LOS MAFIA PODCAST ⭐️ - Javier El Buki — Millones de pesos tienen míos esta Disquera

Episode Date: September 12, 2023

We're Plevada with a new podcast. Today we have invited Plevada to a

person that right at the camera we're talking part of

your story and without some is an oro

this bat. Why or pure? Because he has compositions so

perr compa that I've always I've heard from I

dedicated to some of those songs. And, well, I know

that you had composed, so, so you have been in- a man, Javier.

Thank you. Presented there with the people, for that so, my number is Javier

Ernest, Gastel de Arjolla better known, as well, the Bukke. Why

the Buki? Why, the, man, because the the word because the part of

the Sonaer no, the, of the Dett Jaki, Buki Kee,

Kee, say, Pee, Shamanco, and this apart, also, Wichow,

the intokable me put the Bucke, but the Bucke of the Poveres. So, me autitized him, because

when they were a promosional my, I said, that's the Bucke, no, the Morgantor and the Mokos the Bucke of the poors, the day of Kuliacan.

And so so he was autosol him. But in good sense, he did a good,

in good in a good in the good, in good the year, I'm respect to the thing.

I'm very, I'd would be compositions are of you of those that most

have sung of those you know, compa, these songs, surely the people know

about the people know, one of the main the calendar of the no rebels. Inga,

your mother, what roland compa. Another thing that was there also

was the hearted of the non-rebeles. How that? With the

heart parted and my eyes lastimated I mean It's being Like a continuation

Of the Yeah Yeah, Yeah, Yeah, Yeah, It's in It's inuit

That's That's a It's a And the other Is, And the other is Uh, So,

It's almost It's almost It's almost It's Maybe When it When it's The song

Well, The The Calendario The Crosson Partido After After

After Then it Because With It's You you? How about?

You're you the most important cario my you, I'm sure I'm of the Norveles

And then there's the time of the music of the song was a of my

song that's the question that we're about no mams compas that

that can't two, three times I'm I'm with that a

plebeio that I was in the secondary I think that song compa

is a rolo no the net how people of the person of the podcast no know that

and if not they they're to look to that a little of that that

you you pass you you're you know I'm that I'm

that I'm that I'm know when I'm when I

know that no you know when I'll when I learn

if you lastimed you're no compas what you know and say

that you compas and that you and that not he be so

as livianated as how that the net the the fact

me me I'm got to you just you know behind

and net my compah Jorni And I said, I go to I go to I'm going to

get to the bat. Well, and here I'm he's he's he's

a little a little bit and it is impressive it's impressive that

not that you not that all to the and I'm

no, and is that I'm many many people I'm people I'm

many questions I'm I'm I'm I'm I'm I'm

my A cat, Never You never Never was I'm No, it's that

I'm But it's letter and music is what I do you do So, it's But you Not you

Do you Just like And it And you To show To show To show To show

To be To show I'm I want I'm I'm To make a A page

M M where I'm So it's The person Can't It's the Versions

And, without the group that have been grab out. Because when I learn this

history, the calendar of the story, or other thing that was a hit-aso

a level that is the of the of the of the of the of the

I don't forget to you. No, some a ball of

songs good. That's how that's how that? Let me give me

an opportunity this this time this I'm do I

I don't know forget in other Vesos A la verga compa Right,

I'm told the story of how nased the when I'm how it

how the composition of that song? When I When I did it

when he did you Don Wichow I said that he said that he he didn't

he was that I'm he said him Wichch grab it and I went to the

year and they were a question that had to when they were when they were

singing all the people all the people when Don Wichow, me what did you know, what I said, and so you're in

my Ruecky, me. did you know, Bucke, and so that's that one of the rest of ten years, because at the most of you, I mean, he'd have said, because in this video, he he's a

alcoholic. And I also am I am a I'm a because of the non- my book

that's precisely, is that that song I did that coordinate a a group of a group.

That no has nothing to the song, I let me in the love. I'm

I'm remember that I'm a group, no, I remember what he was,

and when he's up up up up up again, he's saying, I say,

and I'm to say, when we want to to learn that this this there me

surrogue the time when I know the when I'm when I'm to practice

the car of the of the company and there's the time when I'm and I'm when I'm

if I would have said a wish you to you have said that you would have

that I'm that's that you should be that you to say that without you didn't

that I didn't you're exactly exactly I'm I'm permitted

to that's that type of that video and how how

how is what so so that's that's that's

that's you because it's a if it's what I'm so that

so that and that and that the song how time that time that

that that I'm more than in like in 2004 2005

that that yeah that yeah that 50 years

comp yeah more than that yeah that so video

so so that they're that they're that yeah

yeah but it beautiful the video on Wishio, the really. And this song, what has received that song?

