LOS MAFIA PODCAST ⭐️ - Blas Murrieta — MI PLUMA PESA, LA CÁRCEL, MÚSICA Y CUANTO COBRO POR CORRIDO
Episode Date: November 16, 2022. ...
Transcript
Discussion (0)
Plevada, what on.
How we're
welcome to our new
podcast, Plevada.
Today we're
to be here
with the
Vos Rueh
Wanda,
how is it.
Al-Millon
and past
as you,
my compo Jorge
Santa Cruz.
Al-Millone
and past
has a
friend of
me,
also a
good,
a man,
a man,
a copposed
you're all-
little
no,
no,
no,
no,
no,
no,
no more so I'm
that's gonna
do you
do that's
that's gonna
roband,
they're gonna
they're gonna
A,
so,
we're talking
about
about the
music
a year to
me talk
to hear the
the exit
of him,
the romantics.
I mean
I was
much the
of the
face of a
man,
and all the
time I'm
this,
that's the
me,
and it's the
has been,
has been,
it's
already,
he's a
much,
I don't know
he'll
know how it
will be
doing this
but a
actually,
he was to
get the
time,
let's the
time
we're going to
let's
what we're
I'm
there in image dental,
that's located in the Colonia
Buenos Aires
by the
street RONES,
a three quadras
of the Walmar 68.
So we'll start
with all this
podcast plebada.
Behan bienniko.
And the compa
Blas.
Blas, for what Blas?
So,
so I put my appellee,
and fissioner,
well,
me said in carrienne,
no,
because in those
years,
compa,
I'm not I'm
not I'm not.
In those
years,
was the
time of Chabelo,
you're not
about the
80,
no,
83, 4, 5, no.
I'm not seeing the 81, but we're
to transport us like to 48,
that's in the primary,
that the conejo blast,
and the conejo blast,
and me came in the point of the shing.
But now,
if, if we're putting
to this,
to this time,
I'm just,
I'm just,
that's a matter, that I'm
a little bit different,
no, but I'm
did a quote,
mad to my father,
but I'm going to
Blas.
But Blas is the
name, too.
Blas is my name,
plus.
I'm a black
because
my abuel,
my
father of my
father.
Oh,
that's
the
year of the
Sierra,
no,
the year of
the sierra,
no,
not here
if I'm
a lot of
so I'm
put so
for his
father,
no.
Blas.
Yeah.
That's chilo,
Blas?
Because,
like my
father,
so I'm
the second
man,
then I'm
he's a
man, but I
know, I'm
going to
put it
like,
to put on
my dad,
and it's
good,
that's a
other way,
but...
Simon,
his
was part
of the
process
No, my father never
He never,
always did he didcough
to do,
I mean,
he had garnisery
in those years.
Of course,
I,
I learned that,
that's a
office, no,
the carnage area,
but also,
not much,
I don't consider
that's a rancho,
because if I
am not to
mount any a
cabo,
the people,
so I,
so I,
know, I see
many things,
but I
consider it
because I
have lived in the
rancho as well.
My papa,
my papa,
my papa,
my dad,
my dad,
I've been
in the
ranch
right,
no,
this, no,
the influence
my musical
came,
I think,
of the last
comp,
of the,
of the
kind of,
of what,
of what
community,
of what
family,
of what
genetic,
no see.
Because I
don't have
any
any family,
my
brothers,
nor my
Tios,
ni my
primos,
nobody.
Nobody.
I,
I,
I,
the,
of the
people,
that Tarashi,
that
talked with
Sergio Vega,
he,
the accordion.
before
of that
he was
with the
new cadets
that was
Pechoy Bega
and he
was the
only person
of the
people
that was
a music
but he
his mom
was
he was
and so
he learned
and those
his
brothers
took
they
and
they were
very apart
of us
so it
was the
only
family
and in
that
time
it was
more
to
learn
because
there
there
there
no
no
I'm
I'm
who
I'm
who's
who
You can't write in the telephone or in...
Well, I was going to write in a letter.
First, a pen.
Then, then, with the epil, then, with plume.
Orita, I'll write it with you.
Yeah, it's a little.
Yeah, or that.
Yeah, well, and those divide.
Yes, no, no, no,
what's being being being a verse, no,
so, every, every strofo, all that roo.
No, is that it's a very professional, one,
no, much more, because I've taken classes,
but, but, but,
but, so, for not to do all rewelt,
because the same
people,
the same artist
is a,
the same artiste
is confund.
For example,
you know,
you're going to
you know,
and you're
for example,
when they're
going to
now in the
page,
that's a
other pedd,
no?
Yeah,
the panellers
that there are
there's,
that there's
there's a
there's a
there's a
phone here,
and there's a
ipp
but other
other,
but also,
it's more,
it's more
than it's
more,
because the
people,
because the
people,
yeah,
need to
learn to
and you
before,
a
Fiesta
and it's
a
yeah.
And we're
to
know.
But we
do we
know what
before
it's
other,
now there's
other,
now there's
imagine
Lalo
the
Gallo
and
a guyo
saying,
but that
can't
the
same
all
a
most,
so it's
and the
actually,
there
still
there
I've
been
there
have to
be in
the
music
urbanes
because
is what
that I
me
I like
more
than
any
other
genre,
the reggeton
hip-hop
and I
see I'm
that I'm
keep in
writing writing
and so
corrhid
corrid,
corrid
corrid
cori,
c'n,
not they
put in
verse,
but
they're
written,
ah,
more because
so they
were the
music
that
in the music that
compa
in the
music that
they're
they're
they're
and
they're
always
always
what it
has
to
in the
the
rhyming.
If I have the A,
here I have the A,
if I have the E, I'm,
I'm a,
so we're going
rhyming,
we're not,
we're doing,
we're doing.
The lyrical
of them is,
so, no.
And I
talk to me
to be there
with some
where I'm
and I'm
saying to me,
more or more
a man,
no more
of those,
because there are
some of them
because there are
many people,
there's a much
Puerto Ricano.
They're rimam
different than
one,
but,
no,
no,
no,
he took
to know a
artist
urban
Well, there, there,
there,
there, there,
there,
there, there,
I mean,
compas, that's,
yeah,
there, I mean,
I remember,
that in one of
those occasions,
with a,
with a,
with a,
with a,
make the
mess,
so,
so,
I was a,
got a
, you know,
a fichita,
a,
and they'd,
and had a,
bit,
and I'd be
a bit,
and so I'm
to put to
do a lot,
and so,
and so,
yeah,
and so,
that's,
that,
that per,
that'd be
that thing,
because,
so, well, the shingah,
and the tables
to say,
one of this.
And those
vats,
yeah,
comp.
Peeor,
the more,
the more,
those more,
the men,
co,
did the bit
being machin,
with that
that matter.
And rapeable
one,
and then
was there
were doing
things,
the most
part,
I'm sure,
I'm not
I don't know
all the
sense of what
they're saying,
but I
understand the
words,
but not exactly
how they're
doing it
is all the
sense.
Because,
because it
in English?
Yes,
so.
Yes,
but,
There are
there's
a word
but they
know they
know they
know
they're in
it's a
thing that's
the meaning
that's the
meaning of the
thing.
You know,
machoica
well the
English.
Well, the
majority,
yeah,
so I
do you know
much
years,
on the
other
other side.
I've been
many years.
I never
went to
the school,
no,
but I
learned
in the
way,
but I'm
playing
doing the
respect
of the
the
way
is the
real
school?
Well,
it's
true,
no,
if it's
true.
If you
is
true.
A
least
people
say
to say
no.
I think
is the
school
of the
experience
compo
the
because
if
you
do
you
do
you
and never
you
never
you
never
you
never
you
never
to
get
to
you
know
you
don't
you
know
you
is the
whole
your
and never
you can
get a
a
problem.
But you
get a
so you're in
the way of the
way.
But in
based to that
the practice,
of the
thing,
to get to
really,
if what you
did you
in a
book,
if you
exist,
or if
so it's
there's
you know,
you know,
you're doing
you.
You in the
college?
I,
in the car
, I,
I learned
to learn
English,
no?
I learned
to learn
learn to
learn to do
a,
comp,
I learned to
a much respect,
no,
apart of the
that's
not part of the
part of the
I'm saying,
I'm saying,
but I'm
so,
I'm sorry,
I'm,
I'm,
I'm,
I'm,
I'm,
my respect,
for all those,
who have
educated,
to be
good way,
no,
no,
but I've been
more
more about
than the shingad,
no,
but I'm,
I'm
so I'm so,
and in my
way,
what I'm in the
prison,
comp,
and also,
I'm,
I'm,
I'm,
many
things.
What was
the principal
that
learned?
In the prison
comp,
to valoring
it's more
to be more
to be more
that's
that's not
that's
he's got
to get to
go.
A webo
there
a webito
no
so
so
to learn
to
to
to be able
to
to be
to work
when when
was
when you
could be
you
can't
you know
that's
that's
that's
that's
not
to be
to be
to do
to
more
than
more than
than
And the other day, I was just
I was going to say, I was the
shingano, how has passed the pinch
time? And I remember, I said,
I, that before I was going to say, no more me was
thinking, and what I was going to do when
out when I'll go to say, what I'm going to do?
What I'd say? What I'd be?
Because, well, everything
a little bit, a little.
But, for, thanks a God,
but here, thank you, sir.
Amen.
