LOS MAFIA PODCAST ⭐️ - ORGANIZACION ZETA — HISTORIAS GANADAS Y FRACASADAS

Episode Date: November 6, 2023

Plevada, be welcome to your new podcast. Today, we have, well, what you can say? The pincher

the fomber here of the studio is a blue, but I'm and as soon, no, no,

not, no, no, the no, chinted a madres, chelelikos.

You're me says, those of the can be the , so, to get to

more, but that's not a good, this, carna. That's all,

to all all margaritas. O' O' O'clock, Plebes, we're to give

the welcome to an organization Z. Aubboh. Aweilita. Averga, come.

Has a much time, I was I was I'm waiting this podcast, Pleves,

and finally to thank you to give us because, because, not it

not is to give us to give us to you, but the good, but the

good I'm so you certainly because I'm organization Zeta, Jome.

Because I have subed much content with songs of them. And,

well, here we're to Juan, Samudio, and the son, Juan Samudio

too, the junior, junior, yes, that, say, said, I'd say,

something, like, so, that's, so, so, in the entratita, well,

the, a pleasure to come to come to come to come you, thank,

chulada, that chulata, of chuleta, says the Chilangos. This, Juan Samudio, servidor, 49,

a point of to doctrine. Awah freckas. And, this, and, and, then,

like, 30 years in, in the Zeta, more of 30 years, fundator,

servidor. Here we and we and we're to do even, etchandole chingasos,

carnavo, no, and there's a lot but poor, poor, poor. Pover.

We have to try back. that my mother, Compa, I said, I said to my little,

oh, yeah, because I'm made a chuel and not a bill. But right

we're going to to talk to that point. But he's a man. A good- to come to your podcast.

My name is Juan Samudio, Brito, the junior. I'm the son, I'm the

integrate of the organization Zeta since yeah, almost years. We need

first with some chorus, then we got them percussions, then other

at a bit of course. And right now, we're in percussions and we can't the romanticones, no? Yeah, well,

28 years, 28 years of age, and with all the energy, I'm in charge of all the technology,

the networks, all the things, all, no, so, so, so,

so, so, so, so, my compa, no matter, eh? What,

my ho, fecha? Oh, yeah, oh, yeah, yeah, yeah,

yeah, yeah, yeah, there, many, there's, many, like that's

it's the of the way to because yeah, totally because I'm because I'm

because I'm because I'm sure you to be there to be to be the money and give me

the barat me the burga compo they don't they're they're that

the time that the invirtio one fieces and then for the economic

that's that's that's being going to the time the

effort the dedication that you have costed to make a lot of your project. The people

many times say, no, well, you're you know, you're going to be a bit,

I mean, my co, I'm going to piquing pyrra. Well, imagine, carnal,

tantos and then when you start a ball of tropios and tropios and tronadas

in balles and the frugated not all is color of rosas. Many chachos

think that I'm a music and I go to enter and I go

to work machined and gollad, and arthur, no, sir, to bring places in Durango, in Bahia,

in Colima, when you're when you're not, it's like right, not, right,

fortunately, the groups that, that we have a catalog, that we have a, that we're

a lot, then you, you know, so, no, so, so, man, but you,

man, for the end, you know, and you get in colchoncito, no. Uh,

no. Before it was, oh, well, you know, well, go to be there, and see,

and the places, they're at, but, you're going to get some to get some tronadones,

caw. So, so, it's, you, carreying, all the process, for the

for you're here, and you're a lot, you know, I'm so, no, that's chila

me other, car. No, so I, so I, so, so I, to,

so, to, that, to, that, that I'm, that I'm going to a discountit. I have to

talk to talk about to my comp. Wow. Talking of prices, if you're and I'm

really, I'd like, I'm to tell you, what's what they're going? Look, right,

in this year, because then, and they're, no, but is that you're not, but you're

that you're not, the year past, me cobrough we're not every year we're trying to bring

a better service. for the people. How, well, we've been the

scenario, the production, we'll get more sound, we'll put more sound, we're more than it, and all that, apart,

then the amount of the sales to the , more more money to publicity, and the group

is going to and it's going to much times the investment that you have been in the

group. All right, but right actually, in what is here in Kuleykan, In the zone of central

in the Sinaloa, we're doing between 75, a little more, a little bit more, a little bit more, yeah, with the audio

and all the question. So, so it's very accessible. The fact, the fact, because, because the

fact, we're not, for the, for the people, no? Five hours? Yes, the show?

The show? The show. And, and, and, and, well, no,

I'm going to say, quite, no, many groups more chichos, with

less traitoria, a northean, for example, without, without, and never, a lot of

a hundred, 120, 150, so, so we're so we're we're talking about practically

to the people, no, to the people, so, no, no,

no, not you think you make that, because in rents of equipment, and infarctura

is very good. And, and sincerely, I'm really, I'm sorry, I'm sorry, I'm

, I'm cotice, and because I was I was having a cotorreo that I wanted with my family it was a

I wanted to I'm a good to I'm sure and I'm here here's what you're

I'm talking about that I'm I'm I'm I'm have to a fiesta

contract those you're a party a party my birthday

my birthday my mom and my my papa of my father of but

but for me for me it it would be a

would be you you what you what you know what you're because I

because I'm because I'm sure you keep doing I'm sure I'm sure I'm like I'm

and I'm like that my family also I'm like my family not a family

yeah yeah yeah yeah yeah in the set in the

in the terracery we're we're we're to pay the right

yeah for we're not because you you're no more you

you're you know we'll come. Oh, yeah. A lot of us a comadam, a copan. A decontito

the 80% Oh, so. See, so, so, we know, we have a

lot of people, and we're that's that much, and we've done that that's a

good, be be it, be it, behones, that's the we're not, and we're many,

various, various, caras, many, many, are there, are there are there

are still, and that's I mean, let's I think the part of that are in

vigentes you're it's well, and know that one of the fundators is the

one of them one of them right, right, I'm saying that were three or how's?

Of the the project were three. They were three. And you're

the trajectory has more of 30 years. Twenty-nine. A 29 years. The next year we'll complete us 30. Ah, yeah, okay.

Cople the groupation, no? 30 years. And what is the most difficult that has to pass in that trajectory? Uigh. Many, many, many, as much details, as a lot of color of rose,

all, no. The changes, the processes of, the, of one generation to other, as I've been commenting, have been difficult. But,

But, Fidate that, well, in, in in the few words, those are the transitions,

would be to say, that's been more complicated. Aparted of a lot of what I said, to bring

places, batall with discleras, a lot of, the, the, the tronadones, the,

the promoters, the malandrines, the large, the, so, so, I said, they are,

so, so, I think, they're going passing to the long of the

many years, but I think in a one word the transitions has been a little difficult

but but we're served us have served to grow because after the solasos

boom and we've been more going to be more the discos, the slogan of the discos

pure to up right so we and that was and that was because that was

due to a critical of a group because the first is that we

We did we did more ballads than cumbias. And I remember that one of one of a band there in Massadlam me said, this,

this mother is very by a man. And in the other than we were going and we were

starting with the project, we did to go back so. So when we did we

we're just to come up up. And it was when he was the show with

with puras cumbias. And really when they're doing the music, no

they're that I'm going to be, I mean, the I mean, how can say, that's playing and never

never, you never you're doing more than you like, right. Abrava, right,

like you up, right, yeah, yeah, with the beat, with the beat, with the

bit, the bit, a bit, 140, 150, 150, 150, 150,

155 negas, 155 negita, too, dunn, tun, tun,

tune, tune, imagine, imagine, five five hours without And much

people, there's a lot of many people, like I'm a lot of many years ago,

I'm in when we're when we're to start, they're they're not they're end up old

and they're with a with a man, with a satisfaction and we're and we're

and we're that's that people are doing, we're we're super-alagated, so much,

so it's we're very hard because, because the people the people are

just very beautiful, that you see, that you see to be that's a lot of public. Today, be it's a little people, be to people

yeah, the age of advanced, people who are to be able to a little despisito, but I'm at the rhythm of the group.

