LOS MAFIA PODCAST ⭐️ - Cachuy Rubio — Eventos Bélicos y Como Perdí La Máscara en La lucha Libre

Episode Date: May 12, 2023

Bola, bola, bola, bola, bola, bola, bola, bola, bola, bologna, Gle B'u'll get, the dragon of Culeacan. And if he's the way, of the Mascar, yeah, of the city of MECICU,

how do you know, the scorpion dorado? Well, I'll, I'll have, I'm gonna'clock, and the rinked, no, here, no,

we're talking, with the, chikas-pilas, my papa, my pap, agarate em, because this, this podcast, play,

is going to put on very, very interesting, because the personage that we today is an honor

to have to and it has a to tell you just to tell you're to go to get to

back to get to subscribe and you know because you're a time a time

a time we're we're 200,000 210, 10,000 1212, 000

1212,000 subscribers we we're we're to the 300 million

of the here to the month that enter.

Terminando Mayo. And if not you subscribe, Ponte be able to do you know

my pa, because I'm going to go to get a shingada, no, in the lum no, I'm just to

let me be able to get to that I'm to get to a man. I'm a man. What does

Koppah? How do you? Thank you for, for, for, uh, for,

uh, encantable, Veeeeee he's, yeah, to the verga that's, to come

to do you, to come to a We just pegas the patadita that we're up to go to the Kiki. Yeah, here we're going to the order. How is, how is it? Well, thank God. This, here we end up,

terminating an event of Lucha Live. A-oche we're talking to the music, and, well, content. As far as I said, compa, that borg, I'm doing Cachurro in the Lucha Libre, Compa. What necessity is that you're putteying there,

compa, that God, that I'm guard a chingazoo mal. There's a puttazone here at this, the end of the time, the time, that, that's

there are the little luchadores, but as I said, with an anticipation, I,

I don't know that they were in the jos, nor Jolla, or football. I was a little bit.

So, I was, I'm when I was a little bit of a little bit. A. 10 years, I'm

to trainar, and at the 13 years, almost at the 14, I luched professionallyly. Yeah,

well, the music was after but originally the most my way And, I, I said, I was this bato, the music is the

and the music of the and the first. And you liked the Lucha Libre and it's a lot of justrares? No, the Luchel Libre is,

it's a hobby completely for, for me. We have a company that's called Luchel and Culeyacan. We do

Luchel Libre, here in Kuliacan of AAA, and Yucleakal and Machis. But the really,

I'mt this moment, not it's a business for us for us right to the Luchel

Libre, no. I do not. Okay. It's, I do properly for the sport and for hobby because that's... And apart,

me imagine to support too, what is this. Of course, there are going out of the mask-cichina that I've got

a lot of you I'm sorry. Aylop for my compa Ronin, for the mask that's the thing,

my compa that's a man that's a man, let's be sure. More chingona to be a

bit of this Vercas. Agua. Quitate. That's a man. You know, is a man

impuging Firtes, it's of the new. He's out of us also also of

the Luchel Lerickan and there he's a person that we're really we're

we're doing and it's a man yeah, we've seen we've seen see that I'm

getting to to go to the Luchel that was here the end the end of the end of the 21

yeah I don't I'm not I'm I'm doing I'm but it passed the

day yeah I'm the 22 yeah had passed But I was going to go.

No, for the other, we'll do one, the 4th of August or the 5th, we'll do. Okay. Every time, so much, it's not much

that's, sometimes, that's all the time. And, well, it's never, to do things to do things. Yeah,

we're going to, a day that also in the office of AAA have been the imponability of the luchators. And we're

also also, the park of revolution, that is the house of the Luchelie here in Culey that,

that's that's occupied, because it's of the caballeros, and for the priorities for the caballeros. So, we don't have

if there's a game of baseball, there's many factors that we can't say, every two months or every month,

it's every that's a time of the and check to check that the way of the yeah, because

well, well, it's a other cause of other things, that's that not

a rasa. Veybba and, oh, man, no, a remangang with all,

even, even, even, even, even, your life of morrillo for that

the raza sep a little more of you're saying that's that's

not a good that's it's a first yeah, it's a maruch

we're a let me let me let me she she, yeah,

the what he does that the mark that the maro the maro is

the maro is not it's the verga let me let me let's

let me let me let's I was like before to start to grab the life my of the

little bit of the boy was a lot of the future was a lot of the luchadores and the santa

of the psalis of the caro-a-goyo and all those people were to to come in to looker

to Kulakhan so there was where I'm I'm know that I'm so I'm in the

people who my mom and my father with the family so the where I

mean me I'm going to have inquietude. I was my tio, my Tio, my Tio, the Perra Waios, I mean, my father, super-mooke, all those those. So, there's where I'm going to train. And at the 10 years,

in the disappeared Arena Colon, for the Cray of Colon, there was an arena of Luchel-Lewrne, I'm trying, to train. And then I'll do you. Quentin? 10 years? 10 years, comp.

And I've been 54. Awah fresh, no, ma'am. Sacklele the count, my God. You're not too-cichy the thing. The, the, the,

the fact, that, that he has called the attention, the Luch's like,

a man, no. But, no, to you did a opportunity and

it was there were the people, those luchators were friends,

they were friends, because his papa, so my father was a person, before

that, was a person very popular, not, was a person that you know, he said, no,

Rodolfo, he's a single, even that's a person very fast to be a person who's

a friend. So, when there events here of Luchel Libre, my papa went to get

to the airport, so he had to get to to eat, mariscus, is like

so he's a friend of all of them. And it's there where, I, as I'm

the reason, the Luchel is, is here to be to what age, you

subbed to the first rind? To be 14, to do you, I'm going to get to the 10

years. And how was that your first, how was it, how was, like, he was,

I was, like, a grererer, Negro, and then I was like the impartial

2, and then I luched like so, were one of those three and then

murgah two. There was a murray a new one, and he was

a man me and he was very alentated. He said putt in Muriel

Negra 2 and then I put in Moraya a night of a little and he

he's retired and I'm put me with the name and the question

this I'm a pote atole copen the borg tapens the obiv

plebada that the the when you when you when you when you

the the the luchator decide change in numbers well

a you know, you put a name, you put a team, and you know,

not, you know, and you're not, you know, you're to make a little to

the people, but you're in this, that's, you know, a matter, not connect you? No, no,

