LOS MAFIA PODCAST ⭐️ - Dany El Nise — Grabé toda la trayectoria de Tito Torbellino (Safari Films)

Episode Date: July 26, 2022

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Plevada, how are you? What's the time? What's the way? Plevada, we're very very grateful with all the

really that's, we're not quite to be very to be sure, if they're to make a car, to make a

but we're to come to get to to get to get to the time. Ah, we've got us

and we're about the thingah but we're we're here with the NICE the

the Safari Films Pleves a bit a bit that that's I know

I know the chambah one of the way is a bit can't-y-y- It's a big cabron,

well. Much of the invitation to your community that's, that's all the people who

that's that they can't be, no. Simon. Thank you for accept it, because

here the beneficiaries we're not we're not a net, well, a lot of because

is a very welcome here to the podcast of the mafia, you know, Play,

before initial with this podcast, I have to appreciate to the podcast. And one other thing

to say, but at maybe I'm going to say they're to get the little little a little bit more to see,

way. Three podcasts. We're going this three podcasts we're doing and so much to be able to get to be

and this and the other, if what you know what you know what's the chism me to get them to get

and the pincey gato let's get that he's that he's let me get to let me be to get

Oh, J-O-GATO, how the gaito? It's called, w'all-g-gat-a-h-h-h-h-h-h-h-h-h-h-h-h-h-h. Oh, yo, oh, yo! You know the hula, ching-a! It's a gaito-a-ggy-ro that we're uptas, and here he's-la-l, yeah, the arry. Oh, right. He's been there, bribed up.

There you've been seen. There's not... There's never, no, p'-a-law-lawed-law. Well, before I'm-in-s-a-fiel-old-us. the Safari Films, no other. If you're looking other

other duke, the fulano of the sutano that's, no mangano, no he's you know,

because he you're going to be going to you're this the bachto is the bachal. If you

can't you can't work, we, you'll have you've been to do. Well,

production musicals of artists of my initial. The first video that did was

the video that was the M. Ah, me to the Like, with a corn, de ch-o-o-o-o-as-cuck in the nook.

That's a story is a good. E, boy, yeah, the producer of the video. Oh, yeah, me got,

yeah, I'm just, the movement alterado. Of course. Yeah, yeah. The fact, was my

second video was that, was my third video, because the first was a song my, of rap.

I was rap. I was in the 2002 and the second video was of

a group called Colmio Simon. It was when he was Edd. Munoz

Munoz Nortein because Ed Munoz was a guy, so the Colmio me said, Oye,

Nice, we've seen your video of rap. You can't do you do a video? And I

not medicated to that I was because I'm in the school. So, I said, you know,

you know, you know, Simon, me I've been in that time I was working, I was

when I was studying to the university polarizing carros, I'd a new thing, a

So I got a $1,500 a $1,500 a month polarizing cars, and me said, you know, you know, you know, and I said,

I said, I'm going to have to be to be able to do that on the end. So I'm $1,500,

I'm going to cover three balls, and I'm not going to go to the time, I'm sorry,

I'm sorry, you know, I'm, amettettel, so, so, me, me said,

me, so I'm, so I said, so I did the video of Colmio Northean, and I, and I

I saw much before the videos of Snoop Dogg, of Dr. Dr. Reed, Ice Cube. I mean, I was much the hip-hop. Because the rap, you know, is more tarot-o, no? Hip-ed, it's more, it's more, more flavor. So, I saw the images, how did it in the Clos-O'Lub,

to Blin Blin, to the rins when brinked the pure yanta. I liked many of those details, the Clos-Up. So, I did the video, so, like, thinking in a video of rap, but in Norteo,

and they liked it much. much. The song was called A La Moda. That song

of Colmillo Norteau in the man, so I'm also, so it's that video

I'm seeing the Twins Culeacan in the Colmillo I'm what I'm Hey,

no, you can't you can't come to get a video to come I'm

my way, well, no me you're going to go to go to go to like you

to go to to another to do you I don't ever, and I put

a lot, and I put him so I'm so I'm so I'm like, I'm like I'm

I'm and the he said, he said this way, this way, did he do you he said,

he said, he said, man, man, binch you you're ponchaste meho. And he's

he said, well, he said, well, he said, but I'm saying, you know,

you know, you know, I'm going to docks, well, $700 dollars, I said,

I'm I'm going, Oh, venter, manna, loco. Tomorrow is a row of press of the 12 groups or 11 that can't in the rollita of Sanguerio. I don't know any what I was. And you,

vent, here you see? And yeah, well, I'm at the other day I'm going in an avion to Los Angeles with the camera so, you had a visa and all the rollo.

Yeah, I had visa of tourist and I'd and I'm a camera to cassette. Then I go, with the camera in the avion.

A-Virger. And I gave to an hotel that's called Mario and all very elegant and I was I'm in

like in Mexico that's that's you're just just being to all the other than all the

and I'm being over at and I'm that's they're going to and then Oscar Garcia

Garcia Garcia to the um to a chorro artist to get a bunch of

and they're all right on the parable in the parade and recarged just just just with

the maletta because I'm going the I went to the to the chambah, to try to the mallet and,

and assuptated, so, and so, you know, the other, one of the producers, one's the

one's called a bolfue, and other is called him and he's, he's, what, what's the

thing, what, what's the way, to go, we, to go, we,

to go, and he's, he, he's got to, in the lobby, we, and the hotel, and so,

and so, he's, is that, you never you're going to get to the group together,

it's the one you're going to have together wug, y'allate. I'm

my video rap, the that I did first in the university it's not a lot of a phone

black. So I remember I said I'm going to be like similar. In the entrance

there was two lones of the well, so I'm and the lones and I put it.

For the part of the black and I put it and I'm put it and I

put it front to a focus that was in the the house and I

you just you going to make a case. In that when I was

when I was when I was the commander me view like he said he's he way I you know

I'm not I think no, I think I'm going to be seen so you where you're not at

Masatlan I I think I think I'm I'm I'm because we're

we're he said it's it's like it's like my person because the

commande in those time in those still still still then

then I put the front of the front of a a focus to

a hotel. You just knowing or not knowing or not way?

And, well, I was I'm about the production or the production.

So I'm I'm did it I'm in my video. Okay. So, I

called first to come to because he's rhymed to say, Simon, and he. And he

put the role, and I put the role, and that's those that used to

the Nintendo's de the end up that that, ah, thank, oh,

and he's he's and then now, now, who, who, this,

boy, I was, I'll I'm to get a time, I'm, he's he's over

too, he's chingasos. Total, I'm all to do you, to do you put in the front of

a black. And in that, well, I'm to come to and I'm

to come that's a over. So, so, the over? The over. So,

I'm, I'm, I'm going, I'm I'm going to get this to edit it to do

and we put us to get to and it and it when they were all the

artists me and I'm a boy I'm sorry me me, I'm sorry

like being I'm sorry but for why? Like they said we know we we're for the video

official but they're a reporter or one or one well but then there

no there didn't be you thought they're a a metitche

no so then so well he got good yeah well

that's that was like that was like more than 10 million in that time YouTube that we're talking

about about about it. It was a million was a boom a palo boom, it was a song and

then at the first I was gonna do that the same and that's the same and that's

chorreable a cagadero so then then so where I went to where I'd

know to my first video viral or so my my first video

tendency that I had produced so a part of there me began

to talk that it was to go to a lot of Angeles to go to give

a after a new to the mafia new the commande the mafia new to the

men the commander is of the artist bellico that the when the people

when when when when when when started to

get to so they they're there I'm and I'm

the the of the same the No, I'm Cancey

To be Sanger Of course They're To do Do you? Yes So,

Yeah. So, I'm to produce a chorro of, of videos for them

for movement altered. And movement altered was a tendency Well, so the

Corrid was very with what I did so because I were rapers,

well, I'm so I'm and the Corrid always so much was

the hip-hop, I was, I got a moment that I saw the people, in the way to do you know, and I did it

and did this, like it's like it, but I said, it's not that also the visual has been much to be able to

the roados. It was like a tendency of, like, it's that the corridor is urban,

at the final to play, ranchero, but, no see. And, and a part of there,

then it was a tendency in a movement altered. and yeah in US I

I know a friend that I'm that's they're called the calliman me said Caliman

Yeah, me I'm saying me say I'm saying me say we go to I'm present to

an artist and I was there's a time that I was in so we were to we're in the camerino

and we an artist so very manmone so serious I'm what I'm what I'm

what I'm what I'm I'm how old how's like, I was, I'm gonna

yeah, he's a Dani of Safari films, and what on? And the artist that's me came down. We'll grab

a video a minute, me said, he goes, Simon, you'll give $1,500. I go back

$700. Oh, boy, the double. The double. The double, $1,500, and $30,000.

