LOS MAFIA PODCAST ⭐️ - El Tubero de Dubái Sinaloense 🎺

Episode Date: November 25, 2021

.

Well, my pa. Well, well, well, go. Allante, commandant. Yeah,

you're doing, yeah, I'm doing, I'm, I'm, I'm, I'm, I'm,

and I'm, well, well, let me be a rio, again, with the podcast Los Mafia,

we're here, we're a fiper, d'em, tell me, say, almost, almost,

I'm, to be, to get, to get a more, my, my pa, a bit,

let, let, let, do you, What's rollo? D'all, all right. All right.

All right. There's a lot. There's a lot. Firt and clear. Like the media did you're those narcos. Awas

of cocoa. Awas. You know, we're getting settey. Oh, we know, we know, we know about special, the tubero

of Dubai. Here we're goodnuches. Good night. Good night. Good. Pleasure. Good.

Yes. How has been my pa? Very very. Thank you. Thank you. A pleasure to

here. Invvited. Of, Now, I know what we're what we're talking about. I think what's, what I'd have to be here. Like a year and a half, I think. Two years, way. Yeah.

I think so. I'm going to go. And nothing, yeah. And, yeah. And, in that time, man, man, pancha. In that's the last time that I came. Uh-huh. Pekete a little more than the microphone, my God.

If you want, move it. Muevel, move it. If you want, go. Andal there, me, my God. The last time that I came, they were starting to to create

something with the loss with the loss you know you say that's a verga whew because I'm

two years two years two years two years two years the role the last that was the

last time I'm that I remember that was I was here that's the he was the trick and the

the plebe and the only more of two years no mams way yeah

yeah it's yeah it's just if We've, we've, we? Well. Yeah, we're going to do. In December, way. In January, we, we're going to, we're going to be two years.

For two years? Yes. Well, of that you know me parrower back. A laverg. Boy, yeah, you know, you. Yeah. And what rollo? The barbita?

Yeah, that's, no, ma'am. In those two? Salud. I can't send a salud. Yes, yeah. Mandum. Send us. We send us.

We send us. Mandate. Uh-huh. Saludito. Saludos. She is the, she is the styleist personal. Uh-huh. The, the, the,

No, no, no, no, no, that's the hell to averga,

verga, how? Quanto, how? How's, how? How's, sumba,

sumba, capacity? Pesado. No, no, no, for what? No, no, no,

no, no, very, very, very, very accessible, carina, and this is

the, that is the that's the service of this barba. Uh-huh, no more hair,

no. Pelo, pelo, no, pelo, but, I'm going to want to

be very recorcated and all, but for chambi and that's good. Simon. The barb is agrada

and you know that part of the style of the flot of the tubero the barb the barb obviously.

Clarit. So, only it's only the last the way. Oh. The long

very poe. Yeah, so just there's the more more puntitas

like. Oh yeah and how time you're using barb so yeah

I, since you know, since you know, you know, you you know, you you know,

to go ahead. You know, to work. Yeah, way. Leigh-a-muchy people that know I'm gonna vendying the, those in the

initials and gelatina's in a motito. You know that yeah? Yeah, yeah. Yeah, so,

yeah, uh, uh, uh, uh, uh, he's gonna me say,

you know, wait, you're gonna me be in the word, and I'm you're gonna you,

and I go music and I'm gonna and I'm Oh, dear. Another bacon, al-a-da. Hegave.

He said, erga, the, the gelatiner, result- he was a man. He said,

and he said, I said, I said, I said. I was, so, so, so,

so, so, and I'm sure, way, clearly that the point where I

was there was there way, with the clients that came to get over to

and with you guys and you and you're , vendia, vendia

Yeah, no, no. And no, no, it was for, how I'd say, for, no, no, no, no, lastima, no, but it was like, they're like, they're, like, they'd, try it, like, a strategy here, bien, bien, bien, bien, man, and... Simon, Simon. The locoe, and he'd say, and all all overcame, a-in-the-cobicoke. The robococke, that's the mollach, that the Chucky, that, the grandulon. The grandulon. Ah, and, well, all, they'd

They're in the role this way and that, boy, I always, always, and this verga, no me to make to make

mean, when you, no, no, the net, always, always. And if I had a

and someone , I'd buy my my gelatina for so, for the alentate. Yeah,

so I was, I'd to give to doggers or what you or what so, because for

those who know this bat, he has, did it, did it, tell you, tell you,

say, oh, so, we're, we're , of all the type of

tourniggeries solutions in fixation yeah, more than one more than one that me be,

me, I know that's like yeah, much people, in this time that I have seen,

I'm not you mrs. eh, and what and what that's that was that was

that was that was he had the role of his new thing and that role of

oh, oh, with a I'm I'm I'm and he's one

grandote barbony, the very good. So, so I imagine that the company of you do you if it's

known here in the city, well? Yes, yeah, I think, the, I think the

time has has rendered fruit. The quality way, the quality all the quality. Yeah, so the time.

Time and perseverance we have in the business more of 25 years. A la berga,

so I think for there is the thing. No, no, We're not, we're doing.

You, how's years you know? I have 10 years working. No, and you, you,

you, you, how many years you know, I'm, I'm 10, and I'm a man,

I'm a lot. I'm a lot. No, I'm sorry. No, I'm, boy, year, how many?

How's a year? And, if not were to you know to know subi of

his age? Quantto you'd say, 27, fient. 27, Veeeeeeeeee,

look, look, look, look, a little toron. No, no, I if I'm to pass

a verga. No, no, I'm not it's just the perelecita that's that's all tracolagene

no, man, yeah. Yeah, my dad, it's pretty like Vita

Fraces Cereb in the Gornin. No, way, the net, well,

well, well, well, so, this, uh, nothing, what,

that's, that's, that's, that's, that's, we're, we're, we're,

what you're You've got it. You get us to the verga. No. I said, decoder, decod,

all right. Here, the three. There's to say that not saying that not saying, promotion for the

company. Ah, er. Oh, you, Wye, you'reani, Degam. You,

you know, publicity, no, they're, in any other way. Yeah, the that's the

that's for, for, that people go and back and box back. Yeah,

yeah. Yeah, part, so, this, more that's that's so

super important. I think yeah starting this this 20 22. 22,

way, 2022. The Bres right. To be that we're that's par. The 22

so, yeah, I think we're going to start to injecting more of that publicity,

of the media, this, that we manage that someone in a page in

line, this, but this mother, the net we're we're we're getting

a little a little a in-line in-line. So,

all that's a platform well, and we're going to arm something. Oh, and for example,