Well, pure amygaz your guy. How? Purs my gajas, because that song, I've

made to with the, in Wina Record, with Oscar Flores, and I've many with him that the

Lord, no me has paid as it's not been to be able if I, had received my

composer, I don't be in this situation, to be in taqueries, bireries, marisqueries.

I mean, I think I know. And also would have helped more to my husband.

But what I don't, what I do, what I got on in fias particular, and some

other companyer that also me tending the man. Much people know that you were

the composer of those songs. Much people know. How

it's how you have done you know. Well, there's that I'm and I'm

and said, what you want to do you, I'm like, so I don't know that's

well, me no me no me no me no me not me because precisely

when there was a dilemma I took a problem with a group bronco. Mm-hmm

a day I did I did you came to when I'm coming. And I did the

song I never to get to the a song of Juan Villarreal and casted a song of

them to and I'm saying, what a song they've been it's a good

question of Juan Villarial if it's the creator but the song is my but the

song is my not they're they're going to get them they're going to get or right if you

make a Juan Villarale I'm I'm I'm when you when you those

those guys said when the guys said the my son you're oh my

you know They said because they also also they've also a problem with Oscar Flores,

with the problem of the problem of the problem of the problem of what I'm in what I'm in what

I'm in the question about my problem just and the process of this of the

and all you see, you're in that matter in the contract that you

is the composer if that can I'm that's registered in the Cep

is registered also in the computer the so they say

and Starlink, they're going to in Viamai in the United in the platforms of them.

You're was a firm with them? Is that the firmation in the United via Miami

is to receive regalias of that they they're in what are the platforms and all that

the company is another is another process in that time that was a mechanic when it was

they were they're also they're they're they don't see how they the problem of them

they're what they they're and in SAC also co-curean the execution that in a balle

is a group and can't cool in a a car and all the time, but all the you have been

the composer you know- you just know-mast you know much this is my song yeah I don't have got

co-autory with nobody yeah yeah I've done I've done I've done I'm a co-optory

that I'm really my respect to the sir because me has helped me he has tended the man

he's tending and with And I did also another co-authoria with another friend of my co-cocter and another

with a co-optory with them. Composur is a surpresenting this. And right more so later it

I'm going to make a co-autory also with Alfonso Payan the who is the batterista of the

group of titanes that right right right exactly I'm going to be with him

how is the name? How is it? How is Preciousa? A little How about?

Precious De the the of the head all in you I'm

my love it's a thing right of this that's a firmon for a

good for a God God and God and God and

I'm a good music, my respect to all of them. They're they're the cello' the song

the same the person's the person's that's yeah can't

be And they never never even never even never even grabbed ballada and me

surprised because this can't I'm a big to be your name is she

called her and I never imagined that the musicians me were to give to give

and he is a good beautiful the song So, so... So, so, an approximate. Exactly.

No, I don't have the quantity, I mean, I don't have the quantity, really, of what is, because to me,

O'Karfs, in 15 years, he gave $32,000 pesos. Of my song, I'll be able to forget about.

15 years? 15 years. And that's of one? Yeah, I'm talking of a can't, but I,

I'm, I'm, I'm, I have with him that's like seven themes

edited, and there is included the of when I'm a song that he gave to Rergo

that he's a good and I and that and then when they they're when they

I'm going to I don't need I don't I want to that I want to reestablish other

that again to run to know to know to do that and then because of that they're

to do you they're not they're in 15 years what did you in 15

years me to do you want to make that five, that six million, and I'm doing

that I'm doing a that I'm that's the amount that I'm doing the amount to be the

$32,000 pesos. So I cause of that I put abusado and I started

abogos. And the the abogos, my respect for them, no,

but it has that has been an abogator that does any

can be a lawyer. It has a dedicate to that ram of regalias and this is that

he's a abogado of entertainment something something that's the abogatory. Well,

I was when in the time I know I know a guy caro, a man my,

my friend me also, I've done his cootories with him. And he

put an abogado on the other side. And he starts all the movements

and start all the movements and he makes all the letters to

and this and at Cause I just to start to get the quantity. There no

ma'am mandated a trimester of a year of last of September.

That's a country that's a lot of $60,000 million in a year. And he

got a how? How? Possible that he's money? And for

why? And for you? And for you? And so, how? How much

is the quantity? No, I'm also. Also, too, in the

calendar. The company, I mean, he made an anticipo of 10,000 pesos.

Apeness the year past, I'm made an 8,000 pesos. Of that time,

not. I'm talking to 18,000 pesos of the theme, the calendar. If you

have seen the calendar? No, I just, I'm going, the car, and that's the

thing, that's a song, that's a song, is a song, is a exitazazzo? Maluma

it, Kampo, I don't know who, It has They've got in the Persia The Chalya

And I've He's got to And I've got He's got to many of guitars And originally for the

new rebels Okay The The Chalendary What is The history The calendar The story of

The story of Auxa She's She's She's She's She's She's

She's Yeah And over She's Yeah In the In the Central

Veeee The Central Camererer of Nambalal And Another had another new

new I was a new I'm going to do you know, the every other thing to go to the other things, I go, every day, I'm doing this, I'm going to do, I mean, this is, you know, , what's the story? I said, I'm going, I'm going, All the day, we call, me.

