LOS MAFIA PODCAST ⭐️ - El Camarón y La Preciosa: Suelta el llanto por el significado de la película “Mi gallo”

Episode Date: February 26, 2024

El Camarón y La Preciosa: Suelta el llanto por el significado de la película “Mi gallo”

So the Camarone he Pied to God and God but no he didn't

not he didn't I'm vendia the scene I'm I'm I'm

I'm because he was he was acting not he was doing the camera it's

very different to get the cell and make a video for the social like

you do you you have you you you're so so

idea, but I was just like no, like no, like, no, like no, the other person.

So, so I'm a lot, I'm sorry, I'm not when you said to God,

that you to do you to get a thing to want to because he had been he had

said, he said, he said, or he said, or you're to doggart or you don't,

you're, and you come, you're going to get to get to you, and the

Camero, no, to give the the world's. So, then he he said, if,

if you're to be able to be able to love, so I'm so I'm so that you say,

when you know, that's a when you go to give us to give us to give to all.

I mean, I did know that the movie will be a accident. From, from there,

the Camarone, yeah, I remember that day. So, to be a influencer to

to do it's very difficult, but it did it. It was a work. And it was because I was

with the love of your life. How did you see in that scene how are you? Well,

practically I'd know that like if was in the life real, but I

am I am really, it's like, not it was like a thing, it was like a life

completely so, so, that in that moment that that scene that I

had to do you was to see, you imagine You just imagined real that the woman had a cancer? Really,

really, I'm, imagineate what you you're going to say, what you're going to say, if you did you say, if you're going to,

how you're going to react to? To you. You're going to impact? Yes, no, you're going to start un-a-pom.

If you, it's certain, no mams. Explotas. And that's what was what I passed. You, Preced, you were, you were at last

of cameras in this moment? And, I was really really really very I'm

very that's not the not the same as the even

even even even grab even even we're videos

for the videos for the not not not the

I with the or that someone that someone to be a a camera

to you see grabbing and are in people behind the monitors

and it's another role, totally different. So, yeah, I'm

that he like he put all the person in that scene, well, we're, we're doing

the monitor and of all we're to see, all we're transmitting the sensation. All right.

The pill chine so it. No, it was nothing more that,

oh, it's me, it's me put the Pilchinita, no, so, we

got in the tears in the legrimed, and we got to the voice, then we're all the

I mean, I'm he's done the heart I said, I'm, and it's that's

what, yeah, what's, yeah, what you go? Plevada, I want,

to want to to get to get to my friends of an Ocean

Boutique, what you are you see right in this moenic tennysito, my

amort, pantalonc- pantalon- plerita, my friends, of O'Sha, Andrea B

here in Kulayakans, in Kuala, Sinaloa, Plebes, for the Mallecon new, local 9B, in

Plaza Cuba, Kuhu. They're envios to all Mexico and the United. If you want to be able to

a new a party a part of, a tantrita, a lot of you can't get to be back, you

get to my, with my, with my, with my, with my, with my, and then RECK Kulah,

you want to get to get to decuent to get the number on the telephone on the

If you send a message that you go from the mafia, you're going to give a good price. Animo! And here we're all the chingaso.

Bulls to get into. It's that sincerely, my Galle, we let's much a heart,

we're giving everything. When we started the video, was, it was a year?

Yeah? Yeah? Yeah. Yeah. And it's like a gift for it,

it's like a for not being to be with him in his birthday when it,

but it was the first that we're, I mean, it was, it was

the birthday and it was to be a new and then we're to be in Mexico you know, no, no, because he

was a little, so it was, it was, it was, it was to, it was to, it's,

to be doing, because, all the day, at the, sometimes we're called at the 6 of the morning,

at the time, at the, at the, no, we'd be able to have to the, we'd,

we'd, we'd, we'd, we'd, we'd, Kuliacar, and I just we went. Like, well, we just

to venture, I'm going to, yeah, my wife, yeah, my my wife, and my wife, and he, and, and,

and, so, he, and, we did it, and, but, and, the merri- day, was the first day

that we were doing, and, and, you're going to do it, and we're, y' y'clock,

we're, we're, we, never, we've been never, we're, so, so,

to be in Mexicali, to be to be in us, we know that we're going to be able to get to end up

with them, but the torture of that a month with you, it's the year, chiquito,

well, did two years, two years. Two years. In fact, my gai, we're,

we're going to do you, to do this year, because yeah, but, but,

but, but, no. I said my my guy, my gaio, see,

let me to decar to my little bit more than three years. Today we're we're going to we're going to we're going to

we're going to this is your this is your this is your gift of the year that we're that's chile boy, that chile

that's all that we're just a chingue of a carac and I hope and I hope that everyone to all the

people that people that he does it because we did it for all the public that they're seeing

all the social and and then without experience you say you know a carmaron

the scene that's described I enthred the really I'm trying to get it

I'm at I'm going to I'm going to I'm going to I'm going to I'm going to see you I'm going to

you're much people and there's a lot of yeah I I'm sure of that because

like he he and I'm just I and Ruben that we're we're in we're just the

oh how carmelina Carmelina also yeah to get much experience

to have much of many many years in in the movies, of being to be in

the scenes and he said that that's that he in his life had seen that,

that chispa that in a movie, in an scene in a scene,

seeing that it's a work of the dayer because because you need

a scene that's a scene that that's saying that here is there's there

in the in the scene I remember that we did we did we we're in the scene

and the feeling and the that's the first no what he's no it's

what you did you said he said he's I don't I'm I'm

all the everyone so everyone so we're all we everybody we're we're

I'm just me I'm just me I'm the things the

aren't like the out the lot of the way. Like,

like if were in the last time, but like you put in Jundia that he

had a yeah, yeah, yeah, I was, but no he put a the

heart, the heart, the sentiment, the sentiment, the sentiment, the sentiment, yeah, there's

that you're to you know, and that that's, and more that's, you know,

you know, you know, you, I'm, you, you know, I'm, but I'm,

but, so yeah to see that you're seeing much people behind the behind the like, as a little

little chikito Camarone. Yes, yes, is that, as well, as I'm, like,

for my little, for my little, so we're we're all we're all we

want to the people that we get a we're just we're just and we more than

we're just we did it for him but, I mean, I know, I see that's

that's not, the producer, the, the, the, the,

the the camera, the actors, the guion, all that matter.

But, but, what does do it difficult? What does that a movie,

grab a movie, is a difficult, that the people, when is being

the product final, a sometimes critic it and a sometimes he really, but

you're to you're doing, what is what is what the most

did it's what more It was difficult. Yes. To me, sincerely, the most difficult in doing

to do a little bit of my children. Sincerably. For me. So, time. Simon.

