LOS MAFIA PODCAST ⭐️ - El Compa Ivan — Conozco a todos los Lacras de La Música

Episode Date: January 20, 2023

.

Plebada, what rollo, what trance, what on, what, oh, oh, oh, wow, oh,

oh, oh, oh, blah, no, we're going to do you want to

do you're going to do you know, we're going to talk about, and the form of how you

let's talk to the water, my dad. Thank you for the party, subscribe,

because after this podcast you're going to get the reds on the media

for two the power, the mafia, me, putte well, the chigada.

Compi-in-law like that's he's like he's pal. A-u-oh. No, man, compas

super honrado me received with tachito de buche of tripa yeah. Debuche of tripa

gues, humah of hamacea mariscus no, man, frioles puercco

et the recalentato what what, what's no, thanks for the

thanks for the thanks for the thanks for super content to be to be to be to take to

to try All the veneno, Bejo. Has it how do you do you know I'm sorry this is the

first podcast that I'm and I'm and I'm and I'm to know how so you make you know

so much psalty so you're to get me the lencho me- but if I'm

but I'm I'm I think more of three years of three years after we after we're just

after we after we just that How was your his, his, so, for the

little bit of the plover to get a plebara to do you a little a little. No, no,

we're doing, we're doing, there's a there in the United's. There's there. And the

glas, no. Pue Benjamines. That's that they were to go ahead, but,

but, but, but, but, but, but, we, we're,

we're, we're trying we're still we're still we're at the other other other

other not in the locution but but there we're we're

about a last ten years of the locutor of the radio

there and the couple of P.P. Garza. Saludos to the bads to

chosos to the jolos. For there, and who know, who knows,

he's he's over the thing to do you do you doing very good, salutes

to the old then then we just we we were working in Chicago

I've a morning show there in for a year for a morning a morning show

a show a radio in the morning a man yeah yeah well

no you can go to go to go ahead because excuse me ah how

how she said how she said she perro but a dog a dog

a dog no but there we we were we we were

in a in Chicago and we we're going to we're we're we're

we're we're in a show of radio in univision and it was chilo was chilo

the experience the end of that's 10 10 years 10 years 10 years in the

locution of radio in the United you're you're going you're living there?

All yeah in the other Laredo in the 2011 I'm 11 years

11 years how the baseball with how the other all the States United.

The net I, you know, it's a yeah. It's a chill, we.

If you're you have to put in more than just they're being verbied to the Mexican

in the sense of the dream American. No is what they're not what

they're, no is what they're, no is what I'm just I'm just I'm that I'm

that I'm that's I'm that's been positioned yeah yeah

and I, I, I'm, I'm And I'm super grateful with my family because

no I'm I battled, like much people who that's many years, whoie, that's

fighting, that they're not they're to come to with the family here in Mexico has to be for a

pack, I don't pass for so, so, so, so, so,

that the fact, that's, that's to appreciate and to respect us, because if the rasa

when we say, let's a son American, ah, we're to do the thing,

yeah, I know, compa. Yeah, standing there. No, not so paluca,

yeah being there compas, yeah, yeah, yeah, he's a residente or

or not? I'm not. I'm there like a resident. Simon. I'm, I'm like

residente and I'm involved much as being with with the rasa, with the

with the rasa, and so that they're that they're that's that's that sometimes that

there's that sometimes that I'm when I'm when I talked about in the radio,

much a rasa me, I'd talk about his anecdotes how is that they're there?

Why are you that? You're your name, the force that has the power that

was the thing? Right, right there is established, me imagine. Yeah, more

is there. Thank you. Thank you. But the most difficult, but the not to be with my

papas, my family, whey. That, a fin of a count, compa, one says,

oh, I'm going to want to buy this, and me want to buy this, and I'm

but you you're from the year, you know, you know, you're from your

your mom, you know, you're not you're because you get to be sure, chambia, and chambes,

and chambes, and chambes, and chambes, and you're doing chambiaugh, and you're and you're gonna to chambia,

because it's pure chambia, compa, it's pure chambia and you, you're just those details, we.

And, and standing here, not those valoras, we, no, you, until you're

that you're in the WhatsApp that's your mom your papes your dad, your carnales in the pastelito

ah, comp. If you're that's what a end of that's what more value has the more

you know, it's just that you're going to be able to the rassah if you have the opportunity to get

you, better chin to get to because a me took to all the people, me have

said, me have said, I've said to have I don't I'm no,

I'm a lot people me I'm going to be I'm sure, what I'm I'm sure,

but I'm a razzed I'm at a person I'm there's a there there's a and this

way, so I'm going to go to go to the but when he he said oh boy

I'm gonna cross and he went to how many of the dollars he cobrough like he got him

so he so much so when he he's just yeah we what you what

you're what you don't you yeah man yeah yeah yeah

yeah why he said no way I said I'm I'm I'm

I'm gonna I'm when I'm when I'm when I'm when I'm when I'm I was

I was putting teja something in the house of and the I said I'm so

how do you I'm going to I'm saying I'm going to I'm going to get to because to be

to be I don't have my family to get going to go to and various things

and I was with the mentality to generate a fairia to get to get to to

get to but no a little to so much a about And so,

if you can't arm, no, it's like like you know, no, no, no, it's not you know, no,

no, if you can't arm but that the people know that the people know that's that's when you know,

when you know, and that's, or at the more you know, or a lot of, that's, ah, because one of

a thing is when you say, like, come, come, come, come,

come, come, come, you know, I'm, yeah, nobody nobody,

no, nobody, they've been said, what you've You have to work for your

side. No, man, comepa. So, well, those puttas way.

So, so, so, so, so, there are there's many,

there's people, people, people, people who, people who, people who, and

people who are, and that started so, so it's we're not, we don't,

we're saying, we're saying, but it's a good, a day, a good, a month, how is,

in, how it in rent, and in food, Wachach. If you you're going,

I've I've been for many years in Los Angeles and the prices of the New Angeles compa

right is an exaggeration is an exaggeration is a feo the prices a cop a small of two

recamaritas and you I'm saying in Istlea way at the most in the barries

that are not the nice that you want to you want to for those

to be to the a more to that for that's to it's you

What's, what, 2,000 and something, we? 1,800, depending. It's that varian much

the prices, but, but, something. And it's that I'm going to back to,

way. $2,000, for the money, for the pure rent. For the pure rent.

