LOS MAFIA PODCAST ⭐️ - El Serebro — Alejandro Fernández es el que más me ha dado a Ganar 💵

Episode Date: December 8, 2023

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You don't cost anything, my ma'am. Just you're paying the internet, you know, now. Animo plebada,

today we're to invite to an man who they're saying Cerebr, but Cerebr,

they're going to be because. Yeah. Beahue Veeho. Thank you. Thank you. Thank you.

We're talking. We're doing. To the order, Veeho. How you how? In ching-oom

me in a gusto? You're, is a nervous or no? No, the put- a-o-

-gusts? It's a good. A good. No, well, the the mind is there a pyrro.

The attention, the attention to put a pooh. What's the thing? No, no, it's a water chilit

a mrs. A minimum, no, we'll have chingawing a mucito there. And then we're

to bring a tachie. There's a thing, something, something, something, yeah,

water, water, water, water, no, no, the net, that's that's such

that's, that's, he'll be already, right, right, right, There's a

Simon. O'iga. Why, Cerebro, is the question the million? Look, I've

started to say Cerebro because I'm always resolved a boy, I said, never me,

never, never, a me, I mean, I didn't know, I was there was a, I was the,

the, the, the, the, the, to get, to get, we never

never, I was to never, to the after the Fletha, the end of the Indian.

Thank you, to God. What has been of morrillo that's no, you're

he's being intelligent, he's being so you. No, way,

fiat you, I see the in the school, way, my bad

the matter that I never never never I'm, but I always

always I was I was I was I was I'm yeah and

that I chingable and because I didn't the more

when I in the thing in the thing in the what is to

Componer. We've known that you've known that you've got done this year. I said, I'm here, this old

this old if he's let me make to the plume and we do it we do. What has been the song

that's been the most that's done? The I've done I'm sorry. I'm sorry. How about that?

You'll I'm and me bastar on some of tequila to takeila to

to us never I'm never cried one of your meniras So it's

water water fresh I'm how how it how it was that that

that that's that that he's he said he he

the chico Lysald Francis Lysald and I and I did we did we

we're we're we're we're and we we did we we did we

we we did we did we did it and he he did that he he said

that is so so So, since I I've heard I said, this is. And what you

said you know, no, well, we're doing, we're saying, we're saying, yeah,

yeah, yeah, yeah, yeah, yeah, yeah, yeah, so,

yeah, when, when the energy flowed, that's, you know, to get, yeah,

there's a example, I'm, we, in calient, pune, yeah, and when the

things, so, so, so, I think, I think, so, so,

so, so, so, so, I think I think I think in that the moment like the time of God are perfect

that moment that's the moment is the moment is it's like what you commented I said a riteite of the of the

song that no has done, give a time but we have good amit so it has to do you

have to do you for you for you for you I think no I'm no I think

no one one only there no one single there no one one single to do with a plane. No.

No, you know, no a badron that to get to be a man to be able. It's

that's that way. What's a what I'm no, I'm, I'm,

I'm sure. I'm sure. I'm very. My Cerebr, that that,

that, that, that, that, that, that, took you with

Alejandro Fernand says? Yeah, Alexander Fernand how was the

response of the of the the other artists like to say is we, who did you know that

Rola? You end up looking much, how it was? Yeah, what the past is that

you know, I'm talking to be a man, I've got to me had got to the Remy,

a chingo of roles, compus' the Remy and I'm and I have grabbed for Kermal Lizarra

my Primo and he had grabbed other my R when I gave with alexander some of them have more

people me started. Like who? Like who did you? I, I,

I, me, in that then we did we do the time of, the

time, no pardona, and that we did it to do you to do to do

that he was, and that he said, he said, he was, he was he was

that he said, he's the he can't get to the, don't come you,

no, come in, the time. That is a time. Oh, way, you know,

you know, you know, not studied in the school, when I was when I studied music, no, not studied music.

Figate, lamentably, in my time, way, right there's a little more normal, but in my

time, of this, not have been seen, way, that the people study,

yeah, so, I'm not, music, ah, pinci, guabon. Decho,

there's still, maybe, still, that's, still, that does,

you know, it's, So the people think that the music is a work. The people

think that compone not is a job, the people think that the job is the

that's the thing is a power. And then a time of what is what you

generate. Yes, exactly. And the net, I, I said, I was

I was I was I, I mean, I was, I know, I'm, I'm,

I'm, so, but, but, but, I was I was was doing because in the

I didn't know I didn't know I was a man I'm so I'm doing my and my father

was doing I'm did you know that they they were they were they were

they were they were they were they were so but I remember I I remember

I was I'd tarreying and I started and then then one one

one one one one I'm and I and I

come a a grab a modern, no. Where I was the

guarded. And someone me, yeah, you're gonna do you, it's the fullana

band, it's they're gonna and they're and they're and they did it, and I'm

so, I'm so I'm still still, way, that you was I'm did because I'm not the

and I'm just like we're doing you know, you know, you're not, you're you?

How, how? It's, If I, if I had If I, why, if I yeah I'm gonna,

I mean, I'm gonna, I'm gonna, I'm, I'm, I'm, I'm, I'm,

so I'm, that's, I mean, I'm the need to describe the role, way.

Of course, I was a band, and I was the first roll, that I grabbed was the first row

that I was going to see, that was a thing that was a manita, If I

Yeah, I said that no there's a carol. No, mamas a morrito

two years way, that's doing they're doing that doing that I'm doing. So,

why? Why? Where do where you think you? Where do you do?

