LOS MAFIA PODCAST ⭐️ - Javier Molina — ESTUVE 2 AÑOS SIN VER EL SOL (El Cuartito de Javy)

Episode Date: August 3, 2022

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Seria. Plevada, be welcome to a new podcast of here of your friends, plebe,

as great- with you're for all the support that you're doing. Thank you, and then we're going to

go to get to the bulls, and if you know, we're going to get to the $1,000,

and then the million, and then the 50 million. Hey. Plebas, today we have to invite to the

old, to compa Javier, to give us a lot to give us The invite was, I was

almost no he's public the yearho so you know the house yeah, how it's a good to be able

to be able to a good to be able to thank you very much and more after that I'm two times

he's up one to the man let's go on the cule let's before before you're

yeah that's just yeah he's been very prepared because you're getting

some there's there you know to the you know the parturururururur They're aggregates.

We're going to a hamburger there. Our friends our compas our kids. The fifth burgh.

They say that they're good. That's not. They're not. They're some burgers on some

they're not located. There's a place to Los Angeles here in Kuliacan in

Synalova and other or just one a succursal. Ah, Inga, you,

Marre. Also also Machin' Amborges Play and so it

we're and our Rai Auto-Spa the the old of

Denver, Colorado, that's just a agree to get to get to

do you do you know, and then to do you to do your to do to do a little,

to do you to do you to get to your car. If you get to your money to

get to get a back to be to get to the time to get the car,

like the little bit to get to that my rey. There we we are to the order

plebes and we we're going to start with this podcast comp, Jopvi how's the new year?

We're going to grab here in your, in your quartito. Here we're in the quartito.

Cas no, he's got the work. No, it's still like I want to

but it's like the first. How? How? How? How? How much?

The dream of being producer and it starts, well, I've been of family

of music to start. I, I, I, I, I, the,

I, the, I, was my first instrument. And my father, I remember that I'd talk a battery, and I also, I'd also be able to the cantal. We started in

the church, Christiana. And then, after the 11th years, formed a group with my primes. We're almost in the same day to all. De'I'm going to play the bass and can't the first voice. I'm more or less there, like, almost, there, like, four years. In this,

we're to do a year for the States Unos. We're going to grab us. We're back. We're very content. Obviously, for the and all. They're new.

Then the group is disarmes because I'm going and going to the United because my family lived there.

So, in the show that we did you, I knew a group and that group had a two,

three plebe of the same age my, no, that were to the people,

they were in a family, all them, all the group. So this guy me said, you know,

what, Javvi, vent to back to come to come back? a two

two weeks of vacations and this and the other oh, I was I'm in this time

I'm in the time I'm going to be vacations and you know, you know, we're going to go to the

studio and we're doing a little we're going oh, oh, we're and it

and it's the same studio where we had we had been we're when we

and then so my compa of the studio me to be a

maybe to be maybe some interest or I don't I don't know I'm going to I'm going to have

seen that I'm in what I'm doing in what I'm and I'm saying you know what I'm like this yeah he says he's a man

he goes how's the role here? You're going to you? And what what was going to my compa

was a he was still and the he was he was he not could pass much time in

in the studio and he was taught with Hale He said, well, come to come to here with me, he said, and you know, that I'm going to go to the story, no, that's

I'm going to be to get a person to help her. He said, he's, he, he's, he's the same me help,

he said, and here you can't get me to get up at a ballade. Calient. For the maletas and I'm going to

go to Chachela, California. Let's see. And so, and so it was, and I'm going to go to the 16, 17 years.

In this time, we're doing in cinth, in analog, how? How many? How? How's the, of what?

From what? 38, 40. 46. 46. Yeah, well, it's like a roble, the old. What is what

what's the what's the ? Well, that's that it's, no, no, what the past

is that the gents of my dad, my dad was a row years and my abel too. And,

well, I think I did that that role of it. And the and the hale in the

cintas, how it was, no, but nothing to to be with the of

You had to talk. There, if you had to go to go to and you can't go to get to come

to find out of and that's you know to put it to do you know that's there's a thing to do

like it was like it was very difficult very tedious and it were much more

more hours grab of what today now the computers now the now

does it doesn't a because to me as me as as me

as as a as a few I'm that you do you say Salista,

we do we're in the Cita, no? And now this, to what

I'm in the studio to put you, not? No, because it's it's part of,

I think I'm, not all, but for some groups is part of because, well,

I think I'm a sometimes I'm sometimes that's people, they're saying when they're

playing can't be different forms. Simon. And there other people that don't,

that say that no, that for coffee-cito, that a tecito, and that milk. Yes, every one. And so, and so, and so, then?

So, it's, he's, the same and you know, in what years was there, you know, I had 17 years,

16, we're talking, we're talking of, we're talking, we're saying, that were, that were,

that were, what, 80? No, 90-tant, so, were the, no,

90-t, yes, and in those years. So, you know I'm going to

grab and I'm a year and I'm in a year and you know, we say a thing that's we're doing

and we're doing we're doing we're doing we're doing the money, we'll we're doing and we

we're so we the yeah, yeah, yeah, yeah, and so,

and there, and I, and I, in the other studio, I lived, I, I,

I, I, I, I, had the , and all. All right.

There's all the roll. And from I think I'm like for one a year, a year and

a half and then I went to work a little bit a little a company that was called

Linda Records in California I'm I'm only a time there and then I'm

I'm with the other people that I have proposed the studio, and that

was when I put my my studio. Now, all the 100 to come. It was a... Yeah, I see, what I said? Yeah, it was.

Yeah, it was, yeah, all the ganace for a car. This, and so, were passing the years, and I was really, grave,

and grave, grave, and so... And, and, I, well, that's a...

That's a question. Well, you know, a minute, for you? Well, and we're doing, and we're doing,

and we're doing, and we're doing, oh, and it's, Domino, and it's, even, the trunk,

the old, the other, today, how's the role he was? Grave three. Three,

and because he , uh, if they're been, well, so it's that there's, no,

there's when my compa Toney, or the group other level, me, he said,

uh, and I'm, I'm, I'm, I'm, it's that I'm there's a , I'm

never, I've been having been masterizing other other gravations that I've done before

but I did the day to the day of to the go, and, And for example, when when it was a

kid, what was the attention was the music for the family. My, my abuel, I remember that I'd

talk the saxophone. He was was of Chihuahua. My tias, I remember that always they'd like,

for example, the fests that were in the city, they'd for that were to can't

can't be marachi or with Norteo. And my pap, also, my my mom,

my my tio. I'm, I'm family music, both of father as a mother. Oh, no,

ponoho was a mace. So I, for example, I was with the battery and then I went to go

with the piano, and then I went to the guitar and so. I've learned a little of all. Leves,

