LOS MAFIA PODCAST ⭐️ - Chanito de Culiacán cuenta los Secretos de Su Vida y cómo es ser Papá
Episode Date: August 28, 2023Chanito de Culiacán cuenta los Secretos de Su Vida y cómo es ser Papá ...
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Like you
a simio
of the
shingada.
It's a
pleasure
to have to
man.
Fianito,
I'm doing
fan
to you,
no,
but now
now
because
you're
because you
know
because you're
a
here my
compa
Marco Ruvio
way,
no,
I was
I'm
yeah,
I'm
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
and I'm
lavando,
yeah,
and I'm
doing
a car
and,
you,
and I'm
in the
call
there
bagging
that you
let's
the
money
to the
Coca
I'm at
the
man to
me to
get a
remang
man
for
a
thing
for a
man
man
I'm
I
I
get way
to
copy
whey
the
policiac
pa
was
I'm
from
I'm
there's
yeah
and
there
we're
we're
we're
we're
we went
to get
to come
we
had to
Oh, God.
So,
they went
in a
Q'd
there,
yeah.
The Mustang,
how
he said?
The Mustang
on the
that's
no.
Water
fresh,
my,
man,
man.
What,
what,
how is,
my God,
I'm
I'm gonna
be,
I'm good,
and
relaxed here.
You're
like here?
You're
good?
It's been
per
where?
Because there
there's a
there
in the
pegad in the
padded
in
In the wall?
In the pad.
You like?
What more you like, pa?
What's the garrette that's there up or the that's up?
No, well, no, so, no, I don't see me.
So, I'll say, what, you want?
You want to give one, what, I'll give you to the other?
That's, that's, that you.
The, that's, you.
You, old, a-ver-a-berga, who, who wants?
That, at that, that's...
This?
No, that, that's, too.
I don't, that's, that's...
No, me
not out
that you're
that's
I'm in
no, no
no,
no,
no,
no,
that's
that per
right,
right,
right,
so,
that's a
man,
so,
that's me,
for what,
yeah,
for who,
who,
don't know,
the eye,
and I'm gonna
say,
and she'll be
a mama,
yeah,
oh,
yeah,
what's,
he's to
do you,
in these days,
what's
that's been
doing?
Nothing,
pasiean,
me, I went to go to the
motor, I'm going to the rancho
at times,
I went to
the cinema, with my
morrita, I
went to see the
Barbie.
Ah, you know,
went to be the Barbie, whee?
With your morra?
Yeah, it's been perro,
the movie, a risotada, no.
And we, and we,
and we, bet you, Rosita?
No, no, no,
way, like, you're rosy.
Rosita.
Ah,
well, is the
theme,
Pa,
in the
movie?
No,
I mean,
I'm,
I'm sorry.
Mm.
Me,
I'm chained
changed,
badi-
badi-
badi-
what you
do you
do you
do you?
Yeah.
Yeah,
let,
we're going
to be
to be
to
you know,
the same
that's the
same time.
Calfe?
Is,
you?
You?
Avel.
To be-
to be-
This.
How?
Yorkie.
That's
is the
that's the
that's the
that I'm
that's
mingada
my
pa
really,
the only
that I'm
the only that I'm
and the
and then
then
pantaloncito
chorsito
no
shor
so
but
like
like
the
Guard
National
Blanco
me
I'm
a
a
a cam
a
shirt
that's
here
a
that
here
that
here
there
What?
I'm a...
That's a...
That's...
A.
A.
A, man...
A...
A tibodon.
A tibodon.
A...
A tibudon.
A...
A...
With the dintones.
With the d'ienton.
You know, you know, can't pronounce...
No.
A...
Did, car?
What?
Did car?
Carro.
Car.
Car.
Car.
Car.
Car.
Car?
Car.
Car.
Car?
Car.
A...
A bese...
A b...
Tiburon.
Tiburon.
Tiburon.
A birdie.
Aard?
Arbol?
Arbol.
There's, pa.
If you can't?
Well, it's that,
it's that
I'm a-webo-nada.
Ah,
that's chiqued, my pa.
And,
that's like,
that's,
that's my mom,
so.
Oh, yeah,
my,
your mom,
boy,
still,
yeah,
yeah,
yeah,
so,
there,
so,
there's,
there,
and you,
you,
and I,
and I,
,
I,
with her,
and I,
with her,
and I,
with her,
Oh, in that time, when the Marko
you started to grab,
where you, to
you know, I?
Oh, I was there in the
street, and
when a machinist,
so
I didn't let me have to
the people,
and I was going to
send them to the people
because so I'd grab up to the
machinita, well.
It was your vizio, the machin'
yeah.
They're seeing being
your vizio or no?
Yeah, I
Yeah, I don't
I go
The Macinette
But I'm
Goose
To play with
A game
A football
Yeah,
To play with
A FIFA and so
Yeah
A FIFA
Yeah
Okay
And okay
And
And
Oh,
Oh,
Oh,
A gusto
In the
Airste
Aubub
A sabritita
Ah,
Oh,
The Tont
He says
And you
Pitch
Or,
Who Pitch
A Cheneeneke
Yeah
And he
A
Pest the
Cuis
Yeah
Tender
Tender
or no, way?
How?
How not?
You'd you
would you
would be
to be
a person
to be a
car?
Ah,
how not?
Why?
Why?
Because if
you,
if you
would be
to be
a good
to be a
little of
him?
But why?
Because
you do?
Because you
do you like
to be
a pistol
or because
that
that's,
that's,
that's
that's
that's
a batto
no,
because
from the
little
we're
from
we're
because from
How many years
You,
I have you,
I have 22
I'm going to
23
In the
This is
This is
Oh,
Oh, yeah,
Berga
What,
What,
What,
What,
What,
What,
I don't know
Oh,
I'm
You know,
my
Wye,
I don't know
the days
I live,
Oh,
no,
know your
Feature
Wye?
No,
does
Lear
nothing,
I'm
Nothing.
One of a
one of a bit
to get in
a,
a,
a,
to,
no,
no,
no,
don't,
don't,
don't,
let me do that.
You're going to
a doha
so,
I'm going to
get me
to pay,
your mom?
No,
my
no, my
man,
I,
I'm going to
get the chan,
to study,
because
I know,
no,
no, no,
no,
no,
no,
you know,
I'm,
you know,
you're
,
but,
but,
but,
but it's,
that's, that's, that's, you know, no, no, no.
Aluna has, you, has been, way, to transmit the credential of the
elector?
No, never, is that I'm doblad.
Oh, yeah, verga.
Why are you doing?
Why?
Because I don't have credence.
When a, you're in a car, it's like a motel me.
Hey.
A me, me, me, if you know, they don't know the paper in the motor, what is.
Well, doblad-
Dobladona,
doblada,
No, no
No, no
no, no
they're gonna
call it,
because no
because me
a bit of
my embattah
What was,
and in
how you
gotrashed?
What,
a motto
there?
It's good,
so,
it's,
and it all.
What,
what model is?
What,
is it,
Italica?
An Italica?
It's
125?
25.
25.
It's 25.
Of the roja, gris or?
Of the rojita that
that has that
the romeggy
Mascar, maceo.
Ombre, man,
I've seen,
there's a lot
there,
all the motor
all the motor.
Hey.
Yeah.
I was the motor.
Ah,
yeah.
Oh, yeah.
And this, because he
makes a signia?
And he's a carcco in the
man, and he was
coming,
well,
I don't me
You know, I was coming down, I said
One of the question, why you go
You know, and I'm trying casco in the
Man, man.
Oh, man, man, man, man, I'm
cut down the motor there,
Tarno, police, me cut down the
motor.
Ah, well, see, see, see,
go ahead, go ahead,
go ahead, I'm gonna'clock,
and I'm gonna,
and so, see, up,
suh, see, and he,
he's up, you, he's up here,
he, he, re-pego, he,
no, no, no, no.
Hey, do you know,
Ponger the carcque that you get in the media.
And put it in the middle.
No?
That's, that's not to traverse it.
Oh, yeah, I got.
Oh, yeah, I got.
I got, yeah, that's, that bato?
That's, that panzas, he took the motor,
and he said, and he, he's got to,
he, he left, he left, he left, he's got a grub.
What is your motor, lo?
The D.M.
That's there, I mean, go.
A-be-a-be-l-l-a-bato, the man who he told him, I said,
hey, yeah, he, don't you're, you're, ching-a-ching-a-law,
no, he said, let's go, let's get, we go.
We'll get him, we go.
Oh, well, if you're going to get this, loco, that don't me give him,
and I, and I, no, without plaques, no, to clean me the collar.
Well, a paper of rollo, that I bring, and a mochita,
when I bring a mochilita, and I'm a terseada.