All the day, we call. Yes, but you're very very, I go, no, no, no, don't see what good that's about with him, that's the other. And so, so it's the,

the practice, the practice, the practice with her, I don't know how much time would I, with her when she was

when she said, I'm, I'm, I'm saying, oh, boy, if if I, said, oh, boy, if I'm,

that's, see, that's, see, that's, see, see, see, and I, and I,

no, I, and I, and I, I was heard it. He got her and he palmedo. Buki and Buki, me halloo. Then you know, no, we'll know. There we'll go to his

husband and then we'll talk about. And then, I went to my guitar and me went to me, I was coming down, I was the Tata-Vejobeyeho. There was a day, I went to a trajectory of 150 or 200 meters, I started the song.

And when I did that trajectory of 150 or 200 meters, I terminated the calendar. And I said to her that song, me were to go to the world Rebels. No.

No. Rebels. In the time, they're they're the old rebelledes

and it's the hitas of the new rebels. My respect for the

people as a man. Oh, yeah, man. Artistazos.

The really, they've all they've helped much Guaya

D'H Yos, Do Nboche, the Isak Chino. My respect for them

as music the really. They're a groupon. And they have

made seven them have made have they're seven

times. But there they're not to be with the regalias da? No,

no. It's the discler it's the discler no is the group.

It's like with Juan Villarreal I don't have problems with Juan

Villarreal I I'm I'm not with Juan Vial but

but the company has been reported me I'm I'm you

and he's you do you no no no no no no Juan

Vial is point and apart I I receive my song.

He received regalities as an execution, but as a group. Okay, okay.

Because the sir also is a composer, very good composer of the sir. Ah,

right? It was another that mentioned, no. It was another

number, the he mentioned. Ah, no, this I'm the dukeh, the duke of the

calendar, the of this of the other, no, he's, he's, the other,

that's the dwee? Oscar Flores. O'clock. Oscar Flores has to do you have to

do you he has to get to make a problem that I'm

not a man that's that's the man that that's maybe that but I'm yeah

another other thing that's very important to him to be a

year and I know it now in June and they have three years that I

don't have to be that I don't have a letter to get the

money and I don't and I said I don't I don't I'm

you know because if to exist the renovation of that you have to

you have to no and other thing also also that I said

I said I'm to make to make the and because I was sure that

those contracts I never was signed and me they're all

made all and and the song was in the 2002

when when he was when he did the contracts

in the two So if I don't I don't know I'll film the 2002 how I'm going to is another problem that I'm going to. Oh, I. Hsuo of his chin'am. And so. And so... And so... And so... And so...

And so... And so... And so... And so... ...you know, when you're... ...the... ...seolvited... ...seolvited... ...seolvited... ...seolvited... I, I've been in the concert of him and he's always me have pronounced

to me as a composer now that he's over in the Palenke he pronounced there, this song

has been here in Culeyacan in Cinaloa and the composer is the Bucke the Bucke of Culeacan

and the of the people when you know that's that man has never has been never appreciated to me

as always I've always been and that I've done many people

Much of people. Right now that I'm saying me to make a video where it's a palomazzo is the

second voice of group firm singing with Juan Villarale and not I'm

sure that imagine the rating all all all all the

question this of an approximately how he's to blow his

moment well well well the not the net

I know I don't know really because but I know I see

I have my millions of I don't, comp. And this, but exactly

no, I don't see. And so like that are many are many not my have paid.

And no just I don't just the time I learn to learn I'll forget it.

Also is Sergio Vegas, Miguel and Miguel, Joel Elisald, the

Mayito, the Marietos, the parents, the parents, um, are many

people, Panchito Aredondo that Grava Belico and me grabbed.

The the Gravo. The That's, that's that. That's

That's that. That's I'm not to do you know to surprise if not I'm

don't you don't you know I'm Gets no more. How Nase,

how does, his love for to compone? Well, I'm talking to me a

little a tia me to my father, he was a composer.

that he was doing, he was doing, he was doing, he was doing a guitarist of the Sapson. And then me said a tia that I composed

like him. But I never I was because when I had six, seven years I had my father.

I don't have commivency with him, but if they were the composer and was a song.

The first song that composed, how was? And what was? It was was a song

that I did a secondaria, where I I was out of there, and I did an hymno

to the secondary federal number six. And that song, I was the song,

I was the rounda of the group, of the group of the secondary.