That's, me, me, I'm an experience, are experiences, are you, and that people to be a,

to give us, and that we're about, the price, pardon, you're going to say, I was to say,

I'm, no, no, no, I, I said, I'm a I was asked, and I'd say that I'd have to go around

about some 150, because I'm talking about I'm going to I'm going to but I'm going to say

I'm going to say, and I'm saying, 75. Here. And it's and for example to Masatlan Mochis. It's going

cobriating the proportional in question of the gas, the biatic, but not are costs deskavis

too, no, doplicable or triplicable in the price. None of that. All those are,

so, all are presos competitiveives. We're we're trying not caro. We're not doing the way? For what?

For what we're, in all the parts where we solicit, no? That also, it's not but really

like, are the prices that are in the the ambit that we're we're not a bit techno

bandero, medium techno cumbias, more or more or less, so, so, some persons more or

that manage in various no, also. Okay. How you see,

Veeho? Well, I've been a lot of the life, to do, to do the Margaritas,

because it's a price, as a thing I do it's just, for what we are doing. Yeah,

to what we are doing, because I think we we're trying, we're always the CTA, has characterized

for trying to try to a good audio, a good audio, a good

a good, a good to do it, so, It's the most important to find out to try to do a good

music for that the people stay content. Really, I'm talking to talk about how I

go to be I'm going to you, I'm going to go to the bag, a cake. A cheesecake.

And a get to a bagna, I'm going to get to the bocina, the majority of

the best I'm because I know, you know, I'm a zombie son, I'm going

that I getro energy and that's the balladona just to the and I'm and I'm

and I'm I'm injecting something that's a more and many many people and much

me want to it's that the umia is that the electronic that that matter I know

that will that you tell the the heart you think that's you know

you yeah with the music you're to the a

mebrest mace how How do you, before to can't this type of music,

what you hear of the music, well, the influence is there. We used for example,

when we started to grab the first things, we used to the tropicalism Apache, we used

to the Pautasul, groups sonorenses like the Brisa, in the concentration, Fito Livari,

the concentration, Cumbieros, because fanatic of the cumby really. Cumbiero

like like this sonar like a yeah, yeah, but this,

that we, that we, to do, at the hour to do the style of the set, we,

we, we're we're something, to get a something, to get a something,

but with a seal of us because the others we're just we're in Madrid

that you just you know as you just you, so, so at moment

to talk to rapidita, all that type of music rapid, that's a lot of the cost.

It's a cost, the coast, the coast, the cost. Why? Because the people in the coast

want to be and bela, and it's what we did it. It was very very, and then the

style that we got us to talk that music rapid, not that cumbia rapid. But,

as I think with the percussions, nothing the techno band, no, the techno

and the guitar and a censerrito. And it And here, no, with percussions. And so you, it's a little bit of a bit more rich. More savorsoom.

And apart, then, all music in vivo, no? So, yeah, so much, instruments, electric. For example, the percussions are percussions are electronic, but are talked in vivo, no? Because there are groupations that get, like, like a machinita, with a cajita of rhythms, and it does all the bass. You put it in the bribus of the battery. You put the beat,

it's like if you were a bit, go ahead. You put a whirits. And it's, and it's, for example, the Mexican. The Mexican,

the basican, the Mexican, is, an R.5, Roland, so it was, of the bejones. An R.

R.O.8, Roland. And, this, there in that machine, with a switch,

the batterista, because he was to talk parado, German Roman. There, he soltable the base,

with a switch. And that base gets a bombo, Heave a whiro and he he's

he's he's he's he's he's making a turn that's

that's that's a lot no no no sure and so yeah

and so and it and it's so too because it's a rhythm

because the machinita it doesn't but but I imagine I'm

I'm to you to you do for so so to

feel of more more more more I'm I've heard another group

that's like the style that you're doing the way the net. And is, and is that

we're always we've used to improvise much in live, because it's part of the essence of

a group to talk in live, no? So, if you to talk mechanically, like,

it's a moment, you're the heartas, is the really, you're to start,

and you start, and you're mechanically, then when you're, you're, you're doing,

you do you do, you do something new, and all are truched to do you, so it's you're making

all that's other type of show, definitely. And the music also also retoralimenta of that's

a subject. Yes, so, so, so, that's all plain, so,

for example, that they've said that you that had that matter, that apparel, that's

that's, that's, that's, that's, that's, there's, there's no,

well, Well, the chist is that, a bit of a bit, a cat to, a market, you all the Bresque. And even the errorcito of that's

that's going to the batterist, no, that's a bit. It's part of the essence. All that's in a whole,

is what is the style, the organization. I mean, always, we all, we talk about, I don't know,

I don't have, a little a little of rhythm, but simulamus one, but totally in vivo,

because basically are the same sounds, but are the same I took the percussion and I let me I'm at least I'm, I'm

I'm at least the battery going to be doing some his regals and like you make a

make a regal of my father or a ral of my man and we're we're going the intensity and so

so does it also makes it also more savors I'm more so is what I'm I'm

not I'm I'm I'm not sure I'm because it's you're in you're all

flat so you so you And the people have to change because it's

I've heard of people producers grandes that's you know, you know, you know,

you have to keep there. Or it's a hour, half hour, 45 and change a yeah,

and get a little to be a little, and when you know, if you're to get a

to be a other way, and that's that matter, does the fire. Sure. The net

does the fifted. Definitely definitely, yes, of course with there,

there that I'm about about the groupation in- how many

are you right? Right, we're five. We're five integrants. It's a battery,

is a bass, guitar, and percussions and teclado. We're five. I, I who talk

teclados I'm the can't all the cumbias. And the the one that's the that's the

ballads. So, that no no robaliki, because you know that's there's

that I'm a bit of you know, I'm going to talk about you know I'm going to you're going to

know. Right, of course, I'm talking, I'm was a ballerin too, I

did I'm I'm doing, I'm yeah, I'm doing, yeah, of the hip hip-hop

and all that and a mother, and one of a group that was a was a group and

me said, no, well, is that we're we're that's that we

want to you can't you know, we're not you have you

know, so and then and then one of a rancheria to be

a back to and the dwee of the family was a year

the dwee to the mom she put a attention to

the person to the group and so he did he's

rarro the and at the final he he was pure

Playback So, and I did know that that's a group in some occasions

had playback or so playback not so that the Pistain the Pistraments Simon

and I did he I'm a bit boy this man no no no he's not

not going to not not will be well the point was that the those who

were the the orchestra that they said no, is that we're we're doing we're going to

do this, you're going to do you. Cantante's I'm not musicians in live. And I said

I'm sorry. So, yeah, and the net, well, because not they don't you

don't, oh, we know, we're not we're not because they're because they've

given batteries, you know, a base, a bassist and no more. The battery is a a bassist. No more.

And, and I said, I said I'm, I'm made, and the nita like, and the net, as they,

they're, yeah, are, so, Simon, you're putting in a balance to say,

well, at least can't chit so, so they're because very chingon can't,

they're, and they're being perro can't, and, at, the, um,

I, um, me reed right because, um, this, try a, a batterist, and a, and a-par-a-par-a-par-a-par-par-a-par-par.

So, it's the band-a. Suna the band-da. And, come, Tomah, who's the band? What's the bad? Yeah. And so, it's a cabron. Yeah.

You know, it's... So, if you're going to... To play the music on those musicians necessary that will give the pisties that put to the... Yeah, well,

like, you know, mention it. Mentional. Merever. Preve to. You offer this. Look, of the job

so. But, well, and if there is a ching caron, so there's a man,

there's a tupy and there's a thing, and there's some people. And there's, there's all.

There's all, guys, there's, you know, where consider it is the place that's

that you're a man, no, post, Cullich, definitely. Net, yeah,

so, when we're when we're in Concordia, aborded we, we're much for Nayarid.