That's good that, he said that
had
had
done five
years
for the
five years
like,
the
people are the
people
that's
that's
that you
that's
yeah,
yeah
I'm
think I
think that
the
that's
one
is one
because
if one
was
there
there
even
he's
got
of the
things
that
he's
that
he's
he
even he
does
that
what
what is
that
if you
if you
you
It was what I always
I thought.
I was like,
I'd have
to be my mom
and say,
I'm going to
do,
my father,
my son,
I'm going to
see, yeah.
But,
but one
was the
that's the
man,
that's the
because
there's
people,
and I'm
and so
you're
to be there
and,
oh,
yeah,
he's just
that's
that person
that's
that's
he's
so far
after after
they're
just they
got to
get to
and
they're
people
that's,
he's,
he's
he took that.
Yeah,
comp.
What's
that
the fiendt
the manette
the
realta
no,
it's
no,
it's
no,
it's
and I
have
talked to
know
people who
have
been
people who
know,
and some
not,
but
those
who do you
understand
is because
really
really
see
they're
that
that,
as
as
to,
to
to value,
to learn
to
learn to
learn to
every
second
compa, that you're with the family,
the plate on the
mess, the
that you've got
the tachio,
the one of
a bicycle,
this type of
cases,
it's a
machine for
to,
for,
to encourage
to the plebada
that right,
or always,
no,
always has
been,
the,
the,
the,
the,
the,
the,
the,
the,
the,
that are
that's,
like,
they're
they're,
like,
they're
they're,
that
they're
that's
nothing,
and that they
are they want
that's
simon.
There's
there's
there's a
other
the other
the other
people who
like you
want to give
a good
so you
don't you
gotrace the
but
but
the life
is carrown
when when
you take
one
you know
when one
you can't
when one
you can't
say
well I'm
I'm
not me merci
to be
here
I'm
what I'm
what
was
so I'm
to
that I recura, no.
A little bit, we're in the
Pinta, compa, in the
South Carolina, no.
And we're just
a pincher
a man, man,
and then I said,
I was, I'm sorry,
I said I'm, look,
you know,
I said you're,
you know-mash
you're gonna
look at the
that you've ever
been vendid, boy.
And is that
is,
comp, man,
but,
if it's true,
not we're
not gonna be,
sometimes,
I'm gonna
and I'm gonna
and look,
and look,
and look,
and look,
you're just
just that's,
you're gonna be,
And it's
that's that
ped?
Of the
actually
is that
he's
a man
that's
very
stenso
and
for the
part of
that's
that not it
that's
not it
not so
to be
to
and that
my
my
man
that
that
you
did you
you
in the
people?
A me
so I'm
so I'm
so I'm
so
apart that
many
who
They've fallen or
something.
But when
you know
he's in
prison,
you know
there's
there's a
person who's
you're in
your family
yeah,
exactly
and without
to say,
there's about
another
that's about
a little
a lot of
or someone
who's
maybe my
compa,
how is that,
but so
the whole
of the
ball of
of people
that had
when I'm
to come down
to do you
call to
he'd
go by bye
my compo.
Al
that's like
the same,
as the
the song.
The
Merto
Lio
the Vibolososos
comp,
so that's this pedd,
and it's,
and it's a
bad,
no,
no, I'm
going to work,
I'm sorry,
I'm sorry,
all the time
to do you
know, it's
all the time,
so it's,
because one
he's,
if a one
to get a
one of those,
that's,
that's a
person,
poor averger,
um,
for a per
per person,
and then,
so,
so,
so,
so it,
and,
and,
and me
they've
again
to
I'm going to
and I
all the
I'm going to
all the
cause to
because every
who's the
person who
my life
was,
he's put
in this
in this
stemboy
like it
in that
and the
of you
and they
they're
saying shing
so at
a rato
I
now I
now that
I'm
I'm going
and I'm
and I'm
yeah
I'm
yeah
yeah
yeah
yeah
the
this
the
the
the
the
the
the
so for
each
for
one is
but
but
But all, well, the
majority is the part
that's the part that
they're more than the people
that, according to you,
they're aparted
to you when you've got
that problem, when you're
when you're a perid,
what you want,
the friends of pedas?
It's a little,
are so, so on the people,
but, of it.
A lot, but, no, but
no, but, no-mode,
so, so, so, they're,
a little,
the net,
but
if there's
always,
you know,
always
there's,
always,
there's a
good
man,
a good
and a
really,
but the
net,
it's a
cabront
there,
yeah,
yeah,
yeah,
not,
it's the
typical,
Guaruto
here,
no,
no,
is a
thing,
so,
there,
so,
there,
so,
there,
no,
you know,
no,
no,
it's the
no,
no,
it's the
one,
the federal,
like,
for example,
the,
part,
where I was
I was in
Guano
just a minute
you're at
every 15
days to your
and then
you're not
they're
they're
so they're
to make you
say what you're
to make
the option
one or
one
the first is
the first is
the
of my
mom
the second
is here
the second
is with the
time and
just the
number of
that's not
you're gonna
put it
a question
I'm
no,
because I'm
in custoddy
that
was in
custodia
a pure verga,
comp,
I said,
if you know
what
he's going
about,
I'm going
not about.
Because the
people think
because one
was not the
because you're
not going to
why the
protection?
If I'm
am sure,
it's
in Mexico,
not so it's
in the
federal,
so it's in
Hermosillo,
so is in
Guasabe
so is in
Kahuila,
so is in
the penal
there in
in Tust
Utti Shappas
in a chinko
in a
number of
in Veracru
too,
in the
perote.
So,
so is,
not is the same
that here,
so here is the
statal,
there's
where you're
in the federal
man.
Custodial
is that
that's,
that's,
that's,
he's in
a man
there's
all the
in a
mother that
they're
in a
in a
there,
he has,
he can't
you can't
get a
there.
So,
of that
you can't
be there.
You need
to be
to be
to talk to
and you
you're in
the cell,
because
you're,
it's a
squadra
company,
and that's
in front
there,
and that's
there's
TVs
up
and there's
in the
television.
You're in the
television.
You're in the
mecita,
your two
cabas,
your bannito
there and
your mecita
this of
unoxidable.
In
States,
I took in
the federal
well,
because it's
like it's like
it's like
it's like
it's like
the carcel
even the
carcel, even
even if it's
not even
even if it's
the world
as it's
the
song.
But there
in the
other
other other side, you have chance to study,
comp, and you,
and you're, you,
you're going to do meddard,
and you're going to
go to your
house and you're going,
but here
the of Mexico,
here's a cabronna,
just to be
just razzurrater
every day,
and if you not
you're rasur,
that's the
that's the more
cabrona,
like,
you know,
as they're
like,
they're like,
they're in the
time, you know,
you're getting
to rassurring,
you, man,
no, no,
I don't have
barba, and
there,
and then,
and then,
and then,
of five minutes,
just,
just them
to be in a
minute,
and then to be in
co-optively,
you know,
six regaders,
and you know
you're not
that you're
to be in front of,
no,
there's,
there's,
all the
asses,
all the vietnam,
all the
business,
well,
yeah,
that's the
thing,
we're going to
do we're going to
do,
that's,
that's,
that's,
that part
is very
interesting,
because all,
and could
put it
to talk
to,
but the
that roo yo, that no
that's the
chaseless
there's a man,
no, that's
a putter of respect
as well,
forget it,
you know,
say, they're saying
a thing to
get them, they're
just, they're
remang to the
thing,
that's just,
because,
the people
who never
had to be
the people,
the people
that never
had been,
the people who
never has
been,
not,
me,
I've been in
the federal,
comp,
no,
I'm in the
most,
maximum security,
but I'm
in the
modality,
comp,
no,
no,
no,
there's,
there,
that's role, no.
So you know.
You know,
he's about
right that
I'm talking
about the
movie,
say, that's
about the
thing for
blood.
But that's
the carcel
is a
stateal,
but where
they're in
they're
federal.
The federal
is more
cabrona.
It's
different,
compa.
No,
but they're
in California.
In California.
Yeah,
but,
no,
it's that
there's of
many things,
no,
but,
and if
is very
so,
so they're
so,
so they're
rejas, all that roll
second-pissos and
and so,
if you don't
you put a truce
and give me a piquet
at a bit,
you can't
but,
but,
but no,
I never
made,
I did,
I was a much
pleit,
because I
always had a
person
very calm
because,
I remember
when,
when I,
when I got,
I was,
I said,
you know,
I'm doing
am doing a
other,
with other
people,
I said,
you,
you know,
you,
you know,
with the
people,
you,
because if
you're there
with the Negro, and
and they're
and they're
and they're
they're doing,
we know,
we know,
they're not,
we know,
and they're doing
into redando much,
no,
with them,
not with the
Puerto Ricanes.
I said,
with your
pure people,
no more.
And I said,
you,
I said,
you know,
I'm just,
I'm,
so,
he's a
person,
my friend,
and so,
you're just,
you're just
me took to
know,
people,
that's made
a manchista,
and no,
I,
no, I'm,
I'm not,
I'm not,
to the more to the Gabacho
because he has much
money.
Pure,
pure,
I'm going to.
And there
not there's
not really that.
Or so?
Well,
there's,
how does it
what is the
money?
The stampas.
How is that?
I'll talk about,
I'll talk about,
you know,
I got to get
to the federal
there in the other
side,
then you can't
you can't
get a money
with you,
so,
then there in the
other side
so does it
also use
much the
correo,
and you
the same
stampita
that you
to the
a,
a card.