I was, I'm gonna $3,000 to the money. So, then Los Angeles and I said,

man, you'll be $1,000, $, oh, well, ah, and that the

artist was this was a Tito Torbellino. So, so, Story, you know, Tito Torbellino he was,

he knew, he'll know every, tomorrow, let's go, let's go, we're gonna a roma

romantic of him but he he said, I'm saying, I'm I'm still to the people of

every girl, I'm I'm still, and no he's video, through, videos,

all his videos, I so all his videos, I didn't, he's, he, he,

And that's interesting, boy. So he said, I'm saying, and the net, thinking to her, I'm sure, no, he's certain,

no, he's certain, no, he's not, he said, but commercial, he's got to with me,

he's got to with him. Even, no, no, I'm going to get a tito. I said, yeah,

there's, because battalia much with him, he had a character and I said, no,

you know, you have to give to and I, and I convinced and I came to say, way,

and then yeah, and then he, he went functioning with me so when when,

for example, to you do you do a little in your life? So,

so I'm so I did it the career of Tito and he gave things of the

devil that you the pales with Spinoza Paz and I always would be

to start in tendencies with with artists that were like they didn't say

not were new but they was they were the people in

that I got those levels and And, and me a day, hey, I'll

with Safari, yeah, I'm, we're talking the office of the band of the recode.

Pum, d'clock. Me, it, I, I, I, the,

I'm, the, the, the, then, then, so, we're,

we're, we're, we've done a video, because we did a video that did you

call him, the T'O' Murt, that can't, I, that they're in a cabo and that

I want to that's a way to that song so we're we're doing we're doing a little

to make to grab a record a little to do you a record so I'm so I'm

so I'm I'm going to do you're to get how I'm so I'll I'll be with a

man I'm with a camera little same is a it's grab with one of cassette

the the The San Guineas of the M1 was a camera cassette but in a gravation it wascomposed and I took

that she was when they were when they were and they got and came to and they're the cameras so I got one of

that's and no, it was like... In that time how did you costed that camera? That camera

I think was that was in 700 $700 $700 me do I remember

7D 7D So, brinked that camera and it was when I was called and I said an friend

oh, well, how can't I'm going to get to give him? Well, if you're

to do a production and that you can you can be able to you know manches.

Well, I'm going to because I'm going to do you because I'm to grab a group

so, no, and you know, well, you know, so you know, but you

say, you know, me said, yeah, say, tomorrow, then us a coin,

let us don't know, man, you know, I mean, it's like, when they're like,

when they're when they're nervous, like, it's a man, so I'm so,

I'm prepared, I, I'm prepared, I, well, the team,

that was the team, I'm, I'm, to, to, uh,

to try them to come to come to come to the music, and that was the

last song that was the recco, the recode with a jakey. It's called I,

I'm a little bit. They're like we're nottic because it's a way, way, and then you're like a lot of

a band that's a legend, or or that in some moment well, well, yeah, it's great, but in some

moment it was a band, but was the thing is the movement of the band back in the finaloa and it's

has been World So it was like a sentiment a chingon to be part of

a lot of a tendency but now a legend in question of the band one of the

one of the band the record and it was a song and me went

but you standing in Masatla in in Sinaloa so he

got the and me started to call Chulisarraga yeah the

great Pus Rous Coo L'A Zarrack then they know, you know,

we're a song for the Tucane of Tijuana. What? He's a video

that's called empin' the cod. Also, there was like, another. No,

me the way, so, and there was, like, they're the other

legend of the court, so, so, so, so, so,

so, group, agrupations chenones, that, boy, and the, man,

the, yeah, I think, they're, Yeah, I mean, like it was something that you said, and then another thing is interesting, that always thought that I would have

a year, I mean, you know, they'd have Safari, but, no-send, but, no-send, but, but, you know, that's the way, that was the way, that's the person. Safari, had by telephone, and you yeah, you got to the video, that's...

Berga, a morrillo, that's... No, ma'am, no. A'am, no. A'em'em, boy, and said, what? This is Safari. So, yeah,

before it was I just that I used to edit the Over then

then I then I then I'm another other other other other

other four we're we're little who's people they

they so so so so the name was

making so and and and and and they

and I came in the videos so when I took

in the United that I took to I

I learned and I know the cameras of cinema in the red, they were, and I read them were in the were made,

they were made so they were very lehanes. Yes, because no, it's, from $1,500 dollars to

$20,000 dollars, for me, yeah, $24,000, that was impossible to get them, it's impossible

for me. How'd you had to to work to do that, and then then you could get to

in these, no, no, I could, no, there, no, there,

of a project of a band here in in in Sinaloa and I said, you know, I'm going to

get to get a video, videos, to be able to get to get to I'm, I'm just that

I'm to buy me the camera, that's the camera, the camera you're ready to grab

you're in the camera, then you get the then the monitor, the pils, the

you're going to be transmisors and you armes a monster, then So, well, total,

I bought the Cerebrough. And I got to bring the Masatlan, yeah with some lenses in the middle that there's a high-of-

and she were in the office of the band MES that I had that I'm in the so I said

we're going to grab a video and we want to rent to the camera. So, well,

I go to go to go back with them to do this to do, but also to domas

and start in the production. And that roll was the color of your eyes. It was the first time is

the color of your eyes. So, then I took to collaborate with them in this production.

And it was the first that I'm the camera of the camera of cinema. It was like

the fatada, but. And you were the first in having it in Masatlan,

way. It's was the first in a camera of a camera of a

camera of you know, before you we're we, I'm talking we,

he said that a rumor, no, a mitote or something, that,

they said that Safari Films was a band MS, the team of the work and all that role

I don't see if have been the only people many people I think well I

think that maybe it was a confusion because I don't if it was the first

that I was the first I'm I'm a camera of it's a company was a

company was a company because it's like they're the recode or was it was a rolloing

So, so, at the most maybe they've been with them because I'm in color of your eyes.

And, maybe he's thought the people that Safari was part of what is now about

but in it's it was a collaboration. But in I'm I'm I'm

I'm when I started was when I did it was the Colmio Northe

How many you're doing doing? Ah, of 2010 for here are 12,

12 years yeah 12 years. Yeah, yeah 12 years done dundle

And how you How's, you know, your first camera, how was that you're, you're going to

see, you've been a video? No, look, for example, when I worked,

I was five years, that I had worked five years polarizing cars, he got,

I was studying to the communications at the way, no, but in that's, he,

he, I'm saying, you, we, I'm, I'm, and I'm impeached no

they're not paid and here the camera and the camera was the camera was the same

like the those people that's like you those skates that's and it's a Sony

XX1 so man so much an an parat a grand a grandesit so

so so I'm like you you know you know I'm you know some

I'm just I'm a little money every man my son I'm

ohripo I no I'm do let let's get

then So, fickete how was the thing I had a lot of a lot of

a lot of because I'm a little to put in the chabotel of the camera to offer me and when

I was to put in my tinder of polarisals the doha the doha

to the don't because me be a morrillo and they said no,

no, it was it was he was he was then I'm go to

the camera I always always always the I'm all those things I like in a

chorro so I bought the camera and it was when I had me

were the I'm like I'm so I'm in the video but before

of that I was I was music of rap of hip hop and

here in in Masatel we we're of the pioneers with

with other group that we started the movement

of hip hop from 2002 to two from two

two two two so then then I I had like the

the music but in the school I learned that was to get to the musical with the

visual and I just got more then I'm so I'm so I'm when I

started to grab a video but but it was in my general Mexican

but I but I got the visual I got the urban and the musical

of them the regional I got that has been my formula

that I've created like visual tendences uh, uh,

that the music is good but the visual has been good and I've joined those two things and have created a

final of you know, but when you do you know, but when you do a different, is when the idea, that, for example, we,

we, we, we, we, we do we, we do we, we do we, we're, we're doing

the, the, car, to grab, to, the, but the idea of the idea of

what we we're that we're in the video and that we're sitting and we're we're

there for the creativity way you're you occupies other people where there

right at the at the first I created all the concept and me

and I was I'm and I but but in these times

yeah like Safari Films as as are clients they're

not the clients but but its same trajectory to

it's a good product. So, all create the concept, if we're

doing the idea of the idea of the team of the team of

vestuario, in this case is Misi. It's the leader of the team of

art, that are those are the scenography. For example, this, it's a

example, this, put in a lot of, the make the the make the logistic, and depending of what

the video, but I want a team of four people, and I'm

the concept. You know, I'm going to do this. And, for example, there's a paleta

of colors, is a red, and then we don't we going to get, because that's

the palette, reggae, for example, the concept of the video. So, and the location,

who is, where is, this, and to all the team, then receive the information and also

they also they're and they're so, I'm, I'm, so, this,

the time tend to be so, because we're going to go to eight hours and the artist

only can go to be two two hours to the production. And every everyone apporta

a part to your experience. But in the concept, I think, so you see the concept.