you know, you're not in a motor, da, in, how they're, repartiders? Repartive-

repartive? Repartive. No. No. No. PURt. PURro. Pure-carro,

because the mercantia of us is pesty. It's pesable. It's a car of a,

of 10 kilos, obviously, 20 kilos, not, even, but, but for security

also we still. I imagine. I'm not being in the question of reparting with a because it's

a risk and it's a risk and you that's you know you're I'm going to

I'm going to I'm I'm going to Ah this you armasted a motor or two

how's how are uh yeah three three motors you're armed

three a bear man but those cars put a motor robas

without no man oh man No, no, no, no, no, no, no, no, no, no, no-to-it-so. No, no-to-do, in-regla? This, uh, and, and, well, is the passion, way,

that, that, that's, that he-is-a-law, to get, uh, that's, uh, that's, you know, never, well, I'm gonna be sub-to-a-u-uble-supy-u-sue to a motor, or no, I didn't, I'm attracted, and, uh, no, I'm trailed, and, and, you know, you know, I'm more of, uh, carlacch, this, you, uh, I, in-ece, my gusto, for, for, for, for, for, for, for, for, for, for, for, for, the carcatchas. Simon.

It was with with that type of navies and over that gyro carous cars great cars big but

does it I can say I'm saying ah I'mpe the role of the motors because my

dad was a a not a no no or she she

she got she she's yeah yeah to Salina Syricha

Electra Saludus if you me my man't me me

me my Electra, mochete to the verga. Oh, yeah, way. The, what, what, what's, the motor,

you know, a, a speed fire. It's like a cafe, it's like a no, no, a market's ever,

yeah, yeah, yeah, it's like, yeah, more or less for a bit, so,

so, so, I can't say, I'm I didn't know I'm my ap because

like he he had had been motor and he had been to get back he had retomated

the he just right yeah of the great he's he living

in Masatlan well yeah big big big big he way

is the India is like the India Massachusetts you you you know

you you know you you you you you you're

w'emot. Whom! It gets like a motor, way, yeah, yeah,

so if it's a cruiser, way, there's a car car, in every car, there's a

mancha, there's a mrs. There's and motors, yeah, I've done to do that

I've done to that's the distance of Masatlan they're to get around a motor, it's a

transport family, and, oh, oh, even, I've seen morras,

way, morras, so, that's so, that's, that's, that's, Berga,

well, the water fresh, no you can't go to be a lot of because

pinch lesbian, what, you know, this is like a manh like a

manh and the companyere. The company. Yeah, so it's very typical to be morras

way, motos, well, so you and they get a club and all the

roooo. So, so, and what, what, what, what you're, this,

first I'm I'm, one, a DM C, one of a verde, a verde,

a and then I went and I charked the Electra I got a 150

a a graphito and a another motor that I'm a new a new

a dynom and there and you have done and you you're and you

yeah yeah yeah yeah but but you so you

think you think you to modifices and then then then then

then I think they're I'm I'm so no no

more more just too Yeah, I go, if someone they'll interest and they're

they're paying, but they're so, they're so, they're not too, no, no, no, no, but the fact,

but yeah, yeah, there's, there's, I'm sorry, but if they're going to spend but we're

but, yeah, how, how, how, how'd, you know, the,

the, the, the, we're, we're, we're, no, no,

no, no-se, $25, P- that's, that's, that they're, so,

and I, Well, it's a little because, Pinchitmot. And what year is the motor? It's like 2006. I think it's the Dynamo. Oh, la Verka, boy. It's the dynamo,

the that has the, Carlos. Sima. Oh, okay. For that is the that you're the most Piedes? Yes,

because it's the more halla, more it's the attention, for you. Oh, yeah, I've seen the stuff.

Well, like the chopper, well, so it's a peterre, well. No, because, well,

my, my Fipper. Ah, what on, well, tell me more, my tubero the rio

the rio the tubero of Dubai, way. The tubero of Dubai, well, I'm

so I'm so you know that we're not we, that's yeah, no,

yeah, yeah, yeah, yeah, yeah, yeah, did it, so what,

a bit, 2018, 14 years. Four years, boy, four years and a little

before I'm it, is that what I'm that you know of the , and then then it's

he, well, you can't do you can't do you can't do this and the Berga.

Of the other it was he's with the car old. Oh,

for a video. For a car by a carobor. Cabrone. With a man

He said. He said, he's going to give a video, I want to see,

Simon, this, uh, uh, I'm, I'm, I'm, if you

you're interested he, he's, I'm I'm, he's, he's, he's the

caro is, and he he's, hey, yeah, hey, yeah, per.

No, if it's, perro. You still keep you but other color, no? Yeah,

is another color white. Blanco? Blanco perla or black? Blanco cement.

Ah! Why? Why? Why? Why? This because yeah

occupied, a, um, a change. A tunia- a tuniaada. This

and refresh it and refresh to and regressar to the color original that was the

car. Ah, it was a facturated is black so, it's black. Then I'm

to paint it. We're going to let's do you. We're so it so he's saying it's

in the paper in the tubbero in the song of Dada, way. In the can't be

I'm I'm in the playa I'm I'm sure, the tattooages and I

and I'm put it way the way was like it's like to say, hey,

what, you're, you're, you're, you're like a , way, what's

that you're to get a to say, and it's so, and I'm like, and I'm

like, so, I'm just, you know, you're gonna get a, I'm gonna get up,

and, and we want to do something and I'm Simon. Simon? Seawr

there are things oh, and then, I'm just, and then then you, in that then you

had to I've been a song That's I don't I'm a base or no say

but it so it's acoplo so that he was going to be to sonar

in the art there's going to we're going we're making the

rio with the rio arab with the tub and to get the and so it's

going to do you go down the part of we're we're going to the

question detah so that more or more or more they're Because that's a rato,

because even, you know, you know, even, you know, even though's a way, he's,

way, why don't have done you know, because they're not you have done, but the thing is,

yeah, but we're having been, we're doing, but at the more, we're at the maybe,

we're at it's, yeah, it's, this break. A couple of months, three,

I think. Yes, but we're to start, we're going to this role is that this rio,

and the maybe right we're in other things, but the music there's still

so, so, so, for that they're in an idea of what we're in a

way, that you're that's you're doing you're well, well, well, it's

well, it's been viral, it's in Facebook, way, there was a little, no, but

a page of the tuerro of the artist the, the tubero of the and he's

he's up and, and it's and it's and that and that and that that's

that's of the gavach boy, it's like pocho, no? No, I don't if it was

I was in Tijuana No, no I'm in San Diego and the bato or people of people of

Tijuana San Diego Symo Tijuana Simon, so then the so much so much

and he had much followers to see that Simon and we we know in the

analytical how's how's yeah yeah yeah yeah Simon

where where where they didn't where they said no because

So, yeah, verge, we said, the tubero of Dubai was to yeah, the way. Yeah,

well, I know, no, I know, I'm the music very, very,

very, very, very, very, tranquill- and what did you and the

movement, no, and the movement, but I'm, but I'm, the mix- like, devol-

to, a, a, to, to, the regional? Yeah, of the regional

and of, of that kind of, like, that, Ah, it's true, yeah.

