to continue to help put out the flame. I want to start walking around the perimeter And just looking for any kind of weird effigy or anything else that would seem vaguely magical, like... Ooh, the jars. Yeah, either jars or anything else that, like, you know, within my practice of voodoo with sort of similar kind of things like that,
Starting point is 00:09:09 kind of just anything I can use. Okay. I would say, I would quickly, seeing that you're just starting to walk right of the perimeter, I would quickly whisper to the grooms. Stick together. I'm going to join Briggs. So none of us are alone. Who knows how these people will react to this new development?
Starting point is 00:09:25 Then I will join Briggs. and walk with him. Looking for the same sort of time. Before you walk away, I'd be kind of turned away. I'm trying to comfort on you, leaning against my tombstone. The youngling shouldn't see this.
Starting point is 00:09:48 I'll stay with you, Yoran, and the child, little one. Okay. We should keep her away from... Should we go over there to that alley where hopefully there is any... remains of the previous evening. Oh, maybe not the alley. Maybe not the alley after all.
Starting point is 00:10:08 Perhaps they're in the middle, oh no, not the middle of the street either. Maybe just on the other side of the fountain. Yeah, no, that's a clean space. Yes, and the statue looks just just pigeons. Nothing to worry about there, just pigeons. You walk into the alley. Which I will say is actually true. You do see that there are about six pigeons
Starting point is 00:10:25 that are flitting about at the top of the, at the top of the fountain. And I'll walk over with your rim and Anya and whomever else. I would go looking, go with Briggs. And you went to? I'm, Lefithikov is also with Bricksey. So it's going to be the three of us walking the perimeter and the three of them staying behind the fountain trying to keep their shoes clean.
Starting point is 00:10:54 I would specifically be walking around looking for footprints that might. match Mother Magoo. McDuff. McDuff, thank you. Here I go. McDuff. Matron, Maggie Duff.
Starting point is 00:11:10 There we go. Rich, if you want to roll an investigation check at advantage because you were being assisted by your friends here. How many? Not bad. Marius. Are you staying put
Starting point is 00:11:25 going with the group? I'm watching. As the three of them, walk away from me and let the words echo in my head and I look one direction I look the other direction and I shrug and I begin to follow Jericho. Okay. 17. All right.
Starting point is 00:11:42 So you, the three of you begin your search around the perimeter of the house or the orphanage and at first there's so much soot and ash that has poured out of these broken windows that it's hard to see anything. You do see a lot of glass that has fallen out of the inside of these windows, but it's hard to tell whether it would have been glass from a jar, glass from the window itself. So for the purpose of mushrooms or fetishes, if it were of any kind of natural substance, organic material, it would have been incinerated in the pink flame. And so you don't see anything there.
Starting point is 00:12:21 But what you do see is there are footsteps that are, they're covered in ash near an entrance towards the back, but you notice that they started to become more apparent heading off into the woods. And they appear to be like an adult humanoid? Yeah, they were definitely adult footsteps or imprints, I should say. The three of you are able to make your way towards the fountain. And as you get there, the pigeons that are resting atop it coo and twist their head this way and that, almost looking at you, just a little longer than would seem natural for what a pigeon would do before they raise and fly off into the night sky. Oh.
Starting point is 00:13:14 But other than that, all is quiet where you're at. Do they fly off like as soon as we get there? No, they watch you for a little bit. Their heads turn this way and that. And they stare at you just a little bit longer than you would imagine that a pigeon would watch you. So as I'm following my two companions. I would be looking at the moon and looking at these pigeons
Starting point is 00:13:36 how far away do you think they are from us? The pigeons? Yeah. Maybe 150 feet? Maybe 100 feet? I don't know. We're walking right up to the fountain. So you can walk right up to the fountain
Starting point is 00:13:52 and then there'll be like five feet from you maybe. I would say what I'd like to do is when I feel like I'm within range from a mechanical sense, I'd like to use my divine sense. As an action, I can detect good and evil until the end of my next turn. I can sense anything affected by the hallow spell or know the location of a celestial fiend and dead within 60 feet that is not behind total cover.
Starting point is 00:14:14 I can use this feature five times per long rest. So I just want to like, I'm looking at this moon and I'm looking at these pigeons, and I'm just feeling dread and anger. And I want to think about Lefander and see if he'll help me see if there's anything off about the pigeons or anything. So roll a D20 for me. because what I'll say is you don't get a sense of celestial fiender and death. Sure.
Starting point is 00:14:37 But. Natural one. Twisted. Yeah. Twist it. Twist it. You got, sure? Yeah, I'm sure.
Starting point is 00:14:45 Yeah. You got twist. Thank you. Thank you. I'm swap it up here. I'm just looking for a 10 or higher. A four. It was faded.
Starting point is 00:14:56 But you're adding your modifier, right? Are you like wisdom, whatever your paladin? Charisma, right? Spell save DECD or whatever. It's going to be too long. Chrisa plus proficiency. charisma plus proficiency? Nope.
Starting point is 00:15:09 That ends up being a nine. It was not fated. It was not fated. I sense nothing. I sense nothing. But what I will say is you can tell that they're not fay fiend or undead. Got it. I would kind of just catch up to them and then sit on the fountain,
Starting point is 00:15:26 on the edge of the fountain and just make sure we're safe. I'll look up to Anya as your room is Karen Grover, and I'll say, uh, a little one, everything's going to be okay. Uh, everything will be fine. Nothing bad is going to, well, something really bad just happened. Uh, and, and they're all in a better place. Is that right? I'll turn to Marius. Is that right?
Starting point is 00:15:55 Yes, what Jericho is trying to say is, Despite everything that's going on, we're not going to allow anything to just happen to you. You're safe as long as you're with us. You see as Anya lifts her head just a little bit up from the top of Jorgren's head, and she makes eye contact with both of you. Her eyes are puffy with tears, and you can see the snot that's pulling around the base of her nose, and her small lower lip trembles in fear and sadness, but she says no words as we move back to the other group. You're standing here in the darkness, your shadows made almost three times larger by the fire that is still burning behind you as you stare out into the dark, the looming shape of the forest behind you.
Starting point is 00:16:45 And you see these footsteps. And you can tell that they were made in a hurry with, I will say with that role. It's easy to tell that they weren't calculated. It was they were made with haste. Do you see these footprints? I do now, yes. Good eye. Thank you.
Starting point is 00:17:10 The little girl, she seemed real suspicious of that matron. I know she was, and I didn't believe her at first. I thought it was just a young child bucking authority. We need to get the others and follow these prints. I don't want to jump to conclusions because we don't know who they belong to. But whoever it was left in hurry, we can see that. Are they like adult-sized, child-sized? They look to be adult-sized.
Starting point is 00:17:37 Do they have a fine heel or would you say it's a boot? Ooh, that's a great question. I would say, I'll keep that role, I would say it appears to, with my shirt-a-combe's abilities, with the shoes-we're-wear-to-be-be-a-boot, but not the kind you would expect to see from a knight's templar, more of a commonly worn boot, not a, not a middle boot, if that makes sense. And there's no like brand inscription that's pressed into the mud.
Starting point is 00:18:08 Like vans? Yeah, it says Gucci, with like three eyes because copyright. Gucci-Eye. Similar but legally just meant. Oh no, I'm sorry. It says wagon, not to be confused with coach. I love it. I love that.
Starting point is 00:18:27 This is a good boot. I think we should get the others and follow these out, put the little ones in are safe. I agree. I'll be rockback. And I hustle over to the rest of them. Hey! Hey!
Starting point is 00:18:46 All right, we're coming. What about the little one, Briggsie? Oh, fuck! Briggsie, what's your language? I mean, I'll... Shit! I think of the three of them. Farron found some footprints
Starting point is 00:19:06 at the orphan in the woods, and I'm pretty damn sure it's that McDuff. Well, how do you know? Well, I mean, who else would have been like a dog-sized? They're like a boot, but not like a steel guard's boot. They're a monocon.
Starting point is 00:19:19 Apparently, they look pretty nice, according to Tel Africa. It could be anyone. I mean, yes, we'll follow them. But they would leave in the back of the orphanage, you know, covered in ash it was right before the fire and they went out of the woods
Starting point is 00:19:34 where the witches are? Maybe less details. Um, like, so, I have to tell you that it's really okay for you to say things around me because, like, artists saw that it's gone like I know what happened, so hearing about a boot is like
Starting point is 00:19:51 slightly less scary, you know? So do we bring it with us or do we put it back at house? You can't leave me like somewhere where you're not because you're the super powerful. and if anything happens, you can protect me. I mean, that would have sounded unreasonable yesterday,
Starting point is 00:20:08 but I'm actually thinking she raises a good point. I mean, if you want to, and the more responsible folks think it's okay, I won't marry it. So. Who's the most responsible one out of all of you? I think it's the dedicated, a naughty little fat out of you.
Starting point is 00:20:35 I put my head in my hands and I sigh very loud. He's got a whole like code or something. Excuse me, Maris. Let, can I ask you a question, please? Of course you may. Can I please come with you so that we just can't get me? And she starts crying. I'm going to look to Yorgrim and raise my voice a little bit
Starting point is 00:20:51 so they can hear me over the sound of her wailing. While I do think that it's not a good idea, what do you think, Yorghum? I hate to leave her. We don't know why this building of all of them worry that maybe they missed one. Probably she should stick with us. All right. Okay, so like, did you just say you think that they were trying to get all of us?
Starting point is 00:21:25 Because I wasn't in there last night, they're going to come for me. It's not your final destination. It's going to be the evil cultus of the witch coming to murder you in your bed. I thought you were designed to me. We're going to with me. Oh, no, I'm sorry. Gosh, no, I mean. Say something.
Starting point is 00:21:40 I mean, they're going to put you in long team in your bed forever. I started slowly backing away. No, no, no, no, no, it's not. That is not going. The governor just kind of standing there awkwardly, like, I hope they bring the child. That's a chance of that she's being hunted now. No.
Starting point is 00:21:59 That is not going to happen. All right. You and I will make show at all times, One of us is watching her, protecting her. I think you're right. I don't, we can't leave her, even though this is going to open up issues. We have to protect her no matter what.
Starting point is 00:22:15 All right? As long as one of us is watching. I'm like really hearty, so. Exactly. I'll be okay. Like I couldn't make muscles on my arms like if it were not nighttime. We'll fill in the others, we'll bring her along.
Starting point is 00:22:29 And we just have to keep an extra watchful eye, all right? And you have to promise as hardy you are not to make things more difficult for us. I would never do something like that. I'm like a super good kid. All right, let's go. I'm already like halfway back. Well, what is this resolved?
Starting point is 00:22:52 We'll keep a good eye and I'll have Virgil keep an eye on. Actually on second thought, Virgil, don't keep any eyes on her. Just go go keep, keep an eye on them pigeons. Can I have you all roll perception check for me? Just stay up here. If you got it, I won't say any. unless I absolutely have... Oh, let's go.
Starting point is 00:23:09 Big roll. Unfortunately, it wasn't when I needed it to make a roll. Let's not go. Do not best go. 15. 23. 6. Perception.
Starting point is 00:23:21 22. 16. Prigsie? 6. Oh, I never hear your rules. I just don't think you say that. I don't know. Fuck, it's a shit.
Starting point is 00:23:32 What did you get? I'm a child, so I don't roll those kinds of things. Okay. Okay. Marius. Yes. As you begin to form your little group and you walk back towards the orphanage, you hear the sounds of chatter from the city of Cyril. And it has gotten to a point where the entire city is completely woken up.
Starting point is 00:23:58 And it is loud. It is almost cacophonous. The way the noises, the crying, the screaming, the questioning is, um, is ringing throughout the streets. But even through all of that, your dampier senses are on high alert. And as you pass around the corner of the orphanage, you hear a, Marius, pts. My head would immediately snap in the direction that I hear this. And as it does, you turn and you look through one of the broken windows in the orphanage,
Starting point is 00:24:28 you see just the eyes and nose of a scrawny 13-year-old boy as he peeks out at you from the inside of this orphanage. Pts. Marius. I will lean towards your room. And I guess Jericho, if he's still close, and say, give me one second. I'll catch up in one moment, and I'm going to run over to the window. Hey.
Starting point is 00:24:53 What's going on? Orphanage burned. I'm going to look around and look at him and go, you don't say. And clearly you're talking to Skinny Dudley. In case that was, Ghetto. Skinny Doug.
Starting point is 00:25:13 Yeah, I'm helping put out the fire, but I saw you guys walk around the perimeter. That's good that you're helping, yes. Yeah, keep your voice down. I'm supposed to be helping my I don't want to get yelled at. All right. Uh, you tell anyone about that wish ball? No. All right, cool. I kept it a secret, and you should cease mentioning us as well.
Starting point is 00:25:34 Yeah, I got another secret for you if you're, uh, all ears. I am. Maggie McDuff, I saw her running in the woods, like, seconds after the fire hit. And I gotta tell you, it's unlike anything I've ever seen. I don't know if you know this, but there was no smoke for the fire. There was no dancing a lot. It just, it went from being completely quiet to completely flame like all in a second. And I was almost, I don't know, I felt like I was almost illusioned by it, you know? I was just right over there by that house. I wasn't doing anything bad, I promise. I just keep
Starting point is 00:26:14 girl lives inside and I was gonna tell her I liked her I brought her some flour anyway I think she was sleeping so it didn't matter I just anyway it went up in flame and and and I was just watching it and it was dancing and I I can't believe I didn't call sooner but then I saw moving over towards the way you're you're heading and I looked I peeled my eyes away from the flame and I looked and there she was just rushing out into the night she had some kind of cloak on her back and I think she saw me. She looked back towards me for a second and quickly turned her head and rushed into the underbrush.
Starting point is 00:26:49 I don't know who to tell and I don't know what to do about it. All right, all right. I promise. Again, your secret is safe with us. We won't. I'll tell the others. And we're going to go after her. Anyway, we're following her into the woods.
Starting point is 00:27:03 We will let you know when we return. But you have to promise me one thing. Sure. If you think, even for one moment, that your life is in danger, you run. Promise me. I will. I ain't fast, but I'll do it. These scrawny legs can carry this boy.
Starting point is 00:27:21 Just stay out of trouble, all right? All right. Thank you. If you hear another pissed again, that's me. Probably. I mean, I guess I can't confirm. Sorry, I'm raising my voice. I got to get back.
Starting point is 00:27:32 All right. I'll keep my ears open. All right. Don't do anything that's going to get you hurt. All right. We need you now. We'll be safe. Thank you.
Starting point is 00:27:40 All right. I will rush over the rest of the group and share. this information. You know, Briggsie told us that he felt that the tracks belonged to the matron, and I have to say
Starting point is 00:27:54 it's not a good look. I fucking knew it. Let's go kill that bitch. I'll just start... Whoa, whoa, wait, hold on. I'm not happy to hear it, but I'm glad to know that our suspicions are confirmed, anyway. At the very least, we're going to find her.