You, you are the we're going to get there there. How? How? Well,

then you can't help. But I have to do you do this concept,

this result. And every one with your talent and what what I want

to do, me nutteren and it's a good product. It's a product. So,

then there department of illumination, the light also is all in the film. If you're

in the light, the light down, it makes that that they're that's that's a

light, or if wants to be it's light, the car, the two parts of the

car, the two parts of the part of the part of the part of the part of the way, the

the one, the one, the one, not you have done to grab a movie? Well,

in a certain time I'm going to get a movie. The Torbellino, yeah, the film, the movie.

The show, there's the trailers in YouTube, if they're never came never came completely.

Never said, we're, we're having a hour of the movie and we were still five scenes

that were with the actors perrones. Of course he participated the Chilis that's

the cario in Pablo in the series. Oh, it's Colombian and if

was it was that's being really chingona. In that's he felled and the movie was

inconclusive to get a job of a good billet and there was like a leader, then I'm

like a I'm the or I'm the manager or I'm the do you or the thing,

we're going to get a there's a factive that's there's a so no there

that person then all so it but in so in the working in the movie

me to know to know many Americanos that man can't people that

people that illuminate I mean my school was in the college I'm

I'm doing I'm trying to do you and I'm like you know I'm to say it's a little

music so you know to try it a person in a city of Mexico that's

in videos and he has illuminated the video that how it does it so it

can't do you do it we're to learn to learn to he's

because he he's to get to the money I don't know that I

know I saw this. So I've learned so I've done to be a bit of a bit of

stuff, you know, when you are in production you're in your own in my case I'm a director

in my case to be a area to you leader to leader every area so if me explain

it's like a restaurant if you you have an restaurant you haveres an restaurant

and you put the restaurant but no know the mecery, no

savers, bartender, no sails, no know, no, know, no, you know, only you're the own, you

have to be to be in the restaurant. You've got passed to be macerer, bartender, cocinero,

just in an area accountability, and you put your restaurant, and what will be going to you know,

you know, so you know, so when when you put you your restaurant, you're going to know

you're going to know, because you know, every area of the restaurant, no. So,

in video is the you have been to know to have been in all the

post to know your business and know your and know that yeah, yeah, the,

the, the, uh, me, it's a me has something complicated,

way. Imagine you, no, what is what is what will be what you

but lid to with one of the bands, uh, that's

that mother so me that's a man, if you know you know if you're like

an and the people like that's like that's like that's how do you how do you

how do you see when when I was coming the the grabations of the of the bands

not was not a one was a a artista uh a uh

a a bit of I guess I'm I'm I'm in the barbaco

in the music in the sonido in the caballies, in what there in the video, that in the same video. So, it was a festival. So, it was the video

to grab those two, three hours, and the other was a few years. So, so the music, yeah, being a service,

and so, not are, they're, not seem, so, and I think when I went to,

I'm, I'm going to grab an urban, now, so I was, what I'm going to

when I'm Pantoja, with J.D. Pantoha. There's when he said, come, I'm,

I want, I want, you want to come my career musical and I'm in my videos ah,

we're going to do you know, we're going to make fascina the L, the ball of him. I'm not going to be able to

help us and we're doing the music we're in the carter in my house when when she did that

when she did that and he got to do it and I started to make it to do you

and then when I'm going to I feel to I'm feeling like in my zone of

I'm doing what I'm visual and visual and and musical Well, you sent you like, well, I see

that I'm going this, it's the it's, it's, it's all it's, it's not, yeah,

the regional is very difficult, because not you do much, I mean, a one

one can't put to do do it to do for the thing, for the elegant,

and it's and you're and arms. And arms for the crossions. So, so,

not you do, not you do much space to do and the urban

you can do and the people it accept but the the band is

very zealosa it's very like it's a concept and if you put in vestures to the bandero

to the bandero yeah and the person and the person is the cochin is the

and as you're well because to your client you did you get to

bad so so so when I started when I did you

know with Kimberley I'm I'm to be my because yeah

it was also then he he he started he did it we did

we did we did that's called Kewke-Andama with the Kha with the Kahnterla is a It's a

lanka Oh man this world I'm at you're produced whew what you don't you

took it did you do you and then we're we're back we're back to come

and we're took to do you and I'm so it so when I'm I'm

my I'm doing what I'm doing going to yeah going to yeah

doing videos of artists that you see in the YouTube and you say, no, mame,

I mean, dude, I see, you know, yeah, when you guys when you're supposed to, you know, you're professional, not you're a groupie, that's, oh, yeah, oh, that's wrong. So, no. A little bit. Binhirrissa, boy, no, so.

Leigh, the matter, way, no, commit an error, because I'm going to tell something, is that I'm sorry, is that I'm gonna', is that a bit, man. We're gonna call out. No, no, no.

So, all, so, all right. But, uh, no. A de way, that we're that's we're with the

smocky, way. With your compa with your smoker? What's with my

thing? Saloito. The we went to we're we're to come to and a Tekeate.

When when we we we, we're we're we're we're we're

we're we're fipper and we we're we're we're we're we're

and the DJ so the first he what did when he when he's he was was that,

way, to pay him to pay him to get him. And you're going to say, he said, he, he,

he, the morrow. And is that he said, and he said, he said, and he said, he said,

and he, he said, he said, he said, he said, and he said, and he's not, oh, is that

they're saying, and that's, well, he said, how's, how's, he, and now,

for a person, he's, he, he, is, man, you've, w, you've,

w, I think he he called the attention, but he said, in serious, that, boy, well,

you know, they know the opportunity to know me, and then the opportunity to say, more, because that's, what you're doing is to get

a bad a lot of a lot of a lot of a bit, and they're, I mean, they're,

you know, think that the artist's going to be to be able to do it, but, but,

but, put, let's, put, don't, well, so, for example,

well, I've talked to work with many artists famous and many

people, many people or your friends, oh, receive me a friend of receive me

a salood. And I say, me, I'm like, the

house of the person is where he's where it and where is

out of cameras and I don't I'm I'm know the and I'm

to be to be to get to get a respect to that way

to invade a way. A web. A are the artists in fashas in their house, if you please a salute

not are in ariol, they're in or simply not are working and one no can get to give to

accommodate, to pay you to give me to tell you for your friend, for your man, that's, that's,

and it's me mom, a lot of to say you but it's no, well, but it's

can't do. So, in best of being to be, in I'm doing, because

you're going to feel like a star you're in a lot of the most probable is that you say, what I'm that you say,

what I'm like, well, you know, to say, me to be and I'm at and I'm at

and I'm to know, and I'm going to see, I'm that's the people, and the people say,

no, but I'm that's a fan and I know, but they're not at the attention

to all the people, imagine to all the people to say to all the people,

to say, like it's difficult. La cabron. The planet, so. And also, and the artist, because of those

space and a zone of a time to get to get to get to get to get to the benefit. One has the benefit of the

job to and then it and then you get to come to work. The video, way? So,

for example, you've got with Jay D. Pantoja, Kimberley-Loisa. Uh-huh. And what

were those were those that I've done? Me Fasina. The first was, oh, no,

the first was that he said, you know, I'm going to do a rle but to help a my primo.

So, me said, to help to help to help to help and he. and I'm, you know,

we said, we said, I'm fascina. Uh-huh. After me fascina, that we got to here in Masatlan. We went to Zayulita to

grab another song that's no, no, a podido, yeah. After that of that, I know

a new here in Masatlan that's Saludson, ohio, compa. He is director of

art, of the the best that I've known of art. And me And I'm

the ocean is from here in Masatlan but he went to get a city to Mexico

to work but he did the set of the song of Jay Balvin

with the with the with Nikki Jan. Oh, boy Duro, he did his sets

those that are in the video he's a set of Maluma with Jandel I'm

I can how I'm called the Rola but they're like some some

Rewerererer and I did no mame if Mazzette I mean, so

working with Maluma and me and me and he and he know I

know I'm in a project of Bande El Raco did a project

80 anniversaries and in that project was Sebastian Yatra Gerardo

Ortiz Yuri Timbirich a chorro artist Ramona Ayalah

And and we invited to grab the project that so so that

we're to Sebastian Yatra We took here in Masatalan. But there

I was Ocean. So when I knew the Ocean, he said, you know, I'm a

friend that is the name a J.D. and it would be a chido that

we could work with Jay Balvin and Sidi and he and he said, man, he said.