no, you have to look at. A. A. Council of the Luchel of Luchel of Lucho

has a man, a man who has a man to look up to get to Riverrin and say, you know,

I'm like, but here I'm a name for you. I mean, also,

also, also, some interest personal, no, because at a person says,

I'm going to put this this name, but this name is my or not it, then also

for that so, but the thing, for example, the here at the level

state it's very popular and the number you know, you're you're going to

you're the name nobody to let me you can't and if a company you can

say you say you know I'm I'm so you my register

so if you if you if you don't like you normally the

company to put a name then normally the company

yeah say the Council of World that are the principal from here

they're going to put in a number because they want to they're a property

of them because. Okay. See, see, no more pleb what is

what one has a cop that you know, Cachoo, Ruvio, the cantate

of my infancia is a lot of the most years emascarated right

I've got this I'm just the that's the that I was the that I

was the after five years you put to use the mask. And right actually

actually I'm still I'm doing but the reality is that I've lost six years and

this year I don't do you do say it is like a regla yeah but it

was a new a new a new law that after five years you can you can't

not you without a person so I'm I'm Cachoo I'm the last

the last the last the last you can't exist to that perron to the maskara beho she's a

t'est the tela what's my ronin that's no the net o'gica

what I'm talking about a mal experience that he took in the ring to be

a detailably how was that how was some some some some of some years in Juan

Jose Rios a people before to get to muchis like 20

kilometers before we just they're they're they're they're

the luchators the Lucha Libra is a sport a spectacle

much people say no, that the luchas that's if we're not a

thing we're so, if we sangamos not are the pastittas rojas

that says no, if we don't a sport spectacle in where in the

in the show the the man or the the technical and the

rud I am so I so I do we're we're much

people was there was here's your father, cabrone, that's up the rudders

of your pincere and all the people, all the people, all the people, grittando to,

and we're a man with a chambara in the one of the chinggating that,

even you know, that's a pittaliener and so he's a man, and so you know,

I'm going to make the chile me, I'm going to get a man, well, imagine

so imagine so, so then me said, and then my he said, and when the

pistolon. What, what, that was to a man, he's got to my

and he's a lot of my, and I'm your mother so you know, the refus he put

down to me, me tap putt here, putt here. And the compo he was

up the rin, and he and said, quittet gordo, because he was a

grottetet him, get a got to get to get to get to get to get to

get to they're many, so you got to the man, not you

didn't no no the was a manor was a cabron was a cabron it was a cabron

for an and then and then how met you the arm also it's there's there's a

but in a country but in a time it's a time for more rationalist the mehickal and I'm

took it some people and they're they're and I'm and I'm because they're

that's so much they're so they're and they get something something and got

something that's so I'm so if you're so bravo Crabber, I'm here.

I'm a kid I'm sorry. It's a cabron. It's a cabron. And,

and there's anecdotal no, that I'm to talk to do the Luchal but,

but, but, the contrary, not, also when there's much culture in in the

Luches like in Kuliacan that the people, we know, we know, but here

you say, hey, chingen, to your men, all the people, so the

people, so the people, so, the And, yeah, to a time to come a

of aficionados that are to be a bit to get us and you're going and you're and you're all the...

Even a curing. No, no, a curing. The most cures of all that you see,

the mientto the mother like rud, when you when you're to come photos with to you,

eh, so, so, so, so, so, entienten that up,

is a personager, and above is a person like they're saying, these are the people are the men,

they're not they're doing the people and they're and the other are the good, but is that

you have done you've done you've done to do technical too yeah yeah yeah

yeah yeah yeah yeah and the and the and the real

I think that the best of the another that's that's a lot that's

a new I'm I'm as an organizer or as a promoter or as an company, it's a lot of the people go to the luchess, the people that are,

to divertice the 100% with, without of violence, and nothing is. Oh, and has a rank of age, more or more, to retire,

to the luchess? Well, there are, yeah, very, yeah, many majores, that are,

I'm trying to chingasos still, but in my person, I think, that the more one or two

years more, there was, you know, Yeah, you know, Chimachin. Yeah, it's a puttas that's

a year. The chingazoo more feo that's no, the knee's the this is me used

to come out of that I did this me used for a one of the and there's don't chindo

yeah he's a man, my my car to get a to get a to the

enderriott to me to be to be two two cost you'reas here

and three back and three back. The column of the six months invalid

so so So the Lucha Libre is like a drug, I'm like, well, I know what sport practice you. I don't know what you like, but there's people that... He appassionate, that's

that passion, that's the baseball. My kids play baseball, and are still young. They're all right. They're 31 years. They're one of them. He's got to be able to the patta in Monterey and still playing.

I mean, is love. That's a more. That's a more than the sport. So I'm going to get to do it. to the more, no I want to

get me madreado because, no I'm really to get me get ridied, I'm not

I'm going to do you know the more to us the music so imagine you know, imagine you know,

and say to sing around and say to know, no, no, and apart to say the age,

it's important much because I imagine I'm I imagine I know, that are the people

more young and that the shingasos are more fertes or it's the verga.

You have 55 and this berga has 30 you're going to get equal to the very much. It's

not just what you do you the most the most the condition physical of a man

a man who's not the condition physical of one one. One is more

a old but is the colmillion. You can't you can't you can't get a lot of

you. Mas physically not we don't in the same conditions

they're in a power well a man running. Yes.