Starting point is 00:28:10 We don't know if she started the fire. That was what I was going to say. may have been following something into the woods. Thank you. It's suspicious she left without making an attempt to save anyone in the orphanage. Or tell anybody. I agree. We will get to the bottom of it.
Starting point is 00:28:29 The sounds of the town is now almost painfully loud as you're trying to communicate with each other. You are having to yell, even within this close proximity, because of the sounds of the crying and the panic that is going on all around the city around you. And I would say, given when you woke up, and you all enjoyed a long rest, I don't know if I told you about, but you enjoyed a long rest. Hot dog.
Starting point is 00:28:56 You know that it is the very, very early, early morning. And in a few hours, it will be, it will be dusk. And so people are completely awake for the day as they panic. And as you are all having this conversation, You hear the loud clanging of a bell and then what sounds like the crushing of stone. As all of a sudden ringing throughout the town, you hear silence. You look towards the town center and you see that Hugo is standing there having swung
Starting point is 00:29:40 from turret and parapet and roof all across this town as he calls out quiet. And everyone is silent. Everyone stares up and looks toward him. As out from what looks to be some kind of dark alley, you see a small man in regal garb, but not the priestly garb that you're used to seeing, as he places a small box in the town center, and he climbs up onto it,
Starting point is 00:30:07 he rolls out a parchment, a piece of notation. And his voice booms almost magically, unnaturally, as he speaks the town at large. Quiet, quiet all. There has been a burning at the orphanage, quiet all. The Archbishop has ordered everyone to return to their homes, and in our hence we will meet in the town's centre for his address. Until then, keep yourselves calm, keep yourselves quiet, and let Fultus do his work on this city. So it has been ordered, so it has been decreed. Fauntus. And quickly, in a shimmer of silver, the parchment that he rolled out completely
Starting point is 00:30:56 disappears in a shimmer of brilliant silver light. As you watch Hugo begin to start to pace the streets, and he looks like he is going to be walking from this way to that, making sure that no one remains in the streets. And you see that the people of Cyril do this immediately. They have no, they have no reservations about once Hugo is there and once the order has been given, they will obey, and they make their way into their homes. And the sound, that loud morning sound, is completely quelled. And all you're left with is the sounds of the firefighters and the Knights Templar working on the fire in the orphanage, the crackling of the flame, and the heavy footsteps of Hugo as he marches the street. We have a choice. We can either go and listen to the Archbishop's speech in an hour.
Starting point is 00:31:51 Or we can follow this hot trail and see what's going on immediately. Maggie may need our assistance if she is indeed good. Or she may need to be hunted down if she is responsible for the awful. I don't think we can take a chance on her just disappearing into the woods. Agreed. My vote is on the latter. I'm sure to what I'm related towards. We run in there and we're back within the hour too, but I mean... She's responsible.
Starting point is 00:32:22 to bring her back. The Archbishop's always going to be looking for a head on the pike or whatever people say around here. I don't know. What's he going to say? Oh, there was a burning. It was a witch and the fault is will take care of us. Why, but if he doesn't have somebody to blame on it, he's going to say these people brought us the other witches and they were false and put us on the fire, not flame. That is why I wanted us to stick together. You don't think that after all we've been through and all we did that he would do that to us? I think he would. He's certainly capable of it. We've seen it.
Starting point is 00:32:57 You are too trusting, Jericho. Except from the start, I don't trust him. And if push comes to shove, I don't think we're bringing her back, slaying her. We're doing things our way this time. Not leaving justice up to someone else. If it is evident that she is guilty, I agree.
Starting point is 00:33:21 But we get as much information as we can because there are too many mysteries about for us to take a clear action. I agree. And let's see which way she was going. And I guess she's on her own, then it should be fine. But I just wonder if Captain Marco, Sir Marco, oh, we were supposed to meet him this evening. This morning. So you were supposed to meet him at early dusk and you know that it's about two. maybe three hours from the time that he should be arriving back with the rest of the
Starting point is 00:33:59 Knights Templar that were sent out to the gates. So I would say just for the sake, because it has been two weeks, you imagine that you could do some investigating in the woods and still make it back in time to listen to whatever the Archbishop has to say. And there would be about an hour, maybe an hour and a half between then and when Marco would be arriving at the Northwest Gate. Are the footprints heading in the direction he would have been going to the mine? So if you think about the city this way, so let's say the city is this way, the cathedral is at the top of it. The orphanage is maybe over this way and these circular town center is right here. So you would have headed over this way.
Starting point is 00:34:40 Backing it is nothing but woods. And you were leaving out of the south, the southernmost gate and heading around because there was an actual path. You were basically going the long way to get out into those woods where you technically, could have gone directly behind the orphanage and deeper into the woods, but it's untravelled territory. It would have been significantly more dangerous. I think it's the easiest way to think about it. So let's go into the significantly more dangerous woods. I'm gonna get a car here here.
Starting point is 00:35:10 Farron, you said you found tracks. You think you can continue to find them. I'll do my best, yeah. I think we better move as quick as we can though. Yes, I think we make haste. Perhaps we can make a taste. Perhaps we can make a lot. Perhaps we can make it back within the hour. Oh, and it goes without saying we're bringing you to go. No, no other option. So we all must keep a pair of eyes on her all times. It's going to make fighting difficult if it comes to that.
Starting point is 00:35:37 Do you think I'm going to turn into a werewolf? No, I don't think that that's going to happen at all. Why would you suggest that? Is that something that is likely to happen? Inside of this one, there's a song. I think I'd sing it for you. Oh, yes. Oh, no, I think I was singing that. I forget. No, because it's in, you remember, I told you there was that storybook.
Starting point is 00:36:01 Oh, yes, yes. That's mine, and there's the one with the little girl in the red coat. Oh, yes, yes. And she goes into the woods and they say, no, get out. Oh, that's right, exactly right. Don't go. Yeah, I got to learn that song. That's right. I need to learn it. Run! Well, Garch, now you're making me all spooked. It's a good.
Starting point is 00:36:20 Leave! strange songs. It has no cadence. I never memorized the first part, but I like the shouting parts. So if we go out this way, little one, you need to be on high alert, and even if we are all keeping our eyes out on you, there's a real chance that whatever is out there could possibly disembowel or destroy or be had all of us. What does disembowl mean? It means when your guts get torn out of your body.
Starting point is 00:36:49 I thought you're supposed to be good with kids. Oh, gosh, it's been a long time. She should know what the risks are. She's going to be joining us. Yeah, no, that's pretty scary, I think, but it's more scary to be alone. How old is Anya? She's about seven. But very hardy.
Starting point is 00:37:11 I've said she's like six to eight, so I'm just going to go with seven. She's very hearty, though, for a seven-year-old. Anya, if things should get very dangerous, I would ask that you hide. I know you are very brave and hearty, but we would not want to force you into a fairy tale of your own to soon. So my fear about hiding, though, is I breathe really loud. Well, perhaps, perhaps my dark lady, the deity I worship, can help with that. And I will touch her, and she will suddenly feel the warm, dark cloak of stealth go upon her. as the ability for the next hour to have advantage on stealth.
Starting point is 00:37:56 Dude, I feel like so secretive right now. You and the main bonus. Thank you. Cool. Jericho, do you think that you could help keep an eye out with your front there looking for the pigeons? Virgil, I know you're having a great day with count of all of them dead kids. You can't see, you really gotta stop saying, it's just one of your things. Why can't we kill, Virgil? Oh, trust me, I'm trying.
Starting point is 00:38:22 And he already knows it. He has the upper hand or wing or talent. I don't know biology. Anyways, I'll Virgil. Virgil, for both of our sake, why don't you keep an eye on for pigeons and whatever kind of gross animal was stalking us, what a ferrin saw?
Starting point is 00:38:41 Roll an investigation check for me, please? Me? Yeah, for Virgil. Oh, I was a little small one because he's a crow. Oh, okay. That checks. Uh... Okay.
Starting point is 00:38:50 Sure. Small one, Warren. I'm humbly requesting on behalf of Caprice that you sing, crow, crow, crow your boat at something. Hold on, I got to pull it up. He's a weird crow investigation. We're walking, right?
Starting point is 00:39:08 Ours up. And so with that, if you can all roll a group perception and a group investigation check for me, that's a nine. Thank you. Perception investigation? Let's go. God, my perception is good, my investigation is trash.
Starting point is 00:39:25 Because you are actively looking for Maggie McDuff, but I also need to see what you would perceive inside of the woods themselves. Oof! I got a 22 on perception, but my investigation is not worth mentioning. Okay. I'll put it as a one. Yeah. My investigation was 15, or 15.
Starting point is 00:39:48 My perception was 11. Okay. 14 and 2. Which one's 14? Which ones too? That was the first one. The perception and then investigation. Okay.
Starting point is 00:39:58 14 and 2. Perception 15, investigation 21. Nice. I rolled a net 20. You're saving your friends here. Perception 13, investigation 21. All right. 21 crew, let's go.
Starting point is 00:40:14 I got a 14 in perception and then a 9 and an event. No, the vertigo got the 9. Mine was, oh my God, I'm sorry. We're covered, though. I think we could. 11. And that's what you think. Now, you did all right.
Starting point is 00:40:28 Only half of us died. So with the pep talk to Anya and letting her understand what her role is, she seems pretty quiet. She's definitely still reeling from the burning of the orphanage. And you can tell that she's trying to emotionally handle it as best she can for being a seven-year-old girl. But she is comforted by having the six of you there with her. as you rally together and you make your way into the woods following the footsteps. And I would say, Farron, you're at the lead here, having lived in not necessarily this kind of wooded area, but in nature.
Starting point is 00:41:07 And you are able to, even though the vegetation is overgrown, this is far more wild than the area that you had traversed previously, you were able to, with Marius's sword, cut back the foliage and locate these the footsteps. And you can see that they, as the soil is wetter as you get deeper into the forest, that the boot sinks in and you can easily tell now that it is a feminine boot that is a much smaller foot. And you would guess, having seen Maggie McDuff and what she wears, that it does resemble the wagon labeled heel boots that she's.
Starting point is 00:41:48 she wore. The spring collection, she must be very poor. This is last year. She's just her labor day, too. Oh, my gosh. That was savage. Turns out she didn't survive the fire. It was a woman, squirts her.
Starting point is 00:42:18 And you see that you track them for maybe 30 minutes, and you find yourself in a small clearing. And it's not large, it's barely enough to fit the six of you and still have room to move around it. The floor is littered with animal bones and strain-shaped rocks with maybe carvings or paint on them. you're not quite sure. And you can see the remains of what was at some point a small fire that was around the side
Starting point is 00:42:56 that you would use for cooking or for personal use camping, that kind of thing. Nothing too large, but clearly the remnants had been here. It doesn't look like it's been used in maybe a week. So it wasn't recent. But the way that everything is littered here, you lose. your trail. I'll, you know, kind of circle a few times and go outside of the clearing and just continue looking and then rejoin.
Starting point is 00:43:31 I can't find it. It's gone. It's like our footprints have just disappeared in the mess of all this. Did it feel like the path of the trail that we were following was meandering looking for this place or was it a beeline? was a beeline. I mean, if the footsteps just stopped, then she can't be very far.
Starting point is 00:44:01 I mean, this is very clearly a clearing. It is clearly a clearing. This is very similar to the last witch that we found, right, a clearing. There's no hut, but surely she must be here. Did we see, do we see someone fly? Hmm? Did we see somebody flying away from that fire?
Starting point is 00:44:27 in the in the haunted house that you're in the in the in the okay why can't I remember names thank you the crooked house in the cricket house when you imagine that you might have released
Starting point is 00:44:43 Kellyn of the crooked teeth out into the universe you saw someone essentially fly across the moon okay if she's here I can't find her but we've seen somebody fly before what if she flew away? I'm going to turn towards the woods just in the clearing.
Starting point is 00:45:05 McDuff! Show yourself! You, even though this is so forested, a strange echo reverberates out from the forest when you call out. You don't hear footsteps of a woman. You hear what sounds like the footsteps of a large beast does it pause into the earth. But it sounds like it echoed.
Starting point is 00:45:32 all around you in every single direction. As you look left, you feel like you can hear it. As you look right, you feel like you can hear it. And then all of a sudden, bright red eyes, shining far off in the distance, maybe 200 feet out into the depths of the forest, just staring at you. All of you have seen these eyes before
Starting point is 00:45:53 in a shared dream that none of you have spoken about as of yet. And then just as quickly, the eyes shut. And silence fills the forest around you. We're never quite alone, are we? Did anyone just, uh, did anyone just see that? Am I, my, my awake dreaming? I don't know, sleep is new to me,
Starting point is 00:46:17 so I don't know if this is a thing that happens. I mean, it's the thing that's been stalking us. It's been hunting us. Is that McDuff? Hello, Mr. Large-eyed monster? We don't, you're not invited into the clearing, but is that you, McDuff? We just want to chat.
Starting point is 00:46:34 Silence fills the forest around you, not even the sounds of animals moving through the underbrush. And then the sound of heavy breathing as if from a large beast just booms throughout the night. The sounds of breaking, what sounds like not breaking twigs, I wish I had a pencil, but the sounds of snapping trees as this thing moves. this thing moves, almost circling you in this clearing. And then nothing. Silence. We might be in trouble here. Right.
Starting point is 00:47:17 I think we've made a bit more noise than we ought to have. We should be careful. We have the girl with us. Out of character. Did we discuss the shared dreams last time? You did not. Oh, we didn't. No, you had your dreams and immediately woke up to the orphanage burning,
Starting point is 00:47:32 and so you have been basically go, go, go. You haven't really had a moment. We discussed our personal dreams where we all have different, like, sex, evidently sense. That's right. We didn't discuss the one we had. The shared one.
Starting point is 00:47:46 I had a dream about that fella in the woods last night, right before I woke up. I think I did too. So did I. So did I. Did you?
Starting point is 00:48:03 And if you need a refresher, I'm happy to reread the dream to you. That would be nice. That would be really nice. I'm looking at my notes realizing that I'm an asshole. I think I have it in... Thanks to previous Derek. I think I have it in the Mikey D&D vault, but a refresher as always.