So, so it's when we did we for the for the for the song of

the J.D the Rost. Ah, the Rose with? Yeah, a Nana,

a, a na, so then So the sets, those did the Ocean Rodriguez. And there, and we,

we'll approach him to the other set for Kimberly, that was a song where Kimberly was a million, who jumped 10

million of viewers in YouTube. So, so also he did those sets of those, and I saw, I'm also,

then there was when I saw another part of the production for the art I, I mean, I said, no, manch,

so, it's super chingone in urban, to do art, illumination, equipment. And it was very chingon

that the videos, for example, of the JD were in millions of people. And people

that were not were of your ram of what you were in the regional. So, so I said,

the road regional, they're views, like the sanginaries of the M. One, that gave

more of 10 million, but they were, they were to get to get to 60

million, 80. And you said, no, well, your product,

that that get to millions of people, when, you, you motivate,

you're more to do more, you, you, for example, when, you started when you

started to $3,000, then? Uh-huh. Then you to, what? At $700. $700?

$700. $1,500. $1,500. Yeah, then, for example, the pure creation of CET

is, almost, the video is going to do, and it depends the client to what

I want, right, right, no, no, there's no, Not is that I see

all the money that's for me, no. If you no, if you get the money,

you know, it's all the equipment, the equipment, the equipment, so, has a cost in the

production, but not to say that that money is my, in their totality, uh,

right, yeah, so, it's, it's, it's, it's a thing,

and it's a product super super much professional. So, man. So, you know, you get to

those points where, where is much what what is much what's what's

It's for to get to do you I think I know I'm I know I know that much that's

they're doing the podcast to say but how how'd he cobara to J.D. Pantoja

and to the Kiddler and Lydellie if it's no, no, no actually, I'd say

in the Instagram and asked so how how you're about you but in the no you know

there's a cost of a cost of a summa for example, the rents the rent a, for example,

a forum, viaticos, pago of vestuary, pago of art, pago of this. It's different. The song to get to a concept,

and about that the concept, I'd say, the artist, I'd like this. Then, then you'd make the sum. So,

that's the thing, ah, well, it's a lot of to do you, to do you, to do you,

to pay a cabana for the 50 people that are, food for the 50 people. The artist wants that the

three sets are all we're doing we're doing so we're up so we're doing this so one

so you go to yeah, so it's and total every every single, every

person is different but yeah in Cid is distributed in many people in many people

so your people are in pure video so always that we're

so I'm so many so we're of pure video, that includes no more, the lights, cameras.

Cammar, vestuarial. Bestuarial? Caterin. Caterin, is? It's, is, it's,

of a food. Okay, so, so, I get a, like a food, so that all

a lot and cene and the and the grabation they're so, so,

so, so, so, so, so. So, so, so, so,

assistant camera, second assistant camera, then there's the end of an alambric operator of camera, director,

assistant, director, the team of artes are like four or five, the equipment is like the equipment,

is a vestuary and two assistants , makellage, peinado, so, so, I'm, me,

me, me, me, me, I'm surprised because to come to grab

a pinch video there with a a pincit a set, way. How do you do you

do you I think it's the cassette. Connected the camera to the computer. And in the program of Premier, importar video, and you'd have to play to the camera, and it was to start. Yeah, it's going to

in a single tier. Oh, you know, I was doing a single a little bit of it. But when they were videos official, then they're going to do you're just,

but they're just a way. A rebuoy, a rebu, a rebu, a really. But all of all I've learned,

fifte, that when I took to go to Colombia, the Colombians are very very good, are very in production.

Also, also Spaniolans I've seen, but in Colombia I saw how they're

and I'm quite, was a other school because they're saying, you know, you know,

and they're with what? And, in Mexico, I've seen that, for example, that they

came to Masatlan, they're four Argentin and they all the team of

Masatlan to talk to me, a much people, to be from the here in

Maseran that produces and we and we all they're those who are

those two, seven, three, as a month, I'm in those

people, and the people of Latin America try in concept and they're and they're making much

a lot of and it's rare that I know that I'm that I'm not so, why?

Why? Why? If the the same artists, say, no, I prefer

that I prefer I'm prefer that. I don't see, because right right as the

reggeton sonando much, they're they're fe of the producers of the

other, then those artists Mexican jala a productors of

Latin America that are good, but they they're to get in the formula of what they're

right soning. Sonando, so it's what's what's what's going to

I'm a family I'm I'm trying a tendency so I know, I'm working

with Kim, I'm I'm done for Mariel, palkea yeah we've done

we've done have done have very of this course this this video,

the video, they're doing, they're doing, that's the video, we know, we're doing a little to do,

to the Instagram, to the company, no, it was, it was, it's,

a, a man, she, a, man, a, a man, So, I don't

go to answer that because, because, I'm messages many people, because,

like, not a course, how do you? So, so I'm good, a lot,

I'm, we're going to do you, about, so, yeah, it's with a other

artist, no, me said, it was, and I'm , and I'm made a

question, the maquette, I'm going to do go, we're going to do something, and we're

going to call a JL, so, then you know, you know, you're all The attack of leoturas of Kuliacano.

You're of Kuliacas? Yes. So, yes, so, yes. We creamed a,

the theme about that that's in New York, and recreated a castle, and, when we

did it was with the addictive with Louis C. Conrique. So, here, we're doing

the podcast back down we're doing, and we did, we're doing, we're, we're doing

a set, so the band is rare, it's rare, all, in ranchos, in, in where

it's, but at the sets. So, we're going to get a set and we make a video.

So I saw that I was I was four millions of reproductions in Spotify, a rato

I was heard in all the and the and I keep thinking, my people and I

keep me we, we, we're doing in the thing, so we're so,

so, since after two years we're doing we're no

see if it's is my creativity or no see if it's also it's your work,

way. Your work is what it's what does it you know, you know, that is that one

that one that one you can't keep to be always, I see the I see the things like

I see the things like you know the one of the one of you know I'm just

if you come and you can't you can't how you do you do you of the new,

of the new, how I see, generations, because they're those who are the time in the campus and as well,

I'm, like I was, like I'm, I'm doing, I'm doing to keep, to keep, when I go,

when I go the COVID, what, what, it's virtual, I'm, we're, we're,

we're, we're, we're, to adapt to the virtual. I don't know what way it,

but it's, it's a change, and you you have to , you're just, in all

in the video, but if, if it's a circumstance, you have

to be the way to adaptate to it's a way, it's a situation to resolve,

but always always you always, you know, always, you know, I'm I'm

I'm I'm, that you're that not they're not they're any, and,

any, any, that pinchi form of, how can be, being, being,

so, with, so, with, of, to, so, to,

do, to, not learn of, other people, we. That's a

way, that way, that the people, that the people are in your head to think you're

to get a loco. Because you do you know, when, oh, that's chill

that the that's, he's, is, he's talking what I'm saying, oh,

yeah, man, it's true. It's right. And yeah. No, no. It's

to learn to the new generations and what they're to because is to

listen more than. Yeah, and I I'm a person also, for example, when I, for example,

if I'm, I'm going to do, I know, I know how it's, I see, I see, and I'm sorry, I'm going to like much to

do it, because if you do do you do, not you're going to receive to, other thing, it's to receive to other part.