the net, if you were in the courtito of Javi, that today is a pasted-

of verga. We've sent me a video that we we'd be we'd be we'd be

we're in we're in calient we, we're to yeah, la verga. You know, what's what you

what's the when I'm, well, right we're going to get to the platic that's,

but when I for example, I'm from the first quartito here, we're going to because this

is the third quartito. But from the quartito where in reality nacio, the name,

this, yeah when I came to the other other place more great, I did

these quadros. I, I, I remember that in the other side,

there in the other side, in the the instruments so like

and they were really big shingones then I'm so I'm so I'm lookerer

if we put them a little a little up here see that I'm my badro

oh so then so then it was when I'm made to make a those

and the first photo that I saw so I did it kind of I'm

and I did that I'm infight so and it's the different

color then all the people that people who come always

the photos here. It's like a seal of the studio. That's what you represent. The net, is it, yeah. The net, is it. The design, you know, or contracted a pincher... No, no. For what I contracted, a lot of designers? All right, here in the caselo. Oh,

family. No, the net, comp, the idea is, um, it's a bit perr. When you us sent me to that video, we said, oh, that guy, it's a bit of a bit. And I thought that I'd have contracted a designer. No, Fingese. I mean, I

saw, I'm looking at internet, and there's, no, there's not like, but there's

there are some of the wall, but without the other people, and there are other people, like,

a type paint-and- but without the mark. So, it's like, I'm like

this to this of here, and this of here, and this of this to do and so that's what

did, and so, and so, and so, and so, it's, so, a lot,

a jubb, let me, And when I go to my compa, the guy he's here, you know, we're going to do this and

this and this. How do we do we're doing? Ah, no, so, so, so, and so,

and so, it's how we're doing. It's very very well. And the net, I think,

I know, the music that are present, is that when visit an studio, important much

the vibrah, that's, that's, that's, because a time I've to visit studios,

compa, compa, that, no, no, no, no, no,

any one word you say to make a to come to come to come to come

to come back. And I'm always I've been much in the community of the people.

And I feel that a other people or other studios this, this

they're making more the the time the and the the that's

the same and the money to but care and they're to the community to the

community. No, and the the business is very zealos. Nomast

you're doing and at a time you're going to do and you're going to get if you're talking.

Awah water fresh, my water, water fresh. So, we're we're going to

the that he has a reason, you know he's the reason, you know,

what you go to the States United, I go to Sonora because my wife is

of Sonora I'm I'm without of the people. Nothing, nothing.

So, not there was how generate money. So obviously there's, no, that you,

you, that you know, you know, you know, that's all right a fulana fabric of, no-se-ke,

cosmetics, and that's but I'm not, well, that's not the way to get to work all

a time and get to get, I'm going to $800,000, compo, $1,000. When I

knew I know that with I could generate a good good, or something or something

more, let me so, in that I'm to make to make class of music

and I'm going to all the guys and I started to get to all the post and I'm

came to and I came to and I'm to use the piano guitar and a and with

that I'm goth 15, 20 persons and I started

to generate a a little bit of bitetito and I get to the

stuff for the because of there there was there was a time

there not even to buy a kilo of a tortilla. So, so, so it's

a jodd so, what I'm, what I'm, what I'm going to go to come to get to

nothing. So, I had, for say, the arms, but no had the, for,

to generate money, but no had an computer, or so, no, I didn't have

nothing, or so, no, no, no, so, so, so,

so, so, so I'm, so I'm, then I'm to move to move me,

to move, to other I started to do the classes. In that I, me, I recommend with Don Chui

Vega. And Don Chueuega has a studio very great in Sonora, but not I'm a

engineer. So I started there I think did a six discos. In that time,

or in that during that period, me, I'm a man, my couple.

Saludasos. Aos. A good. The one that's the he's done for the

the end of the cared. The actually, it was for a project that he,

he and a company, and they were to get a time to capture 25 videos in vivo with so he's

he's going to you want, you want to get to get to get to get the chambas no, well,

so I'm back to yeah, he was when he was saying, he was two passes,

three passes to be back, and he came to do you see viral. Simo, I'm, I'm

remember of that video. Call him microphone and cellular and all my compa he was he was very

very very good but at the way I'm a me preoccuped because

I remember that he he had a microphone dynamico a so a microphone that not

occupa electricity like this so if if if if it had

pute so yeah yeah it's like it's like it

it's like a yeah it was a yeah yeah yeah

yeah had pegged the fundillo No, that's yeah, my compas

my compas a good, so compa so you see, the roo he's

he's much future like to just a person that's a path

if you do you or like any person but that you want to that you

want to in someone to say I'm I'm going to

know I'm to a lot but I want to a person

with a question me. Compa, I, the other I wish

the new generations, because I'm asked me for the new people, and how do you do to

do it and how do to do it to do it to do you to be to be and so,

I'm so I'm always I know, so I'm so I'm, I'm not I'm

don't know, I'm not I'm not no problem, to I'm, I'm a other problem,

do this do this problem, do do this this video and come, I'm, I'm just I'm the

to do the time for the classes. So, if I could leave a positive for the people, it would be to be a

good, what you're going, if you're going, if you're going, to do you do it, and no, no,

that's, that's, that's, that's my, my, my, my,

my, my, or, or, or, something that for the people,

or for the people, or for the, that's, that if you get to make to make, to make,

to make, to, to laver a car, to do you, to do you, to do you, it's a

make to do, do you know, do you know, do you know, because the neta, the chamba is what you

know, and that's been my case, thank you I never, thank you God,

I've been, I think, I'm very good, because I'm to be, this, much promotion

of other studios, and that I have, that I'm, the month, I'm, the month of

the month of the most, I'm, and the other, and it's it's every

who's every one but in my case I don't have to have been to recurried

to obviously a very a promotion a few a photo

in the in the Instagram or in the Facebook or or

so that of and do do I've had

no I've had no I'm thank the public

that has been has always so that's that's

the good that that's I'm going, I'm in the same case because I

am a I'm talking, it's because they're they're doing, oh, no, because fulano is good,

and then the I'm talking, me piqued the number, that's, that I'm asking, oh, yeah, no,

but put my number, and it's the same. And if they're a work a little. No, so I'm

too, it's the it's the same. No, no, no, no, no,

fulah, no, it's the thing. All the, the, hell, the hues,

the chint. So, so it's one of to do the client gets satisfied

and that's the same client you know, he'll the other with the other, and so he's going to,

and so it's what has been the three years here. You have three years here in

Kulahana? I've, but I've been, a year and a year pastititos, almost

two years with the company that that I did. So when I was I was

I'm not me me preoccupied to client me not, I'm, not I

didn't because I'm going to many people I'm not a group of the company,

to the and I'm having to a sullto. My clients that I had of the

United. So, the really, I'm not a but never

thought, ah, and if the company, yeah no, I,

and if the company quibra, no, no, I don't know, I never thought in

that the day that's And when I said, now what I'm going to do? Now what I'm going to do? Because, well, I mean, nobody

knows here. Nobody me upyka. And then I can't compete, I mean, in stethic with all the studios.

