LOS MAFIA PODCAST ⭐️ - Kiki Medrano — Unos Malandros me Confundieron y Me Eché a la fuga

Episode Date: July 17, 2023

What's what, my Amour? How's it? LeVada, be welcome a new podcast. Oh, I see a rato,

has a rato and a year me was that I'm saying, yeah, I know it has done.

It's a fifted, right if is a little chilo, we're going to get to me back,

me ha. You're not? For what we're going to do you're so, with a chimichanga,

they said, say, blah, for all, Listen to all the platforms digital you know and subscribe

to this channel that's the official we're doing a time of a time of color superfea in the life had seen

I've seen a lot in the city in the capital of Kuliacan I'm the cucked my cucko

I'm sorry I'm gonna go in a hour and I'm I'm gonna and I'm gonna so let's be-beenides

so I'm beckon with mehom Kiki and Medrano. Saludo, Rasa. How on, wehom? We,

we're still with those ganances. A calorado machina calorado and more than you to get over

and I did you know, so I'll get the time, but I'm no, how many minutes

have you do that? What the part is that's not the time is I'm about a

I'm just I'm more chaperro than you than you looko. Neta Kiki?

No, you're you're of my time I'm not pegandole at 1.70.

Ah, no, so I'm more a lot so I'm 1, 63, 64. We're in We're Japanese.

We're Japanese. We're chapones. You think that that that's that we impede to get a

one way no, sir. The grandeza is made to the head to the

head to the t'n' chate the trompa luja ha ha yeah, oh yeah it's

it's certain I've heard I've seen that said that that he said, I think it was Napoleon in Bonaparte. You're a chapito, the bato?

Hey, but he was a little of the chiquet well, heen. They say, too. That's a chap, because not he's a cabron. That's true. Very dico, veridicco. You, you consider that you're a badron, or no? No, I'm a a man of god. And I'm a good. Why?

I'm very good. I'm very good. In my rancho, they're in my rancho, they're just in other way, but no, but no, I'm so I'm a good people. I try to if I can't do you, if I'm going to do, if I'm going to do,

what we can do. If I don't have the money the, the resources necessary, we'll look and we'll be able. I remember, I see days, the week this time, this time, that passed, that we're talking to work in the same

place, and that in Calient, me made a visual there in Grena. And I said, I, well, this bat, boy, or so, without a fan of, to gainers something. It's, it's It was, no, I, I right

to do you do a bit of the cellul. There's a bit of a half hour. You have a visual. Yeah, it's, it's, it's, it's, that's, it's, that's, it's, other people,

me do it, if you can't, if you can't, help, if you can't help, if you can't, help, to help, without,

to help, exactly, exactly. Nothing. What has you, you, that's done, you, that you

you know, so, of, of, things, at the most, extreme, or very grand, that you

, didn't, no, is in my hands to do this but I'm to try it because I'm

the heart what I'm doing this there's there's various things of the this has

had had been a time the last the last the first the we were

a new we're doing something we're doing something you know you're you're

you're about a event of a lot something something that something

with my with my companions of the old school DJs of the foundation of the collective. We're doing

an event. O'Rele. But, as you don't have the resources necessary to the man.

But we're talking doors. Hey, stations of radio, the Iuntment

Kuliacan, authorities, and so. Chando, man, also, he's, with our

compo, Claudio Yarto of Calo, that is, that is, that is, a member

of the old school also. Mm-hmm. And so, you know, you know, you know, you know,

but one looks at the manner. A little not you're going to have to have been the money,

but you're going to put them a granito of the arena. And those granitos of the arena make the

difference always. So, we did we did we're doing the event, it's,

it's a little, more or less. No no the, the,

the, the, the, hey, to see, the fairia, it's I'm

I'm going to get them to get them to get Cooitchy Simon. Hey,

but, this, but so, institutions here. So, you

don't you can't think me defy a little the thing but, yeah,

let's, you can't, you can't, you can, you, to get to manage those, those, those,

those, those, the, because it's a, malas interpretations because they're, no,

this is they're manoteing the fair, and they're caping the coche, uh, this,

in a moment that's, the authority of those, a be, mehito, let's go, let's go, let's go,

we're to, let's, because this is you're managing, is you're, you're, you're, you're,

and this, and the other. And, and, this, of the, this, of the,

the, institutions, so without not to make us much in detail,

so they're to get those resources to the parts affected

but but, but I get to a certain percentage because this

that they're so so, so what I did I was contact directly

to the UNICEF Mexico because in this termote there was many

schools done so the UNICE created so a way express

a program for restoration of schools of the damages of the structurales that affected

to the schools and there's a little detail that's of some things that

we've done we're we're we're to start about of us because

not I only I found the collective so, but we're three six

momias that we're there and between many times we're doing many times but not we're talking about

taking us the selfie here at the sir we're doing this something so that's so

so so so beautiful and then it's something that he's the

the world the the termotone that and that and and that

other places has has passed things more more yes

the the those the disasters natural are in many parts in Haiti. That's the tsunami

of the porniz that's it's very cabron is very cabron there's there people who

have families that don't have nothing and they get a better imagine it's a big

gotcha it's a big gotcha the quadro we're we're here we're we're the

casita a chingue of a 45 grados a ching of a Cerveesa.