No, you know, not always, it's not always, it's, it's, it's, it's, it's, it's,

it's, it's, it's, if you do, to do you to the life, if you're, to get to that's,

you get to where the less you Yeah, so always that I'm I'm not

I'm not but I'm but I'm always the things and the energy good and the other

where you're where you you're a you're saying that the God, the devil of the

Santa well no fiftate that I'm not I'm religious

but I think I'm credient like of the energy okay

so I don't to decide that God or or that

the Santa Merte or that the simply I think in the energy that there's an energy

good and energy mal. Okay. And I'm basso in that. No, I'm fanatize the more

with the religion but if there moments that I go, ah, help me God, help me God,

but I'm going more to the energy. And if you're like, you know, and so, so there's,

there's that you know, are situations, well, because this life is imperfect. Uh-huh. It's a,

we have, we're a life imperfect, not all the time is perfect, no, not they're create all

that's that's that's in Facebook in Instagram because the people only the people

only the people want to see those moments the moments perfect but the life is too

not all the you're not all the day you don't know so you me is impossible way

I think it's more the moments difficult way than the so so you

so so one you have to learn to learn to for that you

want to to be to so is like is the life,

like, as we're like we're getting, learning, learning of the errors or of the situations

that happen. So, this, I mean, more than that I think in the energies, in all that,

that's, that's, that's, that's, with what you think, and I'm and I'm

in a situation bad, no, you know, it's been that, it's

that's just, you know, so, you, you're, you're like, you, you're,

pedo, you know, and then it's a bit of and then you're able to get a

yeah, yeah, you're going, you're you're going to be able to do you and you

yeah, you know, and you and you and you start, how you to say,

well, do that way, pure of that way, pure of that that's that's, yeah,

let me a about, vacate of the thing, it's like a thing, is like a thing,

if you, you're, you're you're in is full no you have a bit

nothing but if all the days you're you're you're you're

you're you're you're to get to you give to that's that's

bad to be not that are not not things but

you're you're you're to you're to you do you

do you do you because because if if if you're being

to be sometimes if you're you're you're you always

you're you're going to negative to all the tromco I'm going to get into things, well,

for start thinking yesterday I'm did this I'm saying yesterday I'm so I'm said it

because I'm going to and it's more it's like when when someone when someone when a

day during 20 days because it's apesta and and nobody and it's

the so then the so the things they're the things that's the

that's that's all the doesn't it doesn't the The majority. Like,

like, sometimes you know, like you're, like you're in like to be able to do you know, and do you

get to get in things good, then you get, no manches. You, oh, that's what, that's a

very interesting, and, and, for example, much people get to get to get to get to the reds

and you, do in your social, way, mustra, you know, you know, or you're

transparent? I, I, in my Redes, I'm almost I'm

I'm not, I'm don't, I'm don't I'm know,

I'm my life, it's more I'm not I'm I'm my

show, I'm where I'm the production and the of the music,

uh right, we're to talk to that's so, so

so, so personal no I'm much, more more more

I'm music but in if there people people, so do they're

to what they're going to gymnasio and for a certain part I know I know that you know but I'm not

but you know that to know to know what you're in a little every day so can I

don't explain yeah yeah so like you know that's every dayer of four

gymnasio and to you know you have done you've done to do you guys if someone

I'm to do do you know what's you know those you're I've been

worked. For example, if we're going to eat the hamburgas and they're going,

we're going, and the hour and they're they're in the place. Okay, not when

they're in the place. Because they they're they know how, no see the

the people, or at the more have had been experiences, many, but they're

they're doing and coming, hey, we're coming, hey, we're we're going, and just standing

in other other they're doing, where they're But no, they're in the moment.

Oh, you know, that's good that good is, eh? No, no,

no, no, I'm considered a super famous, no influencer or but,

so, it's not so it's that's, yeah, the world, there's, there's,

there's, there's people, but there's very, really, so, so, so,

so, the question that's, yeah, you're, you're, you're a really,

I consider a person a person a person, I'm, I'm, I'm, In these moments,

no consider a person emotionally stable. And when you are stable emotional, you're happy,

you know, you're happy, but you do you know, insignificantes, for many that you love it.

So, well, more than that that's, when I started, when I was my mortification

was, like, for having, well, I was, to have a car, a car,

I'd, and, and, in on, when, like, with many

cars, that with good cars, and with good and I'm, and trying to be, because you,

if you, if you're, the, the, well, like, well, he was,

and, and, then, and you, like, he was, and you, one,

and one, because it's like, way, oh, way, how me, me,

me, me, I've, I've learned much, I've, I've learned much,

because I've learned that also those who have they're too, who, they're in

they're in, how? Well, with the simple of the that they can't see that

and they're alone, and so, and so, yeah, that's where, that's where you're,

Andy, verga, no, that you're that's the , that's, the chingon,

and you see, and at final of the mind you, you're, you know, you're,

and you're, and you're, you're, you're, so, to have a stability

economic, but at final of the interests of the people to the people are the

other yeah, yeah, not is pure more interest. Yeah, of the

fact, to give to give the man, so, so, so,

so, so, so, if I'm so, if I'm like, I'm

so, so you know, so I'm, I'm, an interview, me had a podcast, a parry.

So, you Yeah, you know you're trying to because I want to be and I'm trying to get

to get in the podcast, at the maybe. But you say, then then you present me

some luses and a cameraita and what you see. There are we're interchamying

interests so. It's very very are very interests but they're not really.

But the people just when the people just want to just, pite, pede, then.

So they're they're a person interested because no more want the interests of another

more but not not, no, not, no, not, no,

don't, so it's when the people, the people only, so much, for a

interest, for that the fact, or something, or, no, so, so the

people, I think, a time that they're only, they're only,

for the interest that there's there, there, there, there, there,

there, there, there, so, there, so, then, there,

then, there's so, and, not not so the material or

if you're rich, but not do you know, but what you do the life

to do the family, this, the stability emotional, to be a good at a good

to understand the why of many things. That all that do you know,

with the experience Yeah, bad, bad, and bad, and yeah

there's a moment that you want to you want, what is, that is

that is that is that's that's what happens. You know, right that you did you

think you did you think you have a video of a million of a million of pesos. Of a

million of pesos. Figgate that I have realized a a movie.

Uh-huh. A ago. We did a a movie for the concert

of Kim and the J.D. is the intro of his concerts. No

I don't to get we got we're we're rents a superlocation grand

and a bodegas contract them those that are those that they're stunts that's

that they're that they're that they're that are that are on the cars and that they're

cameras of cinema a group super great that me took to do to do

for what time of result uh were five were

like 20 minutes I think Okay. And, and if did, so,

but he got to get into, but I'm doing, I'm trying to always, to help the client,

then I'd be able to do that, I'd like, I'd, I'd, do you, I'm,

and at the final to come to do you do this, yeah, so, I mean,

I can, I, can't, cut them, because, well, well, well,

you know, no, no, no, it's, it's, it's, you know,

you know, it's, you know, we have a good product. So, I know there's videos I'm talking

on Colombia I've heard of there are videos of $60,000 dollars of J. Balvin and all they say

and so bad bonnie. No manche I said it's a dollar is a million 200. A million 200

in a video but in the they're I think if they do they they're recuperer

because it's a market a world because the world and artists like regional

also, it's, yeah, yeah, it's a a market that's a America

and also part of the world, but they're still, I think are super world,

like, the tally of the stuff, the rgeton so, the regetton, so it's

going, we're going to a pause, please, orita we're going to go to be a bit

pause. Paus. Plebada, we're going we're, here with my friend, Nise,

what's going to say, what's going to This, well, is the duke and producer

and all what you want to do my hoe of Safari Films. There, if you

want to my ap, alit to get a little melo because

it's that's that's they're on Instagram yeah, yeah yeah,

yeah, but way, yeah, to finish the role of the rio

your product guaranteed of this artist yeah world, you can

you can't you Group Firm. Firm. Beto Sierra, Santa Fe Clan, M. Sidabo,

that Edon Munoz. Yes. Of the Juan de Dios Pantoja, Kimberly Loisza. What more? You're going to make a list like to initial, the initial finarre.

First was Colmillo Northean, movement altered, that comes the commander, the whitres,

the R.M. They're the Nodes elegant Then, then was Tito Torvelyino. After Tito

Torvelyne, uh, he went to the recodo. Chulisarraga, Banda MS, the Tucane

of Tijuana. Uh, uh, here's, it's that I've produced muchimus uh,

J.D. Pantoja, Kimberley Loaiza. The group Firm I, I, the,

the theme with, with Betto Cere, the emC, uh, The addictive Are you

Arendtive I've been I've talked Produced Al Noreal Akea Who's Who's

Who's Who's So, so Some Mottottos. I'm gonna'clock. But I've talked to do you're a lot of people. But I've got to do you're a lot of expertise. Yeah, I mean, I studied since the communication,

but there were the bases, the theoretical, not in the cinema, in illumination, but only with that they're presteen the camera and I know the program of edition.

It was what I learned in the school, but all the other was I learned in the car. Well, yeah, here in Mexico, in the States, collaborating, in Colombia.

I've got a friend of the parceletit that's every time to Mexico, and he'll me help to grab the videos of my music. Okay.

I was in the 2002, To rapeer. 2002. Way. Look, look. Look, it's just that I got here

when I know I was a day before, of, to do, to do the podcast?

It was a Saturday. I was he said, the morrillo. Ah, well, the berga.