To what my papa to move to the scripture, some my tios

me. I'm I'm from the family of the brothers Cota

we of Wazabe I'm a family of the The

Lord Lohia Gerardo Dan Ali my Prima Rovecito can't even a perr and all

and we've done we've in a band and all so in my family if there talent

if there I'm a Tengu Rosendo Montiel Alvars Robert Manal

he said he wrote a chinko of can't I'm I'm who I

care for the nights your times of Vincent Fern

Fernand we don't we I was a young component. I said, I, I, I, I, I, I, I, I, I, I, I used to, that they, that you, that you, that's that I, that's, yeah, I'm going to, I'm saying, yeah, I'm saying, yeah, I mean, he did, like, the, like, the, way, to, yeah, yeah, it's, yeah, it's,

years and you compone your first role, way. There, the first exit that you've got I'm

enriagued, we, of the band Gere's, my compo Marco Flores. For that I'm going

to be to get and I go to forget, that in a time me

did you I'd go and that's put a peterra whew, remango

a mango in perr in that then I imagine, we How many? How many? How many times

you had you? No. No, well, but no, ma'am me. I'm going to buy me get a year of the year. With the regalias. How, how many years you have? No, I don't know, boy. But, so, no, man. So, of a sudden, a puttasone. So, I'm five-and-a-million balls, way. From the nought, I'm saying, way. Imagineate the success. Yeah, boy. And, thanks to God, boy, well, the people that

me know I can ask you always my profile very a few

my first the first I'm a great of the thank you thank you for for for halaw

with us and more fiftate that the opportunity is like we're like we

say we I'm I'm I'm I'm I'm I'm I'm

how is that you can you with with with the

with the so you know you know I'm

I'm with this way with this way with this way or not that's type of company yeah, of the actual

I'm in fact I'm doing the other I'm talking about I'm going to I'm living with and I'm never he'd

a song way why? Because because no has the moment so it's

it's more of the yeah yeah yeah that's chilo that's so that

bich Remy me well it's more than more than what is more than my, comrade

Christian, I, I, I, I, I, I, I,

I, and I, for you to be out of the group, we, and we're

we're doing, and we're doing, we're doing, and I'm my servito, me, I'm,

I, and I, this, and I, and I, and we, and the, the,

in Culeacan that I'm with the Zulululah, well, was, it's a conversation

me of Christian, the, the the, the, the, the,

we're, I mean, I So I live in perro, with with almost me, let me, a charra that you have

with, with Julio or with Fernandez, with the Alejandro. No, look at

the, the, the, the, the, the, the, he,

in, in various, in various, in various, fiestitas, and we're, and we, and we,

we did we, we did we, because, we, we, we, Chido. With my

chisdain, because I can say, we, a chingo of anecdotes, compositions, and all the

mother. The, Christian, fifted that this bato, yeah, about him,

he's, he's, he's a rato limpio, well, is another person, boy.

It's another person, is a person, it's a capron. That, that, that maybe,

he, what you has, way. Fickate that me took to live

in the two in the two steps of my compo Christian. And he never has never had to

do it he. What is one is the problem that he he plealed and the

people and the people, he stigmatis and he said, no, no, no,

no, no, so another pedo, way, is very very atentto very servicial and apart

a pinch talentazzo way. For me, for not to not falter the respect

to say that's the so you're called. What you know, the locho, harmonies,

guitars, trombon, but also I'm gonna trompetas. Tregor with Peruvian and Tregor

Wanda, way. Have you my show, well, the people, I, I'm not got a

so I'm that I'm the can't the Cerebrose. But I know me to come to to come to

the n'orpe the time you the music. So, the people in puttis the time you, you're composed

Simone. We, we, we, we, we, we, we, we, we, we're not about the , the, the, the, the, the, of the Bebetto, the, the, of the Mimoso. I mean, for when, when, when I, when I said,

all the questions, way, but not they were, but, that's been, that's all, way, that's the, so, the net, so, the, person, the artist, the artist, he says, the song of fulano,

well, no, man, so, the song is the composer. But, well, But, well, they're not the culp because,

it's that's that's it's not, it's never, you know, with

with what can't is the that you have you know, I'm that I'm

that alexandor a approximately, how was? Bastant kilos. Ah.

And still yeah, yeah, yeah, yeah, a, a,

let me, just, a little, a little, a little, a, a little, a,

a, a, a, Well, look, it was a cotoria. Okay. So,

so were various kilos and they were... Between, between, between two? No, but even

see, if you, yeah, right, yeah, yeah, oh, how not?

Ah, how is, the, the, the, the, the process, way,

for the , I don't know I'm, I'm, I'm, I'm just I'm,

I'm just, I'm sure, I'm the society, they're, well, the society's, they're gonna

to get, you know, you know, way. So, every three months, you know,

you know, it's a three months. It's a every month. And why no? Well,

you know, to put, to join more to you? Yeah, so, when I was,

every, every, every, every every and then after you a,

but it was, it was to do you have to payleo, we, and I'm and I'm,

my, you know, you know, you're, you know, you're, you're, you're,

you it's, no, but he It's Forre the fatigua No, no There's

No, no There's So, So, that Yeah, that get And then

And then they're And then they're They're They're They're They're

They're Yeah, Yeah, yeah, yeah Percentage for To

do you are the They're They're They're They're You know, So,

ah, you Then you Mette the plume there Yeah Chanclas

Yeah It's that is that The editors and company. Yeah, the net, yes,

the editories, the majority end all the way. No, they're not that's, that's,

if they're, so, but even as, there's, there's, there's, there's, there's,

there's, there's, there's, there, but there, but the, the problem is that if,

if you know, they're, they're, they're, they're, they're, they're gonna, me,

I'm gonna a, I'm gonna, yeah, I'm gonna say, the number for respect, oh,

but a group, important to a rle and me they're going to the editor and me say, oh,

