LOS MAFIA PODCAST ⭐️ - MK En El Beat — Asi es trabajar Música con Juan De Dios Pantoja & Kimberly Loaiza

Episode Date: July 7, 2022

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Plevada, be welcome a new podcast of here of your Mafia. Plebe's with all

you're all you're doing. And every more so you're doing the people. Because know what

podcasts we're also too they're so let's say, caise, carolusic

cabron and the Hilberton and Belbada we're we're a day of

an now an invita so Zazazazazazazzo that's that's my comrade

MK and here my A applause for the Veehon That's Quech

Quech Chos Yeah You I'm Why make Because Mekahue

Because I They said I'm gonna I'm gonna I'm gonna Mackano in the Barrio

Macano Well, no No no I don't No No I don't There are

There are There are MK because I mean I'm No I'm gonna

Mackano Is a Apo Makan No Simon But There

A Rappo A So I P Mek MK MK That

You no, Macana, no. M.K. No, no. Yeah, yeah, yeah, yeah,

there's a man, yeah, MK. The Merrike said, for there, the Merrike.

Well, well, before to start with this podcast, Pleer, that's very interesting,

my friend, my friend, my God, so, my God, so, he's a, my God,

a, a, your theme favorite, your theme favorite, is the, the,

the, me, perdiste, Kimberly, B., Kimberly, Seah, that's

my The other one is the other one's favorite. I still I'm still getting and I'm still getting something.

Something something. Also, figure out of the thing, I know if you're you know,

I think so, where I'm where's yeah, way, that's a passadito of the lance

boy. And so, imagineate that matter was like a way, so much all the

whole the whole life so you're listening and Lennon because here Mastlaa, much Norteon,

but one on the call yes a-cally Well, he liked more the music urban and we know the regent

and that matter I, I did the morrillo and I'm sorry those artists that were world, yeah, boy.

Sayyone and Lenox. Dime who who has heard of that that duo the duo of the history also that

people, the day that the day that's the day that's that's. Sure, clear. Well,

so, before to start to get more than this podcast, well, you know,

to the people, you know, the partucinators of the Cherokee. Pleas, I'll

encarrow about the co-torreos about this people, we're going to the oldrores and I'm very

my friend, Kareli, you know, with a sonrisa and you know, with a sonrissue and with the new CETA,

where they're going to be able to do a initial because I want to do much introduction. And the that's put a

tonto, come to the end up, how on, how you feel, my dad? Well, nervous, no, man, because Why, because?

I'm a peri-cuba. A bocena, a bit. A boycea, I'd be here. A-ballena, right. We're going to get to a service-it, and... No. You're repentist, or what? Yes, I repented.

Because I'm sorry, and I'm sorry, and I hear-day-all-all-out-a-est-a-her-a-verga. But, it's part... Hey, hey, hey, the M-ke in the beer, they're saying. In the beer? In the bid. Oh, yeah, the poutta that is the... the MK in the beat. Yeah, that was because

it was MK, no, and then I said, no, well, putte a little more or change the name, no, me, I'm changing the mother. I said,

well, you're going to get Mekanel so, so, so let me, let me, let me, so let's see,

the end of all, well, you, please, you know, because the you have you

have collaborated with people international, world, more than, well, it,

the, the, the role sinaloence, well, the The neta, Motivas

to the people, to the producers, music, what you want to be to get

to get in mind, well, the no, the no, the no, the no,

the net. If you have to get to all the kilos, because for nothing is impossible.

Yeah, well. It's impossible. I, I, I, I'm, I'm in this

mother, I, I'm, I'm, I'm, I'm, with my company,

no, I know, so, Cinaflow, so, Yeah, well, Sinai. A lot of the Sinaflow,

the Sinker, the Yonnie, the Sorkas, the Linaoka, the Lina Lolaura. Not was there. The Sinaloka, was my

of us, but there's a get over. Yeah, there's a lot of your rama, I, I'd,

I'd, I'd like, those Mazzatleco I'd listen to in the secondary. There were much talent

here. Still, still, there's much talent, but, still, but I'm, I'm,

I'm, I'm, I'm, you know, they're not exist. I think, or not, or so? Sure, I have in my computer.

But, but in the reds, you know, but in the moment, no, it's that never, they're doing, way. All's been roll-ed for Messinger. We're talking

of the 2006, 2007, or 2005. PUR-Messing. There's, you go to, me, you know, with a mordita,

there's a bit a little, a smith. A-ha-ha-ha-ha-ha-ha- there's a row a hundred-be- listen, my my mom.

Ah, if it's a group and you, like 200 people, like, so, yeah, that role I mean

was to me to pass around for Messenger Simmon to pass to the cellular

for Bluetooth or Infraroroho that's in the Sony Erickson Yeah, so it's

that the social was the Messenger or so that's how

you you're you I'm I'm I'm I'm from

2000 5 more or making music making music like

how how was how it's you my mom is

cant man, is cantileile. My mom is cantalos, mommy. Saludasso, oh, yeah. Yeah, jones. But she can't what? My mom, can't do, my mom, I said, like, natto, from, from, little, little, little,

and, from, the roble, from Missatlan, in the Roble, I also, to the Roble, in the Role. And my dad. And my mom, always has been, like, that's a talk artistic,

way, there in the Roble, there was a man, very recognized so at a level world that's called Manuel

Kassar and my am I did you know a for the for the and my

mom and my mom cantable yeah little and two or 13 years and

like Maricela here I said me my car and I got to pop way and I'm

a part of the life my mom way because my my mom the I'm

the same and my mom he's over my mom who studied and studied and studied Sciences of the

Communication periodical in the nor-west in various periodical in various other people

said, I'm going to do you know, I'm going to do with to the can't do the

and she did it to do that because not that's that's because it's a person and it

and it was he went and it locally and so so that's that's to go to

another and then then after you know I'm going to because yeah

was goy and a very, very very raucco. Well, you know, you know,

when my mom can't be, when you when I did the music when I was when I was

I was like a 14, 15, and I was in the secondary, way. And so, you know, and so, you know, some people

that's a lot of And we went to the salon and we'd gov' a rle of the roll, and I was like. Cove. Yeah, cover of other songs.