I don't know that here where we were in an where we're where it's where it's

around, that's it was what role with Safari, I said, I know, I know,

but me the present, and I, wow, wow, and we, and we're, we're in

we're in we, how many, you know, yeah, yeah, me, the information,

yeah, me, tripe- machin. Oh, well, that's, the planet,

comment there, how do you think you think this chabalon, at the final to do you want to to do you

to do a podcast. 2002, you've started to do, 2002, I'm,

I'm, I'm, I started to rapear. I heard, I mean, figgate that I, I,

I, I, I, I was in the Colonna that's called a lot of the

pantalones solo, those Ben Davies, the Ben Davies. The Ben Davy. The tennis, domba. Those,

those are my favorite, were. They were, those pantasone grandotets. The dickies. The dickies,

I said, all the, that were the , I'd say, with the pantalone me rapable the two

aretones and it's because all the morros of the barrio so they were and one was

going to the tendency but no see I always I've considered good, no,

the music in those times the only in Spanish that I know

was Saipers Hill Sympres Hill was Atwood not Acquit no Acquit is new

Cyper's he's talking was in the 2002 I mean, no, there were

many I'm much cantates in Spanish in the rath control machete control

machete I'm but also it was very barrio for me control machete

so so I when I did I did it I guess I'm like what

that's so things not not malas and goodas I'm

was my influence and my and my people they was

I'm got to control machete is hilly, that's that's the peop, but I

know that's the peop, but I'm going to beckosy, and then I'm so much it's a roger, the regenton.

One of one of a song of Wissin and Dell that says, A woman me question,

because I'm reggae. That was cover, I remember, in a project that me

invited, but it was a super rare. But, you know, that reggeton was, I said, no, that's that's a rarer. No, no, no, no, no, no, no, not for me.

Yeah, I, I think of it's a bit more, because it was rap, but Wicin andell, that rle, that rle, no, I said, no. I don't want to, total, for misoing, because we did it do a disc with band

of regetone with band in the 2000, I was talking, three, four, regetone with band, do you know, make that in those

times in those times in the discotheka no ponied regetton, and hip-hop nothing of that's more

you know, you know, to get to get to get to get to polo and and the

they're not to get to get up so, umbado and less put in a

rosa of that type then you and then so I'm my primo the CERO and the

Big Fuster I'm did you We did we did we're a group called a

that role, see how how it? No, we did we do with a group that's a little

style we're doing so I'm so I'm a little a piece that's a piece that's

so I'm so we're we're doing to make songs as a style call our

group and I'm Fuster the zero and the DJ and never to our

DJ so our so we're we're to make to do and the people

heard our discos and they were to our to-tok 200 people,

100 people were much for us. So, so it was the movement urban here in the

musichurt and the hip-hop and we started to invite to a school

of a school, that's the times were like fresas like. Like college.

And we were to be to the discotecas to can't and we were tumbled

and we were dumbed and I was a the music we'd

get to get to the places like we know the we're in the people who's they're in the

people who they're in so we're we're doing we're doing that's a little bit of the discleras

and nobody no-kissue and nobody no-kiss and there the project of us up over then

the Fustre went to study and to work to work to all the world that we It desistice,

stil the stil the stilohier I'm doing to do music I'm in

the university I'm a song that's we're to make a video. Okay. But

after there's that's in that in those years that I'm to produce

and in the 2010 I'm to produce and I know I know I'm

know, you know I'm a song I'm that I'm that's a other

video. I I want to keep me that spinita, well,

I mean, I mean, I've done done a little bit more than a little other thing. And I'm

doing a video, and I did a song, I remember, that's a new thing, the vallas

the vows to the gawamas, but, but the bannas are for the four-o-o-o-

-o-o- for the , but of a repent, I began to see, and the

morritas- frasasasas, that's their bays' their macken in the the man. I said,

well, this matter was for the barrage. And the fresona and they're in the bayena. It's a thing that's

a man that's a call out of a vienna that says, with the vallena in the man with the cabama in the

man, and we start, no we're nothing to do that it's a time, and for me it'd be

a pleasure. With a a little in the hand and we go back on the ballena in the

mano. Oh, you she went the roll that? They put in the The stadium of baseball, the venados,

all the sides. And I no, I didn't sing up, yet not did hip-hop, and not did rap, but I did for quit my spinnita, because I was a a producer chido. And I, you yeah had the team of video to

do to do, and I jade. Well, then in 2010, I started to do the video, and the video, you know, it was not made to make sure

because all the clients, thank you, and all the clients, and chambba, and at the end of the end of the music and I loved, and it was a little new,

and I was I'm And apart Relationate And, and I And I've learned much

of music So I've I'm much many professors For example I read a book That's called

Padre RICO Pover Turing Turing many Ricks So that me

They're that I'm about the music, of How invest I Yeah

To be To be To be To to grow to To grow to

to To So I I'm to To invest to invest to

In in my product. And I got to do a Safari. But now that Safari

is something that is something that is stable and that I'm a video every certain times for that the

videos to work that I'm here. I'm going to get to the music, the project of Daniel Nise

that's the Jeternerner Dian Nise. And I did a two years, no, it's a year eight

months, I'm I'm sure MK. I said, you know, I guess, you know, I'm this

thing, I'm I have the group of video and I'd like I'm at my time

and then he's got to do you do it we're doing we're that's it's like

the it was like and it no, it no didn't see what it's very

difficult this thing I said no I have the video I'm

who I'm taking photos who me make the music I'm do

do you do you do Spotify and I said it's all all

it's all right Pum, subbo the video, and no, mil views, and I don't go to the views

but I'm, that's a rancke that you, for example, Saka the Valleana. And in your case, no,

because you do you do the Italica and boom, it's going to viral, the rola, and you say,

that perr, Saca the vienna, it's got a and a and a business of platform? Without,

nothing, so, so, so, well, you're having all the I'm going to do with

and I'm and I'm I'm going to because there's more difficult. Yeah. So, for example,

there's more easy. And it's more easy to do people, and I'm doing to Kuliacan prefer to hear

to hear one of Columbia than a one of who's so I'm so I'm so, I mean,

the people of there's access to their artists of the Masatlan and now they're access to millions

of artists of Spain, of the States, the United, that's a matter, way, is very difficult

and every day are many artists all the people all the world all right so we're going to be the last one

because yeah before the the the the the

of moreas so they'd they're eight were and they're and now

eight they're musicians musicians or YouTubers or YouTubers or YouTubers influencers

so so there there there's there chambiando, well,

the net for all to all all the sun, and you know that the

the clueue is the clave the success, is the discipline and the perseverance. That's right. Who is

who's in, like the bottle that in the pyrrace to do you? After that is the ojo

so, is the, is the, is the, is the, is the, is the, there's a lot,

so, there's much people in the people, there's much, so,

he says, oh, he's the discipline. The is a little to the time.

The fact of the thing, the net not much they're they're doing, whoy, that they're

they're just, and they're not, they're not, they're not they're to be

doing to do, or and share, or, right, it's very important

to invest money. In the your business. In your business, in the

music, more than if you want, if you're doing you want to think you you thinks that

a YouTuber or That's what you're going to do, no. And it's just a bit of, yeah, it's, I'm going to be three podcasts in a day.

If you were another morrow, you were right in the, here in the Masatlan, you were there on pasting. A gusto. One, and there

I'm going to do. But it's discipline and the discipline is a habit. And if, if you don't have good habits, not you're going to

be successful never. You know, you have to have to be to be able to get a person or get to

just to simply not to get to Your objective, go. And it's, to apply. If you want to

the objective, apply it. If you want to try the web, a quacketon, or simply maintain,

or valer, verga, $100 $0. So, get it without discipline. It's like,

there's that I want to my business and I want to me want to be good, and they're

that in a year, and they're going to be a sufficient. It's like a,

a, a, a, a, a, a, a, a,

imagineate, 15 escalon, you have to up the 15 escalons to be able to get

a little in a year. But a most the success that's not the

one is of the one of just the first you're and you go to other

other other and if you get to you're going to never never you're in the

first you know to get to get to a no- so depending your

ambition so yeah and okay you're in the music. You've, you know,

how much time that you're back? In the 2010, you met this yeah to do you get into the production of

video and all that after the time, I'm a I'm a year, I'm a, I'm a, I'm a,

so, like, the 10 years, I'm going to the project Daniel Nise, well, I.

So, I'm with the for one and for two, and it was what I was the time to now

were, and as we're to be to adapt to. So what I did? You know, is that I need someone that's not

not a person to pay for an influencer of the key yeah, I'm the paro for the followers, no.