And it's me makes that me so I'm going to because if you're to go's

to downy, if you're to, I don't see, other boroughs, yeah, a house, a house,

a cost a higher of two-five-famous a car two-five- $2,500 is $1,500 $1,000

$1,500, a man, compas, a dineral. And the departments, if you do, do you do,

do you do a apartment for me, my wife, or for me, you can't it's easy

in one- two-milly and fairia, $1, 000, but it's me makes that I'm

that I'm trying very badito, we. No, well, me, I'd

$500 dollars? For you I don't know I'm going to but I'm going to but I'm sure it's that it's that

you're not there in the other side you're in the other side of you're going to you're going to the other restaurant because in

the the kitchenes a lot of whatever job is good even if it's good even though

any kind of whatever whatever is good but the chist that's that yeah

yeah that's that fa fa thank thank you so

so Ganas Gastas, whew. As a kind of gas That's the role. A lot of

you get to the menhame but my compo Venji is a go. It's a way,

that's the role of there's a there's a lot of the pochada. All the poachada. All the puchy

poachia. Agua water. Oh yeah we're going to talk to the thing this

that's that you started you've started of that of that movement.

I'm part of that show see to see it. A see it.

Me took to be. How, how it's a lojuria because it was a movement

old that's with a with a carrieal of the carrie so I'm so I'm saying,

I'm sure when I am here I'm here and I'm with a chivu in the

noca in the yeah fiatte that we took to be part me took so part

because in that I'm I've some I've that have the discler

of Twins and in that then that discera got a

big a lot of much, much, much, much, much, much,

much, because they're to do music with music, music that I'm

there's there's there's there's and then that modita very

so did the corrhors and and he was a

movement altered and and many people there there

many there there when when when we didn't

where where it's so it as as my primes to me

us really the role of the music of hip hop and and it's

many years in the hip hop they're doing the rapers

of the M andem with the 50s all of all those I was

I was I'm because they were there's and it and it's was

shoole and it was chileo and how one a song they were one and it

met to the octo Dr. Dr. Snooddug and so So, so. And then

that's because they said they were a movement. And from the word, there was we're going to

the rollo. And we're we're going to do you know, first we're we're doing a movement arremangado.

First of it was to be a movement remanged. But no we'd know we'd and we'd

we'd say to the families, to do you to do you do you're how did you do you're

how do you're there's the thing that's the is that not all are going to be very

armangled and so so it so it's so it and so it and it he gave

the movement altered for the movement of music that in that was very

very music hip hop so so so so the

role so the rolite of the M1 that's a

collaboration of many artists is the first roleita in

regional Mexican that so with with collaborations with

that's the quern chiv bo and bass That you was part of

No. Yes. The business of the of the authorization. Like so like that like that

like that's like that's like that's so that's that's that's that's

still still listening people who are who are they're are so are classics

that you are you are you're and they're going to be going to go

the buchres can't the commander can't salo salus a

he's whew-bo-one of this. Al-Nole Torres, can't Noel, salus to my compa-N-N-L, can't artists that at the right now they're still in the

industry or not they've seen the rio. If they're doing the command of the Wittres, the Noel,

there was Eric Strada, saludos to my compa-er-E Oscar Garcia, the new The New VIII

and I remember in that a-pun- were? And all with a-cun- with with with with with

with with a with a carer artistic chila and so so he's so it's so it's

movement altering you think that if you have called movement arremangado would have

functioned to work to at the maybe because the magic the music

boy the magic the music well the name I always I've said that

sobering the music is the that's the yeah I'm yeah like a

too or at the maybe and even even even even even even

even even even At the most, yeah, not even ramangas to the air. Imagine that.

Imagine that. No, that's, you know, does it. No, no, we see. What?

That's that's authorized that's a corridor. Oh, no, no, no. Passaporte, Texas. Passaporte.

That's that I was talking there, no. No, no, so, there's, after, before. If,

when, in the channel that's that you have to pay more subscription for that's oh,

oh, for the mafia, for the if, no, so, so, There's a on a

on a lot that you have to pay more for a content more exclusive. Exclusive. There's

that. It would be fair. To be able to be there. Oh, how did you? Awas free.

Awas free. It's, it's delicate. My compa Erie Gestra also. Salvosal Veehom

Salvatio I'm to get the role of my compa Erie I'm that if

if if was that was that was you know you

know you in the ball there's the ball in the music my compa

Eric no, to you to you to do you the compa Ivan the compo

if I'm that you're so much my man I'm so much so that so you

so it was growing the movement that's that's the he did you the

carolone of the Nise that he's that I'm that's he's

he's too Gew Chingau Chapit Chippito Chippetit Cahdorne.

Varian pedas with that the other side. Fiercese that we thought we was a morrillo.

Ah, has finted has been so major than you. It's major than you. Like you.

Like you. Like you. Like that too. You're Traganyos? Machin. Tragano.

The loco Purno, Mastuchus. Saludaso, company, and you, love is the pure Yuy

Yuyii Buey and then. And so. And so. You don't it's not that you have it's

we're going to we're doing and what he took to pass in that process that said of my

that's of the of the of the of the of the of the there's a

we pass a lot like a mountain rusa of emotions in all a

diabetes has the borg oh oh come and the tembrera yeah

I'm no count it no when when it was the

movement alterated and there's there was much problems between

the mafia in Sinaloa we. That we know we know

so we we so much so it and we it's so it's

so to work with much people with many and

if if put heartiac the compa comp machin

salus to my compa the Witres to the commander, that were with

those that we're to talk various experiences and that we're we're going to we're going to

know, like, what's the one? What's the way? What's the one? The one of

the that's the chilo. The, the, the, the, the,

the commander. Ah, ah, for the, my comp old, that's, that's

that's chile, that's a good, that's a good. That's all to tell them to, not,

to, what the The past is that it's that many years when I Maud when I'm

the Nxtel we've we've been a client that we was called for my compa

commander and was a guy was a mangoo, I don't know that the name

is the correct when you that thing that problem that problem no, but so

if we're to put in no, no, no then he's the other company,

he's he's a man, so he well, no so no

respect. So, me mark to the radio and and a son a man

a man so, how? How? How? What? No, a man.

And, so I didn't understand nextel. And then then I know,

my compa was ganguos no I don't understand I'm I'm don't know

I'm if I'm if I'm if I'm a man mani and the the chistee that I

understand how for a fiesta by a private, and I'm rindom

I'm reading my wife, I'm remember, I'm in the FECA Saluda a ball

of the whewbone in the feca a boybe a boybe a boyce a guy

down the so so so I'm I'm risa and I'm I'm

with compa I'm I'm I'm and and they're a

Bato said in my man you yeah, man, here in the yearn, and I got a little bit more.