yeah, that's a thing to do you go, you go, you go, you're going to do you know,

when you know, if it's, if the proce, if you do it, I'm not the thing, so, no, it's

because when you know, you're, yeah, to be the pretty much, they're doing that's a

question. And for that they're to be, to be, to tell you, to say, way, to be

to say, and so much they're not they're not they're not it's your way, you know

they can't move. They're they're doing. They're not. Like, so you know to sign us

and I'm going to send them to a message to be able to get to be a matter, so if you don't go over

my job, but no me of the that's that I can't that I'm that can't be,

that's, if the people, the, because I'm going to do you know, because I'm doing a

thing, way, the composer, but I'm never the but I'm there's there, there's

there, there, the music the composer of the cantal the company of the music

but in the song what's in the song what's no no

nothing so so something something something something that

the not the composers not not are not you're so

they're so so they're so so they're so we're

what we're we I said I said because you're saying we're doing

we're regetton, urban all that but but before I don't know

I don't know of the thing that's he said we but that perra the song, that's the thing that's the he does the tonne

they do they do the composers way it's that for example I'm just for example you I'll I'm going to

I'm going to I'm for the for that not you're to get to you know, do you know,

how I'm want to the song to a Alexander Fernandez? Yes. I'm look,

look, look. Fidate that the business that is if you have to

put a way, because if no. That's going to the remedy the message

that I'm that you send you to the message that you're a bit to be

to be to be to be that we That's, you sent what is a refe

A maquetta A maquette We're made Yeah To put To do To do you To be

To be See you See you See you Yeah To be To be Yeah

Yeah I'm I'm So yeah I'm You know I'm You know

I'm You know I'm In a put A staturele A man I'm My mother

I'm My Worme I'm Yeah boy but that music, you, to, hey,

let me, trem me. We, we're doing, we're doing, obviously, obviously, no, yo,

I mean, so, you know, I'm, and you're at you, and he's, you know, if you're,

if you're, if you're, the Mareachie, if it's Nortee, the other of the work, we do this

we're doing things, we, we. We're, that perrow, way, that's a matter, way,

way. The net, pa. I'm, I'm, I'm, so, Even if I've

finished but they're pretty much perrass, whew, perrissom that I'm including in my

project now. I mean, I mean, I'm going to me engana but no, my mother so,

now I'm going to go, I'm going to. Yeah, but you know, and also,

and you having yeah various things, way, and son- well, yeah

is, so you Bette, me, me, me, me, me,

he's a put a a puttas too about it, how how old to get

if you more more more because me you're suffering like you

guitaras to get on a guy, an composition, what is the way, for that you see the

real, I'm saying the I'm going to the car I, I'm like the I'm like the people

think that I'm like I'm going to me even I'm going to be making the music

I'm saying the I'm a bit of a bestia that's what you're

this is this is this is a mother. I mean, I'm going to do the cellar and I'm to do you, wait, p, p, p, p, p, p, p, p, there I'm, there I'm, p, p, p, p, p, b, b, there I'm, right, I'm going to the house to the quadro, and he'll be the music, and then we, p, p, p, and then we, that's, yeah, so, when,

when, when somebody try the, the, the, or the, roll of, of, the, co-opitor, way, if, if, you, to, you, put, to, to, the, of, the people,

for example, what you said, this, this, boy, is, Like, but it's But it's that's just But at At the way

You're like, this way, you're like, this cabron That's a co-cote Yeah,

being the elope, the, the Exit Yeah, and right And right

for you It's very easy Ah, no man me It's Like that Man me,

it's, what you do you, that part that they're or you're You're a

song or you're Well, well, I, I, I, I,

I, me explain but in the productions to the majority I do the second voice

I mean when I do the world I do the music of the majority I'm and there people who

no says whey me says you you're you're you do you

do you you're and I'm and I'm to grab like the rass and then when I'm

when I'm getting to grab corrido and the mother and the raza

eh whey that perro that was a perr and so it was I started a

I started a more. A coarious. 250. 250,000 500,000

people. Simon. So, I was with the instruments that you want. But you

do you do that? Simon, my voice. Yeah, I see another artist

I, I, I can contact the artist and the artist and the artist

did do we do. Any a one? Some that you

did you did you? Well, that me that me had auto made

a role way, that's called Gordita Passeno and Garendon way

Gordito yeah, I'm sorry I'm gonna I'm gonna I'm gonna I'm gonna I'm gonna

I'm gonna yeah and get and he's about so much So, so man

So, you know you're gonna yeah yeah there's gonna see, yeah

I'm gonna be a photo? Oh, man well, but I'm gonna be able get to

me this he's gonna you can't be my Instagram can't be that God, you are a chinggo way,

60 kilo, whey? Yeah, way. What tally you used, pantalone? 48, yeah,

and I used and I put me, I put my and I'm put in a capice. And when yeah,

this matter not is not this man, not it's a man, yeah, but I'm

said, I'm, I'm, I'm, and I'm did, and why? And for

you're, or, or so, I, I'm, I'm, I'm, because, because, when I went to the studio,

wei, me metia at the 2 of the morning, 3 at the morning at the house, and me up at 5.45, because I'm a master in the wah, where I was going to be to be at 2 hours. And the netta, I'd have all the day without a day and all day, and then I'd have to come in the midday. And then in the night, I'd go back to restar, that I'd go to the studio,

from where I'd, then you could, I'd go to, go to, do the rest, I'm going to, I mean, my compositions, all that, I said, or that one an artist me,

I said, and I'd and I'd be a way, yeah, I'd be there, we,

there's, we're, there's my car, way. Yeah, I'd be seen you,

yeah, I'd be seen, yeah, I, in the, I, so, I'm,

but, the most, the people, the majority, the people, the, the majority, the people,

the, He's more flak That's more flak That's Yeah, I'm Yeah, I'm

I'm I'm gonna see I'm in various photos or videos Here, this is

with my compo Costa and the Alfredito So it's that's a bad

boy boy guack your madre if you don't if you

don't see your Instagram Roberto Alvars Cerebr with S

Cerebrose Cepro Ceperer Ceped Coo So are are you're just a lot.

