LOS MAFIA PODCAST ⭐️ - Hugo Barragan — Dios y mi padre se me han Manifestado

Episode Date: March 24, 2023

Plevada, be welcome to a new podcast of here of your friends, the new podcast, today's they're going

to pass very well, and you're more metiches than we're not, we're going to say that

no, but you go to this podcast Pleve because because, as like the

always the invite has to get to dolechar, things of things of that,

of, of, of, of, de, de, de, de,

de, de, things of how it's was supering. All, all what, what,

what, we, we, we know that you're, you know, it's all to you're gonna

we're gonna, we're gonna, we're gonna, we're gonna a man, Bragan, Viego. So,

a salute to the people, much thanks for the invitation, Norman Horny. This, uh,

and I'm my friend, Cynthia, that's the Carinona. No, no, so,

thank you, present, sit, sat, little nervous no no no we're just so we're so we're quite quite okay so is for uh... contested the

questions that that's that you put in is something for you all you're saying that's yeah Hugo Barraghan how many years I've got

29 years 29 years 29 years is of the age yeah yeah I'm I'm

I'm I'm of 3 June of the 93 so I'm I'm born in Zapoelita halisco uh...

and and from of the of the side of the mariachi this more

that I started a little to develop to start to little to go to

putting putting puberty because not me enfocable in the

in the boom that was in the but as I'm

taking courses of guitar fall my father and

so like he disub a little he so

he he fell in the 2009. Yeah you

like 13 years. 13. Yeah, yeah. 14 years, yeah.

And, and that was discoordin, well, and it undub, no was enfocated

or how? More than is like the, the, the, the,

the, the, is a thing, well, to, to all us mark,

no. I'm, I'm, I'm, like, des-consolated, and a little to go to my

my way, I started to get to get to get to get to get to

get to progress. Amen. Did with your mom you? Right.

I'm, I'm, I am I am only to other other other other side

where I was Tijuana to Tijuana to start to start and develop

with talking Puerdardard So, so that you They're going to be to be to Guadalajara,

and at the how many years to go to La Juaia? At the 19 years I was 19 years I started to the cantada because I was working in the

camp or all of that to go and studying to study and because also I started to can't do you as soon as a time of the of the fiestas

because I'm in Ciadgumann is like a toro of 11th. So in the Tos of 11th of October out of the band and they're talking and,

well, I know, there's the chavos of the preparatoria that were there every every fit of year of

a year of so, so I'm to can't and I'm to start with a band that was

forming for things of the destiny so it and I went to Guadahara

because me came more like the voice of band so so

of, thanks to God, that I can't get to get to know what

I'm you know I'm I'm when I'm started my and I'm and I'm

and I'm to make to get a and get to get to and get from the rancho

of the rancho what is you say? Zapodil Dhalisco is Chilitko is chikito

there? It's like a little to what other other more known more

known secando plebes. On the Crudra? No, I'm I'm tired. This end of the end of the night

I'm in the cabos cantando I'm in a party of a friend that was his

wedding so I'm so I'm was out of because I'm after that I'm back

yesterday in the night a year late night that's that net

and then then I'm and then I'm then and I'm well to do you know for

to Yeah, and that's in Salisphia. But then, we're in that a, a, in Zapulti is in Wescalapa.

Of Wescalapa is the Serrito of the Virgin Plebes. When you go to the city of Guzman to Wescalapa that's called,

there's a man to the right. There's a man of a classic who are going to pass on and pittam, because they're passing. Yes, virgin, no

me very well the history, but it's about that in the

the little the figure of the virginesita. So, there's every

12 of December, this, uh, people, and does get a line,

so, so they go to Cue to the town, okay, okay,

uh, and yeah is Cod Guzman, and yeah I, went to Guadalajara,

to see to Guadalachara, and yeah was when I was developed no more

in the , no, it's that you can't band, go to Masatlan. And it was when I started to go and goreasing, then I'm going to