No, the same fierro, no, console, no, I had nothing. I was going to a interface,

two bocinas, and a computer. And then, to the real, what did you? And then when it was when it was the

moment, well, I, here in Kuleakan. I, I, I, I'm,

I'm, I'm, I'm, still still still still being being a form to,

promotion, and it's the content I think I know, the number one, no, the videos

in vivo, then I started, and I said, well, I'm going to do you know, I'm going to

try to that the audio that's that's like, come, so I'm so I don't have money

to invest in camera or in monitors, or in microphones, or in console digital, and nothing.

And I had to work with what had. And what I had was my interface and my studio. So,

so, the name the name because the name of the studio always has been J.M.

Studios. J.M., are my initials, then Javier Molina. The name the quarterit of Javier,

I do a channel of YouTube and me begins to get to get to the first video. of the first video

we did we did with my compatoni with the group of other level. Here's the VIII. We did we're doing three videos, right?

Compatoni. We did we're those first ones that I'm the first that's the video and the people yeah and then the

and then to obviously well it's well it's all the music here too because it's braved

for the plume so there there's many many there's many reasons no. So,

so, I'm to get to going to the videos in view. In this to get the pandemic.

And me pegged in the mother with the video in the video so it's me tripliced. Boom,

he went to up to arrive. I'm, well, but in this time I go that still the people

not me not even I'm getting to get to two, three studios for

that they were doing and they're they're they're and I'm always when I do a

work to do a carptura and I'm a idea I'm a guide okay,

here, so, so, so, so, I'm and I'm and I'm

and I'm and I'm and I'm so I'm because I'm making to make a master is like,

so I'm really, but really I'm not so you know, so I'm to make that to make sure

is like my seal, boom, because I know that's that's that's

so I'm so I'm to do you to send out to do to do you to work to do you

no, no, no, no, no, no, and I'd 12, 14, 15 hours

diaries. All the days. All the days. So, but right is of those people that's people

that's a job at but it with the family, that wants to go to go to

or yeah? Or, sometimes. Of course. Right, I'm going to get a

capture. Uh-huh. That's to get a capture, but always in the mecl and the masterization

is I. And in those hours that I'm Libres is when I'm going to I'm going to but I'm going to

but it's very lebe Kappa. No, I don't have time. It's the pedo in the

music when when you when you're a role because I'm sure that if any

artiste to grab with you and you know master is it doesn't no,

no, and I've talked to person, ah, you're not to get to

no, no, we're we're going to we're so I'm so I'm so I'm

try to say to captured, obviously, I know it's going to do a good work, he's going to

put the microphones where they're going, so, all to be to be in me, there were

there. There were people who had to be to be able to until I could. Yes,

well, is that the role, the original is you're and you think to get to

at a certain age of this. I know, I know, I think you a little

one, he's, he's the other and that he's he's done and I'm

done jodied. And me I take a vacation of two days and I want to

go to go to the studio. So, I don't think. I don't think

that some day I retire. I've thought ultimately in disviar

my my work to the cinema. This but I don't

think I think I do this of the grabada no, no,

I don't I say for the thing because it's paid.

For that reason. For that reason. You think that's a lot in the

money? No. No, but but also it's not me has a damage if if you were

a little or the double or the triple more of the money. Well, nobody does the

damage the money. What what is, I'm going, because I get the point

where you you know, you're the you're the thing, and for example, you that

that says that the cinema, well, you know, you to go to the cinema because he's a passiona

more than what you do do. In reality, it's the same. When it's the same, it's the same, because I say I'mpecce. It's exactly the same.

It's exactly the same of terror, there's a music of terror. If there's a, musicalize a scene of action, is the same.

It's the same. It's all the music. And all the difference, well, of the one can't even and he's

only. Travages or if you have to say, I need to come to come and grab some

that's, ah, Simon, that I go and grab some of violins, what you work,

he's, work one with that person and he's a director of the production of

the movie, the series, and what that's, but at the day is being being being

being being music. The first song that master is or that was,

what was? That's good question. Water fresh, my papa. That good

question. I remember I remember that I I, I, when I had a

14, 15 you had grabbed the piano little, the teclat a

buttoncito and and I had a buttonc't and I. Programmed a

battery and he took the bass on the cassettes, the yeah,

well, grabed in a cassette and then when I was when I

had a melody in the in the in the with the music, and then

that's cassette, it was a other, a other, a other, how's

producer, of cassette? Yeah. And he grabbed a guitar, and he had a

four so, until that the last, and I had a last, a song,

and had a guitar, and voice. All the process that had to do.

But it was a kind of that was, so, so, so it was, so,

I feel that I'm but that obviously not was not a professional

so the first the first the first the first of the of the the

sir that me that was the first that I was the was a

was a was a thing was a more like I'm like

I'm a tachano and intocable Tejano like Jay Peres I don't know

if you They're So they're They're like They say they They're They're They're

They're They're They're They're They're They're They're They're

They're Chorubes And accordion and Teclado And And it A

Aux A mix Like A Okay Okay That's That's

Tararone Tararone Yeah But But So Yeah That's

That's That style Of Where Is Teh Dejano. 100%. Yeah, well,

the poachos, for example, the people who were in the United and that are the people, are the,

are the, are the, are the, they're most, they're, they're, not, so they're,

not, no, no, their style. No, no. So, I think

I can say, that I would have a favorite, but if me, to me,

to give a, three, could to go first. I think it would

be the style now so regiomontano like the firm pesed

untocable that that's that's that and then I think I think

me I'm with the pop in and then then then I

would be with the rock like something like so that

would that would and then then would then

would be the North I I'm the the band and all

what we do. The actually those three that I think the three

styles more artistic to work to work so that's a lot

much intelligence no so I'm so I think it

I think a much talent musical for I'm I don't

do for me no I'm I'm if he occupa a good musician. Never has

a grotto regettone? Yes, I've grabbed a regenton. To who? The regettonero says?

Yes, Mamosos? No, no. So, or the that has been, what you have? No,

no, the real no, but I've done the piece, and all the thing.