Nayarid is a area is a one, is a very very baller to all the coasts but the

people the people more the people of the people more the people more than we're there's the

time of many years and we're and we're and working in the and the and the

people to hear the people to listen no, the not it's a story

organization Zeta is history for the cumbias. That's that style of that, tan,

so, because I think I'm heard a group that's what you're in those years.

I'm going to do you, I'm going to get to 30 years. So, there are we're doing,

I'm with you and to the future, I, I know know, not you,

not know, I've known, not a, another group that's other that's that's

that's the chelles the celles I don't know how time they're on the

but they're not much people say it's no it's not what's they're they're

they're they're not that they're not that's not it is a organization set and

but they're not they're no, are proposals totally different are

some cumbia so cumbia so cumbia and it's cucking they're they're

they're they're they're they're because the founders of the Sheles are ex-Sarapes

band Zarape and they're Ah, oh, and these, and these, and these, my carnalito

I go to my, I'm a batterista is the dadan, the Adan and the teclist

that's this cantante also of the Shele, the Saul, they're people,

they're they're not, but they're a band Sarape, compa, company,

yeah, I'm, that in years, Band of Sarap there's not there's like a

yeah, like that's yeah, they're there's, there's, you know, they're more or the

trajectory? I think for there. I think Sarap is, it can be that Sarap

is, it's a more, more more antigua for the name, but in,

in, how I can say, in question of, of, that they're to start

with the world of the more or more or less than there, because Sarap was a band orchestra that started to do a chingue in Masatlan, but commercially, yeah, for battles, I think we're

that we're, more or less the, the same trajectory. Compa, no, me accorded of band Sarapes, comp. I mean, I remember that band, comp. Yeah, well, Guane, Guan'e. How's called the band Juan'i? Ah, the Wane-Wane. Yeah, the one of Lajara. They're from, no, they're from, they're not.

They're in Torreone, yeah. And the style is similar, or? Techno-Banda. It's techno-es-no. That's what-Wan-Wan-E. And Band-Zarape? It's Techno-Banda. And you're...

Well, we're... There are no groups of Facebook, like, of Techno-Bandah, because the fanatics of Techno-Band-as are very, very selective,

very celos. So, is that this group not is Techno-Bandah, this group not is that, because they're not, because they're tuba and this,

to... To be it. So, for, to distinguish a technoband you need a trompetas, metas, a pompon, a trombonbosito, and in the other than, you go, metas-bago.

Okay. That is the, the genre, techno-banda. And it's a, no, you know, does it, not you get a tamboura, like the bands of us

that's the band of the vienna, no. But in a debate that I did, that I'm, no, that the Mexican, no, no,

no, but no, no, no, no, but no, it's t'nobandah. Organization, no, no,

so, no, no, so, no, it's, And I said a batto expert. No, no, no, no, dechern no, dechern no,

if it's techno band, but it's a variant of techno band. Why? Because they're the music so aceradita. They're cumbias. And are more or less of the same, same genre, but executed by different manner. And so, it's like, we're saying

that we're like a ramma of the techno band. Okay. The genre is technobandah. It's a techno band. It could say, So could say, that's between Technocumbia

like Selena and Technobanda, because because we don't, we don't talk as if the comias lentitos like Celena,

but we're acceleratitos like a techno band but with instruments like if it was in Selena, because Serena

had all all the like us percussions, but not with a bit of the last time the lo

of the Cumbia Kings, yeah? Ooh, tremendous, goodissimo, very good but,

but, also, it's the also, what we've comment we're right at the

time the royos the of the of the lot of the rations and the

good the two, no, the A.B. The A.B. Kahnianian, and the how's the

tecladero? The cross and the Kruz. Very good. Some those are very,

no, Kopp, I, my, good. I was, I was to go to

I'm, but I went to when I knew to when I said, compo,

is, or they're, they're techno-banderos? No, they're tropical. It's a,

it's a , it's like a techno-cumbia. Now, it's, it's like, like, if Seleno

had progressed in the genre, well, it's the same, but, you know, you know,

you know, you said, also, that's a , yeah, right, are,

they're, they're, they're, they're not, oh, they're, they're, they're,

they're, like, more or or less for the vestiment like cholada and all

this roll. With the the sound the sound, the sound more,

more rapero. Yes, exactly. But in Cumbia, no? Because they're in the

percussion. A percussion. A chula of group. So yeah very well. Oh, you know,

tell me an anecdote that you have passed of some cliente that belico,

well, classics of here of Culeacan or in some other parts

because not not just there's there's there because no the world. Fiat

that fortunately we've had no we've been problems and God for the type of

gender also to we're the generally. It's a general cumbiero the

people are purrown one one wants one one and then you know

you're you're you then you alladit too mad and a We've been in an anecdote in a dance in Nayarit.

My accord, I remember that we're talking, and he's a cucked a, a cop, and they're, they're doing play back. Oh, yeah, be. No, compas, we're not doing play back. If they're doing play, back, and he's going, and at a rata. They're doing play, pal-a-a-compa, no, we're doing play-back, and I started, I'll be, play, one, two, three, four,

and fum, and the parre. Where's the play-back? one, two, three, four, so, I'm going to and then. He said, and I don't know,

and he said, and he's he went to and he, and at a rata and the mixer in the mixer,

you know, and was the, he went, and he got to get to all the back, and the

shing. And the bato, go, and we're just we're just to talk, and for

there, the guitarist he got, a, he got a a, he got a,

he got a a chinga. Total that, there, another way I've again,

and the people just did know, was that the man, was there was a verronio, and they

were out of those anecdotes, but is that we're just a good, an good audio, then it was

a very beautiful, and it was the same engineer that the discos in the then, so it's super

parichita the music. So, so, so, so it was, so it was all mad,

so it was a matter, modesty apart. So the The other no, no, no,

no, no, no, no, no, no, no, it was really

well, well, well, it's one of the anecdotal, no, that we're

about, but, but I'm, they're putting, they're a lot, the lot,

I think, I'm really, I'm really, I'm very easy, so, yeah, if you know,

if, so, so, so, because, whatever Pendue or,

that, you know, just he'd want to , no, the b'

or don't know, that he'll be to sound to music. That's just a gantarron, the yeah, yeah, yeah. But, I think that's to the people borrachal,

he's the most batyoosa, no. Yeah, yeah, a lot of, yeah, to live a experience in a

in a ballet where he pegged a oh, how not? Much, so, a chingue,

carnal. No, Add to count that so in in court I'll

talk about for the Vergel for a inabolato for that to get in the carmion

of us and we're in a pinche jovidon compa in a no no,

well it's that we're going to let's let's let's not there was a

channel and that said no yeah it's the the the thing that the

the guy was the that was That's a lot of But, but no was nothing

sure, and so came in a jobidon that's the structure of the lus and the shingada.

And a lot of salco, so, so, so, it canceled all in the event. It's a

lot of a lot of a lot of a lot of a portal and it passed. Yeah.

There's a lot of the doradovid was, it was the day eligied, and the

people, the people, the people, the the people, the were,

they were a No, that this equipment. A good audio. A big, and it's a good

and so it's very beautiful but but all the audio was amplified. And we started to

like at the 10, we talked like a minute and it's put in the year and

a transformer and a turner. And yeah so, so it was was, it was,

the people and it was a lot of because was, because it was when we're when we're

like the was like the was the and then when it was all the people,

no, well, that talk the group that I have that group, that I have a group. But the senior,

the senior of the team, he didn't get to bring the team. So he had mollado? No,

no, simply, yeah, no, because we're in a teachumber, so, no,

not it was no, no, it was, it was to be able to get a , and yeah,

maybe, maybe aggressive , no? And what, what did you? Gere, there,

there, there, and we're, come, come, come, come, come,

come, come, the the team I'll tell you the equipment. Arrackle with the equipment. Arrackle with the equipment. If the bato says that, if it's, if he preends all,

I'm up, I'm so, I'm going to, I'm worried. Here we're saying, yeah, we're saying, and we're saying, and we're saying, that's a cop, and said, the bato

preends the team and we we did it. The bato no, he didn't, and no, he, no, he didn't, and he, no, he, all,

two and a minute the morning, and, then, we were we were, because, you had got the contract. The contract, no?