go to, compa, what I'm to admire I'm the the people of the rancho is that

the possibilities of grow are minimal. And there have to have a chingo of value and a

ching of motivation and so about the saying, well, I'm to

have to the rancho my roots, my family also many of the many of the bests

to go to look the pap to other side. Because one if has the

motivation to to continue and you're going to do you

don't do. The really is something that's something that

has to get to where I'm really I'm admit because

no I'm I'm I'm I'm I'm I'm not

been a person to be faith in God and I know that all can do do you know, all can. Because the

destiny and what you have prepared to the universe, I think no, no, no, no, you can't

change, no, no, you can't change. No, no nobody, you can change, more than he, no. You know,

there's, there's, there's, you know, is the only, that's the only, that's the thing?

Yeah, I'm, look, there's a little interesting. My mom I, Seven, I know.

Sietermannes, then, so, as, as, as we're out of the family,

and then then, of the seven, that are some, some, because

are the people, and I, charnal, carnals, we're to make a garras.

So, we're, we're, we're, we're, we're, so, and I'm,

so, I think, that, too, you, You, you do, I, he's, he's,

he-stri- we're, we're, we're, we're, we're, we're we're in,

we're we're doing, we're we're doing, we're doing, so, music right for you

so, then, the, the, the, the, the, the,

how, I'm, this, this, is a large history, , no,

well, to, to, as, how it's a, how it

pody So, I, I, I, I, after, to, I'm, I was, I was I'm, I think,

I've, I've, I've, thought, I've got to, but, we're going to, I'll never to

renders, always have to have to be the mind, that you can't, and the that's the propone,

it, and the he's, I, to start when I was a, when I was, I'm trying,

I was trying to lose the rhythm, I said, yeah, I'm going to go to to another country, because I think the music, as I'm, I think, more with animos, but no. I started, after getting, time,

I'd like at 4, 5 o'amay and I'd like, and I'd like at 11, 11, and I said, ah, so I'm going to be going, and then, then, So then, I started to do my routine and all, and the day

the next, I was compone, and I was compone, and I was going to be, I was going to notice that the 11-11, it was a very, it was a lot when I was a different, it was a good, very, very, I began to see that it was, it was, it was of the universe, and that God, and the time, and it was when I put the tattooage.

And, well, thanks to God, I've been So, and so I had jured my mom that not me to tattooed, because my brothers are tattooed. So, it was when I said, Mom, I'm going to say, I'm going to be the only

the seven children that's going to be to do you know, but, I don't you know to believe, I'm going to tell you, I'm going to do you, I'm going to and when I said

he, I'm going to say, Moma, I'm going to because, the really, I want to tattooing. It's going to be my first tattooage. And, well,

I wanted to permission and it was when I was when I was talking about it I was just to know it's a very beautiful and very it's a significate for you very special

and yeah was when yeah so you did you no no fiatty that that they're

that they're they're they're when you do you know you're not you know I don't see

there's that there's that it's that it's that when they're like you I think, whecito, I think they're

like more sensible. Aha, and I mean no me don't for nothing. For nothing. It's

big, he's, he's, he's, he's he's not, he's not. You know,

this compa, what's he's going to do you? This is, the, the, the,

the, the, he's, who is, the most piratona, the other the dentist

bi, yeah, the dentist is the most the most the, the most,

the, What I'm going to say, me about No, the truth I'm glad to I'm here The invitation, I said, I mean,

We know, we know, we're talking about The energy Me said, Hugo, thanks, let me know,

and let me God, and let me, God, and let me go, in your rancho the, the customs

that had, what's were, so, that, that's, that's described like, especially

of there, okay. as a referent, like, so, for example, words, to do, do you,

to do, a, this, a, this day, so, I'm, there's,

like, the, the, like, the, so, so, so,

so, so, in October, the, the, , this, but,

referent to a, something, like, oh, the, Sir San Jose. The Sir San Jose.

