LOS MAFIA PODCAST ⭐️ - Low La Receta — Mi relación con los Del Sombrero de Lado

Episode Date: July 24, 2023

Let's no, Recio. Let me, let's go. Let's go. Oh, you know, you know. You know,

you know, you know, L'i? You know, knows. Yeah. Yeah. Yeah.

Behue. Yeah, so, my compa low of the recipe. What did me, my compa,

and we're all right here, we end up, to, oh, and no, he can

get the , no, no, no, no, no, is that,

no, is that, I'm, no, is that the first podcast that we We're going to and I

said, no, it's that's like that's a it's a one, it's a really, it's a stress, man

and it's, exactly, exactly, what, how has been, how has been very good,

thank you all right here, I'm getting a good, I'm sure, that's

good, that's a good, no, no, we're, no, we're not

we're a lot of a lot of a verga, oh, way, I'm, that,

that's, that's, in, in, in, in, in, in the

city of Mexico, that's, that's, that's, that's, that's, he's

we're, we're, we're going to go to get a way, we, we're, we're doing,

we're doing, we're, but to get those contacts, how, way, you're,

you're, you're present, no, I'm a manager, a salute to my comp, palo, Pablo,

Pablo Casillas, saludasos, al, there's in the city Mexico, the is the

the old- the, the, the, the, the, the other things, too, of platform digital, today, we're doing this,

we're doing this, we're doing, we're doing, it's a mother of, it's like a promotion of Spotify, that's just

only a three artists a year. We're, we're one, so pluma, was the first, and we're,

we're the second of this year. I'm a, this is the campaign of that and today, and they're a photo,

and they're to do a video that we did do you know, but I'm

like a movie, but it's like a like a like a but it's of a camera

cameraitas of the stuff like something something like yeah yeah yeah

so it yeah yeah yeah yeah yeah I'm I'm

I'm I'm I'm I'm I'm that I'm that they're in

different platforms fared but because to get to get to

that platform not pelada. No, no. Or, you can't have a

fairia, but if you don't have the contact, and the influence. Yes, yes,

we're many, we're many, we're that's the manager that so much,

you know, we're doing, we're doing, we're saying, oh, in two months, there's,

there's, no, they're not any a chambah. And we don't know, we're,

we're, we're trying to, but there's no, and there they're they're

no, Well, so, so he's a man we're about

about it. And with that's, and I imagine that if they'd have to

have to have to be to get to do you. I think that's never

a second, and you have a fairia, no? Yeah,

we're more or not, in this moment, we're we're, we're in

four of July, for for all all of the Gavachas for all right

to we're we're we're going to $300, $300, $300,

and and it and it and it it's like and it depending to where

and for the people of and for the no oh no oh no well oh yeah

the other the other day well the first podcast yeah I said me

a be a a be they're a and I do

I'm so I'm so I'm so there a a fiest

a lot much for yeah. I mean, I'm a so I'm to be a

yeah yeah yeah yeah to be like yeah yeah the yeah

yeah yeah yeah yeah and I'm and I have convivied with two

three fulano for a and that day I I took an event in quillah

and you did you did you took other event to be yeah

for the pure serros they're around oh I how

how he was in this how the the of the of the

C? Yeah of the S water fresh. Simon. Ah, no, all good. Well,

is that that's just I'm in curate because we're like at the time at the time in Kulakhan

in a first communion. Five hours. Simon. In that then we we're five hours

still. Uh, right we're we're talking three. Three, Simon. And of

we went to the at the fairia in Abolato. And we we know to be

at the 11 or or 12 we're at two and the people bit bit

but I'm in the compromise yeah with with the barris

my man who he had about and we we've we're we're

we're I'm my car in ching in the band I'm for

I'm for I'm I'm and then I'm there there

so it's so we're so I'm I'm I'm

I'm yeah but but the In the netta, comp, I, I'd, I'd at at the 7

more or the morning, I was at last 9 that day. Yeah, I was

I was at time at that event if not were at fulano, Manganano perennano

subianian Pernanos and I did, and I said, I'd be gone,

but I had been a manned and that and that was on the

nine, 10 and then then after put a plattica and videojamada

with fulano video with a client and all my camarada. And, um, and,

how's it and I had, I had, I was, at the final of the Chivas,

Tigres. It was a day, in the morning, and I, and I, and I,

and I, I, came, and I, and I, took, a while to be,

I'm gonna, and I'm, and I, did, I, but, it was, but,

it's, so, Super pesado. But, but, well, we're just the net

we're going to we're there. No, but there to be there. In that

night, that night in that was that fiesta that's a there's the video of

Spotify, in the salado. The video of Spotify and I did, the video of

there's that will be there's there that's on Instagram, on this days, it's going

to that's that same day or after? No, other day a little

I was, I'm and, well, because it's been in perr, all the the fonder.