And how you you know, well? Well, it's your mind. What's the difference way? Yeah, well,

well, well, the net, way, I, yeah, I'm a moment way,

that I don't have a way. Autoestima back. Yeah, well, so,

you know, what you're to get to to be a thing, way, and me, and I said,

you know, he's a camis a, three X, C, simon, there, there,

there's, there me them, don't, no, they're the pedo, demelas. Oh, boy,

that's, yeah, it's a few, we. So, say one, no, no, no,

no, no, I'm a minute, but no, I'm gonna to find out to talk about

to do see, yeah, well, a punty panty, man, man,

when I'm, when I was like the chit, oh, you know, pantote, 48,

no, mame, no, man, no, come to be on the Mem way.

God, you're, my, man, so, man, You can't The

You You You That's That's That's That's That's

For your complexion Or so Something that You Have you Has said The Rasa

Or Some You know, To Me My Rous Mugug To be

You know, I'm About the Rackackus. But I'm gonna'clock You know, Well, I'm gonna'clock a little extra grand

that's the way, so my my way, so my when I was to go to the other way,

and I'm yeah, you know, that's the bad, but yeah, but the and the

net, now, so, I'm, yeah, operated, I'm, my

friend, me, me, my friend, that I didn't, me, I'm,

I'm just, to come to come on with you, to you know in the new disc, and the

chinga, and I , I'm, I'm, I'm, I'm, He came to-a-mar

the Bejahar, me sent me and I'm sure in the country to go to Guadarajara and we're in here to Kulekhan and we

and we've got to and all the pedd and when I thought I'm and I'm trying and I'm gonna and he's gonna be talking about

and he was there's a yeah, and I'm here some time and the net my compo Christi me

really really so he's reprimed that that's a cabron we're just a since a

year way from when he he had the chico that he managed the guy, he's called,

because I'm him as much because I'm doing the musicals, musical is the child's the little,

he went to he went to and he's he's made the manga first, boy. And he's the

ching and I me did it I'm like, I'm gonna yeah, I'm sorry yeah because I was

that's been well, he's been a bit, how'd how you got to to be it? Like 157,

way. And right? I'm like about one 100, we know, the net I have,

I'm, I'm, I'm so I'm, that's my that's a matter, I'm going to

how much, no? And, and to come to a carmadoon? No, well,

I'm a pinches tachito, but my, but my sense, but my sensation is like is, like,

I'm yeah, yeah, and apart you're you're used, you're you're

You want, because, for example, I've seen people that at a year I see, I see two tacos, three tacos, way. I go to three. But I don't, I know, I'm just

like I'm, so I'm, so I'm the three times a day? No, man, like 10, we. But a little.

Yeah, pookit. Chucheries? Yeah, too. I mean, I said, you can't eat, well,

you know, chili, uh, mariscos, puerc, all, all, all,

all, but, but, but yeah, come so When When you're When you're

When you You remember Some An A scene Wey That's That you

That's That you That's a And the day Of You know That you That's

A motion We're I'm I'm Yeah You know You You're

You're You're Oh You know Oh There's Oh Yeah

Yeah And Yeah A Aououou Fress Sarreita, my Papa.

Salim, my God. Animim. I'm going to comment the real. The fact, I'm very fortunate,

my dad. No, no, I'm doing a excess way, but us,

no, we're not, we're very, my mom, my papa, we're more

or less no, never, never, no, no, I don't, I'm going to

die, because the really, no, well, I'm, well, I'm

I'm very very much, but I'm They were to be being humble way. Pover, that I

Rere to someone, boy. Pover, that I would I'd be a abriety and not

if I'm to say, well, the same that's my same, I'm I'm doing,

I'm, like the seven, eight, years, way. I mean, I,

to have my things, my papas so, so, so, so,

the fact, the fact, the life me has been, but when me go to my son. Oh, boy, no, no, no, I'm not I can't

go to get her, boy, I'm not able to go ahead. I'm going to say, no, when I'm when I was, no, no, the net, no, I mean, no, I mean, no, the net, no, I mean, to me no, I'm not to me talk about, well, and my mom. And, you know, I was a, that, way. That's all right. That's all right, that's all right, so, and I'm saying, to me, I remember that in a class, my dad

had a carrette of marisco, way, and I mean, and I put me to play the Camaroon, way. So, I was, so, I'm morriso, well, I see, way, three, four years to the,

uh, but I'm at a Camarone, carron. Figate, you're right, the plebara. I'm,

I'm, I'm, I'm a , boy. I'm a mecero, caron. Mecero in Fiesta,

I'm here, boy, I'm, I'm, but we're, but we're to be to be able to

to beck and the money, and we're so I, so I, so I, so I,

so I, so I, macisso, d' I'm, in the in the business, wey.

We're preparing to eat so I'm yeah, way. The work you

remember is that you've really. Well, the net to say, I'm very serious.

I'm always, I've always been to work. All the what I'm for me.

And not because the money, but all the job, way, to help you to get a when we're going to

when we're to be able to all, to all, a, way, I mean, for me

it's important the barren, the way, the that's all, way,

all the those, those, the people are people. Yeah, totally.