And this song I can't I'm I'm and I'm that I'm that

song was a song that's the song I'm never remember,

no more that's school that's school and it's and it

was a school. Sego me said that they they

I've everigued yeah I know. I mean, what was the

principal reason for the question? You didn't know that that

had a good a good a thing. What was in your

life? Or because he didn't know, because he had been,

in a time in a time, well, we were in the time,

I'd had a time, I had I think it was a much. I think that there was a because when I got a abogado, the abogado

me said, Bukinitas, I need to have all in line, to have everything. I had a cochinero. I had a

cochinero. And I, and I started to have done to get to have done to get all right. To the more,

that's what was what I did, that I'm that I'm not in regular, I know, I'm not

how in the compusion, how did this, how to register. I remember when when we grab on the first

time, I was put to yower as a little because it's a time that I'm going to

and I'm put to to do that. For Felicita? For Felicida? For

Felicida? And yeah when I did know that was that I was that yeah

to compone various, various can't be many, thanks to God. The alcohol

then was the culpable? What substances was? The coca. No, the

ultimate, the The last, that I remember, the last I had a... Pachita of those from... Pachita, yeah.

I got to take the alcohol that's to cure, yeah. Etilical? Yeah. And,

and I, and I, he, he, and, I, did this, I, put me the

coca, that hadrava the penicilina. Seacabab and he was chabbed and I put it,

I was, I'm thinking that was perico. B'erga. At this to the

woman, for that was that was very very of the companyer

Chaba Flores the owner of the Chalna Flores he was that I went to the

A to the DAA. A. To the 10, 15 days I entered to to the Dubea.

If you did it, he took to the front because the first day I went to

the first day I, the first day I was I was up to the I was the what he said

what he said, me Bucke you have Bucke, you need to when I when I

I said, I said, I said, I said, I saw a, I sawed, me I got a, the book, the book I was the book

most important in double A, well. And I remember when I the year, I never said, that I'm

that I'm that you see, how you can't see the alcohol and the drug, no? How too

sick you have the alcohol and the drug? I remember that my wife, when one

comes, the year, the husband to come up, and you will be to repulsed all

what you didstes. and never I never said I said, how is possible that my husband says,

he said, so many years since I'm never never saw a, that was in

the house where we're and we're for God, I've done that house, never I'm

never I'm the Beste and I'm that's a my VIEga, I said I did you

can't my be my bega my bega tomorrow, I'm going to say the next day

I went to see asserial, and if a there's a there's a there's

in the house, and never I'm see that six months and I never made that

that's the alcohol you see that see that and not you know to be more

to you don't you think that God not you know he not

that that money for your problem for that I I'm

I I always what what we did you what we did we did we

did we did did we did did we did did we did did we did not was God, who was. To be the Lord of when I I was talking, I would have

have been lost. No, at the most, yeah no existia. Or yeah no existier. Yeah, no existier, the truth. That's right. And I, I, I'm,

I'm a little bit of I'm afraid. No, I don't let's get other times in the alcohol, no, I'm afraid to not to get to get me. To that is what I'm

a man. Or other, that's a companyer, that's in a situation that I'm going to bad. We need to get to

get to always, always, always, because we know we know that we're in

the day of the way you know. I'm going to go to a friend me go to that's a

friend my is the father of the vocalist of Rebelly and that the young he was

in a group that he's called Alosos Descalos and he he also he also

he he got to come six or seven years he just ,

he's and with him I'm doing every the time we're doing and we're to try to

pass the message to the people. Because, because it's a inferno. The alcoholism is an

infirno that many of us don't know because that you have been undied.

The very and the alcoholism came another other that's

that so. So, no ma, bijone. See that The story is

a great great and impressionate that is that you can't believe it

because as you I'm many many but where they're and all all

for the alcohol in resumid counts yeah in resumid count because I

I don't I could have helped much to because they had demodialis

because it's a a the I don't even my worst enemy is

to be a person three times a second to the time of the second to be in

and you know. And start a couple of a time at a time the time. The fact

that's hard. It's a bad for that that's a cause of that I

have a lot of stress. I delgacy much, much I was I'm

there's there, there there there, there people, you know,

what you do you, you know, you put, you put, you put in the focus. That's what? That's just a joddido, I

that I'm gonna'all. I, you know, I'm gonna'all, I'm gonna, you know, when you know, that's my problem, what was my problem? Because the doctor me, I said, you're not, you know, to recognize, me, I said, yeah, your woman, yeah, she's

you, you know, to do all that you had to do, me. And it was when I put you, the pils. O'ite, I'm already, I'm gordito. Ah, as I've been to 80-tant-tank-a-h-tenth-and-a-tenths. I'm gonna pay to 50-tank.