Right, I'm going to you're going to get to keep. Who, I'm going to be a

party? You, de Morrillo, when you started to the accordion, you thought in a,

in that a day you were to be with that type of people? And more with that.

The net, man. I mean, I'm I'm a carid and I'm and I'm

I was I like I'm imagined and the public and the and in this

time I'm the carriots of the chappo and the three he's they're to get a

three passos yeah he's yeah they're to get a three

passes to Usman and also one of one that one of one of

a guy of a yeah yeah yeah blah yeah there's

they're there's people there's there I was a chinggo of arms short and long to repartee

That's Mora T'ra T'ra T'an N'n That's Vee, that Rola

me VIIIin and then because they're difficult because more the second of that that's

difficult and so I'm so I'm and I went to sing to the cell and to play

and so when I kept a only and I imagine about so if I

would Tocando or something you imagine but you never never never

never And to the other? Still, I don't work. If you'd like or no, whey?

It's like a man if you do see me ask. That way. So, it's like, it's like,

imagineate. I, you know, it's a person, it's a very, with much

force, very legendary and all. It's a legend, it's a way. It's a

like, like, like, like, oh, I, well, I,

I, I, I, I, like, like a person that has been a person who has

and has been good, it's been good for your chambah I consider, I'm going to not need the people,

but me valer verga. Amlo, it's like that's here and that that's a senioron

is here. So, so, for history, for refue and, me, and,

legend, to me, that's bad to me... Yeah, yeah, well, no,

no, is that I'm just that but, but, but, a figure a figure

public, it's comparing like like like a figure public

but I know with the word, uh, you know, to the children of

him? Oh, humildes? Humilded Umilad Totally. Yeah, that's what

there's what there's the family and all the people and I'm I'm really I'm

admire the humiliation that has the people so, so that that no for having

power, for having money, for ten X or ye are humble, you know,

like, and they are people? What, you have to be in my

respect, if they are the what I expected, or what have done with you

also? No, I mean, so, like, you know, I, so,

I mean, so, to, like, like, with, like, with

any person agarando cures, so, like, like, like, like,

if, if, if, , , No, me. So, that's, for me, the first times that I'd

be able to be to be close to people like, I'm impactable. And for all the other I've seen into is that the people that most have the that's the most

humiliation. But, but you're talking of that ambient, because you're about here, regidores and things of

politics. I don't know that, I know that environment. That's what I did. To me,

I'm, it's comep. Primverra, one way I've done of DJ, no, man. Unique event that I got re-

and that I'm a guy a man who a malandro that I know that's a and that's a house

and I want to do something. Because sincerely the people there, compa,

you want to get pisoteer. And be and a pinch and I'm that they're still

I'm, I'm, go, go, that they do, until that they, to,

like, let's like, go, and I'm sorry, I'm sorry, if you're to come back,

and they're to do you, you're doing, that's the that we're talking, and you get,

and you know, and it's, you know, you know, that's, he's, he's, he's,

that's a thing, I'm, I'm talking, I, I took, in a fiesta, in a

kila, and this favor-sito no me did someone with a person, but that's

related, my car was atorado compa my car to come to get to come to come to

get to do you my contract and I did I'm to go to and no, but I'm

my car my car how I'm going to get into people I'm so I'm

no no no no no not it's he's I'm

there's take I'm I'm I'm I'm I'm I'm

I'm to let's let's let's barato, or more barato than

than the attention that's yeah, but not you know you know, so it's very easy, say,

well, say, well, say, so, so, so as well, you'll be to do you

do it's the thing, that's the respect, there's respect. There's a little there was a

there where they were to be various. Where they were there. There's there same

there where I'm there where I'm so it's so, so it's like, And no

And not And not so What? You know Not even In that Fiatre? I'm

I'm I'm I'm A couple-a- I'm I'm I'm I'm

I'm Because Because That day Chame I'm Like three And so

I'm But I'm I'm I'm I'm I'm I'm I'm

I'm I'm I'm And I'm There's There's Inquil

and And, you, and all the bachians, and all of the beach, I got, so, so, and all the

muchas all the muchuches of the fissed and they're, they're, I don't have, with the, cause I,

I, no, I, no, I'll, I, don't, I,

so, if, so, if, so, you, so, because,

me, no, but, why, what's the, that's the, what's the, that's the,

that's the one, the only, that's the only, you're, bronca, but information. Ah, information?