A,
a card.
every stampita
value 35
centaos
so three
stampes
is a dollar
a dollar
past
there's
there
there's
you know
and you
and you
and you
in the
votes
that's
that's
like the
there's
there
so you
getras
yellow
and you
put you
you know
and the
sodas
for example
cost
five dollars
the
and you
and you
you
every
soda
you
and you
sometimes
you're
so you
and you
and you
get to
you,
you grab her
and they're
and get to
get a
and try it's
a stowa
a little
you know,
a pshaw
I'm a
don't have
so they're
so they're
so they're
so they're
they're
every
every book
every book
every
stuff is
so they're
so
they're just
they're
they're
they're
in what
they're
in what they
are
in what you
want to
you're
you can't
you're
you're
and you just
you're in the
Tienda
or the
Rasa
that's in
that's in
that's
that's in
that's
he's
that's
he's
about,
no,
but it's
that's
to come
a lot of
and you
to come
when you're doing
your
food.
Oh,
that's
that's the
thing,
really
the
stuff,
the money.
Yeah,
the
those books
they're
they're called
them
they're
gonna
well,
those are
those are
more car
and so
what
was the
most
car
that
paid
with
No, I really
I never
I never
never used
but
there's people
that's
people,
there's people
that's
people,
people,
people,
or they're
things of
or they're
like they
people,
because there's
people,
you get to
you're
putting
$3,000
in an
appusts
not,
they're not
they're not,
they're not,
they're not
they're,
and they
know,
and say,
they depositle
to
a lot of
person,
and then
then outside
you're
the trato.
The trot.
And if
if you don't
pay,
you know
you're
to
to go to the prison,
yes, they have to
go.
Why?
Because,
well, they
they're in
a pegged a
, man,
they're
to pay.
You know,
I've got to
get to
hear of
Mexico,
I think
in many
parts of
that is
that is
controlled,
there's
many areas
controlled
in the
States,
no,
there's
there's a
control,
or,
so,
is that,
it's that
because,
you know,
not,
not it's a
that one
one
one's a
population
that's
the
people are the
people are in
all the
pressure,
in all the
there's,
no,
there's no
there's
there's not,
because,
because it's
a peleado
the Mexican
with other
gangas,
and there
not we
don't enter,
we're not
we're not
we're not,
but they're
they're gonna
you get from
where you
get them,
in an aspect
of something
in a bologna
you're trying,
this bat
this batto
he's got
being
Oh, no, they say in Fulana, prison,
well, then, well,
to tumble it's that you're going to
to put up.
Yeah, that's...
That's a...
No, yeah, man.
So, if you're
so...
So, you're...
How...
How's it
can say,
if...
How do you
do, because
no?
That's...
That's perro,
that, co-pa.
Because I've
seen in a
movie, but I'm
in the life real
too, well,
they're...
They're with
contiguous, compo,
don't contio,
they...
For example,
I me
took,
compo,
that came,
that were
some,
you know,
and a,
and a
batto,
the,
of those,
that were
in the
, you know,
when it was
that's,
because there's
14,
15 people,
and they're
to bring
with the
colchon and
all,
the
he was,
to be the,
like,
how it
could be
to be the
way,
but it
he said,
he said,
he was,
he said,
he had
put the
he had put
to the
, and I
said,
he was
to be
the
the bato
for you,
he said,
let's
get to settears
then,
he's
to goye
for the
so it's
to be in
the time
because it
is a
you know
you're not
you're not
you're
people,
the family
of the
people
around 300
people
to do
to do
to do
so, so
so, so
so,
so that
is a
thing
is a
interesting
that's
very interesting
compo.
The net
the net
I read
books
compas
a
massisto all
this
and
figg
that
that
Because, well, here in Mexico,
because in the States
there was more chance
to go to the patio and all of that.
And here in Mexico,
I put to learn it,
and me went in the pinch
voyage, comp,
and I, like,
I was in the other,
in the other,
in the other,
in the other place,
the other place,
the letter,
is of the
better,
I'm,
I'm,
I'm back from,
me,
I was,
I, I'm,
I, I,
know, I,
know, I'm,
many,
many,
many, I'm gonna
talk about that,
talk to get to
that anecdote.
A-be.
And,
and me,
he said,
to your
kids,
no,
me say,
I mean,
say,
they'll
them,
give them
to get them
to get them
a good
school,
that they're
that's
they're doing,
that's
someone
to be able to
see.
Fiatty
that when
we got to
the prison
there,
I got the
in Beaum
Texas,
in December,
in December.
You know,
that you
get you
and,
you know,
the GED,
the GED
being saying
that if
had been
to be
the high school.
No,
no,
I don't
I'm,
so,
obliged to
go,
and I was going,
and we've been
few places,
but we've got
some of the
there's a
day.
So one of those
me said,
I said,
well,
me,
he said,
well,
I said,
never,
I've done the
prepa,
I'm going,
me said,
I'm going to
say,
so I'm going
to go to
that mad,
how's going to
you're going to
you,
you're going to
when you get to
when the guitar
there,
no,
then so,
so,
well,
then,
so,
so,
all you're going to
to sell me
in $100
dollars
me said
no,
pass me a
number to
mark to
out of the
to make up
to get to
to put up
to get to
get to the
time.
At the time
he's the
time you know,
and it's a
paper, or so
a box,
and it's a
book,
that's a
black,
and I'm,
and I'm
a photo
that no
I,
no,
but it
was a photo
after with
the time
me said,
compa,
it was a
photo of the
revista Furi
Musica,
and he
got her
one of the band,
no see if the band,
the band, the
of the
Sebastian is
someone
that's like,
that's like,
that's about
to be,
I'm,
then when I'm
he said,
I'm doing,
this is that
madre,
whew.
No,
me says,
well,
but how
he's going to
show,
boy,
I said,
with the
with the
director of
the
, I'm going,
with the
man, he said,
you have,
you know,
you have,
rife,
say,
go,
and say,
say,
say,
that's a
certificate,
and now you're
to be
so,
If you don't
castigants,
I'm,
and in one of that
comp,
me,
I'm at
a lot of
and I'm
my shingad
and the mother
and the
and I'm
and I'm
said,
I'm,
I'm,
I'm,
let me
get my
certificate,
this,
for you know,
to know,
this,
for you
to know,
to go to
get to the
school,
I'm going to
go to the
prepa.
Oh,
so,
well,
so,
so,
so,
so,
I'm,
I'm going to
just,
then I'm,
then I'm,
then I'm,
me said,
I said
that's a
good,
that's about.
Yeah,
that's
he said,
well,
yeah,
me,
I said,
me, I'm
saying,
you know,
I'm
not going to
do you know
that's,
but,
but,
he's the
he said,
me
said,
and then
he said,
and then
when I
got I
I'm a
other prison
in,
in,
in the same
Texas,
but in
other part
in Pecos.
Because,
why they
were
they were
so they're
they're
when they're
when you
go there.
You know,
you
go to
because or you
do you back
your pointuation
or you
fall to less
time and you
are passing
with the rasa
that's
to be more
to get you
to get to
you know
40 to
so you
so.
So,
so I
came back
that prison
and there
were two
people,
one,
one,
you know,
I had
had to know,
I'd be
there,
we'd be,
we'd be,
we'd be
we'd
we'd be
topado,
compas,
we'd be
because he was
a prime of a
So, we got him and took
that were the master of the two of prep,
or no?
He took that was a master of prep,
and he's a one of the masters,
and he said,
and he said,
he said,
no, he wants to work,
the work,
the job,
the professor, I go,
so I don't know,
no, I don't have any,
any,
any,
Gidile, I, I go.
Well, I have the Gidil,
I go, but it's false,
man,
no, there's a,
man, he says,
here, in Tierra of Segu's,
the Tuerre of the Reyes,
You, you parrater,
you, parrater,
you say that,
you know,
and I met
as a master
cabron,
and the,
just the pen
in the
secondary,
and I met
as a master,
and I,
well,
I was,
I was,
I was to do
class,
but I
had I,
I'd,
I'd,
I'd like,
in the
calculator,
no,
but I'm
to do you,
I'm just,
puttah,
why not study,
what I,
it was,
it was,
it was,
it was,
it,
was,
Yeah, co.
Salud, for my compa,
the guy who made
that he got to
fallacy a little
to get in Oregon,
the professor,
profe benja,
no,
never me will
be able to
where I was,
he'll be there.
If he's,
he'll help,
the,
yeah,
because
one,
one,
one,
he's going to
be doing
many negative
many things,
and he
goes to
and so,
no,
no, that's
no,
no, that's
he said,
he's,
he's the,
he's the
he's,
you know,
you can't
know,
and you,
you'll be
And, then I met,
is that it was the
job more
paid to the
prison.
So,
so,
so,
so good,
that,
that,
that,
so,
was,
the,
the,
for a,
well,
to learn,
to learn to
get,
to be
more,
and
so,
but,
I,
learn to,
how you
know,
much,
but much
a rio,
of that
so,
Fich,
cubberlele
this.
When,
how,
how,
it was
in the States,
in the,
in the,
of three years,
three
months,
I mean,
and here
and here.
Why do you
go to
come back?
I'm
back.
When I
when I
go back
when I
do you
do,
I'm done
a time
but
but I
mean they're
is the
minimum
mandatory,
so for the
delit
that I
had,
from there
I don't
so that I
could be
back to
so,
so if
you to
do I'm
to do
to do
20 is 20,
no
I can't
start
to less
of that
time.