More of 30 kilos, I got he, A big. It's Tristan, but, but, no more,

but now, now, I'm going to not I'm, I'm going to remediate the but I'm to try to

recover something and try to live a life better to live a better. There's a that's,

that was that's, that's, that's, the problem to the alcohol? Well,

the reality that I have happened so, that, that, one of the story

that my impact to me that one day was a day,

I'm sitting in the scovio with my guitar sat down, and at

a rata I'm in the same position there for the place, and I

asked, how I came here? I mean, I don't me I'm not me explain.

I say one, you they're in this problems lunaries when one

in the alcoholism and no, no, a me they have

been and to recognize You have to recognize when you have a error. For a second, one, it's

to stop to all. And there's what you say is, there says, there's that you

had to an car in the process that's moved to the way, that you would have

you've had said you know. I'm also where I remember that one I remember that

one day, I'm remember that I'm got to the Crux Roca was just It was just going to be

I'm going to go to the dog I don't know because of the problem the same alcoholism

for the same alcoholism and the same garachherer but this me cocied

to me and thank you to I don't I didn't make the

going to take the time there there was a there there was

the problem that I was the I was the I'm

the person that was taxists that were because me,

they'd to the house and I'm at the car and I'm at the first of I'm in

I'm doing, was to pay you to give to that I offended. And the she said,

no more with the simple that I'm and I say, and I make that

that's a man, that's that's done, you know, you know, you've done,

you know, I'm just to just to the simple issue that you didn't know just that's that's the

environment of music is very very very very because you know

because you know, because you're to get to and you're and you're to do you depend on

to you can't go to go and the fire but not I'm so that

yeah man man man man man yeah I'm I'm

I'm I'm I'm I'm so I'm I'm much

for the alcoholism by my part of my um no that's

a man it's a is the pletraffo that is the does it does it

is a very one, between commies but no the valiant does it does it

does it you have you you you have to you you're in the other around

to all you you're all you're you're you're so you're infelis if you

you're infelis to you do you you're in crud, and there was a house with my son, but I was just a little.

Solo. Maybe I was that me sitting at the banquette if I'm to die, to what I'm going to do? I'm going to the alcoholism that I

had. But a despite of all of that, I had to be a lot, when I said to my wife

that I didn't to take, I don't because always he he'd never. And my my mom

me made you. until I've my mom my mom me and my

wife, until I'm never my she has to be the year 20 days. You're going to get to be

to get back. No, you'll be and I did you and I promised that never

my never ever to have to be my and my and my kids

never were that I'm that day that's my day that's my

my wife's no, thanks to God, no, songs. This also

I don't get it didn't get to the way to the because thank you to do you

have been new new and that's have been exits too too. Like what is?

Well, was the that I wanted to and a cumbia that appears

also in the series of the rena of the king, and it was also

when he was the he gave the homage to Sergio Vega. And I

didn't don't take. And of that has received regalias? Well,

he is what he that I mean, it's a lot of the XER and you do you know that's the

shit of the thing, or so you know, you know, you composed a song to my

compo ricaro and you automatically you're not with the company that she yeah. No,

no, no, no, no, I, yeah, this company I don't let I'm,

I'm, with who I do you, I'm doing, with who I do you, so no, so,

for that via Ma'i Cove all, so, where Viamai Cove, all, and it's a editor,

100 and 100 or 50 and 50, or something like that. And when you don't have editor, it's the Cempathy. No, you know? Yes, yes, yeah. There's to pay for it to be registered

and no, also? No. It's gratis. No, it's the only thing that's the W7 that one has to fill it.

There's the only that you're that's making being being seen the security social of that. For that, like when you

you do you send regalias, not you discount in the 30% you, you discounted in the 10% that comes

being Yeah, it's good. It's good. Or, yeah, that, fias, all the

exit that have had been his compositions not has lived comfortable, for so

to say, do you. No. If I have worked, I've worked

much, I've many, I've done my I've done, I'm here and this

and I'm and I think, and I'm doing and I'm my husband also

was a good to be a when I me Grabo Sergio Vega

to me did a good anticipo. With that I'm the solar where I

have the other house. How do you do you do? I'm did it

$7,500 dollars for the two songs of the anticipo. And

that's to be not. No. I've received a company of

the company, of Hocal Flores, we're receiving we're we're in the process of

the demand to to get into to be able to get a accord. Get a accord with

because I want to get to be to get a part of what me do. How do you? That's,

that's not going to put to do you. No, I want to imagine me.

And if you know exists that money, how you are going to pay? It's

that is that just you just that just but you have gone all.

But if they've got to they've had gotten with them they've

not all I don't I'm going to recuperate the 10% but the but if if I'm

recouped the 30 40% is good or more the chiste

is to get to what he he's what he what is legal what is

legal has to be the but the problem that no no

does not not no no no no no

I think to I know I go and I

went I to we're receiving an assistant. And of what it's not we're going to receive an assistant?

He'll pass the informer to him and what he will be? That's directly with him,

yeah, to not to spend the time. So, we'll do we're time.

