LOS MAFIA PODCAST ⭐️ - EL TORNILLO ME ALIVIANÓ MACHÍN — Moler Vidal
Episode Date: July 23, 2026HICE MÚSICA CON MILLONES DE VISTAS Y YO SIN DINERO — Moler Vidal ...
Transcript
Discussion (0)
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Plevada,
Pongar attention,
Machina,
this
chapter,
because in this
chapter,
we're going to
say all the
points
claves,
points very
important,
of those
that's
to have
to find
a
musical
of the
great
stars.
Why?
Because
we've
we've
talked about
with my
compo
Moller.
We're
to receive
it,
for
a favor.
Aplos.
Yeah,
I'm
this
Mierreve
to be
this.
How
my
here,
emotional.
Ammo?
Sueltese,
me,
go,
let's go.
We,
I'm going to
I'm much
about how
I'm a
work a
producer
musical and
I'm going,
because I
think he
had made
a podcast,
way,
a product
musical
of that
he has
worked with
with
with
with
with,
I mean,
right
I mentioned
a sit
night,
way.
Ah,
did you
when
mentioned
that bat
and I
said that
the
that's
way,
No, it's like,
so,
way.
No.
I can,
it's
I can't
describe in
your production
musical,
way,
of that he
he's always
like a
sound,
way.
Yeah,
no,
it's like,
now,
I'm,
never,
everything,
so,
everything,
yeah,
all in compu.
Simon.
The,
well,
the chido,
too,
yeah,
when are
so,
like,
like,
with artists
great,
so,
also,
and those
guys are in
their
stuff,
and they,
and,
and,
yeah,
like,
they're,
that they're like a
band of the producers
that are they're doing,
it's like,
like, it's like,
like,
like he does his
sound of that
artist,
more sound of
other artist
and like they
like they're
like,
but it's too.
How you went
with him,
like the
experience to work
to work with
Sid's Night.
He was,
he was,
this day,
the time,
it was the first
we were the first
last time.
And it was
the first time
I went to
Miami.
I don't know
to Miami.
It's very
very good.
The perro,
eh,
way.
Yeah,
man.
Yeah,
yeah.
There,
wuele a setso,
alcohol,
and what it was.
24,
always the
festival,
yeah,
the matter of,
and even,
and even,
and even,
and even,
we were a
house of hits.
Mm-hmm.
That studio is
here in Miami,
but,
but,
so,
a pinche studio
so,
so,
so,
we've been
we put up,
the,
that we're,
to go to,
the,
to get to the
middle,
and the Google
Maps,
so,
like,
They had, like, the,
those,
the,
like,
the,
how's the,
the,
the,
the,
oh, it's,
he's the
way,
the Osuna?
The Osuna,
so,
like,
so,
so,
so,
the,
grandis,
the,
ever,
of the
bandies,
man,
machina,
the
man,
and the way,
this guy,
this guy,
he was,
and,
was a,
experience
very,
because we're,
we're,
we're,
we did we,
we did,
we're,
we did,
but,
we did one,
but we did one,
As to
make
we
did we
know that we
was a
really
that's
she said
it's
she wrote
in a
rather
and it
and it's
it's
a
like a
cumy.
And that
that's
kind of
that's
that's the
kind of
I'm saying
I'm
a car
but a
musica
because,
uh
I think
that we
know that
we know
that we're
so much
I did it
I'm done
with a
car with a
pistered
and what
we did
we started
to
That's not
grab those
actually never
was a roll
but there's
written about
that's really
you know,
you think
that would be
you know
because imagine
the Kashi in
a kumbia
okay,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
yeah,
that idea.
And,
this,
and what more,
and yeah,
so,
yeah,
was,
it was interesting
because
there was,
there was
like a
composure
a,
a,
that,
that,
he was,
that,
he was,
he said,
that way,
he said,
other carnal,
the,
How is it?
But he says
that the Ngrillo
rapied
the guy
he was a guy
to get him
like a guy
like the
and he was
the voice
to say that
oh the verga
bingini
or like you
so can
grab a role
that way
and you
can't
you can't
you're
not
you're gonna
you're gonna
you know you
don't you
know you're
like you
like you know
like he
like he
like he's
maybe
I'm
I think
someone
I'm
because also
one
And, you say, it's
well,
it's like
in the Spanish,
if someone
hears of someone
when he's
more,
he's more
to the words
that's,
I know,
it's more
that you're more
more than the color of
that you're using,
that's a lot of,
I know,
the net, yeah,
the matter,
yeah, but because
the bata too,
but the borgue,
and he's written.
And he's written,
and he wrote,
He read a verse a short
like in 20 minutes.
All in English.
All right,
it's all in Berga,
that rollo.
It was the,
the cumbia or the other?
No, the other,
the cumbia,
no,
never was,
just the,
never,
the idea,
to the letter and
this is a video
very viral
because it
was like the
music of cumbia
and the cacchi
and so me
makes that
see,
I'm making,
that I'm
and the ccchi
was out of the cune
and that
never,
that never,
that never,
that never,
that's,
that never,
that's,
that's,
so,
oh,
way, and
into,
into
to know
to get a
person?
So,
so it's
like,
how do you,
how do you,
how you do
how do you
so,
tratanot
to talk about
with him and
to share
that,
that's,
that's,
that's,
that's,
that's,
that's,
it's,
we're,
has to know,
that's the
thing,
we've got,
to get to
the
thing's,
he was
to do you
did we
want to
put it
three,
four days,
and that
that's
one,
but is to
that we went to
other
times and
like much
a lot
and like much
a lot of
not so much
like Simon
without
but much
a manned
with that
carnal no
with that
carnal no
but the
I think
the net
no say
I know
I'm
so it's
it's
it's
it's
I'm
say
because I'm
for that
yeah
the people that
know
that's chota
put a
to do this
you know that
you know
to signale
that fulano
did this
and go
for him
and they're
arrest.
That's
it's a
put
people.
She's the
man,
I feel
for example,
I don't
think that
I'm doing
that's
a person
to make
someone else for
no more
that's
who has been
that's
the
and the
I'm
like the
that he
under
that he
knew,
that he
I'm
like you,
I'm like
that's
yeah,
yeah,
it was
not a
man was
not,
well,
you're
you're
you're
you're
with the
thing
That really, I'm what
I do to the
people,
we know,
a bit,
if I'm going to
mention it,
way, to Santa Fe
Clan,
that me has
to do
do a podcast
with two,
three that's
he has tried
and I,
I don't
get to the
version that
they're saying,
whew,
I'm going to
get to the
version
with that
he's ported
with me
and I'm
badger
if he's
he's got to
he's
he's what
he's what
is what
I'm resalted
because
lamentably
the fanatism
is a big gacho,
the fanatism,
when you,
you let's
you know,
if I'm
to say,
I'm going to say,
pendejad,
that's a personage,
very, very emblematic, of the podcast,
they're saying,
oh, and the person. It's like,
I don't think
any that's
important for
the life of
the band of
those pendejada.
I'm going to say
because I'm
saying because I'm
talking about
I'm saying.
I'm sorry.
I'm sorry.
I'm sorry.
And if it's,
no is real
what I'm
saying,
is my point
of view and
I'm just
I'm just
I don't want to
how's problems
way.
I'm sorry
because you
see that
they're saying
up
those who are
those who are
those who
are the
are the
ped, those
who's
the
I'm in the
I'm sure,
that this trifulka
that there's
because the
right,
it's because the
right,
uh,
proposito.
No,
I don't
I'm,
I'm,
I do you
do that's a
purpose
to get a
way,
because the
scene was
going to
see or no?
I think
that more
the algorithm
of the
day of
how
function
the
platforms
and the
algorithm
the algorithm
the
algorithm you
premium to
controversial,
a lot controversial,
to generate
numbers,
that generate numbers
that are in cagando
problems.
So,
that's the same
propitia
that every
way the band
is more polarized,
more polarized
until that's
to get a
aggergerger,
a bit?
And that's
really,
but in
reality,
I think it's
more well
it's more
when you're
about
when you're
talking to
that's about
that they're
not going to
be able to
that's
that's not
totally,
way.
So,
what are
they're doing?
So,
they're doing
to do that?
I for that
I'm
that conclusion,
way,
but there
something
there's a
question,
way,
and mention them
hypothetically
this is
irreal.