Almost a 100% of, no, no, no, no, no,

no, no, but a idea of a thing, I'm, I'm, and I'm

a part of a concept that no that was, that's, that's, a tubo, a tubo,

like, it's a rarro, but that he's not that's a person. And much

people, way, too, you're, yeah, so, yeah, and then,

and I'm, so I'm, well, I'm, I'm, Manili. No, I didn't I didn't

me. Puro playback. Puro playback. Even, I mean, I remember that was, that we

we're going to be we out of there's, yeah, we're going to have many and the

people and the and take the tubuero and trytel and trytel and trytel to

see, I'm to take in consideration to say I'm to learn to learn

to something. Something. Something. I know I know I'm, I know I can't talk. I'm going to

I don't, no, no I think that's something should have your technique, obviously with all the instruments, but I'm

just, yeah, yeah, I'm metios in a paper more, in a performance, yeah, more professional and

I'm, I'm gonna play to talk something, to do, to do, to do, to do,

to do, to do, to do, to do, to do, to do, no, of this,

way, that's, that's a man, way, is a bad, way, because

engaged and be machin for your for your balle, way. I remember that, you know,

you're good while while while you're like a tubona and grandote way, the barbo so you

yeah, I mean, I mean, I mean, I remember that in the detrawe was the

pedacito where where he was rematting and remat and he and he and he

was like it was you, it was I perro to because they were the racer

too yeah the sonography was a chile yeah yeah yeah

was way, and was chilo, and then in a future it's another way,

we're doing this role. Because we're we're doing. A bit of exactly. Exactly. And that

was more elaborated, way. The net, not it was the awoke that we're

we're we're you're you're and you're and you and you're you're just

you're to be a chila the rola the thing way of the

of the the story out the pazzo triki triki there

from you from the Papa, to the trompetta, location Mazatlan.

Yeah, No, the net is it a little yeah, the video of yeah,

yeah, it's a good, collaboration with a car's too, with Ruta 15,

Massat, Wraqq Ruta 15, saluted, Salded a club about it. That's,

you know, when we went to that's a in the event of them, in the event of in the

I think it was in the first anniversary of yeah. It was was the

first was the first. It's and no, no, well, well, well, the net, with, with that, you know,

your old Fipper, how you get to be a suburb with that event that we've been, was the first back in, before,

before, and it was the Raja. And yeah, the Rastas and it was that's been that's a in Jundia, well, yeah,

but you, you know, I did know, I'm know, I'm that the people who was,

was much people were much people of the South of Mexico. Simon. So, so, so,

much people of that, I, I think, I feel that. He's a little

to be that. He's he's got the show but also also he's not

the general yeah we're we're we're going to a Gualajara no and Chiapa

that's being in the sure and the reason and so they're that you

know, because you know more more regional and and it

and the and the and the yeah and the we're in

where we we're we can't we we we, we, we. And no, and when we're gonna, when when we, when we're, when we're saying,

this, pendejo, who's one at the bed, and in his house, they're, way. The net, but yeah we, we're just, we, we're, it, way, it, way, it's, way, it, way, it, way, it, way, where's, where, they're, where, they're, so much,

and the, whew, and the cat, way, and the, yeah, where, where, where, where, where, where, no, the role of here, the, the, role of here, in Culeacan, but we, we've, two fiestasas, way,

a posada and one at the 15th September of the year past. Yeah, boy. Algo be you something bad you way. Yeah, boy.

Yeah, no, no. No, no. That's, no. Yeah, man. Yeah, Simon. Simon.

Yeah, boy. But it's that it was a row being private, well, the net, it was a realer of a bit private. But. He put in your paper, the ara

now. No, it was a massive. No, no. It was a lot private, way. Yeah, super private. Yeah, super private.

From this, then, way, the netta, way, the rasa that we're because it's got a

way, the puntero, way, and then the little bit like those two are very like,

but, but manipulate, or so, to make that the rasa so make, that's, way,

it's pretty got been here. Yeah, it's been being, yeah, yeah, yeah,

but, boy, it's a bit so you know, so you know, so it's, but,

but, but, to God, that all flew whew, it's all all being chingon, way,

well, too, well, it's been a bit more that's people, because we're

not over we, and we're and it and it's the show that we're we're supposed

to make sure to but but we're we're the net. Ferey the city,

we, if we're we're gonna a fairia? Yeah? Apopopoena mandem the message. If,

if it's if it's for the Bonnais for the winky For a little Aroposito in the airport

That's That's right Yeah, yeah, manet But, but all right My poe

The tubero of Dubai Alias How was your experience Weye Here, here with

us when You're in this paper This, well, well, I can I can

share to be from my point of view from from my

part that was like I me to make my break in saying

ah, I'm going to to express a a lot of artistic that I know I'm something new

to say ah the role of the music this, how is the process creative for doing the

music I'm to come to come to grab a grab a grab a bit a bit of

a bit of my voice is in the song of Culo Arabbe Dime Dime

something with Culo A Araf Bue Culo-A-A-B. C-L-A-B. I mean. I mean, I guess

a-chin to the two. Uh-huh. Uh-huh. Because, the net, I was never, I never

felt like, like, with a, I'm, like, I'm, I'm, I'm,

I'm, I'm, integrated with you, yeah, yeah, and I, get to

feel like to get a because I the net be I, and I'm, and I'm maybe,

I'm, but, for example, I can say, that cull Arab I'm I'm

I'm this location Hey, we're getting a man Hey, this hey way,

this so like I'm like you I'm like you're to say I'm saying

well be the part creative at the more of the location and all that I

I'm I'm I'm I'm I'm I'm I'm I'm

like I'm I'm I'm I'm I have, I don't know I'm like, when you're

when you're when you're when you like that way, how are you? Yeah. So,

so I'm going to that I'm me, me, I'm and I'm so I'm and I'm

like, oh, I'm, I'm, I'm, I'm, I'm, in the

question creative of the videos. Uh-huh. So, so. So, don't you

don't you don't you don't you can't that's that's that's it was,

he got the Succi, a-ver. Awah. Oh, you, Piper, of this way,

you know, that's day was a puttysong, way, when we're we're doing a lot of

two days, two days, yeah, two days of doing. I remember that I did a

mannesty, way, and that I'm done to I'm done in your house, for, to be

to get to to go to go to go to go, I'm, I'm, I'm,

well, I'm, no, no, you, I'm, way, and you

you know, I'm chuped the ball I'm a gillinguillio in chillingui in the area

yeah. But the net is it's bad that matter way and you

know, you know, I know, I think, but it's more pesper, but it's

more than you contractas a producer, way. Now that you you cover the

part of the video and edit and and that so me so it's so me

that's that so he's that was more more the

part of And that that day was that day were, I mean, it was that the producer

we, we, we, we, we're trying to make to make it to make

it's a in less time, no. Yeah, to do it effective, and here, well,

and the movie, the saga film, si tryian yeah, they're chis the

stuff, you know, no, no, and so, that idea that they they were

back on with you with you did it was very, very, very chingone.