And when I don't I'm doing I, I'm doing the bits with a friend

me. You know I'm I'm up a bit so, so, so,

because, like, I'm always I'm I'm working and and I can't do say

to be the when I'm a my soo my soo rap also we're doing much here

also other ever we did to someone to lefty lefty with Enigma

ah yeah we did we did we did we this bat this bat came a

man this guy came a man who's also that's also called a company of the United

he's he's he's of he's and Juanah. And also we grab rap with guitars. But not is your speciality, but I don't my speciality, but I have a

person that's a, a person to do you. Because if I'm not going to get in something, I don't... How is what it's going to be? Depend to what you sound with you. Dependent. Depend, for example, if you, if you're saying,

you know, how do you guys, how do you gobbled? Well, the first that I'm going to ask, do you know, to put the music. Because if I'm I'm going to put it on the music. I'm going to have to selection to the

people. And to the best you have to pay us good. So it's the same

that I do. When I grab a mariachi, a band any any kind of or if it

or whatever I'm, I don't get a I'm going to have got with a mariachi

or he's a lot of a little no, no, it's not functioned I'm a super-equip a,

that the trompetista of fulana band and the trombonero Sutana band and the clarinetero of and they're going to the

region and so I'm doing the music. And it's the same when I go an Nortein I'll the moresites.

The best for you that's, that's, that's just a thing, that said, that's the

thing I got a bit passade of the answer. What's it? No, we'll be not,

this came to the gram the Bres, no, the the song that you did you didn't

much chink that said until the time, because they're a chingo. It's that

there are various. There's many. I mean I'm really to grab the

instruments in vivos, and there's people who not, but I really, but I'm

passion a music, we have to grab those live, no, we have to use

the table. So, when I do this, one way I'm a production to

a, of a song of intoable, and the we're we're I was a battery

guitar I think we're 30 violins in vivo we're we're gonna four cellos

re-quintos of guitar of nylon so what is the style of Alejandro so I'm so I'm

so I'm so it and it's not why not it's a little again

we've to grab another song that was a song that was a

song that I'm said I'm I'm like like like

Camilla and Reik me so a cabronle. You, you're talking, you're

that, Camilla, well, is a pop rock more or and this, pardon, it was more,

as a ballad, more to the pop, no? And we've to do it a fusion intermediate there,

and also we're gonna we're gonna like eight guitars electric and acoustics and all, and no,

I'm sure to the pincirrola. To be that? What's the motivation of the of the music or of the

other things that don't permit them that's for example the time. Yes, are the times.

Many of the businesses might be a sometimes the composers, no, I know, but I do you say

I'm going to you know, I'd be all all right-alled all that type of details, so why not so?

And, music of Tomo's we have to pay them the music they pay them do you do they're in

not get to get the music they're like yeah they're they're not they're in they're in their own

yeah yeah yeah yeah yeah yeah the platicita there's much

information compas I'm yeah I'm a little yeah you know the

that's yeah that's yeah so it's it's we're to try

to learn we we're we're we're we're we can we can

learn of you because you You know that is a master of what does. And,

you, we have to absorb the things good. Yeah, I, I've been to have

been the more disposition of, well, what you know or I know I'm or I'm

also, or you do you do you know different ways, or, for example,

for a sound different, okay, well, this time I do this time, I'll be to put the

microphone here, here, let me, let's see, one, as I said you know,

like I said a rata you know to know about, you know, innovating. For example, I've heard

a new year and I'm like it's a year, and I'm really a year, I'm really and I'm just a

last of this, um, a cliente meo that's of the city of Mexico. We've got a disc,

and he said, you know, I'm, you know, I'm you know, you're gonna a can't,

a car car, because he's doing, like, a copilation. And we we've just got

to terminate a role with him. And I know the

session and I'm my mrs. I'm that's what I'm so I'm so I'm

when one is when you know you're you're going and not you're

going to you and a sometimes the problem of the of some

of some people or studios or what so that they can't

with what they do that that no they look and they're going and they're

and they're and they're and they're and they're and this business is like all you're

to be always trying to go to go to the so so I'm

that I and the hipper we're we're doing a music and now

we we're we we're we and we the session you

do you what covers that service um so um more

or around $5, more maybe can't you can do you

depend on that me mandes or how voices me mandes. I'll for the

regular, I'll see, I'm the session. And when me my session

and the time I'm just a time they're and two voices, but at sometimes

me they're two tracks and two voices. So, obviously is double

triple of the job. So, so it depends. The artist,

you know, with the you know, I'm, I think to me would have

produced to have produced a Rosio Durcal. And Yeah, it's poppera? No, Rocio Durcal

was a woman of Spain that I'd many of many times and they

was called with Mariah but if there was one and there was a lot of

but they had like a fusion of Marachi with pop maybe from this

Alejandro Fernand from there he got the idea that because that was

much more before that he was more because he's not Canta yeah

she's no, he's a yeah he's he's how many how many

how much he's or more or more or more so you don't know so much

how many yeah yeah yeah yeah yeah yeah yeah

yeah yeah yeah no no that's but we're

but we we're about the the general of the

50 years before more more than And more than. And modern, I got a

artist modern. In the 2006, yeah, you know, and seven years.

Yeah, more than. But were an artist of a piece of the head of

and the voice that I had been that that's of the of

any of any that you know, maybe, something could be a

man, maybe. Daddy Yankee compa never never to

see that I think I'm But, but never me took

to collaborate with him. How was that he he was some in Puerto Rico Saludon

of the man Yeah, yeah, no, no, that's no, no, that's no,

that's not, go to go to that. No, no, no, but what what was that we

went to in a preemio in a preemian of the premiums bill, and we

we took to know many artists there. And the chaos

that is detrase of cameras. It's like it's like and they're in other world.

They're in chingabba. Yeah, and all with radios and audio phones and changing sets

and you see that it's able a scenario. While this this is this

of this and they're on the piano, pannos, all for the artist that's

that's all the presentators and then then they see and then they're they're

and then they're a same and they they're in live. So,

they're an one of the television or at least here in Mexico not that really,

but it's me that in the States still still still still the television. And the time in

television is very caro. So, for that they had to do you know, and that's where I

took to know. Foscied that you remember when it was the first time that I went to

the first time that I of that calibre, no? And I remember that I'm sure that's so much, you know, in the camera,

no, in the television, and be all, all the but in reality not all the whole, are the first,

are the first, and what you do you, if you're like, my compa Jarnie, he won't, the premium, fulano,

and you, you know, he's, he's, he'll, get the, he's, and they're,

and they're to get to and so, and so that that's a car, so that's, and if

And if you're a group of person with you, and they get in those five, six, six, seven

six, six, and they're all the things. So, what they do they're in a person, for when,

I'm going, and you get a person, and so it's there, and it's a little bit a yen. Yeah, no,

no. Yeah, they're not, but who could be imagine? Well, yeah,

who's could be to be to imagine. So, I'm I'm a so,

and in one of that's a mila and received a premium. And when he was

to siter, they sat down to me. And I'm a fanatic of them. And so I'm going

to go to not. No, you know, no, you know, so it's not you know, you can't get to be able,

you can't get to be on, and get to get a minute, two minutes. And there's, all the world

everybody, everyone's, all the world, so I'm and so what's, that's, that's,

that's, that's, what's, and Lighten, 30 seconds, 20 seconds, and 10, and then you can't move it. It's a very, very, very, very, very, how was it? How was it was that?