And, and, and, unfortunately, me they're so, they're

like to try to to chingal, yeah, to chingal, yeah, yeah, yeah,

yeah, talking to the music, Pa, you have to be to be in an

in an scene, where, where, where, you, you know, you

you're, you know, and you, it's very pesed because the net is a big

to be in the music boy. See, when I'm when I'm when I'm doing the

maximum grader I'm I'm I'm in the manga gastrica and if I'm

to plan a little and I said I said I'm my compatriety my company

no, no, well, so rapid no, no, my compassion a little

I'm I'm I'm back me and I'm like and I'm I'm

a good and we not going to do you know, but I physically

I'm to be to be I'm yeah, yeah, because not the

way, a man a man I'm going to get to go to I'm going to I'm

so you know to pack to the food I don't so so I

did you I'm go to go to I'm going to yeah yeah because

the yeah because you and and you you

you you how How, how, I'm, how you I mean, I mean,

so we're so we're so we're so much, I'm sure, yeah, so I'm gonna to come

right to back to and, but they're in the session. No, right, we're gonna

be a bit bit of a way, we're gonna go, oh yeah, fiatty that

those decisions, way, not are, imagineate, who, who, who, who,

who, who, who, more when the the vocalist, the composer, the composer, the music,

the, and, me, I mean, I can have an opportunity to

be in the opportunity to be there. I, I, I, I said, I'm going,

I'm going, I'm saying, you know, to be able to, to be to say, to be sure,

and to imagine you, it's just a marred just, not, because, yeah,

I, I, I just I felt like, I know, I just said, I'm not thought,

I'm not I, composition, yeah, so, But I, in me, in my physical, I I felt like that yeah,

that I was about to dronar, to get to get me. What you said? Alcohol, way, no, no, consummess? Very little,

boy. I'm, I'm just. I'm just, I'm just, I'm just, I think, but I'm,

and it's, you know, rememberers of the times that you're, you know, so, I put to the

mother. When I went to do class, way, it was when I'm, I mean,

I, I, I, because in what I was and say the plebees hey, cabrones, no to do you know

and the chingas. There you took to the rollo you. Yeah, it's like 20 years. And then

after that decision, was where you're the end up I'm imagining. Yeah, mannett

so, yeah. And it's when I started to get the batazos. That's

way, nobody can't be esquire of that yeah that's the

because bad, well, and then to be to So, I don't you say, no, I don't pisteo, no, if with my compil,

if I was, I, I'd say, I'm, I chatted my stradito, because, apart, well, I, there's, I'm in the rest to do, do you, do it, but, no,

no, no, but, but right, you know, yeah, yeah, yeah, not, for me,

well, to be, so, no, no, no, no, no, I, no, I, , I mean,

, I, pisteed, pun, and, for me, I, you, I, I've, I, I, you, For example, if I, I don't want to take,

you know, say, well, I call you, I'm going to put, and I'll cut. No, no, no. I've been, so, very, very conscientie, and let me ask us one. And, for example, you say, hey, yeah, no, I'm going to take one, and go to the shingap, to my house. No, like, it was worth it.

You know, to calm. You know, you? You know, say, no, yeah, and you. Because, the net, way, is very complicated to lid with people that, ahre, comp, arre. And, for example, me, weie, I, I, I, I, so I'm into the tequila,

puer, whiskey, puro, we. Me, me, we. And I can't control. At the moment to say, yeah, yeah. There's no, we.

No. Oh, I think, if I'm, I'm going to be into, because me, I'm fascina the whiskey, yeah.

Me fascina, with a wittal, yellow, and whisk-lid. A man, yeah, I, you know,

no, to me, I mean, I'm, I'm, I'm, I'm, I'm,

I'm, I'm done, in Choto, a, a drink like but I'm trying we're talking

and we're we're trying and I can't cut it right you're you're gonna you're at a good

calmadone or so your life yeah yeah yeah yeah

but you yeah yeah well imagine but imagineate but but not the

but I'm not the way to go ahead in the restaurantes and you know we're But I'd have to

you got to get in your campita. Before you try you that's a life? Yeah.

Why? Well, I'd with Christian in the group. Ah, for that the group.

And it's a group that has a job, so, is a group that's a group that's

a lot. Thank you. And you you, what, what is your plan? Well,

here, boy, uh, I, I've seen a comerada there, and I

did my with a with Gonzalo. Monsalorelliaz, that was in Warner, right I think that's went to Sony,

and we did make a and I have a studio oration, I was a day I said, I'm gonna grab

I'm gonna grab I, I did a ron, and I gave some rollitas and those,

they're a man, so I'm an disc, and I'm and I'm and so I sent me to

a person to Universal and Warner. And the two me said, I'm interested.

The same day that I'm that's made. That's what. And? No,

so, we, we, but we, because, why? Why, I decided

for Warner and not for Sony? Uh, were the they're the protocol. Of what

you're to be interested? Yes. What you interested? You? produce compone

and to do you do you do not me offer the but in Universal I know

what would happen that's I don't have communication with them and Warner

Pincere Pincerem Lopes that they called and BOR BORri and Bucke

so I'm so we're going to go back I said I'm going to I'm

I'm you can't ask you to ask you the band he's this cah this

cabron this is any artiste that we've filmed with a reproduction because I don't know nothing,

but I don't know but also he knows perfectly who I'm and I hear my work,

both both both, I'm doing me, and so I'm, so I know,

I'm going to tell you talk. And we're to get a little bit of some

menat to dole and you and you, way. And it remango and right

we're right we're that we're to change to our mother that we We're going to

to take a Dr. Christian and I with the company. And how it's a pedasito?