If you know, And no, you know, of what, of what we're talking, busken, cull, Arab, the horny, the Fipper, the mafia, and you're going to give you a idea of what, eh, boy, the video is that bad, but the result of final,

is a big, ching-won. No, I know, but I would say, that maybe is the... The best video? The net, yeah. Creative, yes. And, and not, and not for adorned, in return to say,

that I managed certain things of ideas, but, from the side of of all of the vestuarial the locations

were a ching of locations we're in two days we're going to many years the camion of the compo

carmion the tomas the extintor that's a madre that's a badra the cabrita

that no see if she was a girl or boy yeah yeah

yeah with the yeah with the but we we got we , I

remember I remember that I remember that we never we did a water we. That we

we're going to yeah, for a yeah, for the loomita, and then in the trip, in

the triping or tripeated or trippuchia no, in the pucha in the shh

make you know you make transport yeah no I transformed

in the cabra and And you, and does you know, like, yeah

that I got to I'm exprimed. Yes, what history I'm telling to all the cabras

me, I'm imagine, like, like I'm and all the cabras of the car, see,

how did you? Counten us! And I'm so, I'm, and I'm made, me,

me, I'm, to three rio, me, I'm passiard on in the

Brego, like, like, then, then they then they were, then,

they were And he was back. Never me did an no, no, no, they're

but they're and like, ah, that's, oh, that's me, after a

man, I got to me, they were famous that man, was famous, way.

How was he was , how's called? Um, a woman. It's a coderado well,

a little, a kezadilla. One of a chavirri a chavirri. He gave the chavirriro. He gave the

cavirio. How you go to the verga? No, poor, you I'm a way,

you know, you know, you know, yeah, yeah, yeah, yeah, yeah,

yeah, never you, never, never, never, never, never, um,

cigar, what the more what I did, was for the song of the this,

yeah, the chich yeah, the chicha, the chica, the chica, the chica, the chica,

the jica, the jimmed, so, and then it was tabacco yeah, yeah,

and it is the one that I've tried, this, a vapidita just,

um, more of blue, but, no, X, after I mean. In the

video, all of that's all the video, the video is well, the video is

that we're a way. It'd have been more being a thing- but creatively is a

per rue Yeah, 10 of 10 me pa. The net we're

to vent to do to do something, and that the producers also not

they'd still the role because because, you're on the world

and the people, we're going in the whole of the idea. In the whole of the

reunion, well, they're, and that first in my house, Simon.

To be the to do you to do a new to do you. It was a little was so it

was a yeah, yeah, yeah. And the yeah, well, the

yeah, the song that's she's she's they're coming solit.

Yeah. At the more if we we're we're we that,

not know when is a when you know to get a question. To be a example

quite, the song the baby and the and then after two or three years,

he said it. No, super the reason, you know, TikTok, you know, TikTok,

he was to get to gettok to gett a result of music, the rattero no,

with the babystit Bebebelein a bit, oh. It's a man, you know,

but you know, well, oh, so, so, so, And the other is, like,

opening the door and he puts the music that of the photo, and the rat, you know, a pass-itou back.

Prohibited. And, let's be. We need to see. He's got to be. It's cool. It's a-

boy. Well, the thing, we, the experience that has been, we, that we've

been, we've been, uh, the net, I, yeah, I, want,

to talk- to make-a- in-go-in- in the way, in the fact, because I know,

that had been been been a a way. A the way,

me atrego to say that way, you're going to be you in the concert in the presentation.

Yeah, way. For Mexico not you don't you for me? Yeah, yeah.

No, no, and that I think you put in a dilemma well, very, very very

very, very very very much because I know the role that you had, yeah,

yeah yeah and that represented is to this, this, the tubero

or so part of that moment and that rach that you was it was because it was recent the song of trap so

so part of the idea that was that was that was that was that was that was that it was so it was so I'm

so much yeah yeah yeah no the no the no was like a

ruptura amorous because because then after then we we

we don't we can we we can't we we're you you, you try's your

role, we, we, we're we're doing. So, so are things different, dude,

yeah, so turnilies and music well, we can't do we know, we can't do you. We can't do you. Uh-huh.

But, uh, to know, to what I'm, to say, I said, I said, I said, he's the

artist, uh, you know, the team, in this occasion I don't because, well,

is, is here, it's a car to, and you can you can't attend. I mean,

it's it's, that also was it was a yeah, so there was no chance to

do you know, I'm gonna to have to you know, and so in this this is he to get you

to get to another person yeah, yeah, he was he was he was re-mplas

no, but I know, but I was gonna yeah, man, man,

man, uh, a man, uh, a, a, a, a,

a, a, a, a, he was gonna get a he'd never,

he'd be a, but, yeah, but, the cull, the beard, in the

face, the verbi, yeah, well, the net, I'm, that I'm got to get a

man, yeah, it's a no, it's that no, I'm going to get to

get a man, yeah, way, but it's that's me, yeah,

yeah, yeah, yeah, yeah, but, a, but I, I'm,

the net, I, yeah, because he was to be a thing, and had to get

to get a idea, yeah, so, yeah, I, had to to get to be a tubero

fokemon, there's rare, like the Santa Claus that's always that's a good, that's how can't that's

not the Santa Claus? A manor he's offered you, that's that I could, yeah,

could be, but I wanted to I'm a artist international, I'm super mad,

he's, man, he's, he's, I'm, I'm, I'm, I'm,

he's, I'm, a borgue with what you When you I want to I'm gonna I'm gonna

I'm gonna if three 500 or 4,000 bollas way for I'm three 500 or three 500 or four

but right did it let us we're gonna we don't don't you don't you don't you don't you

thank you but my compa way so me so my compo so pa no pa no pager me

pay me pay me five hundred four million Pes no I'm for fech and biatic

and hotel you know, how's pot, ma'est, you know, you're the artist, the other. You know,

