LOS MAFIA PODCAST ⭐️ - Cuanto se gana grabando Videos musicales $$$ — El Gayoso Films

Episode Date: February 21, 2024

Yeah, he has taken visit Culeacan? Yes, I'm in Culeacan, well, since that I've actually made

to invite to to work there. Because, because many groups are from the So, those who

were the those who were there were in those who were they were in, and it's for so that frequently we

visitable Culeacan. Very well. Present that he's a person, so that the rasa

the rassas my name is Manuel Gaioso, I'm director of videos musicales,

And much people me know as a guyo or the majority me

know the and the we're we're doing a little more than 25 years working on

this of the videos musicales about about the video musicales the the best

experience that has had been where they've tried what what group

was what was and that I'm the I'm

the we've we've been of the from the to the worst.

But so in the first moment I have very good records of projects in specific.

I don't to tell one only because I would the the

where the better where was the where I can say that have

been that has had had been the need to that I have

to have a one a private to I

get in time and form to the recording. No, I mean, I'm graded my video,

I'm going to you see, I'm, I'm going, and I'm going to do, and I'm going to do

a lot of this, I'm a lot of this, I'm going to be responsible with the dates, with the

people. So, if I had a agenda a production here in Gualajara,

no me'd never to get a to get a to the other caration.

So, me said, I'm I'm a person, I'm I'm, I'm not so

I'm going to work. He's there to work. They're going to, we're going to, I'm going to do my equipment with all what we could have to be in the

thing because we didn't know, we did it, we did it, and we did it and we've got to go to the back.

Like those, no? What artiste was there? It's a group of Michoacan. Auret right,

I'm, I'm going to just, I'm, I'm talking, I'm to remember to talk

of the number of the group. But it's a group in Michoacuan not have much fame, but is much a hunger of triumph.

So, it's for that. And in this video participated Carely and Ruiz. Okay. And she was the

they're doing, you're not much people. I mean, I mean, I've been from Tucanah, Mario Quintero,

always he's a child, that the people that the people that do you do to him with him. And the

site is in your studio, in your studio of the video, well, so it's for me,

I'm going to my, I'm going to the system of video, and we're doing to six of the time to all the night

editing, no? And we're and we're a, you know, you know, you get to

your hotel, you're done to eat, you're doing, all the attentiones. And, and people

with the people with that I'm much of and care because we've worked

much during I'd say that a Julio, an Alfredo Livas, that's always the attentions of them, we're going to be the house, I'm, with them two, I've compareded the mess,

with his kids, with them, even in the case of those two, I mean, it's to try to eat, that they've been

to prepare, personally. I'm going to go to cook, and I'm going to cook. These, are people

very, very atentas, very amables. This, and I always I've always the artist is the more than the artist is

the same and so it's been the case of Anna Barbarra for example that in the last few

I've worked much with her that she has really really and of the those who

not I don't you don't I don't you don't I can't say much because

this what the the better the person not that you

not not not you not a an an

an You got me, I, me has passed, I think to everyone has passed, no,

that's not, the example more or the situation more common that's

in this is that is that, what, I need a video. And, no,

yes, sir, the ching and you get to, and for the general, it's

people with the people who have been many many people, so, so,

you know, you're not to be nothing, you're all, it's always

always that always, this, uh, it's that, they're doing,

they're doing, do you, do you, do you, or you're, or you're, and they're, and they're,

they're, oh, is that this, no, okay, well, what, we, we're,

we don't, no, no, doesn't, and I'm, he says, uh, until

here in my job, no, I can't say that I'm they're they're they're,

they're I, oh, my, I, no, I, don't have,

the master of that video. Yes, sir, here's I mean, I'm

I'm going to I'm a little bit to get I'm I'm I'm going to you know.

I imagine you a chingo of a chingo for a video or in the disc do you put a

video of fuland I'm I'm I'm I'm a products

terminated and I have discos duos that I'm classificing according the

importance or the popularity of the artist no You know, I was talking

that if one once in my life I've done it, you have to conserve it. Although the material is of Sony Music,

but you as a director, you can't you can't never do to use to the more. But if

a day me to say, oh, do you remember the video that you did you? There's the

video? Cobra? No. No. Oh, no. Ah, yeah, because I think

is a responsibility creative as director, to have that material respalded because they're people who

are in the time of time. They're going to fall to, or, you know, if the day of the day of

going to do you an documental, and they need in that material. And so, I try to to conserve

of the majority. It's impossible to conserve to all of all. There's people who

can't during 10 years and you never to come to be to be to be

but, but you can say that the majority of my artists with the most

I've I've been tried I've done the repalds and of the artists that are very

important for me historically I'm historically I'm trying to conserve those original of camera and you