Well, what was that I was that I was to work with Larry, Larry Hernandez. I worked much time with him, in studio, in vivo, in all parts, and he, and, well, he was too, and that was the reason for that we're there, has been a lot of that. Has it much time, that's? Yeah, yeah, yeah, has, no, I don't know, some 12 years, more or less.

So, so in the music, how many years, you're at the 14? I'm going to I'm going to I'm 46, I'm 39 years of music

So that's another of the things that's the first of the first I'm but for example I

remember that this time he was he was number two in the company the number one was

one was Wicin and him of so so the president of the company us says

you know you know you're after after those the prems there

party, for you a co-bees, a co-o-o-o-o- okay, well, we're going to go to

after the event. We're going to and there's a little like a one's, I know,

15 people. And in the table, in the chair was sitting he's and then it

and then he's present to Larry Hernandez, but nobody he's, nobody got a

we've got a peter a day before the people because they were they're they're doing

a lot every every every they're every they're always,

this, reconnoce in the history of a artist, in that time were the time,

they were in the other people, we've been a day before they were, and then we was a lot of, and nobody,

because he was a new, because he had a very well- about, well- about, as he's him,

so his style. So, compa, I remember, that when I mired to the man, and saludarned

to to the of the head to the John Sebastian Marco Anthony Solis

Paulina Rubio David I'm David Vival Christian Castro this how is

this this is Desphan Louis Fonce was pure artist international

and and the and the most curious is to say to

all I'm I present the number two of the business

to all Borg So incredible. So, so, so that's the

man. So, and the net, I, I've had experience very,

really, really, many, I'm a lot of him, I'm a lot of, I'm not,

I'm not about it, but, yeah, the really, what I experimented

so, in, in that role with the talkas and, and, these,

the, the, and all of, it was, it was, too, he took to know

so, so, incredible, yeah. And, And then again, to the other

that I was going to say, I don't new, because I'm with the talent of the

music, then I'm, and I started from my talent in various instruments. So,

to me, me, I don't make a courage, but I do a time,

I've been to have to grab plebes, and that no, and that the microphone,

no, and that's the tone, know if if they're in it's a

more they're in they're in they're in to be in other parts and they're not they're

not even they're probably that's so they're so they're so they're so they're

so they know they and they and they they're in the maybe no that's no,

that's maybe or the maybe that one is one is even to put a nobody

I'm just just I'm what is, not, the part of what you offer because

you know, you know, you know, what you know, and all the role, and, for example, that's,

how does understand you with those people? You know, that's to know at the initial.

Uh, right now, I, when, when, when, when, when,

when, when, I'm, I'm so, for say, so, to say,

the company, uh, I, I, a, a, a, a,

a, a, that be with Javi Who is Javier To who has He's got What's a How did he?

What's a group Fomoso he has grabbed? Because that's always the question Yeah, so

I'm saying God, well, what I'm going to do? And I'm put to a song

I'm I'm I'm I'm I'm I'm I'm to me

to come to me and we and we're we're a question of a see me

something to be to be me what has it's been the only

that was the only that's the only for the real, yes. And so we've been,

thanks to God advancing. But, I think one of the things that me has

been given much is the I'm doing. Because I, because I, for the people,

I'm, I'm going to give to do this they're a lot of studio, that because

are artists and that they're they're not they're and that they're I'm

so how it's possible so, so if this that's the bato me's paying and the

artist's paying me and the more famous or they're a more famous, so they're doing the thing that's the

thing I'm trying and I'm because if commit a error there, they're going to be apart but more

than that you know, I say, ah, and I'm like, they're going to say,

they're going to get to get to people people and they're going to me.

They're they're but not because that one one, one's a mom

or, no, no, that's the you know, you know, I'm a person to do you,

I'm a guy, but I'm, that's, is what is. And it's what is.

So, I'm, I'm not, I'm, and I'm, and I'm and I'm to help us

in what I'm I'm not, I'm of the person that I'm not but when

me, I'm in my opinion, you know, you know, you, you're here, here,

you're to get to or if you're And if I know I can't do read out only,

a lot I preferrower because because much people get a lot of because they know

that one knows that. So, so I that's that that's that's that's a

who can't? I, I, no, I know, I'm not I'm a bass,

and I can't the first and the second and, and, I, also,

you know, so, so the people and it's just to to give to know that one

knows of music There's a know, there's a there's a question that's a question

here, Jahira what was the peor experience that's been in

your experience in what aspect it's not, no, the

that you want, if it's music music, personal I'm I'm

to do you want to do one one we took

to go to to do a private, to other state. When

they were in the clarets in the cartels. And it was an inauguration of an

anthro. It was to be a north. Well, obviously one when he's the same

that's the same as when they're in a Kuilakana because because the U.S.

United is to give to all the mal promotion to Kuliacan. And we're

in the event And my compa with the co-in-lawed-in-law and he put a pedon and he started to talk much imprudences

of the cartel contra of where we And this and this this compa I know because

I think for the amistat that there I know the respect I don't know when I put a pedd

Well, the only that's the only to say the tell you to do you. I'm going to say, you know, I'm saying, you know, to the stage, I'm going to see it. I'm going to see it. I'm going to see. I'm going, and no, comp. If you, you know, Tastas, ta,

and the bato, and the bato regressa, that was the, the, well, the, the, the,

the place. You know, said, you know, tell you, let's go back. Bachel, yeah,

if no, you'll go back, I'm, and, and yeah, okay, he, let's say,

that, but, but, so, he's, yeah, he, yeah,

he, so, in the o'e, so, so, so, so, so,

so, so, so, And he started to and he started to do a popurri of corrhid of people

that's not there, of people and he started and do it's the same, do you know, I've got to

get to do the microphone and to the music just so I said so I'm saying, despiete

of the people, I'm just pedisim, no, just could be able to just over

to be a commovent to him and he was a carofer to the been,

compa. With all the rotulados and his photos around, I didn't

know where was the front of the frontera, the garita, nothing. At the three,

four of the morning. I think that was my poor experience because I didn't know what

we're all we're all we've been to have been to have been to have been. Yeah,

yeah, yeah, yeah, yeah, yeah, that's, obviously not they're

obviously, not they're to Tozar. And what I said I said, I got me I'm going to

a taxi and I'm to get us to do you to get us to get into I'm until we're

to get us and I liberate. But I think that's been the bad experience.