Well, no, no, I don't say, no, I don't know anything. I mean, I know what I'm

fring to my man? I mean, what can I can't say? No, is that the government is

astutto, yeah. To me me, it's too all this is going to do that

in that fechita because it's, of two months to come. And, Mon,

it's put water water and the thing. And also me took it at the five of the

morning, an hour extra, and a correder, get the hell of the god, you know, they got on the

hour extra, I've been paid for the hour extra, I'm just, no, I'm, I'm,

I'm, I'm, I'm, there were, like, like, like, they were,

like, they were to put a, and they're to be, to be, to be, to be,

but, but, but, there's, thank you, God, because. ,

Gabro Gawarde Vaugh. Well, that no, well, there's been there's

there's there's and there's not, not, not, but so, that I'm

to hear for other part, but it's it's not they've been back. There's a

other, yeah, with him. Hasn't much, yeah. No, he has

done so a event so, that's that there that there, that there, agar,

agar, agar, no. That they're they're not, no, That's the government and...

Oh, yeah, God, God, God, because, you know, who's... To know who's... A my comp... A misconduct... Well, some, I can't mention it,

because I don't see they're in-acquered, but... But I have some compas and even the instruments, they were to

get to the government and all, and the... the malandros, then they... They were... they were... ...and they...

...and they... ...and they... ...and they... they're I think they all they're they're

they they're decomisar all the all the everything they were in the event

the end of the accordion all the a bit a bit a bit imagine it for the

music to get that that the accordion that you that's

this value this money like six six six hundred dollars

Mexican well then so much so on the dollar put

let put a cent cent what is it's is intero right we'll

we're saying. Intero but that accordion I know I know I've never seen

no, no, so I'm new so no and who who's what,

who's he's this, I'm a accordionist very good and so a perro

then I said I go to callar I I'm gonna know Bafetti

but what the but what's that's they're too to turn

me they're they're well we're we're going to to

go and How many they were more a little who's who's who's

who's my compo there's in the there's when you when you

do you see or what? That's that's that's that's that's

he's yeah me me me those those those

two those two two two two hundred money yeah

yeah and and all and the play he's he gave a

bago the back the back too three thousand

dollars and two back six is an accordion or battery? No, it's that there's a few,

there's a, there's, that's, that's, how, how are, what, so,

what's, $150,000, so, in dollars? Yeah, like, $15,000? And,

like, $15,000, way? No, are, 15, more or less than, 15, like,

$8,000, $1,000. $150,000? $150,000, ah, oh, well, $15,000,

like, 300, like, 300, like, 300, and he has it the

baghista Alfredo Libas almost that's he's he's never

never you're never you're I'm I'm took a little

not not not not not not not from

here at Culeacan yeah yeah yeah the tomato the

the recetta yeah no in the the doorado the

the robert tap ady in special Gerardo Artis

and Alfred Oliva yeah there presential to Alfredo Oliver

of a private fiat I'm that's a bit more that's an animal

that's yeah, he's chile for can't how it how it he

and a me a a an artist way that he that he

like alterer the roo and so the bato is very relaxed well

so he he's so he has even he has his time

to get his accordionc to to change and interpreter the song,

a little bit of the microphone and can't this balka this bato the security that has

to be able to It's that. It's that it's not that you do you do Simon.

That is the passion is what is what transmite one that you do you

do that's you're the passion to come to you know you have to you have

to you're to be able to you see it and there people that not

and they're they're and they're they're and they and those groups

regularly the people not and the people don't and they're to see what

they're not transmitting a passion so so so like my my comp

my comp a per man he's he batto has

has a has a a a a way a a way

so a Chilo and this and like he passion a much the music and he's always we're

and so he's kept quiet and one he's moved in Berghis all right all right he's

did a birthday Simo how's how he was in Chiloh my net his

his cumple I'm that's that's that was a so were some

were few people were there were to get to that to get a to that

that's a year yeah it was there on a salon, we.