And, and what can do you do? And, if he doesn't, he doesn't

do you want to do that so. Well, I think he to make cards to

the case of the case of the of the case of the about the

about, he's about the about, he's about, I don't know, how I'll process

legally he? Because he's only that this company, me be the guy, and not

those, are the some various. Well, imagine yeah, with the compositions

that I mentioned, are very bad, I mean, perr, the yeah,

when I know. So, that's surgues when I did you didn't,

I, so, so it's for example, I'm met here in Spotify. I'm

in Spotify, and I'm into when, I'll I'll intocable of the north says here

okay where is here information credit of the song written for not produced

for not fencing the Sierra Records who in the Sierra Records is a

company of the United is a I don't I can't how the name is the

name the record is the O'Kar Flores. It's the of El. But if you get a gull and put when

I'll when I'll get the compoitor. Ah, but why in the platform

not appear? There are many of platforms that not appear they're like to appear

but but it should be to appear to be to be to be to be

Javier Anesto, Yastello your chinggah Madre. Agua Fregca my

Pa. To what other composers you know that you have passed

the same? The composer this is re caro too is the same

with the other other composer that I know that's the

same is the is the music he composed that he composed because

he has because he's my yeah nah-na-na man

how not can't car car can't can't songs

if do a tonata also. Also also he's also

has passed for the same yeah. I'm I'm still I'm still

just like the reality of the baller of because I've just they've

got to a time that's that's you know with a time with a

one of one of one of an black one of they're they're

a lot and so they they're a number and so is the part

of the disc and the And that song, what was the trato?

Ah, no. There's, uh, no, there's a bit, there's they're

they're they're in the country, and they made the information of the

register, is my name. So, so, so it's put to my name

yeah, because yeah, it's in Viamai, and apart is the editada and

how is the thing, and it's, they're, they're, they're, if someone me the

copy, or someone the same editor, that will be the same, And they'd call that person, to see what happened

why he changed this letter? Or why you put you're a composer if the composer of Hula's not that.

It's like the editorate. That's a thing. And how do that song? It's the one of your

beautiful sonrisa of your eyes that's beautiful and your little carita

enamor of your form of sense and that tenura that's you're

that's new that they're right to them they've met where promotion

here in the Placosa. And there still no way to get to get to get to

the ence that's that for the end of the year. So,

yeah, it's it's the next yeah, it's the one of the

I'm that I will I'm going to let me let's that

that editor me that's that the man of Pave is of

the company I'm going to do you Ponce Pitch Pave you

don't has done. Okay. Well, then as a suggestion or

advice for the plebe that are composers, how they're to do you do a

good contract under the experience for that not you know, I'm

everything. Registered the things, register the the songs in the author.

It's in the author. That also also, also, if you will be editor,

editor of media, it's also with what editor will be to edit the

song. Another also, also to be in question of

regalias of platforms. The good, I'm in BMI all the

world. And Sackam just only the territorial Mexican that is the

author of the cooperative of Mexico. Because also that can not

doesn't not no, no Pager the really. Not

much Sake. And Viamai there is the more great or no it's the company of the United

there's where all the artists there's where there's all the if you get to your song to the first of the

first is the first that you pay there there's a possibility of doing there well I don't I don't have

itin but I me respect the ITIN for me of my RFC because I have many years

because I want to do you get the item that's the the ITIN in the security

In the of discotar me discounted the 10 for my RFC because it they're going

to get them because they have made the information to me to do that that's all right

that well, that's for that they're to put the pile to it's

it's a great, it's a great, that's that's many artists and much

composers and that the companies so they're they they're

so they Uh, and like, we've been invited to Velsasueta.

And this compas us also his, his experience that's that they were all

the time, that's that no chequio well, but, it's a man,

I said, and is a composer, that's a man, and to talk the guitar,

he'll make the guy, he's a man, he's a man, no, no,

I know, I'm my my him. He sent a he said, yeah,

you know, he's a time, but never he said, I'm going to you know, I'm going to

get to but I'm never, but I'm never, how the time. It's a

time. It's a two years that I'm, and the time, if you'll do you, and if you

did it was going to do you? And so, but I'm to get, to get to get

to you, where you do you're to do? Well, much people know, but my number

is 6, 76, 77, 964149. There. Compa, I want to make compositions.

Animo to the verga to be to be aft. Oneho Blas. Yes. Oh, I go to

a chingal. One a question, compa, Rey? What do you that we do we go

to the big? Yeah, I've got that's the question a question very

important is that has learned he of all what he has been a man,

it's like that he gotro the and the last of the man. Well, is that what I've

learned, to not to commit the same errors. To try to do it more,

more precise in all what I'm doing what I'm doing. Because precisely now I

remember, as I said the he's a man, and it's a he's a

he gave too now. Now, the groups want a can a

music, me it It's going to cost. Because I have a name. Or I got a song of Juliano etal. Or pithes to the Juliano of Tal for that you'll cover in dollars.