Of not to be with them. To be it. I'm not him. Am I? The fact

he's, he's not a pegged to the children, super-pegated that the day-to-the- A lot

not we're the most we're the best not, but if he is apegated he,

I'll tell you can say that the three children, because we're the little

is more apegated like to me and the and the he, to him, a he,

he's he's he's no, yeah, I, a, so a,

I, he's, he's, I'm, I'm, I'm, I'm, I'm,

I'm, because, because we, no, we could, we're, not we're not,

every every I don't I'm I'm going to I'm not a no I'm

no I'm know I'm remember that there's a lot of the child of the little Roretto

the baby that he was not your little bit and then he was to be

to be a scene when it's a one of a scene because there much

comedy you can expect much comedy in the movie in the movie

so when when it is too or the so the

person the person has the person has to put

put all out of the And it's that all it's the because I'm

I'm difficult to a little is the having not had not the experience because

there's many people that's people who do you're and there classes of and there

classes of the experience implica and they know what they're going to grab a

movie a novel they're they're they're not to be they're

not the experience implic there he, well, he's not experience

to act to be a kind of a certain fear, like, like,

fear, nervous, the really, I'm that the director, Vell,

Miguel Moyedda, influenced much in me and the Camarron, much. So,

is, of that is a passioned in his work, and you do it

and it and it was like a plus for me, but, to know to

do not to make the the that you you can't and much support.

Yes, sincerely my respect to how's how it's how much a idea of the movie?

Very good question. So, about that about this about the is good, the,

the, is, I'm going to be a good, it's been much. You'd

have been frustrated there, why why not me out, or so

or much nervous, because I'm, I'm a person very

nervous, I me does a very a because they're in

the video that I'm in the I'm in a lot of I'm

really a little bit I'm yeah I'm sure you feel like in the director

no it would have co-hacado how I'm no I'm not can't

do you have to laugh at you're like you I'm when you when I

don't say but in the scene but in the scene this yeah I didn't

the car no with the So I remember that Miguel, the director, he met her in the bathroom, she made up and put us music for that she could cry.

And he'd be gritty, he said, he said, how, he said, he, he, he gave to the maximum, to have experience,

the net. For when I was a trice, yorand, we'll, do it's the scene. And it's, and it's, that you're,

like, like, like, like, you know, like, kind of, like,

kind of, like, it's, could say? To to, to get to

the, that's the that's that's that's that's the paper. That's

that's the question of how it's how it can the

the movie or how see the idea or why my

gallo I I remember to have seen a video

of the camaron that I know no I

did a video of the was who said, this bato will do make a

movie, I said, I'm just because I was very creative, that he did he

did he he did he and he when in the play a place. And when in the place?

And you do you know, and so he didn't make him no, that he was

not much he was he was a he was a carhita. He was he was a caro?

But he was and he said to you know I'm my man I'm going to I'm going

And I was going to go to and he He said. That was the second video that I saw the second video I said

the third video of the yeah that's in Masatran with the guyo in the play and I'm going

to do a movie of this batto I I thought I know I know

Cano I was I've been I was I know I was I know so I'm

going to make a mancuerna let's do a movie and I I started,

it's going to be called my gallo, because he he'll love his guyo more than

his wife. So the movie surge the idea of a person that, that,

that's, that's, he, he, he, the camera doesn't get the

guyo and my pap is galler. My papa is galler, and gallero and garrer

of the malos, because I did all my papas, in the, in the, in the

appuces, no? So I said, I know, you know, you know, know, connect me,

you know, connect me, and I'm saying, what on, what on, what you want, what you want, so you want to

do you want to do this? Cabro, me said, in serious? Jalo, I'm, I'm going,

I'm going, we're going, we've seen for the lunas, the Camarone the game and he's

he's so, no, no, I'm time, until the we're still, so we're to the

whole and the And I'm, and the Camarone and I said, A-beerrowered, and I said, A-be-a-

So, yeah, it's that it's not for that's because, I'm not me, I'm saying the

Camaron, Camarone, you want to get to know, come to come to come, man,

you're not, man, I'm not, I'm not, I'm not I'm not I'm not not really

to say I'm not many, I'm I've said many times that no to various to various

invitations or, opportunities. Yes, for to be in the house. The netta. I've done.

You're just like I'm like that's like you. The net. The net. The man. No, I'm no.

No, me has a lot. Thank you. The family is all right. The family, it's all right. So, Tom.

That's all he's a lot of and I said, uh, see, it's so much to be so bad.

I said, I mean, Canyo, I'm, you're, you're doing to do you do you want to

a company of a surgery plastic? And you, and you're eight minutes acting without,

and they've been the video grabed. So, if you're going to this part of the podcast,

then you're so you're going to be what did you do, without, and the good I said, you know,

I said, you, the guyo you have to do you have made up and I'm I'm going

to do you have to do the movie. There's a where they're a you and the caro

that's that's that's that's that's that's no, no,

that's yeah in the that's that's it was a matter was a

man. It was a really. It was a one of a drama that's total that

I'm going to go to my house I'm going to do I'm to do

for the caron so so that so the good and that that's

gyererer that that's amoroso that that comedian, that there's a,

that there's a that's a show the movie, then I'm to write the director and

you, together, we did the gion. And the question, the real I can

talk about the movie about the movie as in it, but I can't talk to you're going,

you're going to be a lot of going to be what I'm what you do you need to

that that culture that is to regress the gallos no

the folklore, caballos in the movies, although the movie not not so cabos

but we're we're about what is Mexico, we've we've we've we've

we've this this is much Vicente Fernandez and the really

totally even the music even the music Mexican you listen

like you so so so so part of them two.

Tristesses, allegrias, obviously the toxic the woman, the Camarone is a machista but

but the really, that movie me made impression us. We've got to wait.

It's that is that how's called you? Ruben Osuna. Ruben. The Tare of

you're being chingona. It's been perra because there is pulgar all

what is what's what's All the moment in the social, no? And he gave with you with you that are a

pair of the that's different of all the so, when so, when I'm producing a movie,

it's made that my compa here and the other sir, did you have put to that don't

much in to do the film, for the inspired that you did you, all the material,

all the material no did you the fact the one that's the we're in two a few

a few a minute. Because I know and at the two months we're doing. To the

two months that I'm doing to do do you know to do do you do that's a little

that's a video, it was a little to him to the Preciousa and a guio.

Oh, I'm a question, when's when's when it? Augusto 1 of this

year. Faltan what? We're in March yeah almost March,

April, May, June, July, six months. It's good, for that the people

be able to prepare. And only in cinnes, is something, is something, that's all there are

some questions, that's how it's the movie, that's for the particular, for YouTube.

Ah, so obviously that to get to the cinema has all the qualities that the

need to the cinema is a hour, I think 36 minutes. has, as as it

it's, all it does it there's a lot there are some there are some there's

that there's a me a car classical so I like to put in my movies

and who who doesn't they don't they do a thing to do you don't

a thing so that's the Camaron the is an excellent excellent

paper that at the three months, after five, we're still filming another movie. That other

movie is called Six Hours Away and it bought the United, Canada, France, and Korea.

Sal in April 19, and also the Camaron. Two, what? April 19 this year.

April 19. Now in April, then. Today, they're going to be in the

United comes first. This other a movie that the Camarone is a movie in

English. So imagine the Camarone in a movie in English how we did we did we did

to make a person to make a person to make a in a movie in English that's occupant there.