And there were a field of cars, no, to enter. And, boy,

like, like, because there were a lot of cars that were in a

thing they were. They were not they were not they're in the list. They were, they're

they're they're to call out to all, but for the because we we're just

we're we're just we're just so that so that's that was that was so much

it was was very retired or centric there? No, there in Zapopin, way. CENTricon, for my, for my point of

of view, centricone, I know very very well, but, but, so, how,

how, how, how, so, how was that, they were, going to be, a list,

invitation, no, so, let me, let me, that's, that's gonna, that's gonna,

that's gonna, no, no, no, no, no, no, there,

to enter, and there was, and, no, me took, I was a woman that had I was able to

enter there was there's like a two or three filter and in

that last I'm and that I'm and the and the morrie and I'm

going to go to go to not me go to go to and I go and I

and I get so yeah but it was too he I'm I'm

about yeah yeah about so you how do you that you that you

that you you're you're you're The Pesso Pluma? I don't see, boy. As she, all, all verre,

all, things eccentricas and the bernic, and the ruck, so the rio. Well, fifted, I'm gonna do

a pure alcohol if you met you a man, I think. I don't know who's the person,

he's got to but, but, yeah, of alcohol, I think he's, I think he's

very good, very good bottles that that are that's, that's, Oh, boy, they're They're like,

but they're of, of those we're of those that we're of the one that's the yeah, and of this

and, I, I, I'm just, I'm just, fah, fa, fa, and then

some tequilaon, way, and of those coffes, but reposado machined of various years,

that they, that was that was the was that was that was he was that was that was that was

that was that was that was not, no, I, I, don't,

I, I, I, I don't want much tequila, but crystallino, well, to me that madre, boy,

to be, to be, that's, that me ambiented that's a trigit, boy. And the other yeah,

like, water, but what's, but how do you? Well, I don't know, I said, I don't know,

I don't know, I don't know, five million. Fibate, that I'm figure in that, but I said, but I said,

I'm five million is, between all the thing, decoration, music. It's that, is that,

the music, the music, the music, no, It was a regalado all that? I don't.

I don't know. No, not all the artists. Not all the artists. So, the artiste that I, he said,

he'll give him a million and a million. $1.200. Million. Pondolol that they've got to a lot of,

a million. No, can't say the number? No, because I don't if it's true,

but. Okay. But, but more or less in that they have they've not they've

no. But this per, boy, this, I'll, some day we'll have a Fiesta

so, if you're But no there's like the way And you know You know You know

You know You know You know There's Oh yeah There's a I'm way And because

I was in a Live I was I'm gonna I'm I'm gonna I'm gonna I'm gonna

I'm gonna I'm gonna I'm gonna I'm gonna Yeah No no All right All right

Publicly I'm I'm For a No No, all right but

but I'm to be I'm in the in the in the in the way, I'm in the way

I'm a half hour because I'm doing a minute, I'm did you do you

I'm in the live yeah, we're doing we're we're waiting to the low

of the recipe and the yeah that you would like you I'm

I'm and I and I say to ask to get the of

the chippo Isidro so to put to how to so

my is that my And, well, there, there's not easy, but it's it's easy

the, the connect there for the authorization. So, and I facilitated, and I passed on the

corrido, a camera to, the, the, he was, and I, he was

to do, and he said, you know, what, quited this and this and this,

because that is false. Okay? It was I I'm I'm I'm

I'm I'm I'm I'm want to show I'm to make

to be a person it authorised the light red it

we're we're called Isabel Isidro Isidro El Chapo Isidro

El Chapo That Isidro Why? Because they're there's because there's

because there is because there there's no so no? Yes

Yes By for for originality could say, well? But,

also, it's a second no. Isidro is the chap. And the chap

is Isid Yeah, ta-perro. Oh, and that you, you know, what was

the composition? He composed a compus a man, he's that he

made, he's, he's he's he's he's he I'm,

I'm, I'm the I'm the things that were

that not, that not certain, that Much Corridos say

things that not are certain. Yes, yeah, so, the

of the and the and, and, and, but, thank to God

all the of the Tucanones. That's that's that's that's that's

that's that's that's the that's that's that's yeah, no,

and yeah, but no mention a nothing nothing nothing no more

that the government no no other other thing that's

false boy but but but no I'd like to say it

because to get that's the yeah, yeah, yeah, yeah, I'm sure.