Three
characters,
way,
of the rap
Mexican
that could
be able
that they're
decided to
make that
that's
a problem
to get
to be
to get to
mention to
three,
well.
And,
well,
so is that
all those
who are
people,
the
majority
I think
that they
they're doing, no?
I mean, but I, but I
say three, mention me
three, and I'm three,
because no, I think
there's a,
there's,
that they're in,
that's,
they can't manipulate
a,
one, um,
a group of
mass, way,
Simon.
Well,
the most important
I think they
are, of those
that are doing
a problemica,
before,
before,
before, to start
the polemica,
boy.
Ah, that you're
actually,
we're, for example,
we're,
we're just,
put onsse verga,
because we're,
oh,
and you,
know,
other verga
we're going to
like,
way,
we, we,
we, we'll
do we.
We're,
we're doing
that's
back on,
the rating
of the
ralas,
all the pedo,
and we're
to do we,
to get it
to get this
pedd.
Who,
you know,
I,
I,
I,
I'd say,
that I
know,
I'm not,
because I'm
, I,
see,
the,
so,
the problems,
are,
because I'm
took over the
majority of
pedos,
how they,
started,
even,
like,
started,
like,
they,
like the differences
and here
I know,
I know,
I know,
I know,
the,
those that propitiated
the pedo,
talb,
well,
I mean,
those who were,
the,
like,
they were,
like,
they're,
so,
it was,
it was,
the,
first,
the angel,
with the
Darius,
with the
CECAN,
like,
were the,
like,
were the,
they're,
and that's
a-
thing,
so-
there's,
to be-
a-ver-a-
-a-a-
-re-a-oh-a-a-
to goy-a-fulano and they've
they've gotarer
like their band
and so
that's the
one of the
band that generates
those numbers
well it's
going to be
a bit of
a bit
because they're
moving much
people
so you know
so you
put C-CAN
DHA
and the
and Santa
Fe
they're
those who
were the
sort of
like to
bronchiarce
but
because
before first
first first
first first
first first
first first
that came
the problem
because
the angel
he started
with the
baby and
there was
there was
I feel
that's
arastrandos
more
being,
I'm
really,
you know,
it's possible
that really
not,
that really
not exist
that's
that I
think I
do,
of the
cabicials
up,
I said
I'm a
hypothetical,
not?
Something
something,
something,
but a
way,
a lot of
there's
there's
there,
way,
a more
is the
most
fans,
way.
The same
fanaticaed
the
sobre and
A la verga, no, see a photo
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The CECAN,
those odies.
If they're
in the air,
no,
sure,
yeah, that's
pretty,
they're not,
yeah,
I mean,
they're
to get back
to get back
to say,
and you're
to get this
and you get
two,
people,
but it's
not a
carie,
yeah,
I'm not,
I think
it's,
or the
vergas
three that
exist in
the
or the
fans,
whew,
what,
what,
what,
what,
because
could be
that could
get,
w,
that Moller
has a rena with,
no see,
with other
producer
X.
The pedo
fugas.
The Mueller
counter the
pedo fogas
but
those way
just way
know
they know
they're
they're
they did
count
and they
and they
don't
you know
well is
that you
know
that
produce
better
that you
but
but
so way
for mil
and the other
verga
oh the
pardgerger
and a
big,
grandot
and that's what
happened
in reality,
because the
, the net
the pendejada
for the
they've been
put in the
chile are mhmated,
are the chile
are madas
so that
then they're
going to be
getting
great, but
they're
being a
pendiehatsy
but you
think that's what?
Yeah,
that's why
that's,
yeah,
yeah,
yeah,
yeah,
definitely,
because the
band,
even,
you know,
so,
you know,
is that the
band also,
it's that,
he wants to
me fronted
with this
way,
because I,
I don't
cool
to not frontier me
with this
way.
A we go
are
rappers,
they're in
the
way,
the way,
not the
majority of
those guys
are the
people who are
those
are they're
so they're
so much
to do you
all the
people,
they're
that's
people.
Yeah,
that's
they're
that's done
complicated, way,
because,
for example,
I think
that's not
that's
in general,
in artists,
in,
creators of
content and
all of all that,
I think
there are
people who are
people who
to get a
controversy,
way, to say,
ah,
webo,
for that they
take them
in the quote,
even,
even,
but I'm going to
get there
for that I
get in the
cotorreo,
but there
are still
being intelligent
because
they're
using as
they're using
like they
want to
make them
rola chida,
I mean,
all,
all,
would be sure,
if it's
if were in
pro of the
music,
I'm
so,
so if
were in
pro of
that,
uh,
we go to
get a
role as
a bit of
times,
but Roles
bad for example,
it's a
thing it's
the pedo of
the pedo of
the pedo of
back,
binkheras
back back out of
they're
bifian
but the
real respects,
ralas,
bensheras,
manh
and it's
so that
sometimes the
people
don't know
and the band
don't know
but the
if they're
in pro
of the music
then it's
is that
they're in
so they're
so you
because if
can't
go out
out of the
car
where I
say,
music.
Look,
I,
like I
like I'm
like,
way,
way,
ta perro
that's
a perr
I'm
I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
I'm,
the,
who,
who was,
contra,
who?
Contra,
Don Omar.
But there
various,
no?
Hector,
El Faher,
Don Omar,
Emcy,
um,
MCD,
so,
there were various Daddy Yankee Rosop.
By the Yonk.
Don Omar,
Cossuil,
Cusuel,
tempo, way.
No, betta at the berg.
I mean,
even.
Even the Whiffs
that's called
the Archangel
with the
Anuel, no?
Yes,
and to be
against Anuel,
way.
Tried Muguel.
T over.
But there,
way,
I think that
they were
more personal
more family,
with Anuel
and Archangel.
And is that
all these
tiraderas
for the
aboveio
of the water
also,
there are
pedos,
so.
Right,
not,
neither that
didn't
that's
That is the ped.
But the band
no will be
And then it's
that's
yeah,
and it's that's
now
with the
social,
dude,
I'm
I'm doing,
the world
is full of
ohio,
we?
Yeah,
machin.
What do you
have
happened to you
Mollet?
Dentro of
the
life
artistic
of
work,
with
great artists
has rosed
this
ball of
hate,
we?
No,
yes,
this
carnal
the angel
has been
car
turned to
turn to
To get a Bucci.
Simon,
to us,
we got us
caged,
and I got
so I'm
like a lot of
messages like
to call on the
put those traitioners
that I'm
back to the
because apart
I've done
like I've done
a lot of
that I said,
I'm saying,
I'm just
of the three
things,
I think,
no,
well,
it's a
sure that
that's
carnal
has a
so me
when I
when I
did you,
when they're
when I
said,
no,
I don't,
I don't,
I don't you
I'd like
I'm chine,
this,
for these
years that I was
producing,
all the chido,
carnal,
here we
and we're doing
a lot,
we're doing,
so I'm doing,
yeah,
me abro.
And I,
this,
and I'm,
like,
and I'm,
like,
there were,
there was,
and it was
to get,
that we're doing,
and I'm doing,
and it's,
and it's,
and you're
all right,
you know,
but then
then again,
again,
we're getting,
to get,
and I'm,
and I'm,
and I'm,
and a chinko
message that,
that's,
that,
but so,
so,
like I feel, carnal,
that bandita,
if me had
gotten got to
message,
like,
I'm,
hey, carnal,
what I'm,
because,
like,
that you know,
that's a
badger,
a man,
a good,
a man,
a good,
a man,
so,
so,
so,
so,
bad,
badger's,
so,
say,
so,
me,
that's,
me,
that's,
me,
that's,
me,
I'm,
I,
I, I,
never,
I,
I never,
never been past
to see,
and I've
never,
car,
like,
with that channel
was the
only way
I'm like,
oh,
this is what
this is what
this is what
this is the
I'm sorry,
but what I'm
so what I'm
so what I'm
so he said he
or so I'm
in a video
first, no
even in the podcast
in the podcast
also we mentioned
here and it
and also
was a producer
the band
said my
Instagram
and the band
said the band
said to
do that
so yeah
no si the band
so like
the band did
because it was
a mention
It was two mentions.
First, an Insta, in the Insta, and me
I got a little bit.
But the way, it was so cullero,
it was the best of the Gus Grie.