Rondden, no. I think he didn't and if did it, he's no,

compa and the net a sometimes, for example you that are

that are that are because think in the artists that they have the

reason. Yes. And you're who who are the people who they're going to be

and they're and you and you know. And with me, and with so

they're a sometimes because I'm always been very,

very, very, very, very, very, so if I have to say I'm going, I'm going,

but I know. And for example, uh, a sometimes when we're trying

we're a lot of the monitor to the verga, that's the, that's the and I'm going to hear you, and I'm the cell, and there were two engineers of monitor. The borrachito,

eh, compa, who, who, he, man, who's, he's, he goes, he said, he said,

he got him a bottle, comp, and I'm, want to me shingar, then, no, no, I'm trying to

with the rudadho, no, is that's the part of the show, no, no, the bato's he's not, puthers, let's the p'clock,

comeh, so, then I said, eh, way, what on? Well, look, well,

that's a boy, it's part of the show but it's part of the show but we're in danger and more when's in

a time. And so, and the that's the... And it's... And it's... Yeah, that's...

Yeah, I'm imagine compa, what... What... ...it yeah. It was a

very very frustrating to... ...trapack for those reasons, no? because if I

I was sent me exposed to that we'd get them a shingas a bottle or what you never

never happened nothing never never never never so well

because I'm imagine I'm imagine I think that was the that

the inaugurations that there's the question answered yeah Jaira here's here's

here he's here he's another he's the question he he's

the person he Who, no, to have it? I have a lot. Yeah, I mean, I've been, I don't know, I don't know,

well, I don't know, I, um, I, I, um, I, I, um, I,

reputa, compa, that the people me want to say, how do the things. There's my patience,

but in, in hot, in calient, that me like, like, like, a,

one bit, a, one example, no, No, man, I remember the name of him. But, man, I remember the name of him. But, but I was with a

company, no? A company great, of the States-O-Tocchio. I think it was the re-kinto. And I said, like, go to do the microphone, the shing-a.

And he said, no, there no, I know. He no, I said, because there is going to hear hear a lot of and you're going to have to have

to be down the and that's to put like like very technical. And he said, is that not you don't you

go to go to do you know I'm much time doing this no no no no

he said change he said because not going to how's how's

you have you you know you uh 19 19 oh

yeah oh yeah I yeah I'm you're not

you and I and I try to to have patience

but yeah when I got they they they

I'm I'm manner, I'm not with bad words, but so if you want to be technical, well,

my son, you know, you had been a lot of so I was going to say to me how to do the things, but

but if I have to have to put it to put in your place to do, three people, without, because I,

because I don't say, because I don't do the person not, I'm not so, and I'm much patience,

I'm much patience, I'm just, ental- conversations with the people, and with the clients to make

to feel comodos to be able to be able to give with confidence because the majority of

of them when they're getting nervous and so when you start with you know you know,

you know to do it we're doing there's a thing, no no no no pass

it's not it's a so you know in a in a in a so with more

yeah in more more confidence and with more more than you're

you you're you're you Dice that not rents the studio for day

is for a reason or it's a time. When, for example, we do it in-vibo,

the rents for day. Why? Because it's a work different. The in-vibo is

you connectas, you put a microphone of the regulars that use for in-vib and grab-le.

And if you can correct it something, but not to find not you do you

to do regular very ching- but you will be to listen

And the studio, no? The studio, so, it's a more, it's a more more, it's a

second, a second, a guitar acoustic, I'm a lot of, the music, and the music, and the music,

I don't have to find it, ah, that's the quadrame, and the quadrams, and I,

no, I don't do that, so, so I'm, so I'm, for the time, and no I'm,

no, I'm, I'm, That's what That's what it's That's what we That's what So,

So, very Here's another question Ah, Dice Vanit Vanitojeda

says No, it's question, but what perro makes my compa

Javier and he says And he's And he's There's there's There's

he's He's he's that's that's about especially the people

or the players that are principiants or that that they're less experience,

you know, in a studio, this, no, there's no, there's,

to make them to feel to do it, how, for they're they're so they're they're

so. So, says, a for the person young, he's,

he's, I'm a palazzo grandpa, Rafael, a compa, Rafael, a goodon,

well, I think would be what I mentioned earlierment, no? So,

if you you're going to do to dedicate to do it simply try to do it

to do it to do like to do it's like to like that you're like

as a because because when when when someone listen that the first they're

to ask you don't listen well you're where you don't you do you a fullano

is what you're what they're what they're what they're so if if it's well that's

person to recommend with this and this and this and this and so I'm going to

do you think my my advice so I'm there so I'm there palo

Rafael and the say what I what I what I would say so

then then the idol musical or idola was Rosio well

I think was a person with that I had had

had got to do make music no okay

but but you know I know I'm I hear of

other type of music there's a time of my life where I'm very much

I'm all the things of the untockable and and the man

Ramona Yala also I'm I'm with much influence for my father

my papa my papa I heard but I'm so I think so

I'm a fullano that obviously one admirates people like

for Michael Antonio Solis Vincent Fern Fernandez Juan Gabriel,

all those artists Mexican that we gave much music good and the those who are like, for example,

Mark Anthony Solis, no? That's the only that, unfortunately, or, agraceately, more well,

we're still we've got to invited to the Wapo Roses. We did the first song that did you know,

I don't know if it took to hear it. No, no. This, there, and we,

we've got much things, f, of the relation that he with the

relationship that's a manned that's a he's a he's going to be there's

there's there's there. There's there. There's there's like this

Mark Antonio Solis. Any a song favorite of him? I think my

moments of admiration to him was more more well when I went

with the Bukis. Yeah when he so he's He changed much his style

more to a soloist like a popperer, like, he's a lot more orchestralal,

no? And the other was more grouper, the rooo. So, like,

almost all the repertory and the book and me know, but yeah, asolista

I see one and other, but I know the flow that I had to the group

was very very, it's just simply we've to be to the reunion of

them about roted they were they were they're they're in the United

I think it in the where it's in the money metier metier metier

more than 100000 and there were and there were letters that me were

they were what it was six thousand seven million of person

what's the six million dollars are like six two

120 guh and there there where you where you say, no mames, what's the bado

these baffles, and they're very fervats. And if you see, you know, that's the present them,

is a soldier? You've got it? You've got it? Apenest is when now they've started to arm the hires

here in Mexico. And this, and no, no, no, no, no, I think the part

more that would be that would be about woulda- yeah, wellah, so the wapo

we know, we're not that Guadelaelaela Monterey, and the New Mexico, and they're in Tijuana.