And also we can't have roles of ACWA and that mother, and then was when I started to get back. Okay.

And then I'm my comrade because he's a father and my wife. The Jesus and with him did my first roll,

and we did some groupito, and then we started to his studio without, No, since you're listening?

No. No. No. He did that mother in Masatlan and was a studiastlan and an studio for

that moment and underground had a studious on Morro and then we got him we're gonna and we're yeah,

yeah, without a way, overposed and overposed the, the music, way,

before was it was more difficult to expandir, and all and all you did you say to pick a tecl hey,

yeah, listen me, yeah, now, now, you know, you know, you know,

you know, and the platforms, then the platforms, then, but, so, man,

all manual. And, all manual. One for one. One for one. And right, way, much

people, way, I think because I know various artists locales there in the city of

Kuliacar. Of this, well, it does do a flojera, boy, pass the music and they

say, no, so I'm I'm here. So, no, I'm gonna get a

chingada, my son, for no, that's in the, no, man, way,

if you're no, the role there, no, no, we're to have to

get to get to because, for one, you're a producer,

it's well, I don't I say a talent-as but if just the computer's

yeah, I know, I do do I go machimpista, I'm riffo, so I'm

a chingononair but and what we going to do you, we're going to get to get to

get to get to his microphone little, your microphoneit so you more or more than

a studio nobleson way, how do you how do you can't you're no,

but right now, now is super so right now it's super very baratto. There are monitors

of $3,000 that sound are a microphone of $1,500 pesos. And, like, all right, you know, you know, with a person. You're going to go to put it, a computer, a, a bocina, and a microphone, and your eargeras. With that. And you can

get a lot, even a lot, to get a lot. After a grammy, in the verga. You're going to, even to the best, you know, to the best. If you've got to know of those cases, well? Well, well Yeah, well, No, for example

The case The case most Notable Right, I think The artist number one is Bad Bunny, Boy? Bad Bunny with

Sound Club, no? He's, and he solito He's got in his house with his microphone,

and he and he and he's he's got to and he's he gets to and then he he's got to

the piste and then he's only in his house with his computer so he so he's

like the he's like he he's you know that's the is the case of Bad Bunny,

we, is very special, because much people says that no, know, why the bato

has been that's been so great, man. You think we, you know, we're doing?

What do you do you think you do that's just a necessary, boy, yeah when

you know, when you're like a career for hathed for many years and practically

being the number one, way, this, the bato yeah, needs to his pass

with his family, Yeah, boy. Hiras all the time. This promotion. Much work. Much of

many. Much of the bata. Yeah. A past of all the bato driving for all the world and I

lived there in Puerto Rico in his house never to go. But, morro, the bato

so, well, yeah. No, and apart, but it's legend, whew.

Yeah, the bato so he's retire because he's that he that that pinche

how the mark so like, we yeah grandissimo, in the world so if that

that's a practically my inspiration, way. That's what I say I'm I'm going to I'm going to

I'm going to I'm sure first I'm before I'm never heard I've seen nothing before the car

in the first in the last time in the car yeah he's like the gas with the

with the fuddydy meh' meh'emned and then then I'm and then then I'm

I'm the rle of the rle of the rle of the rle of There was a rle that I loved much that

was like you also that's a yeah, your prince of your assistantive and you're

no man, sanctify your scapularo you, you know the that's

my that's my and it was when he was when I did you did you

I'm like I'm and that yeah and that yeah and that I think

I know I think opinion I'm opinion I'm doing doing this

did happen that's not you have got the money that still generating

that disc, more the millions that still generate with the stuff you're

going to get to get to see the the first the men's the first

I'm in the history I do, no, of the first of the first memes

that was one where I'm in a limosina with a little one of

a guy, I'm I'm to pay a pay a person to

get a a get a a work and he did the more and they

they were they didn't not they didn't they didn't to pay me

Oh, imagine to that's a little bit, the verga, of the first of the verga, that's the first no, I mean

didn't know, I'm thinking the reason why. Uh-huh. No, that's a batto is an animalon, we,

great. So, the, the, well, yeah, it's a year,

because you're his age, yeah, how many, how many, how? Like 45 years,

yeah, 45, yeah, and you do you, I'm, so, tranquill,

32. 32. In the music, no. 32. 32 years, when when you when you

when you did you do you get to organize something like to do you know yeah yeah yeah

yeah the yeah yeah yeah yeah yeah we go yeah yeah yeah

it's like it's like it's like it's like standing with the Ness and also

the yeah we're gonna have to a punch podcast with very

very very perro that's they're yeah yeah they're they're

and say me way yeah there you you're there you're like.