What is that? When it's when it's the festas of October of this of the people then the young Jose

and they're and it's also also something very beautiful and very, very unique of I. But,

they're going? The people? No. Cargan the Sir John Jose that's out of the temple

does a way and until that he gets but yeah. But who was that that

that? Who's that man? It's, this, of the fiestas patronal, like, this, God,

well, is Jesus, but it's like, the, how's it? I don't know, how to say,

the image. It's the image, ha. Oh, no, never, I've ever

never, never, I've heard, and, so, it's, so, it's,

and it's, and it's, and it's, and there was when I, I was, I was, Because,

I mean, but as never was that I started, it was when I started to

my own my own my own that's, but I'm a bit of me, me did you

and I did you and I did you and I also, I'd like,

I'd listen some, uh, some, uh, some, so,

to be, to be, to be, to, what, Jimon, Simon, to where

it gets, Wow. If you want to start with a word or two remi as you want. We're free. But, right we're going to do. There's a little.

No, no, no, clear that, no. But if, I'm a little, I'm going to start to go, we're going to go.

Like, I'm going to go, I'm going to work, freebe, cold, free, air-conditioned, and even if some,

I'm not, look, m'n't. Look, You know, what feo it's Oh, mad

Oh, yeah out of the those don't know, oh, he's a voice errone,

you know, he's a man, he's has been compared with an artist

with the voice? Really, I, I, I, say, can't,

but really, but I feel like, I'm I'm seeing that, I'm just the

music of all, I, so, of Julio, of the record, someone

very important and I do respect to all, I want to be a something that can be a

a record beautiful and be there present. So, it's something that I've that I

think I think of the time, what I did, I went to classes of can't,

and I went to, and opening the garganta was when it was when it started

to the vibrato, well. No, if you're at a cabrorn to get to get that, is to begling the ensigned all the day.

Yeah. Well, more than that, the enslave is like, not to not to sing.

No, to be a passiona the music, in reality, you can't, for that if you have a

register, that that register, that's a So I think it's the better that one as cantante, this, this, to be, this, this,

this, have any of you see, and a piece that's gonna venta? I've got a a song, this,

uh, that's, uh, but, I think that that, so, yeah, I want to,

like, that's, that's very good, just, just let's, let's go and no, then,

no, then, and then, and let's go to a, song this

no is my is of my compa Paco Martin's a good friend of Mexico

and he he's I hear he he said oh he's that that

that good she called the name the first Bote

Andy he said I I'm I'm the first bote

no has never reverse to to have to have to

never to be to days me amazco but

for God I'm so I know I'm know to dole

but that me part to a rio if I

look to come to mack tiembe the tiann't

a c' peterra c'all a borg Crosrona In the very ton of

up up No, I'm trying A solvecito So be As a Manawrata's

Like, yeah And I'm You know I'm sorry Oh, You know You're in The quereo

Yeah No, Ferex That's No, Much Thank you It's

It's a It's question of Time It's question of The It's a The time The world

The universe All right So is the Right Yeah Yeah It's been based on the talkas.

That's a good It's It's something. Something Disagradable. Here we

are very morbos compo. We like, we like the mitote.

That's some client that I didn't unsatisfached No, fiatte that

with all the people and that of those that have

been to private and all of those people really

me they are and like I'm like, I'm like, I'm like,

I'm like, I'm a friend and I'm, I'm a , I'm, so, so I'm got a

really good in that aspect of that I'm having no I've had no problem, I'm,

and, and, and, the people, so, so, so, so,

oh, how it's put, but, but, really, that, I've had

a problem so, so, but, but the, but, no, but,

but, so, there, there, something , , that I, that I was,

that I was, after I was I, I was to sing, and for there, the chabalada then said,

hey, what on, my man, say, let me go, to see it, let me go, now,

let me, let me go, to see it, but I wanted to get to because after the many

days, of the I'm going to go to go, no, but there put a

a porraso with all. So, we, and, well, yeah, was like, that I think is something that's something that's a little going to want to

and then the, the, the, the, the, the, the, then I'd say, no, more I said, no. But who, who, was,

managing there? The, the, the, the festival. The, the festival. It was a friend of you. Yeah, was a comrade, then,

uh, me has talked to, we've talked to, and, and, and, and, and, we said, we go, no,