O'gay, and you've managed a group? Tried. Or an artist. Yes. There was a time

where, of, it was, it was before, to enter with Larry, to work

to do that because he was a many years and, hey, way, that on, that vent

with me, and I, and I was in the studio, and at the same time managed

a antro. And there was an, um, um, um, um, um,

um, um, um, um, that's the name Louis Villiers Arenas, the

that's the manned a salo. We've to do a disc. We did a

disc in a live. After we we've a one of a

I'm that I and I and I had to go to to go to to be

to be at the two, three at the morning and he said,

wait, you know, I'm for a And in that time, and then Gerardo Ortiz sonando

Mato, very very temprane, that was, no, the record didn't existia still.

This, I said, I thought, the idea to do a row, but the story that

about, that's an artist, to the guy, to be a man, he says, he'll be

to be, to come, and that he says, he said, he, he said, he,

he said, he, he said, he, I'm, I'm caca and that there and that I'm occupied

and that's my representate and that's and that's and that the bado and that the bado and that's he'll make

to get him to get to whewo. Tariachilo he said to do something so my compa and

he's tamarindo compus that's called the sir of the cubette and it was a man that was a

man that was a man the man's the people who in reality have the power It was a

very simple that was, he was, he was in a cubeta pisteing, and he was to sing him.

I think he heard that I was, I was, I was a little, I did it for a time,

we did we did a show in a presentation, he put up the mother compa, that even the city

no, because the abortaminted of cars and of people around, this,

and it was to do the mother that was two a few few times after the

other I'm a little he's he was he was to sign to sign a

contract with this Gerardo for me of the record yeah because

yeah there and simply we're to be to get to

us we're and we did it and they got it and it and it

got my yeah I'm Fiesce that I know a various

artists that has that's that's what you know so you're so

you can imagine and who and then one new emotional on Sony

Sony Records because what they will be going to you know no

well no so that that's so there's there

says this borga is doing that's it's repunted yeah we're

to do Papa, I'll offer you do you know, we're in actually,

to grab we're to do you to do you and they're to get a god, come.

Until there and I remember with him, it was like so, this, then,

this, well, they started like, and me said, well, I,

you, I took up to every I, I'm, and I did I

did all the material and I went to work to with LAR. Louis,

G. still still can't. But the contract now the contract has beenceo no, no, I think it was

five years. In that case for example you've tried the artista uh, uh, uh,

uh, uh, you, the contract also, or the other than the contract only

he was just he was he was a contract and we had a socied. So, so what he

had to be he ran I, I'd get a, I'm uh, put a,

uh, put downs, uh, a concedo that want to do you.

No, firming with the company. A netta. If they're to, if they're

a, or figgins very what the company is doing. If the company is

in movement and if has three artists and those three artists, they're moving, then it means that

if they want to a new to be a new, but if are firm and they're

for the for what want to do you're the the next? Mejor try it

to do do you do you do? No, compo, the real I'm

imagine more or less that I'm about that but to you, I mean

this, I'm not because I did it. And that you're not the artist

because you could work for further Yeah, yeah I had my

studio and I had, as I had, I was in a encarged

of an an trot to then so I hadra my fair

to all and I and for so no battalions to invest because we're doing it.

For sure the tamarino we've done much the hand to the baron the same the time

that's the thing. It was when the tamarindo I think in those times was, after that

Gerardo spunked he was he was when he did the troker the cochon

and all the things that he started to be to be to

Culeakan and that did the RECC and all those companies. There's a question that says here, Mike,

says, what was the moment that has marked his life? I think the moment that has marked my life is the day that I'm in the carcels. Because one learn to valoring

many things in the life. That when the point before this, this, no you valorous. to learn to learn to the bird

to learn a or simply see the bird of a bird of you know,

and you're to be a for a me, I think I'm a person very different

totally different. So I think that that's where I was, where I'm

where I'm two years in the carcett to back, and when I came

totally How was Javi before? The Javier I think was more egoista, mentiroso,

irresponsible, irresponsible, more longer, it was, it was, I don't see, I can't

say much things. And now, that, that I'm, that's, I'm much better than.

There's no, And, you know, the other of the things that I'm going to go to

go to be to be in a man. That's the was my thought. But the life

he's one that when one is a person, honest, a right, with the people,

you can't do you know, where you are, if you're in the United,

in Canada, in China, or in Mexico, or in what the, what, what,

the, form of demonstrate, to demonstrate that with my my same experience, no?

Because I had those thoughts. So when I go to here and I'm aligning or the line more than

the life was the way was the way my line-in-o. And I'm to be a functioned different me more

better than that's the thing. Something something. Yeah. It's a put a tenso

ah? No, but we we're, we're, how's it another level? Other

another level, there too there too there too Here we have We just We've got to finish

to grab right. Uh-huh Also, also a friend of a friend of a lot of

a lot of with the with the he took also to work much time with my compatito

Torveino with Larry also, with who else he took, because he is a

music and he's and also he's a thing, with all the with all the people

going to with people because there was that, that's almost

all the Artites out of there. Or, from there and they were down.

So, my, my, my, my, my compo was, this,

he's, he's, he's, when he put a put a podcast, yeah, he's pittal.

There's, we're not, we're not, and we're about, and about, and, obviously,

my comp, my comp, he's, too, who, he's, who, he's,

who, he, the, he's, he, no, no, no,

we're to do do a Oh, I'm a good. No, that good, that good

that's open the door to be here. Right, that mentioned a Tito Torvelyno, the connection

of how we did with you was thanks to my compa, Dan, Nise that we sent us.

That's a good. So, I imagine, that were a team of you in the

team of the Tito. The Tito, yeah. A minute, took to grab him to try to

Tito. To, I, probably. Well, most. The first,

the just are, no-mast, no. Because he trai other rolloo because he had a he was a

really also the style of of intocable and all that all that and he was a cumbia

was a cumbia too, yeah, was a intoncable of intocable until he got to

the and he and started with us and started the and I'm I'm

I'm I'm I'm I'm was in California and I'm Ah, well, so it was one of those

that took with me in the group. And he had a group, like like the band macho, like he said techno-bandas. Yeah,

that's, but they try trumpets, trombones, but they use battery and the rio of them, and they were

to make a show a and at the same time I was going to do a show a Christiana

to a a man to the then I'm so I'm going to go over three months to do you

see my my mom my brother, I said I and I'm there's a little the team

of the studio. This, we used to I remember in a church in a Christian, of a

pastor that was the person was the that was the other side when we were when we're we're doing.