There was an luchador that was your inspiration, the, the, the,

the, the one of the barred, no, no, because, as I'm

the time, I'm, I'm, I'm, I'm, all the time, and I,

in this function passed, I've been two luchators, and I mean,

one or two just, and then so I'm I'm, I'm, I'm a year,

a man, or the other the end of last time he said, no, no, no, no, no,

no, no, no, no, no, no, me for me for that. Rey Mysterio, he took, convivir to, yeah, with Oscar,

yeah, with Michael, no, he's more chico, he, the real, the original,

the original, the real, mystery, the, the, he's a, he's a man,

he's in Tijuana, he's in Cia of Rueas. He's, he's, he's, he's, he's, he's,

he's, he's, so, he's, so, So he's He's He gave

his life to the and he co-bored and he's a good friend of Michael, he's

in Tijuana he's and he he's He's doing his other than so.

Yeah, he's well. He's just, he's, he's he can't

go back? No, no, no, no, no, I don't know how it specifically Miguel

because the name of the Rye and Mr. was of him has to the Rye-Readererer and Rye

Misterio, King, there like two or three, I don't know how he he's going to to gobrer his name.

Yeah, but I think you have some business and live very well. But, but it's in Cerewraud.

No, that's feo, cop, that's feo. I think that the

same, I think, he's the same. No, the R. Misterio, 619, that's not

W. W. is a subrino of Miguel, of the of the senior.

Ah. He's Sobriene. He was the first Rey Mysterio Jr. and is the

that's the that's the world. No, that's if not had been he had been a year if he'd

had been a wheeler yeah yeah yeah not so no, because

because the Reimisterio Jr. Puggeria Miguel he helped so he in San Diego

and he does his career with the W. Yeah, he was yeah was in the

pure of the U. yeah yeah no, that's yeah that's

So, I've seen the camera Abpleba yeah you did you? Here you the mirror

the muralla black. That perron beho there's a manned a razzar yeah.

The letter I'm I'm gonna never nobody me had a made to make a single

you know? Oh, and it's your car and go yeah yeah yeah

yeah no more I'm he's oh yeah the year yeah

that's Lachia. Yes, compas. We're going to pass the tap of music.

How nace the role of to be a role of being. Well, look, all the

time, I'm always always to can't with pistas. There in

the house, I'd in the center, in the center, and I

could can't and I know, and I'm saying, hey, Fernando,

Fernando Luna, he had a group of rock that was a

Angar, Group Angar, and he he was talking in anthros. And he said, why don't you get to come to come

to care? Nets, Simon. Yeah, my brother Marko, that is the one

that's the time with me and he started back with some of those that came

to the Massatlan. So, when I met with a Fernando, then I went to

a band with Memo Ruiz, a man a man a man, a man,

a man, a And when I met to to work with him in the band Durek, like one or two years, Marko, I talked with a group that's called in a group

that's called a girl because he said, my sonny, and Carchoo, Rub, and his compas. Ah, yeah, yeah, yeah,

so, and, and, well, he's a chingon, me, I'll go to the band and we, make, we,

and my brother, Marko, that's a funder with me, too. The, yeah. The, man,

Punté, a bergal, or right, when you You know, you that Hegou, his brother,

Marco, how is the vibra between you is there is a bit more I'm my carnal

and is the little bit to go and the I'm and the of my

brother Cheneke is like my my little and my and my

his so we're so we know that's what's that's yeah

because there's because there not they can't see. They want to they're going to like them.

They're going to we're going to we're going to we're going aparted some more we're doing we're doing

we're doing but he's one and you we're doing yeah man and apart they're working yeah

super solid the relationship yeah yeah so that's too too much you know no more

no no belible the chigat already you're saying a roy let me let's do

let's do let's a the, brother, to the chinkas for the chinkas with the story of

perronas. But right we're talking with you, no? So, and thence, Cachoo Ruby

and his compas. How's, how many I had there? I mean, I was,

a cabron, like, almost 28, 30. Berga, yeah, yeah, yeah,

yeah, yeah, yeah, I'm, I'm a, like, like, like,

a, like, like, the, in the video, more, more 30

years, me for it, for that's. 30 years. I don't know I can't and

and they're going to get to be we're going to start with with the time and with the past

of the time we know and us came out of a car and the manor and with that song

us palete yeah that song we got we've been a show

a sabbatas so and so you remember with Omar Chaparro Galile Malus

Montillo yeah yeah also Cecilia Galea. But not Galilea, too.

I don't know. It's that I mean, the net, the Lomarch Parro, no more, I'm a

but, but I agree with the programs. Yeah, yeah, and they're there,

many people say, oh, you know, pay you a bit of but the net,

no, no, we don't we don't we don't pay me a five, oh, and to

get to you're, the money, the fact, I don't I can't because, because it

was an experience that me was, And, and where in that time? Well,

yeah, where we we're we're, but there we're just we're in a television

and, and so there's been a chingo of work and much recognition for the United.

We've been to the U. U.S. also, so, well, well, well,

motivated, no, yet we've a time, we've been a problem with a company, so there

there was there was a in what they had a reason, in what we we've done

we, we've we can't we, we can't to see really the situation legal that we had we

know, we we'd have been and the people the people the people, it's the people, it's the

time. How's the time were able to approximately? No, precisely parado, if we

were, we're very at the sordona, well, not they're, not the music, yeah,

because, we're, we're trying but we're just working, they're doing, with the

company, so, yeah, when really when we did we we've done us, that we'd pay us

we'd pay us we'd want to we'd we'd like we'd we're just we're just we're just

we're just the way of the music and now now we're we're trying we're trying we're trying to

we're gonna no, that the car and the moon no, we still there's still there,

there's even in electronic in various versions for there anoche anoche tonight

we're there with my compa the new rebel de porcito I'm a man

a lot and we And we're We'll sing the song, and the people And they've And they went to Bootter and

they're still Bealando with us. That's a song that Yeah, that's a Rory.