I'm, I'm going to go, because, I'm, I'm going to go, We went to, because the morning I want to work, and then, so I was saying, um, I'm a,

in Medellin, in Medellin, this, also, um, it, that, that's, like, that's the music,

yeah, well, but, really, really, me were really really really, um,

but the, uh, the people, of the people, sometimes, you want, like, like,

no, is that you have to, like, you know, like, I'm, I'm not

I admit, but I'm going to to sing, because it's my music and that, then there's no more are the details that is the, those that are past, but really, but, standing in Colombia, they're going to be

to be like you, but he's from Mexico? Yeah, yeah, yeah. A be plebada, Colombia, what's a little bit? No, but really, the other people, that for there, we did

the, the, um, the, the, um, the, the, um, the, um, the, this, beillismos, all, this, me said, hey, there's an opportunity that we'll say we'll, I go, clear.

We did we dovet. My compa Huma and the Gios, Gios, of Colombia. So, so was when we started to do

do, all the music that we did we do with music that. Yes, yes. It's, you have con-kees,

but they, if it's, the, the, the, the, the, the,

the, the, the, the, there, oh, you know, it's

like, that's like, if you don't know, you know, not presentia that you

could be something. They're like the thing, that's like when you desviste

to do to do you, that's after that you're not, not you

get, more, because you can surprise to be to be your

career and you go to go ahead and you take the

because if you pass imagine there that you that one is in a

private where we're, we're going to to all my people, and there's there's,

there's, there's, of a, of a bad decision. But, there in more,

then more, it's, just, just, for, to be, to, you know,

to, I'm, I'm, I'm a, I'm not, I'm not, I'm not, the people

who does, this, other type of what he did it, like, like, no,

that's, no, that's, to this, how how's it's like, well,

a doctor's or a, one, I said, I said he was saying another other

thing, I, yeah, yeah, yeah, yeah, yeah, so I'm

going, yeah, so, oh, what, what, what was with,

my friend, my friend, this, well, more than, no,

to be, so, I, I, I, I, it's, because in the

, we're, we're, a little, we were four cantantes

so I said my compo I want so I said no it's our groupation is not the band

and as as we we're not we're when I'm when I was when I was my

career like now soloista okay you you wanted that

they were to take to come down to the band andde for to

to make our our proper this now now

I, all are my friends, we're at the Cine of the band Colosso, and now just in that I said, no, I'm, well, we're going to try, we go, no, we'll pern't. And here I'm, look, this, a, poco, we're going to go, because we're going to let's say, because we're going to say. The group and the band, the group firm, well, has a trajectory long-simed. It's, well, 13 years. I think I was president of my

company, Edith, that I said, 13 years. these plebe they've been really good my respect and felicitities and then those plebes

that you'd have done had you had had been had been up here who'd what had

done I'm I think we'd we'd we'd we'd we'd be

we're just I'm just I'm the decisions of everyone I'm I'm gonna I'm gonna yeah my

man's gonna yeah but I go, yes, but a little, a little of help, well, I mean, well. Tumptu not all, well, one has to also, you know, put your part, to do what one has to do, like, like, to care,

to chant, to the people, to, to, to, give us to know. So, it was when I, this, I, uh, I said, to my company, I did a day that I was in his house, that's my respect, me, me, he invited for another friend, that I came here,

and I chame a platicada, And me, he said, Hugo, he's chele gana, you, tell him, he said. He said, I, in whatever rato, no more that's been something,

and, you know, well, now see, now, so, now, so, there's some problems there with, with,

with someone that I was, that, well, this, this, they, they,

they're, in the spas, and the, and, every one, every one, every one of ,

every one, so, me, I mean, I said, I'm going to do it in rollo. I said, well, I'm going to do. For me myself. And, yeah, this, well, yeah, it was when I started. And here, we're going to, see,

of this side. Echandle. And then, then, and then, that's, that's going to get in, the plebe. I'm pure soldown. Ah.