I bring a paperon of
roger, I'd have
you to have
to be the
t'clock
and,
no?
And,
no,
the only
paper that I
have got in
the pocket of
that's,
oh,
yeah,
no,
then I,
don't,
me,
he said,
no,
he said,
he said,
watch,
you know,
and I,
and I,
back,
I,
and I,
back,
there,
up,
there,
up,
back,
lo,
what,
what,
what,
what,
you want,
,
Like you got to get me to the motor
to the other
and the other
I'm battling
to get back
to get it.
I said,
I've got to
come to
because I'm
made you to
because
my fault
to get
by the
car,
where motor is
to go
to get to
to get to
get to
you to go
because
you're gonna
I'm
I'm
I'm
I'm
he's the morrow
in the back
there's
there's
look, see,
see how you're
the motor
and get to
the car
to the barred
where you go.
Yeah.
Thank you,
great, much
thanks,
thank you.
You got a
motor and get
this,
and then they
they're
to get to
get to
the guy,
and I'm
the bato
and I'm
back on.
Well,
Gordo,
all rato,
I'm
saying,
I'm not
nothing for
the coca.
Tend,
we,
50 pesos,
well,
the only
that I'm
that I'm
not a
gasoline
I'd say,
and I
moved to
all the
whole lot
to the
whole thing
the
tach the
gordon.
The only
50
pesos
you know
for a
one
I'm going to
get a
man,
the money
to get the
money
to get the
man
to get me
to get the
motor.
The first
preended
and you
to get to
to
get a
and you
and you
get there
and he
and said
the play
the switch
yeah
whey
you
don't you
you have
you can
you know
you
see a
man't
there's
that here
a bachach
man
brought to
back after the motor of her,
you did you,
you did you,
I do you,
I'm sorry,
I'm sorry,
so,
like,
I'm sorry,
you're gonna
get in a
patruia,
you're in
the patruia
to get to
the barge,
to go,
and I said,
I'm,
mugg,
you,
you,
you,
you,
you,
I,
you know,
I,
and I'm,
, I'm,
, and the
verga,
me,
and the,
,
I'm just,
that I'm
that,
but,
that don't have
no,
I'm,
but,
you're,
a big, pa.
Oh, and de-volada.
I said,
the player,
the sushi.
This is more
pired
than the
shit.
No,
no, no, no,
no, no.
Chano,
better.
Mechon.
Vest it.
I said,
I said,
I said,
I'm going to
get to be
there.
I'm going to
get the
to,
let me the
motor.
Mueh,
I'm going to
eat a sushi,
and I'm going to
get a t'
here,
to get the sushi,
and I'm
yeah,
my pleasure
my lapo
the motor,
and the
momma
said the
The do-such, you're
pirata.
No, no, you're pittata.
Akeye, I'm not too pittata.
I'm at all right.
But I'm at all right,
yeah, fuck.
Dice the do you.
What's the time?
What's the same?
It's all the time.
A-suchita.
How's he?
What's the, dude?
The rio.
The rio, how's it?
The rio.
The rio?
No, I, I, I, I,
I'm
I'm
the sushi
is called
Suchi
How is
sushi
The sushi
I mean
I'm
I'm
I'm
I'm
But the
Rojo
How's
How do
The
What's
What you
No
No
No
No
No
It's
It's
There
There
There
Food
Chita
It's
It's
But
There's
There's
There's
Many
There's
Many
Many
It's
I
Pid
For
example,
I'd
I'm
there's a
chile,
a rillero
chile
reyneau
I do
make machina
a chageta
no man
chilone
no,
no,
reenno,
because I
say,
chilon.
Of the
that's
that's
a
Yeah,
that's
but,
but you
don't try
a fairia
way?
How did
you did
you?
Or did
the friaria?
No,
the
other
apart to the
five
apart,
apart.
clavo.
How?
How?
How do you navigate
Chanito
for the
week?
Oh, I
navigate
$200
pesos.
For the
month?
Yeah.
Oh,
I,
I'm
got to
$100
there
in the
west.
I like,
and the
other
days?
No,
the tea.
Oh,
no,
for I'm
more than
$100
pesos.
Look,
I'm
here
to go,
I'm going to
give
to the
money
to
the
guy
of there
to
Inseguer, the junk, I said,
Compa Roderigo,
and I'm going to pay you
know, I'm going to pay
the money.
Ah, yeah.
Look,
I,
but, you know,
but they're
to be
to have
some,
I'm,
compa,
chan,
he's the rone
ah,
yeah.
Hey,
and I,
go and I'm,
pay the tea.
Hey,
the plet
lavado,
to,
pay the lavado,
to,
no,
no,
no,
they say,
yeah,
well,
yeah,
yeah,
well,
yeah,
yeah,
No, here I'm going to have to go to get to the motor, and how do I do to pay the lavato of the
How?
How are you?
Like, 30 to 35 pesos, well.
How do I'm going to do?
And I'm going to restriking the head.
Look, he said,
let me the motor, I'm going to go to the Loma, I'm a mandator, I said.
There's the, I said, I'm a manned, I'm going, and I'm going, and I'm going, and I'm
Simon,
and the plebe,
well,
well,
no,
I'm going to
go to
go back,
I'm not
going to
go to
the
pay,
but I'm
to have
to be
back.
Oh,
and a
a rattito
to,
I,
when I
got the
I'm not
the
seat,
the
the seat
of the
motor
in how
I'm
to sit
and
no,
no,
for the
plebe
there
had been
there
had to
have to
have to
have
to
have to
pay
me.
35 pesos
I'll just
give me the
seat and
how did you
and how you
at the
of the
of the
macha
the man
the manchaca
you
you
you're
you're
you
a woman
to make
machaca
or how
the
no
the do you
make
machaca
and I
go and I
go and
I revend
you're
oh
well
what you
how
how much
how
how do you
how
does the
cartes
yeah
no
yeah
a box
a
box a
six
It was 120, but
yeah
Well, I
I'm gonna be
$20
for that the
Yeah,
for that
I'm gonna come
You've been
Traired
But the Walsha
The Walsca
My Welfth
I'm gonna say
Yeah, I'm gonna
You're good
negotiante
No, I'm
I'm gonna
I'm,
I'm,
I'm,
I'm,
it's Pendejo
but no
Pah
Ha
A M'
my Walsh me
my Walsh me
they're
$50
I'm
50?
Like the motorcycle,
like the
Oh,
oh,
yeah.
A lot of
a lot
I'm
a little
let me say.
Let me say,
that's an
motor,
in a
time,
and the
and you
the,
and the
,
and you,
and the,
you know,
how did you?
How did you?
How did you
do you do
five days
with the
motor?
Oh,
five days.
Oh,
it's
It's
It's
The
Saturday.
It's
Yeah,
I was
I'm
Badaata
you know
You
How do
You,
$2,500
D'am
me and
I said
No,
you
How do?
I'm
$7,000
$7,000
And I
And
I
I said
In
$2
$2,500
But
problem
that
was the
Saturday
and
I'm
paid
And I
Kite
I
I'm
I'm
You
my mot
Oh,
you
You're
You're
You're
You're
You
No, five days.
I mean,
you know,
myrashana,
way.
What?
What?
No,
they,
they,
did they
did they,
what they,
what they
did you?
No,
po.
No,
no,
no,
no,
no,
the guardafango
back,
uh,
so,
you're,
you know,
the,
the,
the t'
t'c't
put on
one-
a,
the,
That's crazy.
And how
they're
P,
if you're
the,
no?
The chanito
of Cula Campa,
how
you,
how did you
how did you
how did you
do that?
No, no,
I was,
that's,
that's,
that's,
no,
I,
did it,
money,
or me
to go the
motor?
Ah.
Oh,
no,
no,
I,
yeah,
yeah,
let's,
yeah,
yeah,
yeah,
I'm,
oh,
but,
you,
me,
I'm,
you know, I put a
Petsar-a-penned and I go to my
house.
I go to and go to
go to the lago,
all over,
all over.
Yeah, but
then then
not you
responded
nothing,
nor the
qubrada of
no,
or the tomb
of the tank,
nothing.
You know,
they're
they're doing,
but they're
to be
to the
time,
that's the
my,
ha.
If you're
you're gonna
you're,
you're gonna
you're gonna
no,
no,
no,
a rato
do the
yeah,
a rato
yeah,
I'll
What's pan,
eaten?
To have you?
To chanita,
huh?
A-rotho yeah,
and what?
No.
Ah.
That's the essence
that I
love your,
boy.
At a rato
I robes
the
t'lons.
You?
You?
No.
But the
the carcone
of them
will be
way?
It's very
great
so,
he's,
he's,
he's,
like,
like,
as the morrow?