So that's the time, I wanted to put a for a fiesta private for a company in, in Durango. And I, I, I,

I remember that, this, the net, almost always always rata, yeah, pure,

mentira, no more, and rasa, because the telephos are public, so, so,

then in that then the rasa was, and I'm made a mode in Nextel, and they'd

markable, come, in a fia So they're just they're just they're just they're just this guy

this guy this guy that's like this is a I'm talking to say about what more than

more of 10 years and he didn't he the chist was that the last he said

for 150 000 $150,000 $1 000 to partar the fee in a

one yeah a man oh oh dear oh my my car you're

my And, compa, Ditchi and Echoo, and they're to come part of the patron Tengue, pome,

let me have never seen I, that quantity and that and we're going to be coming to chambia compa,

that kind of money, not they're not over, not ever, no, man, the bles in

calient, plebes, the roebbies, tachy-a-s-a-ch-a-ch-tricky-tricky-tricky. of the man. Encantos of the Wren.

Fierro, and I'm done to he'sho man, he's ch' man, he's got to get him

a bit of the rioleau and we're we're getting to the hour in that we got to know the person

in person in ghan ghani yon-gian a y'i oh yeah oh yeah oh lairgo

to want to want to the risa with a compa of w'n because there has to be of

respect the rolloo whey the Net. Obviously, no, although any person,

not you don't know any of the respect, but standing in the circumstances in the time

when you when you're when you're about, you know, where all a lot, where there's

that no way to get a cana kina, or a, ma'ke, more, pure avioncito,

wu, pure a cusnita? Oh, but the Risa, man, no, you're,

you're getting, they're, he's, I'm mortien, of the rizzo, me's cagando of Risa

comp. And at the last the rato was made a fiesta yeah, man,

so much all the other and the risa and all the rizs and the man,

you're in Angu or what? Angato oh, oh, in those

circumstances no say to read me to sturt me, I'm saying, if I'm

Roo, the ratto capa, I'm three, five, plumbas, why you're why you're

the or you know, or if no, I'm, I, why I'm I'm,

I'm, I'm, I'm, I'm, I'm, I'm so I'm with that

Risa of Nervios, whee, gh, and he's, yeah, I'm, you know,

you're, yeah, whew, oh, like, I'm, I'm, I'm saying,

I'm just, I'm just just, but I'm but, but, but, but,

that's a thing, was the Well, if she was like the mother. He apestable the rifle, like that's, I guess,

if it's that he's not, and if she's my respect. Saludasal, al-vihan. Well, man,

chint, comp. We, we're not respect. And, and they were ready,

the, those pistolero there, no, ma' c'clock. Oh, comp,

we're, there, no, man, there, there's many things. It's that

there's that industry, the industry, the entertainment, of the company no,

no, you, you go, you those in the Instagram, you see in the YouTube, compa, that's the

thing, there's a lot of there's a lot of there, but the sacrifice that's the other people,

the risk, in this industry or in this genre, more than a guy, there's there's a

man, he's a centavito, comp, creami that we've been in that position,

the net that's very, that's very cabrona oh, but you're a music, you're

a DJ? Mm, my, no, and we've We've been We've been, you know that we're

We're Yeah, yeah, I'm sure I'm a fan And the Italica

we're We're We're So, so So, so So,

so the ball of Puntero. We've We're also, the

Puntero is of So, so, we're in two events private, Abbego?

Diga 7 in 8 No, no, it's were various,

but in two we've we've we've we've we've we've

Chila. Goh. No, no, we, we're going to. Oh, no, no, no, no,

but I'm going to not. Awah fresh. There's where one says, me an manmere,

but it goes, but it I'm, how can't do you the money, the

back, and get the and get the and get the money. And apart he's I'm going to

give a lot more because they come from they're in me meho. Any

one one one other the So, it's a fias

the there's a little there there's there's there there's

a man, so, what he got to the music with his

man, oh, my no, no, not we didn't not

grow those those pendejo me, we, we're crecied

those god comp, so comp, those time, so,

how they they're dollars? Or, were in pesos? It were in pesos,

it were in pesos, no, it was a a No, no, imagine you, aggras.

No, well, when you're going to, with a man, with a little, with, obviously, what we,

was, was more than what we, was going to get us. Puttah, well, were, was,

that was, yeah, or, you, or, want to be, what he got, car,

he's the car, and it's to be one of the, oh, no, no, no,

I'm saying, the matter, there, there, is, you know, because they're much

money, because they're more than they're they're, I'm he's

he's a rasa that, oh, oh, they're, they're they're

they're they're they're to get to be, you're that's this

this, this, this, this and this and this and this how? How?

Because a RASA because you know, you does that that

for that he was good. I think I'm going to I know two three people. I think so yeah,

I think so here in Sinaloa here in Sinaloa a Rasa is very to help to help a Rast it's very

solidia way. A me to go to work with the machos and me took to know how much

people, many people of all the country in Mexico, way and the Rasa is more serious

here in Sinaloa the Rasa is very different they're an attitude more

more of servical way more of to help to be a la rasa, we. I think that for

this in Culeyakan many rasas is a very unalienable because I think I'm in the karma way.

Simon. Hey, help the Rasa. No, it's not to cost to nothing.

It's going to get a family, you know, that's the most important. Right, we're talking

about that we. And with the and with the muchache that, with the not it's the pinch

it's the is that we just the pussed the we're just we're just we're We're talking right with the

young that's a invited before you about that the child to the people and to

the people also can't say, the things that's you multiply and the and the

thing is that has a health. The health, my, my, compa,

you know, you've seen so you're in, the health or of events also.

In health, in health, thanks, I've always I've tried

to be good, and I'm good, thank you, my wife. As a God, as my wife,

how beautiful is the health. The net, because when you're mad or a lot,

and you have you know, you're not the planet the planet yux.

And, and about events? Oh, I'm not that I'm that I'm

that. Yeah, oh, so I'm, so, so, in the events

these, when you when you when you're in the industry of the music

of the regional when you when you when when, when,

most ha a moment, you know, and I'm talking to do it. When you're when you're

when you're when you're a lot of, you're to make, you know, then you're, you know,

that you, that's not you know, that's the same hunger, boy, that for

what you you're, you know, then you, when you're when you're when you're when you're

to get so much you, when you, to make your love your ,

you know, that's yeah to do, we. A total. That's going to go to work to talk about

to pay a time. Boy. That's, you know, to do you get to do do you.