But we're, But we're with the intention to bring them the service there's a lot of people and many people

people who are and the advantage that we've been there was that we've got to we've got to us scudable but the

organisor of the ball and the sound he's got to the soundio no, and if we've ever

we've given to sound we're doing we're playing it, let's get to bring it this people

not even we're we're talking to talk to more time I'm going to... I'm going to...

...Igo sin the... But the problem is that the equipment is... The equipment is... It's delicate. It's delicate.

In... In, if, O'iga, Organization Z... The... The years more chingones that have been

what has been? Well, the year productive of us, say, the most the most... I think it's

that would be in the 93, 994, That lapse between the 93 and 98, for example, more than, like, one of those five years. That, we're when it was when it was an machine, when it was a lot of,

the thing, a level cost. And even, for here to the north, to, for the Durango and those rogers, I think it was the epoch, let's, let's, let's, let's, let's, let's, much tirador to get to

get to work. More is that were other times, not many times not so

not so don't know, not there was not there was, there was, there was, there was,

there's got to get to video, it's like, we're, we're just to use the question

of, we have to have a question of, we have to talk, photos and so,

but the organization Zta has many many years working, but many times as

as a technology not was in the way of the hands before as far as

as farce as it's not a not even in the radar, I mean, that the

people did that but organization Zeta in your apogeo was

something was a very, very very strong, but I'm that was I'm a

age, we're I'm just I'm sometimes me get to my father the

balles I'm I'm kept very present for saying, oh,

my mom was I'm But, I mean, I remember that my papa and the daynaker, and I'm not sure. A lot of, right? Like, too. I don't know, so, for being,

to be, like, so, like, it's like, so, like, it's like, a lot of, but, you know, in the park, 87, like, in the theater

Greek, that's a little we've been there, and it's been, a bit, yeah, yeah, I remember, one of, I was,

I was too, and I was, I'm too, I was a, so, it was a, so, so, was,

I was, so, that, commented and all of those would be in platforms and all of that, but then'tably, no,

it was so, no, no, there was opportunity to be able to do it, and they were, so,

imagine, also the, the, the, the, the, many-sim- and you're,

you know, and the quality of audio, ah, in that time, was, it was a, chul-a-

but right, you're, you're, you're, you, you, you, you,

you, but, fiat, the hunger, the that's the that's the mother, the support,

the people. Yes, when you know, when you know, when you're, you know, organization Zeta is,

is, you know, how do you know, the, not there, the platforms digital, well,

it's that, it's, it's, a, a rebotito, no, a rebote in,

in, in, in the zones of the things, and, and, and,

and, so, it, they, start, the telephone, they're going to to be a

cah, cah, cah, oh, come to come to come to come to come in a feach

and you know, but I'm a new, I'm a thing of a rase and you say, and you're

we're we're going to know, we're going to start to, uh, at the area,

to the area, to this, of this side of Culeacan. For example, one of one of

me, I remember, that we brought to the castillo, the castillo, this

this, a, what would a day of the marino it was a day of

a marino a 1 June and this and we we're from we're

so we were so the legisimus and we we and this

this this the I don't I'm I'm I'm I'm

what he put and but he was to get to the

Rass to you to the to the the the local,

I know, I'm a and we're to talk and all the racer-al and all the

ball, I'm playing the carlap, what, what I'm how did you? How did it? How did

this to this to come back? But, honestly, those that were the people were

those were the DJ and the soniderers. Yes, those were. Because we

don't, because we don't know we're we know in radio, we know we don't know

we're doing, but for yeah. in our area, mazatlanta, that's the road. But here in Kuleakhan, tall and the quality radio, I think

we're going very little. For the sonideros, compa, the two long play and so, to do you know, to do you,

a lot of rifed machin. In, you know, in vets, how they were? In those times? Well,

it was good, but, as a model, at the discleras, always, you know, those rogues. Platique me

that's interesting, because, fiences. Trosadones. No, Oh, well, because of many years

after you and that's something else, no bedos that's a man, or I'm my mom

or I'm and I'm pored, and me put them or me trossed with the with the

songs, no, no, no, no, no, it's, it's a

lot of one of those things is we're, we're, we're, we're, to do you,

after that the studio and all, and Finally. Very well done the proof that

the disc still are still continuing a sound because it's all it's

good good quality of sound and it was in a part

in a big so there's there was a good good

audio the of no no no we're we're

we're we're first with the first with that because you go

you you go you to the part sonora

to all the cost and you don't you no,

you know, not you've distributed casets tues. So, how? No,

you know, it was, it was, it was, it was, because no there was there,

no, there's a matter, it was, it's a way, and they're and they're,

they're, and they, and they, and they're, but you do you, do you, do you,

and you're, you're, you, truanas, and you're, oh, oh, hey,

you're, you, you know, you, you're, no, no, no, no, I don't have.

And how do you How you can't? There's a There's a There's a Yeah, it's Yeah, well. The acclaces

Yeah, well. It's that, I mean, I imagine I that from I'm going to to send the

cassette or disco or go to you to get you to get us to get me to all the race.

That's so, yeah, so, yeah. That's difficult to bea other times. Very difficult,

the net. So, So that was one, one of Tantas One of the other thing was that we're at a moment

of crested and we're in gyrs with recode and all the show and when recode was a record

no and this and we we firm we we're finished with a discared

to us and it passed that that you we said it was we're so how many

for five years? So that that's in some way we got really Dura

to us. Yeah, because, we could we could be not doing we're doing not.

But no let you're in the contract or what you know, you know to be

a lot of people. And the really in these people really very cabron

Oh, well, so over very cabrona so one. One, man,

is the the real. And penhom and pendejoon too. In the the illusion compa,

the illusion to beck. Exactly. The illusion of It was those years that I did. So the

afand to grow and to go to the United because we had been to the

United so we're we're to bring more the horizon but no never never went

to us no we're going to go me compa I think I'm sorry I'm sorry

I'm sure I'm that the first concert the the people the people

so the people oh boyga carnal compa how much people of

our age and right and a plebad plavadilla compa

no they're to be to get to or de mojado or because yeah her mom

and then he's got with a a lot of oh yeah yeah yeah there's a

here there's no no I'm I'm going to go to go to go ahead

perce a but that's but that you know and we we're to get to

us no to all the that's you can't go? You have

done to we're going to we're going to we're going to we're going to get us with the lot of the

business and all this roll yeah. God God God and God and so

God and so and we have done that we're that we're that we're that's starting

to represent and to move to you're not you're not not are not

so you're for that for that for that's that's what my experience

the last experience that We see so so, rapidly,

there's a company very popular. There's that's that you're really, very,

really big to be a world, no. We've got a collaboration that really us served

much to to be a little more, to be a little more in the o'clock

with a great group of that is from here in the Kulakar but

that's all Mexico of the United are the those we're we're

we're we're we're we're very very good. I said, it was perfect.

