LOS MAFIA PODCAST ⭐️ - Chico Elizalde — La mujer es para el hombre y el hombre para las mujeres

Episode Date: April 8, 2024

They've been, plevada! They've been to beheaded your new podcast of your new podcast of your friends,

the mafia. Agrateful with all the support. SIGERALD yeah, Minitito, we get him

to get into the million, plebe and it's thanks to your support. There's

a lot of those videos, and not is what ching are thinking, subscribe yeah, compas,

or they cost a fairies and say, how to pay them, you pay them pay them, you,

pay them, pay them, pay them, there, compadre, my ja, pungace the pylas. Want to this munche

for there? Awah fresh, my ha. Pongas to go ahead to get to get to

a friend. A, a, a little a little bit a special that we visit us

and he said, I want, so I'm here we're to beh my bejone my compo Francisco

Lislde compere? My compo compo, my compo he says he's the more chico

the family LISD Coup Fus Frew the guyo, my comp. For reasons that one

needs to change the number of a bit of no. I mean, I mean, he was a

guy. Antere, ante chico, and then the guyo, my comp. And they said,

and my father me put a name of the child, so the apod. I always

I'm the little for the other than the of the chico, and for that's the name of the

name. Come, comp, well, presentes more, so, what, what I'm

here, we're we're very thanks for the invitation, for the We're going to, for that other

my comp, to say, to say to his plebada. Animo. Oh, and you know, and you're going

to have a plan to have a very interesting, and so get the trusses, boy, because here the Hermes,

also try questions at the year. Yeah. Bulae to get into. Yeah, Bolae.

What's? What's? I'm going to let me be to get to to be to get to my friends

to get to see with my what you're in this muke, tenicito, my amort,

pantaloncito, Pleasierita Plevada. My friends of Oshandre Bucke in Cuale in Kuale

Sinaloa Plebes for the Malcon New Local 9B in Plaza Cubb have been

in B and U.S. If you want to do you want to a year a

a party a part a antrito what you can't get you can get you

with my with my my friends to watch andra here my Kuliacan Sinalo

K Keeeeee want to get to discuent promotions here is the number on the telephone

on the phone on the and if you send a message that you're a part of the mafia, you're going to

do you're not a good about the shingaso, bulae about it. Comep chico,

how it? First, first, never, we're, we're doing, thank you, thank you,

much thanks, thank you much, thank you, working, uh, getting,

with the family too, growing, in the personal in the, in the job, and, and,

and, and, but, it's when we're we're when we're we're

we need to have to be able to have to be we're in front of copar and maintain the crows so far so far as

yeah to grow and think you're going to be better but apart to enjoy what that's the most important

that's the most important that's the most important yeah, yeah, well, you know, how do you

do you know, I'm, three kids, three kids, three kids. And years? And, years,

I don't think, so I'm, don't think, three years, the more of three years, the other that's

the other that is the more chiquita of four years. And you, how many, I've got, I'm gonna talk about three years. No, 38, mecrum, no? 301. So, man, son, no? Well, yeah, been vivied.

Of, okay, baby. Why? Why? Ponchadoes of the morrow, me, because of the morrow, me, because of my family, the music, boy. This, no, we're gonna, we're, we're, we're. We're, we're gonna, we're gonna, no, thanks, we're, we're gonna, we're, thanks, we're,

and we're gonna, and we're, we're content, the net, for that's, oh, and so he's a puttale years.

Many years, the chiste as the thing, as the difficult is not to get, the difficult

is to get to be to get back. I don't me want to get to the music for me is

it's in the maximum. It's like a vio of the music. Always always, you're up

on the scenario, sentire the adrenaline, sent the support of the people, the people,

the people can't, that the people can't, that the people I work with your

songs, we know, for me, it's a, um, a bit of a satisfaction, so,

so, so, like you know, that's you do you know, no, no, no,

no, no, no, I'm not, because people, yeah, the net, the

thing is the one that most, the most, I'm, I'm, I'm, my compo,

and I, the song that's the song, that's the song, to, my son,

I'm, this, uh, can't, my My brother Valentin, I mean I can't

can't as a fanter as the time and I'm like, songs

of your servior, this, I feel of the most I'm just to hear

to the people who are the person, is the that I want to that I'm

a facto to that's a fan of the colorado no, those

those, those, those these can the people, the and I

know that I know the things, my comp, I think that

that is a no The net. Ammo, that good. It's one, well,

imagine it's from the 15 years to the 18, and the way that it's not no, no, no, no.

Imagineate that I'm like what I'm my chambob, no, man, no, man, no,

I'm a bit of a scenario, start about when the people, me, people,

when the people see, a room where I'm, I'm a , that's, I'm going to get a

one, that's, to do it, that's, that's a thing, and you, you have to

be, the person. The net. Fierces, that I do you know, for the question

of that I'm in I know I'm not not know not even people in a scenario

if I've navigated, thank to you go to your man, and that's

a chile a ch' a ch'n, thank a god and a pergap a bit of

a bit more or that's I don't get a man or who gets a hey, me permit a photo

or You know, in the podcast that you that's a show, another other pedd?

Oh, another pedd? And that you can one to be a not? In the

case, you know, that's in badient, that you can't not do you. No, no, that's a

great one with all the rasa, my compa, because no, you know, there's,

there's a way, there's a no, no, no, no, no,

no, no, no, no, no, no, no, no,

where one wants to give us to do the attention to the people, no?

And there people that's a rima to pay a photo and to pay a and to

say, for him and for two, three people more, yeah, that's a bit a

bit of the birga how they're not to me back, you know, no, he's chos

and what you want, you want, you know, so on the cacosito that they're saying,

I'm, now for my t' now for my man, now for to fulana and man

no no no other people? Uh-huh. I mean, I imagine that the time that one

is up the scenario, and if you have a commis, how is it? You have to have to be able to. Uh-huh.

You have to you. For that you, for that's just to be able to for that you don't know how much, you know,

you're just to get to be sure, yeah, you know, I'm saying, you know, I'm going to get a person,

and say, you know, and say, oh, and then, oh, then, let's, oh,

you know, yeah, you're so, I'm, I'm a verga, yeah, how ching them to the verga?

No, I'm talking to you know, I'm talking to over the front of I'm talking to yeah, I'made your

manned to do you, yeah, what more you want to get to get to the let's see, to be,

let's see, to be there. No, and let's do one more, so, without a problem,

you're just you're yeah, I'm, yeah, yeah, I'm, but,

but, I think, uh, I think, I think, when one he's, when I'm,

I don't know, I'm bad pedd. I'm in form of that you're trying to that's in fact that you're going to pay the par. And then to be a bag of a boletto.

That's, that's, and to be it, to be able to, with the person to take the photo. It's important. That's important.

That's important. I'm working the salo. Come on. Berga, in the personal if you're doing, come,

I'm in the personal. Disrusted in this moment. Yeah. And it's for you. You're good that's,

for example, so you said to a a person that's a lot of a

I'm on I'm a okay I'm not but I'm okay I'm gonna chilo a

man a man that's so much a little a chugas a cat a

whatever that that that that that that no how it

is that he's he's he yeah the morrow me I'm

I'm I'm I'm like yeah I'm okay he's

that perr boy I'm no I'm no I'm so this, you,

why the that's the that's the that's, that's a something, that's, that's,

that's, especially for that person, that's for that's, because the, no, no,

sacate, because the, he, you, you know, he's put to, he's, not,

because, because, not, because no, battrayed, but, for you, when one,

he does, a brao, and he to do you know, a little, a bit of, a man

me, me gave a case, this, of a, of a family that the little

had autism a little a little a child he had an and me and me and they're

and they're my son my son thank you thank you and I'm sorry but why

but no my we have much to thank you and you're right and he and he's

a photo the that's a little that's his little he's got the my father

my son my niece my niece my my niece my niece my let me say, okay, but no

I said, my my little bit more, my my little bit more attention to your music, and he started to do more things that he was doing more things. He started a way positive, and that for us, for you, to thank you, because your music,

he went, and moved the heart of the child, moved you, moved, all, for that the new didierer, and extrajointed other things, and would beck, and to sing to the songs, and that would beck, santo and sea

different, because the that's the that's all the thing is the thing, no, that's

that's a man, so much, so much, so much, not quite not quite people.