So,
me
did
10
was minimum
mandatory.
So when I
get to the
prison,
I'm,
I'm not sure
because
I'm saying
a shingue
of time.
I'm
did you know,
this case
was of Chihuahua
I think,
a man,
I think he
was in
I'm a
man, I said,
oh,
boy, me
he said,
you're going to
be to be
to be the
eight years,
and
just a
only had
eight months,
but I
know that
I got to
the prison
I came
in December
of 2016
and my
my
The 23 of December, the 24, was when I had to say that.
He said, he said, here no, but you know, but you can't appellate,
you, just, buscar to one. No, me.
You know, no, no, no, to do you know, no to do you.
No, no, I don't to go back to 10, man.
If you'd have a 10, but you'd have the minimum mandatory, no can't.
I mean, so, put it to putt to Mexico, me.
Pied your, you, your, to, your, do, do you,
volunteer, me
there in the
office in the
office of the,
of the perron
of there's
there,
and then you
and then
and you go and
you're going to
you know,
you know,
you have to
do so-
so-year-a-
all the time
that's a chispita.
Well,
that was my
chispita
of the
company,
no,
no,
I don't
put to
there,
but in
the other
prison,
I'm,
I'm,
I'm,
so I'm,
I'm,
I'm,
I'm met
in a problem
me,
and I'm
there
to get,
and I
And I got to the
Carta
When when
When I'm
When I'm
When I'm at the
Pouca
Well,
we're two no
in the cell
They're
They're
I'm
I'm
Hey,
Correo
Dijo
And he
To you
To be
To be
No,
me
He's
You're
See,
And I'm
And so
And I'm
And so
I'm gonna
Comep
The government
America
That's
What'd
That mad
Well,
Well,
Well,
Well,
Well,
well,
I'm
I'm
I said
And I
he said,
approvado
to go to
go to
my compa
and I'm
sure,
I'm
to get to
him over the
man.
Oh,
the chocked
with that
about the
about
about it's like
to go
and I
gollah
that's
that's
a lot
after that
they're
to be
to another
prison
but to
South Carolina
we
went on
the
car
in the
thing
then you're
getting
there
then you're
to
then back
to
and to send
to the
Embassad
my act
of
that's
a post.
And that
pressure
I'm in
the first
of December
of 18
to 18
to South Carolina
and in
Mayo
compa
in Mayo
in Mayo
I get to
the card
you have
to get
to get
I'm
I'm
I'm
I'm
I'm
and
and
someone
there
said
he said
he said
to
he's
he's
he's
who are
who are
And he said,
I think
are two
that are
to Mexico,
and here
are you,
and here are you,
I'm in this
and I'm, I'm,
that'ser you.
And yeah,
there's
80-tantant
people who came
to make sure of
people.
And I'm
with a ball
of cabrona
that I'm
that I'm
toped in
all the time
that I'm
and then
we're not
and we
made them
to get in
the way to
they're
in an
car that
they're in
the more
that's
in an
car that's
in a car
in a car
but the
most that's
not a
are you
are many
are many
are vehicles?
And how
they're
how they're
to get
to get
to get
to get
many people.
There are
there are
there are
not us
in the
in the
room,
you know
that the
carmion
and they're
in a part
that they're
sure that they're
sure that's
a lot of
a lot of
policeies armed
and they're
they're in
they're doing
to get to
up to the
van you.
It's
going to
just that
just as
sat down
but
and you
go out
and you
start the
classifications
to come
to be here
to come
back,
you're
and they're
doings
all over
and they're
doings
so they're
so they're
so
we're
we're
And, well, yeah in Mexico,
well, no, we're a pinch shing here,
but there we've gothando the roo.
So, so they started to go more
friends, of the first that we got,
those that were in the time,
they'd,
they'd,
the benefit that there
because the law
came, no,
no,
so many years that came,
the law,
the,
the,
the,
and it was,
and it was effective in
2018,
the law,
the law,
the executive,
the general,
the general,
the general,
the
United,
we're,
19.
So you have
to know
we're
we're in
with that
we're in
that format
of the law.
That's
what they
did it.
Yes,
they were
to go
to go
to go to
all,
but I
still still
not
not come up
the time
to the
time that
I'm,
I've
contracted a
and I
did a
for the
liberty.
Sure,
disconditioned
I'm saying
I'm
firmando,
no.
But I
did the
life
the
man,
the
Durro here in Mexico
A year,
what?
Seven months.
One year of seven
months.
It's that I still
still still.
If I was
in the States
I was still
still.
But I
wasque
for the way
I was found
the way
to be more
near my
family,
well,
I said,
well, in
Mexico,
if I
took to do
six years,
I think,
I'll,
I'll,
I'll,
I'll,
shing his machine
some machine,
there,
other two and
maybe,
as I want
me those
in the
islands,
Maria,
in this
case,
to all
them
they were
in the
but when we
we were going to
we're
going to
get to get us
and they're
going to
get to
me back to
they're
to get to
but I'm
there
to gop
we're going to
I'm
in Guanojato
I mean in
all the protocols that
they're taking
to get a
I'm at a
pet are a
Pellarer
when I'm
to receive
yeah
but
but the
but the
but the
but the
but the
well
come to
get to
a catchettone
one of
a camera
of
a camera my
of the
Dorado. And I said, and I
see, oh, comp, but to me
not even, no,
I'm not quite, but I'm,
they're not, they're,
they're not, they're gonna, but, so, yeah
I said I, no, I mean, no, me,
peggled, no, I'm, no,
I know why, I don't know.
I don't, I'm gonna, but, me
arrooted, but me arrooted all, but...
But that's, you know,
to, you know, they're, uh, you know,
to, you know, to, uh, you know, so, but...
So, that's the role...
It's, it's a...
I mean, but...
I think, you, because, because, because,
Because that
matter is
delicate
in
questions of
that
that
they're
that
they're
in the
thing
yeah
so they
do you
do they're
to ask
to ask
to ask
to ask
you
don't
you
don't
yeah that
yeah that
so you
know
so
so
no
but if
no
they're
not
no
so
so
then
so
yeah
he
is
here
he's
here
is
a
How time is the process
to go to firm to
to do you
to sign?
Well,
so,
not it's of
that there's
not that's
a letter
to the F
because
until that
you're up
eight years or
the time
that you
should be
the time
the,
the middle of the
sentence is a
certain of the
sentence is a
time,
you know,
for your
good
performance,
for what you
want to be
so,
then to
expect to
that's
that time,
no more,
and then
we're just
a little
the pandemic
too,
because,
because one
who's the
other,
we're going to
get a
way and we're
there's,
but,
but,
but,
we're,
we're
so,
it's,
the thing,
the
God,
God,
amen,
my God.
Well,
then,
there's much
information
of that
the,
the,
the, the,
the,
the,
the,
is,
how is your
life,
here,
out of
out of
the,
and,
the artistiada, because you're
an artist,
a writer,
so,
how is that
change the
thing?
How is
that's the
relation that
has the relationship?
No,
I'm,
I'm,
and the
first I'm
feeling me
co-bidden
for,
for a
where I've
been in
a rechase
to say,
ah,
that's all
that's all
in the
Bucke.
But,
but I
paid what
I'm to
pay what,
I'm,
I'm,
to have to
have to
because also you're
to be able
in the front in
alto and I
would have much
a lot of
my family
to my
wife and my
jeffa
that's
they said
that I'm
that I'm
always said
that I'm
that I'm
saying,
oh,
and I'm
where I'm
that's
this bat
so that's
so that's
so that
all the
right
there's
there's
there much
there's
there much
there
I'm
I'm very
with all
the whole
because I
don't
I can't
say
that the talent
of him
is the
better than
the more than
I'm
or that he
doesn't
that he
doesn't
I'm
always I'm
always
I'm
like this
role of the
music
and I
always
always I
always
but
but
but
always
I
always I
always
I've
composed
many
role
for my
compus
for my
father
when when
when from
the
beginning
of the
the
ascent
of the
career
of him
more than
he had
started
so many
years.
I've
written
to him.
Fallece
and I'm
truncated
the dream of
I'm
I'm gonna
he'd
have a visa
in that
I'm
and I'm
and I
would come back
to go to
and I'm
to go to
and I'm
then I'm sorry
and then you
know well
he's going to
do this
dream of
to be
to be in the
artistean
I
to go to
go to
go to
hoteles
to eat at
more to
eat in
good restaurants
to
know
character
because if you
know
because if you know
a
race
no
so now
now
now that's
the
the
he's the
he's
his little
he's
yeah
we're doing
that's
he's going
to be
the child
and the
and
by the
yeah
he's
the
he's
quite equal
to
his
father
can't
even
he's
he's
he
he's
he
he's
yeah
yeah
yeah
yeah
yeah
yeah
yeah
yeah
yeah
yeah
so
no
not it
you
is
is the
little
the Tito,
no,
well,
you know,
is the Tito
Torbino,
right,
right,
so I'm,
so I'm
not so much
it's a
not,
you know,
that's a
that's a
that's a
right,
there's a
Rauul Aernandez
Jr.,
that's
very much
to the
father, and
the
his son,
and there
are other
artists there,
I don't know,
but,
there's a
many
there's my
compo Javier
of the
dynamic,
so yeah,
I'm,
so,
I'm,
so,
And that's all right,
because,
a
past of that
is a second
part,
comp, that is
the kid,
he's a man,
but he's,
but I'm sorry
to you,
but for a lot
to do,
but,
but,
well,
so,
I was,
I was,
I was going to
ask,
what can't
that's the
most
he has
,
I've
made
composed.