say they're to call they're they're they're they're they're saying you're

you're you're you're you're you're you're the things

the time the three um my guyo what I'm

so I'm said I'm there I'm my galio what I I'm

no I'm I'm to get to the or even to the grader of that some

person I'm going to a lot of a lot of a lot of I'm not a lot of I'm a

bad at a bad and I'm really like that I'm I'm sure I'm sure you know and you

want to be and not you go to make me that's good that we're because there because there's because there's

but no no no no no no no further obviously in some the majority

the majority of the most of the most the most before the pandemic, because the pandemic we know to

change many things, but you know, but you know, you know, you're being done that the realer

reasons of those type of things are always a flotet, always say a flotet, no? The person was the vocalist,

effectively, it's said it was a but it was, he didn't he interested recuperate the video because he

didn't even the adelante invirtio, or not he metio, he, he was an investionist

and he was the or the effectively had an Inversionist and the investorist

and the investor said, they were they were paid but for this back to come for the rest. And,

you try to confide in the people many and you say, no, I you'll give your master's of good

faith, I've been I've been very material that has been in an occasion in an

company that was that many many people, not one, many, we did much work

and a many years. And the process of the work was very good

and you They'd pay them and they'd add up the time in the time of the amount of

than we're doing we've been recuperating. So, it was the moment in that's he was

and many times. And many has been with the company. Are the artists that

are bad or the bad negotiations that have been between and the artiste

and company. And no me has been a company, I'm with various. I

right. I'm a Camarro, for example. One of in the

Sinaloa, one of New Lyon in Monterey and another of the

I think they they're in the south of the country but they're

the mal relation that had an business that

that that that that that that that does

because there's that my noise for example is the

of the Monterey that never never to be you

does let's you you ask the of the business

because that's just you're in the video, and then you say, I'm a chance to negotiate with him,

and at the more, that's not the and I'm that I'm not a lot of, but with some it's not,

well, it's that's that those things are the and it's that I'm that I'm going to get to

to the company. So, I'm more I'm more a new, you're in the industry

and a sometimes you have to adaptate, you have to you know, to learn, to learn,

to, so, so the years that you do those years, with, with a pen

but, you know, but you know, we've said, we've got to do four videos, pager me

for the if you do you do the want to put the four, that's not, then it's

my fault, no, I mean, I'm you're I'm trying, and I

have, for example, that's, that's me paid of videos that are that's

three years, for example, that never said, and I did to the clientes, hey,

what, this video is a bad, song is bad perr no, is that

a time, not is the moment for us to make a something, X reasons,

no. But, we're like the good and the good and the bad and the good and the

thing. Fidate, me it's the way, how it's possible, that you, before the

pandemic, was, they'd with one, the net? Or, say, you know,

we'll have a video, and I imagine that the inversion is a lot of, I'm going to talk to a

that's a bit of that's a bit of, that's a man. Me, I'm a artist,

I know, because his manager, and, oh, the manager has much importance in this story.

The manager of that moment, he, me, he, and he presents the artist,

artist, a new, in a type, you'd say, this is he was going to alexander

a musician, not a C, that's a level. He's a carita, can't be a perro,

canions of mariachi. No, no, no, a thing, artiste so it's a

good person, and it's a good person, is a good person, I think he's been to be

that he has been bad. That's the reality. Many times, I always

I've said, the pan, the vina, no? And in my Pepin. I had to

say it I'm I put it in a model no and total total

that the first video that I said to them the first video that I said

everything everything was the project so it was there there

so separate the manager and he no no no

it's more because it had had a carro, for your side.

The artist me he's a little two years after you know, before

to get a to get a to get a idea, I'm going to do a video, so,

so, and I want to do that you put in a location in a place that

that's nobody has no, so I'm so I'm so, if you're

they're they're doing that the project is that in great. A

see, what we're what we're doing? What? What? I'm so,

and I saw the project that had a need needs to be a new so he said no, you know,

you know, so you demand a much money, demand a much necessities. There's to make

a single day of a day of a job of we can't be sure, that's not a day

long, complicated, but we want to to get, I'm always I've been

the idea. You have to optimis the market, because that also you can

make that's that they're you say what you want to but also you want to you know,

you know, you can't give a chance to him, don't know, I want to say, ah, I'm, well,

yeah, but, then instead of the helicopter we'd contract us, a more a model of

the city of Mexico, no, that's, because the model will be all the video,

the helicopter will be going to get a time, but if the can't, because it's,

I was, I'd on my helicopter and Iterise in my rancho, ah, well,

there if there's there there's me, a, a good friend,

the song the name of the name of the car, and the name of the car, and they, in the auto to grab him.