I mean, to the people he liked much. And what was we're not we're not

the things in the platforms digitales. And the men who know, you know,

our disquera to be able to do you do this and possibly even to put

to put to be to be to be the discera of them. Well, well,

then, he's to digitalize to do all the people's to do them to

do you content so the video he's he's he's

he's they're the people the people and after the

$20 pesos partied for the partied for the money and the

music and the discography are 10 discos of Z

are in platforms and until the time we've

never not no the only that has been

so for my pap for being the author

of the song but but for the songs, the groupation, is

now that we're going to have a reason. Compa, demand to the verga, comp. What the past is that we'll go to the same, when, when you're not

you're not you're not, we're going to other way to the rues, a little I said, you know,

that's up all the bitch of a pinciscography, Simon. But that doesn't mean that can't

put to to put a to your name or things to have the rights, because

they have or that's or that's maybe it. Or that's I'm going to I'm going to I'm a

not you're not a little not it's a really, no I'm going to not really that's something money and then

just something like the legal no, you know, you know, I'm up but we're here so we're

here we're saying, Simon, Fierro. Oh, and this what I'm what I'm going to

this is CANDil and much much less that you actuen. You're

going to act if you're But, but digitalment there's a borgal the money

and a least you say, not is the money is the action because I

also I'm in that part and but but if it's put to

to toculele to tockel tocate compa mire no

we're not going to get much in detail but I'm I'm want to

do how many they're not access to the Quint, Spotify. We're

proprietary we're doing Spotify. But in the way, I mean, I can't perceive

nothing. Because the discler that you did it got in the register. Although I

have the profile, no, no, we're not, for example, here I have,

I have, I'm, I'm, here's the profile, look, the Spotify. 4,000,

4,000, 4,000, $4,000, 552, the audience the last seven days, no. But for

example, when we sub some time and we get to playlists and all that's a 200, 300,000 or 200,000? Are you,

are you? Orita, the audience, in the last days, are 4,500. No, and at the month,

how do you let's pass? For example, this is the profile? Yes. This is, they're 13,

well, no, it's like, wow, like, like, very bad, no,

Yeah, yeah, but, but, compa, when, when, you know, the ruses

in platforms digital, is all the kind of that's all those are so they're all the

Spotify, you can, you can, can be, more or and it's just, compa,

that other people, I'll get that money, so, so, that's the

thing, that's the matter, because, because, comp, comp, Simon.

Yes, I, I, and it's something, I guess, that a many artists has passed

for, that not they know to the platforms? Yes, to the majority, I think

Hernandez has passed to the majority. For a year, we know, in Spotify,

I got the statistics. We have seen a year. We have seen, but it's a little, no,

no, no, it's a number symbolical that helps, no? of the actual our

our biters, we're going into the, because they're exactly the same but they're a grand scale,

no? Yeah, a grand scale because they're much much as exitsits that at the more they're

not shown here in Kulakana in some in some parts of here. Because they they're rapidly

they're projecting all for the sub of Mexico, for the north of Mexico and the United. So, some,

some chachos, the fact those people the people they did with the intention to support

and we we're we're no, we don't have no, we're doing any way

to do you, to do it? Yes, to do you. Because, because we gave them in this imposition

to, right, but to get in question to yeah, start in the platforms

digital, that our content, I know, we, we know, with this new world,

no, that's all all, all for internet. Those are those are those are the other

and also, they're that they're very, very great, we, we're, we're,

we're, we're arrele, no? The moment that they yeah, if they're going to be able to be all those their rights, also we're doing, we're doing recuperate all of that.

Oh, listen. That's a myth, is history, that's the mites that's the end of the people, and the people like much, because the duplah

of Nortejito concove of us is another boleto, is it's a good, compa, my respect. How, how was that

that you're that made that mess with that mess with that mess see that everything was a

idea of the idea of of Eddie of the the wittres of the plebes but well at the

armar all I did do you do I'm all I'm all I'm all we we made

we're we're you know so you know so why we're what we're here

we're going we're we're doing this So it was totally collaboration, but they're many of the role, because they're

fan, well, they're fan. So, yeah, yeah. Some fanatic of the chas a lot. And, this, and, and, and,

and, was, add to that it's, like, it was, like, a good in the time, like,

we're doing something, but, that also, that's, that's, that's, so,

this, we did, we, we did we, we did we, we're, They were practically

of the question of the question this the billetet and they're they're they're

exactly and they're and we did we in Masatlan we did and all what

so what we did in the studio so here here's here here here's here in the

studio ABC ABC with my with my with my friend Alonso with my my friend

we have the that's the the one of the discos of the Zeta there's the engineer. And that's the quater

was a DJ also. See, it's one of the of the engineers more prolific of the

of Kulich. Oh, I'm, I'm with the Mitz, that's what I do, I'm,

the, the Fesie The Cumbia. The Cumbia? Yeah, and this is the question of

a legria with T Y, Y, and organization Zta. One, two,

three, P, p, p, that's me, I'm of piece to

a Cobra Carta. So, yeah. So, compagano, the net.

It's a new new disc a new new single of the 30 anniversary of organization

Zeta a production very, very, very well very well elaborated we're

we're doing we're doing the time ambicicicia that amicicia we're being

just done the first not we're we're we're we're in this process

of the plan. Selection of the thing, yeah, yeah, this, he said,

even we will, they're going to do- do-os, are doing various, various,

comrades, musicians of the media, and we want to get a lot, to do you do this,

do you do you're going to end up verging, and, get, and,

get, to, enter, to, end, to, and, and,

give, me, invite, you, we invite, we're, what, perro

that's a that's a person, that's that's all the topos and all

the things bad and good and things, for example, of the new system that is

the platforms and all that that matter that that are that's that's that you

know, it's what you know, love to the music and without rach to the

thing, pass it what we pass it, I'm doing it is the thing,

you're to the Yaga. Tocaster the yaga, cabran, because you have

to know that that's what I have done my life. I'm a music because it's something

that's a that I'm that I'm that I do you do this until this life.

That I have a ching of time in this rio, is something that I do you

I'm a I'm always I'm saying, the day that not, you say, I'm going to say,

I'm going to I want to jubilarm me, no, obviously. I want to govillarm, I'm, I'm going to get in this cabron. That's not

that I'm going to. Oh, no. Oh, no. I'm going to. You guard. You're going. But, but,

but I do it's something that I've done with much of the life. For the bad, my comp.

Because this mother is a mountain of rusa. Yeah, what you're going to do you? Well, now you're going to

tell me the day. Well, that's all right. That's a , no, no, fifate that, I've had

a career very satisfactory a old, I know if you know, I've

collaborated with the bandas the big of here of this, for mention some,

as I said, recodotit Raman Lisarraga, Pepean Musical. I'm

I'm a musical, I'm a composer, I do compone and I do productions

I've made I've done it. It's been that pleasure to be the

person, I'm that's a bigel of the band's one of the band's favorite. Obviously, if me

express to the band, because they're some monsters record, well, I'm a monster because it's

more, Calibre 50, me has grabbed a thing, um, Cicillos,

no see has been to be able to see, yeah, but, Cicillos, this,

this, this, I've had been this pleasure and that fortune of

having collaborated in in those in those discos and with those artists

so it's something to me yeah me yeah you're real I'm like as a

musical I'm like I'm like I'm so Juan Sammo don't say Juan Samson yeah

no the bato and no no with my group with the Zeta that too would have

been more something so you I always have said that for something What you took to do do that.

That's the but we're doing the last stironcito that in Qitty can't do still do something. And I'm sure that

they're going to be able to because organization Zeta for me is history. No, thanks.

It's a story and no just for me for much people from many people from from the city.

Because imagine this compa well, it's more I don't I don't want to say that

that only the people poor can't contract them. Not is that we exist more

people than than people of the people of so the people of the barrio to do

that's that's that's so we see that we're that we're

that that great fortune and we and we we're we're

we're we're with the questions of the race and we

try we to bring the better and if the people, like, you're still

people, still one, still one, still one to here the questions of the time's, is what,

is what you do you know, but, oh, there's, all the people, all the people,

all the people, it's like, shodding, a chorros and the ching-a,

but, there's another, and other, and, go, go, go,

go, go, and, and for we've been, with the, with the

public, because it's a public very very Fiel that we have

seen, and we have been inspiration for the new generations of the new people who I've been

about, we're we've got to talk to their fiestas because they like, it's a what they

and in their moment and in the moment, it's, it's motivated for for his

careers. So, I think we've done a more or more or no,

no, no, I, I, I, I, I, I,

I, I'm, I, so it's confirm, comp, the maneta.

I, compa, the good, the one of the one of the

one of the Colonesones Coloio Colo Mateo and then the

disorda the yeah, the Liberta yeah La six of

that's all that and all that's Toma Rodriguez we're we're

we've we've we've been we're in in Puch in the Pachach

we're in the year last we're the year a bitchy, a baller, a big criminal.