No, man. It's, that's, what? What's the, what? What's the, what? What, can't get? So, are you? No, man.

With a little, that's, that's, that's, to be there to be able to to liven to the family, yeah. No, man, carnal. What do we would have? No, but

all right, but it's a way to get to your time. So, we're in a way in the way, compone, that's going to

know my music, then, that's the plebe, there's, that's, that's, that's, that's,

it's, all, all, it's, he's here, the, the plebada, what is the

most loco that has done for love? The most loco, what's the detail, yeah.

Inspirese. Ponchese. What most loco that I've done for love, I think

was to be to be from the city to now, now

to give a good example to my son, a good example. Because

I was a little immodoo. Oh, was very immatur more than that. So I had my

partner and, well, things of that one was going to go to get the first, but I'm

the firsts, I'm going to be here to be a to be a meta and that's a matter and that

we'll get. I'm going to get. We're going. We're going to get. We're going to be good.

I'm going to be a little. I'm a little. So, so for love to my my son and my family, was when I was, I go

that it's, this, and even, I just, me tumbled the the man, that, wow, I've passed and have been a lot of how I'm going to have that day, when all we're just coming on the mess and saying, it's, we'll loggled, family. What perr. What perr, sir, Diego. That's the son, too, one of the try.

I think that those those who we're to and we're from

the world to have to have to have to be not you know a pachachey

a psalas a pach a pachy a a coche or a boll of a galle

and then to go ahead and go ahead so go ahead but but at gusts

all allos all passing it yeah ha ha jih

hi jih there there's there the there's to get the tio and,

uh, never he has done, you know, he ever,

since when I'm my father, the family separated, uh, the family

separated and, uh, but, never is that, but, uh,

never is a because, uh, but okay, there's me

say, and so it's, so, so, so, uh, I think,

is what my is what my dad wants, uh, right that

not that has been my brazo for the motivation. You can't, he said, he said, me grita, you can't. He's manifesto three

times, a year. How was? This, I, of that idea that I'd want to go, this,

one day I go to Tijuana with my compa, Jorge, a good friend, uh, this, I, I said,

compa, yeah, I'm going, me be aghuitated me and said, hey, what you have you?

No, no, like, here we go, I'm, I'm going to go to,

because we're going to go to and we're going to get a so, when I'm

in the, in the bulletto that you could be to go to Vancouver there

had the I'm going and I yeah, and it was when you know, you know,

yeah I'm going. And said, no, you'll be here, you'll have a barma here. I have to be here. And also,

I'm saying the man, there's a man, and there's, it was when I'm, with another comrade, with my compa otto, and I said,

oh, here, come, you're gonna, you're gonna, you're gonna go, you're gonna do, you can't, your,

register, and, I'd, say, I'd, I'd, like, I'd, I'd, and I'd, and I'd,

and I'd, I'd, I'd, no, well, so. So, I was I was sent out but it's

a mess of vidro. I'm sitting here and is the mom of my friend. Me said,

Hey, Hugo, he said, what is what you say, I'm saying, I'm going

to do you do you're a question and you your father no had, or not

put a a pantal a coffee. I remember of the I was was a

little I was when I was with my of trailers, diesel. A good mechanic, my jeff. And he had a pantalone,

always coffee, because they were the I think they were more practical for the manches. The manches. So, that pantalon, coffee, I always, always, I always. That's, for the car, and in the

co-in'nac-and-a-and-and-a, and the camis, I don't know very well but the pantalon, I always here me kept, coffee, because I remember my dad. I don't know my father. He said, the, the

she said, Hugo, he said, no, you're going to you, you're going to your father because I said how was my dad, oh,

I go, so, there's at you, and I had to go to get to so,

and I said, oh, oh, it's in another, in other when I was when I was when I was

going to the cochera, I, and I said, oh, go, Bacart, for favor, me, said. Why, you're the face enojured, what you have? I said, no, because, the really, I'm going, I'm going, I said.

