LOS MAFIA PODCAST ⭐️ - Los Varones de Culiacán — El Financiero fue nuestro mejor Cliente, Chico cuenta a quienes les trabaja

Episode Date: December 19, 2022

.

Let me. Plevada, what rollo! Sianbeenveno your new podcast. Here we end up. Plevada, because there's the thing. Agraceous to all you're very with all

and the patrocionators official. You know, to our friend Acarelli. Also, Plevada, I'm grateful with my Compa Cherokee, that the old, the old,

without words, the old knows what rollo. Here we're going to start a podcast, Pleads, with an invite special,

that is a man of Culiac. What are the people? Here we people. We're all

the animals on the and we're to get to talk about questions that's I'm actually

I'm actually to be personally to me, for the real real and we can contestars

then. No, well, no, so are things very comprometoders

and here we're going to let's let's let's that you that's

primisia man, what you put you putte well putte well the

that remang up the way so we're to get up right so we're going to like we're

like we're not like so at piscucoe like that so and then the peskwee

how is the road with that the song this of the city of rancho

I I think there's there there there there there

there there's there that's that because I was confused

if you not me not let's let's let's let's

how how it Chow. This is a Rancho, I guess it's a corridger that composed

in the 2000, like at final it's of the 2017. Fegues

that we start with the beginning with the beginning. And right

we'll we let explain to the people and the controversy

that they they're on the title. With that the person

of the personage of the person of the man chico, I want

that I'm a carididito because there comes my

year of and I'm to come because that that person

since we know no masa to the barons and

the band I want to have in his fiest

he could he could contract a of groups

much more more famous and well postulados, but barons

of Culeacana and the 10th band no they could have been there. It was a corrieu that the

decima band yeah, he was and I let's and the net,

well, it's well, it's good for the kind of but the role of

us is totally rancher so, then then to me personal, the net

plays, well, I'm me, the composer with the intention to offend but

the fact, no, no, no convinced you and it was,

and it was maybe some for the year, I think, to get to

do you go, I'm going to do you go to a little that I

had to know the the times that we were to so that

then then I made to give the carid because the net

us done a chinko a So, when we started, and, for the scribo, from the city to the rancho, a little, he never, he made a verse, a compa, he doesn't.

That day in his birthday, so, how they said, we're saying, we're saying, arrancamos with him. And, fickes that he got so he loved so much the carrie of the bato, that he said that he said that we did that we we had compromises

to Guadalajara terminando the event with him we're going to we're going to the same the same

band me localized like, chico, pass me the letter of the carrieu new, what the

is that the cliente, we can't be and so, well, so you just the only is the

person's the letter. And, and, and so, I'm I'm made the letter,

and a past that we're not we're not we're The corrieu still hallowing

all the night and part of the day. So, from the I'm going to the

town of rancho. Pass the time and and surgen, here the

plebe Dynamico Junior, that they send them a good people,

where we don't talk we know we know we don't we're doing

other carid that's called the city to the rancho

but that was much time after the title I put

I'm in that's I'm going to say sincere another primacy not

I'm not a town I had put to the city to

the camp I refer to the campo to the labor

to to the way to do we we're we we're

we know if you know the camp so so

so so so of campos. And as a person recorried much of those places,

he had some properties of the and the place, I was I'm referring to the

city to camp and he then he he said come man, he's

me makes a kind of that he never he

he put him and if we put him to he was the

person of the course, as as as the the ground

of the granite of the title and he he left to the

rancho. The city of rancho. Right we're we're listening

I had heard I've heard that but also I'm

confused the net and is perro the car

is very so was that was the first was

the first no, no, that the fact I yeah

I'm a music. I mean who said, the talent yeah was

without dedicating me to the music or to know the instrument. He's

saying that you only learned to play the accordion? I learned to

to the accordion only because the net I was to be

sincere I had much hungry. And of the gas that I had to dedicate to the music and

superar me, I learned to play the accordion solo. Of what rancho is you? I pertain't

to the Ranguat the rancho the rancho. And then the rancher, where we

going to have a master of music or to say, in that then the thing of

internet, for us those gaudid no had, if for the pudient It was difficult.

Now, for us. And we're going to see a video of YouTube. So, it was to what year

he was going to learn, so that you did you see, I'm going to, look. I was,

I'm encamined, for the for the 18 years when I started to start with,

she. Right, he has already, I've done to come up three-y- oh,

yeah, oh, yeah. Well, then then, yeah, what's What's what

the role of the title of the title of the country?