But, but as my kids or to the chasmack more,

most most morros, we're we're in the glory. So, there people

would have to have a dayio that no they felt those friolitos

and the more with cacito fric, cack the eyes the he anto

he. He's to there, there, there, there, no

mean it's not say that we're conformists, but there people that see in situations

that's much more jodd than one. Recurrects in the time that you you're

plebio, you took to quechart how you did you know, I took I've got

a family humilde numerous in some occasion that I did you did

I said a 10 years in Facebook a plate of frioles refritos with some

topos and I put that I put that I pute that publiced that I'm

to record where I'm what were my origins to have the feet puttons

in the soil not because not they're one to comeers some

camarones or although it that that the crisis not to

be to not to make some more I I'm I'm

those friolito I like Every that I'm Like, I'm Like, I'm I'm a A quarter of

My wife I mean, I'm We're We're in the house How many? We're

We're Oh, A-verga Wui! And not And not that's That's

That's There was Television But there There were Netflix They'd They'd

They'd They'd A bit Anuns And my Apop Yeah Yeah

Yeah Well, I'm I'm entretemgo, no. Yes, because they're they're not television. We didn't,

we're doing but there Netflix in that thence. And they'd do them a rungo. They were

an punio, eh? Yeah. This, we'd we'd, we're just, but

there's, but if, this, since, when, you know, always,

always, you'd always, you'd to have something, you know, that the

morros in front he came to the manseed a bachic chila

and you try's a ballach of the and so but but then,

but looking to look and when for that that's to be to

get to to do you to do for all to have to be when you

know, when you have to do the how many to do

to start to And your first work? From the first time. From the house,

there was a palateria and I went to like the eight or nine years to to pay a

carton of palettes and to sell palettes. Después in that palateria

and I continued working but in the palateria there and I

doing to do the palettes and they put in a chink that was I think

of the first I think of my I don't even go to my jeff. My jeff we used to chambia

to work to work and to talonearly you, he had to puller that

was a work. He was in the work in the particular. Yeah when he's like

like a independent. And he worked on works so different on

some carterteras in the cartecas and so that's that I'm not so that

many. Not so me to my Carnal of the most grandes. But if I

took to this yeah more grandesio was a taqueria yeah in the secondary

in a an an air auto-electric and I dandle there, yeah

when I went to the secondary I I was from, I got to

the question of the electronic to do you do you going to do vasset little

I'm with the sound in the adolescence like the 14 years You're To start

Yeah No No I'm I'm sorry And the I'm Cargando

Bocina Yeah So connecting Moving those Luses Connecting Subiannum So

Yeah And Yeah Ande Those Those Tornameses I

Arrest Those Yeah More Yeah me I I

years. I was talking like the 86, more than your god, your old

the old he's a fat taron then I'm my yeah,

I'm I'm go to five to know if you do you do you

know you know you know you're you're that's I'm

found with with comrades with new generations that

I've made a with all so so the

collective this the lot of not not quite there don't

put on these people that don't not here

the music is music and I am I found now

I've got for for with with with with

new generations and resulta that me then then

I'm saying ohye see my my my father

when my in the MTV or in the Chaplin that my dad took up with the sound when you were in the

oh, oh, or let's see. And so, three, plebones me have

talked that that, that, that, that, he, to know, to some

other, other than, other than, those old school, that were more vagues than I, some,

uh, this, uh, they, know, uh, also in the same case

they know some they're in the DJs young as from your age, Camaraz

studios that they know I know the father of him and also and I'm

and that really many many people were some were DJs

in those in those in those times and yeah like they they're

dedicated to those or other other and and

they were they the official, the noble of the DJ. You know,

I'm going, I'm going to I'm going to I'm going to I'm trying a person here, no? Well,

this is the playerita this, this, my a friend of playeras brand,

a cellarer I, so I'm per ron to let's, the pherrona, I'm, you know,

you know, you know, you know, you're you know, you're you, You took, way,

to know, to know, well, to do you to work, because you're at the age,

more than of them. I'm I'm, I'm, I'm, I'm, I'm,

apart, as I'm, apart of DJ, I'm engineer of soundido, no,

engineer in audio, working with the infinity of bands and groups that I've

worked, a lot I, me, it took to be in, in,

in, in, in some ranches or in some salons of here of the Kuliacal where

me said, ah, is that here is a y'n't a lot. Ah, that's this,

this, this, this is the ladychera there, and they're all of his kids and

all, and they're talking groups and bands and all. But never, never, I never

I'm never, I, I, no, this, no, I,

I, he's, he's, he's, he's, he's, he's, I don't

not this no me no me for for to get to get

to me to know how they to react there's there

there's a bit of a see a bit a a

person to to talk to and I and

there was there and the and the and the and the

friend and the man was there was there to be to be talking the tub

Corrieu. Tocale, machin, that's the bachamale the machin, that's the bach he's back to get to be back up