I'm glad to be mad at all the way. Because you want to do you? Trace

that chingada of that that's a pincchingat a manh and you don't see that you

that's when we're what we that's the way of the of the things

for for the for the arm that's what you you then

we, so we we're we're doing a lot so we're to do the stee

to see to the people we've got we're doing various things we

that we we're we we're we we're we're we

when the things not not that people with the people

with the obviously without without any without we to do

to work to work to work nothing and never no

nothing because all the people the people he said when we're going to go to work to work

and one we're going to we're a not a risk much in the same thing it was a private but

we've been we we've been they've been an event a event of the city of the

people and resulta that it was a year and and then in reality we're

we're going to we're we're just we're we're we're that if if if

had said that at the maybe it was a other or not you know,

but that's what I'm going you know, but you're you know, you're what wants to do you.

He's chambia, we. And if we, and we, and we, we're,

we're, we're, we're in that we're that's going, and things that's a way,

no, no, I don't, not, I'm, I'm, but, but,

so, how I do I, many, many, I mean, many, many,

that the people right, the morros and right they're not they know, or they're

they're so they're like, what we're to do we're to do you it's very very dangerous

man. The question that says that there in every quadra a pinche R.

Quintero and a backoseter and a accordionero in every house of Culeacan

there exists an accordioner a car de a cistero because it's

chilo that they have that ambition to be music because they're just just just

with, with, with, with, with, that's they're to know what

they're not, not is what they're in the Instagram, we, I'm

always I'm the rassah the Instagram, the TikTok is a pure

a man whatever, whatever you know, I'm that I'm really, and that

whatever that's that's that's any way that's pure men, you're

you're going, you're going, you're you're going to get the but But detrath of that that

that's sonrisita that you put in the Instagram there people people

people people to know to know people so puns puns

all the industry of the music is retack compa of pure false

because what he said for experience cop because he has

been in the industry of the music for many and

it's pure false a more are they're contados,

compa. They're a contadito nomad. I'm a man, compo. I'm from,

from the 2007, 2008. I'm in the industry of the music. Atras of the role.

After after the after the radio, all the all the all the companies

that I were, who, who were, who are colleagues, way, with the

um, empresaries that were that were that were from from the after

that I with the I, in Mancuerna for to do events they were

they put in the event and I put the artist at the most now I'm

to interview them so I'm know very way to do a much

a much people and I'm with the proverbs for that

there's there there's a there's a coence much to get a

get them and they have some any an anecdote that

has been say, no, man, is what has, what has, of some artist that you said, no, mame, I, I thought that was good roll, the bato, leal, but it's a lacres, it's a pincch-cagada

that any the moscas want. There, look, ira, how much that's a pinchee pachita, ira, ira, ira, there, there, there, there, there, there, there, there, there, there, many, there are much, there's,

are very good, people that always have been the feet

over the country. And me had to I

took to live with when they were when they

are in the in the in the in the in the you can

say in the part in the thing they're still the

most those the most with me with That's my friend

That's important Ah, is this? Water, no That's your That's your Ah, much Thank you Oh,

Right, right We should If you're If you're If you're Yeah, you know,

Ah, much thanks And, and, and, and, and,

for example, of those, one of you can say, and that I've messaged

much with him, and I consider him my comp is Gerard Dortit, boy.

My respect to this cabron and is my my friend, and he of the chingada.

Well, it's the same cabron, and you can't say much too.

But he he's the he's the he's the he's the man, yes, and there's

many, and I have deceptioned of many. I'm going to say numbers

for not alterer the plebada but there are many in the industry that in

the Instagram are hi and atrah and atrah a car and you do you do you

for that he consta that he I'm a I'm I'm yeah I'm living

yeah I'm and I'm and if he could say to say something

in the industry of the music right that that that

that you that they're going with that no

no that that that's you when you when you

when you you don't don't so those are those are

those are those are those that you're you know, yeah when you're you're in,

you know, it's pure interest, no, but the shit in that you're that's that's all over

that role. No, they're not that's that you're that the other and that the restaurant

or the or the or the you want, yeah, yeah, you're you're gonna

you're you're gonna you're gonna you're you know, because it's the car because it's

that's this role you to you. To you to you to you I'm talking right

when when it's when it's when it's it's a it's a yeah, yeah,

me took it to be in the radio and was number one in Los Angeles in Los Angeles and at a level

national also in various parties they're they're they're much

yeah yeah yeah yeah yeah yeah yeah yeah

yeah yeah, it's just a lot of you yeah, it's just a yeah, it's just a yeah, it's just a compromise And here I never

I never took I'm sorry to you I'm I'm sorry I'm sure that's the that's the

good I'm doing I'm not I'm don't say I'm sure if you've had been the necessity

compa because because there's there there have a there's

to come there's to comeer you're to come per but you always you know

you know you has to be The netta I I know I don't I don't

I'm gonna he's a lot of he's I'm gonna for nobody I'm but I'm

but but simply that's that's yeah the yeah that

yeah so you yeah yeah and imagineate yeah

for that you don't because you don't you know because no man

no it's you're it's you're gonna you're you're Compa, and more in this Rojo, compa.

More in this role. All cullud, all robones. Yeah, for that I never to get any to anybody, and for that

I'm doing with I'm doing. I'm sorry, me want to partying one or another for that. Well, so have to be

pure envidioso, no? Well, I do. But, but yeah, the industry, the music, compa,

the, the, the, is very devaluated. It's very devaluated. The people, no, no,

that's a word, a much people not know in the industry of the music of the

regional. And of the entertainment in general, because I took to work in companies grand

like univision and then you have you're just pure ego, pure interest, we. No,

there are friends, no, there, they're in the same post that you are you

and you're to be jihi, ha ha, I'm I'm so you my friend and

to get to the hour of the hour because they want to be there because they're there

it's pure ego that the people not be with the finting that you have a lot of followers and a lot of people,

and God me bendice with a lot of people, those of those of them are the

they're those who were with from you from from the two, three,

four, when much. Well, this, fiecese that's an example very clear,

in our in our two just no more. You're the person? And you're

from the day one, began, we've been we're got rimed much, and

they're they're they're they're desperated right that you're there's

there how you know how invite me invite me invite me my

yeah uh a churron no here's you come let's

go go let's be so yeah yeah yeah yeah

when we when I when I was in the radio when I was well in

in the personal you o'clock what what what to the plebada

when it's when it's going to in his maro in the music

that you're in part of the team that's that's that you

don't see that's that you I'm that I'm that I'm the person that's

the time that's the time are the that's with the things in the time

That is the That's the ped. That would That would That would That's like That's gonna be With the finted

Yeah, because they're To get that Garearer comp and the Dinna, and the blah is the