That's not. That's interesting. That's interesting. That's a pure music, the person that has developed a something,

if it had been seen for your music, the more, no. Or, would have been another,

other, other, other, but me to be at me, it was at the the moment,

to be the a little a little different and to that the little reaction

well, but for me that's something that that's a great, it's a man,

because how many there's not there there's a question. There's a mind.

And the question is that we know, that's that's a story, comp.

Triste but that he has lived with his brother Valentin.

Trist. Tudda. When I'm the Burro of the Brow? One that

not that has been see. Look, Triste, for to start,

to start the to start. But the people don't know what we've after what what happened with my

husband. Because my dad, and much people, we know the other people. I'm talking

to all the world, and my mom was only, with four men, with four cras,

my mom, this, she's, to go to the rancho, for Hito Zona. And there

we've been all the ballita, but at sometimes no-mast we just,

bolsa. So, of cruel, and I'll say the people, ah, a little,

a poe not, not? A bit of a moment to, I'm to get the old old.

The valley of the brown, all the Piskke in the camp, we went to

to a pep. Naur, we, to have a, to get us to get

to get us because that's that's a thing, but we form it, my comp,

so I very very very very much, I think, I think we're the person

that we're not, you know, I'm a trained to value, yeah, and the food, and the

food, my compa, because at my mom has to get the vodka of my men,

because I'm more, I'm more, my mother, the, the more more

more than I, more than I, two years, three years, my brother, my

brother of nine years, my my brother my compa for vernon for vernon imagine

that's just very very very very very sarah but you know after I after you

you know so that's so good that I'm so I'm I'm I'm I'm

because I'm because they're they're they're they're so they all right

all right in that part of the life after the after my and my and

and come with 20 of the peasant. Of a bit of the waychol, we chas juice of limon

to get riddened whew. At times are the tortillas in the refri-wee and my

mom was there's with to give you to get a to get to get and that

and with us we're and we did it because you've been that you have been

umbrom because do you don't because being a person because of

an artist think that we think we're we're the person

live at day is what the artists that grow of the night of the

morning and they're thinking that's all over all the life, and the time,

and the time, and they're they're and they're all the day, they're and they're

and they're but it but I'm a guy and a person, I'm a person,

I'm imagine it, two kids, two kids, not, not, one's more

than we're in the university of my my dad always to all a majority

to the to the people, to the of those to he's that

but, but But my my dad was a person that lived in and was to that's the

stuff. That's the hekeed to the but when he was not the support the support

after he did it. Many people got to my mom started to get anticipes

of the chama of my and a maybe was a man no no no

my mom no no, no, no, no, no I'm never had

regasasas because it was a person right to get those anticipes and the

why I want to I want problems Simon. And, and we, we've, there were many chasions, but

always we've been an attitude in perr, because all we're all right and our men, dude. And that's, it's, it's a lot of, one of them I remember that,

that I, I had one, I had one, two years, one, no, like, one,

because I didn't get a bit, the morros there, the rancho, when, and, when,

on the, bicyclets, the morros, like, those, and I said, yita, like,

it's, it's, it's a, one, no, no, no, no, and he'd me and I'm and my mom.

And my mom and my mom was in yavaros, enlatando sardinas. There's a man and then when they were

to be able to to work with her to the valley and the flaco. They'd be getting into sardinas but manchin

it was a pincchioner that's a pereo that's, yeah, my coo, imagine the jaydhondera that, uh,

imagineate the uh, they were at the night, and then they were at the night, and they were

about at the seven of the morning there to the rancho to be to be in a head ondera

was a head oner was a but he was a bicycle and my mom and my mom how could with the

money and my friends they were to buy me to buy me my not was only with

with the family in complete in concrete all my my friends those those who

were who were who put down and and give me that man

Oh, man. My mom bought the bicycle before, no, because he's got the bicycle in the man,

I don't know and I'm and I'm and they're and they're and they're they're gonna and they're

and I'm seeing, and the valet to be cuckabba and said, I said, and I was to get a

bike to get to the bicycle eh because I go to fregare because they're still because they're

waiting to be for the ban to do the ball in the in the bike in the bike and the

car no, but do prestam the val no, not to let's Poverty to you get you.

I'm going to madriar, we. No, well, no, and I'm I'm sure

to get the bikeed at the bikeed at the bikeia, and I put it to get to the padels to

way, but to see the the bicycle boy, no, when me my son,

this is your bike, no, no, call you, I'm, I'm, I'm,

I'm, I'm, back, was a car, was a car, was a car was a man,

was a yeah, in this time, Yeah, when it's more morrow that you want to say a little bit more grandesito, because the

sense of the same, that's different. That's, my comp. And more because you can't go to go back with your compas and that's

for one, it's like, no see, but it's, that be your other bike, man, machin.

Pinchim-a-mosco, you, I got a little to get a moscow. That's, he's, to take the water. It's,

so, so, man, but I'm a man. Cach you, man. The only

Cosaco, that's called here in the quarter. We're we're we're we're in

a good. Compos chico. What's the cop. What's the man? What's the

thing? That's the guy, a guy, a great artist, co. What,

what has happened in his life that has made a guy, that's a guy,

and that he'd get to him, he'd be to get a far yeah, I think

always, the music, always the music, I mean, the My family is obvious that is a motivation.

The one of my family is another motivation. But the most important is, as, as, as, as, to be on the issue to be the scene to be around the

world, to be the, to be the public, always that part is the motivation of one, for me,

in the personal. If there are people that had been to the judea that I have been a misrecealed. This,

no, no, no, no, you're going to do you. For more good people

that's going to be a guy that's a way, he's very presumed, ah,

that way, well, that's way not bad or can't be a culler, look,

that you know, that's that's doing the way, going to be going to want to

want to want to get you the net, so no? They're to

going to get to that. Yeah, and so that's a guarantee. And so

they're they're in front in in the way the cotorreo, but one's in the way, and they're

in the way, how does it, how's the way, his father, he was two kids? Two kids. How's with your mom? Four. Four?

And the other? The other, my father, I was a guyas, man. Ah, for something did the guy. I was a girl.

Machin'er. My dad, fiatte, I have a, I have a, My brother that has been like the, the more great than Joel, has been about 60 years, my brother, I think.

Oh, you know, right now. And, of the I just got to know one, so, I said, um, four years. I know, I know one, I just, a, uh, a, a, a, a year old, you know, yeah, yeah, I had, you had, I seen, no, well, those saw them, no, well, those are my friends, and I,

and I, and I, and those are great, you're, you're saying, Well, you know, your brothers are the major, but if it was like, what, what are, one,

two, three, four, women, five women. And you, you, you know,

being a guy, I would, I'd give to his father. No, for that

I'm here. For that changed a little, that dynamic, no, because it was,

well, my, my papa, was a little normal because I saw, I was

with my and then after me, but there more morros, but, but to, but to

My father, was a person that was a person that's a good to say, yeah, I'm going to have got to get to be

the end of my kids, but I'm going to go to get back. All right, all you know, and she'll do you

my dad. And it's my brother, I don't want much, to Fabiola, to Gillo. There are

other that's more great and that I've got to know to the family here of Wasabe also. With you,

I mean, I go to my mother like if it were my brothers in court, well, no,

no, there's a different, but it's a little little bit of very, it's

because the way to get it to be the more in my men, with the

black and the because the family, a new, two, three two, three

nine, one in every one. One in every, imagine the, the,

the, imagineate, the, and one was a guy chas with him, and he

had to come up, and he had to the , he's agitado, way,

stressed, uh, to be, how he was, how he was to get in a whole, the role of,

the, the role of the little, the rioerer, but, well, but, obviously,

it's a person, and it's a role, because if you'd at the two more

grandes, the, the, the, she saw, the, she, she,

she, she, she, armable, my comp, machin. And, and I,

and I, when, when she's, the time she, you're a that's a role

no, but, but it was a moment where, when I'm to, the,

Alalel they chakabban, when he was, to get a palen to, to the

, they were, they were to make to my man, they'd for, for, for,

to get to , they were, they're, they're, they're, they're, they're,

they're saying, they're doing to be their past, but they're, but they're doing to,

and they're all that, the role, that was more than stressed, No, preoccupated. Imagineate the preoccupation, the stress,

that at least the ball, and say, oh, how do you? And, well, and, oh, my car, I'd love, you know, and then my car, I'd love, the courage. Of the same, because I just in the way, the quadritor. I learned of that, and I said, no.