Like,
as,
like,
like,
like,
I've
never you've
never
you've given
a
carl-a-
man,
no, no, no,
I don't
get us.
He's the
,
he's got,
you know,
to do you
to get a
to doze?
Yeah.
I'm
me regale
one to
coceal
the,
the wheybun
back to
go back.
Oh,
oh,
man,
watchate
we,
I,
I,
I,
I,
I'm,
I'm,
a little
a,
a morra,
boy.
Ah.
So,
he was he
did me
and he said,
let me
let me
him
did me
do it.
No,
no,
me,
It was a morrow
Mia,
well.
Let me
and I'm here.
I said,
I don't
I'm
he, I'm
just the
I'm
and he
and I'm
all the day,
I'm
I'm sure
was, way,
it's a
tachecito
rogo,
way,
that's
like,
there's a
count that
has a
tachita
of the
and he
and he
and he
and he
and he
and the
bracer,
boy.
And all
the day
he was
he was
in the
cajone,
it's
in the
same
cajone
that I
had to
the
carolns
me.
And
always,
way,
I'm
to be
to be
to get a
man,
to get a
man,
engadnered.
Pah,
to be the
so much it's
a morrow, boy.
Nogat, too,
man.
Never has
ever done that maniacada,
you,
no,
I,
I've done
another.
A be
man,
man,
boy.
There's,
well,
that's,
well,
we're,
that's a
good,
but pisteas
and the
better.
A lot
to me
a plebita
very good.
But I
said,
you're going to
capia,
me,
that's
me,
me,
me,
I'm not
capia.
But I said,
I,
I think,
I,
I,
I,
$2,500
Pes
I have
money
I'm going
to get
to pass
to
back
back
oh,
he
said
my
did you know
I'm
did the
oh yeah
Simon
I
are
so at
four and
a half
of the
time
hey
what's
what is
what you
see
where
where you
see
where you
right
right
It's not that my mom, my, my, this,
I'm a, in a, in the
her mother of her.
Oh, God, I said.
Oh, gode, I said.
Oh, what, pass me the number, like,
so?
Pass me the
, say, pass me the
first.
Oh, well, I said,
yeah, I met in the website,
and put a number.
But, yeah.
I had the,
had the, the phone, the front of the
front of the page, to the
woman,
to the China,
when I
had the
China,
when I
got it
to get it
to blow
the
pete,
I said
I'm
made a
manned
something,
me
made some
and I'm
and they're
and then
he said,
and I
said,
and I
said,
and I
said,
and this
rancho,
and said,
no,
it's a
ranchi
and in the
house
I'm
oh,
oh,
oh,
it's
oh,
well,
I,
and then,
I,
and I'm
He marked there, and I made me mark it.
And I'll send him
a while I'll do the rest of,
no, for, you know,
this, I'm with my
brother,
he said,
I'm going to give
$1,500.
Let me go to
the Coliseo,
that he said,
Oh, yeah,
look.
No,
well,
let's pete,
let's watch out,
you know,
how,
how, you know,
how,
you know,
that's,
you know,
that's,
here I,
here I'm,
here I'm,
here I'm,
there's,
Oh, but I have a
My name
and I say,
No, I don't
want a
I want
to see you.
I'm
an
friend
I'm like
to be
but it's
more
more
no, no
no, no
no
I'm
I'm
like a
I'm
like you
like you
you
chapparrita
gortita
and
yeah
something
something
oh
man
oh
oh
so I'm
well
let's
let's
let's
at the
6 of the
night
I'm
At the 6th of the afternoon,
we had to beckyoteo pisteing,
then at the 5, 4.
Something at least,
like, at 5.40,
he said that,
he said,
I had a rata,
saying,
hey,
what rollo,
you know.
Ombre.
Let me,
he said,
he,
in what we're going to do?
No,
for,
Pid the Uber,
you,
you,
you're,
you're,
no,
no,
that's,
that you,
you,
you're,
you,
you're,
you're,
to,
you're,
you're,
you're,
Well, how's the Uber?
Pinchy $45.
That's $45.00 that's
the Coliseo.
The Coliseo.
No, I'm going to pay, then.
All right.
We'll bet you, no, man.
Dice, the girl.
It's machin,
you know.
Oh, man, says.
No, yeah.
give me
a $1,000 and
you'd
say for the
$500
because
And when
me was going to
mark it
and when I'm going to
mark
another other
no,
man
how you know,
how you know,
how you know,
to do you?
Yeah,
deca those
50 pesos
give me
$1,000
but this
did you
do the pado
and the
$500
Pets, no,
man,
yeah.
How do you
How do you,
Pa?
No,
for,
who
who,
who,
no,
no,
no,
no,
no,
no,
no,
no,
Mark,
no,
the
little,
I'm
to make the
I'm gonna
see,
I'm
so,
so,
so,
so,
so,
so,
God,
Tontto,
what whel,
but it's
a bit,
but it's
a bit of,
no,
I don't you can't
I can't
I'm
gonna watch
that's
I'm gonna
you know
I'm gonna
like that
like a
man
like
yeah
fuck
fuck yeah
and
and the morra
kept
very content
yeah
no
well
the china
yeah
again again
but
no
it's
you can't
yeah
yeah
yeah no
yeah no
because it
did you
did you
did so
did you
do
Why?
Why?
Why?
No, because it's
very
a lot of,
What,
What, you know,
There's,
there's
five,
there's five
things that
I'm going to
say,
to the Chinese.
A-be,
let's
get a
or no?
Abe,
Venghacy.
And say,
salusita,
Pa,
salusita.
But,
to me,
a-verger
at averga
other way.
This,
man,
that's mad
that's,
well,
my mom
cidah,
well,
I,
what I,
did you'd
you'd say,
what you'd
Oh, I, Tomo Puduio of 70.
Oh, yeah, virga?
Oh, yeah, no, I've ever said.
The six things of the China.
A be very good for a clip that, let's see.
Let's see.
Look, it's toxic.
Yeah.
No, no, no, they like to go to the festival with women.
I, well, I, well, I, yeah.
I have to go to the festival, to be women,
to be, to be, right?
Or, or, or, or, or, or, you can, to take.
Well, that is one.
No, no, he doesn't do the festival.
Because if you,
go to a
Fiesta,
go to
go and I'm
going to go
and go
and I'm
and get
and I'm
back from
to the
Fiesta
and to the
Bhaverga
all in the
Bairga
all the
So,
and Bailia
And you
go ahead
to get to
get this
another
I
want to
want to
eat like
the reina
Oh
well
if I
live in
San Ferming
I don't, I don't live
I'm in,
I live with
the rich.
He wants to
eat
pizza,
tacos,
sushi,
in the
night
hamburgess
and of
all,
no,
man,
me,
I'm,
I'm,
see,
that other
other things.
Oh,
man,
they're much
money.
All the
days,
they'd be
money
to get to
get to
a,
that's a
caron.
How?
How'd,
how'd
do you?
What'd
per
a hundred,
300,
300,
pesos,
every
the day
and
food
and I
would be
I'm going to
get me
it's
a cabrona
then
you know
one day
he's
he's
two days
pisteating
and I
get to
the house
well
too
two days
piste
you
don't
make
to you
but
what I
do you
do you
do you
do you
do you
no
I don't
I'm
I'm
I'm
go
I'm
but
where you
you're
you
you
you
If I'm
like, I'm
madre
and I'm
going to
go to
go to
with
with a
other
Bato.
Ah,
po,
that's
that's
go to
be
good,
to go back.
Adio.
Yeah,
that's
that's
bad by
and I'm
like,
but
we're going to
get the
little
you know,
you know,
well,
that's
that's
great,
no,
no,
no.
At a
time that's
that's
great,
that I
want,
hey,
Chano,
I want
to go,
there's
there's
to be a
He's a daughter, they're talking with her dad.
Or if not she'll have to be, I was going to look at a rata,
that's more grand.
You know, man?
Yeah, a little, man.
A little.
He's, like, eight months?
Mesa.
You're a chiquita, pa.
Yeah.
Oh, you're a chiquita, so, that's the, Ibrona.
It's a morenita.
Modernita.
Bonita.
No, it's blackita.
No, it's blacked.
And so, you know, that's the cellulad.
You know what?
A-verga, pa.
And is your
She's your
She's a
She's black,
She's black
Me, I
She's black, me
I'm a
Where
You know,
The one of
You know,
Oh, yeah,
Bria
Look,
That's,
Yeah,
And she doesn't,
Yeah,
She doesn't
Yeah,
that's,
That's,
You know,
Yeah,
You know, yeah?
You know,
Yeah,
He's a
Looker
Where,
Wye?