What's after after after he said to the same person

he said more he did so that the person who he had

to get proposals to him to come to come

to come to come me corrid is my compo chico

said and so the really very I'm very very

very and to the time. After there's another thing that

he's that he was that we don't want to that's a thing, it's a

thing, the cigarro relaxante so I composed to him to him and I

put that title I because the name the person because they

like machine let's we're put here a little of

what he like. Here, in honor to the cigarette and the

yeah, so that's he's he's he's a so he then so

he put the cigarette and tell the story that the people

that the person who his story, his is a newness what

we're in the camp what was that was that

was like all sometimes we sometimes we're for the camion and a sometimes

we're and this person there's that's a medium of transport many times

were the camions and if not it a pie and well yeah

there when the timebec I compone the cigar relacante he

he's componing after he said no oh boy you're the

good you of the well so because there Because there many artists

that are in the regional are not those and in that's still

they're monsters and he well, the net I said that no that

if if if if they were to do you do you

do do you per compa that the that that is

exclusivity the that yeah that so you know

Cabrones, you my raffa machin querying because because so,

why, so, why not the barons, with that with that with the personage,

because, is a personage very great. Personage great in what? Yeah, he,

he, he, he, he, yeah, my, that's the most,

yeah, no, so, go, to yeah. Yeah. Oh, yeah, man. No, yeah, with all the power,

with the power, direct-to, with, well, with the majisa. It's mageisa, the bat. So, but the bato, fiegesse, one of the things that me

has much curiosity, compa, and me does much empathy that certain people so powerful confide on a only artist.

And even That's just that the artist comes down you're going to be able to make sure he's got to that's like

that's what I think to thank you to make to say he said erie compa you're

going to get to be very great and the net and that he said that

that person also he's the end the accordion ah okay he's

the accordion that's the person and me said the

net a me a chordion, and I want to my maestro and accordion, also, I mean, he said.

And, because he, well, he, well, he, and,

and, and, so, pure accordion of teclad. Man, this, I'm,

I'm, I'm a story with the role of, the accordion of buttons, but not for,

to know to talk, I mean, I've from a accordion to teclis. No,

he doesn't the of the buttones? For what reason? It was

my accordion preferred. But, as, as I said, I'm

a person that care I really in the rancho and you have to know,

if you're more or How many How many? 34. 34. 34. So,

he and I always went recorrying the rancheries at-pies when we we were

for the can't do or that we were to the hercos or that we had to be

on the rancho to me I would to I would

I would to I was to but where there there

people. And he me and he was a he he was a

so he he said, when I go to go to go to

buy a accordion and I'm I am a fan of

Chalino Sanchez and and the net the accordion

of the Mr. Nach Hernandez the that accompanied

Chalino in the accordion then I said, I want to I want to

recordion of the buttones because it was so to be that I'm that I'm

that's madre with the accordion and all clear it and pass the time it

my brother is to go to the other side and I come

the promise me I'm a command a an accordion me

he he's well he's very as how he the accordion.

And Chico, you know, I'm very emocon, I'm very emotional, oh,

there's then I'm going to make the accordion. And it's of a button loco, because I

want a accordion of a button and I say, he's a lot of he says,

he's much buttoncito, he's many of these buttons. And he was not I was not even... No,

I didn't know of the accordion. So, that's, that's, I'm so, I'm emmioner,

because it was, it was, and when he's, and when I mark him back,

well, me mark he, what's, how you did the accordion? The first

that I said, Valiste is verga, Chui, he said, you, he said, he's

Jesus, Chui, valiste, Verge, why, Pendeco? me This accordion

is the button and I said, that's the tecl, so I did you look at

much a buttonc't me. An accordioncuit of a marino medianito like the

middle of this. Mm-hmm. And figgate that I start the accordion,

I'm to make to make sure to make a machine the

accordion of teckles I mean a chordion of buttons That in that time Yeah, I had talked one of buttons or no?

No, no No, no I I wanted with a instrument just no more that's,

I'm, I'm, I'm, I'm, I'm, I'm, so, I'm,

so, I'm, I'm gonna make a music to the accordion of teclas and

and and I, and me just was what I was what I

I was I used then I started to put an peasant that I'm

like the like the I'm I'm I'm not I'm I'm I'm

I'm I'm what I did what the first I'm a first time.

The first time. The first time. Yeah. That's just a man That's a Cabroncito No Salio

Garan The Hesingas De I'm I I'm I'm I'm

I'm I love To have Dado To end To end That Who

Can you That's A can't A A group That's But it But it

It's A Cron The Alcon The Cire The Cire And

And and it was the first that I saw that I'm in oh,

for that is that the accordion of tecl the accordion of teclas and then also

much rasa me that if I'm that if influenced in me the canel

of Durango for the accordion of tecl but the net not was so it,

all it was all never I never was I did the

music of the canel that for me also also those

idols great. But it was because I used that he pickable the

and I gave a sonidito similar, then it was it's me

facilitated to that music. And for the can't I

I'm I'm I'm I'm also. So, so for that

we facilitated the music and the can't how we can

say something about about and don't because in the there's

a lot of not because it's natural all. So, so you have you have the

talent in a so? Well, as who said? If you had a

accordion of the morillo, had had been a more more

more so. That's it's the thing. Simon. That's is the

truth. That's is. Very good. What per what?