Vueh. Oh, I'm the woman. I came with you because I'm going to get

because I'm like I'm like that I'm like a man, look, you know, you know, me t'em

no, we're going to, so, what's necessary to convivir, that food, that you

say, that you're that you like a rancho, that you're to go to go to go to pass,

no, no, no, no, something, and if there's there, we're,

we're to playing canica, the bernic in the in the pinch in the tally, in the case. But the

net is a pleasure to have my M. K. here in the podcast. I'm

sincerely I'm those we're looking way. Since time, you know,

you know, well, you know, I'm asked. You know, they were in the

house one one of the no, but we didn't not, but you have asked

and of you've said said, I said, I'm always you always you're

my past, yeah, my papa, it It was a question of time. The honest, I said, God,

I was to prove and it's going to make a macha. And here we're We're not that, I'm not sure to say you.

We're not we're doing the primacy. It's the first that's the first time. I've been

interviewed before, but like, but, but, part of, but, just,

like, I'm like, I'm like, I'm sure, no, no, here, no,

the, let's, let's, that, that flue, that, we can, we can't,

we can't, there's a minute if you want to and it's not it's not the plebe have to

you know all the way, all the they're saying that's that's that's

that's that cuneleynid monganito peregantito peregat you're all you're gonna

you're gonna be cahrona it's good it's good it's good that's

well but well well but can come mk what's

gonna be mk that's what music you're preparing with who one? One question

very important way with what artist you'd like to like that you

were as the producer of that that song of him no I'm gonna no

to be a vergas there in the computer in the other you see my

artiste he's gonna not even I'm that you that's that's like your

I'm Honestly, I mean, I'd like to do a song, loco, with Alejandro Fernandembourg. Morrow. That's, I mean, I've always been very versatile with the music, but, loco, I admire the voice of that

wad, boy. Boss ser. For what you know, for what you know, I do, I also do regional Mexican. Uh-huh. I like much, and I've worked time in that mother.

And, if I'd like, loco. Me, I'd like a machin, to know it, and to make songs with it. with him. Also, also the other and the other would be

the old manned. Yankee, you, you know, you think you or you think or with Yandel Wissine Yandel

Wysine Yandelle They're They're also They're just They're just Yeah, but that's that's like

there's a letter there, a letteria or something, no say something that you know, something that you know,

you know, who's, who can't that's keep with the throne of Dari Yankee Wuh?

No, well, well, yeah it's written that's Who? The connego?

The conego. The one. What's bad. Bad Bunny, baby. Why? You know, he? You know,

and a billion of reproductions in one day a verga. It's a man. It's a way.

It's a man. Before, before, before to be bad Bonnie and he,

the batto had some songs in the song club. You know, man? There's a

rollo. There's a rollo. way. The Elvis the Yonge's always always mentioned

and I'm I'm going to listen to I'm sure I know what the song is one of the

one of the one of the t-shirt of biggie listen it's a time of that song

and it was the first of the first and it's so manyacac cultas cults

so you did you listen yeah listen yeah that

that role yeah and what was what was what what you know

he's he's he's he's he he's a million

Millionaire, that had like 17, 18 years when he said that's a year, he was going to

be able to get to be to get to the same he's in the song boy, so he's

a maniac and he's a old chute that, that, that, that,

that, that, that's, you know, he's got a don't, but,

you know, has to hear, and the majority of the roleas of him, do you,

have messages occult, do? Yeah, that net. That's, that's, that way,

that's, 2032, we, that says that, how he says, I'm I'm a

remember, but mention it that the 2003 will be about a 2005, but the

the 2035 will be what you think you that's that's a man to well,

that's the exit no doesn't not yet not gets only one,

but you just for the effort, you're you're you're you're

all the And to those he gets the exit of a I know I'm chambi and he's

and he met him and he met because the batto they were at the firstio

he said he's so it's all the people he did all right the idolatran

pass over yeah he's he's got a year a year and he's and even

he didn't even he's he never even he's that was so

he's he took the disc of the bed so so it so

so I don't so I see that that there, but there's a little. You do you do you do, you're doing?

No, to do you. To get a real, I'm the realto to God. Amen. Amen.

I mean. I always, I'm always, I'm going to my family, my children, and when I'm I'm a decision

personal, right? That's a boy, that's, yeah, that you're fomentary no, that the ballazos, that the foyerer

that, no, too, but, but, tranquillone, that's, calmadoon because

I know I'm I'm sure that I'm very kind of and I'm saying and you too too and hala

and chingas a remang a mango my mkwey I did some questions there

some questions in well in in Instagram and I I read some

I'm very interesting you're decided to answer to dodititito what you don't

do you don't don't without without water How old do you go, Veeco?

I'm studying, boy. And, wait, and we're going to get me, we're trying. But there's

another, I'm going to do you know, a base of the, no. A be, says here,

you, too? Yeah, you? You're good? I mean, I, I mean.

I mean, I mean, to do you because I just was so so, I'm just sitting

in the work, creating the Yeah, I'm I can't. But, right I'll do ask the

question. Mientra I'm going to make the question. Because the of you're going to

do you're going to do. How is your form to create a song, way? A piece.

Or the idea. Well, so depends that you go to make a something,

or regetone or something. I always I getro the guitar, loco. Simon. I know.

I see the the basic of music, the really, no, I don't that is,

I'm a composer. A studied. Studied. Yeah, Sollfeo, and that matter, no. The other, no. I'm very basic because I was what I

learned, I learned in the secondary. Toca the guitar, and two, three tonnito. And I'm, I got a, pung, I'm a chord, I like. I do a piano. If it's a regetton, let's regent, if it's track, if it's ballad,

I'm a ballad, Nortein, and I'm into Nortein, and I'm over that, and I'm going to some tarareos, one flow-s-o-o-o-chillo. A flow-cillo and if me

like, I'll do you and I'm doing this I'm doing so I'm doing the

letter. Termino the letter I'm going to end up to finish the beat almost

every every day I can do a or two songs but depending

how and one of animals but I'm yeah yeah yeah

yeah yeah I'm so I'm so I'm I'm

I'm so I did block without to do a solo

a song I mean I'm doing like a four months four months that I'm that I'm

never even I'm sitting down beats could say what whatever could be one and one but

like me I like much to say letter and sing and I and that and I'm

a chinko that I'm that's just I'm gonna yeah I'm gonna it's difficult man

it's difficult because we don't do we don't do you don't say impossible, but I think that much

are you know, those that watch that they're in this podcast, who's they're saying, way, they're always try the chispa, way.