He, went, so, all the wertas, all the y'all'all de, she went to dance at a st. It was a pich, pich, a bitchevento, like, like, of, some, of the,

of the, I, I mean, to, chilo, comp, what, oh, yeah, we're, we're,

to be in a, eventon, we're going to, we're going to, we're going to go, we're going to be a year,

the event, we're, it's, it's, some bachos- chol-o-o- that are cholones, a club

of cholo, a club, there's a theme of, there's, you're in the Pemex? Well, yeah,

probably maybe we're going to be going to be going to be the but it's all over a bonoom. You know, has done it

has done this house we we've got to the Pemex. And so, I see, no see, some three,

four months were there, you're going to be to be going to be a sonora Dinamita also. Ah,

the Sonora Dinamita was a little. And, and, It was like a lot of us. It was like November of the year ago when we We were the last year.

No, in February. In February. February. A me invited, some comrades of there that are in the ball of Chol. What the past is, the year past, in your anniversary,

that is in November. But, the net, put in the production to them. A dismadre. With all the respect. It was a cochinero, a chingad.

So, we got a spin. You know, you know, we said, you know, we said, you, we know,

we, we have to get to a spina, because I mean I, I'm the people, I'm a

guy, pardon, for the that's the thing I'm my team, my team big chippo

for, for, for, like, for, like, for, so,

wait, so, so I, we said, we, we're, one, is the,

is the, one, is the, one, so, so, so, we're,

so, we're, we're, my team, my team, my my team, my team,

my, like, for 8,000 people, he said, but it's a good decent,

I'm going to go out of a good a good to get a good, a good to get a

thing in February. That's that's what that's what we did. And now in November

came his anniversary and we're going to get another again. No,

compa yeah, I don't I'm in this moment for, no

I'm because, but I could or me I'm so I'm so it

was, I'm, way. When, when was going to be the, oh, yeah, I was your

perr, mader because you know me got to because I'm about the, the cancha that, and me said,

no, well, I was that you know, that's a man, but I'm invited to

for the 18 no, thank you. Thank you. Compa, I, I'm like, I'm

talking, I'm going to be a time, I imagine. Yeah, it's a yeah,

if I'm if I'm so I'm if I'm that I'm going to go. But that's the of the new Mitz and so,

for favor, I, yeah, what I'm going to do, man. I'm going to to go to yeah.

Because, I'm, I'm, I'm, I'm going to observe, to learn, of the

music, well, I like to be a tiche and how, and the netta, pardon,

if there have been people that's been to get me, but, you, how he

you, you do you do, because because I like to learn to and more of music old, comp.

No, so, as, that's the role, so it's, so it's, it's,

to be, for, to be, to do and then, always, also, when one

goes to when one, when one, you know, and here, how you do you, and a sometimes,

as you, you know, and a way, you're, the, the, the,

the, the, he's, he, to, you, to, you,

to, to, not you're not to do a, make a bad to make a lot. Uh-huh. Because there's there's a,

ah, how ching this, cabron, to the borgue, whet, mrs. Oh, how chingate,

morrow? I'm, I'm a mimoso, the, the miko, the, the time,

when we're we're going to when we're going to, we've been on the miko, the mimoso, the morro. Hey,

what he did I? Oh, oh, oh, oh, what he? Oh, oh,

oh, yeah, oh, yeah, fan of the Zeta also. And at time,

was, he's he's made vocalist and, and then he has done a lot of

my, to my, my, a comerada. Yeah, he's going to get a

little, and he's good, I'm very a much for the rasa that's

that's all that's I'm a little there, I'm so, I'm

so, so, yeah. Yeah. Oh, my moso Chasasas Chasas.

No, let me me Mando's ohla and see this Pitchie For that I know, so you know, so she's a lot.

If you're going to halla, if you're going to, my comp, oh, again, about about things very good and all, we're going to pass

to the tristones. What's been a lot, Tristently, that you're saying you're not, but, but,

but, here we're doing it, unfortunately, or I think after the, the pinch pandemic that we've been,

car, Because, well, it was a much a razzed, many, many, many, many,

musicians, were in the role that and, and, and, and, and,

the most the most that's been to have had been to, to, a,

my son, uh, this, is, it was, it, was,

it, was, it, was a, so, so, agrupation, the

fact, the last the last the last months or years, we've been been to be

good. God. We've been God. We've been in cresimient. And that's

very important. If you so you do you know, for more chiquito that's

well. It's bad. You're going to go back. That's that's going to

have been God. With this role, as I I'm, I'm a saffo

the personal, no, how you know, the deseges, the, the, those,

the people, because right, you know, we're at the age, we have, we

we're at the time, we're we're at a adult, and you

still have, 30 years, 20, 28, are so young, so many, still,

your generation, his people, we're to put, we, we're,

we're to we get to this age a 50, a

50, we're we're in a 65 that's so they're so

they're so they're so that's she's fulano ching a

mother how to you? You, to do you want to I'm I'm

but I don't put I'm so you would yeah yeah

yeah yeah there yeah there there a how

I'm you you have you have you in the

retiro. I, no, the really, yeah, I, I,

I'd want to give the last, I'm, but, I'm, but I

want to do that that's that I want to say, yeah, yeah,

to say, for example, Darry Yankee that's retiro, I think will be to be

50 years or he's he's, he's, too, I'm mean,

I'm maybe, You know, Simon Hope. Dignamint. Dignamente, Cahman. Dignament,

because that's to be up on a scenario, to be doing ridiculouses, like no. And more when not you're in

your functions, or that you know, that's you know, or that's talking to digital. Because we're

the exigency of the music of us, we're very cabrona. This, I'm myself,

I put the pitch standard and all the poth of me do, this, to digit it really quick

and the thing. And obviously with the time, well is the same digitation

carnal for you have to be honest so to be so I'm never no matter

because are things very rapid very elaborated and not me have problems

but I'm too I'm too I'm could I say that I had

back down a little selfestime that has a little I've a problemita

of artritis to the Cintura to back I'm yeah I'm

still I'm a Me, it was very strong. The one, the shoulders and the feet. No, no, I don't, no, no, I don't know. But that's what you

know? Well, it's that, I think that are, some, some, some things that you are in, for the age? For the age?

No. And for the, the sedentarism of one, because you're, because you're just to do exercise, and you, and you're,

you know, now that's when you're doing nothing, then you're doing, no, doesn't, do that's exercise, and I'm imagining, and I'm imagining,

and the years to be done, you're talking, but, so, I do you let's the fault to that,

I'm the the office because you to talk is parado and you and you're or not, you always

you trys the feet and a yeah, and I'm yeah, I'm sorry, I'm sorry,

I'm, I'm, I'm, I'm, I'm, I'm, I'm gonna we're

about, 32 years, 32, yeah, for a hell, no, no,

you, no, don't you, don't you, too, three, yeah, talking,

parado, parado, parado, parado, and a hours, are eight, or so on

ten, Cawrond, and can't and be a lot of the shing-a so, then the

overpeas, the overpeas, the, the, the, the, the, the,

so I'm, so I'm so, so I'm that's my, boy, and I'm

didn't get to be, man, man, I'm, I'm, I'm, I'm,

I'm, I'm, got a, and I'm, and my man, to come to come

and with therapy's and with, and going, with trauma and all, I'm alleviated. Still, I'm doing a

little what is the header, the ingle. Because as to know, that I'm done some

pasties natural, that were natural and they were and they were more still even. And that

is that is that because it affects? Well, is that the cortisona in,

in, in a dosis altas or very segued, they're to affect the wosos

to help the they're getting the they're to get to get to get to

eat the It's like a of... Inflam. Yeah. I mean, it's like a kind of

of a kind of a kind of. So, I know I was in I was in, I was

to do you. And it result was that I was ching the cadera and that me ching-o the

and that and the posture, yeah, you know, that you do you, yeah,

so, yeah, we have to be parted but, but not parado. No,

I think that's, parado, so, so you're so, yeah, I'm,

I'm, That's a mare, compact. Is a verguisa? Yes, yes, is a cansid. So, I think,

yeah, he's done, I, yeah, yeah, yeah. And I, I said to my carnal,

because my carnal is of the old old too, is the guitarist and the that's the second voice,

he said, you know, you know, so you know, I'm going to do that's a little stiron.