That's he's, never it's, never was It was a time to To start To play

And I don't I'm I'm in I'm in an opportunity When I Like I was I was I was

When I Music's Toccocting in vivo My eyes They were Pausado No more in

The accordion That's That's That's Because we Because We're Because we're

Because You know Yeah That's What is What has What? because if

you know in a family poverty, because that's, Simon, what has what you

what you did you when he said when he said, what was your thought?

My first, and that was doing my first my first was

like, of family we, we're, we're seven of family, five barons and

two women, and I'm, and I, I, I'm, the

the last of the baroness. My Papa, the net, I'm

really, I'm really, because it was the gardener the

lander of the rich, of the rancho, so and, and,

and, and, where they gave the the opportunity to my app

was, he was, he was exciending then. So, the

the planet, suffre machin and I'm that in the family I care we're

we're of a ching of things. I don't make a say to

say to people that I know and I think it I took to

live all my house of Palma. There me took to

live and then now with the good results

that I have I've had the net, well, the

principal I really to help to help to the family, to

my mom, to my father I used to

when I'm when we we don't we don't

we we and and and I had before

to have a car always was to I

have a house and and we did we

we And, fiat, there's an anecdote I'm perr, all those of the group had been had cars new, and I was the only

that I was a car, so can't say, of a model and a and all said,

well, what's what what's the of the barons? Because in the baroners,

they're like in me the, the, but not so, so, well.

Yes, yeah. And as I told you, all I had a car new in the group minus

I. And they're well, well, no, not they're not going to what

what happens that all, all all they're in a carri in a

in a carinetta lobo was yeah of the year 2001

but the net well, not in very good conditions but

but the net I know I'd pass it a good to be in and put in

my part of the termed I was looking at a netta, a car when I got to when I have a

carriot I'm a lot I'm a better, if it's a car of the year, a car more modern,

but right not me mortifics nothing to go to and I'm moving in this car.

And there people, and the net, people of the mafia that said why

not you get a car? What do? Because I said, I don't me,

I don't I don't I'm the ambition primordial of a car than a

house. And, and, and, and, and, all the musicia

of not I'm going to say I'm going to to start to all the net all they're

doing to findoching a car bonito than a place to tap the

the truth the in the personal to me it but but

not for vanity me it was for that

a car here in the city you where you did

you did the you I built I of zero. I'm

put to look with with the love I'm I'm I'm not

I'm to have because we're in the ranch we've been in a house

and so with parades of adobe no see you know so you know you know

you all imagine those words you well you know you

know so so so so I said, I want a house.

One day I went to get a little bit of no, no, no, no,

in the car, and I'm a car, not are not going to the other, the other, so that's

my house, but with the love, to find a thing in the thing of to start to start a

car, when I said I, when I go, I'm, uh, to know,

to know, to know, where you're to know, With that I'm going to I'm going to a

house to find and he and he that day and I'm where I'm where I'm

to live. I'm I'm back to the rumb to the boulevard agricultors

yeah that and the and the and the net is something that never

he had talked that's something with with the love I got

to I'm a single in the five in the box in the So, see it when one

is with faith, the truth. I was, I was. I was with the pure faith on. 200 pesos and the carmionette a yearja that after how,

how time he wanted to buy a carrito and a good? Fickate, it came the moment where

then, was, me started to localize many people There was a occasion where

I changed a car for a car that What was? That was that was

the How can is that we've had been the suhirt or not

if the talent me on the we've composed yeah a

chino and it's It's called The Corrie of the H

me it it's it I'm I'm changed for an

Altima in that was an Altima like 2005 2006

2006 yeah yeah that is good carito that

yeah yeah yeah you can say that was I could say that it's a

carazzo for the life my And, well, with the time, we've changed from the car, and accumuling more to the house, and, and, well, yeah, to not have nothing,

I know what's the feeling to have a car of the year. Sure. So, bendito, God. So, so. So, so. So, so. So, so. So, because you, you dole ask the corrid to, the year, the year,

get the Corridor that that dispuntar the financier. The

financial also is an exit great of baron to courier that.