And occupies people to your around that you motivate, way. Or simply see something, way, that,

that, not in your mind, pass, and you think that you think, to do you,

do you know, to do you, to do you, and it's, and it's more to get her, way, and soltarker

when it's to get to when she's it's not there always. For so the

people that make music, the artists, the, the producers great, way, collaborate.

For the much people, much people, the net, I know, I know, so I'm so it's

very, that's the case of the rapero, way, that no collaborer, fulanito

because this guy does reggeton. Yes, so, here too, and here too, and it's

it's, it's, it's, or it's, or what you want to you want, but

if they're way, it's more than that's it's like that. No, also it's also,

that's that he doesn't because he can't regetone after he then he's he's

man, it's true, or they put in the pretext that's dance sol and he and he

and regetone also, it's the same thing yeah, man, they're they're contradicen

but you know, no, here the fans of emci dab that, no, that I,

that you, pure rap, that's pure rap, pure rap, and he's doing regettone, we? Yeah, and he's and he's really

really, he's really has a role. He's good role. He's good, he's good. The guy that's also, the morrow,

the producer is good, the A-Iri-A. You know, I always I'm always. He's, M.C.

You think you do you? Simon. Well, who knows. I'm glad with Arian quite,

but... No, no, no. No, no. No, no. No, no. No, no. never in the

life we're going to invite a day to no no me me makes it he's the

same you know I'm gonna let me let's let me let's I'm

A Aiden and A Aeney Dhabo but I'm No but yeah is another

other person Ah Arlal it's No but no is not the Davo

because me has been I'm made audios and it's another voice

oh well well well well so yeah you're okay

I was I was yeah is the pinch Dabo the borgue, that way, that's, I don't know, because I just

always, you know, that's a thing, I'm gonna say, yeah, my app, let's go

to get me a biter, my app. MC Dabo, your artist favorite, whin? My artist

favorite? My artist favorite, way, I know, world, like, I know,

a world, of what you do you want, three, mention me three. The, that's a regent,

regent, a regetton, or a other you want to mention three different, different,

Simon. My artist favorite is John Sebastian. Juan Sebastian. Ooh, Muchachach. Number one.

It's a very rare my playoff way, of the Spotify and the maniac, maniac,

boy. And then also I like a Cancerverro whew? So I took a problem

today, today, because I subed a row and I'm never went to

and he was trying to get the mark with the man I'm sure and I

know, I'm like cancerverero entienda I like all the

I don't know. I'm getting, when we're getting when we're getting when we're getting when you're yeah, you know,

if you're man me, that you're that's the way, the voice like that's the MK.

Yeah, I'm gonna go. For the cancerverer, well, they're, both. And,

and, and, Yankee, y' Yankee. Yankee, is of my artist

favorite. If they'd get to Y' Juan Sebastian and D'Rank to Dianke

and D'A. Zobstianxian Yeah, we're going. Ah, no, well, yes, that's a verga,

for, no, no. Paz-d-d-d- sir-on, tantas barracheras, t'-

t'-a- with your roll, I talking to the guitar. Yeah, yeah, well.

No, the net, I, you know, you know, I'm going to say, well,

I'm going to I'm going, I'm not I'm a morning, in the morning, I'm in the morning,

I'm going to get me a shower, a time, but I always, Juan Sebastian way.

Always always, always. The one two songs in the one, but always

the one the I'm like much way the the worst of your

the santoj Mm-hmm is a rollo-l-l-l-l-l- Wye your your

song favorite of him? That's that song I think that's

my favorite and I think of the Yankee? Oh a one one

one that you say you this is this is the Salud and

life, more. Like, well. Salue of my song favorite.

Because it's the instruments of bandita and I heard of I'm yeah,

yeah, yeah, boom, boom, that rollon bah, yeah, oh,

yeah, I'm, oh, yeah, I'm, and they said, I don't

say, was, I'm, but I heard, I'm so I'm selecta,

way. I don't see, he's he was he was he was he was

he was a DJ, of Montreal Machete, I'm a selecta And he has And he's

He went to Puerto Rico And with DJ Blass And all that When the raggots When the Rackettone I was repunting And the baxter And he's

The battened He's of the Vettano Yeah And you You go to his studio and I've I've heard

Because me My man Myon, that have been That's here The Pallmundo of Wissin-Y-N-Dell Where it

Also the The Rackata I think it's The Rackato Yeah Yeah Yeah Here, here, here, to the studio.

Verga, Brega. No, no, if it's, it's like, it's gonna, it's gonna, but we're gonna

know, but we're gonna to godee with the grand morro. No, no, and the thing's, it's,

it's, it's, it's, it's, it's, it's, but, yeah,

that you know, I'm surprised that, yeah, I'm, I'm, this, this is,

this is the terno, this, this is the tont. I think, no, is that I'm, it's,

I have 19, and I'm like 40. No, we're a ponched for me to me, I'm 208 to 50

me again again. M.K., what is what is what has learned in the music, way?