In that podcast, in that podcast of Gus Grie,
this, was when,
came to talk of two, three things.
And it was a while,
like, about a few hours
and a video of two, three things
that were like, you know,
but like, there was
where I felt like,
the hate, so,
to say, to,
to, you know,
to do you.
Wait, and so,
I'm doing.
producer, no man, no mams.
I mean, I, I mean, I,
I don't know what
has passed, no,
in,
you,
you as a producer
and he's like,
but,
right,
I'll tell you.
But,
but why the
people,
it's time to
to come to
attack,
if you just
you're just
the producer,
we?
Yeah,
and apart,
the,
and never,
you know,
you know,
did a tiradera,
and you know,
and the net
to,
all,
so, when we
know,
when we got,
we,
we,
we,
of no,
well,
we know,
we're
we,
we're,
we're,
we're not,
we're,
we're,
so,
the net
I,
what was
what was
good for my
family
too,
because,
well,
I,
no,
this,
I, I,
I mean,
I'm,
I'm not,
I'm not
not I'm
to do
the
hit,
a person to
do a
thing of
things,
never has
never got
to the
same,
when you
when you
when you're
when you're
when you
did
you?
As a
company.
I went
I went
to chambiard
I'm
working at
alzada
with the
carnal and
then I
gave there
two three
rollas
and then
the carnal
so
and so
his company
and I was
inalzada
I
still during
a rato
but
also the
net carnal
in alzada
well
all this
all chido
the
kind
was a
really
was a
really good
school
and you
learned
you're
a chinko
you
did you
you
couldn't
I
of the company for
a fairia.
The net
not,
no,
it was a
business,
carna,
the net,
put it
that I'm
in Alsada
I'm
to get a
$14,000
at
$14,000
at a
month,
that in
that time,
in this
time,
it was a
little
than a
year,
but for
that's a
man,
I had a
daughter,
I had a
time,
and the
yeah,
no,
no,
man,
no,
no,
no,
no,
no,
and for the
rentables?
Simon.
Simon.
Rentable
and
I always
I always took my studio
and I went to
that's a
very demandant
carnal, the halel
in the alsada
grab one
two roles
all day.
More apart
my haled in the
studio at the
end of the
time to do you
have to be
eight or ten
sessions the
end of the
time.
So,
no,
I'm sorry
I'm
I'm sorry
I'm just
I'm sure that
when I'm
that I'm
was a
last year,
I was just
I was
cargando the
she was doing
to come
because my
morras
was recently
paried
and he was down to
eat
and he
got to get
the,
the,
I'll get her
to get her
and I'm
down the same
I'm,
I'm,
I'm,
a bit of the
suns
to get a
so,
I'm getting
a little bit
and I'm
back,
and I'm
a decanceau,
but I'm
a lot of
a two hours
a day.
But,
but all
for me
for sacramed
in family
at the
and the
net,
no,
no me,
no me,
no me,
but,
but what I'm,
but,
but what I'm,
carnal is that,
so,
I was not for,
for,
for a fairia,
because in reality,
because in reality,
I was a fairia.
I was more
a fairia
the end of my
studio than what I
got an assada.
But why?
Because it was there
a good,
because it was a good
school,
carnal,
the netta,
yeah.
Yeah,
yeah,
yeah,
I know,
a lot,
I know,
with,
carnal,
with what,
well,
all,
we did a chink
ralas,
a ching of,
ralas,
even,
even,
because there's
too,
Rolas,
because there's,
he,
cobrava,
So, for example,
a day
I had to
grab a
and make
a lot of
the first of
the first of the
beginning,
I think it was
a little bit
that's a
really,
no,
well,
no,
no,
no,
but,
I mean it
to stop,
no,
that you've been
having been
on the
Monday to
on your
studio,
you know,
yeah,
yeah,
the net,
yeah,
definitely,
yeah.
And I'm,
I'm going to
this question,
I know
that you
But I feel
to,
a bit,
how do you
do you know,
why do you?
You had that
you had to
your head?
No, no,
you're going to
to say,
no,
you're
you're in
your studio,
if you,
you,
you,
you'd
be you,
pegavs
to do you,
because,
way,
because no
you're,
because no,
because,
you're,
it was,
it was,
like,
it was,
like,
and then,
and then,
apart,
I'd say,
I'd
that I'm,
also,
another thing,
in Alzada,
I was,
I did
I did
that you
met you
in the
pedd
of the
team of the
family.
We're not
we're doing
it's nice
because it's
necessary for
that one
is that's
that's not
so unid
but
but also
also
also you
also because
put it
I'm in
alzada
I was
that I'm
a visualization
that
really
that with
roles in
my studio
the net
no
I was
I was
I was
going to
grab in my
studio
morros
of
million
followers,
of five
million, and
an
alzada of
a
million,
of two
million,
of two
million,
and I'm, you know, I'm, you're, a focus.
,
and I'm sorry,
Like in some point
I said,
carna,
the net,
Tirm me a
manned
to get a
man to get more
to get me
more hall
what you can
I'm just
I'm more
no I'm
pedd,
I'm more
ralas
but I
occupy more
more ferea
boy,
the net
this,
well,
yeah,
it's
a man
doesn't know
what is,
and more
to have a
good.
So,
but just
just to
pay renta
way.
Pagan
rent to
have a
money,
how you
how you
pay you
in this
time
bara
because it
was a
one
$5,000
of rent.
Al-M.
More
Luz,
I go,
more money.
Put it
other $2,000,
$2,500
of those.
So,
they'd be $7.
and $1.
And then
was a lot of
money.
We,
right we're
we're taking
money.
My
co-e
and I,
we,
how much
we,
we're going to
go back to
wait,
you're back.
I mean,
I'm not.
I'm not.
Yeah,
no,
the,
uh,
the,
part of,
that you
want to
money,
no,
man.
Yeah,
No, it's caro, caro.
But just, like, and it
it was a point, carnal,
when I saw many
changes, I was much
instability in that
company, and like,
aparted, it was
that pedd, that
I was paid,
more, more fare,
and me said,
no, because,
well, it was
recently, you
know, now,
like, you know,
well, it's,
well, it's,
well, it,
and I,
, I,
, my, I,
those, what,
they're,
they're all,
exactly.
But,
like,
like,
I,
I'm,
I'm,
doing a ching of rolls
for that they
they're in a
berg.
I'm like,
I'm a
carna,
the neta
I'm
over right
for my family.
If you
want to do
this to my
house and here
I'm up to
be that
like I'm
like that I'm
like I'm
like I'm
like I'm
like I'm
too too
I'm gonna
be able to
get to be
if you're
to be from my
house,
those that
you want to
whatever
but I'm
yeah
right right
because we
went to
on the
Saturday
from the
I was to
be at
my hour
to be
12 of the day
until
until
that's
to be
so much.
Normally it
normally it was
like the
normal
normally.
Normally.
But no
at a
sometimes I'm
to go
yeah,
yeah,
yeah,
yeah,
see,
I'm
yeah,
I'm
so,
so I'm
so,
so,
so,
so,
I'm,
Cawrown.
But all
all,
yeah,
like,
just what
said,
carna,
the net,
was a
school,
was a
school,
and
also,
he's
that
they've
given that
opportunity.
CLE
also
also
he's
aggrace.
But,
so,
so, so,
I'm going to
put to more.
So,
yeah,
that's,
you know,
that's the
thing?
Just,
I mean,
my studio
so I'm
going to
chido,
this,
but in
this time,
a lot of
the
man, I'm
said,
carnal,
I'm
because I
makeles
some role,
and he
didn't
a productor
in this
time,
but he
had been
to come
to be
said, I'm
he said,
I,
yeah,
I,
I,
I,
let's,
let's get
who did it
have
here.
And I
started
to pass
messles and
they
just got to
make sure,
because it was
it's not
a wayv-
to get a
this is what
I'm going to
this is what
I'm a chino
and a chino
but they're
exactly how
make you
sound like
how they
don't sound
your rolls
even the
producer
most vergas
that cabron
no,
is that
is that
I'm used
I'm
just
I'm used
so I'm
so I'm
to make sure
my
rollillas
and also
I was
sessions
of him
other carnal
of Pankel
that said
that
he said
that I
did I
understand
that I'm
doing the
I'm
done that I'm
trying to
pass sessions
and yeah
one day
me say
me said
carnal
we
let me
let me
talk
some
we're
and this
time
he had
made
the
disc
of
the
socius
with
the
that
that
that
that
we
help
to
get
some
with
with
the
jry
and
in that time.