I, I'm with the same, and I'm kidding. With the, with the three? With the same, with the same, with me. With that. With that. With that.

The net, I, I, I don't, I don't want to to keep with that part to be a bato of, or be someone irresponsible, because at the end up you're not

when you're in all the rest of, you're not a basque, a cagad. No, it's a because at final,

the people are, the creas, and not they're in this the people, and I'm saying, I mean, I said,

I'm going, there, the woman, when he knows, a bat, when he thinks is to amarar it. And,

and you know, and a crea they're going to be a crea, and not they're not they're going to make,

because it's that's true. Conetic, to the narco, to the cantan, the... The guy, that's videos in YouTube. To do you. To do you.

To be very good. And, yeah, but I'm going to do make a plebe. Compa,

what, what the most imagine do you, but don't think in the people. No,

think in the future, my comp, because it's a, it's a, it's a

responsibility very great to have and they're and they're oh, no, with the

baby, you're going to be to be to be Oh, forget of that

that's no baby to be a bit never, the banns, they're going to and they're in shingas.

So, please, think it's me more, with the chiquel, with the good food,

or things that you'll get to get the that the man, that's, that's the thing.

Hey, that's the thing. What's the thing? No, without, no,

no, I'm going to say nothing. I'm going to do that. I'm going to do you know,

no, no, Fiette that, thank you, Yeah. Totally mad. Yeah.

I'm going... Criads? Still. No, yeah. But, yeah, end up trying to.

Oh, to be able to. And, fiatty, that is something very desired for the two. Why?

I'm trying to yeah, too. We're more. We're not... Good. To be in a good,

to have been a parisito. You know, you know, I'm just, I'm sure. I'm not, the matter.

It's... No, no, not it's a easy, because when you get to the adolescence there's

a little bit my compo my compo. See, let's tell you. A be tell you. Look,

look. My son, I'm, my kids, I'm, that I'm that I'm, that's

I'm, but I'm no, no, no, no, no, no, no, no, this,

but I'm also, but you said, you, no, I'm not, I'm so, but I'm so,

I'm so, what's what's, no, no, is that just that the

a a a lot of the friends of the kids that they can be in the chipper

to the kids, they're good in the house, but get to a place

where they're in a moment, no, no, the people, those people who the

people get in the in the mind you, hey, putte this, oh,

hey, a point you don't you don't have a computer, and you start the roo, then,

and it's more than there's more than other other thing, my compas. So,

are very good I love my heart but the hormones are good but I'm

what is the situation that you put in more to you stresado? For that to know,

for you want to be and for the and so they know, and it's because I know, I don't

me like to that my kids, this, I want to say, and they're

like they do they're, and when do they're I'm going, I'm gole. You gole,

God, you're you, my I'm you're to do you my

No, I, I don't, because if no, a me, me, I mean, you know, or so, they're a lot of, you know, or that they're , oh,

the sir, no, oh, you know, my son, my son, you know, that's saying, that's your

, man, that's a cold, incalient, call you, call you're, chasel of the chasomco,

chasombo, and my dad, and the papa, and my dad, and my dad, and my dad, no, my dad,

the, the, the, the, well, the, the, And no more.

But my jeffa, I mean, I mean, I grew up for the way of I'm afraid of I'm afraid.

Ah, oh, I'm going to get a man. Look, it's a rarro that

role, because, apart of that right of the people, yeah, all the

people's of the and all of all the whole of the chingada, for the, so,

for the kids, and for the way you're a point to give us, is a little,

to give a corrective to give to give us knalgadas, your corrective, to cagher in the rollo, if you know, not they're going to

get to get that the other. Because the fear to make more things, you make more things, too. The net.

De fact. I don't know that's correct to pegats, but if you're in a knollatits corrective when

when it's a time help, you do you do you do you recommend. Yeah. A me me is a

compa, an, for a time, a time, my compa, aided a time, and you

quit a years of psycholo, well, the neta you're a chas a chino of a psychologist

and you and you're and you're a bit it's a yeah, no, no,

depends the psychologist no, there's psycholus that's a corrective

a time and well and other, no, never one, they want to put in the

man and then no, no, not rackal but no,

no, no, no, but the corrective for no, no, no,

in the personal I'm in some moment I'm to my my

for a mantyrosa? Because it was a mantyrosa man, a new an in a oldecent, 12,

13 years, imagine that's that's a lot, but machin that you want to

verbiar and that you know, how's how it's how it's how I'm no,

I'm I'm the me the cinto oh, my, papas, is that me the

cinto, tell me me no, no, no, and the, the cintos that's

the cintos chintos no, the de bagueta one. The bagheta. Oh,

Papa, there's there's a minute. Vente. At a riteito he'll be to get, how many you know,

but you chaste a minute of this, of this, the other, you know, you know, invented this

thing, you're going to do you do this marries, go? All rightito in the

house? Oh, oh, oh, oh, and before to pegles, and I

did I'm to payle my little, before to be to be to do to do

to do to do it I was to going to and he he's he's he's

he's the last she's the yeah, okay has one of 15 one of

one of 15 one of one of those three are very good people but my yeah

started but my yeah and the adolescence to make a lot yeah

how like he he's how he he's gonna he he's yeah

pass you yeah I'm you know I think let you you say to the

that you're you Yeah, no, my. Ah, well, then I said, Trame the cintos. Ah, well.

They're going to five cintarazzos, his, yeah. Ah, okay, Papa, all good. Oh, well.

And in the afternoon and in the night, yeah, my my son, my son. Ah, my,

is that, let me, take me it, okay, come, Papa, are they're going to be five,

no? If, remember, for the next they're going to be the next, they're doing, no,

there's, there's there's there's some, but if, you feel like, and he's going.

And he's going. And I, and I'm going to and I'm going, and I'm, oh, chal. For what? For what I'm

so? I get her the roo. And then you let's let's pass. But there's no, do you have two.

Okay, yeah, well, put it, then you, but, pongerle's, and so,

boom, no, no, me, but it's more the sentiment that they're that, that you,

that's, that's, that you're, that's, but, but you're, they're, have to

learn right at the little of the kids. Yeah, one some some of time

do you do do you know, there's a going to say about, I'm going to say my man,

say, I'm going to go out of us, but I'm back, he was, and I'm

imagine four plebes she's she's only, in the adolescence, the plebs,

the more imagine what, yeah, yeah, was my man, was my mom,

the baby, he was, he got, he got, the cinto, well, he, he,

Corrieed the plebe, and he He got the cinted with the piteado and I trailed A bit of a bit of my appo. No, well, he, he's got me, he's got to be,

and the shing-g, and no, he did, and he did, and he's-law, and he'll end up and a while he gets to venters-o, he'll engage in the chich, and he let's get a

chich, boy. He arranked the ball, dude. He got to the borgue, yeah, he was the boat, yeah, he was the boat,

yeah, and he was the, he was gonna be, and he was gonna be, I said I would have an exigre in the valley, no, my jit, me, and he's, and he's he-gook, the,

the, of the, the, he's- he-cooked, but he got to peg-or, but he's- a-law- a-law-law-

, and he's- a-law-law. And, no, and, too, there, there, there,

there's, there, he was, that I'm gonna make, that I'm gonna be in the pico, oh,

oh, I, you're, you're a- pachel-o-o- with a- something, way. Sartemoch on

in the Chile, Inca, your mother. But how are you the corrective were, well? Yeah.

No, yeah, whee. If no, were a bichich marijuana cholo,

that's, no, compo. No, my ching a man, my app. And not you

never, never, and she he's, and he's, and I'm because of you know,

you know, I'm, I'm, I'm, I'm, I'm just a guy he back's

my machin. No, comp comp, compo, What, what, what, what, what, I said, and then, yeah, no more

I'm crazy, my app, my app, my app, my ap, and, yeah, de grand,

I, no, I said, Pa, oh, no, thank you, God,

right, yeah, not pistea a lot before, too, took a couple,

very, very, feas of the alcoholism, and that me took to live a,

and my when my papas lived together when my father, he came, the same,

the man, compa, other ped, stress and preoccupated I always my brerga

my son I'm the my son I'm the I'm a man who's I'm a three three

so I'm so you did you did you're so they're so the role of the house

so then then the really me I'm like with those portificated yeah

yeah so I yeah yeah yeah in the in the car

comp no man and I'm and I no I'm and one of I got the palo.