and he's he gets to back and he he gets to and he gets top and he he's up

and he p'am a madraso with the tubb the man god no,

I'm I'm not I'm not I'm didn't do, that I'm I've done that I've chow

I don't know, because they're of the few musicians serious. So, he's got him and he's a little

infusca, pune, the front. And this that's, he's a little piratone, the tubero and he

he'll get that and he he's a man, and he's, he put him, he said, here in the person,

if I'm at here, let's be, for favor. That's a favor, that's the favor,

this way, what pedo? And that's a man, why, okay? Because when when they get in to the house, I want to know

they say, I'm in the shingada, you're just being a little. Sitate, the, I'm going to

and then he's to put to get to and he. And so, many, many, many,

I mean. I think I thought that I was, I've been he was a, he was a, he was a

he back, he was the he back on, here, here, pegamel me. Here, pager me.

for that you have to be to figure out. Has it been waping. For that me know when they're to get in

the house but but I'm I'm, I'm, I'm, in events, so,

in, where there people, a person, but never, never, never,

never, I've been, never, I've, I was always, I'm, I'm very, much, I'm,

in my, in my, in my chambah, that a Sometimes, me say the one's the

days, I, Kiki, we're at we're in a graduation, in the

salon in the salon sultan, and I did you do you never we're

never you know. I'm so you're so you mean that I'm said,

you're talking to and not you know, you're going to get the grito

no, no pel. You know, you're on your role, yes, but a

but a sometimes they're that some some something, I'm

me clavo in the console. Oh, what you have been to pass in events

where you you're being they're not to talk as they want to

see that that with the bandas and I know, with the bands.

With the bands? But you working an engineer there but but

being of DJ never you have to be a DJ no

well I have some I'm some I'm I regularly I mean,

I actually not we're in events of the morrillo of 15 years because the net is a chinga

is a chinga you know they're they're going to go to the time that's so you're

so you put to grab so 15 years and I'm going to have some 15 years for there

every month and you have to be your packs, the music, and no, no, no, no, no, no, no, I coste. No, no, I can't even learn the songs when I'd have already been

another new, of, of, of, of other, but, so, so, I, so, I, you, I, you, know, when I, they, let's, let's, let's, you know, just, you, no, just, no, I'm, I, no, I'm, more, more, more, I'm retry, and I do fieste,

and I do what you want, but, but yeah with the corridos, no I'm going to because if there's been bronches with that you

don't know who are who are the you know, you know, I'm going to put up to put up

to make corridors, let me put them a other of them and you see how

you're going. So, I've got some clients, to the I said, no,

no, not I can talk to do something. No, well, you're going to talk,

here you go to to talk corridos. Okay, I said, give me what you

want to take. No, no more you've got the discography of the

discography of the, of the those, the, and the, let's, let's

put the on the carid, to be a little chack and, and as

chichinkles yeah I'd get to one to with three

cellular in a radio one and a mochila there Pond this

Because I put on the Corridorne Oh, Simon Bola Bola, back, back, back, back, another, another, another,

and my man, banded after then I'm back, you know, yeah, yeah, cut them come back you

come back, because go ahead to be the cune and the hour, no,

but I'm to put them to put them to put them that's the thingasas that's, that's a chingazzo

that's, oh'allie, boy, yeah, I've got my carpetita and so, I was, and I'd

and me would have been to 12 hours with them. Oh, there's, I'm putting them, and they're putting them, and very tranquillus. Yeah,

this, you know, is that you know, because I have to go, okay, have been, one hour more, no more,

and yeah. You never, always, people, very, very, very, very,

very, very, very, so, yeah, said, they're, all,

so, well, but regularlyment, no, no, no, no, no,

no, in this type of event because it's a caon the caon no well imagine 53

Raies to Tigre 54 and Ameri yeah yeah with the band

so much that people they they're to come the talk in the

corrio and Sutano and I was in a group in an orchestra

versatile very really in this time I'm I'm I'm

so so to ranchos to the side of the side of the that's the that the

woman, the woman of the of the was the that was the that's that they're

going to you're going to they're to talk in this they're talking the other no

well so can so can we we're we're we're we're just

we're we're music so and we're so but yeah

and the she oh hey yeah they're they

they're music that me I'm I'm not they're chingingano. If no they like,

over, let chispen let's, let's see a to the other people, uh, in other

fiestas. Ah, and they're a little aliegel to the fire. Aligalel the appellee. A little bit

for, for jellied. So, in other fiestas also particular also, of bats

that they, that, that, that, with, with, well, well,

well, and sieled, and, and you, he talked a, culana a c'

no, were a I don't know. No, no, no, no, no, me pete, I'm going to bring a band fulana, that's,