Starting point is 00:48:17 The darkness of slumber is shattered by amber light that surrounds and consumes you. It radiates from a spot in the distance that slowly grows and grows as the sound of church bells clang around you. Soon all you can see is amber as the tolling bells turn to a deafening drone of reverberating musical metal. Within the amber light you see seven dark shapes. looming over you, all horned and winged as they bellow out guttural malevolent roars. You stare at them in horror as something begins to overtake you, uncontrollable emotions rising up from the very core of your beings. You all feel, sinful. You feel the need to indulge wholly in the respective sin that has been threatening to consume you. Suddenly, the
Starting point is 00:48:57 overwhelmingly tempting allure of sin abates and darkness returns in an instant. Around you, the sound of gnashing maws and tearing flesh erupts into the darkness, as if some grotesque feast is playing out ahead of you. Through the darkness, you see the silhouettes of two beastly figures hunched over an unmoving third. As each creature illuminates in the darkness, you see the blood and gore of a macabre meal. A huge and grotesque centipede and pigeon devour the entrails of a disemboweled weasel. The two vermin stop their feasting to slowly turn their eyes on you, and they are the color of lilac. Immediately, the horrid bestial dinner is swallowed by shadow once more and all that remains in the darkness are two
Starting point is 00:49:38 tiny red motes of light that continue to grow and grow. You stared to two glowing red eyes peering from the hood of a cloaked feminine shape as it slowly walks towards you. You see nothing but its silhouette and the orbs of light within as a strange woman stops before you and reaches up to pull back her hood. With a swift motion of her hand, she lets the rope fall from her body and pool at her feet. As your eyes focus on the body before you, you are not met with a form of a woman, but instead, shrouded in darkness, a goat's skull sits before you. In its darkened eyes, eye sockets, two red gems illuminate the darkness as they blaze with ruby light. You stare in horror as the skull stares back at you, and then the skull begins to grow. It increases in size of
Starting point is 00:50:23 the silence in the dark is pierced by the sound of slithering flesh. The skull grows muscle, tendon, sinew, blood vessels, then skin as it transforms into a horrific, beastial goat with twisted ebony horns. Its bulging red eyes squish around the blazing rubies as coarse black hair grows from the newly formed skin. The head of a monstrous demonic black goat stares at you with horizontal, nearly rectangular pupils, before letting out a horrifying bleat. A hexagram of runic magic quickly frames its animalistic face as behind it glows the terrible light of the hag moon, the crone-like face of it twisting and moving as it opens its gnarled mouth and swallows the goat head hole. It then turns its crater's eyes towards you and an ancient voice croaks out two words, my sacrifice.
Starting point is 00:51:13 And that is when you woke up. Garsh, it was a lot scarier than I remember. Yeah. That's a fucking fear dream, Jesus. Oh, boy. Oh, um... So we all dreamed that. Yeah, I mean, half a...
Starting point is 00:51:30 It was a big horrible goat-skilled, but actual goat thing. We don't know what that is in the woods. We keep seeing it stalking us, but it never actually comes to attack. So same eyes, though. Are they the same eyes? I would say they look very, very similar. I mean, having seen the dream, I'd say, yes, it looks like a gigantic. like monstrous goat eyes.
Starting point is 00:52:02 Yeah. Now that you mention it. In fact. In fact, yes. Well, maybe it's friendly and just misunderstood. Unlily. It hasn't attacked us yet. Feel like something of that size would be very easy to disembowel us.
Starting point is 00:52:26 Oh. Shoot. It feels like we are being toyed with. I'm going to... walk around the campsite that we're at and see if I can pick up some of these runic, I guess, rocks and stones, anything with the marks on them and just sort of get a sense. Are they in a pattern? Have they been scattered about?
Starting point is 00:52:47 It looks like they've been scattered. I would say looking around some more, you can see that there was definitely some order to this place, but it looks like it had been scattered. And I would say recently the way that they are in almost as if someone had run through this place and quickly. just destroyed it before leaving. But I will say you're able to pick up some of the symbols. And Farron, you had a pretty good investigation.
Starting point is 00:53:14 Both of you did. You recognize some of these symbols. Though you don't understand them, you saw a few of these in the book that you found in the hut, as well as in the notes that you found in the house. Ha-ha. In Keziah Jenkins' house. So the sign.
Starting point is 00:53:31 It's the Rosita Stone. I've cracked the code. Who is Rosetta? It's the same from the book? From Kazai Jenkins, yeah. I thought it was, well, it's a code. It's in code, but... Do you think you learn something from them stones
Starting point is 00:53:49 if it's the same symbols? I'm already putting stones into my bag. And as you watch as Lethika puts stones into the bag, you also watch as the hand creeps out of the bag and starts pulling in, um, decaying pieces of animal, animal flesh and bone and adding them to the bag as well. That's a really, really wonderful image.
Starting point is 00:54:10 Two things. Two things. Do these... It's very hard to get out of upholstery. Do we see any... You probably would have mentioned it, but because of Dungeons and Dragons, I'm going to ask... And I probably would have forgotten it. Do we see any remnants of jars or fungal greenbiz? Okay.
Starting point is 00:54:26 If you're not. And do these animals look like the bones and corpses of animals could potentially have just been someone hunting and eating if it's a campfire. I would say yes, that is possible. Okay, so it wasn't, but it's something, does it look more like ritual sacrifice? It is hard, I would say it is hard to tell from the way that it is in disrepair, but it could go one of two ways. You do see that some of the bones have carved rungs into them,
Starting point is 00:54:52 but you don't know if that was after maybe eating and the bones were used in reverence after the consumption of the animal, or if they were slaughtered for the pure purpose of transatlantic. describing boats into them, it would be nearly impossible to learn that unless you have like a ranger or something. Given the fact that the trail of boot prints led here and then stopped and don't seem to continue, and I don't know if this is fair for Lethika, so let me know if this wouldn't, this wouldn't occur to her. But the D&D player that is Derek thinks that perhaps the spell was cast that, like, transported. It's possible.
Starting point is 00:55:33 The owner of these footprints to some other plane. There is, I would say, it definitely seems, roll an archa-check for me. Um, 10. You imagine that a spell definitely could have been cast here. It seems far enough outside of the city that spells would go and detect it out here. As you know, that that kind of thing would probably not fly so well inside the city of Cyril. But the way that the trees, bits of them are, bits of the branches are broken, maybe by animals passing through, maybe by travel in different directions from this place, there's no real way for you to determine whether you can't tell about the footprints just because of how overgrown the rest of the forest becomes or because a spell was cast. At second level, I would like to cast Solve Mystery.
Starting point is 00:56:24 Okay, here we go. Shut down something like this was gone. Wait, is that real? No. I don't know what Derek can do. He does these things. Okay, you have to understand. I'm playing with Derek as a mystic where he gave me like 10 pages of what a mystic could do.
Starting point is 00:56:43 He's like, can I play this character? I saw it was 10 pages, said, I don't want to read that, sure. And then paid for that choice for years. I can use my brain to resurrect people from the dead. She let me play the original unearthed Thircata Wizards of the Coast. Mystic, which is like 15, 20 pages. 10 is an underrepresentation.
Starting point is 00:57:06 How complex that fucking classic? I started to read it and I went, nah. So there'd be times during the campaign where I'd be like, I reverse time, and all of a sudden we go back in history. And you'd be like, I literally get out of times. I was like, you couldn't be lying to me about what you're doing. I'm just choosing to trust you.
Starting point is 00:57:24 You're thinking of the I spell idea. Oh, yes. That is exactly what that's there for. Thank you. I don't do anything else. I'll collect as many. You literally could have fooled me and I would have given you information. I'm so glad you didn't keep up.
Starting point is 00:57:38 Yeah, no, no, no, no, no. I won't do that again. Not trying to gaslight. I'm just going to collect as many marked items as I can to see if I can assemble them later. I would say you're easily able to collect a hefty amount. Do you think that it's worthwhile
Starting point is 00:57:52 to send Virgil to take a look? I mean, yeah. I mean, maybe she's flying around. You know, have him fly around and see what he sees. case scenario. He gets eaten. How do you name at the beast? I mean, he can get eaten. He'll just come back
Starting point is 00:58:06 tomorrow. I'm sorry. Oh, yeah. Or actually a couple of minutes, actually. Oh, gosh. Well, Virgil, and he'll probably become fond on perching on Yorgram's tombstone as we just
Starting point is 00:58:20 walk as a very convenient place. You see that Ania is petting him? And he seems to be accepting it. How many fingers do you have? I have all ten of my fingers. Okay, be careful around. He's a wily character.
Starting point is 00:58:36 No, he's not. He just sits here. I guess it's true. It's sometimes difficult. He is very soft. Well, not, he's really coarse personality-wise. He makes a good little clicking sound inside of his throat, and he keeps saying actual human words, which is really weird.
Starting point is 00:58:53 Oh, you hear him, too? What? I thought only I could hear him. Crows can mimic, just like Ravens can. Oh. I don't know if you knew that. No, I mean, I did, but I'm like, whoa, he just speaks to me normally, too. That is all the same. But all he's saying is bye.
Starting point is 00:59:08 Oh, goodbye. That's all that is. That's surprisingly ominous, but I suppose it fits your aesthetic, your genesis, Ciquot, Virgil. Why don't you, I know you're enjoying some scitchy, scratchy as it seems, but why don't you go take a look and fly out to that there go? I think last time we just focus on pigeons, now there's a giant goat, we think, in the woods, you've been here, you know what I know,
Starting point is 00:59:36 so I don't even know why I'm explaining. Could you go take a look at the goat, please? A real investigation. In my head canon, until and if we ever learn what Virgil sounds like, it's just him in a normal human voice being like, I don't know, Jericho. Fuck you. You were there when Virgil actually took place. Oh, did that happen?
Starting point is 00:59:54 Yeah, it's horrifying. You'll enjoy it at something. But does he sound like that when he's the bird? like to you? Well, you don't know that, but Mikey will, yeah, you don't know. Oh, okay, I don't know. I'm just curious.
Starting point is 01:00:05 Yeah, I would say that they're two voices. Um, so I will say, okay, Virgil, uh, you know, I'm just, and now just to make sure it will keep in yonnas, I'll make sure I, uh, see through your eyes. And my head flaps back and clanks, and they, they go with, uh, with a bright orange, uh, even more so, and, uh, Virgil will fly out into the woods. And I got A-15.
Starting point is 01:00:29 Okay. Virgil flies out into the woods, and you watch as the trees just rush past your vision, as Virgil soars over the canopy. And you get a much better view of what the forest looks like from here. And nowhere in it can you see the moving form of a black goat. And you had heard this gigantic creature encircling you over and over and over again. But there is nowhere. in this forest where any of the trees seem to have been stomped or battered by a beast of that
Starting point is 01:01:04 of that size. Everything seems to be quiet and as it should be. But you do see from here that it would take probably an hour and a half, maybe two of walking, but there is almost a straight shoot from this location to the mines. And that's the only thing of notice that you see. Aside from, say you also see this, in a significant an amount of trees. As you get further out, you see more and more pigeons perched in the trees. And they get, they are more and more thicker and thicker as it gets closer to the mines. I'll snap back up. And I'll blink a little bit, which is really the motives. I like just like doing the, just closing and opening. Well, there seems to be no goat anymore. Just, just, just no, no, no, no goat. And I saw it's not even like Virgil's line.
Starting point is 01:02:01 me. I saw with my, his own two weird crow eyes. We all saw it in the, we heard it and snapping branches and trees and like. Maybe it can go invisible, but I can tell you, I looked, I flew all over and we ain't too far from the mines. Maybe it's a trick in our heads and we're all experiencing the same trick. Do you see any evidence of a large monster in the forest, footprints? Did I see like broken? No, no, no, no, no, no, no, sir, you're a, you're just like a forest. Oh, but we are close, well, not close, we're on the direction off to the gold mine.
Starting point is 01:02:41 And it looks like this would, you could continue on this way and get to Ocasia Jenkins, which would track with what Ferrin found in her house. I feel like I've become a lot smarter. How, how? I think you might have as well. How far from the mines do you think we are? Well, it'll take us a bit of a journey. get there, we'd certainly miss
Starting point is 01:03:02 Sir Marco coming back, and I certainly don't want to approach the mine without first meeting with Sir Marco to see what he found. Damn, I was hoping we could cut him off and maybe meet him there before he gets back to town. You imagine at this time he's got to get back to town in about two
Starting point is 01:03:18 hours from now, two to three hours from now. You know that taking the long way around, it took almost five hours to get to the mine. So they would already be on there on the road home. presuming that they're not just dead. Waits to the brother, he's going to be fine.
Starting point is 01:03:37 Okay. Yeah, no, he did. I'm not particularly concerned about whatever the archbishop might have to say, and I really hate to go home empty-handed without finding the matron, but I'm sure what else we could do. I am quite concerned with what the archbishop has to say to see if he can justify what happened yesterday, and how he will explain this to the masses.
Starting point is 01:04:04 The moon is back. Their sacrifice was for nothing. We were not the only ones deceived, unless, of course, they are bad actors. Does this sort of thing happen in your world of religion? I'm sorry if that's offensive. I'm not sure what you mean. Well, just like all these folk are just like,
Starting point is 01:04:27 oh, yes, we'll do, you know, whatever. and we got to burn all these folk and then it's going to happen. And, you know, they seem to all whipped up. And I've been to religious villages. I've seen, you know, them folk in the river. That's just like what I saw back home. But Searroll itself is a whole, a whole different world to what I'm used to, but I'm small towns, I'm not a silly slicker.
Starting point is 01:04:49 I think I understand. It is not a unique feature of my worship or my dogma that people of faith, who have faith, can be convinced to do nearly anything, can be convinced to take great leaps and justify things they might not otherwise do without their beliefs. Is that what you mean?
Starting point is 01:05:15 I suppose so. I just, I say, never seen or heard of no city like this place. And I just don't know what to do. It's at this time that you hear the clanging of the church bells, as it seems that the city of Cyril, the sound of the church bells are echoing out over the land around them. So the city of Cyril prepares
Starting point is 01:05:34 for the archbishop's announcement. We should make our way back. There is nothing more for us here. It's far with me. Agreed. All right. Maybe when we get back, we should lay a little bit low
Starting point is 01:05:46 if we can, listen from a distance, just in case. And no reason we need to get a front row seat this time. Don't need no splash zone, Briggsie. Well, I mean, they had popcorn. What am I gonna say? No? They did not have popcorn.
Starting point is 01:06:01 Popcorn was quite good. I'm pretty sure that's popcorn. I mean, it was after the burnings, everyone held up his thing. Oh. The old jic-op. Yeah, they're just jiffy pop men. Some drunk left there jiff and pop on fire in the orphanage, and that's really what happened. Trips and spills corn currant. Oh, this is awkward.
Starting point is 01:06:22 Fun, since it's here. I mean, where are you on? Yeah, I would say let's make our way back with haste. You make your way back with haste to the outskirts of Cyril. And you are able to see that these streets are busy. All the lanterns are burnt illuminating the early morning here in Cyril. About what time is it? It is about an hour from early dusk.
Starting point is 01:06:52 Okay Which I would say in like human time It's probably around 5 a.m. Oh Yeah, yeah, yeah, yeah, okay I forgot about early dusk be an extra long And you are able to make your way into the streets And you do begin to see that
Starting point is 01:07:14 Some of the The people in Cyril are looking at you Not with fear not with distrust or loathing, but almost with questions. They look at you almost pleadingly, but nobody makes move to accost you. Nobody begs you to tell them what's going on, but you can kind of feel it, that everyone is a little confused as to how the heroes of Cyril still here, having killed Mother Midnight, how this could have happened. And you see that they're all making their way toward the center of town where once again, a very similar scene is set up like you had seen at the burning.