There's there. There's a there. There's a no, no. No. Or he

about in English? No. We did a, a, a guy, a,

he's also. He's also. We did do it. We did it. did Between two people

normal but they're to find a person that occupant a person that occupa

and is the Camarone and the we're the English but no more

one of the Spanish so he he was he traducia all

what he said to the he said the the the man he was

the then practically that not they don't not they

all all so and all in English. All the

all the Camarone's the camera. In the real, the movie is the thing I'm so.

So, so you know, then the movie of my Gallo has done it how much

time? Uh, it's a half and in a in August, it was going to have

two years that's a year? Uh-huh. And no did you were doing a video or

yeah? Yeah, we're doing yeah, uh, uh, uh, uh,

uh, uh, uh, uh, uh, uh, uh, I,

I've been recorded a little, but you know a year and it's a year. We did a

thing. We did a movie of terror, and it's a character. Aftor-Gabacho, yeah. There's a

movie. In the Hollywood. Imagine the thing that's the thing that's the person, to

be a lot of the car of to be a guy to put to me when he's got in the other thing's.

It's a other ped, way. I think, But, well, for to get to see, I mean,

I'm in to look at the movie the movie that the movie, it's a good.

In quality, in audio, in all. I think I'm I'm thinking. I'm saying, I'm saying, oh,

I'm going to get on the YouTube. And I, for not know, no, my cha, calmate.

And I just, and I'm and you already, and I don't, my,

in cinema. It's, just, I'm just, only in the , I'm a person

A person that's a person that's I'm a guy I'm in a car of the year

an example I'm like this mother, no, a person to say that's

I don't know what I'm not so you're I'm going to the street and with

any other me to come a coca with a quater I do a cotorreo where

we do we do we make a a curachila I don't me I'm not

me believe that person of the fame I don't me I don't know I'm

what you That's a special Camarone No, it's not a To get to get to get to To be in the

head to Oh, I'm more than I'm more than Maldomorado always has been Lunatic

because she The end up Now I'm the Yeah, but because of her life But it's Ridiculous

I mean Yeah Malded I'm Magererer has been But I know that

that has that you have some some Pettillo with something or something

something You know that's that's like, so, if I caged, disculpam

he, he, he's, he's, he's, he's, he's, he's,

the, yeah, because no quack here, because no any, there, there,

there's, there's, there's, there's, and no, go, and no, go,

and I, go, I, I, I'm, I'm, I'm not, I'm the,

I'm not, I'm the, that's, I'm a, man, I'm, I'm, I'm,

I've, it's so much, way, but you you know you have you know, and you know

a comrade we're, we're, we're, oh, is that this batto, way,

the videos, the videos, those, those, those, those, so, but we're,

but we think we, that, how, I'm, I'm, that's, yeah,

and, and we, we, that's, I'm, he said, we, we,

I mean, it was, I, it was, it, it was, but, but,

yeah that I know I know now, behind of all this, that's, that's a paper, way,

that your company's, that your kids are you to present to do this type of cotorreo, way,

and get that that's all, that's all, you know, that's all that's preste, because no one

doesn't do make a little way, no, that's in that, that's in a berg.

And that's to admire in a parche. I always I've always I've ever that,

and now that, fiatte that not me very well in a case I don't want to

do you for the question of the question that I'm really that my don't want what the

the people because I mean I mean I mean me they're saying that you're

a be a because you're just you're that you don't try I'm

that's that's that they're that's something that's no that you

you're you're a a man a that you, you're and that you're trying to and that's up

there's a video that's real, no? Yes, yeah, yeah, so, but the people see that man

the people see the real. The people not see that's act when you're doing, and it's a whole Fodonga

and he's and he's upto with me and you say, oh, that's so I'm a putt so,

it's the life is real yeah, no, no, no, I don't do it's

he's he's all, it's all it's You know a puny of a guill in the assay in the head. He'll

he's a He's a He's a He's a He's always to grabers He's He's He's out of the

He's He's a He's Coney, but in the house He's He's He can't

He can't He can't He's a Acky For the People's That's a For the

People's If you If you want to do a video chilo of the life that the

You need to be You know 100% You're He's In the Camaronis

In Facebook No No you don't you put a lot of a lot to get a flower

that's that's always to get a people like to get you do that I'm saying I'm more

the trap that this Camaron me does a that's up a fodonga and they

get those videos way because the people it's what the people it's natural

the natural the organics there are there people there's there's more manes

come by you're so much I mean, well, is that I'm in a video. I said, all the time. I said, I thought, I was a bit chaperro, he says, and no,

is that the TOTI, that I was in the thing. I mean, I'm imagining. I mean, I'm more more than that. To the people. To the people of

all the world he's got to the natural. And for that, no, you've done that there are people that areggling a video being chingon that have been to

that's what you're that's what we're that they're making a thing of all, and they make money to get in no peg, because

it's a people, that's a thing, that's natural, naturalito, how it's naturalito,

how it's I'm very very much we've got done, we go, Camaraon, we need to

get to something to get to the videos, I'm like, my grittals,

the people, me say, I'm, how I'm say, what I'm say,

I'm, I'm, I'm, I'm, he's to change, and we're we're,

and when we we're we can't plan we plan the video, or that we we're going to we're going to

we're going to no pegged the net, yeah we've done the and your voice is something that no,

no, or so nobody has a tone of voice. No, and is true because I'm where I'm

on the Terecita, I'm in the table, there's a there, there's, and then, and then I'm,

and then I'm between passillos, I'm, that I'm with I'm talking and I'm

talking, and the preciosa. For the pura you know, I said. With that

I'm in I'm in I'm in love I'm going to talk a girl and I'm like a

beautiful I'm doing I'm doing know, I'm and I'm and you know, and

we've we've changed something so, that's that's that's for that

people maybe and we need and we're and no, no, no,

they're in little vistas and nothing. I'm not not, but I'm

not, no, a video in the morning, he's I'm just a Fodongue and he

he's palate the gallo Tehran because peg the video and it's a chingo where you've

seen a where you're where you're those videos that are that's a that's a that's a

bad and not the people, no, no all the time, for example you,

no, you know, all the time all the time not, you know, all the times you

and you're all the videos of the ball how to make you. Machin, and

what you and I a chanklona, like that's in your house way. Of the if you

do you do do you like you do you that's a back there's a a bus there's a

a bird doing the the man who the people the people know the people

because I like I'm I'm I'm you know you're you're

you're you're you're to be to the and the people and the

that's that's that's that's that's that's that also

the other the people live stressed camera so Be something

like, he transmitting pass. Yes. Put in granals, no. In the film.