So, then, they're, battaliening with that. So, so is important to have it. Well,

well, the friend, me present to the new manager. I, I, I thought, I was,

I was trying to with the artist for, during 20 days of preparation, always was the contact with

him, in the He was inred. At a rato. I'd have a model principal to a woman that they'd

have been, and with all respect of the lady, was, the model no,

so I thought it was, I said, to the manager, you're, I'm, I'm, I'm,

I'm, I'm, but, we're, and the person, me said, no,

my guy, I, I know, I know, that, that much, that, to this that we

we've got to model and there started during the the recording pass pass pass pass

pass pass no to go the world we're going to be the three that was the that was the

room and I'm front of me I'm to see that they're and so that you do this

and you're that you do you do you do me did this that ta ta ta ta ta

ta ta t' this this this not this is this no well I I'm going

I said the manire pintan So, he went. He went of the

gravation. No, he was not no pay nothing. The only that he had contracted

was the mariachi. He, he said, I said, I'm going to the mariachi. He's

a mariachi is a man, he said, me, he, no, no, you know,

we know, you know, doesn't, you're going, nothing of money sold us, the can't

me did the car, during, I think I think , I think a year and

a whole, everyone needs to money, and all the time were in the chambos when they were

so much the so I'm here I'm here I'm always the telephone, always he was always

he said, he said the message and he always was there he, he, passed,

I think yeah, finales of the last time, and me, and he said, Mig,

my Gaya, when's you do it I'm going to I'm going to I'm going to I'm going to get to

you're in having to get you're going to have done. No, well, thank you. And I

appreciate much for that. Because it was a chingo of money. How? Or if overpassed the

$80,000 pesos, so, so, so, it was a time. In this time.

In that time. Of pure costs. The job of the much, the work of the

money, no, no, no, no. You, to produce

a video, how is what is what you know I know it's depending but the

maximum that you have you're getting to cover you how you don't you know

I don't I can say what I'm the maximum that I can say the

the video more the video more I've done I've done I think I think to cost

between the $800 000 and one $1 million of I don't

the amount exactly because it implic much things There are

I don't control that I don't control the officeina or control the artist I can say that I've done I've done

I've done but but there videos that there are there are there are so I'm

that I'm a key a jet and I want to get a yeah we're going to

we're going to come to come pump pump pump pump boom boom money

money of money then I'm much sometimes even

You try to control those, because you say, oh, well, no,

then is necessary this, or if is necessary this, no? So, me

you're because that's another. I've recorded, for example, in five countries different.

And I can, I can't be the videos more more that's been here,

have been here in Guadahara, for example. How? How? We,

we, we did one of maximum grado, that's the hacker matte. Ah, that pastedito

DeLanza That's a video Gump I'm going to I'm going to every Pesso that's

you're reflected in the entire Yeah, because What's the necessary The actors

Extras Extras Renta of Locations Tomas of drone Well, there were

Estacienes of Riesgo that did Christian That God Guarded the hour

So, I I don't know if he you know I'm talking around the point of the

point of the Puntte Ramos the idea was that he he's able he's able and he's very able

but you no control to the other conductors so he he's a car

between the valley of protection and he he was he was he was

he came in his carry he's he in his carriil and the

and in this movement his tobio right peg in the cement. So,

obviously, he'll the, he's, he'll get a, he's a tennis

of a bottle. And he he came to the tennis, but if he he got to lastime

the to the motor. If he was so, he's not that for the motor,

there's a matter, he's a lot, they're, they're going to go,

I think went to go to go to the one and we we're going to

we're we're we're we're we're pick up, we'd we'd be the

drone, and I just I'm just to see when he's a bit of this,

but it's seconds. And that scene they got or not? No, yes,

but it's from the air, then the detail not as like it was done,

like, to get a, this, um, um, it's, rented many

locations, he contracted, because the, those that are, the, there are, there are a

lot of actors. Here, there's the, the, the team SWAT, who are also actors,

he's rented the uniforms because you have to rent a vestimenta, no? All the

utileria of arms are of plastic they're rents. It was a lot. It was a month,

it was a amounted the money. Every day, how's hours more or less or I'm not?

I normally, I always I always do you can't work 24 before. before.

And, we went to four hours for day, no? For example, the 4ify of Julio

Alvarez that we're in Masamitla, uh, there's the first day were 20 hours and the second

day were 18. Inca. Sin par. So yeah that's you're just three hours, four,

four, five hours. Like, Julio, because he also was he also he's been

together with us with us. Um, with him, I can't say, we did

we did projects very perros. With Julio is of the look, I have I have many

memories of people with the people who have made good that's not that's not famous, but for me

as a director of videos, I think I feel very so. And that me have done artists

like Julian Alvarez, Alfredo Libas, Maximo Grado, the The Inquietus the Norte,

band to the bastions, that are artists that are and they exiging and you and they're and they're