If is something something, then we we'll we're going, and if and if

not, but it's to be that's, but you but you're The agrupation, but with new...

Yes, the idea is to prepare them to them. He's just, he's just a big foguied, but prepare to someone, I'd prepare a person, I'd, my son, the bassist is a musicado, has a, he's 18 years, and the truth is, is it very dispirto musically.

So, I, musically, I know that he can, be the... Teclist. Theeatist. The, the, yeah, the support ideas, the, the part of things,

with him and he put in an operative and he in carragans of all the other than and as a

could be in a moment done but if we'd we'd be able to because I think the

standard that the net modesty apart if it's yeah it's a cabron what you

do you do you do you do you say to you I'm I'm like to

get a there's a lot of that's the inch well yeah exactly

Yeah, man. Yeah, I mean, I'm I think that's a tap in what you will be to live in the musical will be a

little bit more difficult. Probably maybe, probably mean, but as I say, I feel, I'm realised

as a music. If I'm I'm still, then at end of the musicians, we're that role,

not? Yes, be recognized. So, obviously. We've got the billet

also, we're we're going to we're going to not all it's a sure you're a lot of a person,

or that's the music, what he is, is to be recognized. So, thanks to

God, I've had been the good fortune of, to, to

to be for, for many people who are in a good level and, and we're

we're, we're, we're there, we're there, we've been that we've been that's been

that and with that some manner. So at the hour to have to

get a thing to do you to do with the scene no, because it's another pedos

no, that opamina that we get in the scenario and that's yeah, so I'm

she's really really a chingon and that and that that's what I'm

a moment that's a way, she's going to not, oh, how not. Oh,

I'm, I, I don't want to I'm, because that per- what we

can't get, yeah, me transports to my times of primaries of the

that's that matter that's inevitable that I'm that's a baller of a family

and one of the morrillo and was a badroes because pure a pincche

and the but you you, junior what is what you'd what you

would would be in a future when your father is a return

the music to continue with with the name or Look, I think

that now, in these times, we're, we're two, two integrates, my brother, he has 18 years right,

he, as he's going to be able to to be able to do it to be to be able to do the questions administrative

and be in the group also implicated. My idea is that all this is that all this is the same line, no?

Siga the same line with the support, too, the platform digital. That,

thanks to God, all that has been helping to keep to do you and keep in the

best of the public and keep us giving us to know to know in different

areas. My plan would be to conserve the science and to preserve

the science, for not of that because it's something

that is something to persist and to persist to persisting until

you do you do and as my chief to keep

all together together together because right the group is

another one of the family before. There's other other people as we

mentioned with the other other people are very good people, but now

we're now we're we're all over both we're very well all right

so we're my dad, my tio, my brother my my carnal your servant

and the batterista that is a person a person of his name Ivan

Gonzalels to who we we're we're we're we're

compaginados right and we want to continue with that same line, no. Yeah, when I'm

my chief, when he can't my Tio, we're going to prepare to a person but he will be going

to be able to be able to supervising that all over, supervising that that all is the intention,

no, to keep, to continue, to do what the organization Z. Offrece. So,

so, here, in the family there's much talent, the net, so, for example,

we have a sovereign who has a good. He's a young,

is a man, it's a man, he's a man, he's not, or at the

other than the he's there's a more, to do it, to be the other, other things,

I have a little my daughter has a year, this, he can't be a

man, I'd like, I'd do you, I'm the role of doing to

do you a production Cilla, but to be a bit of because, if you you,

you're, you have to explore various roles, no. So, it's,

it's quite, compaginate all, all of this here in the group,

no, with the same and you do you do you do you do you

do this other things. Uh-huh. Oh, oh, how many, how's

you try you in, in the show? In the show, in the show, I'm, I've, I've,

I've, two teclos in the show, this, and, and with the,

and, are the original of the Zeta then I have also more modern that I've

created incorporate a little a little to the provision because a end of the

sound you know, that's the essence Simon. So, so not you can't

like to get to get to you're not to be to hear it. But there's the

there we're in those two tecladones, two teclos two teclos, two teclos if one?

Because one no, no, no, no, me, not, I mean, uh,

for the, for the, for the, because, they're in the hell in the hell to, they're in

a verga, for example, and I've done to put a music on a back to so, so I can't

to change, and I'm to use the two hands. So, most, I do, I,

do the conversion here down, I'm, and then I'm put a piano, a piano, and I, and I,

and I, and I, and, other way, up, it, up, It's like to...

Oh, yeah, what is... A riteito, a little bit, a few minutes. Yes, yes, has a... You know, has a... has your roo. You know,

the issue. So, we're just how you're in the caminette that we're in the men of the of the chiches? It's...

It's a... ...that you're because, because we're always we've characterized also for trying to

have been good instruments. Okay. My papa always has very good teclos. My carl

he's a job that's a job at my t'clock my tithe a guitar American I'm just

a battery that's a type type of a European my marca my

my my so I'm always we always we're we're

we're just to get a carata too in that we're not

and you and also you talk's more to so

so to talk more to talk you give a good a good

son professional professional well In image, 100% It's a percent It's important Pardon, in

Darts the Gustle too It's important The security That's a Yeah, That's a whewo Awego

That's That's Andy Berga Because my Public, I'm That's And more

If you If you I'm gonna I'm For, For, for To tell of

Dard in the Esenario Well, that's I'm I'll say Because

For, I'm Because, I'm I've to buy a an apparato

that it's like it's that's about $70,000 but it's and the DJ

the people not you don't want to you know because no no, no, does sound

in vivo and the verga let's get a berg so if the apparel and

all the thing of money. It's going to your quality and you

go up your cost too too too how exactly to

go to to go to to that to back

to all all the whatever image oh, oh, the pinche

batterion that's that's that's that's so it's you know you're

you're to get to you know I'm so oh yeah well well

we try we monitor or the thing and the people the people

the people and say oh these oh my these chabro

oh so all this all and apart and you that you

you you're you you're It's a commodity of the order of to work,

to do you not madriart to talk, you know, a good microphone, a good, so,

you know, it's a way, and as you, it's you, it's, you know, it's,

you, you, you know, you know, those, you're, you know, to get,

I'm, I'm going to cover a other fereeceita. So, so, I'm, I'm,

I'm, I'm, I'm, I'm the same that we just a little

that's a good audio, panties, robotics, quality of audio, all that's, and I'm

I'm going to more more more. Much Rasa at the more can say, no, Jarnie,

is that me cobrates what we're saying, the year's the year my my mom,

but how I'm, I mean, I'm, I'm, I'm, I'm going to put you,

to put a bad at the very, and I'm that I'm to put in my bolza? Aue.

And me has to come, to say, no, but I want a scenario perr.

I'm the pedd I'm the pedd I'm a bit of a bad big chingone there's a because a

way of the person's a thing you're a lot of exactly. Exactly. Exactly. Exactly.

It's pure vendor. It's pure vending, you know, and then to do you do you.

Fidate what are the things organization Zeta in the podcast of the Mafia.

Agua fresh me, my man, no more no more no, no, no,

no, you know, you know, honor. Much thanks. Thank you. Much of you.

Much of the thank you. Much of the question. Yeah, we've got to coincid. For fin.

Yes. After of a good time, then we said to be a podcast. What a podcast? What's that?

What's that? What's the Papa, he's a man. He's a guy, he's saying,

he's always to say, he's gonna play with a carlough with to get a one. Another peddle

he said, let me go, let me see, let's what is a podcast and it's Chimony.