I need to a person that's that I'm that's so I'm a chava salutes to

Quinn, good-Rostro and I grabbed the Rose of the team Fenitz. They were

they're, they're, they're Kim Chantal Quinn Boen Rostro the Alets there's and there

are various are various are there total I said, Quinn, you know, you know, vent to mass

for that blogger's, I'm going to this is the role, this is the roll, I presented, he's like,

I'm, I'm, to model in my video, and vent to make you to make a blog,

and what you need to you need to you need to do you, we'll do you know, we're going to

do you do for you, perr, so, simon, like, as we've been,

we've been, in the video of the Rose, then he said, Simon, I'd I was a lot of my video

of a song that's called, She'll take, it was the second. And, well, total, I programmed us for that it was to get her and the net, I got the video,

and she set up the video, and she was a day I was 500,000 views. Oh, wow, there's a boy. There's what. I said,

I'm glad, yeah. Motivated. We're good, we're going to get to 45,000 views, difficult to get a million in a video. Super difficult.

So it was. It was thanks to her. Not was thanks to me. It was thanks that she me, it was like I

took the hand. And I got that me, that I saw that I know.

And also the was good. Because it was a song very good. So, the third video I said,

I'm going to try another other thing. I'm just another other way. But the

the next videos were it. It also it made so it made easy the

song. It was directed by the Ocean. The Ocean. You're doing a video of

my or Simone? Dicue the D.C. me did it's made easy. And it was very

good. It was very beautiful. But the accance was regular when

he was again. Because I did it and I did it. So, I know,

the whole has to do it's with a strategy. So, what I did?

The movement altered because I knew the commander. And

my the next role I said, I said, I said, I'll talk about the commander, I'm a role like a

so, so, and I'll also, I'm also, I'm also like, I'm would be able to do you, I'm also

like the regional also, me to make sure, I'm like, so we made a part of pesos with

the commander, that's that's of Kuliacar also, so I'm so, then I'm saying,

I'm here to do you call it to do, say, one to do, one to another to

another for my that's that was our interchamble. Well, total, we did the role and, he said, it's all right, because you have more,

you have more trajectory and you see more people and it's like a impulse. And if me went well with the collaboration of the commander, this, he was more impulse with Quinn because Quinn is more influencer, well, is more on YouTube.

And with the time of now? Yeah, it's more. It's more. It's more. So the commander me was very well, too. I said, the collaborations is what right is what is what's working the net,

me has been quite, I've done a friend of a man, he's called a man, he was in

recommendations of YouTube. I never in the life he had seen, but I said this bat

rapa cheed a man, he's a man, he had a video, organic, so of those

morros that are and they're on the can't in the can't and so, super organics.

What camera of cinema of the And the mother, that I use. Total, I said, I was contacted, I said, Cala, what on? And he said, Simon,

I'm going to go to my wife, vacations. All right, we'll be. We'll get him to grab. And, well, total, grab us two roles. One is, I'm who I'm,

who's a type of regional urban, and other is regetone, like, the play. And he said, I feel the regetone because in my

my channel I have pure tombado, but for the things very tumbled. I'm, and I mean, me did the roll a tubbaugh.

Total, I collaborated with and also, I've got very very well with the calico. So,

yeah, you know, that's so. Yeah, it's the one, yeah,

in my channel, there's, and I'm doing it, and I'm found that the, the collaborations,

is what is what is the, is the thing that much people is a rada,

way. It's because they're they're they're not they're they're

not they're in plebes. Of every when, there have to be equipment, and

have to know to have combined the flows because that's very important boy. I mean, I'm

really, I love more when two artists are when you know, imagineate. No, see,

I mean, my favorite, and then when they're hot, my dad. So, so,

so, so. So, we're not, we're not so much, we're just that,

God, wants to give, that, we're, to present, to come, to come,

to do, and a roleita me imagine. The quality of cinema, what you're Organic is organic

the video No, no I know I know The roll will be perr and organico is going to

do you know we have to make a producer Numbbe Callete the so and that

is a machine that's a man the yeah that what I

what I'm to say to the music what is what is what is what is

that yeah I'm I'm I'm I'm a MKai you that's

Kim Chantal Kim Chantala I mean was a bit super pesada Awwa fresh my dad I've

not made I'm gonna I'm yeah I'm and I'm I'm a video with Elvis

of Jongol that he's in the company of Space Music with with the Kim

also he he's so there I've learned to do and every and a song

and to collaborate with the RASA but also also I'm interchambi

I'm new because I'm new I've been from the music and standing in the music but I've

regressed a year of eight months I've learned that I've been to have to have been

so it's not it's never always you know is a business and it's relations

so much so much so I I've I've I've got a rola between

that's that's called with you know that's that's that's my

new that's my model so so I'm I'm

that the song that's me made that's me is it's I'm in

you know to work to work with a person who I'm I'm going I'm going

I'm so I'm so I'm yeah and apart to learn way to learn

of all of the artist because all the people try in your

experience yeah I'm I'm I'm imagine I'm I'm

I'm you're I'm and you're you're you you're

you you're you totally way and it's no me

ever I said the value of the video of the Italica $3,000 way. It took to

me to me get to $2,000 to the other way, and it's one of the one of the

we did like we did it. So, they did they're they're on

on on the simon. And we did we know, I'm on my

profile, that's the is the palo is the palo, hey, that's we're,

what's bad what's what's what's what's the thing, up it's a time,

in the verga. And, yeah, well, we, we, we, we,

we, we, p'all that way, yeah, that's back, that's

where it's where it's where. And it's that's that's that's that's

real, because when it's when it's that's when it's a person,

and a person, like, what, what is. How, he's, he's,

how they're they're they're doing, the other way, I, I did, I,

I'd do it did it the same. I'm why you're doing something?

That's the that's the thing. That's the is the gancho for them. And I'm

so it psychology, for example, imagineate there's a barrio and the barrio and the

man with a BMO super very well and it's a there's a rass in

the skin it. They're going to say, this baton not to this baton is

this baton's so in a bVVV super I've been changed what I did the race of the barrio?

No, I don't I mean know I'm in a video musical to a man who

sent to a gelator pisteating a one of the I'm in the badger yeah,

yeah, and there and there and there's like that's that's that's

so, yeah, so. So, so, then it's psychology or other

other thing I'm past, you, you, you're, and you're that's,

that's, that's, that's, that's, that's, that's But you see with a clickita

that's a morrow something that always is something that's kind of that's and in the videos it's the

same. If you do the videos musical is the same psychology always always comes

but if you always with a crew with a clika with a person

the people say that's this guy always always try clicka it's

good he's good he's he's and it and accept your product

to A-webo. So, so it's like a certain psychology organica, boy.

There's also, way, well, to know our public, to where we're

to do you to do you. Because, because, like you say, if you say a rola,

imagineate, way, um, for example, a night, I, I'm, and,

and a, musicita so very fresh way, and the net, pure frasada, whew,

people, so, people, so, music, we. Seriously. Here you're

going to put the Italica, my mother. But watcha, I'm going to get to that bar,

way, where I'm where there was hip-hop reggetton and like, there was there. There's a

in the fraser. That's the fraser, boy. It's the public, so, yeah,

and there's the way, and that's the clave, but, but no, they're, they're, they're,

they're doing, that's a public, and there's and there there's because they're that music?

Because they no, wait, the net and the people fresona, the people

of the money, yeah, for some they're in because they're because they're

not going to get in chas because I'm going to I'm going to I'm sure. I'm but that's

more than it's, it's, for a point, I've understood that's

more, but but as I'm getting years doing and doing

things produced, I mean to do me to do me to do you to

it's more it's more it's a little, the Ricky and a a little a little

he said, he said, he said, do you know, talk about with me and he's, I'm going to

grab the video, me and he's, I'm going to go to the video. I'm going to get, I

want to get to and I'm going to and when me to get them to do you,

I'm going and I'm no, but they're to ask to ask, oh, and how

you're the idea and how we come to and where we we're the

and what you do you I mean, oh, my. I mean, I said, I wanted to be organic, so,

that they're, that they're, I was, I was there I was, I was preest, but no, me to be a

, and then I did you know, to do you know, to do that the end of, he was a man, a man, a

little bit of a lot of a lot of me, I came up, a day before. And even Tomahs,

he put to to illuminate, and, and I, I, I, I'm, I'm, I'm,

I'm, I'm, I want to, I'm, that like, so like, like, like,

like, like, like, so like, I'm like, because, I know that know that's

your essence. Exactly. Exactly. And not I've could do, because my team of

a job produce, I produce, and I produce to a great artists that you know

to have videos produced, well, so, so, I mean, it's,

you get a million of a video, if nobody to be to be a exactly.