No, no, no, I said, come back here. That's, that I'm going to say, and I sent me my papa. So, me said, Hugo. So, like, go, man, etchelle gans. You can't. Jue, the chingada, so me chinole, the gourd, and it was, and it was, because I sentia his voice, and when I said, and when I said,

And then, I said, no, man. If you had liked to see it, after you'd, here's, there's present here, but here's my man. So, I know that always me accompanies

to where I go, and, well, we'll put it in the faith. But, but to be it, with your own eyes, of that the

moment that the she said, that you had had been, that you had been to be a bit of the... I wenty. I said,

I said, I said, I'm, I'm, I said, in that signar that I said, I said, I'm going to be able to say, you're going to say, that's like, there's a little, I said, but, well, I said, but, well, I said, but, well,

I said, I know, I'm like, I'm, I'm, go, I'm, go, what, I'm, what, I said, what, so, yeah, so, I'm, you know, so, I'm chinoed the quero, he, said, but, well, it's, but, well, it's, no, like, me, so, no, it's, it's, like, a-reggio, hey, putter the Pilas. And I said, I'm gonna'emn'n' And I,

I'm gonna' start. Desperte, compa. Ah, yeah, of the nothing. So, yeah, like, like,

reaction, yeah, they're the kind of to get to go there. He peggs. Masatlan,

we pegams, we peggas, we peggas in the city of Mexico, nomian, not meander, I'm

getting to have done, and I've grace, I do, and cantas, cantas, and there go. You, you,

you're soloist? I'm, or how is the roo? So, I'm, more than, Hugo,

can't be, I, not me, I'm, not I'm, like, soliste, I want,

I'm going to call this but I'm always been, the music, also, I'm,

I'm, I'm, I'm, I'm, I'm the thing, I'm the thing,

so-and- way, Because the the team of is more important than, I mean, to say,

I mean, I always say, I always think a good a good to get to do do you get to so,

and so, the music, what, who know, we go, go, we, then we, then,

then, so, so, so we're, and so, and he's a band, uh,

and he's, uh, Hugo Barragan, it's, uh, the toyolta, and it's, the t'o'clock,

my ch'am'am'am'a in the man. Tayolta? Atay Yolta. It's a band. There's a Kulekana. There's a lot. To you have

contracted. I'm imagine, for a fiesta private and the shing-gah. Well, I've been two, three events.

Those three events and, well, I'm, I've got to to go to Tijuana, I'm going to

go to my compas a band. That, for a year, in Tijuana, how me, me,

I'm, I'm, I'm, Well, there was when I started to grow up to grow up, yeah, of the people me be here,

I said, hey, Hugo, I said, you, for nothing of the world, you, can't, you say, you, and can't. And then, like, me, I said that was like, like, like, like,

but really, I always have been I, and, well, I'm trying to make a, no, because none is perfect, so, it's all

comp. That's good that's you have you have you know you're a

question for my comp here? A year one a question is that a

question hey Dhymala with Confianca Because Because Because

Because Yeah That's Yeah I'm gonna What you What you'd

What'd you'd That'd Pills more less less Yeah

no but I don't because for something we're here, and then it's a

time, but never they're never in a dream, you can't do you know to make, and trying

and doing the time doing the the time there's not like to be very, very enchanchated you can't,

you can't, you can't, and you go to do you're going to do all. Proponientotel it,

you can't do you know, but is that, that, that, more than not,

no, not it was because I I want to, as I've been of rancho, well, it's like that I'd have to start, but I despertamos, yeah, but at this age, but here we know, pa.