I was a
master and the
Jerry,
he passed a fierras
and he did
he did he
grabbed much
roles as the
Jerry.
That we did we
did some
a palanquilla.
So in this
time I still
not firmable
there.
So I'm
a carnal,
ha'late
we'll let me
to talk
and say,
I'll pay
those roles.
Ah,
Simonsi,
in that
time
had we
had we had
had been
that I
had to
$5,000
for
Rola?
Because
for
grab,
or
for
But,
entregal master,
yeah,
what she would
be a second
me, I'd
have done,
I mean,
it's not,
I'm gonna
make a bit,
a bit of course,
like,
to be,
a time,
you know,
you know,
that's,
yeah,
yeah,
of two,
roles,
yeah,
yeah,
it was,
yeah,
it was,
I got,
a lot of
shing of
rollas,
and like,
I'm,
I'm,
to cover more,
more,
to cover,
more,
to come,
and we're,
and we're
going to
to be
to be
so,
that as
it was a
caro,
yeah much
banded
yeah
I'm going
to put in
a lot
to get a
yeah,
but then
you're
you're
you're
yeah
you're
not a
thing of
a fery
and so
you know
and just
I,
then I
said,
I'm
said,
hey it
I'm
to pay
these
rollas
but
I'm
I'm
that's ad
so you
have been
to put in
an
studio
this
I'm
you want
to
you
and that
you're
and yeah
but
you're
to be
you can't pay $2,000 for Rolla, because they're going to do a punio.
And I said, ah, la, verga, and more than I said, no, my husband,
so, they're 20.
Well, I know what I, I saco more, I saco more in my studio, that's the, but
but I said, but no, most vent in the tardicits, two, three days at the same.
I said, ah, well, I, I was, eh, well, I was, you know,
it's an opportunity, grand, to start with Santa Fe and, the verga,
well, that's, mother, is, yeah, and it's more for that,
because,
even in
some moment
I said,
I said,
when we
talk to me
to get a
and here
I said,
there's
no,
there's
not you know,
me pays
and you're
not,
I'm not,
I'm saying,
and I'm
back this
and I'm
and I'm
and he
said,
but it's
a
disc, a
disc,
it's been two,
three things,
he's going,
I,
and I,
and I,
well,
well,
and I'm
he said,
the first
study
in a
colony here
in a colony,
in a colony,
in a
Colo,
this,
I used to acoustizar it.
I said,
I'm like I could.
Between I and other
compaltona.
We do acoustizam.
We'll buy those
we did the two
we didstimus.
And yeah,
there we put us
a studio and
there I
captured.
And there I
knew the tornado.
And no,
well,
I was really
from the first
reaction with
the tournio
like,
and to have
grabbed like
a ching of rappers
carnal,
a birgazzo
to the lefti
to Angel,
to netto,
all those
of alzada
also,
yeah,
I've been in
that time
I've
worked in the
Ljera
this
he's,
with a
thing,
with a borgasso.
And like
I'm saying,
I'm sorry,
I'm saying,
ah,
this,
carnalito is
chino,
in this
time,
but I'm
just doing
those
roles
there's
three,
and the
second day
of the,
I said,
yeah,
when it was
all the
day,
me said,
pay,
you know,
you're done
a ral
role,
yes.
And you
and you,
simon.
And,
in this
time,
I've never evaluated with the tourney.
The first rleas,
the angel no,
I don't know.
And I think the tourney,
and I know,
I know the term,
he said,
but the first rleas,
the angel,
I never,
I never got to do.
N'all.
The carnal,
so much,
chido, the net,
nothing to be.
Yeah,
yeah,
you're doing it?
Yeah,
okay.
Yeah,
no,
and yet,
chiled,
and I'm,
a vibrational
with the carnal,
and I said,
no,
we said,
I remember in that
role,
we're gonna,
that one,
that's called,
your
blessing.
That's not
a disc
of Cactus.
It's
a little
after the
first role
that he and I
and I'm
and he
went to
him.
Simon,
and now we
met him
to do the
studio to
grab to
and then
after that
after a time
yeah,
I'm saying
no,
well the
of the
turnio
I'm
a lot of
you guys,
I'm going to
get a
$1,000
for the pister
simon.
And so
yeah,
so it's
well,
it's that
you know,
but it's that
me lait
me la t'
being machin.
Amar what you
a little
no. At least, the net
no, I'm
there's a
way.
Obviously it's
to be the
stability that
you have you
because also
you're putting
in a balance
but a
but you're
you're just
you're doing
you're sacrifice
and the
pedo just
was that
then I'm
to get to
me back
me's doing
rolls like
yeah,
yeah,
I'm not we're
we're doing
we don't we
we don't we're
we're just to
we're just
we're gonna
and then we
but, well, he atoraba,
the net,
of another way.
Well, we atoramos,
the net,
the two.
But if it was
like a contraste
very strange,
carnal,
that a
sometimes
three, four
roles,
like,
me,
were in tendences,
and no,
man,
I was,
I was a,
battle to
get to get to
the, way.
And say,
get to the
mirega,
yeah,
yeah,
and I'm
all this time,
like,
you've talked
like,
that,
perrito,
we're,
we're going to
talk to
to be
something,
It was very rare
the way that
I was up to
years after years
after years ago
and then you're
yeah pa
and so you
something like that
I'm sorry
I'm gonna say
Roles of 100
million
I mean
The dineral
that's in the
Borsernerner
millions
of feria
and the net
like I'm
so I'm
if I'm
so I'm seeing
for the
paulias
and this way
doing a
fairia with
our music
because it was
of those
in reality
much of those
Roles
no does
he doesn't
he knows
of chords
he not
knows
of music
he
knows of
can't
but
the music
who's
the producer
and much
of his bit
makers,
I'm too
I'm
the carnal
that's
he's not
never seen
a piece
of your
music
until the
day has to
the
$1,000
and the
how
that's
so I'm
no, I'm
no
no,
it's a
has got
500,
600
million
and the bating
and the bidsmaker
that
did that
made sure
that
made
that year
that's six
that's six
until in this
time,
started to
have a fair
of the beats.
And so
imagine how
could get
to get a
reality.
And much of
that fair
yeah,
it's a
person
was a
cobriing.
The music
also
was about
your publishing.
That that
is legal
not,
so,
not is legal.
So,
you can't
get the
case,
but it
demand.
So,
and the
net,
for you
to make you
to make you
to make you
to,
the process,
you're
better
before
because
that,
bitmakers,
putance
get to
putance
all
the
publishing
Functioning,
it's a
50 and 50
carnal.
That's a
part of the
platform,
of what you
have the platforms,
and here's
other thing.
Publishing is
a type of
regalia
that's created
for the
authors.
So,
technically,
legally,
not they're
going to
get to
the
realties.
It's not
because the
rappers are
very
accustomed to
get to
their publishing
and say,
I'm the
real person
do you
do that roland.
Legally
actually,
it's legal
that's what
do you
do, but
demand them.
What do
recommend?
Is the
if you
get
if you get
If you get
not
I'm going to
I'm going to
I'm going to
because the
matter of the
because the
net is
to make you
in pedos
I'm not
I'm not
you know
the producer
you know
the producer
is how it
but for
example
if he gets
not a
artist
the babo
you know
my
producer
I want the
I'm
I'm sure
I'm
I'm
I'm
I'm
what you
do you
you
do
you're
there's
a
opportunity for
them
for them,
it's a
agrar.
Agar in the
50.
Agarra,
fogueate and
putte in
some point in
the whole
you know,
you know,
you know
I'm not I'm
don't want that.
Give this
if you want to
come back with me.
The 50%
of the
public.
That right I'm
just I'm
sent me that
point and
I'm saying,
well,
if I want
someone
to do you
and say,
and then I'm
so no,
then you're
so you're doing
so you're
so you're
so I'm not
you know,
I don't have
been cobrate.