Like when when you do you, you know, you know, just, I'm not because I

know, I'm going to go to be to hear about, but like, the people, that's a person,

pass stressed for a day, much of the day, much of and you get a and then

you know, and then it's a more than it's a thing, it's a thing,

be naturales, and their people, so, spong, do the things like

naturally, not you know the matter of all the color of because the people you know,

you're doing to do you know, to do you because you say, oh, no mame, it's all the

color of a rosa. Imagine a person, way, that's batting in the way,

and you put a video binkachal like, you want to you know, much

sometimes even even even even even a sometimes even, the other more,

the other world, we're doing our moment to rogero that we're in a house to fodongo

I'm a my wife I'm a my wife all the vats, at all the time, they're doing the morning, that's a lot of the time, manorce in Fodonga. And that's what? I'm in fact. Oh, yeah, we're going. Oh, yeah, the-huh. I'm sorry. I'm

Oh, yeah, the movie. I'm sorry, way, I'm going to do you. Yeah, my compo. It's movie will have a exit, well. It's a bad in

the video the movie is based to the yeah, it's it's not

like I had I know I'm like I'm not. It's impossible I'm

doing a job with the life of them to do you know.

If it's something something is that hypnotize a much people not

think that you can you don't think I'm let's

a example, who not has managed by the way,

and of the way to do the way, there that's that you have to

you know, that's unnoticed, no? Like, in a scene, why I

know, I'm, to do you do it, to do it, but I know, because I

gave the sentiment, me pego the reality of what you see. Tocating the thing,

what they are the people, why pegged the people, because they're the

realism, that not they been actuados. Rapid, you, you see

a video that's going to be a real, and you know that he's

to do do you do but you get a video that's that he

did and it so that so so so I know

that that knowing this having a life of

a person I really really so I'm actually

we're about the life of the producer and And the Camaron

will be out the Camaron for me the real I think

in him because does the things of the thing because of that's

with that what you want to you want now not only not

only only only we also a kind of that also

that we're we're we're we're that we're also

he did a excellent paper in excellent without Oscar. Oscar.

Oscar Lopez, no, he's a actor-as- or another Oscar Lopez and the Camarone

practically in this movie were, and Gigerum Ivan, but I think he and Oscar Lopez

were the chingones of the movie. Although the characters important those are

to be the carno or the commander, I mean, not of me refer, no, but

he was the infadoos, but the other was the enemy, the enemy, but to that the importance

of the person not because the commander is a better actor than Oscar because Oscar Lopez has three hundred

and five pictures, is an actoraso, no. And, and act to interactuar, I'm

the man, the fact, the word, every, the, the guion is for, the guy,

was, he was, he was who was who came contact the commander. how

I did I think I I have a jehado a a t'em to Hesien and I'm

he said hey what on pass me in the contact of the commander direct no I want

to want to talk to him to talk to the project then I came to

Culeakan Cano Camarone and commander and when he said the commander he was

the can't I'm going to with these vats. Devolaza, no, there was a no,

that day we said that did the time. Because, because he's fan. No, there are some

there's going to get, I think we're going to get back to camera. And not in the cameras,

but in the social, for that they're for that they're to know, so they're

not, I think that would be good, not do you not make a behind of cameras

like so and They're getting those cliques, those... How's they're called? Blupers. Blupers. The commander, you know,

how many times you've got to get to do? Actual to do you. Yeah. And the car so,

man, I'm, I'm sorry. Oh, and the commander, no, I could. I can't,

no, I'm me, I'm, I'm gonna, I'm gonna go, I'm, I'm gonna be a car

because I'm Cicano, you're gonna and he'd and he'd be the car of man, yeah,

yeah. Och, eight, eight, eight tomas did we're doing that cano and even

the commander he's disculp he said and disculp me no is that I'm I'm not even though

even though he's going to the can't be sure and this this bat manipulas so

yeah so much so so so I'm so so I'm so

so I'm so they're not so he's he's no and then after

he's he's he's he's he's he's pure content cotorreo

so and one he that, and when that really, like, like, imagine

the little , like, fatu, imagine, yeah, and tattooed, yeah, you know,

a rizah, and with a rist, and with a, man. No, and and, and always with

a pistol, well, no, no, no, the fact, that's a real, it's what

you know, just, imagineate those, those, those, the, the,

CIS, the commander, Kano, Guillermo, I, Guillem, the Camaron, and the

whole all the world has followers. I mean, we're talking that they're not a

million of the people. So, we've seen a photo that's at the cinema

was viral. I think 11 million of people we've got and it took like 250,000

likes in two days the public No, because is that are you are still

the thing, they're not not. Ohla that. The first

of what? The first of August. First of August. The Cines in In all Mexico.

In all Mexico. In 300 cinies in all Mexico. And we're going to make the premiere here in Culeyagan. For that, uh,

for that's, I'm gonna be a fronba roja and say, yeah, I'm gonna be like the because it's

for all the people, for all the garreros, the children, it's of all, and if they met you

in the sentiment of that way, that if the woman is a person is a man oh pa,

that's mad imagine it. Imagineate. The little the picture the message very

very very very people will get a and it's like a good at a

good I'm saying one, that's you know, you're going to you're going to more to

you're going to your little more more than you more than that yeah, I've seen like

a few yeah the movie and I think all, and every I'm every I'm

every every I know, this is a one this is a movie where you can you

can't be at all right. I mean, you can't put it and you do you do with a

way to get a way. Simon. To be to be to be that way.

No, that's that thing that this opportunity that this opportunity that God

you know, well, one, the net also would be to enter in that

facet to act because the net in the videos that we doles in Bola

to we do we do this type of things of things of

act and one we're saying, oh, and at a rome, and all the rattle that we're

like you, imagine you, where you're doing doing, you know, like you're doing, like my coppa Ruben,

copa, what on, call you, say, back, because I'm doing to say, what you're going to

think, what you're to be a little of the barrio, to be, to be, to be suretying

and doing to do you, and that they're doing the importance that, to make you to make you

something to make you to make sure to do , where it's, what you're What you

What you What did you When you're When you're You're going to On the telephone We're talking about You know

Amar In the water Fresh How not I'm I'm sent you More More than

This world Way content Well, Well, Well, than With all

the people Whoe That's My People that me

Dives Without Without They didn't It's Because They

Because To Because they Because of All the People My comp Brio

B' video and there he was to talk about me because the people

do you know that's the people don't know because the I mean from the I'm not

to know that to make to be in so it's a place it's a very beautiful that I

where I'm where I'm imagine to go to the United and thank I'm know I'm

know I'm we know we're we're we're going to go to we're and there

in the stars and we're we're doing those and we you know they're

know Or so, De, for that's Where's the Where's Where I'm Where I'm

A lot of A video A little With a With a No, no way With me

And the And the People I'm I'm Yeah, I'm Yeah,

I'm Yeah, I'm Mollomorado But no I'm There's

I'm I'm And I'm And the And the And the And the And

I'm I'm I'm I'm I'm I'm I'm I'm

I'm I'm to rogero, I'll do carrilla, to your wife, a little

a bit of a bit of a bit of a guy, comepa, tell me to get to get a

badger, he'd make more than you to get me, or do you do that to get to

and get to and get a word, but he is a person, I'm because they're

to get to my videos, to you or the I'mando to the thing, they're in

a video so, personalization. Never my my life has cower a

company, and no I'm do you ever. And there's people that I've said,

I'm going to give him to send me a minute, manned me the data, what do you say?