I can say it no peter. And so the roll to say. I'm gonna

say. Siento Hamander to shingara your mother to

those who have about to me to my my espaldas to

those that they're just for envy when are they

those who are they're they're for nothing. If I'd like to mandar to chingar

to your mother to that false friend that you do a brother's those family are they're

and they're in envy when you're you're trying to chingar to your mother

they're they're going for the sombrita agarra two of the man and

they're making filita no they don't they're they're they're they're

they're Dicke O'O'Lie, I Only me aviento Al-A-Wa To-ching-a-sum A-Madre Can't go' Lentamete.

Ocoupo-amig-sincere No, pinches Gents'EGentorriending I'm sure I'm in the pendent No, they'll Faults, no me interest,

and to see them To-chingar to your mother Can't go and let's get-Lentamentame. I'm going to, and I'm,

and I'm sorry and I'm sorry, but I'm going to but I'm going to be but I'm going to how many times you have said, how many

it's a putt roland, way, that's a to be able to to be to be the to say,

I don't know, to all, way. It's a rolloon, way. It's a lot that we're we're doing

when this when's the when you're doing. When's said, uh, We've been talking with... Yeah,

you know, yeah, yeah, it's got a yeah, it's got to, I'm gonna I'm,

I'm gonna do you, I'm, I'm gonna a, guitar and a trombone, and so we're we're gonna

let me, but we're gonna get to different, gonna get him, he, he'll get you to do the

me, he's gonna be a man, but they're in per ral, right, the put, the put,

the put, the put, the put, let, let, let, my app, me interested

that song. That's the way to get a bit of a bergues to get them to the hell to

to get it. How do you? How do you Spotify? The Cerebr? The C. 87,

I think that the is up there. The those of 687. 687.

That's the Lada of Wasabe whey. So, it's it's like it

was the it's like if it's so it's like the 6, so

it's call it, like those of 687. Yeah, there's a group like,

those of the six, six, no, no, no, no, so I'm not, no, it's like,

if there's a group here to the other than that's a perr, that's pa, that perr, me like,

those, those of six 87, to chingar a mother, I was so, actually. Okay,

there's a way to hear about to come to do that because we're not a punty no, no,

no, simon. And, this, the things, way, will be to flow more chimpah. There's a bit

going to, will be, it's, it's, yeah, you've seen corriditos, but

also, but also, but you do you do you do not do but, but,

but also they have to do you know, one. At me, if you get on five

corridos? Yeah, already I'm calmed so in to do do you, yeah,

me calmed a lot of do not do you. I prefer like to me want to I'm going to

what's because I'm okay. So, I'm going to do you know I'm going to do you

make a gritty and I'm done a grittyy and then I can't make the I'm going to do you

do this because the people don't know that I know what I know I'm I'm going to start

to start to do you okay okay, that's good to get in that's to get in

that's the part of because I know what I'm going to experience that you've had you

in general a story that you have done a story that you're in the music

people in the music, people that's people that's that's a badger in, in a

but how how that people? People who that you, that you, you,

you, you know, that's, when you're doing, they're not to be, so,

so, I'm talking, so, that the help, that, you're gonna grow,

and I, too, Yes. If we have done. Without any we're talking. Without,

no, we're going to say no, but the people yeah know. The majority of the people are the

people, who are the pedd. That God God. Amen. Amen. I mean. I don't,

I'm not. I don't know. I'm not. I don't know. I'm not. I'm trying so much for,

so I'm petererer I'm, I'm, I'm not. A me no me affect or so I,

I'm, if you, if you, if you, if you, if you're have one rala, I do other. No, there's a ped.

But, but... Yeah, well, imagineate the the race, he's, I'm trying to,

my compa Christian, is a cholada, cabron, because, for example, he says, he said, no,

we did some my comp, my comp, and I, because, because, because, because,

because, because, because, for education, simply, and, and, for example,

me, I've talked to work with and he said, oh, oh, no, They're asking.

Yes, yes, yes. Yes, and they've asked in the interview and they do they're

when they're when the net, the other people, the other that's the they're doing they're doing,

but I'm every, but I'm, I'm I'm trying to mention the person that they're going to

do it. A webb, is that's the, the legal, no? And for that I did, I did,

I was a very good mancoe with Christian, because when when we came to me, me,

my, I'm like, I always I always I used, we. And there are and there

never even I never didn't want to present to be because, loco, because there's a person

to be a bad to that that's a person. He'll be good until

that the karma divino and still the bad one. It's one.

You're going to be like the pan navigates calmadone caladone, good, good,

comod me, they're pincion and I do they do. A song romantic

has the same price than a co-reased, or there's a lot of, like, there's a there depends,

who, who, who, who, who, I'm very sincere, so me has aced to me, way, that's,

my dad, and the chingah, I want a , and I'm a copro. And I'm and I'm done,

and I'm that really, that really, that really, so, but to record people who are people who are

who are people who like, how you have you? We're, we, who's

called the WR whey, in Wasabe they're in the geosives. Because we're

fan of, it's of my brother, my brother to the music and he's a fan of the

new rebels. And he he's, and as my channel he said an web

and he said, he said, he said, he said, he said, we're, and so we we're just

we're just we we're just we and we're we're going to and we're and we we're the other. No,

a question that's, And to what I'm going to say, for example, we're a little with us. We're going to hear of the Chito Soto.