As a producer, as person, like, I, what you most I've learned

is that no way, is that absolutely there's absolutely there one. One

always per luched, we, with your insecurity, we, I was a person

very, very, very, unsecur, uh, never I was never,

I'm never, I'm used to my chambah, always always I always, I'm just,

I'm gonna to make a roleita that, that they got to the other people,

and me stills and they're and I'm and I'm and I'm buscandole, way.

I mean, I, in the 19 that was the year because, no, the 2017

when I was when I was born the other year we're in 2018 I was, I had

I had a year that I'm to make a music but yeah to go to know, but here there's a

chambah man, well, from the band and all the and all and I'm

and then I'm just and I did get way, I did for vencino I did for

vencino. You know, you know, Deharmor. Infermer. Yeah. And with algita, 24-7. Oh.

Goy to go back ya. And, and I'm changing, boy? Four years. The enfermeria without making music,

poe. If I said, boy, because I, because I was when I was when I was put a studio,

with what was the was a studio. Casseron, well? Well, Caseron. Was,

and it was beautiful and it was a carceron and with that studio I'mpe's to learn I'm trying I'm doing

the four years I'm working I'm in front of work I'm and I'm and when I was all all calm

I put to study with YouTube all of doing radioation of apparatus of all I'm gonna do you

do you and I'm more or more better than and when I was when I was when I

said I was I said I I was no that this serve for this. Ah, yeah. So, if it's a civil, man, me said, you know,

you're doing, no, only so I'm just then I decided put in the studio and I'm going to do me go back

and the fogiannoddy and, how fogiann't fogiann't you, I'm going to get to

myr no, no, so no, so yeah, yeah, and that maria and never I never

never let's never I've always always been and I'm and the net, the friends

I know those people Well, NICE, Preguntary? No, I said. For the music. All my compas are for the music,

man, machin. And I did count, firms, way, in the 2019, here with...

With Space Music. Space Music, where. And, and, it's an opportunity, we, that the

people, say, I, when, fidate when I, when I'd when I'd

when you'd when you'd before you'd and I'd all. I think you you just you know,

I'm so much. I'm in I'm sure. And, and I'm in the thing I'm in way, that's

way, you know, you've got to do you do you to do you to do you get to be

quite, but to do for doing to do you know, to do you to know, I'm

I'm sure when I was when I'm in the secondary and now here to my

carada boy. Yeah, loco. Well, well, well, so that's

to that's what I was to go, in 2018, way. Yeah, no

I didn't know to say any of the music yeah, I'm with my

business, I'm in a new I'm in a new thing and I'm not a new thing.

Yeah, yeah, yeah, and I didn't know that music, I'm a

studio of a little for all the people, the studio to do you. Saludable and so

so it's the studio number one of regional, in Mexico and and so

me to grab a lot of a lot of people, uh, to

the arroydora, to the addictive, to the Sebastian's, to, uh, all, imagineate that

they're going to get them to get the studio, one, I got a shing of band what I

did a ching a rlele and I fogged machin the gravation, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, well, yeah, well,

I'm actually, I'm sure that's, I'm gonna never, uh, I'm gonna me,

So, in When I was So, I had a notion and I had good, good, good,

I'm out of the other day me called to Spade Music at the other day that I went to

I was out of and it like they were like capiand you could we just to get me

to get to get to go to yeah I'm I think not so so I'm

needed to in that moment another producer and yeah me I'm glad. You got it. And, for example,

you took to collaborate with Zion and Lennos, with what? With what other artists, also, you know,

or simply with the thing to, to have it in the house, way, and to be,

to know, to know, personally to those artists, who, who, who, who are, who are,

who are, who are, I've known, to the drums. Obion the drums. A Noriel. Noriel. Noriel,

we're a roll with Noriel there that's being pendent that song yeah, he's going to go to

go to get a DJ Lujan also we know We did do you know We're

hamburgues and we also always we were we when we when we in

Colombia when we were in Mexico when we in Colombia I know I'm

yeah I'm my friend gotex so right I'm yeah

that was the first that was the first we did you full am a million I'm

know Kighting too you Katie, no? Composed the of the

Yeah, no Tiennes no my name my and he's to get

to get to get the Tuzza that that's that Kempel

he said you'll you that when was that when was a boy and

now your name me those no it's it's we're

in the other so lot to get so no no no the bato

whey this man was impressive We were very trying to do a song with the lobby

there's and all so so I'm like trying to get a idea of that's you know

I'm I'm saying I'm I'm sorry I'm I'm sent me intimidated or something so so I'm

I'm sitting with the cellar and so like in your mind can't be so we're just

we're just we're trying something that's to that's okay in those Puntary Rueue in the

that's in Culeacana, in the Bersh, in the Usache, for there, in the Lacerro. They're perro the Puntero, pa. And, oh, and I, I'm outfired

with the guitar, trying to get back something, and then they're gonna, I mean, say, no, they've been pasted in 15 minutes, weh,

for that you're to listen the roll that he said, and yeah we're that's a roll- way, well, it's a rolloon, well,

is a lot, yeah, is a man, perr of the morrow and the man, we're gonna be we're gonna, But at the

maybe he was, it was, I'm in the moment that's the man, yeah,

he was, I'm, yeah, the success of Tusa, was the thing, he was a

millionario, that's Bato, that's a man, he, he, he's a

Colombian, he's a Colombian, and he's, he's a puttero a rosa, dude, many times

that you imagine, for the many, Punted in my beaquita that's rola of him.