That you're to make the thing? No, because if he's going to offender because he'd

go to do one a bit more a bit of let me just say the like that like you like you

so you're because you know it's just you know because there's like the people that have you know

there's that there's that chingen a mother, that they're they're they're a little

but with grosseries, as you like you know, he fulanito ching a mother,

you know, he doesn't the person, the content of, you, man, like, he's,

man, that's, he's, that's, that's not, I'm gonna say, that's,

not you, not you, to get, to get to that person, to be, that's a way,

my via my way, that's a way, that's a man, I'm sure, I'm sure,

I'm gonna the video. Oh, I'm, comepa, mandela her, and then what's the other what's doing

with her man, come to see a thing, I'm going to say a comment about that because

it's not it's not that never can't pass. Because I have seen a

when he's when he's when he's in various occasions in Mexical we we're going

to a event, a day we were a event to Rosarito and the really

no is a man and he was a man and he and we we're

at the seven of the night and it morning and they'd and they're not

photo photo photo photo so it's obvious that's it's obvious

that's a new photo photo we're so we're so we're so we're so we're

so that people have to understand that sometimes not it's in the moment. If I'm not it's sitting down

a corner of a corner of looking. He's, no, mames, I don't let's the time.

No, comp. It's a photo, photo, video, photo, photo, video.

To be to be attending to a chingue of people, and that you pass

the hour of food, because a me has passed. I know, I know,

I know, the camera is much more known as you know, but imagine to me,

to be being being standing about, and this battle, standing above, it's

infadosos compa, you go to your family, to come, I know what I know I know what I'm,

for that I'm I know what I'm for example that we've been where we've been where there where there's agglomeration

of people I'm I'm going to get to get me to my kids, to get me to my four

kids and I know that he is teresa for his life are his his own his

his own his own so he's so I'm that they're they're a lotononon a photo,

a man camera a photo and a me. No, not he took the photo that other other way. And no, no,

not it's always not put him flas. And he's stressed that I'm, and I'm, a,

I mean, I say, not I'm, like, so I'm, like, I'm, to say,

me to get me with the , I'm, to say, to the little, to the little, I mean, to the morgue,

and he's, and he's stressed, and he's stres, and he's stres, and he's, imagine it's, imagine it's, yeah,

that are, that they're, that they're, God, guard the other. And the and the

I don't I'm and I'm I'm I'm a I'm a I'm a don't you

know I'm let's go let's go to the yeah, yeah, because I'm yeah,

yeah, yeah, you get them, you get them, and I'm, you know, I see that they're going to

not, no, no, no, he's he's, he's, he's not the carcoma of the plebes and

we're not a caropoe people, he's got a photo, video, that other photo and video, video,

no plebe passiamos to anyone, a new one, a new plebe and we'd and the other I just saw a detail with a

manor I wanted I'm a go ahead let me go ahead there's an part where there was

exhibitions of no, we went so there there was a chingo of the people I want to

send them a to all the people and I and I I'm very very grateful

that the people I'm so I'm so I'm took a photo with

four brothers. He was his father and his mom and I brazando the people, and I'm

talking to them to get a lot of their food, that they were and they were and they were and they

and he said, and he said, he said, the bad you and I said, the p. And I said, that's a pendejo

because if not they're a little, I'm taking video with them. Yeah, so literally the yant

of the car was in the carlanta was that's this he's this he said, compa, compa,

don't say this he's to make, comp, put that bused because here's a little

I'm a not a little bit of we're doing, imagine imagine it's there's a about you know,

you know, that's the precius, to see, a event so, never we're to try of the new things.

No, the fact, we don't we're not we but, but we didn't know,

but it's that's over the little, literally, patinando, and the umo and the mowl

and allante the mors and then imagine to the let's be to be remang to

the men to the or the mom to that that's a bit. For that I say I say I go to when it's not

there's a bit of. And apart that there have people that there are people that you know that's a event very

family. Family. Well, that's the two people, if it's family,

then you're doing that you don't end this. And if you know, as a event where is for a

event where it's to get to you guys, if you know you're not you know I'm going to give you.

I'll give a good the people who say, who's, that's put in a bit

burros, that's put in people in bad people, putt abus with what

you're doing because after they're doing, because there's a lot of a man, a man

to do you to get a that's over what you do you're to do you want to be and he

doesn't take to but no but never he's a cargant you, you're doing

you're going to you're going to marrara and you're to get to get to do you

No, no, just to a, a, a, a person that's, a bit too, a little,

he, he, not is a way, not so much about, don't, don't have to be

a chingada, but with much precaution. No, and you know, and that's, and that

, you know, get a car, don't know, don't know, don't say, don't say, you're a

person, you can affect the life, you can pass a lot, and then there's, there's,

no, there's, you know, the and you're going to do you. I have a question

very interesting, way, that right I'm that I'm talking to to go to go to events with

with much people. Yeah, you know that part. They'd have liked that had been

different. I mean, and that's, but that the people not did a type of things,

for you can't get to get to get to get and it's good.

It's yeah, because the of the people. She feels beautiful. The net, that you are the

that's a man, I'm not, I'm gonna know, my compo, my compa, my comp, that we're gonna go to be a

pergast. And you, my God, and you know, of the 109, no, see, 98,

people, 97 people, so, also, there's, that, for example, the spouse,

like, I, like, I, I, I'm, I'm, no,

no, I, don't, to, taut, so, there, Vatos,

that. Celloso, well. I never to be. Or, or women, or women,

or women, or the of what, hey, you know, you're doing, you know, and you're

to make, to make you, come to do you. No, to me, there's, there's, there's,

there, no. And I never, but I, but I'm, but I'm, but I'm, but I'm,

but, but I'm just, that's, that, that's, yeah, a very, my wife,

me man, me manned, me manned, very very very I'm at the manned as

a manned those are the car of the car of the perrace and I'm a car

and I'm a little and I'm a little way and I come to a manor a photo

oh I'm oh my beautiful that's what beck so Simon I'm

man you can't see too I'm I'm and I just

my back my man't that's that you know you know

you you're you're to be to pass. Because the people you see and you

love, they don't they're in the people, they're not, it's what I do you do to do you

know, to do you do you do you know, to do you know, if you're not even

or if you are going to be going to get the , and it doesn't all the

question, no, wait a wait, it's, yeah, the people want,

the people can be the people, can be the same, a good, but, that you miris a a a singer

that you like, and you say, no, then I'm, I'm doing, I'm doing with in person,

I want to be a postista, Gatchewa. Look, we're what we're for the people. Yes, that's the

thing. All right, Compa Camarone, the precious that we're going to the cinema, is for the people that

always have always the people who are doing the world, so I'm, so I'm saying, the world, thank you,

for you, we're, we're in all the cines of Mexico and and we to get the 1st, August,

for that they're exiguan to toxic. That's, that's that's come palomit. That's

that's, that's get to get a to get my gaio. Echem the man, toxicas.

Exhiel to your marid, say, if me want you, give me to get me to get me.