Alta consigna also. Alta consign in the in the time of his ex-maner

in the Pace Descance that he was exigia much. We used to the limit

us pression so much to get what he had in the mind that that that's

that mind creative or that's the of the time of to try to turn

to have you ask to have results and then the contact no, that needs

you as a director because the artist you know, you know this in the video

and cobram to the berg, what you know I'm there's you know you can't

you can't what you those contactos unfortunately in the years

you're doing relations and and then and then you do you

know you can say that for example the day that me rented in the

car to go to go to to go to Michigan. This, well, I, you,

I'm in the where do you, fullano, fulano, and the captains that they're they're

they're to get them to get them to get a person who them to get to us. Because,

of those know, no, one, you know, one, think in rents of the

things, but it's to be a business, no, there are there's those

they're to send for, for, for, for, they're, a,

so, a, in a In a moment. In calient, yes. I'm, I'm going to

get the gaiosum for that they're to gollent to go ahead. Yes, they're going to be going to be

those, I'm going to because, for example, with the pure way, they'd have paid a video, if

they'd have been done here in Guadalachar. How could have costed of that man?

I think so I think so they're costed those... 500,000? No, like,

one 100, 100, $1, yeah, in an instant. Well, to fly to to

six people that we've and give a one of a year a

fairia to let's soot but when there no peter oh,

oh, oh, so you know one of one of you know is that

I can tell you but one one of a person that was

a person to get to come to come and the grand plazes

and they're and they're to get camis and And Sergio always he liked

could be what he was the he's there's many people but always

had to try a good a good to say to say to say to say

to say a radio never never seen to a interview to a

a play that a person malvesty always always always

always a car and a a carmisa and I made a

a and goth, 10 camisas that's, that's the for the video, that's the

one of the person that's I'm not, I'm I'm don't, I'm

I'm a what was the position real there, but I said, what I'm

saying, he's been car, car, they gotrown and he got him and he

got he the what's what the price I'm my friend,

you know, you know, you know, you know, you know, when you're It's not really

but when there's even even even to do you do this I'm very

things. The artist when you know, the artiste when he's catima because

it's a benefit because at the final of the day, or that's the idea

to recover to know. I've seen how have configured to get a different cities and I've

they've they're they're much from the planation the realization

and yeah planch all the project and to leave it as a whole

you know, you're that's that's you're in a responsibility very good

but at when you know, when you're when you get to get to get to

get to fos, it's not a bit of a video, a video a video so basic

a location four or five hours. You have the equipment necessary for that video or

you have to rent it you? When are videos when are videos we're doing more simple and single

short, a little time, a little illumination and we have the equipment

to do and I have people and I pay the day I'm my

my so my so is not only my my person is

my we're we're we're we're we're more we we're

because of the wife because we've worked together we've done we've we've got to little more

more than I doing I'm he's uny with me some years but basically he and I'm

basically he has done a career together he's the he's the we're the production

director of photography because he's the he's the he's the camera, so Maria

Garcia. And he he he a, like your kit basic. You can

get to the garra, your kit of super-spervivency. We have to do a video with certain conditions.

You know, you know, put the location, and you're in, in a artist, yes. or of you I have

many years using red the red the red the red dragon the 6K that camera

that's a camera, although it's a in this a model so that's a model a year and that's

that's cameras and it's that's important a important a ching a illumination and the lens. The lens. The lens. We use

this, it's a series of, it's a series of Shin, that they're saying shin, but it's of the Mark Rokinan. They're PL, are lenses cinematographic. But when we're like a much, more, this, more, let's, we're going, we're, we're, we're,

rentamos lentes. We're we're here here in Guadalajar. Almost all in Guadalajar. Or, you want a look more, more modern, more new, more brilliant,

more, the camera you do do it, but these are some these are the lenses more

than this is those are you know, there's sets of lents that cost what is

five cameras. Well, it's they say, no, that it important a bit more

the lens than the camera. Yes. Yes. You can, actually with the

technology of now, you can have a Sony FX-3 but you put a lens

of, no $200,000 and you do you know, and you're a little. And, and well,

obviously illumination for that's, recently recently, they've really, the creator,

I think is the, like, it's like, it's like, to see, fiction, uh,

he, he's, he's a thing's a little, and they they're, they're,

they're, the camera, the, the FX, the Sony, FX, three, or one of

But it was a Sony, a Sony, a lot of In how much about that camera more than that the FX3 not should be

to superar the $5,000 I know, the price but not not is very good, but it's

100,000 but equipped I'm being armed, yeah, with lends and all with all.

So, uh, yeah, with a, uh, they used that camera obviously

with optica of cinema, with the light, and they're and they're and they're in the

movie $80 million of dollars because for a a movie is

a little. Because if you compare with an Avengers or things like that cost $300

million, 400 million of dollars, then it there's there there are there people

there are that they do much. And I, for example, now that I think

it's like all it's like in the work no, it's going

going in the music, they're coming people are more

artists more and And all bring ideas new, they're ideas fresh.