Starting point is 01:08:01 But this time there are no pyres in the center. It's just the large seats for the archbishop and his clergymen. And everyone is piled around them. And you wait. It takes maybe 15 more minutes of the bell's claim to a point that it's almost causing a headache, how much these bells will not stop clanging. And then the silence, as you hear the door to the church slowly open. Is the inquisitor on the stage? I will say that you can see the Inquisitor. She is standing there off to the side. The stage area is really the top of the steps
Starting point is 01:08:46 before they, at the church before they come down to the fountain. And it is flamethrie. by Knights Templar and she's standing at the head there of them. Briggsie. Yeah. In light of what we witnessed earlier today and what may happen now, I feel it's worth imparting one more tenant upon you. All right. Just remember to watch he sunrise for each day is a gift.
Starting point is 01:09:15 You never know when it may be your last. Well, I mean, between me and you, We've got a lot of them. So I'm not sure how it doesn't quite hit home. I think the same way it would for maybe the rest of them, or at least these folks here.
Starting point is 01:09:34 Just don't get too comfortable. All right, I'll keep it in mind. With that, the doors to the cathedral open, and you watch as Archbishop Alexander, or Danton Alexander Renault, makes his way out of the church flanked by his clergyman as he stands in front of his large seat of power, the clergymen to the
Starting point is 01:10:04 side of him all take their seats next to him as he raises his arms to the city of Cyril and he begins to speak. Surilians, now is not a time for fear. The Fultus is still with us. It is clear. that Mother Midnight has not been apprehended. My worst fear has come to task. It is clear she hides among you. It is clear that she guises herself as one of those you love. She may be standing next to you now. We must root her out.
Starting point is 01:10:59 It is my fear that someone you love may have lost their life, so she could wash her. walk in their footsteps. She is that evil. She is that powerful. If you notice anything suspicious, anything at all, you will bring it to me. If you find a witch ball, and you see as he raises his hand and inquisitor Mayville walks over with a bag and she opens it to reveal a witch ball. the entire city gasps and reels back in horror as she quickly closes it back up into the bag and puts it to her side. If you find remnants of this, regardless of who has it in their possession, know that your friends, your family may not be trustworthy. Bring that information to me and Fultus will light your path.
Starting point is 01:12:00 Keep your eyes open, my dear Cyrillians. It is only through a unified force that we will be able to hunt down the wickedness that lurks among us. In seven days hence, we will have a funeral for those that have lost their lives this evening. May Fultus guide you on this path. It will be hard. It will be paid. It will be peop. painful, but we will find the witch. He lowers his hands and there's silence for but a moment. And then you see everyone begin to look from side to side, looking at their mother, their sister, their father, their friends, with a little bit of suspicion and hesitation.
Starting point is 01:12:56 As he slowly begins to move, the door, the Knights Templar open the doors of the church and allow him entrance. He walks into the inside and they slam behind him. And as he leaves, the city begins to get louder and louder. You can hear a couple of fights break out, but then you see where people kind of reel back. They want to accuse someone, but less they also be accused themselves.
Starting point is 01:13:22 And people begin to skitter around, not sure how to act or how to interact with each other before you finally see people begin to make their way back toward their houses. And as they pass you, most of them look at you with just a bit of distrust. Is that true? Could she be right over there? I always point to some random peasant.
Starting point is 01:13:50 Do not buy into the narrative that he has just spun, Jericho. Well, I mean, can hags, witches, can they like skin change? It is entirely possible. Skin walkers and shape shift. Yes, I'm sure that they are capable of many magics. This is not the point. The point is, if he is not intentionally trying to rip this city apart, he is doing a terrible job keeping it together, to make suspicion a sign of unity. In the way that he just spoke, I deeply suspect that he is not a good man.
Starting point is 01:14:35 Nothing is right. City may become a bloodbath very quickly. For all we know, he could be a witch. We're in some other person's skin. We don't know. And all these people, they're just going to listen to him again till everyone ends up dead. There's going to be no one left in this town.
Starting point is 01:14:53 Like the real large bishop got Edda by a witch and then she's wearing his skin? Oh, I don't know. Oh, gosh. Well, then, look, who the fuck did he burn then? Who was Keziah Jenkins? It's probably just some poor woman. Trying to figure out why her town's sick.
Starting point is 01:15:12 She was... like angry and exploded in the lilac fire i mean that looked pretty evil to me the connection between the color of the fire and what we thought the orphanage is also suspect i think the pieces are started to come together well maybe if we learn if we learn anything from that journal if we're able to deduce what it says maybe we'll learn because now that we know that the campfire that matron McDuff was heading towards was towards either the mine or Keziah Jenkins' hut. Maybe they were talking together. And then if they were talking together, does that mean that she was guilty anyway?
Starting point is 01:15:55 I certainly think she was pawn. I'd bet money on it. I'm certainly not a gambling man. But she certainly was not Mother Midnight. She may have been charmed. She may have been driven mad. She may have been a pawn. upon a small player actively trying to be something more but manipulated into her final condition.
Starting point is 01:16:27 I just know one thing for true. Whatever the High Inquisitor did to suss out that she was Mother Midnight and she was so confident we cannot trust that process again and we may not be able to trust her either. Unless maybe she did get a confession, and the whole plan was for her to be like, oh, Mother Midnight, please burn me. But that was the plan. Maybe she wanted to die, because...
Starting point is 01:16:58 Wait, at the end of my dream, I heard some horrible, haggied-sounding voice say, my sacrifice. Yes. Maybe because I Jenkins was a sacrifice. Our dream. Our dream, exactly right. When I heard those words the first time,
Starting point is 01:17:17 I thought that it was speaking of me, that I was the sacrifice and that it was trying to claim ownership over me. But I see your point. That is an interesting perspective. Well done. Anyways, I mean, I think we got to wait for Captain Marco to get back. Maybe it's all sacrifice. All of it. Oh, like all of the 20 people that got.
Starting point is 01:17:44 My best gals, they were, I mean, they wasn't really. good at shape shift in and are doing too much and that's why they wanted Virgil there and that's why I had to that's why they created me was to get all them people back into the woods and all of them was sacrificed and there's power in that that's why he's here that's why it's inside of me and I think that they didn't read the fine print on whatever spill they was doing because it needed them to Virgil ate every single one. a good deception. If that were true, it is quite ingenious. And another terrifying thought just occurred to me. What is it? And I'm blanking on the names. Just one moment. It's okay.
Starting point is 01:18:37 I'll probably blank on them too. Are Philip and Adela not coming to the city because Mother Midnight's dead? You don't know? Didn't we talk to the archbishop about... Yeah, and he said that in morning he imagined that they would come saying that the hag moon had disappeared but clearly send for us or whatever right and he had asked but clearly the hag moon's back so whether they'll show up it's it hasn't been the morning yet okay i mean you guys woke up at probably three a m when all of this happened and technically shouldn't have gotten a long rest but i gave it anyway good to the horrible dreams you know and all that helpful stuff i got to do some nice things for you in a land of wickedness Briggs you make some point
Starting point is 01:19:19 We need to meet with the captain Yes I don't think we should wait We should go meet him out on the road In case we have to go out to the mines Also Reg a second question If 20 people
Starting point is 01:19:31 Was a sacrifice What does that make the orphanage That's what I'm worried about We saw what happened in the crooked house How she favored kids It's a whole lot of San advice I mean what
Starting point is 01:19:47 Two, three hundred, at least. What could hundreds of souls power? What dark ritual? And if there was hundreds of souls, and it was because of that that very pleasant voice lady in that amber tomb, the pillar of amber,
Starting point is 01:20:10 what ensorcelled Sir Marius. And I saw amber light in my dream. Our dream. Oh, Ardrine. No, I and deemed. there's no antine. What if that amber still? There's got to be a connection.
Starting point is 01:20:28 And the goat, the goat in the, in the attic. Let us find a more private place to have this conversation. Oh, I'm sorry. Oh, excuse me. And as you look around, you see that some of the Knights Templar are off towards the side of the town square, are erecting what appears to be a permanent gallows. Oh, God. How far are we from where we just witness the Archbishop's speech to our temporary lodging?
Starting point is 01:21:00 It's very close. The Archbishop, he keeps his sister house very close, so it's just a couple of streets over. How big is this town? Like, how many, like, residences would you say are here? It's, like, a city, so probably thousands. And how many chicken and cows, specifically down to the house? Okay. Well, let me look at my Google Doc.
Starting point is 01:21:21 Well, they're dark chickens and dark houses at Dark Domains. Yes. There are exactly 7,642 dark chickens. Not nearly enough chickens from the town this size. I know. They're just deep shit. And that is part of the reason that they are so starved. Oh, fuck.
Starting point is 01:21:40 Wow. Filming they have more chickens. Not enough chicken. We've got to get out of here. They're going to tear this place apart. Is it back? It is. Jesus.
Starting point is 01:21:51 Oh, yeah, there it is. It's right in front of Kelsey. Why does that one exist for so long? I live forever! I feel like you're down at one. I haven't noticed them at all. It's just this side because we stink. That's true.
Starting point is 01:22:06 I would like to I would like to I would like to I cast a nap. on this party when we sat down at the table. I want to look up at Anya. You can do that. I want to say,
Starting point is 01:22:28 well, Anya, you've been very good on this adventure. Now you're actually a genuine adventure just like us. And now you're really one of the party. Now there's seven of us. And I'm proud of you for that, but I really am trying to get information. Was there anything? Was there anything that,
Starting point is 01:22:46 I know you were, you were, were genuinely spooked and scared by the matron. But is there any, was she meeting with other folk, any other ladies, perhaps one named Kaziah Jenkins? Do you ever see any gross centipedes? I don't know. I don't think I ever met Kazaya Jenkins, but she did sometimes spend time with her friend. Who's her friend?
Starting point is 01:23:10 Sepharine Mirabelle. Now hold on just one minute. Like, like, how, are we talking like acquaintances or like... No, I think they're really close. They've been friends for as long as I've been at the orphanage. She would like to drop, she'd drop off baskets of, like, the only time I ever had a real cookie was when she brought cookies. Because really, you know, because she's the Archbishop sister,
Starting point is 01:23:41 she gets, like, more betterest ingredients than most people in this town, so she could actually make cookies and cakes and stuff, and so she'd bring little baskets. And then for dinner, we would have dessert, like, maybe once a month or something. It was really cool. Jacks. I don't know what that means. Or bacon. No. That's not dessert. It's not sweet. Unless you've had dessert doesn't have to be sweet. It just has to be delicious. Oh gosh, I didn't know that. I'm learning something new every day. There's also candy. That's how I meant Colette and we became friends because she would bring Colette to come play with us.
Starting point is 01:24:20 Well, Colette's fine. I think she was very ill. That's what she was sick, but she was going to get better because we killed the Which. So that is a very interesting development, given the JAR situation. I'm starting to gesture and walk towards where we need to meet Sir Marco as we... Oh, yeah. When was actually the last time we saw the earbells? Now I'm struggling to remember the timeline here, mixing things up in my brain. You, yeah.
Starting point is 01:24:50 Fascinate. But we didn't see them. We saw their silhouette. We saw those women running of the house. That's what I'm saying. No, because somebody went outside. I think it was actually Kelsey went outside to check the windows for my room. Did I? And she looked into the window and she saw that She saw the frame like a thousand seven feet like in a close like rocking up.
Starting point is 01:25:12 This way and that and that Zephyrene was cradling a colette in her arms and rocking her back and forth because she was very clearly ill. But they were gone from the house when you woke up. I guess yeah because my question was like the timeline and I apologize. has been a while. I'm trying to think of the timeline from when we put the witch ball, they thanked it, right? We wake up the next morning they're gone. Yes. So that was the night previous. Then we had dinner with them? No. So we haven't actually seen them, seen them. You have not seen them since the witch ball. Since the witch ball. So Lethika, I believe, is the one that placed the witch ball.
Starting point is 01:25:49 When you woke up in the morning, they were gone. You found it from the archbishop that he knew what was going on, that his sister, because you found at dinner, you talked to him about it. That night you had dinner with him. That was the night before the burning, or the night of the burning before the burning. You had dinner with him. He explained that because you'd killed Motherman Night, he wasn't worried about it,
Starting point is 01:26:11 and that Colette would be fine as long as the witch were killed. And then when you got home after all of your, you know, crazy stuff at the inn, the tavern fighting, old Billy Brun. Classic Friday. Friday night at the end. Yep, Friday night at the end. You found Anya and you brought her back with you.
Starting point is 01:26:33 They had left out some dessert-style stuff for you guys to eat if you wanted it, but they were already up in the room trying to take care of Colette. So we have not spoken to them since the Witchball. No, you have not. Correct. That's what I wanted to get to the bottom of. I appreciate your help and time. That's probably time.
Starting point is 01:26:50 It has also been two weeks. I think it's helpful to kind of put those things together, so happy to do it. podcast is brought to you by our Patreon. Become a patron today at patreon.com slash legends of Aventris and gain access to tons of exclusive perks, including a monthly movie night and a weekly Patreon exclusive campaign set on the high seas, shroud over saltmarsh. You can also go to The Crooked Moon.com to pick up your own copy of our first published supplement, The Crooked Moon, a folk horror tome for Dungeons and Dragons fifth edition.
Starting point is 01:27:22 And don't forget to snag all of the extra goodies like dice, miniatures, plushies, a tarot deck, more. Thank you. You see that people, there is a very heavy air of suspicion and that people who were very close to each other no longer appear to be as close as they had been before. And you notice that the Knights Templar are dragging those that have had too much to drink off of the street and towards the location of the jail. As they erect the, what appears to be a permanent gallows with six different slots for nooses. Well, I need you take it easy.
Starting point is 01:28:19 So are they going to start hanging people now? Is it the implication of this? Looks to be that way, yeah. I'm worried that when these people turn up each other, it's going to be vicious. There's not going to be anything that we can do have stopped. I wish we could just tell them to, I don't know, open their eyes.
Starting point is 01:28:40 I mean, doesn't it seem suspicious? to them at all that the only person he didn't implicate is himself? When you are this deep into, uh, for lack of a better term, a cult, you go on blind faith. These are exactly the steps that one might take to sow discord in a community. Maybe it's just what the witches want? Maybe we just don't have to worry about these folk. We just gotta find the witches and kill them. We do need to stay focused on our purpose here. I agree, Jericho.
Starting point is 01:29:19 Let us... See if Sir Marco returns. Are you going to still stick with this, little one? Yeah, there's really no place I should go right now because, you know, there's a bounty out on my head. No, we presume if a bounty. Maybe there's a bounty. Suspect.
Starting point is 01:29:40 From the governor of which. There is no bounty, please. Well, I don't know. I heard it once, so it must be true. We aren't going to let anything happen to you. I know. That's why I'm saying I totally have to stay with you because otherwise I will die.
Starting point is 01:29:57 Yes, stay with us, little one. I think, in fact, maybe you should be protecting us, as you're so hearty and all. Oh. Well, you know, oh. That is not you were doing. Yes. Yes.