I'm fresh. I want to I'm about that, Camaron, of that the people,

in example, you, how you, how you feel you feel, how you you feel that one day

the commander you're you're offering to buy this part see this part the commander yeah one one of the commander

yeah and the commander I'm gonna I'm gonna you know you know you're gonna be m.W.

And he was allied I was and I didn't go and I didn't buy any one one of those days

that nobody when when they got when they started those people to the school. A marty

that there was no one is there no one there's a no, when no there's a event in any there's a

day. I was going to come with the cabotas the cabronerone because I all the

whole way we're going to have been no end up a kilo, boy, he didn't he said, compa, the nita

yeah, I'm sure, I'm, I'm a fan, I'm, I guess, my better, my

man, my name, my son, no, compo, compa, thanks. But the comp,

he said, come to my car. No, I'm to give you a photo comp. I said,

I said, I'm going to buy a manned way, I said, I'm not money. And I'm the

money, I said, I'm the money, I said, make the money, no,

you know, to come to come me, well, yeah, I'm, and I'm

, you're, you're, you're, you're doing, you're, he said, the baron of the batto.

If you, you're like, I'm, Compram. I also. I mean, I took with the Pepe of the Canelo. I'll go cut. And no, my son, my God, suem it to dover, me, I bought the two cubettes, the bat.

And now, after that what's after that? What, you know? Imagine that. Of you. To beckon. To befriender, I'm going to beaugh. Now, to get him in a movie. What's a peed. The other,

for that's going to add. Thanks, Commander. That's a great. Now, we're a company, yeah, What music-as-o, way. Pepe, the netta, way. Because I was, I'm going to

buy some chattes. No, I think, Pepe, that you use, you, those machete, that's, boy, let's say I. I was, I'm a caronero,

the market-y- man. What, does it, I mean, no, I think you to go to a mortar,

Ligeo, to, talk the rio, Lich, you, don't have to be a macheteer, you, you, I'm a lot

I, I'm the man, yeah, but, let's get me the man, I'm, but I'm, He said, well, what do you want to say, well, the net?

No, I want to pay you prestado. But if you're going to pay me, get a $2,000, me, give me, give me, give me, give me,

my life, I'm gonna, me you, what's a gift, me, I'm gonna go, and the cubeta wailing, $100 per

every girl? You always always try the cubbettes black, of the new n'avers, go,

me, me, I'd come, me, I'd come up, and I'm when I'm when I'm,

I said, here, yeah, yeah, Minch. Media hour having

vendiento and over the manned to the market and the times not a

money. And now the Sandra a camera that I'm that I'm

mad that I'm good, I'm I'm and he's thinking

a day and and now it's a ching of the

thing. Sandra Thank you thank thank me me I'm

coming money and and you're money and you they're

they're they're If you're not you're not don't say, a verga, no. But also

also, well, with my compa, the compadry, my compo the compa, we called us made him

and he said that you were, the marisco the comrade. Right, they're going to get to

get to because I was to hear in the micros and but right right

they're ready to come you, yeah, yeah, yeah, yeah, no,

no, no, no, we're to do you to do all the I'm

recommend that you're in the most in the Pongam attention, always that they're a piece in the bolsa.

All the people that work and the chambi- try a time don't me say it's a little bit of

a veneal, it's a plumber, it's a thing, people, people, that's a

person, you've got that's that's very precious. Sure, I said, this,

this, I'm going to get to me for that. You know, you're just you're a man,

you're a chambi- you're a non- you're being chambi- didn't do you're

so, Yes, yes. A little a piece for the I mean. It was a thing.

I was a little bit more that's the money. For that's something in your mind to you know that

you're thinking to get to somebody. That's, you know, you're going to lineer to the caron

in calient and I said, I'm over that pinches, no, but I was in line you. No, no,

no, no, no, no, because he, I, I, I, I, I, I, I,

I, I, I, did, I, I, , did I, He, like, like, me ajarra. When we were going to do we've been three years of my friends,

me agerated, and me agerabed. I, no, Camero, we, we'd get him, we'd get him together, we'd go back, and I,

a friend, was a machin, machine, was, a man, so, like my good, so it's, like,

all the mors, all the mornra. He was my my friend, so, then, one, so,

he was, I, just, I said, pre-mere- me, let's, a little bit more than a rata. No, no, you're

a mentoroso. Never me perecte in the nalgas. That's beautiful. I'm going to have a good one of the toxicies that you're seeing this video. Fingensen, never see in a bato for your money, for what you have. No, wait, there's, there's

there's what I go. Well, I know that he liked the pisteada and the polvito and all. No, it was a biggero. That's true. Yes, yes. Yes, yes, yes, yes, no I was a biggerer, but if he

liked to chungars at the weekends of the month. Periquito, brother. Uh-huh. So, I said, I, okay, I'm going to,

yeah, that my chero machin, that no, that my, my, my, my, no, I mean, I, I,

know, I, so I, I, know, I, know, I was, to do you and he was, because I didn't, for me, I,

had a 20 years. I, I know, I've gone to another, that I'm going with this, that he'll,

I'm, so, I'm, so, amos, I like much your amissed we know

we get him machin and then I'm from you know to get a that we're going to get a

machin me agero after that was, he had bigote yeah I did

he had a bigot and I had a caria for the bigote he made

machin caria for the bigote bigote chocomil yeah yeah

yeah yeah that was yeah he's oh the pote oh my

oh my me he just he No, no, no, no, no, the carrie, a day of the machin that we we've got,

no, he went to the carri a day, a day of the bigotte. I mean, I was, a day, without, I was,

he got Lampino, so, like, he got a rastriyo, and he kept, a bird, the bigot, but now, now, it's,

now, now, now, not it, now, because it's a, corpire, no, he's got a little, but,

but, imagineate, that's better, more, better. No, I said for you, and he, And he went

Razzared the bigot No, that I'm He said, well, he said, well,

yeah we're we're talking again, if you're I'm sorry. Oh, yeah, so,

cotorreo. Cotorreo. I got machin with her. I was she was I'm sure. I'm sorry.

I'm sorry. He's the first is the first point yeah. I just, I was I love.

I was really because it was a person and always always had been even he was he had a little.

When he had a that was all we chas all the coca, the water, the old all the geishitas, all,

and all we're not having a ferri to him, not because he got a piece-and- in that rato.

So, yeah, then I'm a jor-Machin, and it was the last time that I'm going to say,

that's my newbie. That's a me, it's the last time that I said, I had

made that I had made a that I'm had a little bit a carwela, I said, I'm,

I'm, the poor that no, I said, Hulera, for the peluch, me

did you that's, and I'm now, I'm trying to a right, I'm going to

go to get a off the thing, he's fiat, what I'm cut off, what I,

that's that I'm, I'm, I'm going to say, I'm going to get to down,

I'm, I'm, I'm, I'm, I'm, and I, and I, I,

I, I was, I've said, I've had said, I'd be to end to he's,

he's, And he was just of the vices. That I, with a man vicarious, I, no. With a man vizioos, no. So, yeah, I had, like,

a time, that he had, I had done, like, I had, had done, I said, I'm, he said, I'm, he said,

I don't take, yeah, because I, he, he, we, we, we, we, just, I don't fum,

I, no, I don't, I, I'm, I, I, say, I, say, that, I, say,

I, like, I, like, like, the, again, Another other

other way, I'm gonna I'm gonna the end up to get the the anguropia to end up to get

me the yeah, just to get me the yeah, just to be to say, yeah, it's my

newbie, for the yara. I said, I'm, I'm, I'm, I'm, I'm,

I'm, that's, that was the 14 of February like, for the 14 or 16, 17,

of March, yeah, we're living together, rent, Here I don't bring, one of 14. The amarrasped,

Camarone. To the same. To the same. To the same. A last month. And no, me pired the nalgas that's not.