Playa is the devil is The devil is You said, that your Papa you know to do you

to know that the money no can be a guy RON but that simply that simply

Saka the person real the person real that is for in the is the net

compa. To me it's me that's that is it's the is the it's the

it's the yeah because there's many people there's the people the people

the people the more than the way never there's there

never the and there people that's much money that

that's a casuality that when I'm starting to get three

four millecito yeah is that the money it's that's the

bato that's the that's that's the It's always has been not because now,

but now now you know, but now you know, it's a way, that's a person that

that's a that's that's that's but now he's he's he's

just was a person that was doing a, but she went to her,

making make, makingse to pass to be like, so, I'm

respect to you the chingada, and it's the moment that that that person

also a garra feria and he's a delumbra a person that'sier and manda the verga that's that's

that's bad you know the rio of the diner is a bit more and much people say that theino

not is for all the I think that's so I totally agree that's the

that's true I've known I've got there's there's there people

that are that are people that are and I'm and you I'm I'm

that you interrup. Much people, and more here in Kuliacan, we,

confunded the word, the word, the word, they're confunded, is a difference,

compa. No, no, total. But, so, right, that,

no, so, that's, that's, that's, that she was, that's,

no, well, come, so, regress, is, it's it's,

it's not, no, but, but, but, but, but, but,

but, there, about, the , agarrable, you know, you know,

you know, you know, you know, you know, if you're in a end of a week. Oh,

yeah, yeah, yeah, yeah, yeah, no, but there's a rasta that

gaffe, yeah, in a in a day, in a party, yeah, that one,

that one, that one, that's, I've got, I've got to 50, well, but,

but there a raza that I know that gets more, we, simply with

that haan for your birthday for a day that's a club, that's the

band, that's the group, and that's this group, and then the DJ Horny to start

to do you for the day for the dayhorni the more for your for your for the

so that they're to get up that's uh, water fresh, my app

to you let me to say, he's and I'm know, I'm know I'm

but they do they're for pure verga much. Oh, the yeah.

Ambient ambient and not me pago the he's he said,

I'm going to because I'm going to see the show that's the he's the show that's the man, I'm

going to get like a little bit more to get to and he he'll have he said, he'll have

he got over after this post right? Sure! So, it's up. It's over

what you know, it's just for what it's just for what the people you offer. You cover

for what it, for what it, and in whatever chambah the that's listening or or is the water

and if they regate them and they're they're gonna make them that's the that's the problem here

there's much that's the so the reyes of the regateo compas are the so the regateo but I'm

like it like it's like for the musica compo how can't when one when one goes when one

starts 30, 30,000 $30,000 20,000 or 20,000 or so if you're you say if you

do 20 right. Compa, is that just a pen me out of the

gato, 20 500. But yeah, but if here in Guilacan are the

regs of and you have put it that's that you're the rase and they're to get a

repack, you. I'm sorry, you know, that you're going to that's that's the well for you

know, well, no, no, no, but no, I'm the to be a

and you live in the regateo that's of the life of the life. All right,

I mean, I'm not going to say that no, we're going to say that no. The net

that's the net, I'm the I'm the I'm trying to is in companies great,

the copel that, that's that doesn't that no, no, no,

no, no, it's not that's that's that's But,

but yeah, a person physical as small, you know,

what is the lemma of those companies like companies, you

know, many, people think that's good, and very

in the pastel. Well, is good and in pager and and you

mades, put to think when you do you do you do and pager

and and then there's a rassita enchark to the It's the Negoso

Salus to my compa Cople That's A salus A plea Aalue

Atele I'm Yeah I'm I'm I'm I'm I'm

quite But it I'm about the musicada That there A Chinggo

Wellna That He knows A Allah A All the Criada

To say A Toa A ball of Whones Because It's

I It's I'm To When When it When So

There There many artists that then and so and are

good friends, Wrenren Remy, the compo Remy, Valenzuela, the bachua, the bato

me took to convivir to him much years, way, much time when when I went on the

discara with the Tamarindo Rekker Wendorke my compa Tamarindo good,

good, good, my compa is of my my compas my my compa tamper

Samarindo, salus to the year to get the podcast or manensel for there to be

the tamarinds my comp tamarindo There's a anecdote a bit chistosa with that nobody

know, fiatte that has many years when I started to work in the radio

in the radio in the good of Los Angeles with my compa Garza

my compa my my compa was looking someone that that in

that in that in been had been and it did you the opportunity

that before I came to my comp tamarino to

to work there to work with him or he did he did like a kind of

a kind of because he got to I'm doing I'm doing so I'm in the

2011 2010, 2010, 2011 before that I'm to get to work

in that in that role and and they put to come to be

that the nect that's to be that he was to be to do

I'm no compa no I'm didn't I'm I'm no

I'm not I'm no I'm don't don't I'm Oh, no, Guas, no we don't we go, my compa Tamarindo. But if no, I would have been there

to locutor, my compa tamarindo? And that's a pistol. I, you know, my big, way. Yeah, he has this bato, no, no, no, so, yeah, the music, or so. Yeah, has his company, disquera, Tamarindo Records. He, well, he, was,

he, was a career, yeah, independent of the compa Carin Leon. Ah, oh, wow. Yes, yeah, no, no. He, no. He's got to do that carria, too, my compa, my compa, Camerino, the remi. this,

for X or for Y this, the Remy and he, he's still for your side, my compa Tamarindo

also also and then they're those great that are this this cabron

my compa Tamarindo as a company yeah with his discler just be

no more the he's my compa Karin Leone Leone the man in

the he's a Remi for his also also the monster that is

we Artists yeah grand who that me It took to know when we

we're going to get us when we're going to get us like we're going to get a old old

he's dude dude's he's he's in a in an in an

artist a well an example like an inspiration of much uh

uh co- yeah and uh abri- brecha machin machin

machine I'm I'm a thing that I'm I'm going and you're

and I'm going you recommendas, are original, compa. No, they copen

to nobody. To nobody and a nothing. Because the coppa no's di for the

thing. And there's where is the difficult also. It's that it's

difficult, you simply you need to find you to get, much people, so much

people, for all the what you know, for all the way, and at the when you

you're to come what you you're, you're putting it a little a little

a but if it's it was the way. Putta way, that

pinchidon that you give you that's the there's the there's the way no more that much

people is there's yeah, oh no more you're gonna get this right, right you're

getting that you're for all what you're that's that's that car cros

reddes that corried tumbed way and that corrid burridos bellico

and there's there's that many that's that's that's been way

that's of that it's that's that's I'm very fan of all this type of

this type of desmadres but you have to learn to a, uh, a,

how's to say, to, to, to, to, to be to learn

and to see what a lot wies, and the guy a get to

get to call. Ceree to and get us and respect. There's

there's chas compa that utta he says you and the

Courri and what do you don't pay for verga and that that's

that's oh my my comp Tanalcan, you're doing million-sits to the

verga. Ah, he's a guy, and say the and respect you, do you know

your do you? You know, what style of music to listen? I'm rocker of

a car I'm a metalero compa right. I was saying that I was saying

but obviously, I crested with the music of regional Mexican way, well,

obviously but obviously here in Kuliacan who chingado no I've

heard to listen music, papistia, northean, and band, I'm of the old, of the old, boy. Intocables of the north. Intockos of the Norto. Canelo, canel, cadets,

comp. Band, at record, the first disc, the coyoton. Coyote. Of that? That's the stilito. And in rock? To who is? In rock, compa.