with Soutano with the Mochomon, this, Manuel, a man, a man to can't,

a tautocampora. In that then, then I was in the band Kuliacan, I,

I'm, that's, he said, the three cochinitos, the three cochinitos, me can't

with that, and yeah, but, but, that's, that's, that's, that's,

they're really, they're, they're they were and they were a un, you know,

a small in a roller so they're a little when I'm thought, they're

with a riffalien and they're a takataka takataka takataka takataka ta

a guy and they're they're to be to a side. And so and

so, yeah, yeah, but not, no, no, this we're

we're not, we're not, we're all over a lot of a day,

I'm a little I'm me past I know the

I think I think all the people who all the time in the time

a much risk I'm I'm I'm kind of you can say

as you was a one on a occasion that they just

they're getting oh no it was it was I'm

I'm they don't I'm confused I I'm I

was I'm I was covering that that that's the other

side of the is DJ I was talking him in the Baxter's for the Mallecon

that's it was Chapparine and then it was it was a day of a Halloween and the

Kevin went to to play to come to a massive of the morning

I'm going to go to house I'm alone and I have been said

hey, awas because it was because it was there there was

some there there and there there there there When I went to

a house, I'm a carmoney a manned a manned maybe in the brittier

in the Obrugon the street. To the doors open, all the cabron I,

I stayed my way. Yeah, one's the before to get to the house to the

carriot like a carito, like, like a conda or a little, a bigion,

not very-n- new-o- oh, the bato the copilot I said, for the window, me marketta

with a, with a 223, I remember a creditor a little 23 a minute, and I'm going to put the fire,

and I said, and I, my reaction, I'm sorry, I'm gonna get a reverse to the and I'm back

to go, I'm back. The rato and I was back to get to the machine, to turn,

and I got to get, and I'm back, I'm, I'm, I'm, the crystal

and I I'll take the hand for the crystals and there's there's, and when

when you come to come to come, when you come to me put a on the

cartes on the door to be where you go, compo? To the go to the

house? How you you know, me? I said, I'm like the little glupipo

me. Yeah, trabado, la yeah, so, yeah, me,

me, me, me, me, me, put in the carononon and he

said, sac an identification, me's, and I threw a gaffete of my jale my job

official, my job serious. And he said, no, no, no, no, no, no,

no, no, let me do you. I'm, I'm going to get the cartel, no,

and the other cop with the other caniard here in the costilla. I'll the cartel, I'll

take the carder, I bring the lenses of I'm going to go and a gore, I'm going to get the

and I'm and the bian, and the bach and the bach And it's is by the arm

and he does the other that's that's this not this not this

not it I'm I'm I'm I'm a my macho a stuch

with a X two two cellars because I was the

first I'm to be the mind to was here to

I'm to be to I'm going to be to get to

get to the car to manage a here. And no. I went to the house.

Me, metto the house and viny a some machine. If the is a marilla, curen't me that I'm herein'erite, I said. So, I metto, I got, I, and I goths, I met, I goth the telephone, and he

an comrade, a comrade. Fibate, a man, man. Fidate, what did you? Oh, my, cah, what did you? The chine'an, don't you you don't you They said, because you You'd pelar, man

that's it was a reaction me, oh, and there's, and no, I said,

no, you know, I said, no, you know, the fact, we know, a list,

is, like, there's, that's, that they're to get, that, that,

they're going to get, that, they're going to get to be to be able to and they're not, and,

and, and, yeah, here, this, it was, it was, it,

it was, a, , that you , you're a Rodeo Isuzu

Mugrecite stah and they said no, well, a bato here's a

roteo and suss a bach a man wapio this is but so,

so so that then then I go to the house in the

madugated and you get your caros come you're you're

paniqueed and more in trams that they're in some that's that's one of

very tantatudo, but the yeah. Yeah, that you put a chanate

in the in the head and the you know, the cucked that you did you

do that yeah, sure, the shorral of the grue oh, no,

well, it's, he, he's, he, I've been, yeah, no,

I've passed the overgone, you're to be to be able to be to,

you know, you know, you're to be I'm to say, with people, I'm

with , We're the most good we're not a lot I'm sure that after that

I'm going to this podcast with you yeah I'm sure I'm sure you I'm trying

in juice I'm really that's mal calmed the issue because the net the

last the last last I'm I'm that I'm didn't me said

no no more no more you're no no more you know just you

you're you're that you're who they're people well, that the

people that are the people are the people are so they're in regiago one, I've

told a story that I'm wanted to get $10,000 because I had a bunch and money in effective.