You know,
You know,
You know,
The Rue
Yeah,
So,
Yeah,
It's,
Yeah,
Yeah,
Yeah,
That's,
Yeah,
Yeah,
Yeah, yeah,
pretty
And her?
Yeah, my
and Amilet
Yeah, ma'am.
Yeah, me.
Yeah, Meele,
is it
very beautiful
for your
daughter.
Oh,
I don't know
a thing
of the 5
what you're
saying to the
China?
One?
No,
man,
again.
A day,
we,
I,
I,
well,
I,
,
I,
,
other day,
another day,
I,
I mean,
peter.
Ombregas.
I'm
a dorm.
How?
What?
What?
We know
the people?
Yeah.
Bourracho,
me
and I
gotro.
What?
What?
He?
He?
He?
He?
He?
A,
a,
a,
a,
a,
no,
no,
no.
Then,
I'm
I met
a,
my,
my,
I met you.
A,
man,
And you
You know,
I'm pot,
I'm bored
I'm gonna
I'm gonna say.
Oh,
I'm gonna
do.
You checked
the salo,
well.
No,
he's
he got the
the
bagoneta,
the bayoneta.
And the
next day
no,
no,
no,
no,
no,
no,
no,
no,
I'm gonna
get a
way,
what's a
thing,
you know,
no,
you,
you,
never,
you,
you,
you,
Yeah.
Chingazo, pa.
Putazzo, no.
No, no, no, puttas.
She's me
to pay me,
no, because the,
that's,
I'll put him
to get to
the boat?
Uh,
you know?
You're
Mughery,
Wachano,
well?
I,
well.
And the China
for that
you're just
you're just,
you're just
for that,
but you
because I'm
to go
to the
fiesta,
with the
puttas
with the
Puts,
all the
a lot of the rana.
To all the other
a day
on the
Saturday,
dominole,
no,
you know,
never you
never had
to get
a man
of a woman.
Oh,
how no,
many of
that's,
and,
and,
if you,
you know,
it's,
but it's,
it's,
how it's,
how you know,
so,
yeah,
so,
so,
so,
and I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
a bit,
A be.
A day,
I was in,
I was in a
Cazetta 4,
I went to
eat,
there's a
there's a
in a casette
4
with a man
where they
where they're
in part of
car,
so there's
there's a
manikito
there
there's
I'm going to
go to
and I'm
to come
and I'm
and I'm
there in the
vergen
here
and where
you're
where you
don't you
don't you
are the
I'm looking
and I'm
looking,
no I'm looking.
No,
I said the
man
Yeah,
here
now see
any one
here,
because he's
just,
you know
to have
a
man,
he's,
I'm
atraviced
the other
to the
no,
but I
go and
go back
to
it's
to be
to
go back
how
they're
like,
and then
then
he's,
oh,
said the
back,
at the
way,
to get,
they're
they're
to be
to
they're,
at a
just I'm
going to
go to
go to
go,
I'm
I'm
I'm
I'm
I know
Oh,
in where
in
where's
on the
where's
there's
there's
put in
I'm
I'm
go to
yeah
in
where was
the
area
the
yeah
I was
going to
go
with the
telephone
oh
my
papa
so
oh
yeah
oh
what
what
what's
what
pass
oh
where
where
where
where
Well, well, me
I'd like that.
You know, man.
Scan-y-d-day-tie.
No, but.
There's what?
And where's going to be
to get it?
Oh, yeah, I'm, I said,
I've got to rent-in-a-ha-tend-a-ha-tend-a-ha-tend-a-ha-ha-tend-a-lust.
What I want to, I'm going to look at,
I'm a man-dard, I'll look at a person.
Yeah, vent, vent, vent.
Ah, the last.
Oh, but one
grittas
a ritty
when you're gonna
when you're
when you're
when you're
when you're
when you're
when I'm
when I'm
to go to go
back back
but it's
but a trans
a woman
with a
woman with palanca
for the
and of that
yeah
and so
yeah
I'm remang
to do you
oh
oh yeah
so
that if you
put the chanekon
he
let's
to get it? No, no, how
how, no.
Carnal, how? No,
he's, no, no.
A Marko? No, a Marko,
yes. Oh, man,
is that
I'm just, the gourditos to me.
Why do you, or gortita?
I'm
because
he's
a lot
the carruchy
and, well,
no.
A bit so,
ah.
You,
to get her the pey pelt and balls.
Ah, we go, like the columpio.
You're a cabron, chanoppa.
Maciose.
Yeah, me did a swine.
Like, you're in the air,
it's all the that's what it does.
You like to keep in the airecito?
Airecito, bustle, the TV,
is that's a great, the TV, that's.
Aw, if you met,
to roba-capa.
No.
No.
No, never you've done for to go,
to be.
There's a lion
there's
there's
there's
there
has been
no, no,
no,
I'm going to
go to
not,
I'm going to
go back
to the
colony,
yeah,
no,
want to
get a
wretted,
way,
to blow the
shampoo.
What is champoo?
What is
shampoo?
Champu
to be back
so,
just in the
calient
for that,
there,
there's,
there's
to be looking
to someone.
The
car of
the trapo
what they
did?
Yeah,
There was in the morning.
I'm put to come with the
Guardia.
I brought a gaitita
and a lecettitita
and a coca
of a peche
chiquita.
I'm
put there.
What on?
No.
Nah,
we're going to
look at
and we're going to
go to
see, no,
no,
I mean,
the body,
I don't,
no, no,
no, no me
the gats
that are in my
house, I said,
I said,
I said,
no, I
do I grab
video,
I said,
I,
I,
I, I,
I said,
and I,
and I,
my,
my,
my,
the,
the,
the,
the,
the,
and I,
did it,
and I,
there's,
there,
the Instagram
there's,
there's,
there,
the fake,
who he wants,
then,
I,
just,
no,
not you're
to
give,
WhatsApp because it's a cabron.
There's no
you can't
tell you.
What you
can't
find in the
WhatsApp
your
have a
photo
of Marrita
there?
No,
no,
no,
no,
no,
more
bronca
than the
chingas
has the
Wachshah
that's
yeah,
oh,
my
mom,
mandam me
a photoito
no
pittita
I said the
plevita
that
I'm the
I'm
a man
a man
a
what's
a
a
what's
that's
that's
that
me
Amanda,
he's
this
he's like
to get
the photo
how
money
has been
what you
have been
in a
day
the most
the most
great
of money
in one
a
yeah
yeah
yeah
oh
like
like
oh,
like
a
$1,000
$1,200
no
more
never
you've
never
you've
never
you
could
I was dead.
And then,
and I was,
and I was
put in the
papalota
to clean
the
windows.
When I was
I'm
when I'm
in the
area of
Pioco.
Me
to get a
papalota
and then
to get the
to get the
to the
plas for
$20
pesos.
How?
For $20
pesos
for the
plebs
in the
Kobai?
Oh,
because
he was
more than
$20
pesos.
No,
that's the
Vega
wu.
But for what?
He said,
and then he'd
get him.
He'd be like,
20 pesos,
loco.
A bit,
give me,
give me,
give me
a faddle
to go to
go to
go and say 40
pesos,
he said.
No,
no,
not,
not,
you know,
I'm going to
get to
50
pesos,
but,
so,
but,
so I'm going to
you,
you're like,
he,
I said,
you,
I'm going to
get to
50 pesos,
You're
you're going to be
to go out of
50 pesos
and I said
I'm going to
do you
go to see
my
work
I'm doing
you're going
to get to
you're going to
do you
go to
do the other
you're going
to do
say and so
but
to go
and get
the psal
that's
there
down
and you
see
yeah
not you
don't you
want to
much
my punch
little
my punchle
a
man
and
I'm
10
$10
10
P
10
what car
is
where
is
where
to the car.
And I,
I...
But I
quit the
bigot
the bigot
and...
And...
And...
And...
And...
So,
they're...
There's...
And...
So, in
call it.
And...
And...
And...
...and...
...to...
...to...
...to...
...a...
...the...
...a...
...and...
...and...
I was just
I'm sitting there
with the
water
with the
water
well, I'm
well,
I'm a
little
a bit of
a bit
to be a
back in
a little
a box
a bit
a
a bit
a
a
no,
oh,
yeah,
the
she got the
the
director
the director
director
director
oh no no
no
Chichie
Yeah.
Yeah.
And yeah.
Yeah,
pahueda,
that's...
More tardable
to get me
to get me
by the
that I'm
a turn,
I'm down.
Oh,
yeah,
I'm,
that's the
little, no?
Yeah,
so,
a tunnel
and so down.
The arroy
Pioho,
well,
there's the tunnel
of the
of the
and I
met yeah,
but I'm
got I was
the rioho
there was the
there was the
tuco,
and there's
there's the
thing,
and so,
Like a rat.