I do that never is that, we're going to be a good age. No, no, no. No. No. We're going to be a good way, and you'll go to my music. In a disc, does? I've got, in Puerta, videos, two videos official. There is one right, that's called Cienor Ruido. But I'm going to prepare

a song romantic because I've been asked romantica so I think we're going to a good romantic or dolida

what would like to say that I'm gonna a dolly the dolida are the mocha the fundillo

and all a whole a manh wow wow because not you're not the

I'm there's here we're here we're we're we're very barracho we're

we're gonna we're gonna we're I'm going to prepare one, the other I'm going to prepare to that you

know, now they're going to open tequila, all what that's if you want to

let's let's be going to let's say, he's who's, who's

who's the contact most famous that has the WhatsApp the

contact most that I'm a let's up I have, I'm

my compa Edwin Edwin Cass emito with no, no,

no, no, it's I changed the telephone. But, well, we're going to go. But, well, I'm going to be able to, the really, no. But no, he's a message there that

he's got to, of him, of voice. The fact, let's see that if you'd mark, he'd answer? Yeah, but, Bejohn, I'd have to have changed a number or something,

because I've got a rato that I don't know I've seen. Uh-huh. But, um, this, of who else? My compa Luisa Tarain. My compa, Tarain.

my what more Cargill Garcia Ah No Gary No

I Um I'm Alida Alida What's And he's The plebara

That's He said He's Let's make Let's Let's Let's Let's

Let's Let's Let's Let's Let's Let's Let's That's

That's That's No, we'll never. Here, here's in house. Let me, Fierro. Plebe, if I'm the number, I don't know,

the man, is that we're very occupied always, so we're to try it. Let me try it. Pell it, perely, the microphone. No, that's...

And that's... And that's... Yeah, so. And, so, but, and, my compas, other rollo. How,

how do you, in plebada? The Instagram? We want to put I'm going to do, my company, let me. One of a note of you that has had a manned, no, ma'am. To see, let's be.

A bit, we're going to be. We're going to, water fresh, my app. We're here with the behooghaghan, Plebes. Disfrutens the podcast, because. Agree? There's a big, my rea, the shingada. But, I mean, a little, well. A note of both, never, you know.

No, it's that, no, I don't, I don't like, like, Okay. Yeah, the more I'll say all the way. But it's

that I think, there's a lot of sometimes that I think that's, everyone has to do you

know, yeah, exactly. At the of the yeah, maybe he doesn't know

that's never know. And it's the most probable. It's the most probable, but if one here

he can navigate. And then he's the problem, hechele a man, no,

let's let's say one one that one that one that has one that

one, that's The net, a lot, a bit of sometimes not it never to and then it's

to get to get to get to and get to the end up the world, the net, the rest of the world, yeah, no, no, I,

you know, I, do, you, of course, I'm just, you're,, of Revolver Cannabis. It was a de facto. How they're going to say, uh, how they're going to be? Doopla, real? My comp, Carl, yeah.

What, what do you do, a plebada, a, man? A good. A motivation. A motivation. The motivation is that well, if you have an enfoque

in what they're going to be in a future or in what they want to do, is that they they're chen-gannas, no, All so can. All so can.

Nomad not not start desenfocated. Always your goal and you're going to you, you can

change you, your person to those who are around you and you can't go a good

way. For that you're going to be there. Because takan, he's

for there. They're they're saying for there. There to be

being chingon without chingar. Sin chingar. That's Yeah, yeah. I think that has,

it has, it's a lot of the truth. I've tried to, of, well, to correct

errors, because we're perfect, but really never, there's to have to the

time of the day of the day, hey, hey, there's, I'm doing, I'm,

you know, to be a malagrecied, thanks, my man, maybe not he was to respond

in your time, in the time that that was going to the time, there's

there's, There's There's Amigos And we're We're going to We're going to We're in

We're doing And we're We're doing And we're Good for For up Delante No more

That's Hey Here you I don't I'll I'll I'll I'll

I'm Grasied because If you You're You're much Ports

No compo That you I know You know You know You're

You're You You're You can't You can't You can't You're Yeah,

it was a good to have a podcast. Much thanks. Something something.