So, so, then to the I produce if they do it because if they're

Ben. But to us we're we're in a so we're in not quite.

No, no, no, we're not. No, better. Invertle in promotion.

And, and I'm and I want to do it's super organico, but

as I have the thing we don't to be to be to be to be

so, simply with the camera that I use and it's so

so much. A bitch cameraita that that's what's a

money. Well, I think with the lens you with the little

but but I've cared, for example, I've done it the last time and I said, I want to get a organic

and present me what you have. But I think yeah the people know, and I'm, I'm, I'm asking

and if me do you want to help to help and then but I'm to get to go to

go to go to but I think I think I want to I'm so super

organic because I am very so I'm know the because I'm the person that I'm

and in my music I'm not I'm just to make a music that's real after that's like to be able to

I'm not to do you right right away that's you're going to you're saying a language

a last words, oh that's yeah passate of berga that roland that rola me

yeah I know I know I'm going to let's let's let's see let's have a

thing passadito of lance w'erer It's that... It's... You were you're the

you're the talking. You're the... You're the He's the Smoky, he's a per cente

a little year. And I I'm I'm I'm... I'm... I'm...

I'm... I'm down super dolid. Dolidissimo. And I'm... And I'm... Like, like when

a gato so the... The loom like, so I'm... And so... And that that...

...it... ...to... ...to... ...to... ...s... to what is more a man

ideal, way. That feeling, way. Ah, yeah. So, so,

when you can't a can't do a can't a question, it's a more, not,

not it's not, it's more, there's there's many, but transmit, you know,

explain, I'm, Spinoza Paxe that's one of they're, Valentin, the,

this, the, the, the, the, the, the, the,

the, the, Tito, Torvino, not was a person affinada, affinada, total,

but they were transmittia for what he was, so the feeling has much to, he's a

chelegan, plebe, no, I don't, they know, they're that's quichy. How,

how, yeah, almost to finish, too, my, Nise. Nise,

Daniel, Nise. Yeah, I'm I'm a when, of this, how you,

how you in an artist a, with, with, with, five years, we.

So, you know, one year, eight months. To complete a five, how you

do you? Well, the net. As, how I'm see, I think, if I'm

going to, if I'm going to continue getting opportunities to the growth, because

all the work is a I'm a good, and I'm really the thing,

and I think going to get good opportunities because I've talked to the me

got to get good opportunities and you, I've been in my my

and I'm you're part of then. So, I'm to get good

supportiers and will get to a moment to get to get a

moment. But I imagine, I don't I'm, how I say,

the words? No, no, I mean, I don't I'm not in the

music so for the money and for the time to be

famous. I like to make a lot and I do. I mean, yeah,

yeah, yeah, I'm doing, to be a a lot of because it's something I'm doing 17 years,

16 years, I'm 36, I'm 36 for the good of the music. So, it's something

that's something and it's and I'm going to do like with discipline, and I

know going to get to things good, but I don't, because my ambition not is

the money, not be the money, or super-famous. But, but my vision is transmit with

with the music. It's that the people that's quite with that music that you do. Yeah, and the

projects and collaborate with people, add experience. It's in an scenario and that can't your can't

your music. Yeah, to add up to other projects. I like much to

work and to learn to to learn to learn. So, so my ambition is that I think

is, is to a, an artist a, an artiste, an artist like you

with the connections like you with the power like you but with 20 years 25 no do you no

the net no I don't know I'm and I try I'm and I'm maybe I'm

yeah because the age you know the age you the age you're you

you're you you're you're in the role of the cinema in videos and in the music

also and you you have done a you've got to you're in and the chingah and you

and then you and you what is what what is what is what is that you is that you just that's

not no no no way no not it's not real because at the final

of the material you know you know you know exactly so then so it's

not the material but it's what you do the pass what you that make

what you and what what to make feel to you and the people are the because at the

end of the success you, how do you, how do you do you do you the exited?

For you what you that's the exit for you? Yeah, so that all the

people see, that's a exitoso or so what is the exit for you?

Simon. What is? What is? How do you? Me, me, I'm, me,

I'm, for you for you yeah, well, the yeah. You know,

you I, The exit is, for me, is to make the

objective, way, that you make a man. That's the thing is the thing,

that's the thing, the end of the money, is much money. Almost

almost almost all the people, I can make, I'm to make

money, to be millionario, casas, caros, yeah, the, the,

the, the lives that that are that , the The success, I think, is

to do something that not that you have done. Because constantly we're having success. Uh-huh.

Because a more not could you could be a escalon, but you did, you did you've got to

do you. So, you're doing things that you're doing things that you think you're able to do.

It's like one of when I was there with the J.D. in the Torre, the Tequendama,

in a building super I was up I was up up I'm doing the video

and I did I'm my name what I'm I'm doing I'm doing with a camera I'm

and I'm doing a video to two artists of a international and I and I

felt like a pass and a a sensation and no it was for money

not it was not for fame it was it was like that you

did you did you did something that never imagine and in what

you like. There's there. There's I'm there. Yeah,

yeah, yeah, yeah, so I'm so I do you know that's the

that's the thing. So, to you, that you, that you and that

never thought, it's more that's, it's more, that's, it's just in a

place, in a little. You said, no, manche, you, could have

been with whatever other person, but simply the

actually of the fact of the of the I've been done way? Yes.

You're wow. And it's doing what you're doing what you do you know, I'm

doing, so much people, I'm in a office office. They're they're not for money, clearly because

it's need to, but not they're so if you're you're all the

time with the uniform and the end of the night of because at final

what he like he is the rock then. And if if for they were

they're they're they're all the time but for money,

they have to do a certain work for their family and so and it's

a lot of people, do you know, because if you do it do you're going to do you, and if you

do it, the people will get to see, and if they're going to do you, they're going to

do you, and at the final of you know, I'm a job, it's a hobby in

that you're a new. No, there's a thing, does what you do you do do it,

that's important, that that's important that They say, what is more important, the love is the for you? The love?

No. The two, you know. Oh, those two? Because the love does one thing and the money or another.

It's like, what is the most important, the right? Okay, okay. Because with the the one, because with the

two, no, and so you can't have the two. So, then the money has a function and the

love does one, and the can't have the two. So, those things different. No, the This pinche

Plata can't This can't Here we're going to Here we're We're doing To do you're To get to The Brugger

At least The time Yeah, it's You're 427 427 Plebe of the morning

You're going to You're going to Get up Machein for That's That's a Mare No,

Plet if you In fact In second part Commenten Here This bat has much

to talk we're going to let's do make a role to do you we're doing a lot of

the phone with Daniel Nise they're going to let's see we're we're doing we're

and say say and create the video we're going to we're not that

Safari Films with with the organically organically with

a camera with a with a with this camera that we're going to

let's let's we're we're going to we we're going to

be it's it's the video and the roll that

that Virga. The President is Deedda. And we're going to see back the camera to see. To see how how it was

the process. We'll see we're going to let us. We're going to have we're doing the little bit of the middle.

Look, he said, he's going to get to the interview of Larry. Look, the wheying

the shingada. Here's he was doing us companyia. Plevada. Well, much thanks. Much thanks.

A little to say, to tell the public that's all the public that. If you to vented this

the podcast complex, thanks. And to those that no, but also, and thank you.

You know, you know, so, well, you know, but whatever thing, there's there's a

company, and the media's and the media's and then Daniel Nise, well, you know, and then it's

going to say, there's going to find it in Instagram. Nimrod, because they're in the internet.

And any whatever doubt, they, manden a DM and those contested. Fierro flash. And there

we're just to do it pure energy positive, that is, all they're all they're all they're

they're doing and what they're to do you. Amen, plebe. Cuehens, much, Plea, much thanks for to be here. Thank you. Thank you.

Thank you. Sipar in Instagram. So, Fipper. The Fipper. Sian. Cuisher, much pleads. Benditions for all.

Animo. And I'm going to send a Bessiton. Where, where, where they're where they want to where they're

where you, you know, the stoo, in the lastarista. I don't do you know that's never. In the pure

Puchon. Animo, la, yeah, and I'm not doing it. Ah, we're saying. Saludable,

bye. Sackensse, the verga. Oh, I'm more to stired me like, I'm just

a culeber. So, Did you do the machaca? Ah! How? It's all, don't know. Oh, don't know.