But that was for a car. Oh, and I, guard. And, this,

you, you're, you, you're, for the state but I'm in the corporation policiaca,

no, I'm an administrative, I'm, I'm servidor public. But, little,

A little, I've got it. There's a little. I'm gonna be call in my comp, oh, that's Cableorne, that's deem, man,

so, how, how I'm going to get a so, I'm going to I'm, I'm going to

I'm going to I'm going to go to I'm a September, what, 36 years of service. Oh,

chiquitito. That good, a guinaldito, you're, no, the guinalal is the same, no,

to us, to us, more or less or less or less less or benefits so you can't

say, are the bonuses for for antiqued that we know, because

as they're because as a way, that's a mal to do that is a role that

we're going to get a a political to a a

model. Modificated the and you you not you

do you do you do you do you always when you have certain

the like the law of to be the same law we're

not that's we're in the but it's a bad at the that's

the the simple way of the if you were you if you were

a president what the way would you could you

can't that that I'm not a I'm just to get much in

questions of politics but no I'm so I'm much

of the I do so I but so

would that should that were those that are. That's what, that's, so,

for you for you adderges or for what you're going, you're going to you're going to do you? For example,

that law that I'm going, that's a new law, okay, it's a part of that's in this new law for the

workers, the workers that are going to have to regir with the statutes of that law that's entering

in vigor, because we're not affecting to those that we're that we're having a Anterior,

no is retroactive. And it is the Constitution, no I go I'm going to, because if we've got to,

if we're a contract, to us, until we never our our relation laboral, we're going to

make with that law. If I'm a new, well, for the new ones that enter,

they're going to regire to that they'd be to be a question, to be, to,

to, to, to, to, to, to the law, Pregn't

the law. That's the detail that's the thing of the thing of

deceptions. Oh, wait a this, no, this, no, let's go,

let's go, so we're so we're to put more more the way you're

to do with some of we're we're we're in the thing,

do you? Transit, transit, policeia. Ah, a, uh, one

of us transit of this, because I'll be in the madrugada and I try it a car that, that no see, that's failed,

and that's, I, he had the focos tracers, but very very bigot. And me said that they're

upagued, no, acacet, but is that you're trying a lusel to the topac to the

opaca, the and then, and yeah, or, yeah, of the one,

I want to get to the car, and, if this, if you put to legate, no,

you'll, no, you're going to win. I, I, you know, I've got to be a bruncote with a tracito, with one who I don't know, I know, I said, I'm a guy of group, no, yeah, he's jubiled a man, he jubiloh, a boy, that man,

me be able to be-eigh-a. When I said, that one of my wife, if I had taken some pistos, I, had never to talk to a disc retro. That, my friend was a ferro and machin, because I had courage, because

he had a courage, because he they were and me had to let me have to get to get to get to

get to get to get to my car and he's not very he's not he's

well but he's unerousous and he and start and start and make to get

to get those people to the that that's while while they're

they're in the one's sitting and you're trying and the

man was undia was and yeah that was

my man And in the Pwente of the forum I said I was

to get to the retem but I'm I'm have taken some I'm going to I'm

know so you know so yeah so so so so

so see the man oh you're oh you're to be

to say hey come at the the person the

of the of the the of the alcolemia and and and

and and he said he said, I said, to the woman's the way,

that's, I'm going to I'm sorry but I'm so I'm so I'm so much we're going to

we're back and the bachas like we're like like if were two people in one of two personalities

and he says when I was when I was you? That's I was I'm gonna know

when you're when you're to do you when you're you're now with this and now now with

I'm I'm I'm too but I think the year I'm going to to be a jubilar

and I'm going to and so and I'm going to and say, hey, hey, a lady to say, hey, hey,

a man to be here. And I'm going to and the other like, like, like, so, so he's,

so he's, so, then he says, the, he says, you're his husband, so,

yeah, to this cabron, he said, he's, he's, he's parable like,

six, eight, eight, in this , and the first is the first is that

in that car. But if I pared like a three times

in different cars. This cabro no I've pared like six or eight

in this same car and I'm even pedd and with a ball of and then a ball of

the hair and say you get to my but you so the

hosel rechingad but I'm in a certain occasion when

when we had passed the first the first before the

I'm had I've had And my my daughter he said, Ah,

yeah, is that he is that he's he's a he's a and he's taponeable. And yeah

he's negative, he's negative, I'm, yeah, I'm, for the

next time, that's, I'm going to get to get to and so he's and so

I say, and I'm to say, and I'm to make a phone, and I'm to come,

and the president of the republic or the governor, you're going to be to be

to be to the Inga, myr-rette. Okay, he's, okay, like, we'll have more a rato. That's a coppa is a transit that's a little bit one of a vez, that's, that's, that he had been

done the answer, and he'd have done the pass. So, this, like, why he's just the otherbezzed? And he's got to try and he's a trylion. Ah, yeah, that he said, the friend, that's, be me in the car,

because you know, you know, you know who's, you know, that's, that was, that was, that was, that was, that was, that was, he was, he was, he was a, a, woman,