And those guys have
a way
to chambiard
that they say,
but it's
so, well, it's
so, you know,
it's so
you're,
there's so
people, it's
all the proposal,
but they're
always always
they get with
with a
pedd, because
those guys
if they're
so much,
they're saying,
but for
example,
Tekashi,
when you
when you
when you
did,
what was,
the
question,
because never
was never
took,
has to know
that's the
way that
it's all
that's
like,
agendand
those,
And then
in two
months will
go to do the
role to
talk to
a producer,
with the artist
to be the
business.
Because many
roles are
so many
not get to
get to get
because,
but
never,
I know,
I know,
it's like,
an entradita
so that
that's like,
yeah,
well,
you're going to
talk
to this
or this
role, or
they were
a fairia?
No,
in this time
me
paid,
in this time
I was,
in the
discera
where was the
one of the
and in
that time
they'd
pay them
for roll
and
but
those
Rolls, it was, it was a business
like a part in the
which isque,
you're like,
but literally
you're at what,
to see,
like, like,
for getting,
ah, boy,
I have a product
that's a
hand to do you.
Yeah,
and in reality,
for example,
like there's
more producers,
like,
so it's that
you have to
do the
because,
because you're
to do not
more,
or because
to be done
more.
So,
it's like
a part of
that the
to the productors
it's
to make
a pair of,
so,
so,
so,
so,
has been,
has been
the best
business
that's
done,
way.
And as a
producer.
No,
well,
the publishing.
But how
how will function?
How do you
do you know,
that I'm with a
carnal
that,
um,
that,
uh,
a day,
me said,
I'm a
little bit of,
you know,
that's a person
to do you know,
and makers.
It's the
only editor in
Mexico that
that I
know that's
because all
the editors and
so,
because all the
people are
But those carnales
like,
so,
they wanted to
focus to
produce to the
,
and the carnal
like me said,
I'm going to
I'm going to
this mother,
and I'm
to do it
to do the
people,
because they're
the net to
the artistas
because,
yeah,
the net,
they're
they're doing the
thing to
they're not what
they're
they're not
what they're
not the
not the other
not the
people,
not the country
in all the
people,
the people are
doing all right
so they
so I'm
so I'm
so I'm
so two,
three things,
and the
and with
that carnal,
I've
done it's
very good
business.
Apart to
you're
many things
with the tour
and the two,
three,
and so,
that we're
to do you,
like,
also,
so are
very good
business.
Yes,
for example,
a show
with the
tournillo,
how you
want to
you're
going to
more and
for the
pure show?
No,
well,
it's that
it's a
cause,
because,
for example,
if you
you have vintas,
no,
I don't see,
a,
20, 25
feches
and it's
in a
this,
put it,
that how
we're
an approximation
put it
like 10
like 10 baros
for show
but so
so are 20
30
feches in a
month
then you're
a few
a minute
a bit
man
for you
for you
not you
not
yeah
yeah
no no no
no no
yeah
but for
example
how you
can you
in the
in the
10 balls
is for
you
but also
are 10 balls
for the way
of the video
are
so for those
that
and
And,
apart,
what's chido,
carnal
is that,
you know
that's the
month,
so that's
they're
doing that's
the time.
The experience.
The experience.
Apart,
are the experience.
Boy,
is 10 balls
for shows,
and are 30,
are what?
300 balls.
So,
no,
in a
piece of,
me,
come back,
my love.
Or,
what I'm
too,
no,
man.
The,
the,
the,
the,
the chronic
in the
house.
Wey,
no,
well,
you,
to,
you,
to the
The business, you know, you know,
but many things
were, there were
a bunch of,
there's,
no,
no,
I'm going to
an anecdote,
when it was going to
this pedo,
that was,
no, man,
I,
I'd be to
my rent,
and then,
I'm trying,
to,
that part,
in four,
seven,
three,
a time,
because,
because,
no,
so,
sometimes,
like,
you know,
sometimes,
like,
you're,
to,
and I,
and,
no,
but,
I'm,
the order,
to be
the pay the
perg,
and the,
And then you, you know,
well, is that the angel
and ishi, I want to
talk to get me, I'm
paring a pay.
What has been to be?
We're going to be,
and we'll pay you?
And you'd,
three, four months
without, and I,
but my family.
No, much of the fairies,
the net,
I didn't even me let's
a fairer.
So, the last
disc, the Angel
came in that they were
to do a fairia.
I mean,
I said, I,
I mean,
I was, I mean
money,
because in that time
then I pay them
for a month
but they said
they're like
20 rolls
and in reality
were 30
but they're
20
in a month
I'm going to
get to get
to get to
the discler
yeah back
that was a
yeah that's
it was a
so they're
no,
we're going to
apart of what
we're
apart of what we
we're
and never
and so
yeah so much
a lot
I never
never cobred
but
but no
no no
but thanks
to God
my way
that's
is the
problem
when the productors,
way,
no
know
know
they're doing
a good
way,
planet.
Or no,
they're
they're not,
they're in
the
you know,
I don't
want to
work with
because,
you know,
I'm
you know,
I'm
to go to
get to be
my family
and the
berg
and that
that's the
problem.
That's
way,
me,
me,
not as a
producer, but
so like,
like,
like,
like,
as a,
like,
as a,
way,
of the albaenil
also.
We,
we,
we're talking
a
we're talking to
aft
and the way,
I'm going to
pay a
money,
but I'm
going to get to
the friaria.
And why
we're
at the
more the
need to
because
or a
good,
or because
we're
we're not
we're going to
get a
yeah,
he's
he's just
he went to
and get
and it
but it
but it
I'm really
I think the
problem
way,
because the
people
are the
people are
that I'm
don't want
to
I'm going to
tear
at the
Santa Fe
or a
a subterer
or a
any skierra
or a
question is
plebes
of that one
has to
have to
take the
decision to
you know
you know
I'm saying
you're not
they're
I'm sure
and that
in reality
for that
you're able
you're
so that
you know
the
the month
since
we're
to go over
where I'm
yeah
yeah
well it's in the
year
but on
the
year
I mean
they were
in the
chambiando
yeah
And I'm in my compo, so,
I'm in my compo, so, and a verguise,
because, you know,
a verra-as, because, is to garraer a year,
most apart of the chamba-da,
for that, you can't pay
your mensuality, right?
So, you know,
that's the time of the
year, no,
they'd pay them,
and not me paid.
And, yeah,
they'd, and yet
before we'd be able to
to the tour, that
they'd, and I,
for that time,
yeah, this time,
yeah, this,
his same band
of him, and,
me, and I,
said, I'm,
I'm, I'm talking about
bad,
about, like,
like,
like,
tirandolet
and apart
like,
I'm like
to get a
badger,
I'm going to
get a verga
and I'm
doing it's
I'm doing
so hushal
well,
I'm,
I'm,
see a one,
I'm,
see a,
a ching-
and that
the nita
was made
sound very
bad,
when the
net,
much,
most of the
people,
those,
I mean,
that's,
I mean,
for tirled us
for a par
or to do this,
when in reality
to the
really,
the net,
not bad,
I'd,
I'd,
And apart, I, in that time, I had a team.
Yeah, I had three producers
that had helped me help.
And, and, like,
I was trying to them.
And, the verga.
But I, for that time,
I had been paid,
that month.
And I, uh,
and I, uh, and I,
and the other,
that, I, I'm trying to,
I'm trying to,
and, because I said,
eh, pa, no mames.
And at a basis,
yeah, with a desperation
big, cabro,
that when no,
I'd try feree,
you desperas,
you're being,
you're,
and, more when you
,
We're not, we've paid the rent, no, this, this is...
The price.
And I, with the jira, and with the chamba, more that, and I,
and I, erga, and the tournial that I'm to throw to the paro, the n'clock,
my man, is, pardon, we, but, the netta, ture me, cuckpoh, pa.
So, so, so, so the peter, man, so, so...
And the turn, man, that's, he made, he'll take the par,
man, he said, no, pa, no, pa, no, peredo, right, there's,
to the matter?
How, what was what, what, what was what, what was what you get to
lividian to the
tornillo
that
you had
needed
one.
One
one
one was
my
manned
my man
no
no
that's
the n't
the
carnal
trae
like a
bad
and the
badger
and the
carnal
just
yeah
no
yeah
that
that
that
time
just
were
just
were
just
they're
that
not
they're
not
and I
just
with
the
family
too
didn't
have
so
so
so
so
we
we
didn't
don't
don't
don't
nothing.
Because,
who's
going to
be
going to
young?
I was
more than I'm
going to
know?