he's been the cuck for, I'm, pay, me, he, way, he's put in that

a bad, and I'm, boy, let's go, let's get, I'm, I'm, I'm, I'm,

I'm ch, I'm, and yeah, no, no, I, I, what, I'm, I'm,

I'm, I'm, I'm, I never, this way, of this way, of this, never, and it,

it's, it's, it's, for love to art because they met in production

to the pinches videos whews perr this not all those artists

they met right they're a bit a bit a bit of a bit a bit

palpiting there my and yeah yeah and they want to see

it's there's not to get to nothing with the phone

nothing so so So, you know, and they're going to and they're going to get to

and they're to get into, and we're to get into, we're doing to other artists and we're and the priority

is to terminate in a video and much like, because they're because they're because they're they're

and they're and they're and the net, but, but, but that people

yeah not he's not for the person, but the very much, a verga. Like you

much, but, but, but, right we, we, we,

quality, the net, that's a cameraita is a good, way, the, uh, the,

the, we're, we're, we're the, we're, we're the, they were the there's the,

they were in there's, right, no, no, the fact, they're, they're,

that's, that's, that's, that's, there's a, there's a, there's a two-20,

so, a few, so, a few, a few, and so, and, and,

we, we, and all the team, well. You're gonna be, so much,

so much, so much, yeah, so, yeah, well, well, well,

what, what's, what I'm to be able to dobi, you'd like to go back in

those rios, boy, so I'm, so I'm, yeah, I'm gonna, let me, let me,

let me, let me, let me, change, we're, the other, the other, the,

no, this, so, I'm, like, so, I'm, so,

yeah, recently the question to say I'll I'll hear you music I'll caller I'll write I'm like to

I'd like to experiment I know no no no how you'd say I'd I'd be the I'm being sincere no no no no

I'd like I don't want to say ah me going to get to the music because I want to do this no it's like

I'm going to expressar in this point in my life so artistically or, for so

so, for a project, very personal for a like, so like you're

to say, ah, I'm, I'm, I'm, I'm, you're gonna with the

you're, exactly, I'm, I'm, I'm, I'm, apart of the collaboration in

videos and ideas creatives, then I, then I'm a song. Simon. And no, and the

really, well, sincerely with us, with us with us you, with us

you know, the netta, we're, always, I mean, I'm a person to say, that's

a cop Cherokee original. Original. Original. Original. And, a

little, a bado, a little bit of us, he's been in us,

he's, no, the bata, my pa. So, when you when you go, when you're going,

that you're that you're that, no. No. No, and I'm, and I'm,

no, and I'm, the net so, it's just me, it's, for the

mind to say, oh, yeah, to get to get to get a idea,

ideas, creativity, because yeah, from a point critical, I feel that has

felted, well, and it's a faulted to, with this of the podcast,

Postcat. Oh, podcast? Postka, the podcast. Yeah, I've done that they

started to see to and, put, metter to the podcast, he's going to say, ah,

we're going to see, oh, we're going to the new, the same, the same, to hear,

what we're doing, we're nostalgicic exactly, to record and be, and it's

like, that I'm doing, I'm doing, I'm, I'm, I was, I was the

rach this, and, there was a, a cuspide in, in ideas,

in music and all, and it also, I said, I'm, I say, I say,

I'm I'll go to take a timecissio to collaborate in ideas, to pull, hauler, move us, uh,

uh, to, uh, to, uh, and I'm, to get a, we,

we're doing, we're the net, that's, that's, that's, yeah, more,

than we, yeah, the, so, when, when you know, we, we're,

we're, we're, we're, and when you when we're, we're not, we're, we're,

we're, we're, we're, we're, we, I'm sure that much people

know we're going to because how do you because for the podcast for the podcast

but but we're but we're we're we're not we're we're we're like

we're doing we're and we yeah and we're and we we're there's

there's diversification to do a opinion one of an opinion since an opinion

of the podcast yeah so you're yeah so I've been I've seen All, without without, without,

I'm going to make the the old, you know, you know, you know, you're,

yeah, and I'm, and I'm, and I'm, yeah, yeah, weird, yeah,

way, so, how, how, people, I'm, and I'm, yeah,

I'm, yeah, I'm, thank, there, thank, my life, but I'm,

I'm, I'm, but I'm doing, before I'm, I'm, before, I'm,

before, I'm, that you said that's all I had made to 3,000 people and then me,

oh, yeah, and I'm, yeah, I was, I'm doing, and I'm and I'm

I'm gonna say, I'm gonna see you, I'm gonna that's, that I'm gonna make a

make a break, to get us, yeah, yeah, you're gonna you're gonna yeah,

yeah, yeah, yeah, yeah, but, yeah, well, I'm,

well, I'm, I'm, and I'm, and then when we're we're gonna was,

I was gonna the, I was it had more large, more volume, and it was like that was the way that we pesable, that if we'd have to continue doing things or videos, because this caron let me matter of mochee,

and to me start a chinole in grow, whee? Yeah, mon. And me, it's time, six months to start to be like, and I'm creases very much,

there's a lot of... Oh, cagada of baca, I, yeah. I, of... I, yeah, I'm... I'm... No, no, no. You're ching-a-a-d-d-d-er-d-d-er-d-d-er-g...

Oh, how you're called? There's a... See, I'm I'm too, boy You're I'm sorry I, you know,

I'm, the time, the minotidil we, I'm saying, and I was two, three pelios

and so that that's a man, is very long, well, the process. But they're that just

all the borgh, yeah, every two, three days you have to do you have to every year

to make to make to, but I'm well I'm so I'm so I'm so

to be cut them, cut into, cortando, we, no, umbers very,

well, because no mame I'm crees, and it's a yeah, that's a word, that's been, to do you,

a way, so it's like, when I was like, when it's always like, when you're getting flannes and gellatines and

He broke the The bato He didn't He said And he And I'm To work And I'm at

Yeah, And seriously Wue That chamb-a Wue I'm just A puttack Wue

I'm Yeah, yeah, I'm gonna Yeah, but the Salvae Those

No, chikito Permos Beyes With the Wynn With a Witherer

With man That's What I'm What's I'm Yeah me I'm

Oh The Barba And The the broma that he was going to cut out.

Oh, yeah, it was a other thing but, well, the trickie was not

fracos that idea. Yeah, we know, we know, we know that's going to be

doing so, he's going to get a barb, but, it's, yeah, it's,

it was, it was a good, it was a if, if we metiam to come to,

yeah, and is that you're in the top, in that in the time,

so, you know, but if had done that I'm , Yeah, and I think I go, no, he's

a corted a bitchy barra. To the way, to have done? Nothing to be. You think they're like, the bromas, what, do you?

The bromas, or, uh, here? So, it's, it's, the reality. Well,

who, D-D. It's, it's a rarrow, no, I mean. What you have seen? What I've

seen, what, you've seen, because there's because there's because one says, ah,

it's been that's a, but, no, no, one opinion, so, so,

Yeah, yeah. Could that at the one and others have to have to be a little bit because

because it's yeah, it's a perisado, it's a pesado. There's a city,

Juliacap no, you can't get and like, ming and let's get a one. One way.