I don't I don't don't I mean I I'm the first I'm

the tonnature and the tonada in the answer sincerely and you

the chinka you know there's we're we're we're that

you're that what Corridon Compal Anette Yeah The yeah

That's that That's he said He said he composed the compo

Araerai Castro and the person of the person of

Garay Castro but there in many many verses

and many words that in so in si no

I don't They're just. So, I've I've done quite a chingue

to the reconstrued. Yes. He came componing various, various, and he

met he other characters where the bato says that has with them

other people that were very appreciated for him and not were

in the Corrid so I included those characters to the

carriot and other things that's in him and then

he he he he he he did do

we with Puro To Ptole and accordion and

Bajo Quinto and the voices and the net

and me my company no was not was

because was in a maqueta in Yeah, a maquetta,

well is a little well, no, no. It's a way to get you know, but yeah when

we're just we're just we're making the rest of us, we're to get us to get us and it's

when we got to the people, well, I'm that I'm really, that I'm

that I'm much the whatever I had to do you know, the car was to do a volume, The tonada is the

first because the tonada is with what the time. Before you listen you first you're you're going to listen the music first

so you get to listen the letter so that's and when I compong, I always I've always

I've been that, that we we can't let me call it, I'm always I'm just

that the public say, ah, what perro is the not with the fan just to say, ah,

to tarant to the client because the client's loco about a story of your life is a

little bit but but if in the story not is the thing of

the public and they like it's that it's so chilo so

so I always I'm so I'm in to say phrases

or to make things that many many of

the people live Let's let's say that people, that part I mean me identify

and I know that for that's when you get in the courier what's, what's

what is, in your career, what is? The net, the the

court, the financial again, yeah, it's started to go,

recorrier to, what is the, the, the Republic, the Republic Mexican,

and, It was the the theme that we opened the frontier. Oh,

I don't see. It's that with how? Yeah, we're three years with Visa.

So, we know, we're we're we're so we're so we're going to

make it. Well, there's there's in the luchess of all because

all our amistades, colleagues, from here of Kuliacan and they are there also

other of other states and the net all the musicia we're

we're present in the other other and and and then

the net so it feels very that even has passed

in the good we're in the because you know the batallos is how

that the that the people that see that you're in like you like it's

like it is to maintain to be that's that's the that's the that's

one of the things important is that other other other I'm

about about about we're about we're with the

financial the so it's it's it's all this

this information A B. We're We're talking to the financier

in a a party of a couple of years of a friend of him.

And we're just we were very at the net and and

see, kain first on a rapid to the soldiers of soldiers.

Of soldiers. And the financial in the letter the

word is the financial was because there's there's a billet

there's and that year he was like he was going to go to

in the pachanga let's a fair to the to the rapids to keep

to keep to keep to the fiesta to let's

they're that they're they're that they're so there

there there and there they're there we're going

Coyne Citiated all the colonies no there were Cours of soldiers of soldiers was a lot

that this time captured the financier in that we're we're talking So you're We're talking

loco and when you had to him captured as he was the court say to the barons

that me toke order of preension and if we took when he was caught

when he was they were they were and we're in the salonsito complacient and he

he was he was we're having we're we're he was he was he was

he got he'd just just just the the the

the comodidid that had the year. I mean, I know,

I don't know I'm never never to see a matter of the world not the

exagerer. All the colonies were with with soldiers and there was a

little you know, there's there's there's another there's there

was a here in Guilacan was here to get to Santa Fee so

so so so how was that? In what I don't bring aure it right in the

mind, what year was, well, capturin a this man, and they're

to get a pen. There's they've had been a few days, and

he, he, he, and in that then then, well, in this

then, it took the casual that we had in Guadahara to

and we gave a message to my telephone, Compachico Diceke,

that man Yeah, me specifications of more or less who were that

that manded some letters information. It was a message that the

same that made to get to me to come to start to make

to come to the capture of the financial and I'm so, so, so,

yeah when I'm when I'm Pugilacan of Guadalajara I'm I'm

I'm to look to the financial and I say, yeah me explain

more or other things that want to come in the capture of the

financier and the and the fact a chito of us a chito perron of us

and if if they were to tell us the race of the financial

they procured to the baron and the person the

person that's very great, the that's I'm in

Cuselian in Culeyacan the mata in the mafia no there

no there was a how, the how they said when

they're they're saying to say that there there there

there the that's that's that that's that has

no no no no Batos mafiosos very great, they were

machin. Ah, no, are, and to, us, we're not,

we're not, us, we're not, the music of the financial. In-s-

we're not, we talked to him, but, because, fickate, the financial, is a

person, a person, the, The planet, for the phone, a very good person, if I'm

a guy, when a birthday, when I'm a new, X day. Appuntem X day

to get to that he to come to come to be that's that every end of

the months of the year, we we we're we're

we had a agenda full of financial, financial financial, of

all a beast, From the year, one of the year, until to terminate December and

I'd start over December and rancavo and we'd repeat we're again at those same times with those

people. Ah, the bestia, loco. And there you have that's the net, the voices

very joddidas very very incansadous but the net I'd I'd I'd

but as he no. And he was, you can say, a clave of those that me

helped me to do not my dreams, because giving me I'm doing my time,

we're doing we're doing we're doing we're not we're not we're, that many times

they're always they're that's there's there's a there's a there's, no,

I'm to put on the the equipment and you get to the music, you're

you, I'm going to the other. And there you're you're also. You know,

the part of the part of the talk at the hour that they're to be the time.