So, a ral of a chinko of songs that you imagine the bato the bato

he's he's that you know, you know, you know, the song favorite that's

the of Kimberly, the of, me, I'm pern't, how was that's

the, it was after the before the before because we're the other

of the culture of here, we, no we know we're not we

know we we're not we're we're doing we're doing we're we're doing the maquette

and the pistilla and the pistilla of was a fea, and I saw, I mean, the time

we're in the time of we're in the time of the time we're in to make them to masterize, well.

So, it was a grabed with the effecto with the reverb, with the auto tune, or so,

to help to help us for the auto tune, the people, the people, they're like, you know,

it's, you know, if you know says, you know, if you know to say, you know,

I'm here, you know, I'm here, you know, you know to know to know to be the

know, it's that you can't hear you listen because he's an auto tune so, you know, it's all the

plebada that you know, it's you know, you know, to know, to know, to know,

to be able to talk to if you know, to be to listen a culey so, so that's

so you know, the auto-tun-puest, the, co-sacol-a- all, so, when you're you're gonna,

you're gonna, that's, that's, that never been passed, me, I'm, got,

that's, and it was that money, back I said, I'm how she hear the

voice like, yeah, like if were to see the role and the

and the pistia and all so I'm to see to see our maquette and

and I'm my ch'em peyona I said, no, the birga and we had been

made out of the yeah, and that role took a result boy,

it's he has got a 240 million of reproduces so, so, we're

we're we're We have, we, we're going to do, we, we're going to get with the chip of yammer, we need to do, we need to do, we need to say the rilitaries, so, puttonsie the pile, that has to be something good.

The first role that we did we're getting to Colombia was that, boy, me perished, boy, me pern't. It was, well, a lot of time, and we did we, we did it,

version of Hoh. After you, then said, my son, that he said, way, what on? That rola,

that's a lot, that would be, that would be that would be able like a woman, me and I said, I'm thinking the same,

I said, I'm saying that I'm doing, but I'm gonna say no, no, do you. And then I said, and he did she

him over, and he was't a lot, and he's pretty and all, but it was the success that has,

it's, still having, more than more than more than, you're more more than you want to

we're coming to come back with the pinchi can't of the Italica that has seven hundred

million, almost. Hey, well, I said that that Rala that's

I said, I said, to have to have a message. That's the one of the other. That's the role. I said, I said, when it was out of, we're talking to get to the promo, but pinch and flaccucci, putte the pila,

and whey, whey, what's the, this, verga? Saccoe, I, say, no. 50 pesos? No, verga, 50,000 pesos.

How? Like, 50 pesos, my appan, man, man. Go, yeah. The fact, way, the

way, uh, you know, that, that you know more of the role of the music

and that they, they, they're in the time to chuleart a can't, way,

that you know, you know, you've thought, you're going to be chile, well, I'm,

I'm, I'm sure, to you know, to people more, more, so, well,

is that, well, because, we, from we, we, we, we're,

we, we're, No, we, because I think that for I told you the insecurity. The insecurity in the person and the person, they're not, no, they're not in their job, well, until that you're

to do. And the people to get to recognize, well, we. We know, so, we, in the social social... Yeah, he, in his blog, de Nott, he, he's he did, he's, he's got

the letter. He went, and his blog of the note had hit worldial. Andy BER. Hit Mundial, who did, he said, in his librette,

in his librette, and nocealso. And we her he was but he's I've got only he's got to

the guitar is a guitar very much but but only he's she was I'm

and I'm and I'm and I'm he's way, you know to change something

no say but you get very very much so I'm really but I don't know

I'm I'm still I'm gonna get me to get me to get me to get me yeah I'm

yeah I'm yeah I'm yeah I'm sure you're gonna do the piece and yeah

I'd try a cantadit and we we came we'll a letteria. To the, to the,

I was, I was, I was in the book, the morrow and all. And I put to do

a piece of and boom, boom, it's all right, and I did the drop that's, and it's

a maquette of that Mawr, and the when he washuis. The net,

is the role, wow. Yeah, that's, and the tactic, not the

of the day, that two roles, we did do we do do we're in those times,

and, in those are the so they're on. So, we're going to to pass

a question here. Let me, uh, a be, a be,

a bit, a very, a very, a very, a bit a, a question very good,

there's how it's how is to work with figures publicas, with artists, obviously,

so, very difficult. Diffic, because. It's very difficult because, and,

because, they're where they are in they're in their attention

for so it's difficult because you know you can't you can't you need to

you need to you know to be a time when you get a photo bicholo a

a man or a or a or the and she like to send to my mora

I'm to be we're we're we're we're we're we're the privacy of

the artist because more than they're they're Influencer Moro and it's a lot of people.

Yeah, so it's anything. Yeah, that's could get to a little because it's

like to money and it's worth, for example, with video and that's the song for your

cause, or something, so it's viral in three seconds, so. So, so it's

very difficult. But, we have to maintain much the secret. With all, with all

all, in general, so with all the artists, with all you have to have the same

care, but with them, I think even a for the fact that

that's, that's, that's, that's, to be used to, or, or, or,

it's, for mal those, no, I know, with my habits. When, when you,

uh, when you, or convivian or what they were, with, with, with, no,

they're, they, didn't, well, no, to us, we, a other,

never, a other, I, a, I mean, there, we, no,

no, we, we, we, we're, we, we, At the

beginning it was like I'm they're gonna they're like we're not there we're not

we're not we're not we're the fame or that my well as my personal

no more I'm interested so I'm so I'm so I'm so I'm producer

I'm not I'm gonna make you know with a with a with a producer

with a product me say this is the that's the that's that you know I don't know I can't

do that I'm gonna do that there's there Another, never no, we've never, loco.