And me, me, me, me, me, no, no, me, me, I'm retop,

you, you're you're gonna you're gonna be, I'm gonna, I'm gonna, I'm gonna

no, I'm gonna he said, and he back, and he was, I'm gonna,

y'r, y'r, I, I'm, I'm, I'm, I'm, I'm,

I'm, I'm gonna you, you, you know, yeah, you're, yeah,

my pa, no-as so, like, like, like, was rational. Kement,

Kement, Kempark, Kemp, man. No, but he said, but he didn't know

many things of my point of and then then I back, when it's my papas

and I didn't support and me had the Vrga. I said, God, I'm,

that's God, because, oh, how you're going to be able to you,

and apart with you? No, well, it's, oh, Like, you know,

help you first, and then you're going to the people, but then you because you can you can't get

to get to the other people. If you're not going to not be in the way of me. I'm

I'm never the other than my life compa, very difficult. Very difficult very difficult

living only so, I'm right, the young is that you think that

you're to get to to do tango to do you very fast the Begau compa

comp, no, come, no it's five because me

me said, no you go you'll just I'm just like my part of my no, but you're the

pincherbue no, I'm sorry for nothing way. No, no me went and I'm

I'm free and sincerely the worst to pay rents to eat to make well

to make well yeah yeah yeah yeah yeah yeah

but the barras of Pambbbo chas and some frioles of those that vows all the

so that run all the no man a word with the a little, no, no, something. And, not,

to rent a, man, because for nothing to get us. A-or-a-huh, a lot of time. But, comep, think, no. Because the job, because the job, for example, gan an un-migach. Yeah, because all the morrace and say, oh, I'm going to say in the house, right? Right. Right.

No, breads. You're the shingada also. To the... To the music. Yeah, for more that I, for example, I'm at the house, if I'm defaned Pronto, not because I don't because I would

I'm going to have been for a year, I'm going to get the tacco and I'm back to Kulakar

with a pal and he said a Morgan, that the moment to say the old old Morgan

to be here the cabana and the and the val he said, oh, he's called to carrull

to carro want to to come in the music because the Val he wanted I said to

I'm because I can't Kulakana to work where, this, it's my first discreet

where I'm a there's a little yeah, and there's a kid I'm in Kulachan, Sinaloa, I'm working, to go to

go to my back, I'm going to stay in the car, but if it's a chinga, for more, that you say,

oh, it's that the morrow he was very in the music. No, no, no, they're,

no, no, when one, one, you know, pass amres, pass frios, pass fri,

pass, comp, and you're trying the other a shing a big,

it's a day of it's difficult we're doing yeah, 24 December when when it's

when it's when it's that's the that's the that's that's that's because,

uh, to get that yeah, it has to be the that's worth to them to,

recompensable recompensable but not for the money to, where I'm to do it

to get to to get to get to get to me. A, show

of the How do you? A lot. A shot of the chico, a lot of you compa. No, depend on the area

in the area, the zone. Thank you, we know, we're doing, we're doing, there's the band, we're the

team, all the staff machine and there, and I'm in Gualachara and I'm in 4.

50, this, more than, two hours. Two hours. And here in Guleygan? A little

more, the pure gas to get to the bus. Inviatic? The biacic, no,

most, the auto bus. 4-50. Yeah. I'm just my But I'm sorry, Yeah, but I'm gonna, Yeah, but yeah,

Yeah, with disc, Simon. But it's a ching-of-d-hour, dude. But yeah, with the disco. No, well, then, you're just to, administrate, too, and to understand the music, well, how to work. What was the first song

that he opened, Brecha, of you? There's a, there. There's a song that, no, who any, that you want, that here in Kulakar, a people to the people

and it's a lot of a lot of a room and we're in we're in this ballon, this,

how's called the salon after the bugambilias? Here in Kuley? Yeah, here. To that

where the other side? Here, here, here, here, so there's bugambylia. So,

so it's called it. Well, no see, the salon, no, I know, but for

there's called bugambilias in a colony, there there's a Mugamilias, when Sto Chalino, this chingue of

time, too, and there, Cimum, for there. And there, and there, just the event

that's, we're in here, Culeaca very well, and the song, that's the song,

I'm gonna with a morrito, my compa, and all all the whole whole said, the

song of burrito, and that rora my comp, and we came, and we're in the salo, my comp,

but we're we're, but we're we're, because I'm more, I'm too, but the

venta that the morrow they're going to get to get to imagine the place to be

to get to get to that's a question. No, they're they're they're

because they're not so I know there's no no no

there is a song a song bonita and that remand a

man thank all the all the people they're still all the

still she can't me comp and she keep

people which comes? The Midosa. The Midosa. The Midosa Lidoza L'i

Gets Now that we're a lot of people Miodos That's Yeah,

yeah I'm doing, I'm gonna be able to my brother, he's

no, it's that I'm that I'm that I'm a eh, eh,

eh, that's another other other here. You went you're

you're you're more Cumbiero. Me went for the Cumbiero

and romantic no, That role it's here I did not for here to be able to get to be

Sonora, Nayari, Chihuahua and Sinaloa Machi, my comp, Grasier. Oh,

I know, this question, the question. You know, to get to not, well, I'm going to

ask you, see, I'm a and the guy, see, see, no,

way, I'm saying, no, way, I'm here, a photographer, get the podcast.

You're going to sit here, no? Hey. Hey. What's the Pondon.

Ponged let's get the man, get to the of the of your and your dad

that that's that's in life the let's give you the regalias and you're

they're my sobrinas. There's a family of Yeah, directly to and your dad? My dad

and my mom and the mother, my mom, let's see, it's a little different, no,

because before the the stas the pay them, they're going to I'm the of the company,

and grab me a boy, grab me a disc, arrh, ah, you, you know,

you'll be a lot, you know, give me a pa, for the disc, ah, let me the

car, so, image of the other, the gallo grand, no, but not they're going to

regalias and my my mom, this, for can't for can't, because they're because they're

so they're like, it's like, it's like, a, it's, like the, like the,

for the per pedid, this is, the, so I'm , I'm gonna, you know, so,

yeah, yeah, yeah, yeah, yeah, yeah, I did a, yeah,

a, so now, now, you, you're, you're the , you're the ,

the, For example, the valet, also had that part with Universal, that was a, oh, valetin, you can't get a little , arre, pung, pager me the disc,

he's the wallet that's, ah, and so it was. You've beened a disc. I've beened a disc, like,

the, the, the, the, the, of, the, he, also, I,

also, I, also, I, did one and he's, and they're, to do you, and I,

they're, I've, I've, I, I, that, The best disc is the

that's the that's the of the that's the matter fifted, thank you God,

thank you so I'm not a amount of, but in the question that the people

me still and that the and that the rasa he that can't this

song is still and but how how did you didn't

the didn't so I'm because the the two

the so the and you what? You? What? You?

What? No, me pay in the disc. Ah, yeah, that's, to me refer to... You know, I'm going to... How many of the... How many did you, ...in this time, were $300,000 for the disc.

Has it, how many years? Has it, what was? Like, 16 years? Some of three cases, for that time. No, well, it was it. No, no. I think a... No, no.

Yeah. Yeah. Yeah, well. And, yeah. No, right. Yeah, I'm going to. No, yeah no, boy. Yeah, no.

The net, I, I mean, I've been, I've been to learn much to that part because, I don't know to get the madrasse,

we, in front, and, and, and the gandallism, the company, always want to want to care

to get to get us to do the artist. Even, even the name if they're in chance, like,

I'm, I'm, the guyo, to the chico to the guyo, for the same, when the company where we were

when the company where we were, me, the other's papelow. And he's caught with the man. And you

don't know. So, but the detail was that the bato used three contracts, and the first

was he said, ah, buser. The other two are the malos. And there was the

end up. So, you can't apply to play this truched. If they're three oaks,

let them three o'clock. If they're not, if they're the same, leans them all the

they're the ones that they're going to person and, more if you can get to grow to the artist,

that can't make the point. There's a thing. There's a thing that is the

thing, the matter, that is the image of you're the people. Even that they

have the people, the people will say, the people, they're saying,

but legally, if you put an be there. Yeah, legally, you've

to be to call me my number, my comp, he, he went the

back, and he came to come here to reclame the name.