There are many, many, many, video creators that I am really much,

and are young, they're 20 years than you, they're going to five years

and they're doing things wonderful, no? This, for example, at me it took,

when I work with a group firm, at a little time, this,

you know, you're, you're, you're talking, you're talking about to talk to be

about it I mean, how many things not pass so rapidly in this business? I used a pair of

videos to them. One of the videos that most visits in YouTube is one that I did,

no, it's the most, no, the most the most visits videos officials.

And at little time, they're they, they've got or contracted to man Parra,

that is the director of them, that actually in the office of them, and

he's it's because it's a really talentos because he he's a work he's

doing the work he's there's people who are coming coming that's doing things things with

little people but that he's able but you can't you can't you know but if you know,

you know, some of the sometimes me said you just that with a cellular yeah

to me to give a iPhone 15 and I do a little no no no

no matter it. I'm with the video was the video was the group

of the most best of the most I'm the most I'm doing. I'm sorry. I'm sorry. I'm not. The number of the stories. The number of the world in the best part of your piece. Because it's different to work in videos I think that's

more in a necessity to suplier the immediatee of the content. It's for doing the more rapid

Yes. The video in the video in the musicals simple, that just they're on a

location beautiful, although it illumines very well and you have been and you

know, it's not a can't be a one a can't a video in-

real, you know, you know, almost all the videos that is doing group

Frontera. I never I've worked with a frontier but are they're trying on someone more in a place but I think

they're replicating that formula that has functioned. A the people he's got getting to obviously.

But I think in the case of them, as much in others, is more important the music than the video.

Yes, because we're, we're, we're honest in something. The, the job

of us as the video not is the most important in the exit of

a song. The success of a The 90% is the And the other day is All the other day is All right Because you know

There are There are And then And then it was And then And he went And it was a That's the

The same Of course of The Vassau That I was In the voice In the voice of Karin Leon That was part

It was a vocalist Of another group I don't record And he was Audeau And it was And it was And it was

And it was And it was Lupio Rivier a Herman Montero. A lot of A Bola of people.

Exactly. And it's a temonoron. No, the song for si only has gave much

many blessings to all. For example, here you see the set of the podcast. This role is very

disechable, no, the podcast one or another's other. But in us,

as you as you see, what, what, you know, you know, we?

No, we don't we don't we don't have some cameras too that's

perrona, no, that they have a lens of 50 millimeters, and we have the grabator

of voice and that's, but as as you see it in illumination, how you know you

have seen materials that are visually that visually see very, and I

think that many many times, I'm, I'm, I'm not it's much to be

what the team has, but how you can accommodate. No? This

also it's that's the juice to get the juice to the space.

There's there are spaces that don't do for much or that simply have that

you need that you this space is that's you get to the installations

and you don't you're to find a place that that's

so that a nice that the light diffus

a me an element that you're going to to help always not to have the light

and it's maybe a lamparita for there to have a value to have a lot of

the light of the light of the other, that's a good light that's you need

another element here, and so that the personage the personage the little bit of

a little a little more of a a one more a more

one more that they're in this these same? Yes, because

for example, this lampra what is that's doing is that me is that I'm

in the light and this is a you know, so that's that you do but the ideal is

that you have a fount of the light, the other the other of the other crossad

although it's on this side. And also also and I'm still

still. I, I, I have provable that I could say,

is that right not you is to say, how I see until that I'm even

I'm in the camera, because only there's a I'm saying, oh, okay, I'm I'm so you

see to be to you, then you can't you know, but I like much the effect that the effect

Rembranden, we know, that you know, that you have a good light here, here,

but it's a form here like a thing, and the other thing so that's that's correct.

A Rembrand is correct, photographically. So, we're, we're a, we're a, a,

we're, no, And to me I think that they're using their tools

very yeah yeah so, you know, you know, you know, you know,

what's in, how it's in product final, yeah in the reds, and say,

oh, yeah, that's, oh, there's there's many things cars,

no, but in in the illumination these are very basic. Yes. But all

depends how did you do you do you know, I think it's like all, so,

if you're music and you talk the accordion and you're very

good for the accordion, the one, the one a hanner, a gavanelie, a little and you're a per

for the accordion you're going to get a not. And you're to do you do that instrument.

But if you know you know, the you can't you're going to not a song.

Any a mal experience that you have in a little in a video

that came out of people and cagand the psalo or gogner

hey, hey, no they can grab here vote to the

verga. No, not so, but I've many memories

of bad experiences that were to the recording or the or the

translado of the production. In some occasion we asked

Banda the Banda the Banda the times in Kuliacan. Inc., there

he did Northean. They were various videos I think they were

like two or three videos in different locations. So, then you know I know

Kuliacan but not so Kuliacan I don't know where you can't where you can't and you

go to and we're going to they're they've contracted a location that is

a salon of Fiestas and at that's that Rumb to Kuliacan not you see to say

to say to say to say or where they're but I see. But there are many places for doing. We're doing

all the world went to do go backerick and we're back and there's a break of the terracery and he said the