You know, then you know, well, no, no, well, no, well, in those days,

then you did you. No, the day, you said, that's, a cabrown. A lot. A lot.

Kempus. Kemp. Kemp. Well, yeah, but yeah, but it was when yeah,

we're, like, we're, like, we know, we know, machin of three years, well,

yeah, no, all was all the to be there to be there to be there. All right

to be transparent. So, I said, I'm to get. At the the time,

yeah, I'm going, yeah, it was the thing, to do that was a doubt,

what was a question, car, or what, do you know, to do that to do,

to do that, to, no, this verga, no, man, for the No, no, but the

change of that you Of you To, Yeah, of Yeah, of Yeah, well, Yeah,

well, yeah, I was so Incario, do you know, but, Diaryo Flores, Diary, but,

you know, I don't want Flores, but, but to, a, to, his,

his, details, to his details, to his money, because I'm, I don't,

no, I don't, no, not, not, not, not, don't,

but, but, just, no- had promised what he was

to get the work to he was, I'm in the man, then I'm

another thing, I'm I'm was, I'm was, he was,

he was, he got, he, he got, he, no, five, no,

any to do you, and in the time, he'd be over, to get, to here,

and then back, and I had to moving, I was I was I'm

never no, never my never the morras, when they're inamore of a bato, no book in a

batto, that have a car of the year, that's a person, if that's a vatico is a job, and if that's a

that's a chambiator, you know, because that bato, when you and you're not going to you, and you give that

love and that's a lot of time, the people, you know, you're right a chamba and you're

very good, and is that the people, to the people, to the people, to be a only, so little,

I'm, I think, that the A woman Travador that is constant to your work and that's

a job, that not is that I'm going to to go to go to work now. The

people workah always, always have an opportunity in the people. The people

get, because the opportunity and the time or time or or so what it

and the the, the commenter that I can go to talk about about about the

thing that I I, I I know I was, I know that

that you they, you, like I. I'm not not see doing the movies,

not I'm doing the same form, no, luching for the life. So,

when you don't know you're in the heart, you know, you know, I'm not you know,

I'm not I'm not we're saying, we're, we've, we've, we're all day, but no,

no, like much people, no, well, is that not carecied what I've

carecised and that we've got to eat to eat to eat. No, if we we had to

come to work, because the two work. And he's also, we're doing to work. And at the

time. I went to get to get into the courses, that's, I always always, always,

and now we're always, and now we're we're both together, and for so I we've been

in, in, in, in, he, I don't I'll say that I'm a

much, but yeah, I'm a part but I'm but I'm I'm parted but I'm now,

now I'm now, I'm now, but of the I'm sorry, because I like, because I

like to I'm just to do, you, it's a little bit of the water too,

no me don't me no, no, I'm sorry, I'm sorry, I'm gonna do the

fombering and you're chambi-a- chambi-a- -chal-a-all-a- -l-all-the-clet- You, halloate with him. The thing is the way.

It's the best. It's the best. Just to be it. If it's a chambiator. If it's not, no, it's bad. If it's not fair, if it's not fair. If it's not fair,

you're not, it's a feo. But, until it's more. If you don't have a car, your bato, if you don't have a bike,

you know, you have to be chambiator, you hallees with, the things are going to get beautiful. When there's, what you have done the caron,

fiatte, no, no, no, no, no. I, But it has a personality Yeah, thank you. And if I'm going to say

that's your personality because is it's a feo my marido but, ah, how it has the personality. And it's the personality that's the

sasone that he met and for that's a chance, I think of a year of your life, a muñecke,

no- know where's enre- chit. Oh, I'm going to do I'm going to do think a

question just for that in the other podcasts that have programmed so defunded other things

that you'd want to be a big chingon the podcast as you're doing here. Here's to get to

get to get natural. Thank you. Thank you. You know the door here here,

yeah, Pa, always, you know. He's here. He's going to the movie of

Migayo? First, it's a Mexico, because it's a particular Mexican.

Okay. We're in the Camaron in the the cines. Only in

cines. I don't do not with nothing. Not. Not. That's

going to go to go to make sure. I'm to make to America and then

States of States. Tah. Taching gom here, I'm glad I'm glad I'm glad

said that how much he's he's the money. Well, much

much. Much, much. No, an approximated? for a more or a more or a little,

a movie more a number. For the person that wants to do do you know, minimum you can't start with 10

milliones of pesos. But it's a a movie, it's a not a not so, because in the

cinema, in the cinema you'll give an example for that question, is that

you have 50 people of to the 50 you're at the 50, you're

to the 50s, they pay a subal that's a little bit of that's so you know, so you know,

then you then you know, and then you have a 10 actors are more great, more it, so 10 million

you can do a little about a little. For bagito, 10 million. A movie with actors American,

more type Hollywood, with helicopters, movement, explosions, you're talking that's going to get

a million of dollars. One prox. Look, I'm just to know to know that that's a

kind of, but they're to get a year, you're going to see the this. Yeah,

I'm going to get the number 12, because yeah, we're going to my gaio number two? No,

that's so they're going to no, no, no, I'm going to say, no,

I'll say, verga, after three, four gyo going to say. Oh, ha. Awah.

Awah. Awah fresh. It's will be the, the, the the other

the camera is is a biggito and he will say he's the guy

to get the guy's going to get the caronc with a guyy a guy

a guy a guy a guy a guy that says here a a

a one for the for the people for you know so you

and a so you and a good question very good

question first you need you inspire after inspiration comes the idea

then the idea then the execution execute your idea do you know no more you know more you know much people

that only think you a day and a day and a day but where to write for doing

you don't not occupies no cupas money so much occupies so you and then you and to

ask to your people to ask you get to the guy with the day, you don't

not, no, no, no, not, nor to your mom, and to your

father. Because they they're saying, yes, my my because you're

his his own. But you're two, three, four people who

you know this give me the hand me, let me, that's a person

serious, tell me what you think you and he he's to say, if the

people, if you're two people to say, oh, the man, that chingona

is the thing the story of the movie. There you go for that commentary.

A lot, to do a movie is like to make a good plate of food. It's ingredients.

The ingredients action, comedy, drama, that there much honesty, that you give much

color, folklore, or what you want, and you have a very good movie.

Although the the the question not the attention of the people

to another other way, you're going to you're going to a bellion. Much of

a carousone, much heart. Here, my Camarone, a good for those who want to do you?