I know
they're
because
every one
one's,
when one's
to do you
do,
it's with
with
love,
with
carino,
but,
I think there's one that you
will say, you know,
what, this, I'm sent me,
and I was a man,
when I composed,
and when it was
when it was,
when it was
the other that
most I've got me
to the last I've
composed.
The Philly,
too, no.
I mean a,
I'm a,
in this case,
the movie of this
bat, of my compar,
yeah, for
to be,
and see,
and,
I'm,
I,
I'm, too,
or I'd have been
so,
or this.
When I'm
when I'm
reflect on her
compas.
I always
I always say
one or
another
thing of the
songs that I
compong,
well,
well,
you would have
been a
person who I
in some time
I'm going to
have to have
me,
no?
Alghito
have to have
me to be
a chance
to make a
chance to be
a perr,
so,
so,
because the
Delphili
says in the
pedasso
a life
of danger
and said
that's
me to live
and say
it's a
my destiny
is the
that I'm
I'm
to have to
the rancho
to put to
and I
talk I'm
I'm
top I'm
with a
difficult
to come
so
so it
so you
have
lived
no
for those
for those
we've
been
to
to get
to
the
well the
well
the
the
support
the
the
the
the
first
said the
never
I'm not so much
I'm sorry,
I'm sorry,
that I'm glad
my destiny, and I
met me to the mafia
and I'm gonna
get to get a money,
and I'm pretty
and for all,
I'm appreciative.
So, so
things that always
I've been I,
so, so,
so, so,
so,
more than,
that's been,
that I think
people are,
yeah,
and there's,
I mean,
I'm just,
I,
I'm sure,
I'm,
I've done,
some,
I've done,
some,
I,
I'm,
in my,
in my mind,
no,
in my mind,
no,
but,
But, yeah, in that
A little bit of
A Sucre.
Who's the
Kahn'all?
Also,
that's two
are Tito, no.
Okay.
I'm
I'm
my own
my own,
they're
so,
right,
but yeah
me have grabbed
a lot of
people.
If he
would be
if he's
still,
no,
so I'm,
we'd
not end up
in the music,
we'd
more in
the Cotorreo
and with him,
but,
but,
but,
no more,
so,
so,
his cycle
Cipo,
and,
right,
he's,
the,
he said,
well,
we're doing the one
still doesn't
have been in
a while,
but here we're
going to be
with what
what you're
doing that's
you've got to
collaborate more
so you know,
you know,
I'm feeling
a good
when I'm
a good
I'm not
I know
because,
but I
feel good.
Well,
I think
with them
with them,
with him.
With Tito,
with him.
Yes,
too,
because
it's too
has one
much to
have to
many
things.
Much
times,
you know,
you know,
you're doing
and a
time you're
not a
person,
they're
to do it.
But it's
one to understand.
So,
one has
a thing
kind of
same to
the style of
them.
And at
the last
they're
the last
word,
like they're
going to
graber.
I've
composed in
many of
this
rhythm,
it could
say,
no.
I've been
made a
style
like for
Nathanel
El Cano
and
do you
I'm going to do
a style
like, for
example,
edition
special that
yeah
me grab
I've done.
I've
made a
manhito
Redondo,
for my
compo's
Gardo Nunees
and all
are different
for Tito
Torbino
is different
to others
also,
collaborations
with other
people,
so,
in co-autorias.
But I
think that
with him,
because
there had
chance,
there was
there chance
of one
to one
to one
because,
as it's
the style
is like
the style.
It's
more or less
or
more than the
styles
of the
composition that
one
he likes to
and there
is a chance
so,
not it's
that you
see the
there's
there's
a lot,
you know,
see,
you know,
so is that
not the
word,
changehersel.
And,
well,
and then
there's a
in the
ball
then.
And,
well,
I think
with him.
How?
How?
How's what
he's what
he's a
car?
Well,
I'm very
barato,
yeah,
no,
no, no,
never
never,
never,
never,
never,
Oh, no, that you cobblery
that's, how can't
cover so?
But you're,
how you put it
the roto?
No,
do you?
I mean,
I'm going to
go over to
not go back.
No, I'm going to
do you.
I said,
I'm more,
I'm going to,
it's more,
I'm just,
you know,
well,
it's so,
it's so,
no,
no,
it's more
what I'm
like to do,
than,
than I'm,
than what
cost them,
so,
so,
so if you
come,
and you know,
and you
say,
you know,
and you
with more
more
more
and I
have
told a
story
big chingona
and they
have tried
to recreate
to create a
idea of
my ideas
my
manned
a bit
but I
don't
go back
and send me
a
no
no
not
not
no
no
because I
vary
it's
I'm
I'm
I'm
I'm
so I'm
not
just I'm
doing
doing the
my
my own
my
things
I'm
I'm
I'm
I've
grabbed
before
when I
died with
my comparate
and I'm
a couple of
my friend
and we
did it happen
and it's
a lot of
the way to
the Alex.
But the
the Swoio
also didn't
do it
because
the time
I came
so you
and so
I'm
getting
retomando
that I'm retomando
that
now now
now like
now we're
now we're
going to
come
to make
music and
all this
role.
Asolista?
Yes,
but of
all I'm
going to
continue
to do
to do
the
people that
that's
that's
can't give them and artists
grand as
that's the
can't do you.
And that one
receive a regalias,
well, that's the
good.
It's more
what I like
than what I say,
no,
well, this,
no,
this, no,
I don't know,
I'm going to
do it,
do you know,
to do it,
no, I'm
going to do it.
No, no,
a song,
has a new
I'm a
one,
and I'm a
one of the
one way.
That's,
what was the
first,
the one of,
the second,
well,
yeah,
was the
disc that where
they grabbed
the
yeah,
super me,
that's
that's
there's
a few of the
one of the
movie,
yeah,
that's a
little bit of
I'm in the
second?
I'm done.
Yeah,
there's a
yeah,
there's a
after the...
Yeah,
after the rote,
when I was
about it,
and I'm a
contact with us,
and there was a
there's a
logic,
I think,
and there's a
way,
there's a
way,
there's a
so,
so in this case,
I'm the
that was the
got,
and they're
romantic,
not
composed?
No,
I'm very romantic
and so much
more demadroso
I don't
know,
with the
woman,
with his
novi's
or so,
has been
romantic
or also?
Yeah,
no
I'm very
detailist
of the world,
but
yes,
is a
romantic.
I do
I'm
I'm
like I'm
like you,
but I
like I
like
too,
like,
like,
like,
like,
I've
composed role
as like
style
manac,
like the
ear's
about,
but the
romantic
romantic,
you know,
that's
your name,
that's,
No, no.
I use other type of
words,
but if I've done
some of the
romanticone.
There's,
I'm going
in a lot
that's
that they're
in a
if you're
if you're
in a
little,
the,
he's
talking a
story
about a
about the
cassette
that went
to buy
to
her
oh,
so when
my
my
wife
had,
I,
I'd
in the
tangis
company,
no?
In a
time
he used
much
the tangis,
no,
I'm
another
Sallexico
California
that's
the
frontier of
and in that time
was the rap
compas,
no,
I've got to
pass the
fever of
Vanilla Ice
and Dems
know,
it was
the RAM DMC
and I
remember who
people who
people who
had been
in those
years.
So,
it's the
people of
D.C.
All of
those
Mrdos.
So,
we're
on the other
side,
we're going to
get a
and I
said, my
m'em
my wife,
come me this
and come
and it's
very car
and come
me come
and me come
it's the
disc of Dr.
Dr.
Dr.
The Chronic
it was.
I don't remember what year was.
And then I
just was the rap.
I mean, I've
been rap.
I've been seen
I'm sure
I think I'm
that I'm sure
I'm saying
the word of
in the courriots
is rapid
like if
were rapiaja
no.
At the
maybe
DJ Blass
there's a
there's
there's a
DJ Blas
is of Regetton
that bata
no?
No,
yeah
no, I'm
no,
the
Blas.
MC BLAS.
MC BLAS.
You know,
that
we all
we have
a
detras
of a
urbanon
that we
loved
the time
that
of the
music
urban.
No,
it took
you
see a
a
movie
that's called
the word
letters explicit
Australia
of Compton.
Australia
up Compton
Simmon
yeah.
Yeah,
I mean it.
I'm
I don't manage the English, me
I don't know, I think.
Where's the
, I don't know
if they're
in the other
side,
see,
it's like,
you know,
it's the
thing,
the story,
yeah,
the history of
them,
yeah,
yeah,
but,
so it's
that's,
when one
when one goes
when one
goes,
when the
primary,
is calm
down,
yeah,
when it's
a rebeldom,
because,
because the
people,
the same people
to the
people,
no,
in the prepa,
you,
then you
to get
to get
one,
and the
and the
Then, you know, you're going to be your priorities.
No, well, I'm going to study the career and you're going to be a vaguerre, but more calmed.
So, is this roo.
So, so, they're all, even.
The, the, uh, the, uh, with an artiste that has left to,
something beautiful?
Convibencia.
Well, I think that with my comparer, there's, tantas things shingonas that...
That's what we've passed, or not?