Starting point is 01:30:12 That is true. I'm really hearty, but I don't have magic powers like you do. Perhaps you do when you do not know about it yet. How do I find out? You will find out in the moment, let's say. You tested in battle. Are one of you going to fight me to bring my powers out? Yeah, you'll bring my thinking, don't you.
Starting point is 01:30:36 But what happens if I don't have any powers and I'll lose? Well, then you can try this, and I'll kind of fish around on my pack and take out a little, just a tiny little, like a pairing knife, basically, and flip it around, so I'm holding the blade and hand it to her. She sees really cool. And that's very sharp. But I had one since I was younger than you are. You need one. So I just like put it in mean people?
Starting point is 01:31:07 Only ones that you want to hurt. The point of work. Okay. Also scary monsters. And if that doesn't work, you can use this too. On either like an overly large channel? She falls off the truth. I don't know.
Starting point is 01:31:23 Extremely, you know. It's a javelin. This is like really cool. I have a little blade and whatever this is. Yorraima, I don't mean to judge or step out of line here and she can barely wield a javelin.
Starting point is 01:31:40 She's currently dual wielding weapons. It's four times the leg. That's very cool. I agree. Yeah, that's very cool. And if you need something else, I hand her my chakra. I can't only have two hands and ten fingers.
Starting point is 01:31:55 I'd give you my sickle, but there's only one and I'd like it. I do have one question though. How am I supposed to hold onto your shoulders when you're walking, when I'm carrying whatever this is, and this little blade? Why don't you just tuck it back behind my... Careful, careful. Oh, no. Oh, it's just hurt.
Starting point is 01:32:21 Oh, just hurt for the you. We extremely careful. It's just I'm not to say how well. And you know what? I'm gonna do it at disadvantage because she's seven.
Starting point is 01:32:32 You know what? I know why she rolled a 15 and a 19. Oh, you know. So she takes this. A true warrior spirit you have in your eyes. And she does go pointy and down. And you feel the blade kind of nestle between your butt cheeks a little bit
Starting point is 01:32:49 as she pushes it down. pushes it down. Oh, yes. I couldn't quite scratch. Oh, no. No, it's just divit blade. Does you take into account her minus seven and strength? Actually, that's fair.
Starting point is 01:33:03 You feel like your butt cheek is slightly sliced a little bit and you might need to stitch it up. I hope this doesn't awaken something like a butt slasher. Remember the Virginia butt slungers? Yeah. What? The person at the mall who was like, it was, it was, it was, it was, it was, you know, it was, it was, I used to work at this mall, and they had a blade, and when people would walk by, they would slice their butt with a knife.
Starting point is 01:33:28 It was the Virginia butt slasher. A box cutter. They were mostly targeting women, and, like, a lot of times they didn't even know that it happened. Because, like, you know, they'd be wearing, like, jeans and they'd go through two layers of pockets. And, like, I don't know if they ever called the person. They did. They did. Virginia's third most disturbing story about people who do weird shit.
Starting point is 01:33:48 With that, it would be right? Top ten. I was going to say I'm shocked at you. If you think we're getting, we'll get up. Yeah, the butt slasher. Virginia butt slasher. Well, now that you're very heavily armed for a child, let's continue and meet Sir Marco.
Starting point is 01:34:02 That little boy. This is the regular javelin, right? She's not gonna light. Lightening. I'll tie on like whatever little, you know, this is just like the knife I had for eating, so I'll tie on the little holder to her belt so she can not.
Starting point is 01:34:18 I have a little bird. And you keep it in there so you don't. Don't stab yourself or part yard or misery. Okay, and she puts it in Handelside first. Almost, and I'll flip it. Okay, sorry. I'll learn, I'll get used to it, but I'm only seven, so. Immediately, plenty of time.
Starting point is 01:34:38 Yep. I think we should probably, I mean, at least wait outside the gates first, Sir Marco. Oh. As Fair and suggested, maybe intercept him before. Ooh, that's great. Has any influence from anybody? Any kind of spells or anything?
Starting point is 01:34:52 Agreed. You think someone's going to do something bad to him when he gets back? I don't know. I mean, we just sort of turned over. You know what? You don't need to know at all that. Let's fucking go.
Starting point is 01:35:03 Let's go. Let's shit and go. Shitting go. Does the sun come up in the morning? No. I start walking towards the Northwest G. You make your way through town. And you get some looks here and there,
Starting point is 01:35:22 but nobody, seems to stop you. And you start to realize that what people find to be the strangest thing about you isn't you, but the fact that there is a small child riding upon your grim shoulders. And you do see that people seem to take notice and they begin to whisper about it to each other. And occasionally you see someone dart off around a corner as if going to alert, maybe a guard, maybe the archbishop. But there is something about you having Anya on your shoulders that distresses them. Get that fuck out of the city.
Starting point is 01:35:54 However, you are, you are, every single one of them in a single fight. Okay. Oh, have you eaten some humble variety back in a tight alley? One at a time.
Starting point is 01:36:09 Yep, just couldn't take one drunk of more. Yeah, you had to cheat, you had to cheat, you had to twist a dread, I had them on the ropes, all right? He was not in the combat. I know. I flew to the sun and the sun sent demon hawks out.
Starting point is 01:36:27 I mean, cheated. All right. That was the damn son. That's right. You'll get another try. Yeah, cheating's bullshit. That's what I learned from that. Yeah, I don't know a jeep. Not me, I wouldn't have a jeep. Yeah, I wouldn't have a jeep.
Starting point is 01:36:44 You are able to make your way towards the gates of the city on unobstructed. and you, this is a gate that you haven't, you haven't been to before. And it is along the northwestern side. And it does actually seem to be closer to the mines than the one that you have left from. But this one is much smaller. You see that there's a stable off to the side where you see a lot of very large horses, which appear to be the horses used for the Knights Templar. And you imagine this is a gate solely for the knights themselves.
Starting point is 01:37:18 Up on the top, should you see that there are two? towers where there appeared to be armed lookouts and a large bell. And they notice you, they called down at you and it seems as if maybe before Marco had left that he had informed them that you were to meet him here because they do not seem bothered by your presence at all as you begin to wait. 15 minutes pass, 20 minutes pass, and then the bells begin to ring. You hear one of the guards at the top. Um, nights abound, open the gates, and the gates begin to rise. And are you going to go meet them on the street?
Starting point is 01:38:04 Yeah, I just walk out under the gate and kind of like basically stand in the road so that they will not ride past us. Is it a lot? Like, can we get like a view down the nose? Like a pretty long stress. So as you walk down, as you walk out, you see that it is a little bit of a winding road. And at first, you don't see. You don't see what these guards up top are seeing, but eventually, as you always say, you make maybe about a hundred feet or so from the gate out onto the road, you still hear the clang behind you. The knights are shouting that Captain Marco is returning, and you eventually see the horses around the bend.
Starting point is 01:38:44 And there appear to be about two dozen horses that are coming around the bends, how many knights that they had sent out. and you then begin to notice that they do appear to be riderless as all of the horses begin to rush towards the gate significantly faster than you had expected. Nikki. All of them in unison together, but none of them with a single rider atop them. And the guards, you see that they do notice this right around the time that you do
Starting point is 01:39:16 as they begin to panic and shout. And you hear someone call out Colver Inquisar Mayville, get Mayville here immediately! The guards, the knights are missing, the captains missing! And as the horses get closer to you, they slowly begin to calm down as they slowly begin to walk. And you see that around their necks, every single one of them is wearing a pendant to the god fultus. Does that seem unusual? Yeah.
Starting point is 01:39:46 Is that expected? You hadn't seen the horses before, but they appear to be completely dressed the way you would expect they have their bardings on them they've got their saddles on them they're completely dressed as if they were going out for whatever business that they had but every single one of them is riderless none of them seem to be hurt no one look like they have any kind of like wounds or scratches or anything they do they do look spooked and as they get closer to you you do see that there is hesitation to them but they they seem to know this place they seem to know how to get back here and unless you do anything, they will make their way into the city and towards the
Starting point is 01:40:26 stables. I'm not good on the left. I'd step out of the room. Yeah, me too. They um, they pot the ground at you for but a moment and they, um, they snort and then acknowledging you, and they make their way. Thank you, Rich. They make their way. It's like we're there. Behind you and into the city and toward the stables and you see a night's temper. are from all over the area, begin to collapse on them, inspecting them looking for anything as you hear the loud thuds of High Inquisitor Mayville's boots on the stone. Well, that was quick.
Starting point is 01:41:06 Yeah. As she begins to make her way up, she notices you for a second that you are outside of the gates and she turns and begins to have a hushed conversation with two of the guards, the two that had been up at the top and had made the announcement. and you see that in the corner of your eye you can see that she occasionally looks towards you looking you all up and down but she continues to have her conversation in private
Starting point is 01:41:28 often we should make ourselves privy that conversation is happening on there she's got her eye on us but I agree perhaps we just walk up and say hello fair enough and you'll see me flash into like a blink of the online dimension door up to where she is hello Misty step up to where she is
Starting point is 01:41:51 well hello miss lady Hello? Let us go catch up with Rickney. Oh, so you just rush up and do this first. Presumably, if she's like 30 feet away. So she's about a hundred feet
Starting point is 01:42:05 from you. Okay. So the way I would look at it is you've got the opening of the gate that they'd opened. You went about 100 feet out. The two guards came down from the top inside the city and they're standing there right in the entrance of the gates with Inquisitor Mayville.
Starting point is 01:42:22 All the horses are now over by the, by the staples. I'm not trying to like interrupt their conversation, but it'd be probably obvious that I would just appear there, but I wanna get to a point where I can at least try to hear what she say, what they're saying. Okay. Roll a, roll a perception checks.
Starting point is 01:42:41 Hey, in space, voodoo teleport. That's a 26. And well, I guess a slight of, are you trying to, are you trying to hear before she notices you? I mean, it's gonna be crazy obvious. I'm gonna bend down and pretend to like tie your boots or something. So there are two essentially like towers on either side of the doorway with spiral stairs that go up to the parapet at the top.
Starting point is 01:43:09 And that's how the knights came down to meet her. So you could technically like dimension door inside of the stairwell and try and hide in there and listen. And you would be close enough to hear. I'm not trying to necessarily, well, here's the thing. I mean, Misty Step, I think, is not quite as versatile as dimension to her. But what I would like to do is basically just so that she can't, like, I want to get to a point where I'm just, I, I, I, I, shloop up to the, to the top of the wall or wherever she is.
Starting point is 01:43:39 She's down on the ground. Or, sloop to wherever she is. And just be in your shot. Okay. So that she can't plot with whatever kind of guy that she's talking to. Just in case she's like, hey, you got to kill those six guys. over there, you know what I mean? You know, Briggs is a little paranoid.
Starting point is 01:43:56 So you immediately, you watch, Griggs, immediately shoots forward a significant distance wrapped up in his strange voodoo magics that you're all slowly becoming familiar with. And you immediately hear the words from Inquisitor Mayville. Well, thank you, James. That was very important for you to tell me this. And he sent them off last night after the burning or before.
Starting point is 01:44:20 and you can't quite hear the voice of the guard because he has his helmet on and so it's very mumbled but you can clearly hear her responses and she does not seem to be she does not seem to be deterred that you're there so she's not doing any evil plotting or murderous no she is not as she says to him
Starting point is 01:44:43 I'm very glad that you've told me that is important we will have to send someone out to see if we can find them to rescue them from whatever has performed them at the minds, but you will leave that up to me. You do not need to report this to the Archbishop. Do not tell anyone in the city
Starting point is 01:45:02 about what has happened here. The city is already up in arms and we do not need any more panic at this moment. Do you understand me? And you see that he nods. I won't. I think you could crush my head even in this helmet between your thighs. Thank you dear. That's exactly what he says,
Starting point is 01:45:18 except he doesn't. But he does seem to nod. It is, I need you to understand how dire this situation is. And if I find that even a whisper of this has left this gate, all responsibility for what happens will fall on your shoulders, and I, myself, will enact your punishment. Do you understand me?
Starting point is 01:45:42 And you see that he nods? Now, back to your post. I have business to attend to, and she turned. and looks directly at you. And she motions, follow me. And have your friends join you, Briggsie. Well, they're like right there. I'm there, just at 30 feet.
Starting point is 01:46:03 It's like 706 seconds. And she will motion towards you, and she will actually have you follow her up, the winding circular staircase in this tower onto the parapet, and lead you down across one, of the walls to a point where you have relative privacy. So I'm assuming that you have heard that we have nights missing in the city.
Starting point is 01:46:34 Right, and I overheard you that you were saying that you would like to go rescue said nights. And I would like to volunteer our services to be the ones who's what rescues them. Well, this conversation is going far more. far more to my liking than I expected I was going to ask you to do as such. But in doing so, I have a favour to ask.
Starting point is 01:47:02 I would like you to keep this mission from the Archbishop. To not tell him that I've sent you to the minds. And do not tell anyone, and I mean anyone, what you have seen here, or what is going on. Do you understand? I understand. And are we in agreement?
Starting point is 01:47:25 Well, hold on. Before you agreed anything. Before we agree to anything. What's the reward? There is no pain. But are you, even for our silence? I mean, doing a thing, look, I cut off it and I get down. To not tell the Archbishop, I mean, that's value, believe you.
Starting point is 01:47:51 That carries some monetary value, in more opinion, you know what I'm saying? You have a target on your head. What you mean? You claimed to have brought the head witch, Mother Midnight, back to this town. You burned 21 civilians. That's not true at all. You verified. Archbishop did all that.
Starting point is 01:48:16 And you think that if myself or the Archbishop were to tell the citizens of Cyril that you were the ones that had it enacted that they would not turn on you? What made you so confident that she was Mother Midnight, just us bringing her to you? No, she confessed to me. Exactly right. What was the nature of this confession? What was the conversation like? How were you so confident to burn someone?
Starting point is 01:48:45 It does not take confidence to burn someone. It takes doubt. My doubt that she was a good woman and her confession that my doubt, that my doubt, were well placed. Now I do still believe this woman was a witch and I believe she was working for Mother Midnight. What her plan is, I do not know, but it is irrelevant as to what we're dealing with now. The point I'm trying to make is you are not Surreliam. You do not belong here. And if the city were to turn on you, there is not much I could do to stop it, especially if the archbishop wills it, if Fultus tells him that you are not what you seem.
Starting point is 01:49:34 Now, if you are, then Fultus would have no reason to condemn you, as it were. But more good deeds would put you highly in the favour of the citizens of Cyril, and if they were to find out that their beloved Knights Templar, especially, the captain who I know you've met. Many of those living in the city are very fond of him. If they were to find out that he had gone missing, something horrible had befallen him. I can only imagine in the aftermath of the burning of the orphanage what kind of horror they would feel in their hearts, lest you be in the middle of it. No, we should make sure you are on the right side.