In the Oyojop because because he he's, cabron what roo so it's

he's going to put put on bad yeah one one I remember

that we're I remember we, that we, that we're putting chipotasos, we, with a marty

so, and for the song of the manro, we, and I'm I'm sure that's

manchow, way, in a manch way, he was in the window, and the window, no,

he was there was an morning, and the morrow was done so, and he was and he said,

and me, he said, grab me, and I'm, yeah, grab me, grab me, and I'm

and I'm and I'm he's, and I'm he's, he's, he's, to the bato no, he pego

to the morrow, we, a verga, he pego to be the morrow, and there we're chicotea to us to be in other

to the cathedral. That's the man, but you know, so you know, that's one a thing, way.

We did we that we're that's not that's a complete, well, no, no,

no, no, no, also, too, too, I'm, I'm,

I'm overchated he's, he's, he's overg, he's, he's been, but he's And we're not

Corretio, I mean, but in a Mondeedio. Yes, way. It's weird. Rer way.

Rarro, Wye. Yeah, they're to get a... Uh-huh. It's that they're gonna

get to be to get, we? But it's that we're gonna we're gonna be backer, wait.

No, no, wait, we're not we're not we're not we're we're not

when we're when we're when we're after we're because we're after rumbo a forum, way, and we,

and we, we did we to get us to get a cathedral, we. All that's no,

no, no, we're we, in the theater me. So,

there's we're doing and we're and we're we're we're, we're and I

started, we're, and to give us and we're but the morrow with with a

man, way, so, so, so, so, so, did he,

me did, me did it did he, me did it, balie very big, man, is the morrow of the camio.

Hey, what, he said, he's the bato the carmone, me said, ponte verga because here

he's going to be a vergas me said. A la verga, the morrow I think to be

to study, way. I mean, like, I know, I'm, I know, I'm,

so, I'm, so, I'm, I'm, I'm a verga, well, with,

with, with the compas, imagineate the lapis, the plumber, get to the with the transporta,

but mambones to the gruelers. Well, yeah, way, for not to let's

long as well, the morrow so it's okay, well, and the and I'm I'm

too, I'm I'm like, I'm a little to use a of the, like,

to be anillo, and I'm like, so, plerer, me, me,

me, me, me, and I'm, we're, oh, oh, the other people,

so, they're all over so, you're, you, you, What, we, here? You, you, you

think I don't know how much I'm going to do you. I remember this way of this way of this way

of this never had never been never never even we never we need we need

we need we're going to go yeah yeah well yeah yeah

very very barato the show there I'm I'm I'm

I'm I'm I'm I'm I'm I'm I'm he's the

I'm he's per roth yeah that in one we we're

invited to the verga. All right. Pachor. Reportate to me Pa, because if no, or how it's a, how can't cobrate?

How can't cobrer? How much? No, I think Panchito iscompa, we. Panchito iscompa. If, yeah,

yeah, yeah, it's question to, yeah, it's question of, yeah, to be, to be, to say, way,

and say, how do you? So, so, if it, cobra, how do you for, to be,

for, for, to be, a bottle of a jack Daniels, tal, maybe. Because no,

Atepache, the borgia. We don't know. We're going to be able to but it's a question of well, well, that's,

well, because this guy said, he's, he's disavientable. Yeah, yeah, yeah,

I'm sorry, I'm, I'm doing, that's a mother, boy. And he's, he's,

yeah, he's, the tartamoo, he's, he's, he's, he's, he's like,

yeah, I'm, I'm, I'm so, my, my, my, my,

my, my God, father. That's a perr. No, that's the that's going to get him.

How do you? How do you? How do you? It's a manned show out of the city, way. 30,000 pesos,

more biatico? Well, is that how is it is a bar? If, way, it's that's

a yearn't a bar, way. Well, yeah, that's the car, so,

the more. The cover's for him. The barrio, and for him. And I'm apart that

that's a part to a fair you go to a fair, I think. Well, and all that row.

If it's, it's, it's, it's, it's, it's, it's, it's,

it's, yeah, he's been, yeah, he's been so there's there's like,

how they're to get a barge, Pancho strada, that's, yeah, that's, that's,

comedy, oh'al that we're talking, talent local, talent, talent,

Cullich. Of actually, he, with the, with the, with, with, Ricky,

yeah, too, too, too, a man, too, Yeah, well, it's a perr, way, ta perr, the truth.

I'm gonna'en various pedasos of different podcasts of them, way. They're very via-goyal, way. And they're monchies,

poxas, subrita, and of all right. They're gonna' puttory- Like, no, but not we're gonna

we're gonna' we're to go, we're to go, we're to go, we're to bea to go, where you're gonna go,

where you're gonna do you're no, no, no, no, a taco of, one tacco, one tacco,

the borgue, Like the like the Fipper. E. What's No, he's a

meat a year. When? The other way is that did you in the

meat malida. When when was you? When you did you? That's,

that's, you know, this car mowler to do you. That's what I'm, that's not, but I was

that's a trai-me-lawed. all the verga, at the like, a rewilled a... Yeah,

we, well, very rare, way. After that for the net, I'm

I'm not quite, I'm not I'm not so I'm so I'm so it's so far the I'm gonna

get a yeah, I'm gonna yeah, so much but... Yeah, with a

way, guacomole, avocado, yeah, well, yeah, yeah, yeah,

yeah, yeah, so, but, but, but, but, but,

I'm, one, one herrup to the world, the other than the six jodd, you know,

the we're, we're, we're, we're, and we're we're and we're

yeah, yeah, weird, way, count it's more, more head y' w

whew, man, the world, more greek, yeah, and so, you're, you, So, so, it's,

it's a , you know, from the up at the part of the past, yeah, yeah,

you know, they're from a poin' a poin' a lot of and they recommend you in the city?