And he, and he never, nor the group, we know, we've got with a

beth, well, yeah, I've got there's a time, and come and

talk emigratte. No, he's he's always he's he never don't don't know

don't don't don't, cobring what they they're to cover

don't they're No, never, because I'm, I've been this of him, and much

a few of have seen apply to other clients, that many people are people who are a lot of

and they're getting a bigotier, and that is supposed that's a man, and I

let's say, I, one thing is the amist and other of the time, if you

you want, if you want, to, do you, so my amist there is great so

this this man said if you I'm I'm a good I'm

don't know there's there's or that I cover some those

more I mean I I'm the with the affand

to help you not with the affand that they are

taking me grates well of I think that that

is the reality, comp, because how you know let them a minute me,

a $3,000 less. You know, you have explained much

that you have a ching massacos that's that's that's people,

and are good and clients. But many many times

there some of those that I get and say, man

chico, that a fecha and but cobrem barato

and you agarando cura I'll I'm it okay

but because they're they're doing the way he's he

got to but the but the the the the the

card you have $5,000 and they they're and they they're

and because because one one of the same to your

thing is a thing that I put the price to

your There's a job, well. There are many many clients and know and comrades of one that want to put them

and they're to be like that's not, not they're to be like, one as well, but yeah, that they want

to put the price, because they despatches only. To despatch are some good,

and I say, because I'm my has passed, I'm doing, I'm

doing, you've seen being doing, I'm doing you, I've seen in a

Fiest. I don't I'm no, because because, uh, Well, the

very as we as we're like, to consume much the music of the DJ no,

no, no, and many of us when we're playing, and the time, we're doing,

we're doing, we're doing in this time, is to just to we're just, we're,

we're, we're, we're, we're, for, to, for, for,

for, to, the more that the o'idos, because when we're tapado of the ears, then we're more rapidly the voice. So,

so, according we're, as we're we're doing the ears tapos, and we're affonics, we're we're saying, and we chingamos the voice. Forza. Yeah, yeah.

Yeah, I mean, me has to talk toparles in a party of characters, for there. Yeah. And, no, well, if, the chamba that's tap. No, much thanks.

So, so what more What does the after the financial? Well the financier me

to make the court of the capture and if I'm

and we're we we're the financial was a

a not a not a international because to

the people he's and and it and it's and it's

And when, well, logically, nobody could know where was, then we

didn't know. So, we're we're and we're and the net can say

that we were the people, that we were, when he no, he was

could be, if in that then, in that then, no,

then, yeah, yeah, it was a profuged. Yes. No, the law

it, no, no, it's it's for the where it's and the

accordion so. Well, when I when I do you do you do

the road to see let's let's let us let me

let's we're we're to move this just a little just

to let's let's let's let's let's let's let's

to this accordion this accordion so called mary mary

here here here. Here says, the city to rancho this

accordion me he he he he especially he

made to do the design he is a dollar of a

dollar of a hundred dollars he was he made to because

he said that was that was the billet more

more than the world. And, and the net, when I made the

I'm the carriety he was a good for he said, he got a guy,

I want to give a accordion. And, this accordion so it

was made to do totally to zero. It's the only in

the world. It's this, this what are being you

are this, railita for rayyta is a card in an accordion there in Italy

there in in Italy it's been all there is a it's a work of

art the net because let's see the the the

painter uh uh uh uh... uh... uh... uh...

his firm in it like in it there's a there's a there's the there's the there's the

there's the Oh, yeah, rogne, the year. Because I have to see it as, as, it's, it's, as, as, as, it's, as, as, it's, like, it's, like, in, in, in, in the accordion, well, no, that's... No, that churlada, compa, and the net.