So,
who's
going to
say?
Da?
So,
we've
to come
to buy
everything.
And they
were
like,
I think
60,
70,000
balls.
And the
carnal,
and
he's
that's
then there,
I,
then I,
then I
did you
get to,
that's the
thing,
where's the
thing,
all the
per, and the
that's,
so,
who,
who,
verga,
you
do you
I'm
you
because
a,
I'm
to have
to come
that I
have done
that I'm
not
for a
family
way,
no,
for a
for a
a
so I
for a
I'm
I'm
I'm
I'm
a
manned a
mann't
nobody
know
who
nobody
just
only
my
family
my family
knows
but that
person
boy
15,000
Pesso me
and for
so I'm here
and I'm here
and a
sometimes the band
carnal
neither knows
I'm
know the carnal
I'm not
I'm sorry
to know
the parote
that one
you know
I'm
I'm
I'm
I'm
I'm a paquita
way
of the
and I
don't know
I'm
my sense
because
I'm
I'm sorry
I'm
I'm gonna
be a pion
of aom
and I
sometimes
to get a
day way
and
no
this is, Simo, me
go, Cahle.
Ah, yeah,
I was,
I didn't know
to know the bado.
Yeah,
I'm going to be
a loco.
Man, no,
those malgast,
Simon.
I mean,
that for that
time,
we,
we know,
we're we,
we're not
we're,
an armada
in CPU,
I'm a,
one,
a console
but how
it's called?
A interface,
way?
And,
and a
and a
pedestal,
way,
yeah micro
yeah
there,
way.
And they're
way.
For what
me
it's a
way, the
net.
The pura
compo
were
were 10,000
me
a quote.
And a
try that
yeah,
yeah,
but for that
that's a
fifiruchia
way,
and if
not did you
get you
something,
yeah,
you know,
then then
then the
so,
I mean,
so,
me,
I gave
what you
what I
put you
to get the
way,
do you get
the rio
gotta the
well
get them
and get them
again
I said, no, ma'am,
that's what you're
I'm saying
I'm doing
with someone
with,
with, and
he's
so I'm sorry,
to get a
way,
to get to be,
but for other
people,
because that
that's a
matter,
I feel,
I feel
I'm,
I'm,
my son,
my
my son,
I'm,
that's,
because you're
he's over,
because you
he's up,
presteselos.
And if
you have
the manner
to not
pedos,
but,
he'll do it
that he'll
do it
and he's
he's going to
retock that
because I'm
yeah
and just
what I do
do you do
where I think
that I'm
like the
I'm going to
you know that
I'm saying
I've got
that I'm
that I'm
I'm trying to
get firmes
of producers
necessities
carnal
that a
sometimes just
of that
I identify
carnal
there's there
that were
that further
that have
too
200,000
Rolls of 200,000
that has a
fair and they're
to cover and here
I have a carnal
that's not going to
say to be
talking to that same
artist but the
carnal,
his house is
a piece of
the earth
and has
beats,
it's some
monitors
like,
so,
I think.
But the
carnal has
he's of
putterissimo
of millions,
200 million,
300 million.
It's
still living
so,
way.
Yeah,
Right, right,
has
like a year
we've got a
a ferreyecita.
Apeness,
like,
is to get a
little, but
all of the
end up in your
studio, because
it's what you
have to do
at the
first of the
first, but
yeah,
like, still
still,
but yeah,
then I'm at
a fairerita
to do you,
there's a
bit, but,
so, I'm,
so, I'm,
a little,
like, I'm just,
like,
I'm like,
to get a
productors, just so,
so,
so, that are
they're,
they're,
they're doing the
and they're
it's a
I
want to
someone who's
I'm
a little
and I'm
a lot of
a lot of
I'm a
right I'm
a
that's a
that's
that's the
man my
the carnal is
like that
was a
very bad
was very
very
very
very
and I'm
I was
I was
I'm
and he
he's
and I'm
so I'm
so far
and I'm
so much
I'm
and I'm
so much more
because
it's very
it's
never
a borgue
the bata
but
never, like, at least
it was a bit of
when he'd say something, he said,
but no, you're going to come
two months,
way, a month,
you're going to do this
and I'm,
but yeah,
but yeah,
but the net,
like,
I've never
to have to
have done to ha'clock,
because I'm
a chintifical
with him.
Uh,
and just that
also that's too,
I'm getting
a very chido
with him,
and like,
is a guy,
that's a
thing,
I'm trying to
that's a
that's a lot
to go.
Take this
is your sign
to go.
Just get out there
and go.
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Right.
Right.
Has it gone to a while, after I'm saying, I still chambiando.
And then the bato, they said two, three, mamadas, and it's a little,
There's
two, three,
much band
that's
that's all
because
they're
doing things
that are
so much
man,
man,
man,
boy,
with
what?
Wait,
he
would be
he
would
do you
that's
that's,
that's,
that you
have worked
but,
but,
but,
you're going
to someone
that's
produced,
boy.
Of the
those great
to do it
to the
verga,
you know?
You know,
well,
of the
gabachios,
well,
two,
three,
so
eliminate,
the Eminem,
Al-FiftiCend,
and those guys
try it's
well,
but those guys
the pedos
is that you
don't even
really
really,
it's like
their level
to have you,
because
they're very
great,
he's very
really difficult,
but
the band
like,
even two,
three roles
so with
them
and I like
much of the
music,
and a
good,
that's
he's a
way,
and he's
very few.
And he's
I've done
I think
I'm
I've done
one or
two times
in my
life in
my life,
in person,
but he
have been
How would
it would?
Yeah,
to start perr
Yeah,
what you
would be able
to make a
romantico,
fronteo
of this
no,
fronteos
is a way
is a
berg to do
and here
like the
car like the
chas
ralal
that's binkchor
they're
too ral
also with
yeah
yeah
we're gonna
know we
know some three bandit
to us
got some
a copixte
that's like
much a feachas
the Cuba
So, so, so it's
a guy,
a two, three,
as we've done
in the States
to three
feches of the
United,
he'd
go to hear
to hear of
the ralas
and so
when we're
pretty
so they're
the turnita
great,
boy, the
tournillo,
yeah,
and more
over all the
those,
the churps
that were
a show
a whole
those did
soldouts,
all those,
all the
allotos
allotos
those,
five,
25 feches
soldown.
Tornio,
me said,
what p
no,
you know
that's
there,
you know, I see, what,
what could I say,
like,
we, we're,
we're doing,
we're doing
to say,
someone that's not,
my tarnia,
my ho,
my son,
my son,
my son,
me, you know,
he's not
for a car,
but I say,
to the red
machin,
we, way,
I'm,
I'm,
I'm,
I'm,
one only,
he's all the
perg,
but,
but you know
to be,
so,
so,
so,
so,
so,
you,
one,
first,
you know,
one,
first,
you're,
first,
Okay, I, ira, you
you're going to do you
want to do you
do you're going to
do you're going to
you're going
because
you can't
do you know
I do you
I know you
you can't
you can't
you know
because that person
is going to
let's plotarly
the case
then so
my
so I'm
my service
me go
give me show
meh
meho
I'm
I'm here
I'm
you know
I'm saying
you know
some some
some
some time
some
a guy
says something
Fino,
style
Fino,
yeah.
Style Finno.
Here,
here,
here I'm
here.
Here we're
here.
The other
side of
the other
side of here.
It's a
old old
that's the
thing we did it
called a
little bit of
the logo and
my gosh
in the
machine
in the
disc, we
we're tattooed
in New York
in New York
in New York
like that's
very vergas
in the
it was a
man it's
way,
that's
experience, way,
to tell us
way,
yeah,
way,
and taper,
so,
so,
so,
so,
so,
You know,
way?
Yeah, machin.
Pinchitornillo.
Well, then,
my,
he,
the
real good
of the
percentage,
platicam
what you know,
how is
that,
an example,
you know,
you're,
you know,
you're,
if it's
bad bonnie,
whey,
my
man,
my name,
you know,
if God,
if you can
be able to
do you do. No, but no,
about what,
Arre. Business.
Business, whew.
How'd you
how you'd
what you?
What do you?
What do you?
It's like,
there's a
way to get you
are like,
are like,
some, six
can't be,
the most you
the most you
to do you.