For the that's And apart if you want to buy me it's like $5 million of the

$5 million of the I'm going to it's my so you know you know to make you to say to

say to my name no no no no the number me pertaince and I and so

he's well in the contract and I'm that's that I'm that's chanklas bitch

machin whee no poe no poe no boy me gonna change the man me me change the

man because is much money because it's much the net. Ah, well. And it was when

I went to go to get Francisco Isald just, and I'm a guy who. And I'm downed in Nayarii,

put him down and said, that's a cabron for the kind of, putting it's the name

of your father and the shingat and all the man, no, but the and the

flaco and he didn't know, the he took to him to he and the flaco

for the and the brother and my man said, no, no, no, And I said, no, I'll put it.

I'll put me more. Well, there's a bit. Well, I riffed. And there was where I put the motte of the gallo Elizalde to because my father was the gallo-goye grand.

He'll be the gallo of and your servicester and your servicester. And that that's a vato can use with another artist? The name.

Yes, I don't use with another artist but I can't use the Francisco Elisald for. I could use the

Chico. It could be Manuel, the chico Gandayas. That's that's, well.

Perfect. The guy's The guy's The guy. The chico. The chook. The ch' No.

The ch'em Yeah. But, but if Truch, Plead, when he's firm

in contracts and and so when I go to the name, because

his name is part of your identity to the artists that are starting. So,

the number of group or if a number of an artist they have to check

plus, the net. Pongace Playa and Registered in as much you can't

in their first disc, there's there's a merrower in the number, pleas.

No, no, they're not going to get them to get to pay them to be the

money. There's a day, says, how they're, what's the woman, well,

yeah, well, yeah, man, me, the end, the age, was making a

pout, but they're making a thing, yeah, Approve it. From the 20 years, until the 30s,

no, until the, I'm, good, good, potential, no. At the 30, 40, no,

I think. But, of 20 to the 30, it's, and it's like a leech. Like, a little,

man, he says, like, he says, Culp. Comp, there's, all the day,

all the day, me, comp. He'd be done to paying, machin. Arreveeal Machin.

All chuped. All the day, all day, all the day is, all the day, my compo, I'll promise and

to the I'm I'm going to I'm going I'm a little bit all the time I'm

all the time my grandpa manch pull them to get you know you prefer you prefer you

preferrifice you preferr you can't that's that's that's that's yeah preferr

to pass thell't yeah yeah yeah yeah yeah yeah

yeah yeah yeah yeah yeah but the but the maximum

that I think I've been I'm about it you And I don't

I'll go to go to a bit. And no it's a but in my time,

Marrott, but in my time the time the way going to the way,

oh, man, well, you know, yeah, well, so, yeah,

no, no, so, no, so, the first, a, the first,

I was, I'm, I'm very, I, was, I'm, I'm, I'm,

I'm, I, I, I, I, I, I, I,

I, I, I, I'm very, very, very, very, very,

in quite, in quite, uh, that's, my first relationship that I'm, my first,

my man, he said, I'm gonna get to, your gotta, ah,

pos, because, oh, yeah, I'm, he said, the other, I'm gonna,

he said, me, I'm, I'm, I'm, I'm, I'm, ah,

yeah, I, you, Ah, farri, go. And, boy. A morrow. How many? I had, I mean, I had 12 years.

So, I was 14, 15, 6, 7, 18, 18, 19, years had he had been the 11th. And he got, and got him. And he got her, and a moron. And he got a moron. He was a man. He said, oh, chitito, d'clock. He said, he was.

She said, yeah. I said, oh, man. Sores, Pacro. Hang it. Prendit with a b c. Yeah, boy. No. No, he was.

No, I'm trying to. No, I'm trying to. After that, man, that's a little bit of addiction, we. Machin. It's very cabrown, that mother.

You know, and you start the pinch sentido, all the life. You know, not a form of different. No, different,

boy, totally. Yeah, I, was, you know, but it's too small,

the plebite. I mean, and as much when you're, you know, when you're, you know, and you're not

you're interested, but, you're, yeah, you're, you're just to be to go up, but at the 18

and the 18 and the and said, Arre! At the how many years he I'm

married to fiatte. I'm june, I'm just I'm very, my morrow

at the 22 years, but I gots to the with the 23, but I

yeah, so I'm with the yeah, much time. Truchel Plegh, oh,

yeah, yeah, I'm going to let's be let's be let's be let's be the water

in the lot of the whole yeah, yeah, yeah, Yeah, the first plebe,

gracious, there's a, I said, oh, I'm gonna say, we're gonna be, we're gonna go to come to

us, we're gonna a bit, and then we came to, my kids, that's, here, you're gonna

the an ear to be a man, and he's gonna go, that's good, good, he's,

and they're, we're gonna come to, yeah, we're gonna, yeah, yeah, yeah,

we're, we're, sir, sir, sir, said, said, d'

Um, some anecdote that has riffing the peyeho. Rifando the peyego, ah,

the best I mean I've got done it. Echase it. Fiatte that one result that he had

passed the of my brother, no, that one doesn't get very arisco, because

well, where can't go to get to something, no, or you say, you say,

and say, and that we're going, we're going, we're going, we're in a event,

in Michoakan, we're my compa Julio and we're and we're and we're and I'm

in my show I'm going to talk about my photo with the plebes and with they get a

pusses hey and say my patron that we go to you to come to you?

How? Yes, that you don't know you're but the band of the plebe

no you don't be there they're there they're and when when you

see the carmen the people arm armada one in

moment, but not be in arisco I'm too. And then you think to the worst,

well, well, well, so it's that we're going to be to get a and the

razzed because they're not, but in the night, and the night, it's all the man,

it's all all right, and then of the shingada, and they're there's, oh,

well, so, so all, so they're all, they're, they're, they're,

they're, they're, so, oh, well, do, what, what,

What I do? Put the corro What I'm going to That's going to be That's a mother No, well, they're They're The ballasus.

The mad The baracera Well, No, well, what? You could have You've been You're doing?

Well, The n'n't Me too, You know, You're down to To be the Ponce To get to the

Murt, Tiret To get a Magerer For the Cingah And de And the

Yeah, and The person Of the people Of the people And the Of the A-o-o-Pistola way. Incat.

That's got my Cabroon, well. I'm going to go to go to gore. No, comp, man. No, no, comp, man. Those are you. Those are they, so they're not. For you, well,

no, man, said, God. No. No. I said, no. I'm sorry. And we'll start. And we're going to end uproarne. And then, and then other carl, that I'm just, well, and the band also the world, no, I don't know what you're

to do. Yeah, when, de when, of a sudden, you know, he says, ah, it's a pichich borrach that they're playing there about and they're a ballast and they said,

no, oh, that's, but you know, you know, you're put to the little,

you know, you're going to start that roo, what I'm going to do you. I mean, no, not it was a

, yeah, but it's, it was, like, imagine that if yeah,

yeah, I, see, what I said, what, what I've had done, if if she

had been a person, well, but I, but if had been a , try,

or had had gone , I think I would have I said I'd have said to I'm sorry with the pistol

no no no no shit with because in the moment no you know I'm saying you know the moment you say you

do you do you put a rancor then I'm I'm I'm gonna know I'm and I'm

what I'm what's what I'm that's a complicated my compo my compo other

another other is another yeah another is another another parisona

well in Chihuago one we're we're we're we're the event also, my compa,

the carmion of the band and the shingah. And there was a call, there were some some of the car that's that they're in

givau. And yeah, the shingah we've been making call. And of a repented the pince

tracatera a, wren, a vann. Like, a, one, like, two,

front of us. And it's not and it starts the between soldiers and people there,

there, the, of the mania and so, and it's start a ballastos, no, well, also, well, there's

between the pinches tronco, we said, no, we, if we're if we're going to get to get to the car, but we,

between the tronco, we're in, in the, in the, in the, in the, even,

even, even, although they're, but, so, yeah, we, yeah,

and the good, the world, the soldiers, well, calmed all the got a ,

and all the but, but the stost who's, who can't, no, a chorral of the

Tronco, no, call you. If there's if there's a susto that, the net, of a sudden, no, no, no, no in the life, less the situations that you put in, no? No, he has to be in a situation, o'gareg, critic

between the client and you to say that the client to get a bit, castrozo. Yeah, you know, I'm a lot of course. Yeah, yeah, castroos, that no, I can'tem me, the borgue, and if you know, me can't that's a-aw-oh.