And the net? If, if it, if, if, if, if we'll, if we'll, see more, more, more, more, the texture, more... No, so, so, so, so, so, if, so, if, if, if, if, if, if, if, if, if, if, if we'll,

, like, if it's, it's, the silhouette the figure- the figure-t of your car okay yeah for,

like, who said, it was painted totally so, so- so- so-

so- so- and then and then, and, well, I think a chino

and I know, a bit, a of the financier there, how you

can't, how you hear, the shone, the man, the, and I'm

, paned- pegged, Jesus mania, Me matron to my parents 11 years

I had But I Loverd When 14 Cumpley 300 Tiro's Deoerno

That and more They're Thee The That was They'd And And

And as And In the Cormid So A A A

Adertecimient to this man, where he says where he where he says I'm I'm

I'm going the support of the Mayo for that let's clear with the

sir of the sombrero for what to say the first I'm for what

he order for the for the I'm for the person I'm almost

I'm almost come my man chine the quero me chine the

I can't hear you. I'm very much there. There's a video that is made viral of a

girl in a party in a party. You're sat sat down in a mess

compo and so all the time in the two days I'm I'm did it

was a video. The do you put in the plan, I think I've got

in the thing I'm and it's a one's a man of

that because it's a a if it's, if, is a,

uh, someone with, to, can't, uh, could, can't do that type of,

of, the, of, but it's a, it's a woman, it's a woman, a woman,

a year, no, one, 40 and a yeah, no, no, yeah,

yeah, yeah, yeah, yeah, yeah, yeah, and all, and,

and, and when, when you're when you're in this type of things, the net,

I feel very, when the people, Korea is what one writes. That's coolada,

compa. How? Because this, you know, this, this, you know, how was

what was what more has paid the financial in an event of him? Well, in si,

say, I guess, I'm a rast in curbs, I don't in see a number,

but so, and what? No, No, well, imagine the financial he has

got a lot of the net. He has done a chambah with the with the chambah because the net

because the net we've received of him and the net, not is the only accordion

that me had done. I mean also another accordion dorado that he,

he, he, he, he was he was he he's the accordion of teclas.

And there's the accordion and then the accordion one of the one of the one

one was a way to make me to me and I'm and I'm and I said,

well, well, yeah me just it like you like, how you're

talking, and they're saying, uh, he's, he says, if my

can't the song of the two arbolitos the accordion is you. Ah, well, tardy

it was that not ran to get a and we and we're and we're

we're we're because his music preferred was the music that's

the music that's, and, for that reason, we're, at least, for that reason, we're, The net Yeah, what perro

compa and all this the people you're to be to be

to sincerely I'm like what you is the way

how so you the bato of that that

he did so really because because you because

you how so you see if the financier

no he had done had done to see

to not to not done if the if the corrid

not he had been compuett yeah it's that all like like

like I'm I'm never I'm never with the intention to

say compas I cobr't for the carido in

that in that the net well we didn't we

didn't we didn't so I cobrable I like,

I think no get them put on some 50 balls that I

had had I'm for a time and I do I'm

I'm I'm to sing another car and and then

another thing for the repertory and and yeah

then we did in the pate and that's that

that the public also. But as you say, without that client,

well, the majority of the dreams of still haven't been complied. Is the

reality. It's a realist. The net, and until the time,

and I'm going to be very good to be to him. So, and to

all of all. And to all the who have done and done chambah

in this environment, because have to be well, no, I mean,

no, no, no, no, no, to you say, a, a,

the tacher to the corner, or the corner, so, so it's a realist

that, that, that we're that we have to get a level, and get

to that level and conserve it, then then then, then, uh, to,

music in live in your fiesta, then is a fairia. Some anecdote that

has had passed disagradable chambi chambi and it's a man

there's a bit of man there no man he's no matter the man

he's that when when I started when the rail of the barones

that because there there there there there there

there is a there has you know you

know know to him but many times the people

when are with others many times they're they're desquited

with other that they're that's doing. So, he said,

he they're they're they're taking in a car in the area of the

carja, we're we're talking about there up, and we're a cappella.

And it's a cabalal. me do a gordito, and and, I don't know, if at Tarantoo, or,

no, he, it's, it's just going to down to the carriy did,

he, he, he, he, he, he, he, he did a,

to, he, and, he, he, he, the, the,

the, he's, come, put on, a, a garrido, to, the,

let's, don't put on a garrue the car gos, and, And, well, we're

without our because, I don't we're not, we're to keep the cure of

that way, because if we're or not, we're we're we're bringing

the service and they are, and they're not we don't have the amist

with all the people. So, it's felled the person and

between his cur the bat and he commens to him to some

some verses for the for the he got and I don't I can't

he he's he he he he and I did he

I'm there there there had to get to him to start

with his with his car more and and I mark I'm

I'm I'm I'm I'm a kind of like a when

the Vato Carriud is he's the carriya and

And I go, like, like, preparing the tone, well. And the batto that's the guy who said,

I thought that I was to come to the verse that was that was saying, and the

bato, undiado, he's a a pistol, and me put it in a court, and me

it's, you'll, you're, I, say, you, I'm, and I,

so, there's the time because I put the the chingado can't do to the costillas.