A me,
the most
me like, is
a feed,
so you know,
you know,
you're in a
fairia,
you don't
some points
of master,
and they're
doing the
business with
the business with
the
productors,
put to,
say,
a,
producer,
perro,
so,
they're
points of master.
Use a
producer
bergas
so,
you need
a fee
of a
free of a
lot,
yeah,
that depends
much the
the producer.
It's
from
$2,000
to
I know
producers
that have
over a
dollar,
$200,000.
I,
well, I
cob
a rola
for a
market,
$80,000
$80,000
$80,000
for Rola.
You're
you're over
$3
$3.
So,
put it,
were 240
of three
rolls.
They're
made,
like,
like,
some show,
a
little
a little
and they'd
like,
who
they said,
and they were
those,
they were
240
balls.
And yeah,
ponle
that's,
like,
not they're
not to
you're
a friar
because for
what they
give a
thing,
is something
that's
not,
uh,
but put them
the normal is
you can't
a fairia,
a fid
is a
a percentage
of master,
three points,
five points,
10 points,
depending the
artist
that's a
three percent.
Three percent.
For example,
an artist
a very
great,
to have a
3%
Bad Bunny
3%
Yeah
and the
Bad Bunny
is a
one
for one
is a
fairia
so it's
a fair
yeah
one percent
that's
one per
more
more
apart the
publishing
that
that's
repart
between
the
music
the
writer
the
producer
and
are
five
if the
the artist
no
he
does
who
did
who did
the
music
who
did the
music
the
artist
no
the
can't do. If a producer
gets and just
masterize the
Rola, that
doesn't make
because just
it's not
nothing musically.
Mm,
inventaste.
Uh,
so the publishing
is for that
for those
authors of the
songs.
And there
normally
they're reparten
equal, but
the legal
is like the
50%
letters,
50%
music.
Who has
made the
50%
of the
music is
for him
and the
50%
of letters
is for
example.
An example,
the
tournio
does a
roll
and he
has
a
roll, and I,
I, together
I did a
production,
ah, then,
then of that Rola,
the 50 is
to the turnillo,
and of the other
50, 25, 25.
So is like
what we,
the legal,
but nobody
does it.
A artiste
that is in
position of
exigntes
to ask me
he wants,
very many
they're going
to be
to do that.
So,
very few,
because they
know, because
they're,
because they're
to the
people,
no?
Yeah,
I know
much band
that's
actually has
done roles
to be
very big
very bad
that's
that they're
not a
not they're
not they're
not they
but I'm
I'm not
I'm not
and more
for the tag
for the credit
and then
no,
well it's
maybe
my credit
and yeah
but the
but the
but the credit
how is
in the
pouta
in the
when when
when it
they're
and also
in the
stuff
and then it
has to
yeah
but it
but it's
not per
I'm not
I'm put
to do you're
even even
even
the
The mark of
A guap,
because in the
Spotify,
the net,
very rare,
the person who
does the writer.
Only the artist
and the artistes
and producters
they're in
to see who
who did it.
And it's the
also the
advantage of what
I've done
is that much
I'm not
I'm doing,
like I'm
like I'm
and say,
ah,
I'm gonna
do you,
like you're
like you're
like you
you're doing
you're doing
you're like
you're
poutan in
a chinko of
how?
How is
the poutta
way?
One's put like Moeller in the production,
others like Moeller in the controls and so.
So, each one me number different, but
always, Moeller, this is the Moeller.
It's the Moeller, for example, much of my band,
so they say, there are Rolls of the Tourney.
What poutes of the tourney are so
that's my pouto?
It's the moleler in the controls.
Also, of all, of various,
the Lefty, even, for example,
when two, three roles that I grabbed,
and I put in the letter, and so, too, three
verses of Lefty, that have, so,
Mollera, this, and here, and you say, ah, we.
Oh, man.
And one, for you know, because you know,
that's the time,
Lefti no was who was.
I mean, I mean,
I even, I was out of the last year.
And I was actually time,
I don't have, like,
contact with him,
until very little,
before that he fellsier.
Two times,
he was a bit perro,
because,
after years,
of not vernos,
we'd talk about,
we'd be a rattle
a little bit,
and it's a lot,
and it's a lot,
that's a,
that's,
that's,
exactly,
and,
and,
well,
now,
it's a little
a little
a little
a little
a little
a little bit of the
and I'm in
a lot of
Spotify,
me put in a
rlea
that's a
but never
I'm a
one of a
song with
the chato,
another channel
also of the
alsada
that's all right
and everything
is kind of
and it's like
a very positive
and it was
the last
role that I
did live
that was the
last time
and it's
beautiful because
it was like
the verse
of lefty is
like you
you get
you get
but all
you're going to
get here
and I'm
that's at the
I'm sure.
That's the
way.
Yeah, way.
I mean,
I mean,
I don't know
because the
Spotify and I'm
I'm sure.
I'm it.
I'm it.
I'm it.
I'm it.
I'm sure.
That's what you
produce.
When they're
when they're
I mean I
refer to that
stay in your
playlist.
A
sometimes me
pass,
I'm afraid
because
I've seen
a rattle to
makelars
to grab them
to come
to come
to listen
to listen.
But yeah
after months
or, for example,
when it's a
bergazzo,
of a
repent there's
a rleys,
that's a
little bit of a chila
and a lot of
a man,
I'm a bit more
a man perr.
That rala
that's a real
that flueya
of the tourney.
Yes,
two, three,
for example,
now I put
that Rola
that Relytie,
I put it there
I'm like,
I'm,
I've been,
I'm,
a little,
I've seen,
the time,
I'd listened the
the disc of Socius
the, that
was a little bit
that's,
and then you
can't even
you can't
heard because
they're
because they're
bronchered.
And you
do you
do?
No,
yes,
but more
more than
it was
like I'm
because
they were
in the studio
and I'm
like that
yeah,
yeah.
So,
yeah,
what I'm
to say?
I'm
I'm old
he's a
little,
I'm a
but,
but
but
there's
a,
uh,
it's
it was a
like those
of the
artists
out of
I'm
going to
record
way. The point is,
way,
as a producer
musical,
I'm
I'm gonna go ahead.
How much
it's, how
it's,
how do you
a can't
a question
if you're
known,
way?
I'm not
I'm sure.
I'm sure
that much
people
want to be
to work
with you
and that
no,
I'm
I'm over,
way.
I'm
what I'm
what I'm
doing this year
I'm
than the
year,
more
more than
more
like calabab
morros.
You see
I saw that
I saw a
morrow in the
TikTok
I was a
I'm a new
and I'm a
really a new
and I'm a
man who's
a chido
to do you
a day at
the studio and
yeah,
he said a
and I was
but I'm
over it.
I'm like
I'm like that
I'm a
great thing that
I'm not
I'm not
I'm not
I'm not
because the
morrow technically
not you need
to pay
or the rapper
not you'd
pay your
production,
you have to
pay your
pay your
does it be
you do you
do you do
do you do
do you do
that you're doing
with his
equipment, not with
because they're
those are the
are the ones who
are the
people who are
they're doing,
they're doing,
so they're
so they're
so I'm doing.
But,
for example,
has a pockitio
a morrow
he cobred
and that rola
I think
would go to
go back,
I'm going to
get a
carno,
for a rola.
Grabarly
and masterisar
but it
more than me
vibre,
even even
cobrandle
it's like
okay
you cobrough
but
I mean, the net, no.
Example, I,
I, the horny.
Ah,
yeah,
without,
yeah,
but how's,
way,
I did some
various rollllies,
way,
I'm my
socio,
and the
and the net,
lamentablementment
not we,
not we're
we're not
we're,
we're.
It's got
to be the
team,
many times.
Totally.
And I
think that
also the
yeah,
and I,
so,
so they're
so,
so,
we,
we're not
we're
not y'
we're not
we're not
We,
the Italica,
we,
it was,
it was a
really, we,
we're really,
we're doing
we're
over the worst,
tron,
it,
we,
we're,
amarrated,
in the city of
Mexico.
Those five
five feches,
yeah,
you know,
net,
you know,
you know,
if you're
if you're
five fechitas
is because
something,
a,
something you're
doing,
and you're,
because they
can be able
because they're
to do
the voice
and
the status and
all of
I said,
ah,
we go to
be a boy,
what I'm going to
get to be over the
only,
just we're doing
one,
we're in chappas
way.