Everyone does podcast. He goes, let's go, let's go, let's have a perr this roo. And then,

right now we we're in a good, a pleasure, and then, to the order, my brother. No,

thanks, I'll occupy a fechita if God want to you, but not they're going to

but not you're going to do a bit but I'm to do you want to you're in a thing

you, you halese, and golese and cheleless the grito and with much you know, what you know, what

what do you do you do that you personal in the talent or a business, what you want,

something that want to give us that's the shingada well, the advice that

I'm the I'm trying to give us is that, for example, to my people,

to those who are to be to be men, carnal, that say, that they are

something something, like you know, and, for to do a practice to the

practice to the master. There's to practice and have to cultureize to do you music,

talking musically. And, so the other, well, because, that's the good music,

cabron, too. That's not. Yes, but for all, there's good and colors.

That's so, and modisms, and the chat. No, no, but,

no, just, no, It's a one a that if if they're

to do it to be done to make the question that's a question of music, music, what I'm doing. I'm doing, well, I'm just, you, yeah, to be, you know, just to be a little bit of the question of the music, because a day,

you can't help to a person that's in a little bit you'll encounter and a little bit of this man this man I'm

sure the man trytel things like that you're going to be about the little the being

the same the same always to bring a one of a someone that's not going to

know if it's not going to know if it's not a person, to try to have a character to all the public

always to open the world for me for me always has been that

what's that's the chilo the other the other way. The ambitpo, where I'm going to manage it, because I'm very much, I've tried to bring to the people, I mean, I'm trying to bring down to the people, something, I think that you're a man, oh, that's a man, man, but you're just a man, but you're just a man, but you've been

said that you were you're being a comrade. Or no, we're we're doing to serve them. And always

to serve to the public is for me something that always I'm like to do. And that's what I'm

that's all the thing. What's what I'm that's a good, that's that's a

person in the city that we have to say that we're we're we, but we're not

we're not we're not we're not we're not and that you're and you say

that's amable and if if that that person not not it's

for you when you do you but there someone that's to give you you're going

to be you're going to get you get you so yeah so it so is so

so it well so I'm good you let me I'm thank you

I'm before we we're we're just we're a um

a psalas a cuntic a cuchus a car oh no just to give to don't chabelo

A Let's A- A- A- A-classica A- Cauts

that you I guess I'm gonna get a I'm gonna be a But I'm I'm gonna

I'm gonna I'm K'em and T'em And take T'A-K-K And Tent'A K'u-L-K-K

Cente-Suc-T And-Sus Two-T You-B-Mid You-E-L-L-K-K-E One-M-T M-CITS P-EE-W-L-L-KK-K-K-K-E,

You-W-le-K-K-K-E, You see You see You look like What the Kekekeke? What you What's the

Kevuele Keke? Oh, Virga I'm gonna in vivo Wagergo What I'm What?

You know You're the Miser A bit A bit Atrofiada But No,

Well, Imagineate Tantos Dandole Dandole Yeah Yeah Yeah

So, Yeah So, I'm Yeah, Yeah, No But the

But the Tone The I That's That's I'm That

We know we have the pinches Relo bolted Cahorn, we we're gonna go ahead at the 4 of the morning and I'm, I'm gonna get

get up too, I'm gonna get up so much, do you know, the order to be. I've always to restan what it is

because just just rinds, carona, when you work in the night. Ayer, not, no, no, no.

Antier, so, something. So, so we've, we've been a bit, so,

so like, so, like, so, so, so, we, studios,

for example, Antier I worked with a comrade I'm here. Antier. Antier, I went to

an piano with a good aruglista, a comrade that's called Jando, my friend, my compo,

a trompeter. So, oh, I want to make you make a piano here, Simon, how not? We went to

to grab it. And so, and I'm doing I'm doing I'm a production. I'm just waiting

to do a thing for some for some friends of the other

other side that's of the those who they're of the people who

they're for questions in the visa and Simon and he he's a manned

a manned a man and this and we we're

we're we're he's it's an institution there in the

questions of and all that and they're in those movements right

of the dreamers some men those men men of

the the question of papers, but are the men, well, who studied, that have careers, and they're in their stances,

how's it, your nationality? So, nationality, so, and we're going to a themeita accord to this

role, for, yeah, yeah, so, so, so, so,

they're more, they're more, they're more of 800,000, 800,000, 800, 000, dreamers,

and so, and so, and so, and that matter that's, maybe, and we're, and we're,

because you're, because you're doing a cause. We're going to of a cause.

That's something that's a something. And that's nothing. Just I'm just waiting. I'm just

saying the, because you want to be a thing you want to do you know, there's there to do the strofas,

there are to do you do it. It's another thing. It's a thing. So I'm

trying to send us the, the thing. The script and I said that you say,

simon and let me, there's doing it of all, doing it, You have to chal he can't

Much more Thanks, carnalito No, thanks to We're going to Let's What's the

What's the Caterna What do you What do you What's You How's it? Oh,

I'm I'm going to That's That's the No No Mettira That's

That perr That can't A part Because it It's Because it It's A bit

A bit A bit Apeas Ape Pee And no Deco D'E

And I'm Dech of Estra And And even a little enojado me alge You Desiaba

the best In that Beas that in your Mejia I've been a little loco,

you know you see, but I'm a my manner And even I'm going to turn,

no you don't you worry, because I'll you'll I'm here,

very in the very close to my I'm Tar-D-D-D-D-T-T-T-T-T-T-T-T-T-Y. But your photography

is what me allent to continue, recordando what you some days before you're before you, I'll I'll fight for you,

By me By me. Cairn't for a boy because The car

Pachian to the Baja Baja in the in the in the in the

time. Thank you I have much time that I don't in

a car but the time those songs not fall band macho

band man the organization Zeta the the John

and the temerarios and for there a chingo of

group more but I I'm I I I'm

I That for that's the people Baja The carmion the carmion to be the

Canyarer the carmionnaires that were I think in those times they were Cidys

that came varying and for camioneras and for the car J. Lennie

that no that's a Ganylennie Grand Camarada in other Dio Fress

there I there I'm I'm there I'm Dany

of the DJ still yeah and they are working still

and he he I do you know, who's who's a oh, I'm I'm a okay,

I'm a one of the one of the one of the guy of the guy's that's that's a bat

to get to yeah, yeah, yeah, yeah, yeah, yeah, yeah,

all the ball of carbanzo and of all you do you go and that yeah,

man, God, thank you for being present, to send us to make a sorry,

to send you a pleasure, a pleasure, like you thank you a lot so, so,

so saludus to all our our our community for the support for the support for the

whole of all the whole of the years and they're in good surprises for you. Muchism

thank you. Thank you. For all the people that us listen to our family that's always has chasas

our your friends your carnalito that you don't thank you your space

for us to listen us to give us the opportunity because all this serve

at final of the right of course all this all this service to thank

to your personal to do your personal that has done you

And I was, I'm grateful with all the people that we're doing, and I'm sure my papa, so forthers new surprises very

new shows, and a new disc that will get to get with a bomb and platy. Amom, to the verga.

O'Gan, red social is to you see them? Sure, we can find in Facebook as

organization Zeta, in Instagram as an organization Zeta official. We're in TikTok

also as organization Zeta, in all the platforms digital, Organization Z,

we can find in YouTube, in Spotify, in Disser, in Apple Music, in all the platforms digitales of your preference,

you can't listen to and us you can't and you can't do you do you know, nothing to do you not that's

not here, no, no, no, no, no, no, Kaimanones. O'n,

a bole of caimannes. O'gain, well, let me, please, let me, no,

recommend that is, is, an, an, an, If all that's

that's being this podcast after this minute, if you remember of this group in

some age that they've to make to be to not, I know, I know I'm a lot of

I know I'm I'm I'm a question, a song that you have done

a morrita because I do you do it too so. So, so. So,

so, so please, also please, also, I'm to us Mafias

with C, the last, so Fipper and the servidor, that we're the pure

chingadaso and I'm the Morgon. Also, not forget to hear the podcasts of the plebona's

that they're arremangando pels of fuf, fu, fu, fu, yeah.

Amen, we're all our shingas I. I do you. Oh, and I'm a macko

yojop Yojop. Awah frek, in the pure fundio a manimim we're comingos.

There's time there's you're chast you. You're just chula in the pure yo-yopo you see the carotura,