Like a rat.
There was,
I was,
he was,
he was
back to
back to
and so
a matter.
Massisse,
a demar.
What about is
the,
the rio,
the riojo.
What is the
, the campina?
No, no.
No,
I know.
Yeah,
yeah, I see,
yeah,
where they,
where did
and there's
Cochiloco,
Cochill, no,
no,
no, no, no,
no, not,
Another loco, a panzone,
he's more loco
than the shit.
But what's the bat?
There's a...
He's a...
He's put in,
a pudd be the morris
and...
Arrackase the
wovey,
but...
But what is the
man,
what does?
No,
he's the...
The other,
the...
The...
How?
Well,
the...
The tinder,
the...
the...
the...
...the...
...the...
...the...
...the...
...
...
of the Kobay's?
Yes, of Cochillo.
He's.
So, he's.
You, are loco, pa, or you're
you're?
No, I don't
I'm not too.
You're not so.
You?
Why, why
you say you're
that's complete,
pa?
What has done?
What's done?
Nothing?
No, I don't know.
I don't know.
I'm not, I don't
I'm not, I'm not so.
I'm a toned,
Pa.
Mark,
the part is part.
No, this bat,
he's a bit
But you're so
You're just
You're like, because you're just
You're just like
You know, eh?
Ah, if
I'm put, no, no,
that's,
I'm trying to
in the carruchess.
Oh,
you have to
repetar, pa
It's true,
huh?
Pa
So, so
I'm so,
Marko,
you me
said the Saturday,
no,
the day of the
Luch,
the year,
that you
wanted
this bato
in a
center of
rehabilitation,
That me
Mets
He's
To go
To get
To get
I'm going to
I'm going to
I'm going to
I'm going to
I'm
Mets
One vacation
A-gut
Yeah
How many
How do you
To say
You know
A six months
A year
I mean
I'm
I'm
I'm
I'm
I'm
And I'm
And I'm
And I'm
And I'm
You're
Can't
Are you
Pha
Yeah
You're
Pha
That's
Yeah
Yeah
Yeah
Yeah
me
You don't
you're going to
with the
Marko?
No,
no,
wait for me
to get
to me
don't talk
when I'm
when I'm
when I'm
to take
Oh,
well,
it's too
yeah.
You're
you're
you're
to get into a
center of
rehabilitation, pa?
How many?
Like six,
like,
six,
six
pieces?
Yeah,
why,
for what,
because you
been
because I'm
going to
valiant
bern
that,
one
one
because
me
you're
your shit
shit
a man
the other
because
you know
they're
they're
they're
they're
they're
they're
they're
you're
you
you
you know
one
one of
because
macito
I'm
I'm gonna
and he's
and I'm
playing
for me
oh
I'm
to go
in
my
no more
because
I
have
a
uh
did
things of him.
And I'm gonna go
talk to
and I'm
talking to
my
man with my
man who
and I'm
in a
I'm
a little
and I'm
and I'm
to get
to the
end of
six
mace
six months
ball
black
all
trapeying
and in the
center
all
no
no
my
a
june
a
yeah
I'm
I'm
I'm
had
catar
in the
bank
yeah
you
don't
don't
do
you
do you
are
what you
were going to
you
me
he said.
No,
I don't
you have
a bit
Pa?
No,
there's
water
to get
my
plight,
the
oh,
that's
beautiful.
Oh,
that's
that the
Saturday,
the
days,
the visit,
that
that's,
that I'm
a
, that I'm
to put in a
tally
to
be there,
to be
to be
that,
that you
know,
that I
give a
poe,
a poe,
a coca
of three
litre,
aha,
The regala?
Regala,
man.
The regala
this is in the
center?
Ah,
see.
I mean,
I,
I,
I don't
do,
I'm not,
I'm just,
for me
only,
I'm just,
for the plebe.
Ah.
You're,
you're,
you're,
you're just
to do
to do.
Yeah,
yeah.
Oh,
always that
was I
put to
eat,
they were
in a bowl of
chango,
where I,
where I,
they were,
they were,
they were,
they're
the
The only, the loco, the
loco, to the
hell to eat
to eat
to get to
get to
get to be?
What's
in a center of
rehabilitation?
Oh,
well,
man,
muclead,
massiso,
well.
Why, pa?
Well, I,
me, I'm,
I'm,
it's so
in-serrado,
no,
can't be
so-and-
I'm,
I'm put yodar,
a pati-ear
to,
all,
for you're,
why you're
so,
oh,
you're,
so,
you're
like a
palomita
liby.
Yeah.
Yeah.
Oh,
Pa.
What substances
have
consumed?
I'm a matita
green.
The mota
and the
Cereveza
and the
pedico
and the
cigar,
no-
crystal
never?
No,
no, that
man,
no.
A day
well,
I've
tried,
but I
don't
no,
no,
I've
tried.
How you?
Fumated
but
no,
no,
no,
I'm,
but I'm,
but
what's
for the
verga, pa.
What?
I mean.
I'd like,
I'm hungry,
anxiety,
so.
Desperated?
So,
so,
like,
so,
like,
so,
paniqueed.
And paniqueed.
And,
there's a
cabrown.
Oh,
I don't
go to.
To the
verga.
Yeah,
no,
I know,
said,
I know,
there's,
there's,
that,
the,
they're,
the,
they're,
they're,
they put
the yodda,
patalia,
to get a
I'm gonna
take the
man
of the
house
they're
they're
they're
and they're
from
from the
in the colony
where they
they're
that he
they're
to robar
and
there
there's
there
um
um
um
to come
to come
to come
to come
to come
you're like
you're
there's the
there's the
there's the
there's the video
no
I'm not
I'm not
I'm not
I know, oh, monoe,
there's the car.
And you're the
same,
in the same
play there.
Baccaratola,
packet
there in the
game in the
game.
A-p-bun-
a ching-a.
And I'm
just,
you know,
and I'm just
being in the
tauted
and a bitterer
down.
Pekhany,
pere-le-le-
a bit of a
ching-a-mah.
Yeah,
and then,
and then,
you know,
and then they're
in the tonto
in cajel
in,
you know,
the carro salem
in butties.
Salen chicoed.
It's for,
is that
nobody
wants to
the
,
dude,
no,
no,
that's
bad
a man,
no,
no,
the other,
let's,
the other
yeah,
no,
even to
his
house was
a power,
oh,
yeah,
he's
a robb
a motor,
and
he's
a
barren,
and so,
he's,
he's,
they're,
they're
they're
to get them
to
to the
people,
the police,
we're,
we,
we're,
we,
we're,
we're,
we,
some policies,
corrupt,
And that's a polo
with a carol,
you know,
is the table
in bergizs
the patrion
and they're
in the tableone
and taketal
and that
the table
has a
t'n't
a doll that
with them
with you
dole more
or that?
Yeah,
I'm
to make
a table
for
never
me
never made
me
me too
I'm
to get
to me
in the
I'm
to do you
to
they're
to
they're
to
to be
to be
to put
the
Pila, not to end up to
cagandola
to the
hell
to get into
and chanito
Channita
and I'm
back on
put a
how they're
like
Pah
Ah
I'm
and then
they're
so I'm
on the
in the
head
never
you
never you
never
and two
gays
oh
gays
no
no
no more
with
one
just
you
two and
two more
man
man
me
me
or me
makes
a
I think
when you
when you
have
been
when you
don't
you
don't
you
don't you
don't you
don't
I'm
I'm
I'm
I'm
carrone
imagine
that
you
I'm
I'm
got
I'm
got around
I'm
I'm
got around
I'm
I'm
got to
I'm
we're
we're
we're
we're
That's, for the carratere is malas and we,
punched the yant of the car.
I, all the time, I take a man,
a little bit, a bolza,
ah, and, man,
come, yeah,
a-been, the pincchiochones,
the javita and all of those,
the wachos, well,
been, very bravo,
well, the bach, man.
Oh, no, man,
we, se abacked,
and the bato,
and we're in the car,
for the rime,
So,
they're parked
and they
started
to get up
and they're
back on
braunca
yeah,
yeah,
I,
and I,
yeah,
he said one
said one
chapparito
ah,
yeah,
yeah,
and the other
said,
ah,
this is,
that's,
he's,
he,
that's,
that's,
of the
videos,
said,
oh,
tont,
you're going to
be,
said,
to be,
said,
to be
he's,
said,
chaparito,
no,
we'll
Let's let's make the
verga
it's
the night
and it's the
mountain
so down
we're doing
we're doing
about
we're doing
we're
we're going to
get the
man he said
the chaparito
said the
flaco
so
go,
go,
go,
go,
come to come
to come
to come
to come
to come
to come
to come to
chanita
you're going
to go
to go back
going to
go and
go ahead
the
phone, some watch.