Yeah, yeah. Well, imagine where no, has to have heard of the chambas

that they've too, yeah, yeah, see, we're getting the gannas. After that

that's the other than you did you do you? It's for you. It's for you. It's for you

how does that that song? It's for that support my fracasos when I am you in your

arms nothing I can't I'm I'm if I'm do you I'm

if I'm to be to give you my name she mom in the second area I was

was a was a garanyon but I'm I'm my carer my

my mom my mom my mom so I'm so so I'm let's let's

let's no no but sometimes me take I'm so, so,

who's that that's a bit of, I'm gonna. No, that's it's that you know,

if you're that's that's but really no there's been other that's

a lot. Like that's that's that's, or no? Or, no, or no,

no, no, yeah, yeah, yeah, yeah, the fact, yeah,

until the yeah, until the old, the bigon on the he's, he's,

he went to, you know, you know, in the music, malas experiences that he has

that's the no, man, a puttah. Like what? One, that did you no,

man, compa horny. One of them we've been to to talk to here in, and I'm to say,

and not, pan no, for no, but yeah, because at a time at a handatat a lot of,

a y'all a chingatry and one after, and one after. One of this

we, we're talking we're and it was when the playto was very very

when they were very the problems here. And we we went to

talk, uh, a comarada that's of the music, that

no had to have with the other that I know I'm

I'm I'm and I'm and when we're going to that the

town of that we have cars and I try

I Cachurub and so so you have a

ventonita there the the bus and say me

look who is Cach Cchoo that If you go get a cachoole, chinga's your mother, to go back, I said. Oh, I go, well, I'm going to do you.

And I said, eh, pleas. He said, I'm going to be, I'm saying, my carnal. Hey, we, but no, whee, that I've got to have to go. No, no, no, nothing. And, and I'm going to, and he said, oh, my wibutito, he said. No, well, is that you said, you know, you said, you, you know what I'm going to pay?

Yeah, yeah, yeah. Yeah, yeah. You said, you said me to go to have to-you-lawed and here I'm what you're doing? What, he said,

he said, he could have to come to you? No, well, it's because there a friend

my, that's a music and his wife and she came to talk to but you don't put to come to

care, if I'm said, no, but no, to know, to come, to come,

no, then, to come around, and, oh, is a, he's camaras, me,

he's comeer, me, he'll be in 15 minutes, he'll to the head this

I'm in the head of the shingada. And they're and they're with the with the cuck

to know I'm never in the car in the bathroom I think so they're

so they're so they're like with a cule nah so so if no

you know in 15 minutes no that my compacchu if no

come to be to be to be to he's and then yeah

yeah he's my comp he's he's a cabron that's

my man and you to come in the other and then the last

oh, well, I put a photo and the shingas that also are not because

the other people think that you can't think that you can't you know I'm really

I'm with nobody but we can work. We're talking I'm I'm

to the music and a luch liberty and I pay no I'm not

but then but sometimes if they are some that's sometimes

if you take photos or that's They'll call them photos with you. And you know, who's the person that's the one of the

person who's the show you. Those chisement, the, the, the chikin' the business. And the chikin'a.

The net, compa. I'll do, because I'm I'm here because I'm because I'm my chinkas.

Yes, so, yeah, and these, man, the shimmy and my t'em. And,

and, oh, because I was, I'm talking, I'm, if you were when they'd when they'd

when they'd talk, the rolita, I go, the rollita is machin. O'g, compa, there is there there's a guy, for if you know, no, if no,

I've seen, because then they're saying the borgas of the YouTube, why don't they say that's why? There's, my God.

Yeah, me, I'm frescedo the woman here, water, coffee, or refresh. No,

for what you are the borghona. And the maruchona. The maruchina. It's a per per se. Let's get the

camoncy there. He'll be. He'll be. He's, he's, the boca. Yeah, Connie,

he's he's he's he's a little he's a guy with he's got a

put a warachas in carien of this is what I'm what I'm the plebada does the chismers

without who you if you're if you're know, or what says but what

you're that much of they're for getting well, so make a so make a tautito to

to get well and that the head the barilla yeah

Like, oh, yeah? And are a minute like that. Yeah, no. The music

pass a ching of things. Much people think that all the musicians are not

not so I don't perique or, and I don't, my brother also, of the

pleads that we try we're not, and in a occasion we're talking to

there to the year of and so so, there's there,

there there was a plant of the there there, and we there are

not with the instrument of the And we had like two days to be able to

we'd have to we'd get to, oh, you know, let's get to get to get to

and they're in their fiesta. And there's a moment that's and say, oh yeah,

no, I want a pass. No, I said, I don't, I do I do I'm a

way, I'm very loco, no, I mean, so, so, I mean,

but, but right I don't I mean, you know, you know, you know, you know,

you know, you get to to get to get to the of their and it's

a co-ed no, that I'm that's that I'm so, so,

you know, yeah, it's no, it's I'm like, I'm

like, but I'm I'm put it because I'm bad at the sugar, I'm

I'm so, then I'm so, I'm gonna go, I'm gonna go, I'm gonna

put in a pass and me, we're gonna get in the car, the car of the

he's, no, my car too, but I, but I don't to talk for

him, if he wants to he'll he said, he said, I don't I'm,

I'm, I'm, I'm I'm, I'm reimb with him when Marko he

said, he said, no, he's that I'm that I want to get to be

with us and you know, well, with me I'm a pincch cartonon

of the gues, withs, with penguins and submarino and the bird,

I'm I'm sorry and he said, and so he he's he's he's

he's like Like, like, you know, my son, well, we're, we're, we're, we're, we're, we're, we're, we're, we're, we're we're, we're, we're so, they're not, so, he's, it's good,

comp, it's, it's, well, it's, well, no, well, no, so, I don't know, we've seen the bato, like, like, and,