man of the people, upurel to get some because it's doing the time. Yeah,

well, yeah, we're not, we don't know we don't know so I'm not I'm sorry and then

it's a day the time. Then we we're doing and we and we we're talking a retent

of the but you those are well, I'm like the people are because not

it was marina it said the army said, they're they're many questions passen

the muchches all well we're going we're we're going we're we're

and no I'm at less of 500 meters there there's that's that's so said

Marina Marina Mexico and And all, those, all super-equiped those,

so, you know, you know, you know, in that that's the moment, that those,

that were, they were doing your and the and the and the person, it's an

operative, so, then, well, they're not , they're not ,

they're not, in what we can't serve? And we need to, the first to ask,

who's the, who is the, who is the, who is the, who is the, that

cargo. Well, I'm the director of the video, no? I'm here you're talking to another of Acapulco. This, and we're, you know, because we're just

two camionettes, almost always, where it's, where comes all the lights, that's a, almost all the light,

is a panel grand, a light, a black, and a band, a lot of people, and

all those vestiges of black, because when does this video, you have to do you,

you have to have to be able to the vaso, in the lenses of the cantante, in the crystal. So, then you have to

go to get in the image that's to be in the camera and then, so no. So,

then we're not, they, who is the who is the who is the person, I'm,

I'm back. Well, me pere that I'm those stuff on the cover, and you

yeah in that I'm saying, they're asking to all people, then then they're to do those,

put those those, put those my things, then me dig and me

revisited and they're the same questions and you think you think you think it

because they're doing their work and you see that not they're not they're

not quite people people people they're specialised exactly exactly

from the uniform the armas that portan the language that they use the

well not it's the well you know the best the those are

they're so they're they're they're they're they're they're

You're seeing the car and they're doing the questions like, blah, blah, blah, well, we've been

they're in the carmett, then they're in the carmennet then they're to see, the lights, the camera,

the equipment, and then, and then, they're all the questions, ta, you're, you're,

you're, all, all, all, so, then, then, you're all,

I'm, to do you're to be a class, in the Mazzal in the Mazzal inla, but they're

doing a lot of Rue Nigma Norteo, that is from here, then you'll give all the explanation.

Well, let us go ahead and see and the cheshchus and you yeah when we were

up up to get to me, then they're going to come in the fiesta. And he he said to

to be to be my party, we I said you we're just we're just we're

in a scene of a a party in an open party. But I said I don't we didn't

so much that for that they know that they can they can't And, um, and,

and, and, and the whole whole world was a sketch of the chavo and he's a band

a, pop, pop, pop, pop, pop, oh, well,

there's a place here there's a music, all of the music, all the, and, uh,

goyce, muchaches, that's, well, well, with permission, then they're, so they're

just, they'd that someone would be to the Fiesta. Culiacan, no you know

and we did acapulco but there was the police federal, years before. But that day the manager

of the group was a homer in that was I'm a homer and a suburb. So, so, chachos,

go-nos to the hotel and in one of the vehicles, live the artiste. And the officeine,

the photographers that were from the people of the press, and they were a, we're in middle,

but not it's because they're in the order to we're doing, we're

all in the time. It's all the morning for the streets of the

main, in this then was the president Calderon and there was a reunion

of security in the city. So, all the police federal was in

alerted because they had the operative of the president

because we're not And so, like, who's the who's the end up

no? Well, I mean, what's the question, cause you're the director of the video

and you're not going to say that some of them some of them there's well,

no, no, I don't, I think, but, but, but, so,

you try to, to, you're, to get the temper because if you're

nervous, then you can be better, no, no, and say, and say,

the the fact, I'm a product of videos, I'm a contract to a fulano

of a and a , tal, tal, tal, that's a

effective. If you have they're to do it and I'm with, no,

because, you know, so, no don't know, so, so I'm, I'm

to do to do to the chas to pay us to pay us in the

hotel. X. This, well, well, well, to be, abran

in the car and they're in the The bunches put the bocina in that

then we used a voice a ball internal, but I'd a little a memory where you you're

you're in you're in the realtut, that the pure targetta a carnet, a song that's

a song you're doing, play, let me need, let me see the bocine and in the goal,

it's come from a the one meter to be and in the goal to and the the music

takataka, taka, taka, taka, taka, I don't know what they thought a pair

of elements that were there were that they had had these, the rifles the arms

large, and they they're they're they're they're they're they're

and in that the maquisista is a make yourself and she when they,

we've said backen all, for that they're in the carererer and we

we're saying, all? All? Bacher all. Imagineate the

tripies, the luses, all the Dolly, no, well, those who were, those who were,

so the men were, they're in the thing they're to do you, no, I'm going to hear that the

people, I'm going to get that the carraining, by the other door of the panel, this,

the things of the makellation, and the car is the assuptal the marquisites, it's assupta the thing,