also. Yes, so. So, that's the police, she's about that's the

she's, she's, she's she's, she's not, he's he's not, he's

he's, he was with a man, he was, an friend, an friend, an friend, a man,

a man, a manuces, yeah, that of a bit of plante me, me be mowl here,

the rancone to the toro. And, like, like, and so, like,

he, he, he, he, he was, it was, he's, in gachio

to add to the friend, I'm like every rote he's

going to chakalalial because it's a cabrone the attitude but so the

man who is like like he's like he's like he's like to

go to a like a third well the yeah yeah

so yeah yeah yeah he's he he's but he

he's like he's another that's another yeah so

here here is it's Person, although not he's

a manna, if you put a grosero with him, he'll get a time,

and in a time, you can be chakaliar, whee? The net? Imagineate that,

that, no, that video I was and I'm and I know, a,

me know, suekone. But, but, people people, for example, I'm

a chinko when you when they interrogation, but it bad pedd, that's that's

they're agressive. I mean, I'm going to to be a guvote, you know, no, no,

no, you have to you're a lot of, there's, there's, there's, there's,

they're they're, they're saying, I'm, yeah, I'm, yeah,

I'm, I'm, I'm, I'm, I'm a person, I'm a than I

than I'm that's my , then I, then I, I was, that's the semaph, yeah,

and it's, And I was there. And, Clarito, me put on a new of the motts. And I was,

and me to be to the world, but was there was there, the wall, the wall,

the of the end of the way to, I'm going to get to the studio. And then I

did that me see, that I'm seen, I've seen, I'm, I'm and if you

can't, and I'm a bit, and he's, I'm going to start, here me go to par,

parr, you know, to my I said, well, who are who are going to

get to get to be they're to get to the cochera way. Abajo no,

never opened the pinche porto and the control to make me to get me to

and the barga but you had done two, three times, two

two times I did two but they're patruias this this time

this was a motor certainly maybe I'm at and the again I'm

going to say you that's part and it put you puts a He, I said,

I said, I'm gonna' I'm gonna get up a lot, me try them I'm gonna like,

so I'm like, I'm gonna get me and then I'm I'm gonna but we're

we're to get me the attention I'm I'm I'm fed to the verga to be

to be done for the coca for the coca for the coas well I never never me has

done me said the but and to see the he's the thing that's

the t' t'a topada yeah no because no because I know I said

I don't I don't try any I'm no and not I'd no I'm in the in the in the

in the in the I'm but I'm no and he and he's one of the other no no

to come for the car that's that they get to that they're so that

why don't you that's that's that's that's but but I

said I hey you've said you he'd you're you're you're

you're I'm I'm but no I'm I'm Because I had

Fritio, what I had had done 200, 100, 200, and so, I said,

I'm, I'm I'm going to do the attention, no, because no, well.

I did panchos. I had ready the cellula to make a call a

and a a, a, a, a vat, a bato that's a,

so, for if had a transit, me to the motor, I,

the, I, the car that they're, because, in the In all the case,

they have to call to the authority competent, in this case to transit. Trancito. I said,

I had ready the number little. I said, and I'm going to mark until that come the grua

to get them to get them like a pendejo, I'm, because I don't try it I'm not,

but, and I'm saying, well, I'm saying, well, so I'm here,

you're getting to your house, out of the back to the car, but I didn't

I've been pared to see I said, oh, and this, and no, well, I said, I was, I was in the solaceo

out of the door, I'm, I'm going to to get, I'm going to to say, because the net finch and a man,

I said, I know, like, like, like, like, me said, me said,

me said, me said, me, he said, he said, and he's, to the other to give us the

attention to ballads, loco, because if had been had been been the GEN,

they're remang in calient, oh, my, my son, he said, I know, one knows with who he said, I don't know

to put in to porth with them, because they're more culler, according. But a me have pared

GEN, me have pared with a guise, and of that's a guy, no, I'm,

I'm, I'm, I'm, to me, I'm, to me, I'm more more,

I'm more, I'm more, and I'm and they're, and they're more, so, yeah, I'm par,

military's of all, and, and, and not, they're they're, loco?

Oh, and this? No, no, well, don't attention in the barren. No, Veeho,

he said, I'm I'm going to, because I back, no me like to get the time.

I'm going to get a and I get a little, I said, I'm a person,

I'm a thing, I'm a don't know, no, no, no, no,

there's, there's, there's a one. I go to a Mazzatlan for the live,

me pared a retent yeah of the guardia. Genes He did Transferences

Lovence Transferencia He said The batto No, he said Bejew, well,

I'm Pass me Pass me Pass me Let's I'm internet And I

Did you The I'm Morgue That's Morgue No, No

No, no No How you How you You know To us To us To us

We're much in the Cartera When were The When were The They're

They're They're They're They're They're They'd be from the... ...aset

and we're back on. Hey, hey, what on? I mean in perfect state of all the

illumination, the lights, all the placas, all the... They'd just, with any pretexts.