Because, because, well, he was going to, well, I don't know.
me me de value
his
success,
no,
no,
I'd
never fall
the respect
of that
that way,
but
it's not
to be in a
little bit
and go to
go and go
going to
those things,
that they're
not,
how are you
going to hear
the music of
this l'clock?
And so
so,
so it's a
man, it's
a rebatadone
to Tito.
The net
I mean,
I was
a lot,
I'm good,
there,
there,
there,
the romantic
of those,
but,
oh, the
that's
that's,
of,
it's,
of the
it's,
it's a name
a song
that,
you know,
that's too
I'm a
that's a
car,
that's
you're in the
person,
you know,
she's,
he's
the
thing that's,
she's,
things,
that's,
it's,
know,
he took to know
Spinoza
Paz.
I'm
took to
say,
me,
he's
chapparito,
yeah,
he took
saludor
to be
that's,
it's,
it's,
I'm,
he's,
me,
talk,
saloers,
in some
times,
the
no,
no,
it's,
premium
no, there was that
there was a lot
of artists
like that's
Marco Antonio
Solis,
Elbukki,
the Navarra
there's
the horoscop
and the
number.
The soroscop
I remember those
old old.
Ah,
and I think
was where
received the
friend of
Javier
and the
code and they were
a friend
that was
my friend
Javier
Rosa
and were the
other
two
several
comrades
there.
With who
who?
Mande?
No,
Diggame,
D'am.
Much
comrades,
and,
I mean,
I was
a little
to see a
whole
to get a
lot of
a lot of
people,
I'd say,
no,
that's
this set
of a
manned
and the
and the
scene,
and the
he'd
back a
when,
when he
was,
when it
was
to be
back a
other person,
about that
ever,
that was,
so I'm
a-a-
way-a-
and,
and p'n'n't
the other
to be-
back-a-
and was,
they'd be
that-gott-
that-a-girt,
With the film?
Simor.
With what
artist?
Man,
it.
It was,
it was.
It was in the
double-tier
where
where they're
doing the
Oscars,
competition.
Oh,
and you're
rona?
Well,
what's
what we
doing?
But,
but what?
In the
tennis
theater that
that's in
North Hollywood
too.
That's not,
that's
that you're
saying,
I'm talking
something
that's,
and so.
And so,
and so,
and so,
so,
that they
that's
that's
now that
we're
to go to
now that's
we're in
we're going to
we're in
the Pilos
Bar
the Pylos Bar
the Pylos Bar
and we're
and we're
to say
and the people
say that's
the shingados is the
Pilo Bar
well
what's a
one of
the music
Norteen
you know
you're
you're
you're
there's
there's
of the
Alire's of
the Teran of
the people
and there
they were
they're
there they're
a WIPA that
they're
to call on,
I'm going to
talonear
it's a
60-tant-a
many of the
can't be
more than I
know, I'm going to
like the
other's the
dream of the
thing that's
there's a
car that
the disc from
any of the
people who can't
put up to
there's a
part of a
no,
and it's
he's got
to talk
there,
so it
so it's
me took one
one way
to talk
too with
Pepe
of the
Canelels
me
took to
to play with Juan Villarreal
also and say,
you know,
the pinches
I should
presume a
title
university, but
so are the
are the
men.
They're
are the
ones.
They're
those
those years.
You're
all the
so, and we
got to
all right.
But so,
but I'm
that's the
would be
to collaborate?
With
what the
artist
I'd
like
to be
to be
that
the
general.
Fiance
that I
want to
know to
get to
Cajalderon,
comp.
Tego Calderon.
Yeah,
a Tego
Calderon
I'd like
I'd like,
I'd
I've said in various
podcasts
that I'm
grab them
in the
people
say,
hey,
but for the
because I'm
like to get it
like to be
to get it
to get them
to the world,
who are,
who are the
who are?
Who are?
Who are not
are that?
Or,
maybe,
well,
here in
Mexico there's
much talent,
compa,
frankly.
No,
I don't know,
to be
with someone
of other
country,
no,
that could be
that could be
a,
no,
this vats
they do
these vats,
like,
Like these
these vats,
no,
they don't know,
they'll
do you know,
they're not,
you know,
they're not,
they're not,
they're
so,
they're not,
they're
so,
they're not,
the,
those,
the laws of
the money,
no.
But,
no,
with the
that's
that's
how they,
how it's,
how it's,
no,
no,
no,
no,
no,
I'm,
they're,
I'm,
I'm,
I'm,
know,
I'm,
and I'm
would be
to be
to collaborate
with them,
so,
then I was, I'd have been, well, it would have been.
So, is that one of those, of those
epochs, comp, well, they're
those perroney, in the violin,
you know?
Yeah, well, then,
they were, they'd have done with us to-do
to do you to play with the band
machos, comp.
The band of the Mexican,
well, no?
Banda Magay.
The band Magi, compa,
the band of the macho,
the band of Mexican,
the Tigres,
I were in mega-ballazzo.
The Z, like,
the organization Zta,
no, they took?
That was, no, no, me took up, but
they were in those
vows biggant,
comp, no,
I mean,
there were,
there was a band
Sarape
that was in the
ball, was,
was over the
man,
he was over Lysald,
Lalo Mora
when he was
got to be
to get to
the other
of the
invasores,
yeah,
it was a
man,
so,
there were in
vows
in men's
so,
but,
but,
they're just
they're
just in,
but
they're
not,
you know,
the people,
just,
you know,
for tant,
delinquents
like that
there's a
that's a
no,
I'm going to
to get a
lot of
you're going
to get a
bit of
bote,
boteasas
there,
no,
and I'm
and I'm
here,
I'm going to
talk to
I'm in
a little
of the
Bailes
so,
compa,
no more
what's
that's
the
palenque.
That's the
only
that's
nothing.
Yeah,
my
I'm going to
get those
money,
I'm going to
get the
there's a
there,
that no.
No.
I'm
no,
don't know,
for the net.
To enter
presumed
the
year.
Oh,
let's
we're rossed
one
also we're
to go to
the last
there's
yeah
by the
garriando the
girl
to the
back
to the
no,
me
not you
to get a
to
that's
a
a
that's
that's
when I
get the
yeah.
Who's
yeah?
Who get
to do you?
Yeah,
for you
get to
yeah
because
would
yeah
yeah
I'd
know that
I'd
know that
the
my
my
not
was
not quite
when I'm
like the
boy
if I'm
to hear
I'm
listening
and I'm
doing it's
hard
intocable
this
the group
intocables
of the
north
also
these
the canel
compas
I'm
fascin
to me
those bats
these are
those
intokas
these
the tigers
Tucan
the
Bajonas
these
these
these
these
can't
I
have
dedicated
old,
I'm
right.
Right
and I'm
a
newbie,
I'm
a little
and a
man,
the man,
the love
to get,
man,
that
love platonical
and that
that's
a song
so.
I think
that the
time
that was
this
this
Mario
Vintero,
my
respect,
I've
got to
say,
I think,
the
time when it
did you
comp,
the language
that
used and
all,
mark them
like to
they're
like they
were
because
not,
because,
it's
are words,
are
words
are
are words
beautiful.
And in that
time,
no see,
like they're
to get
and bonarro
and they're
all the
whole people
have heard of,
yeah.
And it's
chingong,
comp,
of that's,
of that's
this thing.
So,
of so,
of doing
music for
ever,
then,
to create
something,
comp,
that's,
for a
group
firm,
is,
will be
to do that
is,
I'm
respect,
the net,
for you,
comp,
bad of them
because,
because I
am I'm
very much
for them
for them
and I'm
not specifically
for them
but they're
not,
but they're
so they're
in me
for the motivation
I'm saying,
I'm going to
I'm sure
I'm sure
I'm
and I'm
well I'm
saying,
oh no
yeah,
retire to
that's
that's
because
if I'm
to go back
back to
then then
then I'm
then
then I'm
so I'm
so I'm
I'm not
I'm
much
less, but not for that
they're just
they're doing
they're in
people, they're
they're in
other levels and they're
to be in
it's a lot
in can't be
in the
life comep
and the
they'd go you
the other day
me said you're
a man who's
because
me was talking
for a rola
to go to
and I'm at
the car
to get to get
to get to
no,
no, not
they're not
not they're
not they're
me said
if me
if I'm
if I'm
let's do you
my time for
another day
and I'm
I'm put
and I'm
I'm
what is.
Well, it's what
is.
So, if I'm
I'm
so,
I'm
to put to
compare to
you with
my mom
or something
no,
no,
well,
no,
pa.
So,
the raza
has to
learn to
do that
because
we're
we're in a
business,
yeah,
but me
said the
other day
a bado
man,
compa,
no
he has
that's
he's
that I'm
that
I can't
how to
how can't
how can
nobody
want to
that
Or how
that nobody
wants.
So,
I mean,
I'm going to
be tolerant
and that
maybe I'm
that I'm
that you know,
that no,
that no,
that you know,
to do you
to do you,
for a group
for a row,
so,
so I'm,
but if I
had been here
to be in
my corrhiv
or so?