Starting point is 01:50:23 The side of victory. So, what is your payment? My protection. That is your payment. We appreciate what you're saying. I put my hand on Bracey's shoulder and I say, My good friend here, momentarily forgot to Tenant Two, which is always aid, even in cases of blackmail. And we appreciate what you're saying. You know, Briggs, if you would like to have coin, you may have it. And she reaches into her pocket or into her pouch. She pulls out a copper piece and she flips it into the air and it lands on the ground in front of her. She takes her metal boot and she stomps it into the dirt and kicks it towards you.
Starting point is 01:51:05 There's your coin. Oh, you, oh, you. It's never me. I'm all right. Thanks. I'm totally going to pick that up in a minute, right? I'm not going to bet now by Lisa Silver piece. Well, then we should be...
Starting point is 01:51:30 Wait, one more thing before we go. She looks at you, Marius, and she's making direct eye contact with you, which she hasn't really done with the rest of you. She almost looks above you as if looking down at you. And as you speak, she turns towards you and you see a look of irritation on her face. Yes, Farron, what is it? Forgive me, but I can't help but feel you have a bit of... doubt in your heart about the Archbishop, and that's why you don't want us to tell him.
Starting point is 01:52:05 I do not want you to tell him for fear that it will cause mass hysteria in a town already wrecked by pain. That he will cause mass hysteria. He is a lawful man. I believe he would feel the need to alert the city to the missing Knights Templar. and I personally to not feel that that is the right course of action. He will be told in due time should the knights not return,
Starting point is 01:52:35 should you fail in your mission. Are you not yourself a lawful woman? You're the high inquisitor of this town. Yes, I am. Just seem to have a better head on your shoulders. You see a slight smirk grace her face for just a second. There is a lot that needs to be handled in the city
Starting point is 01:52:56 and it is delicate. I'm a woman with strong but delicate hands. I will handle it. I need for you to venture out to the mines and quickly. For time is our enemy here. The longer we wait, the less likely they will return safely. I need you to promise me that I have your confidence and you will have my protection.
Starting point is 01:53:24 Are we agreed? Understood. Understood. Anything you say? Yeah, my. Yeah. Man, man.
Starting point is 01:53:33 Now. My tongue. Revelled. My chum. Each guy gets to cover. He gets a car from his hair and just knock my chung out of my side and put it back over my ribs. I hope that guy got a rapist. I thought that guy got a razor.
Starting point is 01:53:51 I designed that chung. And she looks towards you and she says, says, I do not think it would be wise for you to leave immediately. There has been too much commotion at the gates. People will be watching. Within the hour, the top of the hour, you should make your way. I believe you have been snooping about. You know that there are entrances to the forests in other parts of this city.
Starting point is 01:54:24 Use the one you know, yes? Understood. can make sure you are not seen. Do we have an agreement? I need the agreement from all of you. I would... I would save Captain Erbster Marco for nothing, nothing at all. And it seems that's what we're getting.
Starting point is 01:54:52 That's how it sounds good to me. Really works out. Agreed. Help me to understand. Should we go and find 20 bodies and we return? happens then? You are on a mission for me. You would have my protection in so much as I can give it to you. But I am not infallible, and I am not a messenger of gold. But I will make the necessary arrangements while you are gone to make sure that however you should return, we have a proper
Starting point is 01:55:32 course of action. When you return, I would ask that you use this gate and not the front. The guards, on duty until then, you'll be expecting your return one way or another. Does that suffice? We are in agreement. Yes, like, I'm totally in agreement, too. I've even got a little knife! And you see, as Mayville looks up,
Starting point is 01:56:05 it would make the most sense, I believe, for me to take the child. I can't send you off into the woods. to the mine with a child on your back. She would be but a hindrance, don't you think? No, I think that we'll talk to the Mirabels, and I think that they would be more than pleased to take in little ones, what has lost everything. She's friends with Collette.
Starting point is 01:56:33 Cosette. Collette. Yeah, Collette. She's friends with it. I was going to be. You're talking okay. You'll get it. Yeah, you're brim-up.
Starting point is 01:56:45 You got the name wrong. Shit! You see what you've gone. It's fine, Briggsby. It's going to be a friend. What? He just called me? Come brigsie.
Starting point is 01:56:57 We'd be happy to stay with them, wouldn't you? I'd give her like a shrug, like, yo. Yeah, like I would totally like to stay with my friend, you know, because she's my friend. But can I still bring the little knife? Oh, yeah. I mean, that's fun. As long as long as you. you do what the member girls tell you to do.
Starting point is 01:57:20 Just not the javelin, I'm sorry. By Yorkie, though. Certainly, she has to protect herself. She has the dagger. She'll be all right. But the gibblin, the gibblin is much like, it's much more vigorous, you know, for like big people. Yes, and we will provide you with ample javelin training
Starting point is 01:57:42 when we return. But you already saw I put it into Yorkerum's back pouches. back pouch real quickly the jibble in. Dury to quick and may actually be lodged there. I could rip it out. Watch. Well, she doesn't realize
Starting point is 01:57:57 that it's barbed and it tears in time. She grabs it and she immediately attempts to rip but part of the edge of it does get caught in your flesh as it rips through your right ass cheek
Starting point is 01:58:15 real deep and it gets lodged there and she's yanking and yanking and yanking. Like a fish hook. And she cannot get it out. I will get the death. I am very hard to be. Ugh. Flusher?
Starting point is 01:58:28 Oh, you have two but holes. Ew. She's not the butt slasher. She's the butt slasher! Oh my God. Zad called it! Is that like 37 points of damage? I feel say, how much damage does a javelin do?
Starting point is 01:58:47 $4,6402. Sorry, you're going to go whatever it takes to pay off Derek's medical bills. I'm just here to make the butt slashing sound. It does four points of butt slashing damage. I'm resistant.
Starting point is 01:59:07 Not to this. You have a lot of guns of steel. Then you go into a race. Well, or yes, we will take her to the Mirabels, very likely. What's the fuck? What did you order?
Starting point is 01:59:24 I just wanted an apple pie, they sent me fucking Christmas. I love Christmas. It's Christmas a box. It sent me Christmas bye. This is yours now. Sorry, I put my grubby fingers all over. She looks to Anya and she does look a little skeptical.
Starting point is 01:59:44 Not sure the mirror bells is the right to place to take her now. Colette is still sick and we're not sure how the illness moves from one child to another, but she seems to have attached herself to you and as her guardians, I will leave the decision up to you. You can leave her with me and I will keep her at the jail, or you can deliver her to the Mirabelle comb. Do I get the feeling from what she's telling us that there's subtext behind what she's saying about the mirror bells. Roll an insight check. I am dumb as a rock and my insight is terrible.
Starting point is 02:00:27 Oh, no, my insight's pretty good. I take it back. It's a wisdom thing. Ha ha! Twy! Total! Okay. Yes, there is clearly subtext of that.
Starting point is 02:00:40 Understood. We appreciate that's your room. You were leaving the decision up to us. we will do what we need to and within the hour we will depart on the mission and she will
Starting point is 02:00:54 quickly almost smooth as butter she will glide behind you and lean down to your ear and she is in these boots and these heels she is probably an inch taller than you and she
Starting point is 02:01:08 as she leans down to your ear and she says I would like a private meeting with you, Marius. Before you leave, do what you need to do, and then meet me at the jail. Doing my best to be completely stoic and normal. Understood. Once we discuss what we're doing, I will meet with you. Do you understand?
Starting point is 02:01:41 Yes. Well, I'm glad that we have an agreement. I hope that you are successful. and remember, leave discreetly and return to this gate. Good luck. You too. Oh. And she turns and she walks immediately through you,
Starting point is 02:02:10 like cutting through you. And as she does, she makes sure to brush up against Marius and you feel the full weight of this. this woman rush up against your chest as she walks past you. And you can hear the clanging of her boots as she walks down the spiral staircase and then off into the city.
Starting point is 02:02:32 The amount of times that at a movie theater, they're like, have a good, enjoy the film and I go, you too, ah. That's the best fucking joke you ever made. That shit is so fucking funny. Holy shit. Enjoy your meal. I love you too.
Starting point is 02:02:50 Oh, shit. Yeah, Marius, you're dead. Again, trying to be as stoic and as normal looking as possible in front of my friends. Gosh. I get the little... I didn't want to say this out loud, but I get the impression that she doesn't trust the mirror bills. Something's going on. We haven't seen them for very long time. Well, me fair and so. The other night, right? I mean, last night. What did you see? Exactly. I relay so I don't fuck this off.
Starting point is 02:03:24 Exactly what I saw. You saw Francois pacing back and forth in the room. Not a shadow that looks like Francois. No, actual France. Actual Frenchwomen. Not a character. And he was clutching onto a what looks like, essentially a rosary to Fultes and he seemed to be praying. And in a rocking chair near the window, you saw Zepharine as she was
Starting point is 02:03:49 Rock and Collette back and forth. I sold them. It all seemed to be normal. You think that their home isn't safe? Look, I don't know. All I can tell you is that the Inquisitor doesn't... Something is up. She doesn't believe it.
Starting point is 02:04:08 She doesn't trust them. Something doesn't add up. And I don't necessarily want to leave the girl with the High Inquisitor. But I'm just telling you, I got the feeling that there was something deeper there. Maybe it's not the she doesn't trust them, it's just that they're too close to the... That certainly could be. There is also the information that Anya shared with us. Zephy's relationship with Keziah is suspect.
Starting point is 02:04:38 The fact that there was a witchball there and they said had the house may not be the safest place. That's true. I just wanted to bring it up because we need to make a decision. If we still decide to bring her to the Mirabels, then so be it. I mean, that's the safest place is more than when else we're going to take her? Not leaving her in the fucking jail. Her to the mine with us?
Starting point is 02:04:59 We can't take her to the mine, but... You know that I'm still, like, right here on your shoulders, so I can hear everything you're saying. No, but we're doing a side dog talking. But I can hear all of it, because I'm right next to his face. On your... Ogram, e-muffs. Oh, what's a bit, but do they're...
Starting point is 02:05:16 Oh! Yeah, I'm not... Brush her. We could just ask her. If she has anywhere, she's run away from the orphanage before. Maybe she has a bastion. Probably wouldn't know that word. But maybe she has a safe space.
Starting point is 02:05:33 Like a sanctuary. Like a sanctuary. Or a hideout. Sanctuary. Yes. That she's escaped to before. Like huts in the woods and run off there all the time to hide. Maybe she does the same.
Starting point is 02:05:48 I just look at big eye contact. I don't know if you can hear everything we're saying. Were your woods You son Were your woods Also filled with dangerous red eyes That's talk about And gross pigeons
Starting point is 02:06:00 It was filled with Some pretty awful things Not exactly those But it was a dangerous place All the same There are no good options here We could We might as well flip that copper piece
Starting point is 02:06:15 I'm not touching that copper piece You can't No mate Why don't we vote on it Like a proper democratic process. I would propose as a tiebreaker that Anya also gets to vote. Oh, that's a great idea. I vote Mirabauts.
Starting point is 02:06:34 I vote the Mines. No, there are only two options. Oh! Not the Mines, Jail. What were the two options again? Kindergarten jail and... She'd be the kindergarten con. We have to take her cave.
Starting point is 02:06:54 No, we have to take her cave. She goes to kindergarten. Who are my cookies? The jail or the Mirabels? It's not jail. It's with the Inquisitor or with the Mirabelle's. In the jail. I think it's a jail.
Starting point is 02:07:11 Well, how about this? I think that Sir Marius gets a private meeting with the High Inquisitor. inquisitor and I think I find I understand why envy is my sin I thought that we put Jericho in the bag of Ploon. I thought we put Jeffer. Yeah. Um, and I'll say, do you think that we'll have a better read? We just had one conversation with her.
Starting point is 02:07:51 We thought she was big. She seems, I mean, she's, I would do pretty much anything she said, but we But we still don't know a whole lot. Maybe we just wait for more information after Sir Mary's visit, sir. We don't have a lot of time. If we gotta get out of him, yeah, we gotta split.
Starting point is 02:08:06 He goes and has this meeting. Very, it seems like you would be quick. Oh, yes, right. He does have very quick to the point conversations. That is a very good observation. That's a very nice quality man. The family is steep. Now look, go out there, two options.
Starting point is 02:08:27 We can all fucking ice. Oh, a nice warm house. All vote house. Who's voting jail? Oh, so mines are not an option? I'm letting her run off into woods is not an option. Oh, I like the woods option too. I know.
Starting point is 02:08:44 There's a horrible evil goat in the woods. Absolutely not. Dap into the woods, just like find a little under a brush somewhere. Stay out of eyesight and... I don't trust her to stay out of anything. Why don't we... Why don't we ask her if she has somewhere, she can go the sheepie see all right go ahead I'm gonna on earmothra control yourself so
Starting point is 02:09:11 does this mean that I get the fucking boat yes Anya do you have a preference would you like to go with the high-in visitor or my preference was to stay on your shoulders and go to the mine see it's too dangerous there we can't okay so I have to pick one of the other two Or is there a third place that you feel safe and comfortable? Well, yeah, if the furniture hasn't burned down, though, with the fact you take me back there, but now it's gone. What about anywhere else? Somewhere you might have snuck off by yourself?
Starting point is 02:09:46 No, not that I can think of. I could go sleep in Van Brunt's living room. Oh, not there. The mind. Sounds like an awful. He doesn't have a living room. This has an empty room with a small TV. It's a small TV on a bankers box and a mattress with no sheet on it in one corner. And a milk crate? Yes.
Starting point is 02:10:07 That's a nice thing? It's worth the risen. What about the young boy that you're talking? What about that? I know we have to leave quickly. What about the young boy that you spoke to earlier today? Could we could we find him? and perhaps charge him with taking care of him?
Starting point is 02:10:35 As... Skinny one. As helpful as he's been. I'm not sure I... I'm not sure he's capable of looking after anyone. He's busy with work. He's... I thought he was an orphan himself.
Starting point is 02:10:48 That's my understanding. He's not going to have anywhere to go. He helped put the fireers out. He might be... I don't... I certainly don't doubt his willingness to help. I just... He's always...
Starting point is 02:10:59 Talking about getting in trouble. Like people are looking over his shoulders if he's being commanded to do things. I'm not sure that would work. So do I get to fucking vote? Well, yeah, let's have a vote. Let's have a proper genuine vote. Well, don't you have to vote first to see if it's, I couldn't hear anything, but I'm guessing because there are six of you that I would need to be a tiebreaker vote?
Starting point is 02:11:23 Like Lethika say, I mean, like I thought. Why don't you vote first? Well, what is my? What if my vote sways people to vote a different way? That wouldn't be very decorative. That's a good point. All right. I'll make mine wrong.