Oh, yeah, I'm I've seen that you I've asked too, there's

in the corrid how are with that project? With the the

video? We're going to do that? We're because he did you do it

was that he's that he started with the thing, you know, that's

that he's that's that's up bad and the well all that's all good

I'm I'm joined with him and we're to make a roll and we do you

do what what's but a cover yeah yeah yeah so it's

that the definition of the that's he's a cover of

a type of regetton pop or something made a a northe or

guitar to to be a regional and so if we we

my manager the net there, was my manager way, no me he was to do that

with him, way, in that moment. And, and, so, we,

that my manager no, I, was, I, and my compa,

was I, and, my, and, and, well, no, so it's

so much, it was a time, we're we're a little because we're good

friends, so, and then we we've to join us and we

we're we're doing we're we're doing we're we're we're we're going

to do something something but you but but you have the role

selected and well yeah more what you what the and I I said

I'm I'm this man boy well I'm good

I'm so you yeah I'm yeah I I'm yeah I'm

I'm I'm the man I want to grab to a different way. And,

and then then I said, ah, well, grab her and we'll, yeah, that I

gave you to the style of the recipe, yeah, it was when the manager me pared the

tacos. Because, look, the net, the managers, well, I, see,

and one, and one see, for the amissed, so there I'm there,

but, but really way, is, is something that the manager never

he's going to take in account, way. Because for him always

will be going to do you know because he's a thing that they're in a good

good. No, we're going to do you. We're going to but you're but it cover too.

Yeah, cover, because the COVER because the COSA he one of Coupido

yeah but that is to his a no, that's cover way of who?

Of who that's Cupid does, not the Tiani Tiani? Mama

I've heard And you You have already Various A lot Let me,

I'm Let me Let's see What's the Is there Is there Is there Here,

look Yeah, I'm What's What's What's What's We're

We're We're Hello Hello Pleves This He's He's

He's He's A He's Oh Yeah I'm There

We're We're We're We're That's a mad. I want to I want to finalize

that's because we're going to work on other. Yeah said, yeah

I'm a handel salute. In the in the Mafias with my compah

Jorni in the Mafias? Yes, with my company to the hells,

a verga there go over and say hello tony, laves the fundillo

via bi to all intero Oh now he can you

now my man is is that me I've got a chordion, I'm saying, we're

doing what role. The design and the world. Yeah. Oh, go ahead. And, no,

not he was. A bit of, what we're talking? What? What we're talking? What? That's, that's about,

Del Diego. Ah, yeah, that's got the Coupido, that's a cover of Tiani. But, ah,

so, and you, that's, I, that's, I don't know, I'm a rome,

that's, because I'm made sure. And then you've got a, you've got several,

no? Fercho. Look, I'm going to the Kenini. Before to know, before,

before I'm with the Coe's, I'm before I'm called Carreus Asterix, I saw the invitation

that was the recet Kenini, and just when he was when he was when it was when I was

the Rojo Asterox, and I said, Corridus Asterik, for my compa cos. For that's the compa Diego. But,

but then then, there were a little to see that it's my rollo, here, and here,

man. No, man, we, dude, do you know, caulk, no caulk, no,

caulk, no, that's the I'm going to say, and you and you while,

pa. No, the people, way, quid, let me, they put in a lot,

and they're and, they're, and, they're, so, thanks of we,

we, we, the net, we, we, we, we're, we're just,

No, just the people that, ah, that, he's he robbed

the song, ah, that's what, so, well, so,

so, are, so, so, so, so, and I, so,

and I, for, comp, I said, I said, I said, for you to be,

so, but, but, but, so, but, we, we can be

a number to rancheric we, and we we're, uh, to Rancherick

for, for, for, for, for the people, not, for the people,

not, because, it's, that's, way, no, there's, how,

how, how, how's, how much, so, for example. For me, for me,

is that for me, is that's Asteric, way. And, fichate, to,

as, as, as, as, as I'm moved, Spotify we're going to do a

playlist of the that's that's that they're called rancheric, boy. But if

nothing of the play It would have That's Well, the Discussion That's He would have He said