And they're going to do with the amount. No, they're going to do that you want to and you want to do. And you have to do with them. I don't want to give a quantity, but something something. Because I, because I reparted many

and many groups to me not me did. They're not. groups that I've helped me the group

you know you're you're doing you're there's a there's a time that the non-rebel

me used much, the untockable Don Wichho from this, Juan

Villarial every that I see I'm always when I'm with Serge well with

Seerge O'Vey but he was very well when he he was my old he was

to talk to the house of Sergio Vega every every December

I was to talk to the day of his for a new I don't battle with him

and I said like he said like he many people my wife said my wife my wife

my wife that's that he gave him and Goyito Fentes me met on the face

they're in the red and so he got so he called so pooh

punchito arredondo and much people me I started to deposit the

and I got to I got to I was I was to be the good

that I But the other gas, for to to enter her that's the other I mean, but it's not, but if you're

not, but if you're your wife, you know, well, no, no, no, she, she,

she, did you, did you, did you, did that, did you, know, no, no,

yeah no, my wife has two years that me, I'm, now in year,

now in the year, oh, so, when they were when they were to be he'd

to be to be able to , part of her process. She, she did

her years of sobriety. Yeah no me didn't have to be

to make, he said I'm and I'm and I get to get to move and

I go, I'm going to have taken my people. Nobody

and yeah. What is the technique or what is the form

to say no no, I don't want. There there

a only for only for only. Only for only. But but

how? How? How? How? How? How do you do, look, it's that

when you're in the table, I know, I think it's reflected in a speckon, meho. You reflect

in a spego. And that person who doesn't know to understand, no, he'll

understand never. You know, you know, that if you will be to talk,

you're going to get a and you and you don't to say, as a

time. No, I'm the I'm not the time, me, my son,

because, you can't when you that I have I'm a little to be to be able to

and I'm so I'm going to be so I'm because I'm because I'm try with the alcoholism

of the rediction yeah no so that so much I'm sorry for the chabalada well is

all the compoitors that are they're ching a lot of and that they're not they're

so that's so much it so much I've been done for been given for bencied no

I'm because I know my compoos who can't compone yeah, no compone

for the things that have passed no, that's the impulse to continue to continue

to keep componient of all. And try to not to do not have provencid to nothing.

To me me, me, me, I'm, but I got to get a

down the and I'm my siguer to you're so in grand, and they're getting

that I don't have that problem, I'm, yeah. Thank you many children?

Four. Vivian their alcoholism? The who he he was the

two major but the most of the most the more not. And the

major what I remember you that they they were not I was

until the one of one of the one of the major is the no that you

never you never you know yeah but I'm but I

never I'm never I never there It's no, no. His birthday

there was I. It's that I was to go to 5 or 6 of the day, I don't go to the other day

until at 6, 7 of the morning. And then it's a sad, but I'm

that I remember that I was the crued the morning at the 2 and the

morning and my post to me to put up a and I'm put up

and we put in the camera and so yeah you're still to

but yeah, God, that's no. Yeah, so. And the process

of recuperation, the children, how do you do you? Fiatte that they have said,

because there have some they're so I don't they say, I don't they don't they don't

they're not, I'm not they're not the alcoholic is no, they're the problem, so I'm

but for example, if they, if they're to them they're doing to them, they're not,

they're, But, I mean, the that's the time is that they're going to their friends say, hey, to your

papa, a service, a drink of wine. And they're with much and they say, my papa,

no, he's not he doesn't take. I feel an when they're because

know, because you know, but it's no, my dad no, no, he's not

not come, because you will say that you're also, even with the songs.

When me chained them they chas in the compositions I said

you know something something I said because I said you know I said

you know but I say something to you do it and a two my

and a three people they're to be going to some some

people to be doing a doing a doing a thing you're

doing and so the you're going to get to get to another in

and see that and they're going to with my songs.

With the calendar, when I'll learner? If you you'll do you

do you're to be to do you don't know to be your father. Tell the loco,

that's to be your what I said, and it's that that's

the transcendence in that's there's so so much that I'm so

I'm so. And the and the music those, those, when

I'll learn the calendar the other mentioned? If you me

let me do you Those songs never never never they're

never to hear of those songs came to get to do you see

no more of a alcoholic what was yeah but also

in Pachachachas also the little of Wichito when I

was professional Norte and also he also and

I think they're to want to come to give us to

come to another that they me grab that's how

I'm going to I'm going to I'm going to get to get a time. I'm going to get to

do you know to do you know that on the street there. There. Quentem

a a little of that that. It's that one day I was a of the

no rebels to be to the part of San Pedro to that where I did

and I there in the deposition that's in the put in the San Pedro there's a

there's a place to go to go to go to go to go ahead and I'm like to get a one of the