This is you?
This is you?
And this is you?
Yeah,
yeah, I'm
with the
old with a
guacholot
and all.
Oh,
man.
I met you
on the
mountain,
ah,
and he p
got one
grittone,
ah.
But,
you're
put it
got into the
get in the
verga,
nohatt.
Irga,
whee.
Oh,
the chaparita
was very
bravo.
And put
this,
putt here
here,
yeah,
no,
well,
Like, what, that's
I'm, that I'm, that's done,
I did that.
And I,
you know, my,
yeah.
Salian the two
wachito,
and then I
saw,
I'm,
and I,
and said,
my,
what,
what,
me,
me're doing,
I'm,
they said,
oh,
says the bato,
he said the bach,
man,
man,
and,
look,
you know,
and,
oh,
cuck,
that I,
that I,
because I,
What I said?
What I said?
What's the borgas?
Like, like the burrow,
I said, no,
man, loco,
who are you?
No, man,
no,
no,
they're not.
Oh,
no, man,
how you,
how they could
have done
to do you,
well,
me cussed.
Oh,
every rato
that I'm
yeah,
yeah,
yeah,
yeah,
I'm,
no,
I'm gonna
say,
hey,
well,
be,
get me,
get me,
to the
Montecito,
like the other.
Ponteberga,
Pa.
Oh, and every rato
that's a rata
I paniqueo,
me,
I'm scared,
so I'm
panickyot,
you know,
or the
gravo,
oh,
there's the
those that
me culeas.
How are you,
Pa?
You know,
they're not?
No, I don't
know.
Neta?
Well,
if all the Loma
says,
whew.
Yeah,
me agrard,
uh?
the plebe
all know,
man,
that's
a bit,
a
see,
the people
that
know,
they know,
they're
that's real
what they're
saying,
eh?
If
not you're,
if not
you're,
I'm not,
I have
some comrades
that are
so,
I'm
to say,
tell you
to come
back,
that they're
they're
to
give me,
I'm
that,
that now
they're
they're
they,
they're
no,
well,
we're
no,
but,
we're
there
there's,
there
there's
there
you know,
what,
what do
what they're
what?
Let's
let's
let's
let's
go-
how
gaios
you're
you're
a day,
well?
A
be one
in the
morning,
in the
time,
in the
night
are two
one,
one
five
guys
for
all
all.
A
good.
A
I like
and I
I have to
take a
bottle
every
a guy
a guy
a guy
and a
but it's a
guy and a
but
to be like
to be
so,
you know,
to be
a
so the
gion
and a
bote
what's
like the
as
like a
a bit,
like you
was,
there was
a
there was a
a
little
that had the
guyo
and I
put you
me
a bice
and there
a s'
and a
s'
a r'
a s'
a r'
a r'
a good,
that's
a
there's
a
there's a
that's
that's
that I'm
that's
not a
man,
man.
That's
that's
that's
that's
that's
he
grita
the
people
no
man
it's
yeah
yeah
in
in the
in the
cathedral
there
in a
bough
there
there's
there
many people
there
there
says
that
like the
that
the
eyes
like a
,
like the
so you
do you
do you
do you
do you
like the
when they're
in the
water
to do you
see
and you
do you do
like that
so
like a
so
like a
so
chikito
or
great
so
so
no
so
so they
when
when they
come
in the
water
that's
what's
what's
what's
what you
for
a
woman?
For a
woman.
Nothing,
what I'm
doing to
do?
If you
like the
girl
and you
want to
get a
I'm at
I'm
I'm going to
I'm
I'm
I'm
I'm
I'm
but I
said,
how it
is a
possible
that
that
that's
that
that's
that
just,
just
to go to
go to
see the
Barbie?
Nomma
yeah
to be the
Barbie
a
a
a
little
a
b'
come to be
back to
That's a
Chalitin'
Never you
Ah, but
the
Dolor of the
Cabe
that's
Why?
Yeah?
Because
I'm
I'm
a whewed
my malia
Yeah,
a solace
to the
hellas
a verga
Yeah,
you put a
put a
well,
so it
in the
pavement
to be
And,
man,
he'd
have been
he'd
see
out the
office
there,
down the
Yonke and
Mugroo
Mugroo
a
office
so
like this
chiquita
a man,
a cold
way,
a lot of
20 minutes
I went to
the telephone
and I'm
cargared
on the
20 minutes
I'm
an pat-o
of the
sudor
me
I went
to the
leg
I went to
the sun
and the
sun
and it
was
there's
there
there's
there
and
there
and
I
out
again
I
went
for
some
some
things
for
there
and
And I'm
another
no,
man
I'm
that's
yeah
I'm sorry
Oh,
how do you
that's
how you're
that
in the
solace
In the
where you
are at
in solace
No
I'm
Oh,
but right
Those
Those
the
ballado
well
To
where
me
to be
To
where I'm
To
do you
do you
think
that's
Brom
way
To
You
think
is
for the
To
you
That's
That's
That's
that
they're
to do you do you do,
be a lot of
there's a
no,
you know,
no,
no,
saquette
loco, no,
no,
what's the
center we're going to
get,
loco?
In where
I'm going to
get the center?
You don't
question,
Pa.
All for
your
good,
my son,
no,
no.
So,
you're all.
He's all.
He,
he said,
you know,
you know,
you know,
I'm
to,
a,
uh,
of this
center
to the
center's
to
, ma,
oh,
I,
I,
do,
I don't do interviews
there,
way.
And I know
various
centers
of rehabilitation
and this
but he's
that's the
that's
he's not,
that's
I'm asking
a favor
pa
I'm
I'm
very much,
and I'm
to make the
way,
where's
where the
center
don't know
to
don't you
don't you
don't you
don't you
can't
be that
in a
place
in the
you know
you're
you're
you're
a
man you
yeah
you
yeah
I'm
part
in
t'
Hey, you know,
he's the
roll,
borr the number
that,
that,
that's
that's just
that's
that's
convictive,
let's
be
to get a
t'
I said
that,
ah,
no,
no,
no,
no,
no,
no,
it's,
it's,
you know,
you're,
you're,
you're,
that's,
they're,
but they,
but they,
and,
how,
how,
how?
Oh, you have to be able to control them.
But it's a man here.
The river, the other man,
come to drink.
A good.
It's more, pa.
It's more, pa.
You want to be more, pa?
A bit more, pa.
A bit of water.
Pa, for the susto?
Man, loco.
I'm getting very scared, loco.
Yeah, no, I know where I'm here.
Pa, I don't know.
No, no, no, no, no, no.
No, no, no, no, no, no, he has a case of this?
Why?
No.
Yeah, me
Yeah, me
to get to
the center,
no.
Pa,
net,
I'm gonna make,
Pa,
because he
said the
he said,
he,
we go,
the day
that we go,
the day that we're
a week,
give me a
paro.
I said,
I'm okay,
paro,
tell you to
tell you to
come from
him,
but I'm
want to
let's get
because the
maneta
poor-cito,
pa,
and it's
about being
bad at
the car
you're gonna
do you,
I go to
me go
to get
to get
to be
getting,
to the center.
How?
Are you
four monones
grandotters
Pa?
What are
going to
go to?
How do you?
If you're
if you
don't know
to get a
pahuelas
if
starts
to get a
car
calmer to
the
verga
you're
to
you're going to
get to
get in
a
quiet
no
no
no
no
there
there's
there's
there's
there's
my cat
I'm
to go to
the
center
I'm
to
I'll go to the
motor
or other
I
Do you know?
No,
no
you're not
this
What's the
What you
have to say?
No,
yeah,
no,
yeah,
yeah,
no,
I'm gonna
take,
I'm gonna
take,
how time?
Yeah?
Well,
I don't know,
one day,
or,
no,
no,
well,
well,
the
chingada,
de,
per'd
six
past,
pa,
what you're
to do
do you
out here
afuer,
but
limpe
to get
caches,
pancita,
and nalgita
and the
word of
God?
No,
I'm
say much.
How's
you're
you're
to be?
I'm going to
I'm
so I'm
so I'm
so that
I'm going to
come,
I want to
talk to
them.
What's
to say?
What's
to say
to where
me's going to
me's going to
say, pa.
You're going to
say,
you're going to
say,
you're going to
a
a a
a
home
of a
house of
I don't
they're like
they're gonna
they're
they're gonna
they're
to get to
back back
there's gonna
there
there's a
no
no
no
tantito
pio
no man
so
that's
I'm gonna
tell you
this man
that's
man that's
he's
that's
they're
they're
they're
they're
they're
they're
yeah
to me
I'm
to me
I'm
Mama.