I mean, we don't know the cellular and we're going to, and we're going to, and in his due moment, we're, we're, we're, obviously there's

that we can't see, because we're, because we're in a confiance more, but, but we're, but we're,

never, morrow. If it's difficult, then. If it's difficult, but, we're, we're to, we're to,

we're, yeah, I'm imagining, way, some park, way, a little where,

where, where, where. How, how was that experience? Yeah, no, for

example, there, when we're when we're there's the video of there's, they were,

they were, and they were not able to get to the room, and we're in the

city, also also, also, but we're in the little bit of all over-

in that everym- was, it was was more is a all the pedd, and all right, and all right, and he said, way, you know, like, here, we, you know, we, here we're, and we're, and there in the Airbnb, that's, well, it's, so, it's all

we're all over the air-and-bi, and all, all the world. All rightful, and everything I thought that they were there's where we're there's a and then they're going to be able to me and that's the

man who are who are the yeah I'm going to I'm going to I'm getting I'm playing and Pistian

I'm gonna look at Fiatte Alive is I'm gonna and I'm gonna know if you know he's

the Bicokeke Maquilla Uh ha yeah yeah yeah and they're and they're

no man Couron we'd photo and photo and photo they'd Lassar Alvi

because they were those Marrillo's pendent of them. And the Elvvville he

brought them to him. But I like the farandola to be to be there.

A me no a photo me pired. And to you know to do the frandula?

No, well, to end to be a farand, no, no, no. Because?

No, I prefer to be my casita with my my wife, my wife

and I and I'm and then and then here, the, the, the,

the, the, the, the, the, the, not to wait

to then to see a well it's a way to it's a

way it's very it's no because I'm not because I'm that's the difficulty

to be influencer for to be famous so super famous so

here here here there's but here there are the artists

like yeah manned yeah there's there there's there's

there's there's in the other thing a ching of artists here, you know, bes a mimoso

there, all the people, all the bandos all the but there's no way in the

culture of the fan to support to be the person, so they're going to want to

there's a lot of people. No, and it's a re-volume I imagine we're,

one. One way, we're not we're trying to be starrito with us, there's, in the

carmionette and pisteando and I'm being low and was being pisteando with us never

Cereveza, and I was a barrage to the barred. And he there's there to be

a night, boy. A good photo, but it was when we're when we were just

going to be to work on him, but he was a famous, but but one of a photo

they were in a night but. The most difficult, way, to

to work to work uh out of your city, well? Well,

there is because one was one was one of new opportunities

we're we're we're we're we're with Warner Shappell this

chingon all the city of Mexico me I'm really but

here's the family I'm I'm my wife to my wife and I live with mexico.

There's the level of stress of the city of Mexico is much more for traffic with

the people the people live a 100 kilometers per hour and a a lot of

and they're a good humor or they're in a good day and they're in a other day and then

we're not we're used to that's normal for you know for you live in a good but you're

not used to but you in the personal and so I'm affected a little but me had said

a fault to call a look you You've strained to your your your patasalada

Yeah, how do you No, I don't I'm gonna Mazzatlan for nothing he said

Let's let's do let's do blah Marriva Marriva Mazatlan to the

Verga Oh, see Aver Here you A bit A man

My app Chammela Okay Okay Well, well You know You know

You're You're Your Artista That's your Sue To

do a Rolita with him If Tender Clean. What artists

you took to know to know I mean, Lujan, Noriel, Obion the drums.

Obium the drums. Searney and Lenox. Uh-huh. Uh-huh. Uh-huh. Well,

so, so, various, various, but no, I can't J. Lujan,

Wuy. A. My, Cielito Mix, too. All right. Yeah, yeah,

me, yeah, yeah, a various, a various, a various, a lot. The,

yeah, that, what, what, Chilo that, you know, that you have to

know, to know, to be a way, to be a level of a little way,

because the being, the net, way, you think that as a producer,

way, here in Masatlan, if you had you had been to have seen in

like, like, like, like, like, with, I do, I do,

I do, that's, the urban no. No. But in the regional, it's like because I

know, I was I'm trying I'd have tried a career that's that I'm doing the

regional I think I'm I'm sure I'm did have done something with the

regional and I was doing things there's but I think that in the

regional I had all the position and all the attitude to

to runper then so so also I'm a passion,

I'm a lot. Uh-huh. Because for one a little more, I know,

always he'll like to get a missus. So, then I took,

me took on me, I'm here and we've got many things that we know,

that we didn't get a lot of people, and machine and all right

and so we're to do to do to all to get to to keep

to keep, to keepate that, I desire, way, that one day collaborate us,

if you can the net, the net, that's your shingda, Mario, I think it's the little

that's a thing to do you, to do it, and we're doing music, we, we, we're,

we're, we're, we're, we're, we're, we're, we're, we're going to

get the time, we're going to make a music, even you, you know, you're going to make a music

that's a verga. We're, we're talking, f'et, the podcast, we, and it's a little

just to not to do you because creem me that we that's been difficult

it's difficult way the music is difficult the netta you can't you have to get

to get to or collaborate with someone that really really halle a puttale a lot of people and

they've to look more artists or producers or or what you want you

but you get to get to get up up the being

being it's very that I so I'm so The net, that they

invest in their own career, is more difficult the net, but the day of the day morning that you pegs

two, three rolls, no you're to do you just to do this roll. We're all, we're all

a one song. All we're all just we're a only a single song,

loco. So, no, there's a difference there. Even the artist

that has a year with with discler and that he that's man,

he's way, is a one one a one song of a

like you. You know, you've not you've never, a little, a little, a little,

even to the most grand, whew. What do you do you? What do you? Producers,

more than for your rama? That, that, for you can grow, we?