Di, mark the borgue no, no, no, no, no, no,

they're not, they're gonna get a nothing, no, when I'm never, when I'm

when I'm when they're when they're when they're they're gonna but, but, all right,

all right, we're all right cotorriando. This it's rare because I feel that

the refuego of Kuliacan or the area, as it's three rios. Simon. Three rios

three rios. Well, you go from what is a bar? A barcito, a antro, a restaurant

bar, yeah, antros as as a lot there are many many many but

but I think that that what you can to do you when you're going to enroled

in the row of the clubs both motoclub as a carlough is to be the way the way

the those those of the most of those of those of a couple you for

example when I'm a camarad of Kevin I'm a manned a manned Kevin

compa Kevin this always that he comes where he He's He's He's in Los Angeles

In Los Angeles But he's Cullichie 100% So he's He went to Yeah And so he

He's He's When he comes When he He comes I'm He'll get To get a

I don't I'm Ones Ones Marthe Marthe Marcones Yeah

Pau Jove This To Of Carchachas Of Autodromo Or

even Of Ruta Yeah Yeah So So So let

To get To get To To get To Potawa. So, it's like

a role more different because, I feel I I'm going to to go to an arque, in any

part of a city, there's, that's that ambient, that's a cotorreo of what

there's in the country there's, but yeah a movement of cars, of motors,

of that of this type of things, like this he, I'm do this

I'm I'm percived that part to say, ah, the convivance in that type of... Of the rollo. Well, it's like,

of the routine. If we're going to do with the rancones because they're not permitted, this... Like, it's like the adrenaline, no, to say, ah, and if we're the policeia

or... That's the type of things, no? That never has passed nothing. But... The actual, way,

the actually, the... The end of, well, the lot of... In the autodromo of here of Kuliacan it's been

very, very... very, very good cars here. There's much a

money a lot of money in the navies. But, re-tomating the

question of, what? What do you recommend to the other? In

general. In Grenas. This, food? Prove in the food.

We're very, very good. Way, the net, sincerely way,

the the food the food of Culeacan is good. The Ego Culici

the Ego The restronomy of In the artronomia, is very rich What we do. What we do In food.

Cagada with Woebo Averga Yeah. You know that's put this way in the

car, it's well, the whey with my pa. My abuela us did

that yeah, so, so, so, a thing, way,

that no cussure way, the ingredient special of the abel

is a well, yeah, the yeah, whatever fondita way

of this restaurant way, The net, I, I, I, I've I've got to with a, con a

experience, way, from restaurants carous, boy, of here, I'm going to say,

but the neta I'm expected more, but, that I'm way, it's big car, and I'm

going to the carretita that I'm going to be a lot of, way, and more what,

what's what what's in a restaurant car, is that they're that they're in an exotic or

or not locales. Uh-huh. That's, you're also, and other, other,

other ingredients, from the food, that's that's that's something, something. Something like

is that you're going to do you're to do with the sason local because are not the

food's sometimes. That's they're that but it is not the you say

a one a carretto a whey mariscos any car of mariscos here are good

there's where not they don't they're they're not they're

that's that's that's a lot of you know that's about you know you know.

No, way, Manetta, sincerely I do you see I'm parro the because Culeacan has the marisco well,

the net no, you imagine other thing that parr, well, if you know, he's

he said, he's just the day that I'm averga to get a better, no,

no, the net Culiacan, the gastronomia where where you want to get to my pa

10 of 10 yeah? Yeah, yeah. The environment where, the environment here is

a little more more, pesidito in, in question way, of that not you

get you to get you to get to get a number to make a morras way, that you know

because the mors can be going to go to a point or what that's to cross

the car and at the other side you can't be a man or or marido

or what you can you can't you can't you can't in broncas yeah no and

I think that in all the cities it's well I'm I'm

But, this, I, this is more what is more what is the out of

Kulakhan, tending, like, so like I generalized right now in any any,

but, but, so I feel that I'm, I'm sure, generalize

much, to what I have heard, to live to live with with people to live with

that they're saying that, eh, boy, and if you go to you're going to be able to be able to,

a, a, a convoy, and if you don't know, I'm gonna say, no, no,

no, I mean, it's exactly how it's exactly, but, way, we, we,

we, we, to get a way, but you know, you know, you know,

you're, you know, you're, and you're and you're you're gonna do you're not gonna

be a way, no, the net. Here, here the people, the people,

the people, the people, the people, the people, no, have problems,

wu? The net. I think in all the other is, way. But what is to have to

make clear in clear, that here there's like many like many, like much lacras,

way. Like you you go to the Borgh and the money, and the there's a

way, we're not, we're not we're not having a other stereotype, and other

stereotype and other creance and a me has to go to go to me and never been

to imagine to do you the vera? Well, I'm gonna chaperro

we're at and you don't chapparros there's a way, way yeah well of the

I'm like that's like a about a one 70, one 75 yeah you're

you're one eighty and eight and you and it and you mitty you know

you know you imitats machin man you what you do you you're five

five so so if no yeah yeah that chup a chupada

pa no she's five centimeters I I don't consider a titan. The Lentat never

has, I've known to know a more time. 5 cmet 5 cm It's, 5, 4

4, 4, yeah, in the rank of the Mexican Yeah, the normal,

no say, 5 centimeters, no? Yeah, how do you How do you do you? In the,

no. In the hangue in the enclochada No, in the sexo anal, I mean sexo

is the horny, plebe And here we're That we're not That's not That's not It's impossible It's an Pynch a man

He's a Cranin'emps Yeah, Mettira That's What, What? This

Well, Um, 30, 40 minutes Wue Maybe I've been A day, A day,

Averga, This man You know, I'd say A bit A bit A marathon A raccoon

A Tuckoo A time, the time, the time, for so so much

30, 40, yeah, it's good, it's you know, you know, you're doing,

yeah, okay, no, it's a round, more than the kind of, there's

a good, for supposedly durer more, and not know, know, and not they're,

they're not that you do you're, but, well, with that, with that, they're,

they're, they're, as, how's, how's, how's, how, No, no, no, and respect

The old here is... No, no, I know a situation actual sentimental that's in you. No,

I have, I'm a I'm a okay, no, no, I'm a I'm a boy.

What you have been a past, Pa. Oh, no, I'm not, what?

The Mada me, the mother, Pa. I'm gonna a sugar, mamie. He said,

I'm, he said, you know, What are you? Yeah, man, yeah. Yeah, man, yeah. Yeah, yeah. No, no, no, no see a d'clock.

You, do you, you know, in the, in the, in the, in the, in the, in the colchas? The rat with a barb. A, one, a, a rata with, a ha to get one, there, ah, no, man, there's a year, there, man, there's a year,

in the night, way, in the night, two, three, that I, I, I, that I, I, I, that I, I, no, I, I, no, I, Pinch rat, wwee? Me,

I'm sure, I'm in back back to the same or the Bonds, a little a rat to

an animal, I mean, not for that but of that that's, well, well, well,

I'm going, I'm going I'm going to get a mountain, way, it's impossible. I'm sorry.