Where
where?
Ah,
no,
this is not
that's
not
a lot of
the
rana
oh.
No,
but
here,
here
are
in the
can't
be
there's
an
that's
in
the
in the
can't
in the
can't
to
take me
to me
a
tommas
a
missile
the
grandota
and
and a
morrita
and
a churrit
and
there
there
a
morrit
and a
churrit
and
Why me
He goes to
To get to
Yeah,
That's
It's all
It's all
It's
All the
No
So,
so you
You have
The last
I'm
My comp
That's
That's
No,
I'm
He'll
Go
Or
I'm
Or not
We're
Or
I'm
What you
Do you
What?
What?
Ranas?
Or
Centro?
Rana
Oh,
no,
No,
What,
The
Gell the
Brio
The
Brio, the
Patron
The
I'm
to talk,
Pa.
Where
Where?
Here he
is about
to be
to be?
To be
to come?
No,
you're
to be
to be
to be
to be
to be
what?
In this
Pa?
No,
it's
a
man,
pa?
Oh,
man,
man.
Oh,
you know,
you know,
you know,
you know,
you're
to do you
did you
to do
for
Chanito?
Here
here,
here,
here I'm
here,
I,
this
here,
here you're
here.
You know,
you know
you
know that
you're
to go
to
you're
to ching
there
in 10
15 minutes
to get
to get
where
I'm
want to
talk to
you
to
pass
to the
to
let's
let
let
no
no way
to
go
yeah
yeah
yeah
yeah
yeah
yeah
no
no
no
no
no
yeah
to the rana
to the
center
no way
to
go to
yeah
There I have a rana I also
No, no, no, no
No, it's
It's a lot
And it's a lot
And say,
No, it's
There's no
There's no
No, no
In the street
Tapok
There's, in the
Callow
there's
No,
in the
In the
there's
There's a
But no
There's very
It's very
So,
So,
I'm for you
Yeah,
I'm going
Yeah,
No, no,
No,
No,
loco,
to be,
For what
For what?
Here,
Here's
here going to
Yeah,
I'm getting
Yeah,
I'm going to
No,
No,
Wren,
because I'm
Yodd
Why I'm
Yeah,
No, no
No,
no,
no,
no,
I'm
Wrel in the
door
Yeah,
Hey,
this
Bato
think that
is a
Pann
I'm
going to
get to
yeah
right,
right
you're
going to
the
plavada
Um,
shim-
are,
are,
are great
so,
yeah,
I'm
yeah,
you know,
Cheneke,
share the
door
and
No,
there's
an elephant
and in the
door
no
I think
they're
oh
Juan
this
this bato
he's
he
starts
to try
mordida
and
that's
that's
carol
and say
and say
I'm
and I
don't
because
me
I'm going to
I'm
I'm
a
a car
of a
oh
oh
a
a
a
what?
Of a
a
of
ofos
oh
yeah
it
me, me,
my,
my,
mark,
I'm
,
I'm gonna,
I'm,
to be,
yeah,
I'm gonna
get,
yeah,
go,
go,
ching,
ching me,
me mark,
me mark,
Simon,
no,
no,
no,
I know,
I don't,
you know,
I'm,
you know,
I'm,
you,
too,
you're,
man,
well,
too,
man,
man,
man,
and the loco,
and the loo,
so,
no,
but,
but,
but,
so,
so,
that's,
this b'
you're
because
he
because he
he wants to
because he
want to
see
because he
to get
to the
house
to live
I'm
I'm
I'm
yeah
you're
yeah,
yeah,
you know,
I
don't
I'm
I'm
I'm
because,
because
I'm
I'm gonna
get to
I'm
I'm
what I'm
he said,
no,
is that
you come
you're
you're gonna
you're
you're
a bit
oh
no,
no,
no,
No, that's a-vergues, I'll get to be
engulfed, and I don't want to be so
gourd-a-poh.
Here's pure com, come,
come, ma'am, the rarga,
ask you.
You're just a bit pendejo, no?
No, no.
No, but, you're just,
come, come, come, no,
and it's a gourd, yeah,
is a big gourd,
and it's a bit of a-lawmita.
And, yeah, this palomita
and all, you know,
are cabrida,
are, pa, are,
are,
are, they, are,
so, so,
no, I want to be,
like,
like
like I.
You know,
like,
no,
I said my
mama,
yeah,
says my
man,
you know,
you're
you're
not,
you're
to get
to be,
you know,
I'm going to
have to
have a
I'm
sure.
I'm sorry.
So I
don't.
So,
so I
do,
part,
there are
two
minutes
for the
seven.
I'm
to cancel
the
balladoda.
Mand,
mandalay
to say
to
this is
to
tell
to the
to the
Chile,
why
you
want
to
you
don't
want to
they're
not quite
they're
they're
they're
they're
to be
a lot
no,
no,
it's a
no,
it's a
thing
of the
day,
and
from
day,
to
get that
people,
you,
because
it's
going to
get to
to
get to
the
hell
because
the
man,
man to
and
do you
tell you
let's
you
make
to
to all right.
Because, no,
he's
to go
to get
a
car,
and say
that
it's
that you
know,
and you're
in the
car that's
in the
way of
a rube
oh,
oh,
I'm
aure of
aurest,
a
gusto, a
almost,
uh,
uh,
uh,
uh,
uh,
d'all
a mack
a car
and I'm
macked,
and I'ma
a piched a
torta and a
coca
uh,
a little
liqueatit
little,
tropeaditit
or loodos
when
the suh,
And so the
people,
yeah,
no,
there's
no
peter,
yeah.
And the more
he's,
and he's
out of,
wait,
that's out
that's
out of
well,
tell you,
that,
that's
that's
that's
that's
that's
that
I'm,
I'm,
I'm,
I'm,
I'm,
I,
don't,
he,
I'm,
no,
no,
hey,
he's,
he's,
he's,
here,
here,
here,
here,
You're getting here?
No, no, no,
Wren, no,
Wren, no, Wren,
don't, Wren,
Wren,
how did you?
No,
don't
come,
that you
don't know,
I'm gonna,
I'm gonna,
no,
no,
this is
all,
yeah,
I said
this,
that's
that's all
the ball
there,
because
no,
no,
no,
they're gonna
do you,
they're gonna
do you,
no,
no,
not,
not,
how we,
we're,
we,
we,
we,
we,
we,
we,
we,
we,
There's TV?
Oh, so, so
so, so I'm going to
Yeah, with Netflix,
with Netflix.
Oh, so-
there's sushi.
Oh, okay,
there's sushi.
There's succi,
there's sushy,
I'm,
no, I,
no, I don't,
I don't know
camaron,
and all.
Camadone.
Yeah,
oh,
well,
vent,
vent,
vent, puttis,
but I,
let's,
a massiso,
so,
let's,
because I'm here
to go to
to go,
to the,
so,
so,
so,
so I'm,
so I'm going.
I'm going,
Oh, pa, it's
No,
is a
No,
he's a
Bacquetonazo
A bit
Divido
The kid
Thee
Aketonas
A man
Yeah,
Oh,
Alle
There's
We're
Oh,
Coyote
There
Kamadone
Netflix
Succi
MiniPli
Tele
No,
Oh,
Oh,
Oh,
man
Yeah,
Oh, man
Yeah,
Imagine
you
No, well, if, if, if no, there's
no, there's no, there's
nothing, no, no, no, no,
pugh, we know, we,
we, no, d'clock,
we, no, five, six of this
of frihole, and, and
pudd, pudd, put, water,
put a, pudo,
and three tortillas.
And, no, ma.
No, ma, ma, and,
there's, of that, of the, of the,
of the, of the, of the, of the,
in suco.
And I say,
Pardle with
to tell you.
Go ahead.
If I,
I'm
pichos.
How many
tacos?
Four.
Because you
four?
Four.
Four tachos,
wuend?
Kessadilla?
Kessadilla?
No,
the
casadias?
Vampirito.
A vampire.
No,
a vampire.
A vampire,
so.
A vampire,
and what more?
A
Koka
a coca,
well,
yeah,
four tacos, a
vampire
and a
coca
and a
yeah,
and you know
you
and the
shit,
you know,
and
get a
abriton
and,
no,
all the
to get
to get the
air
to get
shanita
and it
and then
yeah,
yeah
I'm
yeah
I'm
I'm
I'm
I'm
I'm
me has two tortes of carnageada.
I, I ate three tacos.
And a coca and a tapeedia.
There you go with the doggia.
Ega, me has two torts of carnesada
to, eh?
A good.
Oh, yeah, it's a night.
But I just got to eat,
you got it.
Oh, look, peter.