And that was where we started in a little in a church to to graber. There was

when I went to my prim doing the show to to do to do you to do

to do to do me one, oh, oh, what on that you

grab us here, that's the we're doing we're going to call out, we're going, ah,

well, we're and we got him and he got him a new a new

music, a new cover, yeah, so pure cover. And then, obviously no,

he'll he'll and he in this time, in a ching in a

car of the Chrysler in an automobile 300 the caronc the

how, the, the, the, how's the the, the, how's

Chubu and Mauritio. But the who can't? The potro. The potro. My compo Potro, that also

mando a manned a little of the old. I'm also to work

to work with him much. And the title what he was to do is

re-grabbar all the those the exitsits that and it and the

people he had you know, I'm know, you know, you know,

you know, I'm more than your version. So, the then the

people to he was enter my compo, Blas. As a composer. And he started to do it

and then he started so much material that he not used to sing corrid

of nobody, because it was pure corrillo of him and so it was like it up up until

he did he did it. What was? What was? and what was? What was? The past. Pinschanceon,

no, no, a compa to dedicate to all the Pinchie, a pinchie. And then,

this, or were, I think, of the last that I was I was in that time, I was working

with, I think it was the band Gerez, my compa, my compa, Mark, Antonio,

a good, and I was, my friend, and I , I was, I was working with him,

and I was the studio. This, and since then, how did? No, well,

if it has much, how it's like, the trajectory, come? Yeah, in this time, we know,

to go to get them, the Kappa, the Kappa, the Koeh to the Sierra, to all the other than

my compa Tigri-Palma to him took to grab it. But it were, they were

in those years more or less or this, one question that I'm to be

to be to be depending depending the, the style of each one,

of the people, if I, if I'm, if I'm, a million of what does what does

what I'm in the what? In a in a fiesta and it's a fiesta

a lot no, no, well, no, but I think I think I'm I'm gonna

I'm gonna no, I think in a business where obviously me me,

me, I'd give a the million and much more. That's what would

not, you know, they'd what, but if would be Analyzeria well

because I do the things with much careful. I mean, I mean, I'm going

to get this question and those that are you can't be that they're being in this?

Because for all the all for all. For all. I'm always I've said that I've said that

I've said I've got animus to me, he does, I'm, I'm, I'm too

I'm too I'm too I'm the artist are the artists, are the some of the

people, no, I have a sun is to see, now.

Camba, change the thing. And there's there to be a different perspective.

For example, you that says that you changed the life, he's in prison?

That's compa, for what will be to you to get to the role?

Well, is a person very, very necea. Yeah. And then that's,

that they're in a place where they've done food a

bad, they're they're they're I, I did a year and a

and a a year and a half without, you were more than then? It was more

more more than that. With that that's, no, no, I mean, to say,

to I'm to go, to me, to me, to, to, to,

for example, I, when I, when I when I went, when I went

because I got a place out into where I, me, me,

me, put to do you to clean and I got the confidence for

to say to the people there into the and they're to and I'm

I'm I'm gonna we're we're and I'm and you know the he says that

we're we're going to we're to go to the badega but I'm

not where you know the building of 13 pieces this uh oh p'amom

and that I'm going to go and I'm could to be the

eyes I I could open the eyes and when I was I'm I'm

and I'm going to the commentary that I said first to see the the arborles to hear

because we don't know about to the not there didn't even not and listen

the natural the nature the to be to be a little a other

arbor and I did and I really all the everything we

we not we A webo, come. Here, me is getting to me the history and I'm

I'm, I'm, my, my, the hands were in my, I'm in

put to year, and the bat, the police, no more me pegged in the back, meh, I'm going,

I'm going, and I'm and I'm going, and I'm going, and I'm so, so, so, so,

that type of experiences in the life, you're doing, you're doing, they're doing, they're doing, because the

be in-encerrable in a quartito little, with two, three people, and start to get around to shingazos and have to be in a bandilla, if not you pickoteen there, gollade with the filers, navas, what-saac, or they use them to arms, or

they're just, you know, you're Mexican and not you're going to help to help us? Ah, well, there you go, boom, boom, boom. No, it's easy, comp, man. I'm actually, yeah, comp, and it's different

a carcel than a prison, because in the prison you can go and you see the sun, you passes, you can't

read, books, you're going to go to the school, you're in a carousel no,

there's 24 7 incerated. And there there were occasions compa where I

did that a month because no, not us not us they're not

they're and the walls and that's and to do you no,

no, no, how come with the with the and the and the that they'd

burrars the door and say, say, I'm that's a little bit of a little of

a little down to the door and they were to go to and it's and it and came to

the door to the door to a mowuchan molida in a bolzita

what we did we to get to the compa we we had to let me the alarm

electricity in a turnillo to get to get to the water to get to

We were the ped. DURGIN-D. DURGIN-DURAN-S. So, we're going to ingenious the form of how to eat well, because where I was was very free, the climate. It was all never. So these bates, apart, we'd in the air-conditioned.

Tembland, compa, with double rope and a cobigita and temblading, and camas of metal. Well, obviously, what you desire is a little bit of a soupita, a little bit more. And the coffee was, it was like.

Finchillucca, for that's a question, don't, no, no, think that it's a

pelada. No, it's a because water fresh, my Papa. Yeah,

yeah, let's, let's, we're to end, and the net, much

sabiduria here with you, you can't, you percibe many things positive,

something that want, the things, the rest the more than, if I

want to add the something, is, to give the thanks to

all the people that has confided to me, to the people that I

have chado the man to to be to be to other people

and one to get to get a and more to

all the people that I'm in my work and thanks

for giving the opportunity to I could to

work with you know. I know a more

much people it look at the other but in reality it's

like it's a same I'm a lot of I'm very grateful to I'm in Kulakhan. And obviously, I don't have a family. I'm not sure. I'm that was what I had

that was what I had my friends and my my brothers and my my friends my friends are you know so I'm not

well please much thanks for being to be here to be the people thank you

for opening us the door yeah yeah yeah thank you for time

and thanks for we're doing we're we're doing we're doing and this

and we we're we're we're well quince much bennit

so thank my comp Javi how the quartito Javvi

Javieritra, Instagram, Facebook, TikTok, all, so, so you're in. Cotisations, all right, plebe, no. Because the year's of the perils, no, no, no, that's that way, my amor. Cuen'ts, much. Siann't, too, please.

In the reds social, there's the mafia, with Z, the ultimate. And, do you. I'm Fipper in Instagram, and I'm sorry, the horny in Instagram, Pleves.

A little. Something that want to say, Pleves? Bravo, bravo. Tugo, Puckro! Tugre! Pervo!

Oh, I'd have been present, but no, caben. No, if caben. Cuehens

much, benitions. Before to go to before we're saying this. We're going to do you want to

and when you think it's, and when you're to be to say, I'm going to get a to say,

I'm going to you. You're saying, putasel here. Let me. Let's go to go to the

ball. A-u- man, let's go to the be-a- the best- no? All right, a bit of a bit.

Where? Where. Where they want, to put it in the... If there they like, Adelante. Valleys, go ahead.

Animo, pleb. Benditions. Thank you very much. There's a lot. There's a lot. At the row.