So, like, so, like, for, like, he's, like, to get

with someone, but, and, and, and, and the, he was chas interposed

in, not, no, no, it's cur, if you know, and you know,

and he's got, a carring to me, and he, and he he's kept controlling

to the but, but, like the Bato, as, like, he,

he, I don't look to to the , if someone me, me, me the

me, I mean, to the bestia, and that's a molest, comp, for a music is a

man, no, I mean, to the person, I mean, the person, I mean,

so, like, it was a second, that no me did because I,

because I didn't, no, I did, and it was to other companyer

that he was, he, he, he did know, I never looked,

I never when he saw the when he saw the , he saw, and he

I was just It's Like I never When I saw you, I just saw it, I just saw it, I'm sorry, I'm trying to see you, I'm trying to tell you to see how much, you know, I'm sorry, you know, I'm trying to see how much A lot of Pistolona that's just like, you know, that's it. Because, for the net, all this type of personages, always

they're the company of an arm, but that's that's that, that's,

and you what, you know, you know, yeah, back, yeah, the,

yeah, the, the, the, the, the, the, the,

that's all, man, man, did you, don't, me, tell me, and,

and, and, and, and, and, and, just, other day,

not, not the, so, we're, we're, we're disaffaned of a volada,

and my company is very very much very much. No, because, well, the cuck

is to get a for a get to the defund man, yeah, yeah,

I'm, a, I'm, a, I'm, not, so, so,

because I don't do, I'm, more, you know, there's a there,

there's a yeah, yeah, and a per to the people, I'm,

they're they're, they're, they're, and, come, come, a little bit of a few,

I mean, I mean, a bit of my gosh, oh, I mean, much a bit of course. A few I'm sorry,

because I'm because I know how you know, yeah, you know, and apart one's, uh,

uh, and it's, uh, any, whatever thing that's that will be to be,

and you, and then, you're, then, then I'm, there's, so, and so,

and so, and so, and so, and so, and so, we're, in the mackack, like,

in the, the matter, the, The net a cappella, we're we're doing much. Yeah,

you can say that at these altars, it's rare when we work at a cappella,

but when we're a cappella, the net always is because there's there's

there's there's no more the, the of confidence? The, the,

yeah, the, so, many times, I think I can't say,

I can't, I'm much, five. It's just some of some of the people who

listening the music that Pella to be to be in us and we're not being there's

there and putting o'id and then the net until the fact, there have

been, but was, I've been with a thing with all the thing

with my man, my God, that's good, there's there,

there's a question. in Instagram. Let's see. What? What? What's the thing?

A- see the one. For you know? Here, here the pleb to get with all

that's chiena. Dice, what bandera naviga, dix? And you know, I'm

I imagine that those questions they were to do the rassette. But here no,

no, no, and no, and the both to get a doubt because the

net there, well, no, there's because to say you

say you know, you know, we're we're we're

never we're we're we're music, and what the music?

To where they're a where they're so so

many people who in si have a bandera many of my

amist for what I say that I'm I

I say The neta I don't I'm a represent

a brand of a bring, I'm to bring, I'm to get them

to make to make to make a piece of the I'm know, and with

the we can we're and there's there's there's because the

net we're to be realista we're we're we're so we're

so so that so that so you keep in that if you

if you you're there The bandera in in the net

there is realist he's we're to come to the and

the he's he has chupated the pesones in the kansas

man I know not not has not not

they've not chichia don't don't you know to you

man to you come no no another pedd. We're going to to put to

practice the No, you know, let me a morras bring it like a becerro

for that be a man, you know, and they're there's a change the papers,

then it's when you know chisland and lavando and the plato. No, no. The amane

trepeando, barriending and of all, beho, the verga. The maneta. It's

a chula. It's a chula. says, um, well, you have chuped cuss?

Well, the net too, I don't, no. If the ranchos more pich

descarated, compas, how not even, even, even, even, you know,

it's, that no, so you can't say, I, well, I've been of the

last, I'm more, more, I'm, I'm to say, to say,

to the rancho, because if I have talked a lot of me that I'm that I'm

there's a lot of many people and the net, I think we're going to we're

at a time. No, the netta comp the plebaki and I me

to talk about to listen to the rachos, that were with the burr, with the garriness

and I took to hear you you, you took on? You're Chupam, Chupam,

the Jules. Oh, boy. I know what I'm what I'm going. It's that this man he's not me ensued that's

still about it. What is of you? My brother and my dad. Ah, water my dad.