My group favorite is Dream Theater. Symphony X. Gans and Roses. Purner, Gens. Pure a cuineroano. Pure a marijuana, loco. those are my influences Purotroniki

Pinchit tachudo vera If he's He's got to go To go Yeah, yeah So I'm I'm sorry

I'm from I'm on Monterrey At the concert of Gansen Rose And it's too Wight Snake Puru Pinshi Pankton

Uru Pitch Rockero Loco Choh No no No no No he took Participant in the slam

Orn Yeah To Kooliakan Yeah Yeah But in the In those Events

Those Oh no no No No Because there's I was a puru-pish, and a gringo so big grinned

to do you do some of my me, me, they're gonna and I'm gonna be

but here in Kuleakar me took to start in some festivals of Rok Difokur

you. You, not, no, no, did you never he,

I got to all the chute W'h, the razzed and I was gonna be able to

berija there, but, but had your group group? I had my group

with my group with we took we were to start in the shooters in the Olivia,

comp. How was he the group? I'm a how you name you my name was a

word. The last time altitude maximum. Altura maximum. Me

took to to come with my guy Jerry bad Saludos Al

Jerry. There was there was a grateros. Buchone 23. So,

I'm like that's I'm like that I'm think I was a that was a

that was the the in the, in the last piece to ensued

in the really, I'm sure, me, yeah, you know, they're at Cuckura.

Who, who, I don't know but, but, I mean, I'm called for

there. Here, Guilacana, there's many rockero, way. Much rocker, and good

music, man. There are many, that's been to be a group northe

uh, uh, uh, uh, uh, uh, because, in the,

in the road to be to be to the Rasta, so, way. Not the culture

of that music here in Culeakano in Cinaloa, no? For that they're making a group of a nortean

because then they're better. Yeah. That's that's the but the dream that

is that's that's for what would be a way to be to be in the city for the

that you that's the best to do you it's the so you do you do you

tryle to get to get to it's more sure that you like the

like the rock and your dream is a shing-a-rockstar, well, you're going to have to have to go to be because

not the music that's the music that's because your music is a group northean

recognized, well, you're in the mere matta. You're the mere maturria. That I remember much

of my compa-fiel of a marker registered and see that machin is going

to be because I took to know because he was he was with

rock or No, no, no, no. But me took to know it. I talked to know when he started with his group from his group.

From his zero. And he's to grab with Ariel Camacho, way. That's an in Chila

with Ariel Camacho in Pazte, the yearho. One of us when I was in Los Angeles, when I was going to when I was

dispunting and that he was his dispuntating and that he had a vice to him. I was he was he was trying to

I was, I said, I said, I said, I'm going to, this morrow. Oh, I Cuchel, and he, he, he's, he's, he's a bit of berg, way. Yeah, perro, he's he, he-in-law.

He's been, yeah, me, he said, and he said, and he said, that's, that. It's me ask, that, that's, that, that's he's, he, he's, he, he's, he, passed those days,

and, yeah, and, yeah, after one, me, he said, come, here, come, he, come, my compa Pepe,

Venghase, we're going to my compar Yel Camacho. Al my mother, we got us we're my

compo pep my compo salo my my compo me and my friend me say me and

my and I and Ariel Camacho there's talking no my compa he and d'

yeah finiatissimo man that's one that's a guy with an Ariel Camacho and he

was he was a he was he was he was So, no, was a young, Compa.

How many years I had? No, the I don't know but I'm about it's a lot I'm sure. What's

what I'm he's all right Yeah, compas he's all they were he's all he got

he's Brechon Sackens and so yeah Yeah, so, that's

the guitar compa that you'll say that I'm gonna start on the caminit

perdon, saludos to the boys of barron too and so salus a lot

to comp, talent, perro of here in in the guitarita that's

they're to get a lot of to be in a little bit of that you and the

compa and he said that he said that he's he was, he, he's

he's and he was, the net that's yeah, yeah, god,

God, God, so he, God, so it's but, but from

there up to tryer a concert a year a year day- and figure to see

that a various music for example a days he

took to to the Alegres of the barranco to suffer like an accident

in the carterer they're those do you go to go to go to

other two salus to the plebones those interviews and they're

good good good and are good and they're good and they're good

yeah yeah so that but what I'm that what I'm a much music

has passed in questions of because they're amazes and umaneked a

is that a musician a man he's a buser than a van than a

in his house or with that's one of the sacrifices most for those

that a risk and you're you arisgas your even you know

that's the pinchey in 255 the pinchey the chintas the end or the freens or the

new, I've got in, way. Has to a incident of my compas of the legado

seven. If you were not going not over the plebe, loco, thanks to God,

nobody nobody felles and nothing. But the sustito, compa. Awas fresh.

Water fresh as you water fresh, machin. You never ever ever ever. When you

do you go to go. Any accident? Yeah. No, fiatte that no. No,

no, no, but we not we took to pass experiences chistos

of that, for example, in the other other side there's places where never a much, where you. Where nev

much. So, you, you're going to you're going to work in an an an antro

to the north of Carolina. So you rents the Venn in California. And to go to be to get to

get to never a way. And, you know, so you know, so you know, so,

so are things of that, so, so, it's a batina the van or did a little

in the freeway and, you know you know, but not you don't know how there's a lot of a lot of

a year, yeah, or that you have to put, for example, you have to put a , for example,

you know, because it's never, when, how, ching-a-o- so they put in those,

dude? Cadenas. Cadens to the yantas, but, so, yeah, cadenas of

those of those, you know, they're, they're, they're they're, they're

when the way. And we, and we know we, and we didn't know and to start pull it

they're like they're but how they put in those marries so are so they're so they're

but they they're they they're they're they're they're they're never no

no, not over to not even no other but we don't try we're not we're

we're saying like cadets to the but so they're a lot are a ton are a chingo

of vivences compa that you pass in the musicada, the net. Good and bad and tryst

and a trist. A trist a tree boy. Oh, is a a trite and a

tristee. You know, you a little of the music, how's the how's the

commander and the commander and of the women, the I took to be part

of the initial of the two when they when they didn't do you

did it. Yes, man. Yeah, for X or for Y, they're still in their trajectory. I continued with my room of work, that I began in the locution.