Starting point is 02:11:44 Yes, Briggsie is voting for the Mirabelle's house. Does anyone else agree? Say I. Well, I. I would like to say that, oh, the Mayans, gosh, aren't an option. I would like to say that the nice, warm house sounds good unless Sir Marius gets any information that tells us, us that the cold jail
Starting point is 02:12:06 where all those doomed people are waiting is a better option for a little one. Well, in the same vein that Jericho is referencing, I abstain from the vote. I don't trust either. I don't like the way that the Inquisitor does things,
Starting point is 02:12:22 but I also don't like the way that she referenced the Mirabels. I don't feel right voting on this without any more information, so if there's no tiebreaker, I may not need to vote. Shouldn't you have some kind of fucking tentative name that says You don't make him, you know, not making a choice, still making a choice.
Starting point is 02:12:38 Oh. No. It seems sad. I'm getting off Scott free. Yorgie? I think the house, but I do agree that there's no sense in locking in any decision until we know what the Inquisitor wants with. Neither option is perfect, in my opinion.
Starting point is 02:13:01 but I I think the house would be more comfortable and they were at least hospitable for the time that we were there as short as it was. At bare minimum, that's a majority. Farron. What if she's in the house
Starting point is 02:13:26 without their knowledge? Hidden away in the house. You're pretty good at Hyde. She also said she breathes very loudly. I do, do you want to hear it? I can breathe louder, I do if you want me to. No, there's a really comfortable broom closet. It's actually quite impressive.
Starting point is 02:13:53 Sorry, I could you off here. She's eating the mushrooms. I'm famished all of a sudden. It's like eating goop this whole time. It's not sustained to me. Let us go to the Mirabels. You have a meeting. But you didn't let me fucking vote.
Starting point is 02:14:16 I was getting you next. Do you say what you've done now? But you haven't even let the Lentica vote. But I'm guessing because she said, let's go to the house. I mean, she wanted to be in the house. They both voted for the house. When?
Starting point is 02:14:28 Just now. Not just now. But did you say I vote for the house? No, not really. I mean, that's true. That's fair. You didn't really like proclaim. Did you say I?
Starting point is 02:14:37 I vote I. For the house. For the house. Well, I am on ya, and I vote to Go to jail. I've never been inside before, and it's like a giant fortressy circle. Well, you've been overruled. Let's go.
Starting point is 02:14:56 Now you know what it is like to be an adult. In a deco-cocratic society. Now look, you'll have that meeting sooner or later than later, but if things get Darcy, just remember she's full of blood. She's just a big bag of blood. bag of blood. I mean, you imagine just trying to picture how much blood she has at least like four or five leaders. The muscles in my neck
Starting point is 02:15:23 starts to tent up as you do not forget that. That's all I'm saying. I'm just saying she's got a lot of blood. If at the orphanage they gave you those chocolate milk pouches that you have to stab with a straw in order to that is very much what it's like.
Starting point is 02:15:39 But no, stop, stop. If there's danger, right. Do you know what my favorite thing was when we'd get the square pears? Pizza. Mmm. Yes. Yeah, instead of like pepperoni circles, which is what we would get like when we had families,
Starting point is 02:15:54 we would get those weird little square nuggets that would go on it. And sometimes it wasn't cooked all the way through, so the middle was really cold and the cheese still looked like little cheese strips, you know? I once had one with the cardboard at the bottom is still on. The cardboard? I took a bite. I could not get it. could not cut through it with my teeth.
Starting point is 02:16:19 I really liked the French fries, but only when they cooked them, because sometimes they forgot. You know, they had the lethal crinkles on them, and it was like, perfect. This is pretty good ease, it's an Orva, bitch. Yes, Briggsie, thank you for the advice. Duly noted, and I will return with haste.
Starting point is 02:16:41 All right, we'll see you. Let's just meet back here, because we're supposed to leave out this door. We'll get you to the house. I would say you remember she wants you to come back through this door. She wanted you to leave out of more... The forest entrance. Our secret means.
Starting point is 02:16:56 Oh, but come back to this gate. She doesn't want you to go through the main gate. She wants you to come back through the side gate. Leave by the orchardage back by the gate. We'll meet by the citadel exit. You go right. All right. Good luck. Yeah, you too.
Starting point is 02:17:11 Oh, oh. I have a song for Mary's. You know, I'll admit. I wrote it because, well, I thought of it because I thought that when Van Brun cheated that you were going to go jump in the pit and cut his head off. So I wanted to be ready with a song for you too, but now that you're going in to face a very powerful foe, I think I'd like to sing it. Well, that's very kind of you. I'm ready. Okay.
Starting point is 02:17:36 The lyrics require context to understand it, but we all know some areas, so you should understand this. Why it's impressive. It's okay to need assistance, one in five. And so I'll pluck my string and I'll play a little tune. I'll say, smiting evil by moonlight, walking in the daylight, protecting his friends in every witch fight is a night name Marius.
Starting point is 02:18:05 And I'll use Barnacons for you. Yeah! D6? Yeah, it's a D-Sex. That is beautiful. Well done. And it'll be, and maybe it'll last and by the time you talk to her,
Starting point is 02:18:20 He only needs 10 minutes. I'm blowing it. Fuck it. I'm going to have nine and a half extra minutes in the other. You can do it? You're not doing it. Extra minutes to get that pizza. I've heard so much. So, Mary.
Starting point is 02:18:38 Hey, you got any pizza? Sure, but there's cardboard on the bottom. Hey, your kids got some fruit snacks? So you got money for a coach? You should know that I should. Oh, man. Oh, I'm a pretty good. What?
Starting point is 02:19:09 Sheesh, or both? So, I'll say, well, well, since you didn't go and fight Van Brun, what was this the name, Billy? Since you even fight Billy, I feel this is even a more apropos moment for you to feel inspired. So anyway, in case you don't come back alive,
Starting point is 02:19:25 I just didn't want to lose the opportunity. me. Jericho, I'm going to... No, I know you're going to find you're a very heroic night, but you know. Thank you. You never know. Good luck.
Starting point is 02:19:35 That's right. You never know. Watch at each sunrise. All right. Good luck, everyone. All right. Good luck. And with that, you split the party.
Starting point is 02:19:45 Oh, fun. And five of you with Anya in tow make your way toward the Mirabelle's house to drop her off and allow you to meet up. with Marius at the outskirts of the woods right next to the orphanage, Marius, you begin to make your way towards the jail. And you have seen the jail from afar. And it is like a fortress in the city. And so you know exactly where to go as you begin to make your way. And so we will
Starting point is 02:20:17 deal with a dropping of Avanya first as you make your way towards the mirror of the house. You see that the lanterns are lit and that there is clearly moving. inside of the house. As you walk up to it, you see that you can smell the smells of bacon and eggs and ham steak. As very clearly, Francois is cooking breakfast for the morning. And it does seem like he's cooking a large breakfast, maybe expecting your return or hoping for it. It's nice to be thought of. And you were standing outside the door? Well, I suppose, well, gosh, without Mary, is he who's...
Starting point is 02:21:02 Hello, it's us. Nothing strange has happened. You open the door and say that. Oh, I can't open the door. And he immediately looks towards you, and you see that. He has dark circles around his eyes. his face seems sunken in like he didn't get any sleep at all. He looks very tired, but you see a smile on his face as he looks at you.
Starting point is 02:21:30 Oh, I'm so happy to have you back. I made a, I made breakfast for everyone. Where, where's there is? Oh, he had an engagement. No, well, I made enough when he returns. He's welcome to have some. But it's good, it's good to have you all back home. I'm sorry that Zepharine can't be here at the moment.
Starting point is 02:21:52 She's upstairs with Colette, who's still ill, but we're... How is she doing? We're in a little one. No, no change as of yet, but we're open. You all, you heard about the tragedy in the early hours of the morning. We did? Okay, yeah, I suppose everybody did. So, you've got...
Starting point is 02:22:12 Real shame. You've got little Anya with you. And you see his face light up and he rushes over and he grabs her hands. He's like, I just, I... Yeah, I'm not gonna say it, honey. at Honey, come here, and he grabs her. She reaches her arms down. Look, I've got the little knife.
Starting point is 02:22:28 Big hug. He kind of grabs it, and he's like, and where did you get this? Oh, Theron gave it to me, and Yorgie gave me a javelin. You could see it behind his back, but they can't get to that because it's stuck on something. Sure.
Starting point is 02:22:48 And he kind of looks at you, and for the first moment, you see a glint of frustration, like, why the fuck did you give it a seven-year-old a knife? But he takes it and he looks at her and you can see a look on his face almost like complete awe that she's still alive, knowing what happened at the orphanage. There's this moment where he looks at her and he's like, you know, this might not be a bad idea. And he flips it around and he puts it in his little holster. And he goes, well, lead up, honey.
Starting point is 02:23:19 You've got a long day ahead of you. And maybe you can help us with Collette if Safferine thinks that it's wise. So now, the reason we're here is that we can't have for breakfast, unfortunately. We need to join Samarius in set engagement in not much time. So is it okay if she stays here, given as she's the last remaining orphan in the entire city? He goes to reach down for her hand, as he just placed her on the first. floor, but he sees that she has quickly jumped up at the table and she's shoveling food into her mouth. She's clearly ravenous. He chuckles and he looks at her and he says, well, with the table
Starting point is 02:24:02 the way it is and how hungry she seems to be, I think you'd have a hard time prying her away. I'd be happy to keep her. I'll treat her like my own daughter. If you and Zephy agree, I would propose that she and Collette share stories from the storybook. That can be a healing time to listen to a story you are familiar with. Oh, yes, Colette's old storybook. Yeah, absolutely. If I can find it around the house,
Starting point is 02:24:30 I'm not sure where we put it last, but I'm happy to read them stories as long as Zephyrine thinks that it's safe to have them in the same room, I'm happy to do it. Let me remember how we track the book. I believe I had the book at some point, and I believe I gave it to Anya,
Starting point is 02:24:48 and that Anya currently has it. Mm-hmm. Okay. And she has a little pack. She's got like a little knapsack on her back. I would tell Frank this information. I see. I am, yes, I'm happy to take care of her. You have the, well, it doesn't matter how it got to us.
Starting point is 02:25:06 As long as Anya still has it, I'm happy to read them stories before bed. Gosh, I wonder that book, and you wouldn't give it to me so easily. So he's a, so, I'll take my hat off. Terrible what happened to the matron. I heard that maybe Zephyrine and Maggie were close, so my condolences to her. Did something happen? I hadn't heard, but I don't see why it would be of any importance to Zephyne outside of the loss of another member of Cyril. Oh, are they not friends? They're familiar. Everyone knows Maggie McDuff.
Starting point is 02:25:47 Oh, alright, well anyway. She, I mean, being the matron of the orphanage, and she sleeps like, she sleeps. like a lot before as I've heard. So, yeah, certainly she's dust as we speak. You see that he swallows back. He seems a little... He seems a little uncomfortable with how with how brash you're being about
Starting point is 02:26:07 the horrible tragedy that had befallen the city this morning. But he writes himself and well, so far, as I've heard, they have not found Maggie's remains as of yet, but but they're looking.
Starting point is 02:26:25 The Knights Templar are combing the entire place. So hopefully we will have word by late dusk. Well, praise Fultes, if I'm incorrect. Hopefully she's safe in sound somewhere. Yes, we can all hope for that. Out of character, because I clearly misheard what you said. So Zephyrine and Maggie were friends, not Keziah and Zephyrine. So what Anya told you was that Zephyrine and Maggie McDuff were clearly friends.
Starting point is 02:26:58 Okay, I was... And this was a lot of known by her husband. Yeah, unknown by her husband. I also... I don't know why I doubted Rich. Rich knows everything. Rich never busiers. I wrote down Kazan.
Starting point is 02:27:10 I was like, oh. I was almost going to be like, no, wait a minute we heard it. I'm like, no, that's too good. I'm not going to do that. Are you sure that you can't stay for breakfast? Are you sure you can't have just a bit? Well, maybe just a bit. And in time.
Starting point is 02:27:22 And take whatever you need. And he pulls out some cheese cloth and some containers and a couple of satchels. And he's, take whatever you need. For however long you're going to be gone, if you're leaving on you with me, I want to make sure that you're fed. Well, I mean, if you exist.
Starting point is 02:27:39 I insist. You order it one and you just, you know. If you baked too many muffins, I'm sure that we could take some lots with your hands. It's like I'm privileged to do. And with that, you enjoy a nice, breakfast with Anya and with Anya and Francois as Marius you have made your way to the jail it's your moment and it appears that every single one of the knights that surrounds this complex
Starting point is 02:28:09 which is gigantic it is it almost but not quite rivals the cathedral in size a full stone fortress slit windows and you can see that there are guards along every inch of this place. As they flank you, and without even saying a word, they begin to lead you into this fortress. As they begin to lead me in before I step foot, I'm going to look up
Starting point is 02:28:36 at the jail and softly say to myself, all right, generosity, courtesy, fellowship, piety, methadena, help me chastity. Every single time you say this, there's another pair of shackles on the wall. Let me please guide me.
Starting point is 02:29:02 All right, and I will let them lead me in. You are led through this place, and it is filled to the brim with cells, cages. You see that there are many in here that you remember from the night before. People who were drunk on the streets, people who are maybe enjoying too much. the night's pleasures after the burning of what had thought what you had all thought to be Mother Midnight. I heard that. And you see that a lot of them are now in shackles or in cages and they are being guarded.
Starting point is 02:29:39 And none of them, none of them call out to you but a few who reach their arms through the cages and beg for your help, free me, save me as you are led from one floor to the next, up winding, along winding pathways and up stairwells, until you're finally living, you're finally let up a winding stone staircase that leads into what appears to be a large plush office. A beautiful gold-gilded chair in purple velvet sits behind a large cherry-wood desk, papers scattered all about on it. The chair itself is empty. A seat is directly in front of it and the Knights Templar leads you to it to sit down and one of them leans down and says to you,
Starting point is 02:30:29 the inquisitor will be here shortly. Thank you. We will be right outside the doors if you need. Understood. And they leave. The door shuts behind you, and you are left with the sounds of silence. But your ears,
Starting point is 02:30:46 your Dampiric ears, a tune, you can hear the screams and bellows from the dungeons deep below, an area of this fortress that you weren't privy to. you can hear the screaming the clear result of the inquisitions that are had of this place
Starting point is 02:31:01 and you wait and wait it's cold in here you listen towards the doors at your back waiting for them to open but they do not a door to your side does and you get a quick peek at a candlelit room
Starting point is 02:31:19 a large four-poster bed covered in purple velvet as the inquisitor the sound of her insanely high heels clicking on the stone, on the stone flooring. As she makes her way out of the room, she's no longer covered in the armor that she had been wearing before, but is now in a tight-laced black dress, furs around her shoulders. As she still looks regal, and you do see that she's adorned, nestled in her heaving bosoms is the symbol of Fultus.