Yeah, one of a bit, if, if, if, if, if, there was a client that had the fosca here and said the

he's the old he's we're he his and he and other

three chabroen and we and we see a man and he's a same

chabal and he and he starts a fuska and I want this can't

this can so much so because the trot is the planet is all the

matter is all the matter because I never even like to pass. I'd like to make me to

nobody. I'm doing it. I'm not a matter and the retellee of the thing that's to get a

little of the paper to learn the partitura of the song that's a child, oh, well,

what he says, hey, and he'll get a one. Sin, see the the

co-bron, and the point, man, no, I said, he's, he's,

he's, I'm, I'm, I'm, I'm, I'm, he's, he's,

I'm, they're all the planet just to make the song, for that's the song, for that you know,

no, no, I want to be that they're in the no, no, and he's

to puttelling to do you oh, well, well, he got a man, he's a

man, and he's a pittal and the mack, there's there, all the music,

no, the music, don't have got to my compo, my compo, and the bato yeah,

he got over the guy, he said, oh, it's, so that's, so, so,

How no? The, ever, the, that's a point, who's the man,

yeah, that's he's going to go to work to work and he and then

after the time, this paparine, a heart of diabetes, and he did the

guy, this wach, man, no, if they're going, if they get to

things, man, that's, but, that's, that people, no, no,

thinks that don't, well. How has been the event more pinche

grastic that have been that you, that no there's scenario, like we, we, the band,

we, we're in the trunk, and the point, how has been. No, it was one only, were there's

the, the gyrs of the war, we. I'm in a company, that I don't see if they were in

the trap or no see what that you know, that I'm getting to to be the part of, that's not that's not,

it was in the States was a year of a car, my compa, of that, that we're we're,

we're, we're not there were any an uncied no way publicity, No, there was nothing, we, the people

knew, between the, I was going to go to be in, and a person and the people didn't, and there were,

20 people in a mess, whew, and so were like, those, what were, were,

those, two events, boy, to peharm me, and I, I don't, I think that was so,

for, for babosad of the company, no, this, and I, and I'm,

so, event, that we're, we're, we, we, that you can't. And the bato, ah, okay, for you, we're saying, we're going to fierre.

There's all accommodated, barre, let's play. No, well, oh, and a little the scenario, a little, a pinch audio, okay, Joe. No, well, no, no, they, no, they're gonna' not. How, that's no one of them, well? It's obvious that

by an artiste with the band, you know, to try the audio, boy. No, way, no. No, no, no, no. So, no, no. Any microtho, boy. In gats, Tom, man, this. And so, you know, boy? But how

this was, where was this? Where did this? And so, what's the chastom? So what, what, we do?

What, we do? There's a microphone there, there's, the, that's the , I know,

so if you do you want, there's the microphic, well, no, well, and there's,

and there's, like, and there's, like, I'm, god-a- and my company, and it was the

the, the gira because all the events were very very very similar, um,

boom, boom, Verga, the artist, and the artist, no, we, no, we, no,

we, no, we, no, we're the more is that, is that I'm a man, so,

so, so, so I'm so, there's a no, because it's the, the office

that's the thinger, I'm, I'm, I'm, I'm, I'm, I'm,

well, in the world, in the world, so, so, I'm, I'm, erotated,

ah, animos about, agitado, I, I'm, no, no, no,

I don't know for the music to know. You know, you know, so I'm in the way. Ah, so I'm,

I'm re- I'm sure to get to the car, and I said, I'm at the hell of the music,

like, so, way. That's the coolero, the of the company,

so, yeah. For that's, for that's better, yeah, my comp, net,

you, you're, you, you, machin, we, man, when you,

when one when one when you're that they're they're they're three for there's

that want to get the foot to but I'm to do yeah, yeah, I'm sorry,

yeah, well, I'm, I'm, I'm, I'm, so I'm peree,

peree, yeah, I'm calentia the way, rarr, do you know to be to be

me, okay, yeah, it's, it, I know, I know, I know,

I say, you know, you know, you're, you're gonna and you're to be, then they're

saying, oh, Jorge, pardon, that you don't know Cudyce the Cicco.

And now is there because you Kisks. Compa, the sun is all for all.

If one want to try to take you, I'm back back to go and the chama

and then we're like we we're we're going we're and you and then

I'm going I'm I'm no, well, were these bachos to manned to make

to make sense like to make sense to like no yeah so it's the Peor,

comp, but, but, I mean, how can be the thing, yeah,

yeah, water. And I'm my wife. And I'm going to show you about them

to be able to get more than you. I'm going to be, so, so, yeah, here's,

he's, he's, he's, what was the the thinggong that

he's got to do your man, valentine. Uh-huh. The most chingon,

fient, one once of, to fallece, two days after before of,

to pass to what I did with the baller, this, me, we're, we're going to

get to be about the night at the morning, man, come to come to some,

man, uh, yeah, he got me and said the baller, from the day,

me, he's goth a shing, shing, the bales, but machin, we, in a good

to be that, Pacro, acu' that the, the, the, the,

the, the, the, like, the, the, of a, the,

be you to be to be to be to be to be responsible with your with the person with the person

that you're all the day me try to like chicoteated so p pa pa pa pa

pa pa what I did I do I'm and learn to learn to learn and learn

because I know I was I'm going to I'm going to I'm going to do you

to be because he's he's been for a car man to get a pilot

boy no no Well, let me go to study, whew, and I'll be your pilot, and the music, no, there's

no, we're gonna. Because me it's a bad, but with that pincha gnaal, it's a day, but I'm trying to the 20,

many things. And apart of the experiences that I that was over, that he's always that he's always the major,

the major apprenticeship that I've had to try well to give to give us to give us to give us

to give a hour, pay a ticket, and lejos, a Sometimes the people don't go to why, or a

because they're going to be and that's part, one no, of a person, not they're

and much a rasa no, and the and the valet is he he was he,

a person while he was a man, he's seven years, the valley always,

he said, and a me, and I'm, and I'm, I'm, I'm sorry, the people,

you know, the people, you be to betes the person, well, no, because to

try those they're, and if even because you know because you know the people. You know,

do you, do you, do you, and then go out of and then you're going to what you're in what he says,

well, what he said, well, what he says, well, why, because you're your mother, is it's true,

but. But it's been so, yeah, yeah, always, and to meh and to

and a man, yeah, he's, he's been because the school of my chief,

was the school that was the school that he left, and he, and the school that my

my brother, Joe, to my brother, to my brother, to be the one of the man,

because I'm a morrow, seven years. When I felled my father, I had, this,

the moment of the, the moment of, to be the time, and the way, to be, to be the

people, to the people, to the person, that's back to the men, and so they were to

them, and so they're doing, and so they're to be to be a me, and to the

more, or at the more or the but to just already is what we're

we still apply fiat. I'm, if you if you were to do you know,

if you're a little to do you and that's I'm, I'm, I'm, I'm gonna

my heart, man, that, that, that, that, that, that,

what we've got, what I'm, um, no, a, well, a pince

regalote that they'd be, that they're, but, the net. A-bras. A-br-

Yeah, a pinch and a-b-b-b- P-s-a-s-s-sot. And the The planet, no, boy. A pincere ton of co-cillo. I think we're going to senderiam to eat.

Algo. The problem is only is a minute. Yeah, no, no, no. Pinch abracom, a pizherom, pizote and that I love and that I boreso. And thank you. Thank you. Thank you. Thank you.

Because the Val, me to do his, as how he quills, boy. The Val is the person that he came up. And me, I said, pachroro, put this voth. Pagro, putt this. Pachroro, putt this. Well, so the valo. That's all right

I've got to I think of the school of the ball and that's for me for a benefit very bad

because it's a music, but apart were moments that are really that's really

that's good, that's good, that's words. Dice here, he has

done the best of Casuela Ha ha ha ha I'm don't see that

that's that man has been like like reflex man Tarico

Tarico Tricco that's that we're so like I love. I'm going to.

That's good. He's been putt. He's still. A little bit of not proffat that's a word. No, boy.