And they were, and they were, when when I tooko interview them took to interview in my program of radio, to them as as a group

invited, when I were part of your team. At the first I was to get to the programs of radio and then I

took to receive those in my program of radio. It's a cure. Yeah. It's chistoso. The cycle. And then I said,

yeah, and I learned another era, for the vocution. I don't study that

did it. If I Cobrava car in the interviews? No, no, compa.

And the company? No, no, no. There's, there's not other thing. There's

other show business, huh? But I never, no. No. I never got any

a five of any group to that he's to be to be if they were. If we

were, And to that I say, that me that's the I'm in never, I don't

know, so I'm not there those those those get around you're

about, because no interview to be at the one of the four get on the

there's a no, no, no, I'm going to get a bird that's a

program. Oh, we're going to let me let's get the Chispito.

See, let's we're just that we're talking of that we when we're when I just began

in the radio I, well, I, I don't, I, I don't, I know the

knowledge and I'm to talk, well, obviously, no, you know, I'm going to

be going to be going to be a lot of a verga. And, he's, my compa Pee,

I'm gonna be a man, I'm gonna a phoneito rojo. Empa, me, for a favor.

I'm gonna go back up to be to be right. What's, what? What's, I'm sorry,

that's a The way is it. But why is he he's he's he's like to be a to be a little

to talk and I'm to say to I'm a know what I'm and so I'm I said I'm sure

I'm sure I'm sure but you but you in that not you didn't even he said

no more he just me just I'm just I'm just I'm just I'm with the

I'm over and I'm so that's salonscuit when I'm going to go over me you're

talking to yeah comepa well, is that you're going to say that's you're going to you're going to

that's the man, I'm sorry, I'm saying, yeah, I'm sorry, so I'm sorry, I'm saying,

well, that when a bad that's, is a moulton, we. It's a company has to

pay the and the carrens in the locutor oh, oh, I'm, my son,

you're doing, my son, you're doing, and the bach never mentioned no money and none, salus

to get to get to Chiloh, so, yeah, see, that's That was the...

Look, ask me more ask me in 10 years how many the words more the

more than the word after the that's no, boy, after the that's,

and the people that you know, that's very grosser, boy, I'm very grosser,

the net. And, but in when I went to a microphone, it was like the chip.

And it's very good and the other side, because in Los Angeles there's

the diversity of culture, compa, there people of all the world,

we, of all Latin America, of all South America. So, for the people of Mexico,

to say a word, for the people of Southador, Guatemala, Nicaragua, or the

yeah, it's a grosseria, and for us a word, or vice versa. For those

are the bad words or good is at the reverse there. So, ah,

to have, to have, to have to have to have you, you, you're

you're to find a a bit the whole of the law

of Not a quich. No, way, no. To have rating, you know, you know, you know,

not you know, that's just that's going to be very. It's very stressante that pedd because you know,

because you know, how time do you know his program? Five hours. Five hours in vivo, compas.

Five hours in vivo, comp. C, cabro, oh, way. Madreado.

Yeah, yeah. Obviously, not you're not you're obviously, not, but,

between music, commercial, notas, show-s-sit- to get a cure and the ching. But you have to

have to have five hours prepared. So when I'm in the

good in Los Angeles was of the three, of two to seven. Of two

to seven, boy. You're only? First, I'm first I'm only,

with a compa Mickey Meyer, then I'm just just a time, a year

a year and a year and then he did the opportunity to invite to my comp

cop. We did a good mancuerna and not was very very very well.

It's a manned and the chabalien and the chauwaya. Much

a tisito took, he's good, thanks a man, way, so much,

way, so much, what was the cheque the carro? Inga you man. And water

fresh, my papa. If not he said, no, no, no, no, no,

no, no, no, no, no, but I'm to do because,

but I but when I'm when I'm did, and you I say, and because

I'm saying with much orgoy because I see me shud- much, boy, and it was much

sacrifice compa, because it's a job very, how you know, very stressful and at the

same way, and at the same very cotized for much a rasa for much people. And I

I'm I'm I'm and I'm I'm do it for not not to

do it, but like, like Los Angeles is one of the

markets most important of radio regional Mexican in in the United. All the country,

all the locutors of radio and they're being who what's, what's, what's,

what's you're doing because if you have good numbers there, way, you know

got to get us going way. Sin have studied a locution way, without

never said, nothing, we, chingado cabron to get to get

to the manned me. Me So, you know, so I've too, I've got many enemies in that aspect, we're much

envisional, you know, and I'm, the first cheque that's the first cheque that's, I mean, it was five

thousand dollars, boy. $5,000 was a first cheque yeah when we had been many good numbers,

we're very good, man, comepa, a man, a caron of a carnaz, a-verger, was a-re-

was a-d-d- -d-lawed. What did what did you? What did you did with that what I'm he did it?

I was because for that then I had I got a hell the net ah

it's the really is the the money the money the the money

so so you have to have to chas there here here

here here I'm that the rasta he's he's he's

ready to answer to answer to hold hello hello hello

hello We're the waybona, the guy. He says, 50,000 likes and see, and he's Rasura

the barba, he's? Yes, way, no pedo? Is it the razzura? Yeah. Yeah,

to the Pellos. No. Has, how much, has razzed the barb? Ah,

I've got to, well. And I'm back. No, no, there's, like God he's all

there, and so, I'm a pino. But no, 50, 000, there's a lot,

the person, no, no, no, no, you put to your retos Perruss

50,000 life he's well, well, we're to get a to bebe

the baby yeah, he said he's, he's, he has he said, oh,

God, for the clavos of Christ no, no, no, never, never,

never, he's done the beck the beck the yu-y- the bestos that's, no,

no, I'm, I'm, I'm, I'm, I'm water, but I'm

no, no, for a- no, You know, you're going to get a day. Preetly to get me to be there. Tickito of Lengue, say. Dice, has been Sugar Daddy of someone? No, no.

No, for you to start, and fairie to there, comp. Why is he? This, this, this, this morris. The Instagram is going to be Chikis-Tikis. Chikis-Tikis 4. The Tricky-Triky.

The Tric-Triky. No, no, no, I've been, but I've been, but I know. race that is the year. You know, but you're so young, still. 35 I have, well.