Agua fresh my son. No? Well, then so here he says, Preguntal

how many times he took to the financial. Yeah, you know, you know,

and we responded those questions in the content that we've got to grab

but I'm going to tell you know, so you know I'm so I'm again

so you know it's not no part of nothing. It's not a financial we're

we're doing this so that so that all the year was a an

approximately from until before how times he's a

time you're so I'm so count as you have three hundred

six days pongal you I think I think Of the year, I think

almost the 300 were occupied with the financier. Yeah, you know, man. So, so, so,

so that's, because that number, we're going to go back us. That's, what, what,

how, how, how are you going to who are? It depends, because you know,

the, the Pachangas a sometimes, they're to, for, for,

for more loo, there's no more, it's, just, it's, no-

some monitors, But right, the barons of Culeacan an event that not a

fiesta how we we call us we're we're we're we're

we're we're going the event in 180 000 $4 hours here in Culeycan

that is a scenario perro yeah yeah a lot a bit of a barca

that's it's about the 200 and so it depends what we're going to put in there. It's good. It's good.

So, that's good. So, is that we're doing chambia. No, yeah. Yeah. Yeah. Yeah. We're doing here in Guilacan. And what is the Republic and,

well, the States. Water fresh, my, pay, the staff, not occupant to the States. We're not going to do a podcast to y'allah, well, no, no, no, but you'll be able to be in.

If you want to do, yeah. I do. Water fresh, my co, that's a bit of my dad.

A-Pra a boy for the people, that's that's that's that's

for that your group of this function, that no there's there. You know,

that's always me ask, that's even the same to the people,

even, even with the presence of one. I, I'm, that, you know,

that's they're, so, all we're, all we're the same, I said, oh,

but is that how you did you do you? You know, you know, you know, you know,

because if it would be all of us arremangangando. In- see, are opportunities that are

present and the way, well, at the me have left to go, to go,

to give to give, to get to the battle to the but I

know, for example, a history that me passed, that no had to no

instrument, that, the net no degen to be in the way to get in all the

thing, put in the good, yeah, uh, or so, uh, because here

is where there's where you know, the, the, and many times,

oh, with the favor of God, all the time, that phrase it's,

with the favor of God, no it's with the favor of God, it's

with the things, the only son that I have the companyero in the

house, and it's because it's to ask her to get to get it. It's the

Virgencita Guadalupe. She is the way of me, de every once receive a

bellagora, but not to be to be in her like the people, that the

people, that I say, I, I'm, I, I'm that I give, I do you

help you , I know, it is it's very obvious that the miracle will get

to work to , we're to be I want to that meta, it's like, for example,

I, I waske to be music, but in the way, I'm looking the way,

always with the meta, to get to be a music because, since I'm that I'm in the rancho,

well, so, well, in a certain way, there are reasons, the net,

there are reasons, but, because every best, we respect the religion of

all, and creencers. So, Plevada, much thanks, much thanks,

your reds my personal of Instagram, which is the that's the I'm the

net, because you know, you know, because you can say that's one of

the more of the more more, and more more of these times, you know,

you know, then you know, I'm not when I'm also, but the Instagram

can say that's where I do you always every every day. Mm-hmm.

Mm-hmm. The actually the Instagram is a child barones

of Kuliacan and the Instagram of the group is the barons with because

there is people that can't machism and I've seen

that I've seen they're making barons with with B

de Burr B B that's that that that's that

we're that we're but it's very basic that, compas that's the shingada

barone with b'bber to be of your so berg so borg so so

then Instagram Chico Chico, barones of Culiacan So, so on

M Chooooleacan. To be the music, the world of the platforms digital. So, so we're gonna

let's a lot of the content of the barones of the Kuliacan and there's to make to

you know, because the support that we're doing that's being, thanks to there's we're doing,

and for the things we're we're trying shingaso Veego. You know you know that's over

there's rumored that we're that we're the borgas here I've been a bit of

me the toned there's see, here is rumored that we're the verga Let's go

let's see we're going to have been invited here my compa chico the barone of the

maneta thank you for that no much thanks to you and the

really that I had much got to visit you and I want to see

I'm I'm my content in TikTok and the and the redes

and I I said, I want to go to go to and the and the net for much thanks for receiving me

and to you know to you still still still still and we're and we

so they should say day-on- day to to give more more and we

see no we have the you know you know because here there's

there's here so here are very welcome all the people we're we're

we're we're we're vendem me a quadro that's a man, no, no,

don't know, don't know to your shing a marre ponte the psalutely to do you all the time

we're doing this again, we're in the media social, the mafias with Seta the ultimate

I'm Fipper and your server, I'm there's a partient for all of

you're we're in all the social we're in all all the socials

and we're talking oh, thank to give we go we're let's

let's let's let's let's a in... In where? In the...

As soon in... In the... In the... In the... In the... In the... In the nudo of the globe.

In the pure cullito. In the pure Uyoo! Diggio! I'm sorry. Alluvres, good. Animo! Puro!

Purn up! Veeco! Puro! Poo!