Meco. How old? You know. Look at the car. What, he has the cuck up

like the F? Yeah. No. No. Friarser, but no. Fiatte that never,

man. No. No, boy. No, no. He's not in the

never. No, boy. I don't, no, though. Until the Fecha,

I'm going Turris, thank you to God 9cito a packet where has where has

his major time in Gualajara in Guadara? So, can't say that in Guadalachara

me, how they do you do you in that question, my respect for all

the of the people, I know that's that we're there's a little

people, and he made in the car to make the to the hellate

to get of the Mayat Turre and that he the tortilla? And they

said the question that? No, compa. No, no. Oh, no. Okay. Oh, my, berg. Ah, dear. That's to go. Oh, no.

What, boy? My pedd. Yeah, so. My pet. It's, my compas. He's a co-ir- The co-ir-

Theeco-ir- guarantee. Guarantia for that mother to put a tias. I, I,

let's, I'm the matter that's way, no, no, and my and my

my wife me said, and let's no. Yeah, No, no, no, no, it's You know,

and automatic, well, no say if I'm a pat-a- No, if I'm no,

well, no, boy, no, boy, no, no, he's

the thing. In the automatic he's in a man, it's a man,

it's a comp, it's a truched, the borg, it's a point, pretty intense.

Dice, says, has, has, has, has a problem with an

person, no, I know, I know, I know, I know, They're Oh.

Your mother, is good? No, fient to I feel like, no, no, no,

no, I don't, no, I'm, I'm, people, artists, have been my

people, I've been, and then and then they're, and then, I, yeah,

not, yeah, not, no, no, no, no, no,

no, the, the, so, that, so, so, that,

so, so, so, way, well, , No, there's a peter. What ching-on that's

going to be, that's going to well that's going but it put in the frame of the man of, yeah not the time,

not the kind of the kind of, like, you know, and the, you know, you,

you know, you know, you're, so, so, and that's, and that's, and,

and not, one, various, various, that I'm, he, that's, he,

he's, he, and, he's, but, but, but, I'm,

I'm, I'm, and they're and if so they're the rodriot that's

they're they're they're how they're they're they're never yeah

they're they're to know that's to say that someone that's that's

they were with those they were good they're not good no but even

he's no he's like he's that's a pice that's that's about

that's a person that's a preoccupies, like I say, we, look, you know,

well, and a way, and a bit of a lot. No, man. No,

the ego, the ego. The ego. No, you know, one is me ha, oh,

that's in here. King, that's, my compa, Remymi, a brother, Remy, Remyh,

oh, Gellellell no, no, Remio, no, I'm sure, but if I

Relyely, mehado, and he's he said, he's, when he's, when he's, he,

I mean, you know, a good way, quite, well, and I'm a whole,

but if you're to be able to for the regaions because he's like to get to give a bit more personal, but I'm

really, but I'm and the matter, I'm about that I'm a person so, compa,

that I'm, that's, he'd to make a and at the end of I'm, I want to

the borgant the borgue and if it's a little there's a oh, you know, take you

catotteating and you're this, well, this, this, this, this, this, this, this, this, this, this, something, it's

a lot of, but, but, but, but, but, but, there's regaions that,

the net, you know, because they're the eyes and you, and you know, meant-abirt, but if

you're, you know, you're, you're going to do you, someone, that's, so, man,

we're, and thank to you, because, we, we, we, we want,

we, those regan, so, for the reason, no, No, no, take in

personal, that's nothing to say. No, that's there. Dice here. A

B. The woman of who did you? Oh, how is that? Dice, is that

there's that there's a lot of a man, but I'm but it but it's but it

he, eh, he, he's, he doesn't, the alcohol? How, the,

pistea machin? The tequila, oh, see, see, see, I'm, see,

I'm, I'm, I'm I said, Pistier, I was a person like my brothers, no Pistier,

well, the flacco didn't really, but with the little bit more, Tilly. It was a, whole bit, I was pistee, I said, ah, well, me

I was born, I'm enamored, and I'm sorry, and I started, and I'm like to pistia, but I'm a person that's a person, but I'm that I'm gonna do, I'm gonna pisteer tomorrow, I'm gonna pisteer, no,

but if you see it's the occasion, caro, that I'm gonna, I'm gonna, man, man, oh, yeah, yeah, yeah, wanna, yeah, wanna, yeah, wanna, wanna, yeah, a bit more, to be, a bit, a bit,

a, here, my, my, man, the, how's, My, My, how? It's my my

my my my my ha my ha my my ha so he's

we're oh, fiat and if pistee machina arreve at the

no the people the people yeah and the get to get to a artist

to get to the that's part to appreciate the the people also

don't and that part me inculco the and my chief

no never never has never had passed that's that's

that's something when they're when they're that's when they're that's that's

that's that's not he's I'm not so I'm and I'm do you know or I

do they're that they before I for you to know for so you man

but you can say I'm that's a man you don't get that yeah

yeah well that's a well imagine no if me has

to but but if if if you if if you're

tap the bottle has tapado something that's confide, I'm, that's you're gonna, take it, take him to, take you, no, no, you, no, you, let's,

take it, and you take, arrego, it's, yeah, and I'm there's a green, oh, it's, he, but, you, can't

confi-en- but, but, but, also, you can't be sang-ron, and at the final, he says,

if you're, that, I'm, I'm gonna move to, yeah, I'm gonna get to get,

yeah, so, okay, okay, okay, other substances, has, has probed

to consume? How no? Oh, what I said. No, of all, we've been but

never said I've done to do it. I've got to get a think of, no, I'm thinking

to think of God, I'm probably, because I want to me want to

the motta no, man, well, me can't me come when I'm I'm

, I'm, he's, he's fumated to me for the pan and the chingap

to be but the cotorreo no, but but no me despero

I want to quit to be to want to do with the the, the,

the, the, the, the, the, the, yeah, if I'm

a, it's a bit a, not, no, no, no,

no, no, no, no, well, a my vixio are,

uh, well, what, what, comorras, like, like, the,

the, that's, is obvious, that's that's that's a bit, that's

a bit, there's, there a little, there, What, what, What, what, D-O-Meree?

The woman of who? The woman. The woman did it for the and the and the man for the

So, so is? Yes. Yeah, well, is. The man, is.

The man, the man, can't be the other places is legal. Here, no more because

we're more more, more, more tranquilones in Mexico, but in other countries is legal

to have, like, four, four years, depending the people

the that we're getting. There's a kid, me, you know, they're so they're doing that's a little.

No, yeah, we know that's no. And we're not. But, but, but,

it's that a cabrona, here the women are a man, grandpa, compas. Compa,

is the same devil on the other, compa. And the and the in all the

other side, yeah, well, it's, in other other side, you can't more than

you're, you're chas with the c'c't you say, Pellas, were. They were,

they were to get them, they were to be able or they're not, and they said, and you know

you never to be. It's a man. But, but it's a feo, man,

is it's feo, he, he, says here, hey, how recommend a,

mm- a good palenke. And, plebes, always, a good, a good,

a good, a good mariazo, plebes, to let's let's see what there's there's a plebe yula, always,

always, they have to try them to start them. Becitos, carisias, carinoes, make them

make them to make them that's primordial and as, and as to make the pincy pahoo, always

they're going to get to get you, you know, you're going to be, you're going to be

and that's the day, and that's always, say, oh, yeah, try them a rock.

Platica me at the o'hido tantito in the quay and the chigab to be in to get a

that's really that's important and also the chemica my compa that's the most important that's the

thing you know because even as you say in your my ha-chimero arrh if there

if there's chippererre to say to do you to the government the letter says there

what has taken the part of the client is the most car. The most car is

a reloge me gave a relog the the other the other the other

the other the other the other one who's one who's penning to be penanded to

this no but me gave one very well I'm my cliente

I'm so I'm so I'm so I'm so I'm I'm I'm

I'm the world that's I'm the other I remember a pinch market, a pincher of a piquecavera. That's a little bit for the same,

because some reloges that are very ostentos, and, and, you can't be in the diarious, the day. They're not.

They're, for occasions specials and they're, but I... Philly plane. That's, feel like, the reloches

more car, or the things more more than you to me have to be the realhous to $400,

bar, $500 Lana, I think so, man, man, machin. And the

and the net the best you, well, for what, You know, you can't go to

on the radio with a minute, ah, I'm going to go to the way, I'm in,

I don't know, no, no, no, and a way, even to be to be able.