Yeah. To pay us grab those. Yeah, then they're on the CDs. Hey. And now

they're in USB, the chabrons. The, that's of the barred, ma' car, no? Yeah,

yeah. And here, and come me the disc d'u'u' let me a bag. Here, I'll be one,

pass me a pack. That's the That's the G&E That's the Gn's Wye, and she's I'm going to but I'm

but I'm I'm going to I'm going to I'm I'm going to I'm going to I'm going to I'm going to

do you I'm going to I'm going to and I'm going and the net I was I was but I'm

pure of 500 500 peter Pohom Peeh if I'm if I'm going to get to

put it's well to be it's the commandant there, and he said, no, and he did

a cardlet him back that. Ah, 350 the transferi. I'm went

comparing, me, I'm saying I am a man, so I'm bravo, so some

rastrillo. And so we're going to go to one of a bit of some federales of

the other than were federal of the carless of capacity, pinche a pachomion

that we came here we'd carry you to watch it Clarito, and that's 95

you were but, but as a person more, you know, but if you're

telling the pistol, with the with the way, that's that's the man,

the manned to go the car the carer, the he had $200

pesos, and he he said, no, man, man, man, man,

to the , man, to the, man, man, say, go,

oh, do the do the barro, come, so the all the part, the part of the,

part, the part of the, Oh, well, come, no, man, I just, no, man, no, a small, minimum, a small one, and said,

they're two. And I'd two hundred pesos, and he said, how'm, the parable, that's, I do 150

pesos, I'll give me 50, for, to put, to try them to get me. Ah,

that's, oh, that's no, no, that's not, however, that's the inflation. Well,

well, that's, well, that's, so, so, so, so,

so, here the taparita of the caperita of the camis the federal sacoan a pacoon of the offensive

of the badiard and get those and get those and you get us a packota of a bit

again. Cajan, he's. No, mame, loco. And I'm the baffronad

mending him manhanging. And apart he's grunned his chingatism madra. He'd have been said,

pat, pretame a feria to do you resale 50 for that's to chas a tachulbats.

It's no, no, I'm going to wait a boy, I think, wait,

I'm here wait a minute, is a extraor that's not. There's there.

There's a question. M. He said, what you do you know, Chester Van, says.

Chester Van, Fiatty, that I have to a chingo to appreciate to Chestervan, a Louis-Felipe

Sanchez. He was my master of music in the secondary to the 13 years I know

since then in that then was a competition there were a competition before in the

ones before the that's one of the reason is that that's that the that's

that the now that all the all the DJs are all the people

there's a mongos mumio but Chestervan is like it was like it was

it was the it was the car was the sound the sound of my

family was heavy metal that that was cataloged as one of the unosures of the north-west

of the heavy metal boy? Ah, well, there was, there was I'm there in a

many time, of my cune, it's, my cuneado, so, and Chester, was the

other were competitions that Chester van, the pista, heavy metal, and so, and so, and so there,

there's, a lot, a lot, there was a association of disc-mobiles and similar in Culeacan.

So it's all All right All right Chester Van This Fiatta can't Fiatte that

I'm to say I'm of the pockit that's PINchy I want a chingo

and we we know a lot of I appreciate I see that's

that's an another but but you know there's that

sonido Yeah he's he has to pass the DJ 53. There we

talk your servicor the Louis the Louis Viasor that's the

his his Mr. Mr. He's the Jorge Garcia

the boss that was the DJ of Boston in that the time

the Carlito Lugo that was DJ of Bananas

of of some bars of some Santos in

Rens Zuett the UR Rubens, who is a lot of a lot of years

that's a producer of the Macsiradio and all those things. I've made him a goal

so. The Pioho Rechena that is more new than more 90s for a

fieston was a fuston he was a he was he was a easy a thousand

500 people yeah chingue of people and just to yeah

yeah the next of Chestervan is the first of first

of of July the Fiesta of the year. Yeah, it's been

the show it's been on the summer. And I'm invited or not? And how

no? You're going to be talking there? You're I'm invited and

you're to move the bocinas to me a music retro machin yeah, yeah,

we're we're just those 70 to the 2000s to the are a thing,

the people get from the when you get the first there's there's a

woman, fift you know that's how it Like, like, someone

has a little his little to get a little bit of water, come to

a little of water. Since you're the first role, say the she's the

she's all to go to go to the psalas. Hey, solo, solo, the man.