Something that something. Well, here they have a little, this, yeah,

no, no, no, no, no, no, I'm, I'm,

I'm, I'm, I'm, so, for you know, of my person,

to, that you have got, that's got that, that's in my

music, in my social, and my other uh, uh, uh,

so so I, so I'm keep They're They're going to I'm

to get a We're going to You're going to You're going to get Yeah in these We're going

to get back We're going to Gohm Bhopal Bhopalas No, and many thanks here

the invitation And and for her, for you, for what you have passed and that

what you can say much thanks So, it's it to

help also too and and if you want to a rolita

a pacacacit for that desembuched something. Okay. A calmadona. Calamadona.

I want to listen the vibrato bass for that I was the engineer of sound balls. Sasa,

Saa. Okay. Well, a can't that always me, me, I've got

that of, the, how's it's the one of the M. It's a, to me

too, me, it's surprise this not this not

my call like whelada you want to you're

when when I was I know I know I

he I was I would I 'll forget

you I I I I'm you I I

did I you you you can you can

you marchart. Here nobody will mourn't no you

don't you don't you don't be I'm without

you to me too I really the real

the real time I have to extra in

this life nobody is indispensable and I you

take I I I don't back to to look at

because I'm to despreciar to me too. My bad. That's

good role, my comp. Hey, no more for the Bula

despeachas that can't have to have I. I had yeah,

yeah, yeah, yeah. I had to get a chitita, don't get us

a quittes no, that we all, no, no, much, thank

thank you, thank thank you, thank thank you, thank you, I'm I'm

a I'm a lot of I'm there's I'm sure I'm to talk about

to the disordering ohhally that one we're to talk to talk to a event

so now now to be to be to hear of to listen to get to

and get I'm I'm gonna get to but for to be so

so much how you have to don't have no

no the no a not not a yesterday

oh yeah oh no no is So, to me abra, right now we go a little, I got a fri-fri-fri-fri-tto,

but I'm, I'm a two, two, three tequila for that's the engine, and let's. So let's, let's. But, if ching, all, the tequila, no? Well, in excess, yeah, in excess, all. To do you, to eat, to eat. No, well, so, so.

But no, I took medida, and that's to the pass in a gusto, with that. So, so, I always try to pass me a bien, to be able to. I'm here, here we're like, in a festival that we're in a

festival that we're so I'm just that they're and they're doing, we're doing. The other glass. The radio social, then

Hugo Barragan in all the platform and all the platform is Hugo barragan. point h. Ah,

so we're in all the radio, TikTok, Facebook, Instagram, this, Twitter, too,

I was going to do you, we're doing, oh, many, much, thank you. No, well, thank you.

Plevada, thank you for being here in the podcast favorite of all you guys. Subscribe, for favor

there. We're going to get to the $500,000. Tomorrow. Mayna. Yeah, me, my comp,

Hordy, much thanks, and I'm grateful. With all the people, the public, my dear my dear media,

that, without her, this, you know, so, so, the contact, the,

so. The cede. of, how is, of, the relation, the, the,

no. No, my, it's a good man, no, good

dentists, eh? Goodest, good. Goodsimus. Very good. How do you do you know,

then we're to do other regla for, that's, that's, so we're gonna, salood,

salute, plebe, siggan, the, the mafia, consent to the ultimate, I'm Philp

and the servidor, so the Horny. Also, also, the podcast of the plebona and

there Oh, man, bolog, bola, bula, bula, bula, bula, bula. Bessu! Ah, a becito. A becito, a beseechito for the people, where? A, a little bit, very, very, msandrums. Salo to all, and, thanks.

That's all right. That's all right. In the cuss! Oh, yeah! It was a fun to be with you with you. I hope to be with you. I hope to be a lot.