No, if you're talking about. He was a lot. He's, he's, he's, he's, and he's got me. And I did some courreous but also

did a song, whey. This mother, nobody knows, and much people can't that song

thinking that that's a muchach. But really no, that the song we did to do that

for for the yeah it was a that's a so no massis how about

how to how old you if you get you I'm with you I'm

you're the man you're all this boy is the it's the part of

he when the boy in carate my brother and I see my

man I'm my I'm my a word I said and

and the people and the people that's a more rhinos, a little

another platica between you. I'm way, to get a euphoria, way, to be, to be

doing a question where you can't you, you can't identify, you, like,

yeah, yeah, yeah, so, yeah, but I, always, yeah,

yeah, I'm just a little me, he was a man, he was, that was my

man, because, I'm, because, I'm, when I'm when I'm when I

was this a little, and he did that a song with a band, way, value to marce, me's over the

garlanta, no pui, way. How many times not can't in sepael with the band hours and hours

and hours and hours, way? And no it's very different, cabron. Decho,

that's the of how to get to way. So, I never I'm, way,

when I'm when I'm when I'm my compachito. And, and no. This marra

that's all that's never said, way, very little that song was for that you

in the The world of the artistes if the artists, if they know, yeah, yeah.

Why? Why do you because? For the compositions, we? Yes, but because they're really

saying, no, a composer compo of Cerebro, way. So, you recommend boom, boom,

boom, boom. The netta is they're they're not, because the artists that me

know, people, know, they're saying, they're they're they're that they're

yeah, so, yeah, so me recommend. What, my pa, what,

what, that's stay doing the things well and from always and maintaining you know,

way. So, knowing who's who's, who's because that matter is, you know,

like that's, like, like, what's, what's, you, do you do, do you,

do you, don't, no, the person, no, right, right, right,

everybody, we, right, all, want to be, because, but, you know,

they're, you, don't they're to get to get to something, way? of nothing,

even, even to the malo. After the malo, because it's what we're the way.

The good and the bad is good, way. So, all is good, but

that's the mother to say, but many sometimes not so they don't so much

so much. But also you have to confi on the person because if no, you know,

you're so you you're you're just you're you're but you but you

but you're you're you're you're you're you're you're because if

there's there's there you to be away. See, mo. Yeah. Yeah.

I mean, I've passed, me, I've been, I'm past, yeah, why?

Because, because, uh, only, only, you know, one has to go back

way, and they're so, you know, that's changed, and you, you know, that's,

I'm, the difference is that is what I'm, but I'm, no, and how malagreased,

wwe, so I'm I'm, so I'm, so, I'm, I was I'm

well-agreased Cahrown for the he's the manned he's not so you're like you

know, but I'm saying no mame so it's that I said, I'm

like he's my man, boy and me and me you're too too too you're

not way the life is going because you know that's that's

you're that's you're without man of all we're going to do you all,

all, he says, what is what what you in this moment? Well, that I'm that I'm

many years and with my family and with my and that's that's the net that he'll be to be well because if he

goes to if he's not he's not if he's not if it's not you're not you're not you're

for more that you're going to if you if it's not he's going to be bad to be able to can't

work. It's true. Because right they're remangando the sonora way.

Because they're a ching a tonnet and they're doing. You're have been to them?

For those a lot of they're not, to the right? I don't have done and I

get all the rolls to get to the rosa and I know, but to the yeah

not had been done the gus me, he's he's he's he's

he wants to you're to come to that's compromise that, that's a No,

you have to focusate in your career. It's a good, it's good, but I'm not going to do you. No, I'm

a-webo, a-webo, principally. It's a question of enfoques, no more, and the

whole, that's, I've got to many people, many people, and that the people know that they're

that's the we're going to let's be to go back to be going to let me have to be the

other people to be the role of I'm standing right with Alex Fernandez and Alejandro Fernandez, that's called The Time No Perdon, and that they're and can't cantando in vivo, and is dedicated to The Papa. Detent, no,

you know, comein's, as where it's the time. Regalame, this moment, and enrolet in your arms, the little, that a man, a papa. Detent, and, and, together,

we're going to, of regress I'm in the front and a tierno and with

my abhorros the time to to buy to be for always the

the father many people don't know that's my way that you're

you that way with like like like like so like

so like I don't so I'm like I'm like my group way

to have all those compositions that's chingones, wui? And that

artists of of the tally international way? Yeah, whey. And the real,

I'm going to be sincere. No, I'm going to be able to because I'm moved,

way. Because no me moved, and the net, and not not me got to

too, I'm going, but quatoria and that the edition, ah, the net

I said, I'm the mother, and I'm not, I'm not, I'm, so,

what you to talk for you, what to to me is the And I'm bad We're going to

And many people I know me have Go ahead And I'm going to Wait, I Invito to all the composers That's

If you're They're doing To you Manderer the Chingade And not Let's say To get the

And nobody Yeah Yeah Yeah Yeah yeah Yeah Yeah Yeah, yeah

Yeah, yeah Yeah, And it's Yeah, it's And it's And the No, and the Yeah,

And the That's the You're in No No We don't They're To be

To be A much And yeah Yeah Yeah Yeah Yeah Yeah

Yeah And that's What's What's What's There's There's There's

Yeah Yeah Yeah To That Did you Dugn Even

After Matrimunio Padre Yeah Yeah No No But

It's A man W Were W Mug A Yeah

No, for the Yeah I'm sorry. I. I'm I'm done the best of the carjewel in the carjula of the grand Marquis, he's,

oh, no, no, no? No, well, is the loo, no? No, no?