like, a six of the morning, I, he was a, sun, a, submarine, sabrit, a, car, a,

da, man, he said, he, me, despal, or what, what, no, no, no,

that not if not were molested. Fiesta at the Kinta verga so that so

there's a compo no, and now for a coffeeit and we're eating

eating that's that's that's that's that's that's that's

that's that that's that's that's that's that's that's

that's that's I'm in the thing you know I'm you know

what I'm that's that's Durango Duran Duran the people

Duran and the Cera there also also connected with the people of the

people I think in customs and culture is very very very

to be very and we we're very not solidary but halli

halladores a sometimes that because arre the berga you

I'm I'm that no chista the the water with

with the rama and the rama of the the kint berg

how I do Why? Because you I want to I want to give the attention? We're

I'm, I'm born in Mexico my mom my mom my mom me go to get to

back on my life but my mom her father and my mother is the Sierra

Durango so my mom lived in a cova so literally

like in the frasas in a in a cova in a so

so so When we went in Semada Santa that no he's come to be

a but my Tio no he was he was he was he was and he

he was my Tio Valenzuela that he had fellacy my my

my my old Juan Valenzuela well was up

a after because not around the caros so so

to go to get to to there to have to

cross a there we got we our our

are our sierra, so so it's very certain what you say it

was a person, it's a people, I'm imagine, I don't know I'm

many, I'm too go to go to go back, no, we're to go back. You're to come.

The people are so, so the people are so, so, that's

a papach yeah, there's a there, there's a little Fibb to Colombia. Andy,

and Tepuch I said. Ah, There's a cartina, Ginda. I'm, I'm, I'm a

bongue to get a berg to get a patte of or what? Oh, no,

I got her a tortoise. The cat I was here in the canate and, no. I went

to go, and we and we had been in an Uber that the that the that's a

guy, and that the borgue of the chingada for some that happened but

and the bato says that the bato that is a a little

the custom of here to be to be to be to be to be

to be a kind of but they're not the they're doing a

but they're really the people not not the to be to do that

to action I'm a I'm a I'm a

that a panas here in the curva in the car

in the car did you do you do you do it did well

well the pan of my comp Malamin and, of actually we did

a song with the that's a man that's, a man a boy,

the shinggat and he and he ever, we're we're in the studio,

I'm so, and we know, he said that he a-cuh he says,

I don't want to to go to my country for the simple

reason, he's like he he's like, that that the people

not the there the person, no. That there if you are, if you

of one, you know, they're going to gorely, let me, let me, let me, in other

words, no, but you know, but I'm a pat-on in the cull, let's go to come.

To get. To come. To be, I'm not you know, I'm trying. Me get,

I'm going to come here, let's go, we're going to eat, and not to offer you nothing, but.

So, here, no, no, no, but, but, but,

that, that's, that, not just, the Mexico, here in Kuliacan, the people, the people of the Sierra of Durango,

is very different. I, I, I, I, say, the Sierra Durango and Kulakan is the same. I feel like it's the same, well, so, are very different the people of Madalang, that with all respect, I have friends,

in Madatlan, but, but, not are here, in Tepeg, we're, we're, we're very pendejo we're, or are we people?

What, I think, that's a costumption, is for the narco Ida Is it? It's

yeah there there's a there a bit of I'm I'm I'm a

but the the is that says the the that's

the hands you want if you say yeah

I'm that my man that the chite that

you say that you do you don't there's narcos to

narco's not the same narco of a a narco

of other part, no Yeah, is what he said, but the narco

reales first, or, I'm the history that I'm understood, they're

from the sierras of the city, the capital the capital the

capital of the mafia. What is? What is? That's, that's the pastel

have to repartier. If you them patched. Ah, a bad a

berg? Imagine And what they're they're they're because they're

because they don't have they're going to get them they're going to pull out of they're going to

and they're that custom that's used to that's the person that's been the person that's been

one and that it's rego. It's a way to be good with the people because

the people will support and it was, it was before than before

than before than before the generation they're going and they are

getting and they're so the narco of the all respect but

no I don't compare to those of the other not they're more more than much

attention and that's yeah and I'm so you think that the of the tronas

and the caros always you've seen but the good roger and the

all of sometimes like you say they say they're that custom

that's good that so yeah so in the personal

compa compa also I'm I'm normal of the

people, but a a lot of people, but I'm like to have more than I'm that you,

but at the more the that I'm that's not never you don't offer you an offer you don't know

that they're yeah, yeah, yeah, yeah, a verga, man, that's,

yeah, that's, there, there's, there's a that, the, the,

the, the way, the way that's, he, did the thing, he's,

for the time, he's, he's He was a He, he all the time

he, he was did what he was what he did the time, we've

very well, but I started, I was a young, I was very vago, I was,

I was and in occasions, like all the people, great, or problems grand,

or chico's, personally I've had taken problems, and have been necessity to

to sleep in the mountain. And I have been a a little to be in

a very in a problem that you know, problems that one that you try, no? Like

any other or chico but are problems. And I feel like you know, you're

not used to to get a little to get a pierron and puttel to do that

to do in the mountain, no no cobi and then then so,

yeah, yeah we've suffered, we've we've done, if

if one Well, if I I'm I agree, and many of the musicians in general

me they're to know that's that's special is Navidat year new that you

have to chambia for necessity not for other because for necessity passing

a friass of the bed in instead to be in your camita or with

your family curucado here down to give the of the

of the way you want to you know, because at the end of you know, well, if no, I'm more,

I'm going to work other chambah. Exactly. But at final of to count's is what one

want, and that you know, when you have kids and all that role, and you say, you know,

it's a car, it's you're all right, actually, there's a very well, and you can't

be able to the quo, and they're doing, I don't know, I'm a year. You're those days?