So,
I,
way,
if I'm,
so I'm
would be so
I'd like to
continue
making music.
Yeah,
not so,
way,
yeah no
I'm
like,
of,
how I'd
like,
like,
to care me
to make me
to be
for the music,
for good,
yeah,
more than
for a more,
and once,
way,
so I'm
so I'm
to see
to be
that it's
to be
to get to
and we're going to do this and the verga.
A lot of the
other than to be more perro.
I mean,
it's just to be the contrary
I'm trying to,
that the artistis,
yeah, when they're
when they're
when they're doing
because they're
because they're
the army.
If you're going to
be going to be
to start a day
in the studio
and no,
it has to functionar
and it has
but even
even thinking in
the fairia
but you have
to have to
have always
a group
a group
I think that
that was what
we're
filmmaker.
or the
the,
the,
the,
the,
the,
the,
the,
the,
he's doing,
producing,
writing,
and he's
doing,
and doing ideas
and the
verga,
but I
think we're,
we're,
so yeah,
no,
there's
many,
we,
like we,
we're,
a
other way,
a
other than,
the important,
is just
when you're
just when
you're going to,
when you're
not,
no, man,
So, even as you
don't mind,
to farrart.
The aferrado
I think
is the
that's the
that's the
kind of
that's the
people who are
people who are
that they're
not doing
not even bad
the net.
No, they're
not,
because they're
confiated
in your talent.
Wey,
but three
months,
we're,
we're just,
we're having the
music,
three months
or two,
we're doing
to do it,
and the year,
let's make,
and it's
that's that
it's that
it's that
carnal.
That's like,
when you know
when you have a
carnal has a podcast
but that's the podcast
but that's
you're saying.
And then you
move.
The,
the,
the,
the,
things are you
to get a
berg,
way.
That's,
that's,
yeah,
to say,
way,
if I go
music,
you're going to
to get
to get
to get a
podcast too?
Or,
or a
maybe,
but,
but I'm
to do you
to do
and I
get to
to get to
a lot
to get to
a
, way.
So,
yeah,
the
frustration
yeah
but in
getting to get to
the people,
we.
But also,
I mean,
you know,
with a good
example,
a good
producer,
always you have
to know
to do a
really,
so you're
to work with
you.
No,
there's a
way.
We're going to
do this
I'm going to
get to
because we're
because we're
doing business
regalias.
And at a rato
the honey
very end up
the
those producers
get to
the artist
to the
verga.
No,
and it's
always,
it's good,
and it's,
just,
carna.
Because it's
when the
relations
laborals
fluing
and when
flources.
I think
I'm
really a
little to
a group of
music,
I mean,
I mean,
I'm the
real that
I'm
I'm like
I'm like
I'm
that I'm
that I'm
that's
you know,
I know
so you
know,
I'm not
the word,
the more
a man
to me
he's
a lot
but also
I'm sure
I'm
I'm sure
I'm sure
I'm
because there
is where
they're
where,
no,
I don't know
how to
say it.
But,
but I'm
I'm gonna
I'm
like,
way.
Because the
because the
violence is
being culler,
whey.
And the
real
violas
and the rola
two,
three,
way,
they're like
that letter
and you
I'm
and I'm
so I'm
I'm
I'm
so say
I
I'm
I'm
I'm
I'm
I'm
a person
empathic
and if I
I see I
know that
the
thing
is a
that's
a
mortes
of people
people
and I'm
really I'm
really
want to foment
that
you know
no
I don't
I
don't
I'm
and if those
songs
I'm
I'm going to
I'm going
to get
way
and I
just so
never
for so
I'm
so I
never per
because I
took
opportunities
of two
three
cocies
so
of
do you
to do
do
rrolls so
so
so
so, and
almost never
me vibro.
For that
the same.
I've done
made up
and I've
done co-cilled
and I've
done a band chida,
for example,
one of course we
did it's a
like with
bandies,
but the
net,
like,
at the way,
I never met
so much,
because just
that's the
kind of right,
the pedd of,
I,
but I'm
another,
yeah,
but it's,
no, and
it's,
yeah,
and it's
songs I
I have
I'm
there's
I'm gonna
I'm gonna
I'm gonna
the last I'm
I'm gonna
I'm gonna
I'm gonna
I'm gonna
I'm gonna
I'm gonna
but
the real
I'm gonna
continue making
music way
for me
yeah
yeah
I mean
I'm
I'm gonna
I'm gonna
yeah
because I
I'm gonna
I'm
to say
a way
I'm
not a
not cause a
not cause a
so let's
let's say
that about
also like I want to
to start a
little, way.
Yeah,
to get a
little to that
too, way.
Because if I'm
a machin
explicit, boy.
And,
and I feel
that I'm
even I get to
talk to the
tournilly,
with those
of the artists
with the
he produced,
there's,
there's like,
no,
mams,
because this
person,
for this person,
for example,
when I was
in the
mod,
when I was made
to be a
racetone,
like,
so mames,
because those
guys be
people get
so they're
so
they're
they're
they're
I'm,
like with the band
to,
yeah,
carna,
the net,
all that
all that's,
all the pedd
of the
content of
the word,
and so,
it's a
market of the
music of
a model,
is a market
very volatile.
So,
what do you
want to do?
Rolas,
for that
the band
still
for the
years,
or ralas
that in
a month
you'll
forget,
no,
it's a
other market,
because,
because you
do you,
because you're
a public,
you know,
a public,
you need to
to do this
other
they'll,
they're,
no,
Mammas, pincher rola,
bien-vergas.
How do you do,
not talking to
these,
those things,
because that's,
it's going to
sound bad.
Because,
right, the limit
of the limit of
this is this.
But maybe
tomorrow
it'll be here,
and it's
here to be
and it's
a staccata.
But all
that's,
it's a day
of the day of
the day of
that's
all this
pedu, and
you're just
your Rolos
yeah,
not going to
hear that
because they're
going to
say that
that's a
question,
Wue.
You
think the
Auge of
the
Rourriots
Stubbed
yeah?
Yeah,
right
yeah,
yeah,
yeah,
but not the
bellico,
the bellico
is still
still still
that's still
that
that's a
carrie
house,
ha,
the house bell
electric house.
I'm so
I'm not
that's the
housege of
that mother.
Electrocorridden
is like
Cymone
and it
is a
yeah,
so it's
like music
of every
in that
music,
but
I'm
I'm
I'm
I'm
that the
modas,
more
I'm going
in
contrae,
because all the
music when
it's a
because you're
because you're
not for
that's the
music that
I'm not
when you
do you
do you
do you
think you
know,
you're not
you know,
you know,
a man
show show
that's going
bad,
it's very
very rare.
So there
there are
rapers that
kind of
that's
kind of
and it's
correct but
there are
others
that maybe
no,
I don't know,
I don't know
I don't know
the Santa
griffa
doing house
vexed
but
But,
or maybe
other rapper
is,
oh,
it's a
vergas,
his voice
is chida
arnim,
well,
but it's
very much
that's
when I'm
when I'm
when it's
forced a
man,
you know,
meho?
Sure?
Fitch
transude
you're done
and you're
being over
meh
my son
my boy,
something
that I'm
to give
to get
to
social
chamba
Correo
no
I'm
I'm
like
Moller
Vidal
in the
Inst
in the
Facebook
also
Vidal and Sunedma,
no more I've
just two
Reds are the
to be
to be chamba
there
right?
Mandsen
those roles
I mean
I'm just
to listen to
the bandita
that I'm
but as
I'm
a chamba
I'm
a studio
carnal
that's
that's
that's
yeah
that's
that I'm
that I'm
like me
put up
so I'm
I'm
more than
more than more
more than
those too
send me
send me
techtoe
end up
checktoe
that's
yeah
to come
to come
to
new.
That's my
good.
I'm going to
be the
next
play.
Put it
abus
and get a
lot of the
and then you're
and then
yeah,
yeah,
yeah,
yeah,
I've done
a lot of
a couple of
you know,
you're not a
time, you're
a part of
a car
a car
a car
so,
yeah,
yeah,
yeah,
yeah,
yeah,
I'm sure,
uh,
thank you
to the
band,
no,
don't see,
wait,
the best,
in the
way,
in the mere
bonnama
no,
oh,
chiquito,
little,
Fua.
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