no, he's just, they're in the maquiates, it's That was that was a sketch of the Risa in vacations. So, then desmadre,

the, the, the, the, the, people, they were, they were in the

situation, yeah, muchachers, recollectes, relax, recogens their , re-cagoy, they're going to,

you know, then. The, the net, I can imagine all that and bitch and bitch and then,

then, then, you, you're, you're, you're, and, and really,

really, so, they're to be preparing for all that's because in the

videos it can pass to all. Imagine so imagine not much. A

not much here in Guadahara was a scene for a video of the

video of the and where there were elements of and the same

elements as they were those the same actors that were those

I'm I'm when I do you do you do something they're like

they're they're so I'm that they're and that they can port to bring a arm,

so that they do that they're doing so we're so we're a ball of the pelas

the best we're in all this all this all this there's a house specialised in rents

for a lot of in Gualajara is doing many shows and there's you can't you can't

you can't you know for the reign isabel a tronon you can't you can't a uniform

military casco and all goles all the the group, it's to put

to put in the prohibitive the pass, of the marillas, and you know in the

when it's when it's to do the ministeriales to do you to do you put them, they're like

cartoncitos on the piece. We put them the cartonsit with the piece and the ambulance

to the front. So, the ambulance to the phone. All the cartoncito.

I got to two chachosos of the people who tried that I tried that had before

during the COVID, but that was the pandemic. Pocene with the group

and the group can't back on the room with the light of a lot of a car

abandoned. just in the different people who are incredible the scene. and the I was like a car. What was

And he He was He was They were Like, I conted Four vehicles of the

hombies of military And then They were They were coming Camin' Others

They were And they They're The Lone The Lone Never Those I'm

I'm saying So, So, You're saying, Soren, You're They're They're

there's a quartel close there's like super-educated who's the encargated of this

have been permission to grab here what they're doing pa pap pap pap and I

said unfortunately not they're when we're because you have to give

explanations I you're to say in this you're you're you're

you locations vestuario but there There are the time the time

of production don't do you do you and a I'm I'm going to I'm

to try to bring arms to figure out I'm I think I'm there's a process but if

is a thing that you're to five minutes and you they're to do

to do you know so you do you so so in this video

for example the advantage are reporteros that are report

a actual a and they are they're Portoara,

they're playing the song and we're seeing the scene. So, this, from the air

and from the air and from so, so, so, so, oh,

no, you know, you know, you know, you know, not the unfortunately, thank you

never has never has nothing, but so are, like, because this to do,

the job in- -in- -a- - -a- - -a-

- - -? You've, never a- - interest.

The way in this the time you know this work, you're doing this you're

a new thing, is a work titanica that you have to do you have years of preparation,

prepare the film, from it, because pre-producure to do your actors, it's a

process very long, and as I'm like I'm I need to eat to do a

pre-production and then I mean generally nobody will come to say, ah,

make a make a a movie no, no? No, no, it's more

difficult, not, the preparation? There's some there's some of the people

do we going to ask to a question to a a good,

a for the time? For the artist or for who for the

person? For the for the people? For the those detas to be those

we're we're those who we're they're that the that's there's a

there's much reason in that you know, you know, the real reason for the

person for the artist you're asking that it's a quite sometimes

is because in your mind there's there's a reason creative with

with fundaments that he has to take to make decisions that

are even of surprise and that at the end of me has given me has had given the story to know that I'm going to

me they're for something that's really valial the pain to do you and then you're

so. So for those who are in the cameras patience, patience learn to know,

not only is to give to the camera and not you think you you're you're

the I can say today for today that there there is people

much more talented than you. and more younger and more younger than I that is more talented than I

that's more more projects, but also there's people that have people who have many people and so

do things so much that I do do in the video musical if I me I'm

I'm I've to know a director that is goodiss it's an eminence

has has been I've done and it has been and the

other video I no me I don't those

two videos I've looked and I've seen that's a showias of

videos, no. I mean, I think we're we're I think

that now in this time, is being demonstrated that

all those that we're we're we have been to

do to do the business because we're we

all the managers, the companies, the gyras, all those that we

have been around of this business, we've contributed to that the people in

the international not different. Why? Because we have good tools of people with talent,

persons educated, that's that they're to try to each in their job.

And that has made to a company, pardon, a, a,

a, a, a, a, a, an industry, an industry that has

grown at the level of what we're doing now. And I think is the beginning of many people

that's because you say, ah, the people of the people of the say, oh,

I'm going to see the video of a fuladito and that's never I've never ever

that's because they're with quality and with people and people of experience.

So, cransela that if they're that if they're to get to get to

things And for the artists, I just I only have words of for all those because each one of

those who have confiated in that I have done even to the malapag me have done much

apprenticeship. I've learned much of those people that you can give the confidence and

they're they're they're they're to do you do it. is to

is to thank you. And not you can't clear, you know, you're, you're your favorite or your or your

consentied, because obviously there's lots of there's notos there's going to there with the time, something,

you're doing, I always I say, that no, there's no there's any there's in this business, but

yeah, so, so, so, so, yeah, evidently but you,

but you can you, you can't, you, better relations with one than one's than other.