Even, but, but it's a little more at being a bit more to be able to be

your clitit to your little bit to figure the mono that you that's,

that's you're offering to the public, so that that's so that's and there so it

and then the as a new artists, what they have to say to whatever's, that's

a chingue of the gans, that no they're in a pich and when they're a piece and they're doing a

little bit of a lot of a thing of a thing of they have to perseverer, always have to be able,

and over to plasmary the style that's very important, that part and the essence,

I mean, so, so, so, it's that's all the people that's around when they're

going to when they're The people are to put a pinch sanghuelas that normal

they're infling the brain and saying oh, you're the man and you're

this one man you just going to get to get back money. All in their

people, all the artists we're we're we're we're we're

in the people. And that that's people because never they're

going to never will be going to get to money to beavos to

come he said he said can't say would would say

And as much, it's chill. It's chilo, because at final of count, it's music, and all the music is is culture. And in some moment, like the Durangese, because I'm in a mod, the Durangese, who's been very much, who's been song is Durangese, who, in some moment,

too, songs Durangese, that even I didn't like, the passito, and the singa. If there were, there's a song that I liked and that were, and that used, and the tombado me like, and there's a time Pachar-Blank, for there, and there's chance, listen.

It's got in three-tumbedita, but not so much, okay. That's the last new, Or what? He has been a roll. And the last song that's called, It's a night of Ayrne's,

a song romanticona, I think for the people that's going to be to be able to be that person that's a real that's special.

Now you've heard you? No, but I think of a yeah. Yeah. So, no,

I'm thinking of a bato all this man, you know, he's chinkas. What? What?

He's got to be so. Oh, what? What? What? Yeah, yeah, it's a bit

pesper. No, it's a night. The last one The last year. The last What's the thing?

What's the person? That's the person Merex my respect, my Gap.

There's a man, my cop. You know, because no that's a person, but I'm

saying, that's a tion to tryllo to have to be the to be who?

Oh, God. You, you've been you've been a burrito, no. No.

No. No. No. No, no, no, man, whew? No, no, any of the

coach and the nancy? No. You know, of you? Do you? Do you? I'm from,

but... Yeah, but, honest, comp, no. I think if I would have

in the rancho, I think my compo my manchew, you know, you know, you know,

you know, to tell you to do you go, my gompa, man, how'd be... What's your

house? No, fift, I don't know, furs, no, Comed them to Chivita?

Chivita, I think I'm a morrow I'm a Cahidito Ah! What's the What's the

What's There's My cat There's Myja Myja Let's say I'm gonna

Let's get Let me Let's get a Miceena and the Bairriety Thank you God

I'm I've always I've been Yeah And I'm And so

it's more that it's That's that's That's real No

but if is that's a tannadita in the head's and that's he's a

one of the and say, and they're in my mom in the can't in the can't in the can't in the can't

yeah, there's a up here a bit of a bit of and so I'm that's a

and I said me said me he'd I'm gonna me well I'm gonna and I'm chiva

gallina pato and it's salio got to but but but this but this verga

so but what's what you agarras what that Imagine it.

That's good, that's good. Compa, for you're going to be with us. At the time, much thanks, we're doing this.

For the space that you're doing, for salo to your man, way. I'm sorry. Thank you. We're just to be putt

for what I'm, we're doing. Look, I'm going to I'm a little but I'm, I'm a check without, that

that's a bit of me a bird. A bit, you can't me can't put a fairia right? Oh,

you know, with a new bit of a said that's oh, oh, chiquito. Oh, my dad.

He's all right. E. Epa! My compo, he said to ask you want to ask you. A better. I have two questions.

A bit of Chile, the borgia, Viego. The first? The series. The series? The series. Valentin?

For when? The series of Valé? That's a good question, my compa. Derecallyameen this, no me to talk to me,

we. The deignas the image of the Vales are my subrines. They are the ones

are the accord and and to get a thing that the people see, I'm going

to do it. I was doing in the moment. No, it was because not they

couldn't because I'm doing the production, I had a kid, to start, well,

no, so it got in back, frankly, not they're not, know,

not they're in question of the name of your father, what can do you do they're

doing, to the what is the thing, the name of Valentin Linusel They're

to think bad, bad. Pity, it's like the Cangrejo when you get to be the

little bit more you're in three kangrejo and when one wants to do us and they're and not so they're so

grandly it. It's so grandly and it can't that it does that and there's

the bad and there's that's the so that's you're he said, you're like you know,

hey to do go, back the back the no pass it, then it's if it's

active the series they're going to have regalias. They're going to

have publicity and they're going to have this mercancy of your pap for,

to do you know, a man. No, they're my compa.

And you know, why was? Because they were to get too,

obviously that one was getting all the kit for that that's

not to get to you're the chite that's to be that's all you

get and it can't and it's not the no the

recel of all to No, we have to share to do you. Because at

final of the whole, because at the time, and that's the fact of the way,

no longer than it's the way, so it's a little that's a and we'll get a

and we get a real for all the people, because the public so it's a man

because it's a lot of my man, because not only only is of my man,

it's of my family and it's, because, um, imagine the vivacity the vivacity of my brothers, the vivacity of my brothers, the vivacity

of the valley, and to the point where the people want to know, there's a bit of another question. A problem. A me told

a story of the rola of the cell of a loco where it's where I was in the video, and he said, no,

that no, that's, no, that's, that's, because they don't they'd make them to

that, no, that question, figate, I mean, I don't a man. The Valet

me was put with the new Cervantes to the Cinar of Leiva that's the signora of Leiva, that's a good,

because I'm not, I don't me was really related to with the role of that and because

no, no, not, not, not it was, he was he'd I'm just

for a experience that had to the valet. When Fahe's the Valé, I'm,

I do I do do you make a a music that's called a one elizalde, and some purrs.

to the Val. The that I grabbed all those songs of the disc they used to machina

my man, man. And I did the cell in a loco that was

of the favorite and when the Val me said to goro to this

carro that's a carro that'sel a man, no boy,

no no I don't I'm not I don't when I when I'm

back yes I'm I'm going to listen and now is when when I when it's

when it's the song for the in question that is a person that's a and,

you know, and, you know, and, I mean, I took me so, I'm a pecho

the roll this, and it was when I know, carnal, or so, because now I'm

because I'm because I'm that, the story of the cell of a dog. That's that year,

yeah, he, to have to have to do you, to get to want to to,

lamentablement, but, yeah, but he sentiment that you have to have met him. Oh, for

that's a man, and that song until the day, it's of the most pittas back.

Oh, I'm a day of a little bit of a little bit of our new of the world today,

oh, me go up the the pardos, me're the thing, see the dog,

go to, see, go on. And with my and my sand I'm, I'm

painted the pastes of a new color and in the I'm of his name

that's a letter of my heart I, aye, I,

I say how ignore that he's going to I'm on fragando on my

colchion she in her riss at marcears she left he

he didh in my room in his cohing two cabos

in a bath a a bus a that If you now regress,

me to go to my odder the dolor. Ay, ay, I'm

asthm. With God with God with God. And nothing in the

world has more valor. So, is this love that

no, they're they're slagando the perros signal that

I'm going advancing so so so the refrain for

those that are about the people that's that they're and that are vacillating

What's 400,000 50 Pyeso let me go back and we fiamm

and we see them receive shiva bcerros burras, carionettes terrenos whatever

that's too god frieca my amos sorgat come

the coci let go on Ricky let's let's come

we we're we're we're You can't continue in Facebook, in the platform

musicales like Francisco the guyo Lysalde. We're in Instagram as aroba Gaijo

Yamaio Giaemakulisald also in the other in the ex also we're like a Jomboleysalde in Fortnite

we're like we're our friends Chris Rizalde because my music plebes we've got

music new and much people say oh yeah why don't make a we've got to we've

we've got we've got to we've got a little the people If you're still, sing a,

uh, Francisco, Elizal, my people, and they're going to find out that we've moved,

since we're from the name from the name my man, chaselda, my compo, Francis, the guy,

Ulysal, thank you, thank you, God, God, God, God, again,

for a lot of people, to come back, to the people, of the country, to the country, to know, to Southola,

Sanoara, Syrac, Sy, Durangue, Durangue, the Red. To the place in Mexico

to be here. To the people who see in Colombia, the people who know of to see in the people

to get to the people to get to a lot of people of the people of the people. There's

my people. A bit of a lot of the people. A bit of where you where you're where you're

oh, hey, there's a man, yeah, my man, man, hang up here there,

come back, us, see us again, to us also, as the mafia, also the mafia

and the podcastero most of the most I'm going to my amor

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