Yes. Vengh. The double. Yes, no, I'm sorry. We don't know. If we're talking to my

man and I'm talking to my man and I'm, if we're in the music, I'd be happy. That's, to accommodate us

we're doing, we peter. But the job is the job, because if no there's chambah, no,

there's the thing, no, for the for the principal is that, and then then,

and then, and then, Yeah, in part that we're We're talking Our work I'm a lot of our My, me, me I'm just a lot of

my music, we're in a lucho My name's life, for us No, for us, it's a divotio. Gratiss, I mean, I'm done it righty, I know, just as much the other times, the net. No, ma'am, those occasions that I say, I'm just to, I'm just to ask you,

I don't pass. Yeah, I'm going to get to get to go to watch it.

Come on. Get you. Until in Guarach and I'm there. There's not to be the preoccupation

that I'm to get to garache and say, call it to let's the old me do you

my head and just me just me make the humiliation meh let's be let's

pundas peterra peterra uh well the chingagra well the chinggara yeah

no in what's you get How do you? How do you Cobra the hour Grita?

A Capelita. Ah, no, and it's a capelita Cachur Rubio me imagine that. Capelita.

A aqua fresh. How do about Cachoo Rubio if you can know? Well, is that

it depends, it depends the place. The client. The place, for not the cliente but not

we're Our net, we're We're nother, and we're accommodates to work PAS. No,

I can't say, a price specific because, because if the client says, no, I don't get

to do it so I'll be to do chambia shi'emba. That's, that's a good, that's?

Yeah, well, I'm, I'm, I'm playing, I'm saying to say, oh,

no, there's a there's a put a mother, compa, that are doing a business with

one. Ah, Yeah. The net, they're doing a ball. That's a little

a big, that's the and you're a lot, it's very car, well, myr

mary, I'm that I'm last a little bit. Yeah. One a bit,

I don't know. I'm saying, that's a way, to the way, going to Massatlan.

A fiesta comp, so yeah, no, no, no, no,

no, the salo son- -g- -g-g- -g-gob- a- -gob-

-ccobra- And I mean They paid much Less than what The other Bato Cobra, well,

there were 200 and fair to the many pesos that were to get a $10 Morros.

A few No, no, no more to get to get them. And the Jorni?

No, well, I, I, I'm, the net. Yes, and I

didn't chingen to your mack, like, they're going to do you

do something, and they're doing one of the there also. Oh,

Corny it's you did for the podcast. No, mame,

comp, is a mom of that's because I'm going to say a cause. When you

go to see the and the people, but it's that's to get to you know

to have that rachita. So, I'm going to do, I'm giving a guarantee that

if you you're to be that you can't because I know you you just

you just you just did that you you're that's you're that's that's

It's, it's when you say, you know, you're going to go to gore? You're going to a cobrough a 10%? You'll go to

a 10%? You'll go to come to do you? Because I'm going to and you're going to work on this? Saturday,

a day, the day? The day, the day? Oh, that's the matter, that's all the compa gregn,

but. So, what can't be that's not, is that you ching them, so. That's,

and you're to beervi. You're, think you, they want to to make to make a to say to

And no, they can't, be the chile to Clemente Jackson. It's what I'm going. And, and I'm going to,

and he I'm going to I'm going to my dad. Why? Because, well, you know,

I know, that's it's a that's a, that's a, that's a no, no, no,

he's, fullano, no, me cobrer, me, he said, I, yeah,

no, no, he's, then, but contractel to the , yeah,

I'm, I'm, I'm saying, And if want to the Munoge It's

That's That's That's That's What you How I'm With that

No, no No, I'm No, no, the When you

When when was the boom of Cachoo Rubio there did

not the no the no the people, all the people,

all the sometimes with the affand to not to be the net

in this business the music you know, Because you have various

friends, I imagine in the music that is some mamones and the that's the I'm

I'm not I'm I'm work but I'm but at final of the

sometimes are the many times we're to talk the mozillo

when we're when we and we're and the company oh yeah come

oh yeah oh you're oh I'm just mann't me the mann't mann't

man's man that's as I went with you and I got into and I got the pincereur the pincolio

the pereone a manned a manned we're doing it we're not even an auto bus don't have been a penon

no publicity in the carie because I said you know what I'm going to the gasos me go to the

door to you want to you want to do you but make publicity no man no man there

no manned no manned those are those are those are the most manages and how

How was it? No, well, the people know the people know the people, but the people,

we're not there to get to get in the night to get in the way, way, we, we, we're going to talk to fulnerner part.

That's not, that's out of the radio, hey, we, I don't know I know that you know that's

you're going to come to be, so, let you, but get to be to be, because I'm you know,

and now how can do you can do you to do it is different now that you have

you get a point for the networks in the publications is different now the one of the

one is very different if you're they're in they're in we're doing we're doing we're doing pures

we're particular we're talking in purses in Puliacar we have we're gonna we're gonna be a event

of a radio we're gonna be a event in June and after of who knows we're gonna we're

we're gonna we're to be conscious when you're playing and when you're not you're going

we're doing. We're not we're getting in the process of grab our we're doing we're getting the

thing to the radio, in the platform yeah, you're just talking more or less we're more

we're more audience, it's different to come as it's we're not we're very very bad

in the audience the rass we're that we're that we're that's that's

let's let's let's the platform that that The people who

listen in Spotify, in all the platform digitales, there's there's a man,

you know, I'm going to say, where where's the, the, the,

the, the inspiration to get the the car and the mono no. How did? We're,

we're talking in Guerrero, in Petatlan Guerrero. And, this, we're talking and a

person there and we're saying, oh, come, you la the last of the

car, the car, I, I, that song. And at a a rata

me'll get to say, I'm going to say, hey, there's that's that's a

name. Netas in the other tanda we're it's the discos.

Prestem me the disc, please me the disc, if we got it on the bus, we

started to we're put us and they're put a time, we're doing to grab this

roll? To be for yeah was very famous, that was very famous that

was very with a group that's called the mono of the marciana

I don't remember, so I don't remember the name of the group and they're that you're

to the car and the mono no so so that's a cover? Yes, it's a cover.