There are others that are they're doing, they're doing super well, they're doing and they're

to do you know they're to do you. But there to do you have to make the other than

areas that are you don't, that you can't get to eat to with you

and you're with, and you're with, with some an artist that you have to

have talked to work of the gender urban. Well, now they're

very of the you still favorite of the regional no I

have done I've done done I've done done but but but not

of people so that I know a no don't know no

no no Maluma James Valvin no and and many

of those projects I I know that they're that they're

to directors young for the artist no I

I go, it's like, when me, when me when I came when I'm my, when I'm

my name of my when I'm my guy's Films and in Twitter now, Aurax, also Gaiosso Films. Something that's

something. Well, nothing, I've been with all you're doing charles like these,

you're doing, like, recapitular tantas things, you, it, you know,

to, you know, to be able to, we're many years working on this, we've

been experiences of all type, good, and all this I've talked much

of those adventures but you can say that there many artists that we have done

many satisfactions and this work the most that has is to be

to share with people very talented and you talk to

I'm to say that I have been working with people like

Sergio Bega, Valentine Julio Preciado, Limit, Bronco, Tucanes of Tijuana, Julio Alvarez,

Alfredo Livas, Banda, the Sebas and the Inquietos of the North and the and they're many little bit

many times. But these is almost of 25 years of career and trajectory us has led to

a little more of 2,000 videos. And it and it and it a presumption but

well, if the I'm done in that we're not we're the best of

this is those experiences of life because I think that the life is a career

to enjoy the year to get to get a matter. I know I'm not I'm

doing a yeah. There's people who can't be for for for

for care being in the life and a sometimes not you

don't do it not to do you for you so you're so you

be doing what you do it's in a whatever moment it's no

yeah and is that this is a is a little how people not

you know, and I'm not, or I know, I don't have my

parents, yeah, I don't have one of my brothers, for example. And,

and, and a a lot, my dad, was, I was, he had, always a

pair of the people, his kids were to come, and he didn't

he was we, we're we're we're we, well, we're

well, well, I'm he was the he, he and never

could use those sapos. And he were some those very-s that he bought for the

for the daughter of his children. I don't use. I don't or they had put to

for what he wanted. No, it was a good. And now, I try to to

get that my life. And it's something I recommend to the world. See,

they're to do you to get to their possibilities because there's people that we have

a kawama and some have you the other day you said the other day you

Disfrutalus. At the other day you can't be a restaurant and eat a corner and eat a drink on.

And if for the other day of the other day of regress, you know, to the tachito

of frioles, and I am very I've enjoyed. I've I've said that I

have come in the best restaurants of the people and I have eaten

in the ranches more humiliation that you can't imagine frioles

with the artists and those have have I think a more

the frioles than the restaurant ching. Me, I can't imagine. Fiat. It's a

good experience. But more more in the ranchito there. Yes. Between

the animals, the gaiinita, eggito fresh, this. Quality. Quality, yeah.

Time, oxygen. This, there, every minute that's, you know, you canstas

to start working there. That's to be to be to go. You mojas. that you,

that's the caca of the cabo. No? That's, that's, that's that's, and I envied much that to the people, I've seen, in all the ranches

of the country, so, but I can't say that the people in the Zinloa, those who are in the ranchos,

I can, I'd rather to say that's one of the people more people that's the people,

because, they're they're in a way way beautiful. And they're they, all? All?

All? All, they're If you want vegetables fresh, there's a pancela

and if in the lot too, water, there's a water, there's a bit of the

fishadito fresh of the of the can there. There's a lot of people who

they're in those rios, natando in those rachos in those ranches running there,

that if they're going to go to where they're to study to Culeacan or that they're

they're pyrrissimus. Animum Migaiosu God's thank you thank you thank you.

Thank you. Thank you. Thank you. of the time of us as the mafia and the

super million-as I'm at the hirney, salo for all people, blessings. Today was a podcast a little more

different, I'm sure that you've got that you're and then if you want to get to a good

to get a guyos also, also is well that's going to be getting to be there

to be good, and my gaiosos where? In the n'n the loo of the lobo, they're

in the pure cullito or How do you say? No, I just, I just I just hear of the word. You have pegged the enguettasmo, for there?

I think so, no, I think it's all. You know, it's been, in some the moment of the life, I think you've got to.

No, that's fortunately no. Oh, that's fortunate, no, no, of the Halisco,

me has said, but they've in their past, oscuro, the borgas, just to get

in the nudo of the globe. Saluda, a bit bit said the vio, let me take the time

we're the time. water fresh my dad much thanks my carlos very

very good