If I,
all those
want to
want,
so the rott
and from
the more
up the
above,
but one
has to be
tolerant,
you know,
you have to
understand,
to understand
how
comes the
people
to the
people
to be the
question
of the
question of
that you
get the
how is
how is
that process
that
the thing
like that
the murs
yeah
come
with me
when there
a good
tonada
when there
a tonada
when there's
a tonada
when
there's
I'm
my respect
for all
the composers
compo and
all the
people
that are
people
I don't I
don't I'm
I'm
I
doorme
and I'm
going to
to compose,
no,
it's
the
moment
precise,
so
they're
in the
words
that
maybe
to be
not
I'm
not,
I'm
because,
because
you know,
and
you're
going,
you
have a
man,
you know,
in this
role
to say,
watchate
the pinche
the cory
co-o-
cullero,
that me
do the
question,
no,
I'm
to do
to do the
things
well.
Not you're saying
that I'm going to
superal the
exit of the
Roto and no,
and if I'm
never,
no, he does
it, Tom,
is my.
That's my.
It's not.
So,
then I'm
to do the
things well,
yeah,
so,
here's the
time,
to go,
never to
back up.
No,
he does it
where I'm
where I'm
never to be
ever,
never to be
back.
It's the
thing,
is the,
is it's
not coming
as a podcast,
is the
community
that's got
with the
company that's
not you're
going to
to be
growing
to be
to get more
people,
at a rato
to do more
things,
at a rata
to grab
in the
the car,
it's to
be right
to be
but,
but I'm
there's
people who
there's
that you
do you
like that
you know
the
that's
that you
want to
to be
to be
to be
that you
go to
and
that's
and
that
part
that
I've
said
you
have
to understand
the
rasa
that
if
want
to
do
something
a
a meta,
a project,
a
new business,
and what
you're
and it
and it's
difficult,
because they
think they're
they're
to say,
look,
my app,
my
mama,
or,
because that
so
I'm
one of
the
people,
I'm
put to
to think
in that
to say,
me
chikopalan
me chikopalan,
compa,
certain
things
are some things
are chikopal
and
me chikopalal
in many
years,
but,
but the
things
are the
time of the time of you are
perfect,
and the
things are
going to
pass when they're
going to
go to
right.
Because I'm going to
put to put
this,
and I'm going to
say,
but then you're
not so you
can't
tap the sun
with a
little bit,
go see it
to do you
to look for
what you
want,
for the
dreams or the
things or the
,
you know,
the
there are
there who
have some
many chingones
big
grand,
well,
bendito
God,
God.
I've
I've
I've got
that here
had to
value
what one
has been
because
a lot of the
time
I'm looking
and see
in the way
and see how
I'm in the
I'm in here
my
this school
that's the
school that's
my
respect to
all because they
say,
hey,
that I'm
that I'm
that's been
about it
and be in
a few
days
for you know
to be that
you're
so every
every
does your
time
can't
and a
every
he took
to come
and you
know
that they're
in those
some of
some of the
years
there
is that
that
the blast said
five years
valiant
well in
it's
some
it's in
a minute
to be
to be a
way to
for you know
to get to
you know
we're
we're
we're
a man
he did
a year
and I
so that's
but of
a cure
well
I'm
he said
oh boy
yeah
yeah
so haven'ttel
oh
no compo
when he says
cackando me
you're saying
you're saying
you're
a year
no man
no
No, no, compas,
is that
to start,
and I'm going to
do you want to
and that's
my mind,
the time,
he's,
to be the
time,
he's the
person who's
so on the
phone,
so I'm,
so yeah,
still I still
still,
I still,
still I'm
and I'm
and I'm
that's a
mal of what
is,
c'p,
and say,
and then,
but,
if a
sometimes one
in the
car,
and no,
try,
no,
the telephone,
and you know,
and you know,
imagine
there,
of,
to be,
to start,
of being
all
a life
with the
telephone
and more
one of
one of
that's
you know,
and then you
know,
there's a
other day
there's
nothing,
you know,
you know,
and it's
a psychosis
that's
because your
brain,
because your
cellarble,
you know,
you know,
you're
you're doing
a bit of
a lot of
a lot of
massisse,
oh,
and you know,
and you
know what
did you
know what
said right
that's
a very
to a
a
internado,
a,
a center
of a
center of
a
If you are,
comp,
or so,
not are
in rejas
and the
chingada,
but the
customry
is very
very much.
A bit of
a person
to do you
know,
the situation.
Um,
do you know,
let me have to
give us to
some,
we can help us
in a lot
we're,
we're going to
put in
now,
because they're
a bit of
there's a
more,
no,
so,
no,
we're,
this
Monday
that we're
we're going to
go to
one of
women,
that,
that you
we just
we just
we put
to
I don't know.
And when
we're going to
one of
the
people,
because it
there's
where there's
a lot
that you can
identify with you
about what
you're going to
then we're
invited,
and with
that's
that's
that's a
question.
And the
kind of
you know,
we're doing,
you know,
we're doing,
you know,
we're not
to talk to
not,
not,
maybe,
not to
maybe to
maybe to
maybe,
but if in
something we
help you
do you
do it,
but you
what you
was a
something
something
something,
and a
maybe you
it
you know
it's
never
I'm sorry
I don't
never
I'm
never
never I
never
never I
never
never I
never I
because
I
know
the magnitude
compa
as well
one
all the
time
know
you know
what you
know
what are
the
consequences
the
consequence
but
sometimes
you know
it's
so
because I
think
comp
if I'm
me go
I'm going
I'm
alone, I'm
I'm
I'm going to
I'm going to
I'm
I'm sorry
I'm
my parents
to my
my son
to my
my son
because I'm
because they're
because they're
not at
because they
were there
so they're
not they're
so they're
so they're
how we're
we're going to
make you
don't
so just
the things
not
those
just a
rastra
a rastra
to your
person
but no
but I
said I
the
I mean
I have
many
people
and I
still
having,
no,
and all the
only ones
were my
family,
there's
there's
there's
there's
there's
there's
so there
so you're
so you're
to get back
into,
mortifications
confas,
I mean,
I'm
a man,
me took to me
compo and
he's
the people
that's
that's the
man,
he's gonna
say the people
watchhese
and we're
we're gonna
say my
my compo
my compa
torraso
down
of the
South Central
of Los Angeles
we,
we were going
to the yard
in the
in the 19
to the
no,
no, in the
2018 to
in the 1919
in,
in South Carolina
compared the
31 in the
night.
We were
comingando
and we
and we
and we were
and we're going to
get back to the cellda,
because we're
going to be
a year new
and at the
other day
in a year
new
you're done
soda and
they're
they're
a festin
well,
and you're
and I was
they're
not coming
comp,
no
they'd
not
to say
that
we had
we're in
we're in
about
about 40 to
50 to
not the
I'm in
what ching
a lot
and that
yeah
that's
that I'm
in a
little
what I'm
what I'm
that you
know that
I'm not
in other
unidad
and not
and then
they
just got
us
and we
got us
and we're
and we're
all
everyone
in a
one
and all
other day
in the
morning
waiting
you
in the
door
to be
the
party to
pire
oh
Nelson, Nez.
Nothing.
No.
At a rato,
no,
then we're in a
caho
with a pinch
pan
and pinnabarer
not,
the cream of
and the
Cagawatt.
And at the
midday,
it was
a new
nothing,
and I said,
I'm
so,
what I'm
going to
mark,
how I'm
to mark
to the
house?
Well,
it's a
new new.
So,
they're going to
because,
because,
who's
not we're
going to
never,
no,
no,
nothing,
nothing,
nothing.
And,
and as
three,
four
days,
yeah
we're
not
they're
they're in
the same,
we're going to
a car,
they're in the
car,
for the
plightos
that they're
and then.
And things
of that,
compa,
that,
no,
but then you
did you
did you're
not,
no,
no,
it's got to
to get us
to get us
to get us
to get us
so I'm
so,
days to my
house,
you know,
you think
that you
think that
you're going to
you know.
So,
so,
so the
problems when
when they're
when they're
not just
one's the
one's
one's
to get to
the family
too.
The
life of
and I
don't
the
of my
house,
man.
And,
and I
am,
I'm
I'm
to say
that's
equal,
compa
to
when you
want to
do you
think
who's
who's
who
Her husband,
his wife,
his
brothers,
all because
are those
them are
they're,
they're,
they're,
they're,
they're,
they're,
they're
doing,
because we're,
doing
this project
of the
center
of the
rehabilitation,
and that
that's a
thing,
is a
feo,
compa,
feo,
feo,
the
that's
in that
thing,
look,
compa,
the people
people,
all,
money,
to the
table,
the mess,
inpe,
the
whole,
all,
all,
all,
all,
all,
up,
the cuck.
The net,
if not
they put in
trunch,
I
took a
story
that's
a cop,
that's
in the
podcast,
but
if I
did that
the
person
that said,
he
gave the
fundio
for a
dog,
so in
this
case,
in
the
United
that's
it was
for the
women,
no.
I mean,
so,
I mean,
it took to me
to me
because
I
went,
in the 98,
I was a
carnisserie,
I was a
a person
and we'd
live in a
barrio,
so we're
we're doing,
we know,
we're not,
we're not
and there's
there's
and there the
people,
they said,
no,
well,
they'd
say,
no,
they'd
for the
people,
because the
drug,
the cocaine
to base,
and I'm,
because
for any,
for,
whatever,
so,
they're in
people,
and they're
these,
this,
the chachies,
that's
monita,
people,
little,
but,
but,
but,
unfortunately
is the
other
that's
a lot,
mom,
my kids and
what I'm
there.
Edads, compa,
no respect,
ed,
not respect
of the classes
social,
titles,
nothing,
comp,
no respect
that.