But you're a lot of yeah, then I'm the band Magay I think the matchos

also but the first in the diffusion on the national we're

we're we're that chingo oh and that and that the regalias

how's so it's no, that's a real right, for, I think all right

all right, all right for, for, for, every every time that they

have to you're to be, but the composer is the, he got me more.

Yeah, yeah, what he said, no, no, no, no,

we know, we know, no, we're not, we're we're, we're, we're,

we're we're, we know, I know, no, I know the composer, no,

no, He has to investigate how times we're we're going to we've been on YouTube, how many times he's been to

do you know, he's got to go back. We don't know we don't know. It's different the role of the composition.

Yes, something. Something that something else? Compa, well, nothing. A little.

A little. A story there, that's, oh, man, the borgue, this story, compa, ta'bue.

Well, that we have been a chingue of things. And there can't

talk about. Yeah, but... But, yes, yeah, we've passed

many things good, many things malas. What, bad? Well, that's...

Well, you know, one... You know, at a few, the murder is a... Yeah,

is that this, this roo is a cabron, and not just to us, we've

toped with companions and, no, me, also this

and so it's a but what you get to get to this, you have to

have to have to the we're not the pleas that we're in a person that's a

person that is a drugate a man that's that's we're talking

in a Guaruto the non-rebel and we know, and not because

two of them are my compoers my comparison Chino my comp.

Isaac, I've a good with them my friend. My co-boy, no,

my friend, but we're we're we're not, we're very

good, me my job, I'm really good. I'm a

story of them to tell for you. They're they're they're they're

getting in the United and that's they're there. And I

go, boyo, for to get to to get to to get to get a chinko

to get a thing to get to the people? The people why? And why me

that? And, it's that it's the but when you know you know, it's

to think to think of other and I'm sure that I saw, that's that's

that's a fair of the visas, we're we're and tronable for all the other

lads. I remember that we don't I'm back of Riversai very close

to Riversai and me prestererer and we didn't we'd not we didn't even

we'd day, me, my my compa boy, I go, Compa, where I'm, we're going to

talk about them, we're with them, we're in the new rebels, and the, and my accord,

that's, we're going, we're going to get to the hotel, they're a little, he's,

my way, so, I'm going to, I'm going, so, I go, no, comp,

no, because, they're too, they're doing so, and we're we're

we're just we're to get, and we my comp, my comp, my Here, manned me the...

Direction. Yes, the direction. How's the direction? And we're doing the direction, and we're not... Yeah, the guyo, with the... ...he got the new rebels, then. And, you know, they're going to be the yellers of tars, ah, and the chingas.

So, are the actions, comp, you know, not you're going to never, no? And I'm grateful with the new rebels of all the life for that and for many actions that have done with us. Much of... Much people...

Much people... in this ambit of the music many people sometimes to talk about to talk about

to say I'm not to say, I'm the other rebels is thanks no, thanks,

your family and we know, we're not we're with them and the wife of

my compo wayo, his his little to all the mother, so is a family

very, so is a family very chingona, that we're a lot when, when a group

because that's that's, that you know, no, no, no. And less in the music.

No, no, the music. That's not. No, I know what will be if the envis or,

or really the vibra or the custom, no see, but that what was a mannedition,

beho, because imagineate without without, yeah, is what I'm talking

that we're talking to the part that you accoes for the people. Yes,

yes, no, you, Pontaco, if I have a burrito you go to go to

get a Yeah, yeah, that's that action even, even if you don't know

even if you're the most money, they're not yeah. Yeah, and one all the

time has been to be very good, no? In first good to be bad,

even if you go to be bad, even if you is that is that I'm a good

because we're because we know, because we just trying and to be

to be great to be very you've just you have chatted the man to the

I'm in the personal other roo old robertes I'm for the clobones

I did I did a podcast a guayito is he's known me of the way

and no other roo the vibra he's been alivianado that this roooo that we're

we're in night we're I'm some yeah I'm because we're in the

because we're not no no I'm I'm I'm not I'm

in the in the stories that's yeah yeah But what chingono, I got a lot of the

amissed, because the day of morning, you know, I'm going to keep the same simica, comp.

Oh, and I say my compa guayo, specifically, the compacchoo, and what's he'll offer no?

Because he offreck with me, and that he's, but, with me, and,

and, so, and, he, how no, how no? How no? There's

there. There's a question here, he says, Hey, well, mention them characters, characters of the,

well, of the narcoculture here, no I don't know if, if we want to be questions for there, or we're going to go to the other side? How do you know, what I see. Dice here.

What was, Pedron Antras? Well, he's so you're, but why? But why, for you are the, he's the of us, it's the dude of

us, it's a man. Ah, it was the of you're not. It was the other than we're not. Oh, my brother. My mother. My mom.

My mom is my mom. My mom, my mother, and then my my aunt his daughter, he was being sitting like

the quarter to be able. But, but how was, you know, he was, fallacian,

fellio, fellio. De, from a no, he's in a car,

with the soldiers. The soldiers, the soldiers, the soldiers, they were, and so, so,

so, that's a rato. It was or the age, more or less? It was more than I had had been

a lot of 60 years more or less 54, yes, no, the brother of my mom,

Perron Antrex. If it was very much was a Bato and both, we're, we're,

we're, we're, Valenzuela for my momah. Berga, no, no, the net

no, I didn't know, I'm the way he, he's, yeah, yeah, yeah,

so, yeah, so, yeah, so family, the, Tio, of us

and, and, and, very, so much convivance and all this roo.