No, man.
I got, I got, I guess with the plebe.
Sardina.
No, man, that's mad, no, man.
With all the others,
Chano, what?
What, I'm going to eat?
No, no, no.
No, no.
They're going to come to
Cardina, the borg.
No, I see what is that?
And then
they're going to
open a ball of that
mother of sardina.
Echete two tacco,
loco, if no,
don't,
oh.
Dude a piche
loquette,
no, no,
I'm going to
what sardina
no, no,
no, no,
no,
no,
no,
come to come the
two tacos
if no, no, me
to go to the
house.
And how you
were going to
get into?
Yeah,
well,
I'm chim,
y'em,
Y'em,
Chano?
Yeah.
No,
Berga,
the Marco.
How,
you're doing?
I'm,
I'm,
I'm,
I'm a bit,
oh,
the Saturday,
I'm gonna
be,
when,
it's a
this,
this is what
this,
this is?
Today,
what is?
No,
I'm,
What is today?
No, but
what is today?
Juebe?
Your mother.
March.
What is today?
Meregolm.
You're very bad, pa.
It's that I don't know,
no, I don't know the days that I've been,
you know.
You?
And me,
I took the other Saturday.
Ah,
every Saturday you're
and the time?
And the Saturday
this year, and me to
every seven days
you know,
yeah.
Yeah, pa,
how you're to try the
Piquillo and
the cull, way?
No, because
no, I'm
not
I'm going to
the soul.
Oh,
there's,
or what?
No,
me la
pass on the
adiecita,
but.
But no
cagas?
Yeah.
And so
go to
make the
malkocha,
pa.
No,
but there's
there's a
mini-pli.
And there's
there in the
baion?
With what
you're?
With what
with
a paper?
And so,
and it's
you're going
to be
adding
the paper,
pa?
A,
no
you've
never you
you've
never
you've
And in the pelitos,
trails the grumo,
way,
the paper.
Ah.
Look,
tocettel,
orita.
A be.
No,
no,
I don't tracue
I'm
doing the
chile,
no-mah.
Pa,
like,
seven days,
way,
for that
the China
went,
pa.
Salyte
to,
the phone
that,
that's,
that,
Pinchie Chan,
Fah.
Pinchy-l-
that,
I don't want to
No, imagine
if he was
for chuped
the chikas piola
Yeah,
tantito pio,
no.
How it's
agarosa
the language,
pa?
Eh?
Oh,
it's true,
man,
we're gonna
have,
we're gonna have
a day
a day,
yeah,
like,
a day,
a day,
a day,
no.
Ah,
then we to
make a
manning me.
No,
now,
no,
no,
now,
no,
no,
no,
no,
I don't
the
water,
the water,
the
it,
yeah,
no
I,
me. I'm
I'm
to go
to get
to get
to get
to get
to be
so
I'm
nojo
when
you're
when I'm
like the
water
that's
you know
when I
don't
I'm
for nothing
I'm
I'm
I'm
I'm
so
man
I'm
oh
okay
who
man
man
man
a
man's
a
man's
that
where
where you
where you
where you
did you
where
you
don't
Compa wheddo?
No,
Pendejo
to know,
I'm gonna'
he's got in
his house
to be in the
hotel
or to be
chambi-a-
and he's
a-na-
asses-o
that way
that way.
I can
contract
and me
a-reggla
machina
here?
No,
well,
no,
do you
know,
that's
that ban-y-a-
that-a-
that-a-ha-a-
that-a-an-
yeah,
and-sha-
and-a-
if not-to-cccustom
because
you're at the
-law of the
of the
He's going to be
working,
no see in
his
house,
who's the
that's
to eat
a time?
A-
tachito.
The tonto
I'm
I'm
I'm
to say,
for you know
to get suchy
or
a lot of
the two.
Oh,
don't know
he doesn't
do you
want to
I'm the
I'm really
yeah
yeah
yeah
we're
we're
to be
to come
to come
to
see
this podcast
the
plebava
will
that
will be
second
part
after
I want to you
give you
do you
or motivation,
motivate them
to give us
what I'm
what I'm
what I'm
like that's
because they
put them
to work
that you
get a
mhm
yeah
reganums
reganos
to be
that
they're going
that
they're
that chamben
that
that's
that
that's a
badron
not
not it's
that
is a bit
solazo
no man
you
that's
Cabrona.
That not
and they're
in the
mandilon
with their
women
like I.
No,
I'm
women
I don't
have
a man
I
have been
because
I'm
so,
I'm very,
I'm
moudery
How
is?
Mugget
Diego.
How?
Mujer
Diego.
Muggetiego.
Who?
Who?
Who?
No,
Mugre Diego.
What?
Muge Diego.
Who is the Diego
That's, I know
I know
Diego
Well, I'm
Muggeriego
Degro
What is that
Muggetiego?
Well, no
I don't know
For,
And I'm
With the
Mugendando
with much
Plevita
Yeah
One for me
No, no
I don't
No, I don't
No, I'm
Just,
only,
I'm,
So,
on,
Saturday,
Domingue, and Jueve.
Savado,
and Jueber?
Yeah.
no ma.
The day of La Parranda.
A pisteer, to the route,
fumar,
to go ahead.
Patin'ar,
Inak, to the...
Forniquar, too.
Ah, and the
advice? That's
that you put on berg?
That put them to work.
That's doing a chingue of calore,
that the abanile that,
that's that, that are to their houses.
and they're in the abanico and they're going to gostarse.
Ah, and how are they going to do to eat?
Oh, it's true.
Ah, how you're a pendejo?
Diggas he was in Boca Brava.
No, no, no, that's,
they're putting to work, mechre?
And you?
Yeah.
You, for when?
Here, no, ma'am.
A gusto?
Yeah, a good.
Yeah, a good.
Oh, the golliette.
Oh, Mark?
Yeah.
What's the name?
How's it?
How's it?
Honry.
Honry.
Hornry.
Horny.
Hey, horny.
Horny.
Tirm me a
P.
Oh, bonito.
Hey,
me rasude,
because,
no,
you're,
I'm,
I wanted to
get a
man.
Yeah,
and then the
playerita,
and then
that's
that I
gave,
that's
that I'm
that's
me,
my comp,
the
man,
he's,
the bata
that's the
man,
that's the
man,
the part of my
company,
Uchalama
Chalabas,
Soplevada
This pinches
verga
going to be
going to be
going to be
because it's
a question that
he's been
chrown,
it's a cabrown
no
can't be
possible
the radio
social
is my chan
for that
you see
no
how is
Chalito
Chalikam
2023
Chanito
Chuliacan
2020
for you
see you
the official
the Luch
a mama
The one?
The one?
The one, the cellar, all the
All right,
my dad.
Lush, the mama.
Uh-huh.
Tirel a
Bess to the people,
and where?
I'm sending a
Bandsen
Funditio.
Oh, and di Berga.
Eh?
What ma?
No, no more, no more.
A.
A bit,
A little, is?
A bit, because it's a cah-bron.
They're in-cuh,
Then, then.
Then,
With,
with that,
that's, sah, sah, sah.
water.
Yeah,
water
Fregas
I'm at the rana
I'm like that
yeah,
in the rana
no,
man,
a boy
bollasho
that's
a vogue,
that's a
man,
no,
man,
infadosissim
and you
were there
a pude
a bottle
that's in the
media
that's a
goate,
a goate
to a puneette
but a
but ferea
never you
never you
never
you've done
a
no,
no,
I'm
I'm just
no,
I want to
you know
A fairia?
A-no, no, no,
no, no, I'll be anything.
No, all right.
And if they do?
If they want to do,
if they're doing,
so,
so, how's the maximum
that you have
done?
After 500 pesos.
Oh,
verga,
tontito,
that's,
that's the shingada,
for that's on
to backetone,
there,
a good,
uh,
like the
like the
like,
like,
like,
like,
like,
like,
for what,
kefe?
For what the kefe?
Ah,
like the chiefs,
like,
like,
so,
like,
so,
so,
So,
like you?
Uh-huh.
Like who?
Like the queh,
like,
uh,
chas
like that's
yeah,
let's go
in the
social and
us,
the other
other stuff
the other
so the
party,
so the
I'm
wien,
well,
yeah,
yeah,
I'm
dining,
uh,
eating,
eating,
or not
gonna be
gonna be
a,
uh,
a bit,
uh,
this is the
you're gonna
in a trosos
Ah,
Animo, a verga!
We're blebbed a
Bessito in the fundillo
and says the chan,
boulda
bitty-a-denters-o
bintas-o,
bintas-o,
the pundi-o-fundi-i-i
The spud-fundi-i-y-pudill-fundi-y-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h-h...
Thank you.