It's astirical The movement But, Ah, way, no mame If there was There's real,

if there was Real? Yeah, than you That's That, that, that,

no, I'm, that, that, I'm, saying the net, I'm, I'm pretty,

because, the netta, I felt like that, I'm to get to get to to make

to me I was And I, I said, well, I said, well, I'm

my intention but but for that all the so I'm going to get the

role my side, and so no, I know, I know, I know that that

you, you know you know, I know there's there, I know I know

I know there's that tell you, well, tell you the hell the belg, that you

get to the you know, well, well, look, well, it's all right. Yeah,

yeah, yeah, so, yeah, that's good, that's, that's, that's,

there's, there's, because the people, just, I'm just, a little about,

a little and the idea, and the I'm really, I'm man,

man, man, it's, it's, he's, he, has, no,

it, he, so is that I, I'm, I'm, I'm, who,

who's, who, who, who, who, who, in that moment that's if you said,

oh, I said, I'll pay a exult and no have a brazah and he's he's been in

person, the roger. Yeah, so, we don't we're doing about about,

people, no, person, the net. Animo. So, it's to be the

really, to resolve the things. And, and, and so, in that in that time,

we, we, but not we've talked publicly, but, but, but,

no, no, we're not we're we're very very sure, with the plebes and but,

but, but are that's the type of things that happen, that's to make the

other people to destroy in a amistat, well. Oh, ohalal, ohalal,

my co, not you, no, no, no, and you know, and you, see,

a certain in the number, no? Yeah. So, low. And where

where you say, low, me did you do? Of my name, of my

my abelel, boy. Okay. There, a question here, Padrino. Fierro,

how about it? Let me. A be, because no. We're we're doing the, no.

The time when we're when a collaboration with a plume? Eh,

well, I would, so I would, I'd have not yet to talk

no, no, but we are more more more than this so I

can't I'm more more that's a year super more

to get to get to to with with Pesopulma or Bad Bunny? Collaborate. Oh, with my comp,

Pesso Plumma, way. Why? You'll say, for what? The two, or, or the most,

Bats Boney is more great, no? More legend. But, boy, the Pesso Pluma, whee, the Hassan,

we, is, that person is humilded, boy. Or so. For there, I,

saw that they said, Hikama. Yeah, well, is humiliation, is a good people, boy.

And all of that, Bonny I've talked to or cellar from the but no,

I know I'm not for the interaction that's you've been with the person

well. Well, yeah, because yeah I know that's good,

that's good people, but I would be a good, yeah, I'm

like, yeah. Because, because, because, because, look, supponient

that's a rote, way, the rola, there's there's there's and then

yeah, oh, pego for me yeah, pego for me, oh, boy, pego for the dog, we,

we're, we, we, we, we, all. When you they're when they, they're

there, so, that if, if, I, maybe, I'd say,

much, because it's a bergazone, and he'd get to no, way,

the net, no, oh, so, who, who, who, who,

who, in that row we're doing your people more the people my there's there's a

there's a there's a music, uh, is a mafia no, and it's

super difficult too, way, to get to the connections really that they can get up

and there there's a love, that's a good of the mother that you say you,

boy, you know, you know, you know, you know, you know, you know, you know,

you know, so, you know, like, like, not they have called.

And then they're talking what's, the most frustrating is that after that's that's out of

a lot of that's out of the so much that never they're getting so- yeah,

yeah. A-be here, here, what roles in my papa? Vian

a new that I'm to talk that's that's how Dormista. Is the

the, it's the is the Relsby. It's a- Asterek, a song

Rancheric and they're in the time I'm going to come in the show

I'm but you have been in Tickto yeah the Pitchin the private yeah

it's a chawo and perra boy that I like much vion come in

those three let's yeah before before if you want to

well I'm that you I'm let's let's let's let's

let's let's be gonna be gonna be to get to gettee to get three songs here. In Altata, the Chirrini me cobara $500

for three, for three songs. Imagine this. Ah, and the recipe, how do you? And here, Gengrena, my ho. So,

how, how did it, four, what? Ah. 43. That's new-sito, ah, we. I like the accordion,

so, chiquito, man. cancansan a bit more I mean, I can't much less,

the real and it's the same the same potency and all the way? I think

no, I think that not that's more more more more

they're more because it's more compact so encirra more the sound

or something which what's you're going to let let's let's

let's let's let let's change the Styrick. Go. And I'll

start see. How rich would interchange energies to

bring with say good days to do the love and then

ask you how you did you baby if

me so you know I'm know I know I'm

with more baby, if me I'm sonihast I'm I'm know if with more gannas

m'ammy respect that's the cull you do you move an evils d'oe d'oe to be in'n so f'n

so fred so gis so clean that's o'glo so bo with cream you know what's what's the g-e he'd get the chtete rojo supreme