No, no. No, but, so, that's, if it's a woman, being a woman, well, all right,

but I'm married, but the woman's, I've got, the, the best of, the,

no, but you've made an idea, way, that's that's a way, the net pa

no, not they're to do you don't they're going to not say, no mame no mhm,

whey, no mhm if it's a woman and you do you do you have to

do you yeah yeah yeah because I've I've seen I'm

that I'm that's many years and you have been many years and you're

so yeah that's you that's they're that's that's

But there's people that also he does the verga and they say that no and I see. The majority. You know, yeah, no, and yes. Like no, we know. Like, like you? Like you?

Like you? Like you? Like, like you? Like, like you? Like, like, like, like,

Cerebr, a good for the people that we're not being. That all the jobs are good, that all the

work are good and that all we need to all. For example, me, I, you, I,

I, you occupies to me to come to you, you're up to other. So, so we've

we're talking to we're saying, we're doing. To go. To go. He's a minute.

He's, that's, that's important. All the person's very important. And that's, we're going to

us to be to play with the person who's my friends, like they're my way. And I'm and that

always end up people, way. If the the people have talent, I recommend. Recommend your

friend, recommend your way, no, they're going to pay the put the $6. If your compo's, just,

because not because he'd do a two, way. And, So, not do you.

For example, I have a studio of a way. My own studio, thanks of God yeah.

But I still go on U. Hugo still, but I'm when I'm put on

the man, wheyer. Me, me I'm not my friend, my friend, he's a

all the little, to the guy, those cabrone me me used when I

when I went to when I don't go to go back with them the recordings.

Because, because they're because I They've got in the man, whew. What,

the net. That's the thing. So, way. If he's going to be a good,

he's, he's he's not and he's he and then you try that you know,

but well, but I helped me man, to do you to end up or not

I'm gonna no, no, I'm, no, it's a yeah, way,

yeah, no no, no, no, no, no, no,

I'm, not, I'm, to sacrifice for, for a, for a error that they've

done whewel. I go, I mean, no, well, no, way, it was more

what good that they were that they were that they're that they're not, we're doing that we're

that we're that you're that you're that you're that you the real yeah, the net

is it's, you're, but the side of the way, but the side is for the way.

I, I, I always, thanks to God, I, I, way, but that

fulano cabrante he's so yeah, but also he said he's over this,

he's he's he's so this. Uh, and that and even I'm

away away. When I'm an opinion, I'm saying, you know, this is my so,

so you know, so so you do it to get a my, my, my,

my, and then let's let me get a music that we're to talk

to let me talk about the proximately but next my rest I'm

super pupper bianian the net I'm but we're to start

to get to get to make music too I'm there

and I'm done and the pieces of and they're in so they're getting to

make sure and they're doing that and I'm to chingasas to a who?

No, poof of artists so that me have been grabbed the peas the hour

so they're that's done that's so they're that so so they're

that's that's they're they're It doesn't not another other day

Oh, no, of the real on the way. When I'm very good

with my compo and we we're all the day. You know in the

big man, yeah, the old I'm the repetto. The with the

remi you've you've charras yeah machin machin machin

the remi since we're in the house we're we're we're

we're we how many the way the rem the reme the

remi about ten and Tant to. Yeah. I do you, I, you know, you, you know, you're 40? Yeah, I'm 42,

boy. Forty-old. I was going to chingue, father, you? No, I, I'll come to. We're doing 10 years,

Padre. Awah fresh. And I try, I, I'm furses all the days to, to maintain me to be a gymnasio,

train, to, aliment me, try to, to, not desvelas. No, to be there,

not to be to be sure, so the food, the alimentation. Right. And so,

right that's the right, you know, you know, you know, you know, we're just

to get to do you. We're just we're just about this matter. Look at this got to do you so it's

good. Thank you but, but, but, but, but, you're just

you're me imagine, ah, way? Also, I'm so, but I'm

so, but I'm yeah, because, for example, as if you were, we,

we, we know, we know, we, we, we know, we, nothing, way.

But at the one that you know, to do you know, to do you a verga, that's you know,

yeah, so we're going to do we, if I'm going to and so and so and so,

way, because you were saying, me you're saying, you're about, right,

right, but I'm, yeah, yeah, come here, come, come, come,

come, see the, come, there's, there's, there's, there's, there's

there's, there's, a ball in the world, oh, water, Oh, that's, virga, because I get them to do it all. There's just a lot.

Yeah, there's got her with the pinches-sichison. No, right now, right now are you, now they're going to try right. Right, with the fusions, we, that are there that there's reggeton and those mamas that, that's, that's, that's going to, and the net, it's a bit of perr, what I see,

to everyone, whee. So, I feel that, we're going to, we're going to. If we're going to, we're going to be. I'm going to be a word. I have to be a lot. There is. There is a good.

There's a good. Rogelio, Rogelio, Rogelio, Roger, I'm going to come to come to come back to be in the

man, man. This can I'm much in the time, I'm so the friend who's like that's for Rogelio

and I'm so I'm like that yeah, he's a chingon, compa, and here we're

going to go ahead. And there's the rassah because I want to and the ching-a-

there's, I'm, I'm, and I'm and I'm and there there are songs,

well, I mean, to the artists that that want cancions, there are songs, there's

I don't I'm in a lot of all the time. That's you're going to and then you can't be

my, my, my, my Cerebr, God, God, to be there to be able to

to the order, you know, and we're to get to glows to all right. Two, two bolitos

to do you do you know, I'm going to talk about, all over the chingasosos. Sikin'n't to my compo

every on the world in the Instagram personal is the only that he's the

manage. And we end up the chingazzo. Sagan us like the other ones. I'm Fipper and his servietas and his servietas.

We're in the brain. In the Deneb, in Dene for the Besson. Pall Beasone. Animo.

Tireselo. Ah. In the Puerresteros. Nudo of Globo. Prow. Tarrows. Let me do.

Let me. Ammo.