And any any of the family, like, for you know, to say no man, and then the

little bit more. Cynette the boy, your boy, those are those are the major, my little

my own Jesus, Rodolfo like I. Seahue Rueue like I, know,

and the pollito, Jose Alberto, Rubio, but are my kids, are the the first

the first the first those first that I'm that I'm but they're the first they're

and they're one of them one of them one of you the pollon and so my life so chalacos

no that I'm chine the chere the me chine the cory the cory

he's he he's how much he's no from the one

to no no no no no No, no, the net, no, comp, no. If you're gonna, man,

or how's it? Dres me a bit. No, po, right, dechette, to get the language, to the borgas to gollas back into. No, po,

dig? No, no, no, no. No, no. No, no. No, no. A man, a guy,

a guackasas to the verga. Compa, that's, we're so, feos, so, feos, and malos,

and cullerone. The, and the, that's the time no matter, that's the time, that's, because

that's a a revolution in the reds he says how he does how he does it

for not embehecer that that's that's supone oh yeah berga

bouldas back into no well no I don't I don't

I don't I'm not I'm actually I'm too I'm chas too I'm

and I think I'm not to make he he's not

fumar in not to have me a pericco and all that my mind I think that you

a little to get a not to get a but not to beheasert and the sport

and the life of the life my mom and my my wife and my wife

my wife and I'm say oh my yeah I don't but it's but it's

a sport company for what we're talking it's not it's a sport

has a that's a thing it's some but it sport, comp. That's

one much to to maintain to be to be in and to be and, well,

no, no, no, no, no, no, no, no,

not, no, the sport, I think, the sport, to do you do that you're in

, you know, to do, do you, no, is a chulada that's a , too,

I'm, I'm a much, I'm, I'm not , no, and I'm,

and I'm , I'm sorry, and I'm sorry, and water, water fresh, He's going to want to

Goal's for Dendro. Dice. Oh, and the pedicito of the song? The qual? It's supposed,

Dice. It's supposed That's that I've never you Ohvidated. It's that for what

you did you wouldiartee You know No, no can, no can, no,

it's put, you know you've said no, I'm said, and I the only that I

want to is Berto Chiqueteta how I'm my love

like to get that you put a rifflet qubrado chiquita ah ha ha

ah ah oh well never never they've never

have done to go to when they when they're in the to all the

every every no no so I see I

sometimes some two, but I have been clear, I mean, I mean, you know,

one has to get to eat and re-alimenting and retro-alimenting one of the, of the

bads experiences. I, I don't I'm, so, no, I'm, I'm,

in four, five hours, but. No, nothing, but. And, a lot of,

you, you're, you're, you're, you're, a tritit or a, that,

for the nervous, then, that, Anoche, I was going to to get to get to be a chino

music, if you're nervous, so they're nervous, so they're and I'm a cigarette

that they're and all right and it was all roonco up, so I think, I think to have

to be careful in that, not come food, before to be able to be in the tripas.

Yeah, come no. Oh, I know, I know, I, I'm just a bit bit

rapidito. I was talking to DJ and me a peon to a coppa of those diabolical to the verga

I'm gonna go to the asses yeah, yeah, I said, I said, he said the

Pimpin Pimpin, am a paro way, he's a mids of a minute,

I'm gonna cackar, we're gonna go to get a music, is like that is a song,

is a pista with many pieces with many Pets, but never so par oh,

and I'm let me let her the verga. It's like a pupurri of you. Yes, yes, yes. So, me went, I'm trying to and I'm going to get the scule. Parked at all right now. It's in a

carousombeo in chingon. Oh, montazzo? Montasso. And elotazo? No. Oh, well, there was paper? No, it was paper. No, it was. Paper. Yeah, yeah. See, I see. In the party, the ban on the house, compas. No,

but no. That's a day. I'm peon. Do you guard? Do you? Warrer. Fah! Fah! The morras! Or a bit, no. No, man. Oh, no, the verga. Ah, I'm like, I'm going. I'm going to get a bag. I'm going to get a paper and a ball.

Let me. A-huh. A fri-so, compo. That day, p'y. I'm going. And I'm put it. I'm per die. I'm going.

I'm sorry. I said, nobody. Me neither. And when I go out and I'm going to, my mind, my God. I'm going to be, ma'am. A camera. The camera.

In God. I'm sorry. You go, see. You know, this is the This is the man, I'm going to do I'm going to

I'm going to I'm going to I'm going to I'm going to I'm going all, I'm yeah, it's a hornie

in the Vellie Kagan that's a manned, and a garrie, to give you to chambi-

but it are that you can't control. No, some things to know, to know,

to be to do you get to me me, Orin to urinar, yes, you know, I'm just urinandum, I'm doing,

and so, but... So, like, agilasos in the mountain not's not in the

top of, so, no, no. No, fall you know, in the Marcos.

Mark, I think in barra, man. This bach you go that's pager in the tisks

that's a man, man, yeah, much thanks for being, thank you, no, that,

that, that for me is a, that for me is an honor to be with people and you

know, of that you know, and that's, I'm going to, and that's, and that's, and that's,

that's, that's, in these, people, with these new, with these new platforms, with all, for me it's an

honor, and much thanks. No, no, we, we're doing, so, yeah, it's, yeah,

water, yeah, it's, yeah, it's, yeah, it, so, in Instagram, Cachoo, Rubio,

in Facebook, Cachoooooooo, and his compas. So, so much. So, in platform digital,

no-map, put it, Madh. Let me that's the Morrow that's that's I'm sure that

was the maskara this, it's, and the music no more that my son, you know, the mother, no. Well, if I

did you, the chingada that's in the know of the hall and just you pared you an awazer here in the head.

And, and let me matter. And that's where you left the car and the mone, no.

The chikapio all chik, all chicloso, my ho-allie. There we're in the radio social, my comp,

Gachoo Rubio, saluasas to all the people that's all the people, before the to get us, a bit of

a little bit and say, and I'm where you that you put on. In the mero,

c'clock. Oh, oh, shiquitit you're just you're just my dad. There's a little

lingua, lingua, and then you get a car in the mott in the mountain to get us there,

there's there's let me be let's let me a little Ricky, yeah. Salih,