She She's a Agressive That's Condembow And I'm fan of that Pussy Rose

La Pusea Gritty And I'm In the There's a But it But it's Carta

When me I'm gonna But my bitch I'm A man Pardon a Grosery It's

me Ohbid I'm I'm You How'd You've Baby

If you me So you You know I want I want if with more

gas you're I'm like you don't know I'm so you see me

so I'm I'm more more I'm m tita that's

that way that's man I'm I'm I'm I'm I'm

I'm I'm I'm I'm I'm when with a little with delicathe's

or aggressive I like aggressive that's like agrensive so so so

yeah yeah yeah so you know like you want to go

I'm gonna no no no no no no no all right oh I'm

I just I'm I'm there was there there was a pedon when we

did with with a novia that I'm then, dude. To the

verga. I remember. Mejor I'm a better. Fierro, let me, the,

I'm gonna, I'm gonna, let me this, this carrie this corrid, boy, of those

that's the I'm gonna get a man, we, that trunny, that trunny, that trunny, that trunny

massiso. I'm, I'm, I'm put, the nio, no, to give me to the

I'm gonna I'm gonna he's, this is Let's Let me A boy Wairah

Wrenica Oryl Hey, Lely He's Ismail The world About to

me But most They know The That's A man Me Me

Me Me Me Beend Tender Tocan My Tons

And the It's In the Airopporto A Crafin And In

And in Operative Me Agrav A Vincente The Magito Gordo

Yeah It's Here The Empire Wulbe My I'm present

I'm I'm the Mayo the salado The I'm the same I'm

And here We're We're festegando with Quartitos in the Man

For the Alamo I'm I'm going When I go Fiest And

I'm With more Rast That my family is I'm

When there's set But if Is it's So you're sick You can't You can't Why poor Nassi

The Diner's All right What I'm in the Mente What I It's in Palabras Me Dejo

It's when Vicente Tiro Ballas with my My Bidora Tiener has more Savor

In puras Blindada I go to Rancho with My Plebe So I'm the

Mayo the salado the that's I'm the sombrero delado and we

go and we're festeccating with quartito of pacific in the man

for the for the alam me go when I go Fiesta and I'm

more reason that the family is a back that

way that that man that that was a I'm decisisicisim, the old man.

I mean, I mean, I'm a real to say, boy, and I'm he's not he's not

no he's more than the money, or the more than his family, and having those are

there. Ah, we go ahead. See. Saludu to my compa Morrow, Riggi.

Ah, how no? Imagine you know, imagineate that he'll be to say, no,

no, yeah, I'd say to say a but, better, me better, me,

better, me calm. A little The chabon The chabon The chabon The chabon The chabon

The chabon Cas nobody That's That comes Pronto Able Ablejo

Of a Cairna Part of the Negra Tiener Tender There's the vidios The door

The Poulouse The Corte Aulado Also The radio And in The Cient

to be her princessa No I'm of problem I'm a friend I'm a big so much so I'm fiesto for that my people the passie at the

Tiro The demons I always those I'm gonna' They're gonna' They're gonna'n' For si she's I'll fight

That Don Mayo is my soire and that's true But it's much more my friend I can't Demostra'n't Me la pass

very tranquil because you know my history to the people

of Culiacan I'm my really those two me get into the of the

time he's I'm past of the way too I got the

first I'm that's he's a man that's he's a

man that's a person don't a group of a

go back to with them with the style and the he's the Sebastian

I'm the first and he's he's the he's he's a yeah, he's

in bravo and to come me like more chien too I'm just he's he's

going to do it no, no, it's let's be to be me put

chinito way with the carid with the caridone yeah for what

why? Why? Why? Why? There's many corrido, way.