Yeah, and sometimes at a same that's the they're in they're just

a little bit of a woman. She says, a man but like he doesn't a chingo the music

that's that you do you do it you know, and Sinty the music

and the music being, machin. All this float, all that good vibra,

uh, one, all those those little details are those that are the

that you do you in this in this business. Because I, I,

I could have retired from a lot of this I don't live,

then, of this, no, I'm I don't I do my office of

DJ but but I do very very well yeah. Sure. So,

I'm a extra and apart you do you do you? Apart me pay they're

so yeah but I don't say I'm I'm the DJ Fess

I'm I'm from the first after that it's

so it's so it's being chingon that the people

you're just you're and all the people every they're they're to be

to be in chilo applaudi b'nchilo termed the people people applaudinging that's

that vibed that they're that they despien in the fiesta in the

party 90s I'm the you're that you're to talk and that the people

to applauded that you backes to the scene you're that they're that's

that's that's that's that's No. But is that if you're artistist. You're back

from the scenario, sir, a man, a man, a man, want a photo

to get a time. That's like a bit a bit of some of the authorities of the

authorities of are there and they and they don't, no, they're

for the risk of an accident and but I go, I think that's the most

shingon that it can to us that we can be to be you

back of a scenario or that they're paying the phone

because hey, you want in a event now in the

last in the last few the one of the in the in the

in the internet in the in the last hour in the in the

after so I did the opening for the concert and then the

after in the after was there the staff I was I left my telephone and all I said

I got a chance to take a photo and I'm no well so it was

the refue and me he said when when he did it

no were less if were many people didn't

that came to give your number many many

did some did do and I don't know because they're

they're they were a scenario a little that

put it in an area launch, in an area of reception, but something, with,

with, with, with a lot of, with a lot of, with a thing thing in

all. So, the comments, then, those, this, that's the most

the best in the concert of Matute also, I, the, the,

the, the, the opening, the after, I, I, took the fortune to chambed

there also. You know, I mean me I like a lot to talk in fiestas

like that's way, that, the, the, the, the, the,

the, the, of the of the of seven, of, how do you call this group?

Kava. Kava. Yeah, this, this, this, Chabada, who,

who, who, who, who, who, who has, Kna, pura,

a, real, roleita that me can't, like, do, the,

the Chiro, to, Manah. So, not the is Spanish. No, no. In the play.

That's the musicita, that you're at that muchin's you let's do you know, in the place, in the place that I

took, to me to talk to do that just for the regular, pure deep house so, so in the

sunce that's been in the sun like me, a machin. Deephausito that's a yeah,

yeah, you know, you know, but you do you do for the lotto natural, yeah,

it's a bit pirat so natural that's Fidate that in the events of the beach, for example, there are five years that year's consecutive,

five Altata Fest, in those in the five years, I took you. I mean, they took them many others, but I took in the five.

So, so, they were the first that were more more esconditutists for there. Yeah, the last one

in the planade, yeah, you know, and it was a man of the government and you did so like a festival

like that invite us ballables and that a symphonica from here and from here yeah it was more yeah not

what was what was the other the other the other and I'm back at that the stage

and I'm the air I'm I'm in the way of the stuff you're in the same to me said

to come a sumusk to make with the with the pure pest I'm to put me

But, no, my Cervicilla, cigarito, no more. No, ma'am. Oh, my Kiki, well, much thanks, my papa. Much thanks for being here. Contagianton us with your good vibra, loco, and your

sabiduria. A good t'cuit, motivation for the rasa that we're seeing. There's to change to the, as, as, as the new generations, to the DJs,

over to all. to go up, up, to the , to try always to give the good

to do the good of the word, to give us the best, because we

we're going to them to them, and there's many, many of the

young that they they're they're and, you know, Kiki, I've got

this with this thing, I'm going to this and pass the other. Oh,

oh, and I'm with Gusto. I'm just I'm always with the doors abjured to

like I'm a little that I'm a fortune to learn in engineering in systems of audio. Becated,

because it's a lot of stories, that's a lot of stories, that's that's not, no, it's but,

but even, like, there's my, my, my man is tended and to

and to the order, to the order, no, whatever something that that's

that they're that they're that, so, but if it's very important, I mean, to keep always the

feet in the soil. Totally. Why? Because we're because we're many times nobody knows

and nobody knows. And yeah, that more or less we're doing we need to, shh,

we're inflamos. And we have to we're not, we're not to the public, we're to the people.

They've not made and to the public, always have to have a chingo respect

because we're We've got to them to definitely. So, so, so,

so, so, so, okay, so much thank you, yeah, where can

find your chambah to get to get to get to people, people, people,

people, they're on the media social, there's on Facebook and

in Instagram like Kiki Medrano is the page old-school DJs Kuliacan

that is the page of the collective and in Instagram also. And there we're

we're to the order. A the order. So, so much, Thank you, God.

Thank you. Thank you. Thank you. With a time. With your family too. Much

great, my Jorn. And much thank you. Much of the invitation. Devers, that is

an honor to be in a program of your programs. We're doing a program. We're not so much.

We're not so much. And for something you because you're in the good. Bendito,

God, there's, there's, we're going to come to pure up up. Up right.

To be up and to go to the other we're going to we're going to you know to get us

that's our friend Kiki Medrano in all the rest socials DJs Kuliacan for that

watchin to what the side the car a barga let me no no

saludos for all all and subscribe and so don't be there not you

don't see the media like the other other so I'm Fiper

and here we're here we're here we're Horny. And not also

also also also to listen to the Mids, that's on the

Keechimits and the podcast of the plebona that they go and they're

going to a cohet in the puo to a verga a little

a bit a and where and the in the pure

nudo of the little tis tithet let's let's let's

get some so let's Coo Cooieke Ammon, Rick, there we are the three B'uadeh. Let's go.