Not so, man, man, yeah, but. So, you know, no, no, no,

no, compa, how do it? Ah, yeah, yeah, yeah, yeah, yeah,

yeah, yeah, how much, you know, how many, you know, I'm 208, no,

no, no, he's a morrow, no, no, still here, I'm, I'm,

and so, and so, end, so, I'm, , How do you, you,

how's the 20, no, this is when you need to remandar to remand a remand a man,

machin. Nomas just a one, yeah, and you know, and you what,

and you're to say, that I'm going to start with the rio that's that's going

very good. Thank you God. So, let me get the now, now I'm

going to interview to the girl. I'm here. What's my friend we're

talking to we're to come to the mafias and now I you're

to interview to interview to get to you know, you. You're going to because the

podcast is something is something and you want to do you know and much people do you

do you want to be the compo of the apparatito that he he recommends to do or

what he he's a my app that's the thing the principal

is being constant much discipline a yeah much

discipline and and be original being natural not force, no force, not make you

make a question that you know, that's being doing, you know, then you're not to lose

the feet of the earth. And of all right. And then all to flow, portat you well,

is one of the principal reasons too. How you see you, in the

manner of, that many people to get to get to get to

manipulate, we, for what they've for what they're doing you think that's that

you know to do you to do one one's one's put yeah yeah yeah

yeah yeah and here and and Quliacan that's so yeah

they're they're in contrast all to all yeah yeah yeah

yeah I'm I'm if in some I've done I

I've what it's nothing just it's You're not doing to MIRDA. No, I'll

say what it is and in your car if you want to you know it, but you know, but there's much people

that do do you know and a side of the you're doing you know, you're doing because you

know, I think you're to get to have a there's a very bad very mal there

there, there, there, there, a guy, very that's that's

your compas but in reality it's like it's like

you're like you're like you but not they're better than they're more than

real and is the real and it's the there's much there's much ego there is what

I'm the industry and the entertainment and the music You think that's in all the

way Even out of Yeah, well In the States In the States It's a Peor

the thing It's It's a Peor because There's There's But the

Dino So, not is the Exit is the money That's Garnando

What does that So, So, I think Because Well, Because all

All we Does it, All we Does it, Because Because the generate a

enough money can you can not you know to you

know that's that's logical that's logical but you can

get what you can't nothing to you not to you know to

you can't you get you're the person more

the person the money not the money not

that's the the fact, but, I mean, I'm, but, but, no,

but I go, you know, you can't have million millions of dollars right, and there's people,

and I know those I know. I know those I know. Is the net? There's a millionaria, compa,

that no. Infelis, compa. I know people, I know, I know, put to

do it'ser the borgan or not, but, people infelis, w, Lupita, that has a

tiendita here, that's a pen that's a little bit of the thing.

He's a little little he's a little and this

people that's money, I don't I'm not I know that people,

but there a compa, desiria not to be a there. There's

there a podcast of those when we were we're we're we

we're and I told a an anecdote that me It was of a capo,

a capo, we know, we're going to we're in the and we, and we, and we, we said,

that the net, we, we had much faith, that we had a much potential and

that we're very talentedos and all that but he said, no, no, you know, he said,

and you, and you, you're going to be, you, me, he said, I'd

like, I'd say, I'm to have the five percent of

the money to I'm so for that my problems were less,

I'm said, but no I'm, I'm the life

I did, but you that's a time, not you're

so, compo. Oh, no, the water fresh, me.

Ah, that Marmaro! So, Pongase verga, it's that one's put to think

because you're past it for there's many times because they're to put to say mom and a media

no deciming that we're we're doing I'm trying I'm trying to learn to my short of age

35 years but have passed things that have passed that's where the net? And how

it's how it's my company? Yeah, No, no, and here we're going to be at all the Tiro. The reds social is, yeah, for that

the plebada. There we're like like the compa, Ivan, in the Instagram just use the Instagram man, man, does it, be heho?

Subo detailitos, so, so I'm, so I'm, I'm, I'm, say, I go to do something,

he said, to do it, I'm a pain to do you, or videos, because? You know, they're a tonne,

you know, the chinkas. But, a me a pain a man of one of the things

for the one of the other things when I'm offered to it's a year, it was because

nobody me was to be and the I'm not I'm not I'm no,

I'm never a petepe you know and let let's get the micro and that

and that starts to start and that that's a guy no, what's that's

I'm I'm that this line and I like because when I did

video with with with the with with the with was with

it was with because there was there's there's a there's there's

there there's because there a new and he and he and he

so yeah and so so so for that man I mean a

so so I sometimes sometimes the people me say yeah I'm

that you do you say a man that man man

that's that I'm it's it's it's it's it's

For example, when we we'd have so in the radio that we'd we'd have to give to some video and saluding

and so, no, man, I go, I'm sorry, I'm sorry, I'm gonna that's a

pain, but yeah, at this point, fiat it's curious that you know and it's going to be in the video? Well,

but here's a platicita a barraiserable for inter-cama but to be there. No, no,

I've been the Kawama that we've been that we're not, no, don't, don't,

don't, don't, don't, No, Johnny, you and you're in an environment so, why you're going to

that's a vrga? Ah? He's your life and he can't take,

not put to you know, the people mitten, compa. How does you? Like,

mhm. Hoolazzo chingada. Well, Sigerlap. So, see, I'm glad to,

the compo, in Instagram, is only the red social that, you use. And, there's

we're, and thanks for the invitation. Yes, And of no, Bejo,

thanks for here. He's here. He's not the podcast. And with the

guys. And with the money, for the people, da, tach, t'gat,

Taka, Tenga, Tengah, Taka, like, he's a L'Rourg. And I'm

there's a manned the anticipy. He's the Veeho. He's, there's, there's,

there's, there's, there's, the check there. He was , well,

well, Well, Benetions to All right. It was a good to have it, then it was a part two Yeah, with more,

more cardiaca the thing, more cardiac. Just my friend. Nomas to pay authorization of one and one

and other boybom and we're and we'll put them a bit there just to get to

get to the people. In English. You come dick. Saludasopold a benitions. Siener on

the rest of social. You know the Mafias with CET, the ultimate. Elizabeth Solitz

Solitz Solis I'm Friper and his servitor I'm sorry there's we're gonna

come down let me let me come back quences let me a little a little

a bit bit yeah there in the in the no me you know me you

in the sin staria the in the hey whatoo the the Uy

Yuy there's there Tire the best in the little little If you have a costrita, my papa,

but you'll get me as a bitachi. You're a half hour for you to get it. Oh, that mollita. Animo, plebada. What's it. How old friend? How was, way?

A 20. That's good.