And,
and you have
to be
truched,
comp,
with that
and more
a
car,
that the drugs
are very
are very
at the
and they're
in the
time
to all
in
that are
very
strong,
so,
I'm
I'm
talking
Well, I was
I was looking
some reportages
of the
side of New
York,
no, and those
mothers.
The people
end upled
compo,
no.
I was talking
I was there
many years,
many years
that I consider
there,
even though,
although no,
don't know
to be a
cuck up,
that's a
ball of carps
where doorme
the people
people are
and people
and people
and they're
that's,
there's,
there's much addicts
there,
there's
there much addicts
there right
for those
drugs
that are
so forth
that are
that's
still
that's
But I think that all of that,
is a question of the
life so much
that's a question of the
parents,
no, they don't put
any attention to
the children,
because they're going to
work,
they'll consume this,
no, they're
time to get them to
get them to
get them to,
so,
so many
absences in the
family,
that,
that,
that's,
that the
that's,
the way,
that's,
because when
you use a drug
is to forget
to forgett
to something,
or you
are you
is still
is
so I'm
so I
think I'm going
that's a
that's
he's
he's
he's
he's
he
he's
a view
his future
because
I know
I know
I'm
and the
net
no
I don't
want to
talk
those
but
well
we're
we're
we're
I'm
I know
but
what you
but you
but you
think
you're
you're
that you
think
not he's
going to
be
to be
that
that
that the more
grand
he'll
be to
look at
who's in
so they're
to do you
don't know
to get a
like he
he's trying
he's going to
he's
going to
no,
no,
I know
I'm
so that
but he
he's
but he
he's
he's
you know
to
you know
I mean
me me
would be
that
would be
that's
but at
final
of
the
way it's
so you
the person
when she
is addict
compa
leable
for
that
you
do
you ask
No.
No, it doesn't
no way.
It's for
they're just
for they're
for they're in
the rio
and the
when you
get to get
to make you
when you
get to do you
when you
get to go to
work,
when you
get to do the
obligations,
when you're
when you
then you're,
when you're,
you're just to
get to
get to
a ruck,
not to
do you know
to do you
know,
so yeah
when you
start to
get to
that's a
Yeah, you control
the addiction.
And, you know,
that that's
see,
you know,
about,
I guess,
overrachos.
They're
also,
there's
more time.
Rends them.
It's always
the beer
to say,
the beerse.
Yeah, ma'am.
I'm afraid of that,
my app,
because I,
I'm
to go
to a group
of Alcoholics Anonymous,
and,
and the net,
I'm,
I'm,
I'm,
I'm,
I'm a
man,
me
that's my
that's
my
way, that's
there's
no,
there's
when I'm
going to
let's get
a word,
I'm going to
do you
do you're
a rite?
You know,
yeah,
compas?
Yeah,
like,
yeah,
like,
as you're
a,
like,
you're the
pachanga,
what the
thing,
I'm just
I'm more
great,
and I
know,
I'm not
so,
so,
no,
so,
so I'm just
to,
I'm a
time,
no more,
and
just that
you're
who,
I'm going,
in my house,
look,
if I don't
have a
house,
I have got,
I'm going to
get a
because if
I'm going
to get to
them,
then so,
when when
when I'm
like,
I'm going to
get to
people,
and I'm
always,
it's
always,
but,
but,
there's
cheve,
but not
they say,
hey,
come and
take it
to get
to do it
to do,
it's
you,
you,
how you
want you
you're
you,
it's the
same,
they're the
things,
come't,
come't,
come't,
all,
Yeah,
compa, no, no.
The drug is a cravene
and put a truce,
but be back,
because,
you're going to be
worse,
says the Bible.
Agua fresh,
my dad.
Something that
I want to
add,
yeah.
Well,
I feel that
was very well
in the podcast,
compa,
and I
thank you
much to
the invitation.
And as
a lot,
and as
a example,
to the people,
of the people,
to come back,
and make
the mind,
your life,
compo,
well,
I'm,
I'm,
I've been
a black
Paloma,
no much
less,
nor
me the
Redentor.
Simply
I'm
what I'm
what I'm
going to
and I'm
going to
and I'm
going to
and I'm
going to
I'm going
to get to
go to
go and you
want to get to
and maintain to
your family
and all right.
To be
up,
blah.
Puebara,
no,
to be able to
go to
go, or if
you're
going to
get to
be there,
so after
so,
he's the
little of the
what?
What?
What?
How, how, how he said?
That's what important
not was to get
but to get us,
but never.
He was very
well,
he was very
for having
accepted the invitation
comp, man.
Salute,
blah,
quidsey.
If it was
a good podcast,
see what,
something,
see it's,
something that,
I said,
I said,
I said,
no,
I'm talking to
talk to her
of the
apparitions.
And,
see,
that I love
to see,
the t'clock,
me,
me, the
conspiracy
that's across
that,
that's car,
that the
thing,
that's about,
you opinion,
you opinion
about that.
Well, who's
that's
people, that's
people,
I'm like,
I'm sure.
There's
some people,
I'm sure.
I'm not.
I like
see that
my mind,
man,
that I'm
that I'm
so,
and I'm
maybe,
I'm going to
get to
I'm going to
I'm sure,
I'm not
sure you
can't be
other worlds
and that
probably nobody
passed the
barrera
and that
I'm,
and I'm
never seen
never seen
been
nothing,
and since
the day
that I'm
scared
a bit
so
for that
so.
Well, it's that
never,
never,
never,
never,
I don't know
how I'm
going to
take exactly
when I'm
not,
no,
I know
how I'm
to know how
I'm going to
those of the
, you know,
at the
people,
to be a
when you
know,
when you're
when you're
a mother
in the world.
No,
no,
no,
no,
no,
no,
no,
no,
no,
because,
oh,
and,
yeah.
Yeah,
yeah.
Yeah,
the Lent
if you
one,
but the mind
only,
you know,
so it's
a co-
I'm sure.
I'm
I'm not
a car,
the referee,
he's,
and the
mother,
because that
mother,
I'm going to
hear you
know,
but when
he's
a bit of
a rydado
and the
imagine
just
only in the
night
that's
matter,
and then
let's,
oh,
yeah,
a
yeah,
I'm,
I'm
back,
I'm
back the
back the
I'm
when I
I'm going to, because I live here.
I,
I, well, I,
I'm in,
I'm in the door
abhorred,
but I'm in with a
door open, too.
So it's that
a little.
Ah, webo.
Segun.
No?
Because I had
a man,
that he was
put here,
and ladrava
to get a
and we had to
not more
than the
cell, the
microphone, and
ladrava to
I,
I was up,
but I,
did Cura
is,
he, this pinchi
l'-loco,
perro,
the chug of
chen,
and I'd la-ladrand,
and I'm
And the raza, comp,
me
to answer
to answer the
story.
No,
not he's
there
there's a
there
and so
I'm going to
say,
where I
think he
to get to
back to
back to
back to
another way?
Me
me too.
But there
was what
I was
to tell
to the
bathroom,
I said,
I said,
I was,
I'm,
I'm,
I'm,
I'm,
I'm,
I'm
down,
I'm going,
I'm,
I'm,
I'm,
I'm,
I'm,
and,
and,
And, well, I was
escueto,
all the butt,
I was there.
And preends the
mother of that
comprasor.
Uh,
to the,
uh,
but when
does the tronio
I was done
a dormitone,
to get to
get to mar,
I got to
get a
man,
I got it
for the
man,
compa,
he's a
man,
and he's the
pinch
refri,
comp,
but I
know that is
the referee,
but a
sometimes
it's a
Oh,
you'll
Oh,
and I'm
I'm afraid.
I'm
my little
my head,
what's the
thing is
when a
little bit
a little
about a
about, I'm
to see me
what is
a little
a little
a
little
a cat
no say
a
a
little
they're in
a pinche
a
city
where no
there's
there
but I
am
I'm
so
I'm
because you
make
in the
role
of the
bruchery
and
no
no
no
do
my op.
He's going to,
there's
to say,
a my comp,
Blasie social,
Blas Mourrieta
01 in Instagram
and Blas Murrieta
in Facebook.
YouTube.
There's a
mega.
Also, there's a
channel of YouTube.
There's been
to do the chasangas
that we've been
blogs or?
Boy,
at the more
more than I'm
going to be
going to be able
on the telephone
there.
No,
man.
That's no
abast.
I'm imagining
with you
to put someone
to do this
matter,
because it's
about.
It's too.
It's too.
Not too-T-Qi.
Plebada,
well,
my compa
Blah Murrieta
in the reds
social, you know,
agressive with
the support too
that we're doing.
There's
we're doing,
to be able to
get to get
to get to
make a million of
subscribers,
Ple, because
not too
too much.
So,
Pl,
also,
you know,
I'm Fippe
in Instagram,
that's
behind the
video of this
cotorreo.
I'm
the horny in
Instagram,
and also
the Mafias
on Zeta
the ultimate
there in
all the
platforms
digitales
can synchronize
Apple Podcast
in
Spotify and
for
there to be
back to
my pa
saludas
clobas
c'allu
minds
so
let's make
a little
a borgas
in general
a year
bigota
behona
a
oh no
a brazo
no
a
so no
that
you
say you
don't
you know
you
put you
don't
you can
be
there
can't
no
no
no
no to
no
all
so
hello
a
a
little
a
so
I'm
No, for there
he's put in my pa.
There's a lot more than you.
Saludasso plebe.
Winsence,
benditions.
Animo, poised.