No, I'mor, I'm, I'm, I'm, that, that they can't

confidence, that they can't confidence with their work, because it very important

to value your product to, like like someone that's a product

in the product then so that they're that they're in motivation well solos weh

and they ask you how so you do you always to be able to you're going to consider

some some opinions negative but in reality some some some constructive others

there are much envy and you want to try to get to go to down

because you have to all the of the tree of the mat. So, you have

to make a got to get to get to get to always to be

constant to hear what you know to be to make to make other

genera and nobody and nobody's to say that

you think that you think you're to be down because you

don't say but let's but you putre you so

so so can't if you can can't come no only

only only just just just he's a good. No,

no, well, if you are doing music, well, no, you know,

the net, because the constanceia, the, how's the way, is what you to get to

get to get to that way, the net, experimenting and I'm hear, me I'm

hear, I'm sure, but so so, but so, so, so, so,

so, so, all, has a second, the whole of the

time that's, I'm a good, I remember that was the woman this,

the of the phenomenon world. A world. So, has passed of the

answer, and, and yeah, the song, if you still still put into,

but yeah, no, you know, didn't the little the

little, I mean, so, a question as like that, like, took

a chance to be a question, and I'm not you not the music,

you know, it's the hague that I had I'm trying music to her no? Sure,

clear, but no it's very good. But no it's, not had been the the

sort of that it's going even having even trying and chan't but that's, I mean,

we're just, she's a person, yeah, who's the first song, way. And number one

in, in clas of the list of Spotify, well, yeah in Mexico there was

in, I know in what's in what's that they let you know was part and then

it was one of the list important of Spotify, where I've I've been a Latino, loco. There I was

I was, I said, with her first song, way, a very, very good good

one, very good a good good one single a one a one single a one.

But, but for to know what a song occupas chingarle me app.

Chingale you have to make a so chinglele massissio me pac mack, what is what

is what what is the thing more? In what way in what way

in what herramient of public you right to invest to invest money

Oh, so that you're that's your yeah, you know you have a

role in your money where I want to promote I'm I'm

I'm I'm so I'm I'm no, I think there there's

there there's there right is TikTok because if is music

they're they're put in a put in the can't do to be And the other is Instagram.

Well, everyone in the Insta or in the TikTok or the Facebook to be, to be the old or the friend or the other that's a bit of,

yeah, Facebook, yeah, Facebook yeah, that's talking about it and then you're talking to and then you get to say,

and then you're talking. No, mame, way, what, what, I've always I've always

have been that question. You know, we're, we're not they're doing we. That's,

that's, we're, we're, we're not we're listening, you, you know, you're going,

you're talking of something. For example, I was trying a microphone. Oh, bitchy microse. How's it me entombed this micro

and I'm this micro I'm going to this studio with this video and I'm that's a bit and so that's

and so we we're saying we're talking to talk about the microphone we're we're making we make

and I'm back back that's the I'm gonna I'm gonna I'm gonna and I'm and I'm

and I'm I'm sorry I'm it's weird and I'm you're gonna watchcha well you're

I'm sure I'm A-be-le-le-le, you know, what's, you know, if you're saying, you're going to like,

they're in, you know, that's, some condone of the sub-a-s- or what, a,

or a, or a- car, way, or what, or what, what, that's all

to say, well, you know, to come, you know, you're at the , you know,

to sit a- car-er- and you're, what I'm looking, and more barato, what's what

to me past to me, way, for that I know I know I'm gonna I'm gonna

cause I'm gonna yeah, I'm gonna get to get with the messenger plebes plebe

well, well, the net no say something you want to make you to get back

yeah, no, all right all all right thank for invite

chelegana luched for those those the dreams all the things

all the last for the last said I'm the she's

the That can't a can't a song and she me, my

and I'm Changos. One, one. One, I can't mom. The net

one that you have composed that you say, what you the, that's

that, that no has not said or that has so you can't,

or that's composed various, but one a song that's a little

was the one I'm so I'm so That me Gust to

I'm going to play to that party That's That's a That's a Yeah, That's good

That's a good, that Rola That's a good That's a There's That's

You know, I was up You know Yeah, I said I'm Yeah, yeah,

I'm gonna I'm gonna see Yeah, it's Yeah, well, that was

that was that was that was the other the art that's Mamm-that's you've

that's man, ma'amon. Yeah, well, one that you've got in Pepsi Fess, Coca-Cola Fet, or something?

Yeah, no, or no? Or you've to be a man a mom a man? No, no, no, no, no, no, no, no,

no, no, all those are my chilas. Oh, go, yeah, pia. No, I'll say, Fle, no-in'n, no, we're saying, please, no-as, we're saying, we're going to say, so, no, we're going to say. Oh, yeah, dear. Oh, wow, so-ch-choo! Plebada, if you want, how?

How? Man, par the is-old, too, too, because so-be-be-sa-ha-ha-ha-ha-ha-ha-ha-comment. Comment, you, you know, you know, The MK, the, how, the Michael Coors,

like, so they said the Michael Coors. I mean, like that's chingabada, well, well,

much thanks for for being here, end up, the podcast with his people,

the podcast, with us, we've been a compa, M.K., uh, Arriv, the patasalada,

la verga. Arriva, uh, up. Rueh, uh, uh, looked so,

Plevada, benditions for all, much thanks and I'm and I'm want to a saluditit

and a A Bessito. In where, my Joe? In the cullito. Hey, I'm boyish, my father.

In the pure pepone. Oh, no, to the bern' to the end. The shit. A-law-chin-a-chin-a-chia.

A-puch, a little.