Well, to put a much attention first at the in the guion and to add and to add

much, and I want to make, much, much, much of course.

Much guys, not just do not do that the thing you do you do not.

So, if I me me me no. It's a pendejo the vase.

You're a man, I'm I'm an I'm saying, so I'm you know, with the

voice, but with the body, but to do it and do it and do it

for the people to the not to you. Yeah, so for that you

see, it's, you I'm, Camaron. Camaron, a to you

do you love, but I want to to the people, but I

know, that's very good point, Camaron, very good

point. To do do something for the people. For you. If you do you want to

do you do it's a way, I'm doing it. You're doing for you. But do do it

for the people. But I do you do not better? I'm not for the

people, for my kids, for my father, for my parents, for my people who are

all the people who did all the more for my little, more for him did we do

we did we do we do. And I hope that the people, I hope it's, but we did we do for our our little. We did it. Hey, Camarone.

Are you, right that you are the point of this to you're going to to get the well? Because we did we we're

we're just she was derrumbed. She was very, for me, for the Camarone could say that she was a and you were

your child? Papi, where is Papa? Oh, my birthday. Where you're going to be? Oh, man. Oh, man. You're doing.

Hey, how you feel? Mascar's new in that. Oh, I mean. Oh, so, the, not to have experience, well, is what I said right, the, not to have seen,

experience to us, because we were going to call to get us to the telephone to be able to get to be able to a month or a much people

to be able to do that, but we're not, when they're being uppegated to the kids, it's a lot

to do you get to the morros, is something and a time so, it's a

cabrown it's it's it's a bad but we're we're doing

for him for him and we're and we're we're and we're and we're and to be

a little of the barrio to be that's that's I'm so I'm

I'm my son I'm to say that's this is this is this is

she's she's she's she's she's she to make you know

let's let's let's we're we're we're not we're

because I had me up to start or to be in the night that's quaint, the pleads me, it was after

me, I'd say, not I'm didn't do you do you, that was, that just a coffee-cuit,

or this, that was a manniosho for the food, that, that I was that was

and that the medodian not was the food because no they used much things, that the

poe with cream, that this, no to eat, because not come because,

well, no, I liked the food to the picotia, but not he had to get to another way,

I'm trying to there's, there's a yeah, I'm saying, I'm gonna say, I'm saying,

I'm saying, I'm saying, we're saying, we're saying, you're gonna get her, you're the camera,

it's that me, don't, that my , that my kids, that's,

you know, you know, you know, I'm, I'm, I'm, I'm, I'm so,

pan, no, no, no, no, no, That's another man.

I said, I want to get to the hell we're going to do for the child, for our

our our children, and we go ahead. Very good. And that that's

that you see right, in really, I'm really, I'm

really, because is a person very a person to be able to his wife and the

camera. The camera again, regressando to the council that said to the camera to be a

to learn your your your joy your if you're you can't do you can't

actuando they're they're they're they're being reales they're

in an scene is is the is the is the chingonsis so

so imagine so imagineate of these people of those

people change the emotions the emotions of the CABron.

For that I'm sorry, I'm that evented in this movie. Amigos, go to

see the movie. I'm going to look at how to do the guarantee to get to

get your free of a regress because the movie has a thing, it's a

thing, we're right that we're making a here in Kulakhan for the because it's all

it's because Kulakian us gave to the Kambor and the in particular. So, the real felicitities

to both. Thank you. I'm very content. I'm going to all the race for the most beautiful here.

All the parents of families that are the most people are the most of the world are the people.

And I know that there are a young that have a little bit of a child. We know

we're important that is that we're we're for that for our children.

We're we're four. But in that day was a birthday was a

Loretto, we're We're just we're just We're going to We're just to Because we're We did all Of course,

We did with a Chingue of Ganas To get along To get it Also, we're We're doing We're doing To make the

Where we Anywhere we Any time We're To do you To do you To get to You're gonna

To be able to You're gonna Always someone You're gonna be Always always When you're When you're When you're

Chichamba When you You have Ate Chichamba You do you're saying, this bato he's halla machin that's a bit of

that's in that's a way, you know, you know, you know, you know, you know, you know, you

know what's the thing to get the heart and the people, and the people, you know, to get a person, to do you know, we need to be

that we need to a little bit of a little bit of a little, well, you know, he knows a producer, yeah, I know

know what I'm in a movie, and for let him let me talk, and let me let me talk and we're

there, the time. So, so it's a manned and

and not to stop. He's Mayweather. I'll see much the good of

the people who do you know, but the reality is the bat

to the stuff is the work the job is very is

very always always will get a day where

always will be a time a two years

I have I have four and my life came

to the five years, no? But if I'm my life of the

initial, the why I did a car manned, I'd a carol, I'd

have been to janteras and my life has a 20 years of suffering

until to make to make to make to be real. Your

life will be when you workas without find

the when you the hands without to find out of

who you say, no, you know, why you're you're so you're

so much you're and you do you do you don't know to make the man or

only you. So that so I think that that's that this movie will be a

success because we have all those ingredients and people and people

real from from from the director producer and the actors

we have a past we there were carences, no? There was

a past or a true. I think that is the magic, the magic that's

in this movie. What, all, all they got to to pass to the

morrillo and that they're that's that's that's, that perro. Well,

much thanks for to be to be my company, and to all the

people who and we always and that care that's that your

compo Camarona the precious. Thank you for my but I'm sorry. Thank you

for my invitation. I'm sorry. I'm going to make a ching a lot of and we're going to

August 1 for you for you know let's see that we're going to come here in Culeyaka

no no just that not no no no no because they're because they're

not the first will be here first in the city of Mexico but first in there you

I'moncito traquette a racquet Sal, pecoteito, alfropros, roha. For all the Raja,

for the support for the support for the for the raza also the also the rasa, also the world, and as

my compo, the first here in Sinaloa. If God Kiern, us for this video. Amen,

Veeho. Plevada, there's there's the material of my Gaio. There were

many things that I liked on this podcast. If you want a a comment to

givesel to give us my compo Ruben Ruben, my compa Camarone, and the Preciosa. Also, also

also, also in the social, how do you? Rock Films, Magic in Instagram, and Rogue Films in Facebook.

I'mimo. I have the Cameronisa for all the Rasa. And you, and the compa Camarone

in Instagram also. And in the TikTok too that's a beauty. That's a person,

that's what I'm this. You know, my mom. That's what you're saying, your And my beautiful.

I'm sorry. I'm talking. I'm going to I'm going to my name. I'm going to say. Well, God bless

much. That's the movie is a exit. Thank you. Notta, not it's for mamar, but

I'm going to have a guackilito and bulae back into. Salus for all plebe cages, as us also

as much, I'm Fippeber and your servidor the podcaster most hermoso so the hornie. Animimu a bit for

the people where? A little bit. A bit of the people. A bit of the Camanos, that's

Yeah, you know you know A bit Let me come to Let me Goa

for the I'm so I'm saying I'm gonna ya but the n'amai but the

but that's Emupt it's the it's the and it's and they're so it's Vend, come here in a photo, Simon.

Come. Alright, go to see.