Starting point is 02:31:53 her boots laced up to her thighs can peek out of the side of a slit as she clearly walks around you she runs her hands along your armored back you can hear her nails clinking against the metal of your armor as she looks down at you thank you so much for coming Marius and she slinks into the seat in front of you
Starting point is 02:32:19 and takes a seat as she crosses her leg over her other leg. You feel for a moment like you got a glimpse of black lacy lingerie beneath the gown that she's wearing. I hope you don't mind that I made myself comfortable when I arrived
Starting point is 02:32:38 back home. It's been a long day. I feel as though I may have caught you at a bad time. No, not at all. I do have things to get to but this is my downtime and I will take it as I please. Certainly. I know you are on a time frame, so I'll make this quick.
Starting point is 02:32:55 I have my doubts, and I don't trust outsiders. Not at all. But I find myself trusting you. You are a lawful man, I can see, though you're touched with
Starting point is 02:33:11 the vampirism. I can tell that you are man of wisdom and of worth. I have fears about what is happening in the city, and I was hoping you would do me the favor of being my eyes and my ears. You could be rewarded.
Starting point is 02:33:33 Well, I'm honored that you think so highly of me, and of course I can certainly keep an eye on things for you. What in particular are your concerns, if I may ask? When you go to the mines this day, everything that seems of note, I would like for you to bring back to me, even that which you think you're, compatriots might not approve of. Do you understand?
Starting point is 02:34:02 I believe I do? Is there anything in particular, of a particular nature that you're looking for? Anything regarding witch balls or anything that might tie certain civilians to witch balls, if you understand what I'm saying? I believe I do. I fear that the Archbishop might be too close to the situation. Right. Are we on the same page, Marius? Yes. Yes we are.
Starting point is 02:34:43 The implications of this, should it get out, would be very bad for Cyril. Should the Captain of the Guard not return, there will need to be a new figurehead, instated. Now I'm not asking you to stay in Cyril, but I might be asking you to take up that mantle for a while. Well... to be a beacon of hope for the people. That is quite the honour, and I would be more than happy to aid and bring positivity. I love to hear it, Marius.
Starting point is 02:35:20 I knew I could count on you. Now, I have but a small amount of time before I must get about to work. I was hoping for a quick nap. So I will let you go if you need to make haste. You see that she kind of leans over and the stole around her shoulders falls off and exposes the full length
Starting point is 02:35:40 of her collarbone and her exposed breast is not exposed breasts but exposed breasts and she taps her fingers on the table did you have anything you'd like to ask me or anything that you need of me if you're going to do this service for me
Starting point is 02:35:56 I feel that I should be at service to you I will stand up I will take one step towards the desk I will look at her in the eye I will smile my most charming smile with my fan is visible and say thank you very much for your help
Starting point is 02:36:18 I'm looking forward to aiding you and I will turn around and begin to leave you hear the sound of her quickly move from behind the desk and the sound of her boots is almost feverish as you feel her move up against the side of you, and she is
Starting point is 02:36:39 pressed up against the length of your arm as she whispers into your ear, I knew that I could count on you. And you know where to find me if you need anything. I will let the guards know that you have direct access to my bedchambers
Starting point is 02:36:55 and office should you need it. Thank you, ladies. Be careful Marius. Cyril needs you, and so do I. And she will turn and and walk directly into her bedchamber and shut the door even before you leave. I proceed to the exit and open up the doors and leave.
Starting point is 02:37:21 You open up the door and you immediately see a guard standing there arguing with a scrawny young boy. And it takes a moment for your eyes to adjust as you breathe and overcome the the de-empiric nature, that really the biological nature that brought you to being a vampire, that seed of lust that resides within you that you can't quite shake. And you are able to kind of shed that for a moment and see clearly the Scard is talking to Skinny Dudley. And you hear the words, she is currently in a meeting and no, I am not going to, I'm you should not be here. You are not allowed here.
Starting point is 02:38:11 And he looks up and he looks at you and you see for a moment a look in a look in his eye of confusion and then very quickly a look of a role and insight check. Mm. 11. Um, it is a look that you can't quite place, but it's almost a look of anger. maybe it was a look of detestation. It's hard to tell, but there is something about you being here
Starting point is 02:38:44 that clearly bothers him. And he looks towards you and he looks towards the guard and he says, well, you're right. If I have something to say, if I have someone to turn in or whatever, I'll let one of the guards know then.
Starting point is 02:38:58 And you hear the guard go, what? What are you talking about? As he quickly rushes down the hall and turns around a corner. You see him, shake, is it? Wow, it was weird. It's everything okay? I was going to ask you the same thing. Is everything all right? Yes. Kid just ran in here, claiming that he needs to, desperately needs to speak to the High Inquisitor,
Starting point is 02:39:21 but clearly she was in a meeting and I'm shouldn't even be up here. How he got past all the guards, I don't know. Is this normally your post? It depends on the day, but I'm trusted enough to be here and you see that he, he's still young. He's probably maybe 20, 21. But he seems proud of himself for being in this station at this point in his life. And you've never seen that boy before? Oh, I know, Skiddy Dudley. I just, he's not supposed to be here. This level of the jail, it's off limits to most.
Starting point is 02:39:55 Interesting. These are the private quarters of Inquisitor Mayville. You have to have a very important reason to be here. And he looks at you and he smiles. Not everyone gets that invitation. And he winks at you. Right. Well, I...
Starting point is 02:40:10 It's pretty closed off to most. You know, business is done here, so I'll just see myself out. That was quick. Yes, yes, faster than you know. Quink, wink, much nudge, say no more, say no one. Would you like us to escort you out? No, no, please. I remember the way.
Starting point is 02:40:32 All right. Well, can I offer you a cigarette? Thanks for coming. Is everything all right? You're sick. That's right. That's exactly how that guy. It's chronically with that gardener's moniker.
Starting point is 02:40:57 Weirdly enough. I am a eunuch. Yeah, sure of it. I will, I will decline the help to leave. And I will escort myself out of the Inquisitor's prison. And you are able to do that very quick. As soon as I get outside, as if I had been holding my breath the entire time, by the fender.
Starting point is 02:41:29 I have to get back to the others. And I will very quickly make haste to the meeting spot. Okay. And you do. You are not waiting there all that long, maybe 10, 15 minutes before you see Marius around the corner of what is now, almost just a charred ruin. You can see the bare foundations of the orphanage. It's actually hard to find a place here to hide because a lot of people have congregated
Starting point is 02:41:59 and are looking at the ruins here. Not getting close enough to really get into it, but they're watching as the bodies are being removed, the charred remains are being removed from the orphanage and collected and attempted to be identified. But with everything that's going on, you are able to find a small spot towards the very end where you had entered before. And that is where you congregate. And it seems that at least from this vantage point, no one knows that you hear or sees you.
Starting point is 02:42:24 When we received breakfast from the Mirabels, the first morning that we, or I guess evening, when we first initially. It's all night here. Yeah. What did Marius go for on the breakfast bladder? Mostly meat. Most of meat. Blood sausage. Okay.
Starting point is 02:42:43 Yeah, most of the meat. Black pudding. Almost entirely. Taking out of it. Having noted those details at the time, Lathica has a cheesecloth cloth satchel for you. Some breakfast if you are still hungry. Thank you. This is very, very kind.
Starting point is 02:43:02 Is Anya all right? I think Anya will be all right. Yes, I'm fine. I snuck out of the house, and I am here. No, I'm just going to go. You're back in the house. Unless... I cast Turn Inside Out on Anya.
Starting point is 02:43:16 No. I fear that we might be in trouble. I wonder what happened? Well, for some reason, the High Inquisitor doesn't trust, well, doesn't trust the Archbishop. She said so herself. She thinks that there are issues with what's going on and that he may be too close to things.
Starting point is 02:43:44 And she wants me to be her eyes and ears. particularly looking for things in this mine. She went so far as to say that we were to bring back evidence. I was to bring back evidence even if all of you thought that we didn't need it. Those are the parts that she wants you to be. The bottom line is she also suggested that if for some reason all of these knights' Templar, particularly the captain, are dead, that she would offer me some sort of leader as the knight's templar.
Starting point is 02:44:14 She offered you all that's just after conversation. They seem suspicious. Oh, it's more than suspicious. Please, you don't have to tell me. The fact of the matter is that she didn't want me to tell any of you this. Did you fuck her boy? How was it? He's my way.
Starting point is 02:44:37 As soon as he saw the water bed, he was like, no thank you. There's that large stain on your parents. There's nothing to be shamed of. It's a natural thing, and it's all the way that she was looking at you. Well, the ashamed part is how quickly you came back. I didn't want to embarrass the thing I know that
Starting point is 02:44:57 I know that you don't know that's right I know that you don't know me very well do you have any idea why I am the way that I am I don't I am a horrific creature of the night
Starting point is 02:45:15 because one time I made a mistake and I felt to lust it will never happen again do understand me I hear you. I know something about that myself. So you make your jokes,
Starting point is 02:45:35 but you know nothing about me. It's got a point. It's good to know that you've learned from your mistakes. I could have come back and told you all nothing. No, I appreciate it. Instead, I am on your side. And I appreciate it if we could all just focus on the task at hand for once.
Starting point is 02:45:57 Look, all agree. Apologios. as another creature that denied, because of one silly mistake that I've never done since then, and never will do ever again, I'm like this. So yeah, what he said? As you move your head to the side, you get a whiff of a fragrance that evokes memories
Starting point is 02:46:20 of satin sheets and velvet blankets. And you realize the scent almost immediately. It had been all over the Inquisitor, the scent of roses. There's more. There's more. As I was leaving the Inquisitor's chambers, I apologize. I got distracted. Skinny Dudley was there. What's the fuck's he doing?
Starting point is 02:46:48 I don't know. The guard had said he had never been up there before, but he was looking to speak with the High Inquisitor. The guard had told him that she was in a meeting with me, and as soon as he saw me, he looked angry or upset, and he took off. It's a very strange He got all the way to her private chambers On his own
Starting point is 02:47:08 Exactly the right God said the same thing He didn't belong there He had no idea how he got there Like he's not supposed to be there Correct Well there's something you missed I sort of sly
Starting point is 02:47:22 Got out of Francois All Frank back there That He doesn't know About the friendship Between Mets Maggie and Zephyrene. And so Eva Anya's lying and making that up,
Starting point is 02:47:39 which I think is less likely, then maybe she's hiding something from him. As if they were meeting in secret? Right. It's great. She just leaves the house and doesn't say a word of a good friend. Well, I don't trust anyone here. Clearly no one trusts each other.
Starting point is 02:48:01 There are secrets everywhere. We need to be on. We need to keep an eye out while we're in the mine for whatever the Inquisitor might be looking for. And I intend to bring something back. I'm going to play her game for now. Figure things out as we go. As soon as you say secrets, you will hear Virgil, which I guess will have been on top of Yorgram's tombstone, let out like a call. Well, I think we don't, like you said, they're secrets.
Starting point is 02:48:44 lots here and I don't know what to do I don't pretend to know what to do but I know that we made the best choice that we could leaving her with the mirrorbells I think you're right all we can do now is
Starting point is 02:49:00 hustle along get to the caves and do our best get back to her as soon as we can agreed and you know what for what is worth to Marius we're all creatures of the night in one way or another I mean, I was made this way, not even through any mistake of my own, but the mistake of three other folk. I appreciate your empathy.
Starting point is 02:49:27 Well, of course, we're all here together. We're all friends and family now. Thank you for trusting us with your conversation and for joining us on this next step in our adventure. Of course. If we can't trust each other, then we truly can trust no one. All right, who's leading us in a mind? Are you up for it? I think so, yeah. I guess we ought to just kind of cut across, not take the same path that we did to that clearing.
Starting point is 02:50:01 Actually, you saw the path, Jericho. No way, it is. Well, no, you mean, you're good in the woods. I can just maybe, like, point behind you. Why don't you stay up front with me? I'll walk together. I'll stay, I'll walk together. Yeah, we'll walk together.
Starting point is 02:50:11 That sounds mighty fine, Ferd. So if you could roll a group perception check just for your travel through the woods. Oh, that'll be a natural one. Into the feet, too! Yes! Would you say, uh... Dirty 20.
Starting point is 02:50:30 Survival, you say? Survival? Beautiful. Oh, yeah, survival. I said investigation. Did you? I did. I thought you said, survival. Oh, survival. Survival. 203.
Starting point is 02:50:39 Oh, God. Negative 412. 14. 12. 22. Do not think of it? One moment. I just died, didn't he?
Starting point is 02:50:48 Why don't you go down? Whyia? There you are. That sounds familiar. Uh, 18. Okay. And like west side story? So with that, you begin to make your way into the woods, and you do make an effort to keep out of the clearing that you had found.
Starting point is 02:51:06 And with Farron and with Jericho's help, you are able to make pretty close. make pretty quick work of getting to the mines. You travel for, it takes about three hours, from about two and a half hours from the edge of the city when you're coming from this, or yeah, from the edge of the city when you're coming from this portion near the woods. And you are unencumbered, you, it is uneventful. It is quiet and almost peaceful, unlike anything that you'd experience so far in these woods. There's almost a calmness to it on this side, coming from this vantage point.
Starting point is 02:51:48 You make your conversation, you look out for the beast that stalked this woods and have stalked you. Occasionally Jericho flies out looking for pigeons, and though you do find some, Virgil looks out and he says that he doesn't see the same, he doesn't see the same congregation of pigeons that he'd seen before.
Starting point is 02:52:06 Though they are here dotting trees, here and there, there's not in that same pattern as they had been before. All seems to be quiet. About two and a half, almost three hours pass, and you begin to hear a strange sound. What sounds like hooves in the dirt, there's something abnormal to it. And you see that strange flickering light that you'd heard the guard. guards talk about near the mines and you know you must be close. You make your way out of the underbrush and you see standing in this clearing you have reached the mine
Starting point is 02:52:48 uneventfully. But that ends here. Because at the entrance to the mine you see would appear to be two dozen horses, but with no fur, pink human-like skin, their bodies elongated and unnatural way. way and where there should be hooves pawing into the ground you see human hands. So it paws at the dirt. All of their heads look up towards you and they are clearly humanoid heads elongated into the shape of a horse's head. They attempt to open their mouths and call out at you but the sound they make is guttural and strange and unnatural. So
Starting point is 02:53:30 they shake their heads concerned and in almost in pain. And one of them catches your eye. One of these standing towards the very front with what appears to be a mustache coming out of the front of its maw as it opens its mouth to say something to you, that same guttural groaning sound, but it forms into words. Trumbragge Hagen mines. And that is where we'll end up. the session. Holy f. I am going to have such horrific nightmares because of you. Like, no, that's not, that's no joke. I am going to have the worst nightmares I've ever had tonight. I literally almost threw up. I'm so upset. I'm so repulsed. I'm picturing the horse
Starting point is 02:54:27 creatures from that movie we watched. What was the first word that it said? Turn back. Turn back. Turn back. Hag and bag. no lines. Thank you so much for listening to the Legends of Aventras podcast. We hope you enjoyed the session. If you want even more campaigns to listen to, become a member of our Patreon at the Pearl Dolphin Tier or higher to unlock Shroud of Her Saltmarsh,
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