I'm sorry, I'm sorry, I'm, of those semilita azules that vending in the yacki

and they seeken and seeken, and Like what time is that the daughter

to her mother that's that's I'm put a I think a little

and he and she keep eating the pinches bola way loco

has a three three seven all the night I'm gonna I'm gonna

put a croquette she's like and a night of the time tarat taras arouse like that

the pinch ratah yeah Yeah, a little way. In the night

I was I'm in the and the night you're in, me considered like a little frio

with the with the with the people who I'm like that we're doing so we're

to come but I'm don't me chuppe the man yeah yeah don't you

don't you want to not you're to get calm but I'm so much I'm made

more sentimental with the animals and I'm I'm I'm

yeah to get yeah yeah I'm so I'm so I'm

but I didn't and I did and I And the ratta started to

grow, we. Oh, so, he's to say, boy. And he's

going to, and he's like, he's like, he's, he's, he's, he's,

he did one, way, Pao, he passed for here, and he and he said,

I, I said, no, me's saying, the fear, so, the mind,

let me give me the life the life no, man, no, not I was

I could not I'm gonna I'm at the carra and I'm sure but I'm sure but I'm

no, no, no, I'm just right to get around the car way, ah,

for that's that's like I cause to get the chow the coliseo there, and I'm and I'm

no, boy, I'm more simple, and I'm no, I'm just that's

he's I'm sure but I'm yeah no maybe it's not, no, I said, I was, that's what God wants.

If the cats, if the cats, they're dead. Just, yeah, it's the decision of the gaiters. Yes, yeah, I'm going. No. I, I, I, you know, I complicate. Uh-huh.

If you, you let's take your house. The car. I saw it. You're gonna be there. You're gonna be able to. And there's a lot. Yeah. Yeah, because Don Gatty's a bandia,

Awah. Awah fresh. The famous phrase. Oh, yeah. No, no. No, no. I'm not so, I've appreciated.

totally to call the invitation. We're we're going to get to get a clear,

I'm doing oh, yeah, yeah, I'm like a garacura, vacillar

and, and, and, while you're going to and I'm going to go to

go and this, um, RETs social, nothing? No, no,

we're not, no, we're not we're not, uh, uh, austeros, yes,

normal, WhatsApp, this, 6, 6, 7, 7, C, 6,000.

Oh, Pedidos, whew, pedidos, or the tournillery to where? Ah, okay.

We're going to there. The question of the business is in the Colonia

and the 20 of November. Yeah. Eskina and Kee and Kinta. We're

on the Monday to Saturday, all the type of plebe what they need to need

Bills, Peehas what has, but it has got Rosca we have

a price of majorio and What was that, you? A cohette. We can

buss in Google we're, we're like J.R distributions. J.R. or put in

tornillos, J.R. Culeacan. And there envios and all the roll. Yes. Invos for all the

Republic? Envios for all Sinaloa. All Sinaloa. To Sinaloa. All right. Yeah,

we have, this, what I'm more of 25 years working majorio and a

mostrade a medium majorio. And we have more of 25 years covering all

all the very excellent excellent I'm doing I'm done I've done I'm done I'm doing

I'm doing to give up to Squinapa to get more yeah well so there there's a

there's a dover of my miffiper what's all good a good good

thank you ohhall he's he's he's he's yeah a man

a change of look of see of this well there's there's there's

all people of all all here here, leave in your comment.

What's you said? This is a big kind of a friend of us

and we get him chuntymachin. Checking all the videos. There's we're doing

the collaborations, the yeah. No, you'll be to look to do that,

of a baby, of a bit of a man, cabron. Cabron just,

that's that he has I'm so I'm like that that there's there's

there's there's there's the way to the mafia. The mafia.

to the mafia. There's, that's, there's a co-torreau. There's a little co-torreo

or the guapo Rosa. Wapor-Rose. Of course. The actual, the,

the, the, the, the, the person that he did, the person, that he said,

that we did it, the other the gaw-Rose, it was the was the, it was the he was the thing,

he got to get him, and the word, and it, and it, and it was, I calented the

c'clock, the cullo, the cule, Oh, my Godin' We did. We did. We said,

you know, you know, you know you'd so I'm so. Yeah, yeah,

yeah, yeah. Yeah, yeah. Yeah, we've been, yeah, yeah.

It was like, so, yeah, we're just, we're just, there's a time,

to come to know, so, so, so, so, so, so,

we're, well, I'm, I'm, with the comrades of the carros and the co-a-cherokee invited the guapo to come to

the Tata, then he got the and the cherokee and I was that I was in the role of copled with him because he had seen

videos and the old old and the old and the cherokee me and he said, oh, like the cherokee

and he's a guy man he's, oh yeah he's not there's chance of that that he says to

the friend the singer the horni that if there's a opportunity to do a a thing

with the guap I said, and in that moment it's

me came all the idea to say I'm not the letters because I

don't but I'm but but the but the thing the thing that

was what was what that I was that I had been that

the Bukki there there there is there can be can be can be

can be can't because nobody I had provided to the figure

of the guy to let's say we're going to make a very new too. For example

the Hilberton yeah yeah had a song yeah like characters

of Culiacan so the Wap no has a time so so what me said

the I'm so and something yeah yeah yeah yeah

yeah yeah yeah yeah yeah because the regional

Sin alvense so does do the type of the type of a

cumbia a rancher a a corrid but, but here he's

a regetton. A regettone. A regettone. A good. So, getting to the house, oh,

yeah, we, I've got to say this, I gave an idea that's a bit of,

and you do you do it? What's the time? And that's in the rachach and we

want to talk about to talk about and questions personal of the Wapo and be,

what material can be to be able to the Pist? If you don't know it's

also, the Wapo-Rosas. There they'll be to be a balladita.

It's a one that's a very interesting. The video is something that also that

too chila the creativity of that of that video and then we're doing. We're ready. We're doing.

We're doing. So, they're the money. Quantto? De, 20. De 20?

The 20. Can't be let me invite the V-a-a- B'Ebrac. We'll invite to the

people. No, I'm just to be able to to the sushi of 2% 50, how's?

3%? Yeah, no, boy. Yeah, no there's no, hollah the Buddha. Budah,

no I know for what chingahos that that's, boy you that's,

you and I included, it was a little to the little that you

have you didn't that you don't know, so much it's so much. Four marit

per cent we're talking that we're talking about $25 pesos. Yeah, way,

and they're they're good, they're well, you're getting a promo you only way cacket

the eyes well I'm glad oh my man and imagineate to trygart water

boy for si embole is what you come you're like you're gonna like I'm gonna come right the sir

yeah we yeah we we're gonna yeah we're gonna let us let us subscribe

to the verga gonna be gonna be gonna be gonna be gonna be we're gonna yeah

the red social also of the FIPER, FIPER, how is? No, know, the Instagram,

Fipper MX. That's the one that I know me know. Simona, there's, in the, in the,

in the description, man, will be all, all the list, and then, and, there are, we're,

there's, we're, no, oh, oh, pure for my path, like the

avionettes. Brrrr, yeah, yeah, Yeah! I'm...