night, no, and in front there's the car of the car of the caro and

inabolo that's there there's a guitar there talking to at the

the night and what was my surprise that's that's the calendar

the little a little to you met this and you

I'm this this bato that the the computer is in front

of it like one I remember that's a day I'm a day he said, me said,

I'm going to say, when you you know, when you're a carerer and a beeriria,

a mariskearie a mariskearie. X me said, you know, you can't you can't the calendar

an example. What you you know, when the people, all the people, all the people

and it's well, he said, well, and without that I'm that I'm that I'm

a question or it's or even it's a when I'm to learn I'm in the

time of the type of songs, that the people and the and they're and they're

with me and they're without that's the composer that's that's because

more that's one of that all the world should be that, no,

no, yeah, I'm all the everybody should be and that and

that's just just not just for me there, there's many,

there many, And artists, Oh, artists? Yes, artists, also.

The company they're all all of the with the company, with the social, well, the chingabah

man, chasas, without, without, without, no, is that many, for example,

is that many, that many, that's, that may, that's, that they're in the group,

but never they're not there's, and no, and no there's a thing, oh,

all the other they're, what they're, what He passed, I think, I think, I'll say, a, a little bit

to be a mucres, are very a mucer's registered of, I think is a, a, a rondaya,

but they no, they're a problem with the name. What is that, a rondaya?

A rondaya is of groups of guitars, of groups of guitars, and they have they

have registered the number of wittres, and they they've got them the but they

they're they're they, they're they're a problem, but are there

they're Thank you, that's that's the other also I'm also I'm also

also I'm sure I'm not because rebeles is registered and they're registered

the name of the rebeles and then rebelia rebelia yeah for group

rebelia also I'm to register that me I I just

I used I I just it's a role that's a whole it's a

real that consider you that's like a mafia that Well, yeah,

All, the really, all, the is like a mafia. See, you know, the tontas and you,

they're all that's the same, I mean, and it's the I mean, I'm just, three,

four, I don't have many, many, many, you? So, did you?

Yeah. Yeah, want to do you want to what you're? Well, the,

the, when, I'll, that, that, passen on the guitar to my

Moreno? No, to for to the old ting-tting

ding-ting ding-ting-ting-ting if he's a machin and about there's

about there God a little to talk a a bit how

a little the composition son to that that

yeah that how how how I learned to

guitar uh in in a in in Viskayino How a internado?

A internado A, a, of, a, a internado there I've been

I'm gonna when I'm gonna, see, I. You pass sticand me my

errors that I know, that I know, that I know that's

my love pass adivinando what I do, even a little a

little that never will do you should I'm to hear of a

see that's a ronolone a year I'm I'll tell to you're to hear that time when I'm

when I'm pastiating and what I'm I was the coincidence that that that that song, never said with him and he made it in the video of the D.A. I think that song, Vee, you know,

did you, with that energy. The cargasted with that energy. For that they're to capture that way. I also, I know the same. I, I, didn't know when I, I was

heard that rava, the machin. It's a ronon. The, no, no, no, it's a, no, people that

that's I'm a comment positive very perro for my compo here Javier

Javier for that watch just just the power that we're that we're that we're that's motiv

and that I'm back my chin I'm I'm saying I've got I'm talking in the

taqueries the I think when I was the minute he's made the state the

man I'm I know I know I know You know, I'm more or less because

I identify for the ronquid that's in your voice. There's

a vibrato that's that you identify that's right. For a to have

seen, what I didn't know, but I I've topado and

then, well, let's let's be to get a thing the of this

mother of the regal because the really here, look,

for example, you're so great, blah, and you have been years,

without having that's real estate, I mean, yeah, simply to be

to be rich to other people to be your back, you're to be

to be that's something that's that one is what one is what you

do you feel more so. That's is, the really

that is. The net. And Well, I'm just been a Bejo, he's chel

a good only. No, no, just for only. Only for only. Thank you.

Thank you. Thank you. Thank you. Thank you. Thank you. Well, I'm in the YouTube,

but, but I want to, I'll be about with the play, or I'm with the

radio, and I'm going to Javier Ernesto Gastel, the Bucke. But I

want to to put them just the Bucke and Kulaka. For the not my name

there no way. White Tap Bada, for that, to do you know, after this podcast, I think

will be able to some social with your name. And, I'm gonna, God, God, beho,

let me go, and I'm to go. And I'm gonna go. To this, thank you, for this opportunity,

I mean, for this opportunity, the fact, I'm going to be, I'm going to serve. I'm going to serve much. Animim,

God, God, here, here we're going to get to the Tiro. Okay. Plevada,

then, we're going to be able to and Ike get with a got to hear I've heard other

rollita, well, well, you know, well, you, manchester the green

there, the other the other the second of the of the calendar or the

calendar and let me go on Ricky little a little you a little

you got to you know,