At least I I'm of those people who that's of the gus that's of like, but more

de belicada. Of history, be it. That's they mention to who and how and how

I'm and that macken me atrap macy. I don't do you know to hear

the carnelone way. This does you try man? Yeah, yeah I'm way

watcha I've got to have an carrie to have a carrie too?

Primicia, too? It's did Karin Leor. Okay. And, and you, and you know, he's got a voice of man.

Okay. But it's all right in perr the history, man. Put the attention, he'd say. If much music,

we'll do. Yeah. Oh, with a flower imperial Gabby no blangea Benja,

Benja and was taken and I'm down and though they'd a pust She was, mal-humored And even

He patted the Mesa Gavino being more Cuerdo He said Maintle the calm No tolerer those

Offensas Much more in my castle I devisaba the Scena From the columpio de yanta

The Diablo And that's very good mixture relumbarone some

clachas in the cintura of benja And with three detonations was

that that herramient Like a photography I I've

I'm that I'm that my I felt like I'm I'm gonna'a the innocency in the moment

and benja like so nothing to cavar the patio to the perro with a nudu in the garganta abrace the the body of the

his without to y'er the calm me gannable the sentiment at turdid for the truenos

and to the and the and the and the with three and I'm

with three and just I'm sent you a manse a manse I

know to put an arm that I had I gottillo I

Ike I'm very the car in the super of gabino

my I need me to go to the people I'm I'm prested a caballo I'm in question

of minutes seven for a exact and in a mess of a fire

there I'm I'm abenj postando no I didn't any

a one a man ram me with fire I'm

I'm seven cascajo Then I said, I'm sorry Tio Benja Yeah, he took A-O-Imperial

Gana-Gu-Goo This super no's etrava Those who Sobran For the perr To myr Loco

Sia real is History? Who, who? Tapasah de verga, Yeah, well, the morrillo that's a lot of the manned Yeah, man, yeah, that's

that story me tripe am ching, the net. You imagine all, to, yeah, in the sirtas

all the hell, so, no, no, no, or so, or,

or, no, so, so, yeah, it's, yeah, for the

seah, so, so, so much of that, so, that, that, that,

he, that, but, but in this occasion, for what who don't the

history there's the morrillo passing in the columpio and the

man who and the father of him he got to the barraja to the

man who he got and he he got to and he went and he went and

he's a per rome that per man, the perra there's over the per rio my son

if you want to get to you more the micro for that to despise the people

and that you know what's what is the and the other people and the people are the

people for all the support. We're trying to grow more with the idea of you

if we do you do you don't to do if God want to and then

the recipe you you know and the recipe music and to all my

people all my people are they're all they're at the Well, there's plebada,

so many good corridones, what's the , manette. Also, for those who are the not you're doing.

The same. It's Rancherick and cancions of you're romantic? Yes. Also, also, too? Disco, no?

Disco, Acabe to get the disc new, the recipe of the corrhido, pure corridos original,

original and veradderer. Oh, no, all the platforms digital, Plevada, for the

that's Listen the recipe. All the people, well, you know, many people, people, you know,

let's go back. We'll do it. We'll go. Yeah, yeah. Pyrt to do calm about, way.

I'm still in the music. And for there's many, you know, pa. No,

no, no, no, it's that but, there's a part of class there to,

for, to, so, so, so, so you know, so you know, yeah,

you know, you're, you're to do it, bles, to do it, to this come to

come to come to get to do you know we're going to get to get to

but I'm like that the perrote he's chate and they're they're

they're they're they're they're saludo plebara there we're we're

to try to see when we're when we know we're but so

if you don't know in a same in the same a same the time

the Italica Rumitz the recetona go betel italica my love, I'm going to

I'm going for the passio you know I'm at I'm at myrgon in the

social and we're to see you to the other people I'm sure the other I'm listen to

the podcast of the plebona and subscribe to the channel no Kucci

Mitz that there's we're there's for you do you do you

do a bitus a bit a bit a bit where where you're

on where Yeah, verga. Where do you to get to to beased a morrow, way? In the

mouth, in the mouth, no-s you know, and you're to do you

to get to get into the quorum, exactly. Chiquita, and you go to

my hair, the the whole tronco and the orreys a barra a verga

a peria in the earha oh, no, but the shule

to the shoole of the the apparatus so Good job.