LOS MAFIA PODCAST ⭐️ - Oscar Corvera — KARELY RUIZ y LA GENTE QUE LE GUSTAN LOS PIES 😂

Episode Date: July 1, 2022

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in the patchy The really always they're always But it's go to Wisachis

There's Yeah, So, What's the What's It's Yeah, It's

Yeah, Yeah, What's How, Plebara, So, are welcome a new podcast

of Our Amigos, we're We're Yeah Yeah And

God, God, the things So, because, God, Here we are Mulebes. We have to invite a special to my

compadre, El Pitou. El Pitouy. Oh, the Chapulin. Who, who, Pito?

Ah? No, and what? Oh, the Chapuline Marijuana. The Chapolin, no. Plevada,

well, thank you. With all the support that we're, we're doing, uh, a, a new Veda,

here with my compadipitui, Tubsui, Oscar, Oscar, Corbera, the chapuline Mariguan,

What more? The Pitoo, the Gotsuki, the Trutsuki, no, I don't I, I'm about it, but the Truxuki, man. For the Truxuki? For the tricks, well. Ah, hey.

Pleves, well, I'm appreciative with the Patrocindores, before to start with this podcast. It's going to be interesting. The Cotorre, will be Chilo?

No, I don't know anybody? Well, then then, then, then, so, you go, to the subcursal

new, of our, the, how do you know, Miche, Antojo, I'm I'm gonna I'm gonna

like Miche Pleyada Mice Antoho the best Miche Lada Preparated here in Culeyacan Sinaloa

are located in the new subcursal there in Altur's for that they're to do

that litrito you, you did you you're you're and that that's we're gonna

we're we're gonna we're we're gonna yeah they're at the six I'm at the same

at the six they're they're gonna they're gonna but as Well, well, well, you're going to visit them. To visit the revolution. I'm doing northyed, the revolution.

Who's the, the old man, boy, the old man, he, he's the, man, hey, wait, wait, what you want to? Where's, where do you, the end of the house? Ah, a,

be a man, I think that's out of there. Oh, boy, there's a little, I didn't say, no, no, no, no, calmedcy to the verga, not he's grittando, because me a part of, grabbing, figgas.

Here you go out of the TV. I'm going to get a yeah. Oh,

yeah. I mean it's I'm doing that I'm doing this. I'm like a

how, how, how? I'm going to what I'm doing this I'm sorry. All right.

Yeah, okay, let's see the mariscoe what, yeah, go to the much to the

mehantor or no, so now, no, so now, no, every year, oh,

all the time my all the time myel to you know, okay, here I'm Let me.

All. Oh, let me, plebada, a pinch a big old babos. Well, well,

you're going to my chantojo to gore to gore and the yeah, and the play,

if you can try it, you know, me a word, water. Leverrack. Yeah, yeah.

No, the net, I'm gonna get a little bit. Oh, yeah, but,

but how you can't do you do you know to do? I'm gonna get, I'm gonna get to

but the but that's because, but that's so you're Oh, yeah, well, you're going to visit my Amiga

Pleas, there's, there in the Colonia, Buenos Aires, for the Cray of the Walma, 68,

if you want to linears to the dents, put a mulele at the mulele of a puiseo, a mola pica,

a smile, a pia, yeah, to be a burrow like my my rubeh, you know, go ahead,

to visit my my friend, and you're on this rog, and you're just, you, see, saludita to

all the people that we're watching, comment on here if they like our content. And of this, what's, if you want, no. Yeah, that's your

little. What's your all right? All right. Sure, that's that's, we'll go. We'll come with

the mafia, the mafia, the most placosos. And I think only for here in Queens Bar, we have the most of

promotions, time to double in private, time double in your set and not take with the dance,

and she's with the music, and she is Carylis, in his show, Initial, continue. No,

don't see, people, this an non- no, nothing. Hey, hey,

and there's, there's, there's, the, let's, what you're going to be there's,

who's going to get, the one of the way, who's going to, ay, eh, that's the

, that's cached, and they're going to get a gina, my pa. Oh, what,

what opinion of Karelii Ruiz, you're, the net? The, you know, the

But I was up like it. PURU-Qaeda. He was a flaquita. Oh, yeah, because it's because it's a very peg- Oh, yeah. Oh, okay. Oh, okay?

How? How, like, the pure quadro? Yeah, well, it's well, they said that was fey-y-y-flaquita, no say that's that it's me to because...

How's it? Puntoo cholad, the, you. You know, you, I, I, no,

I, no, Who's, Weren't I said, Carly Rui, Carelli Rui, a girl I was,

even a little even, even though I'm like, who's this you? And much

Pancho! I'm on Facebook, in Instagram and what, wow, to watch,

wow, to get to ask, oh, well, and it was a way,

and it's when she was, she's not she, now that's over the she's

over the and now the, what, what, the, the, the,

the, the, that's, the, A man, the other The mono that is, like that is?

Like a like a likeartica, that's like a that's that's like that's like that's

that's that's been to that's whey, the way, the net pa that,

that's that was way, it was fair was fair was fair or so with all

respect but, does it has got he got he got he was a carosio

massissus yeah he put a bondo a man, a punio He put a waterfango,

he put a gun of defenses, all. And a burreraena of trailer. Ableedita. A-won-no, my little. Kewa. A little bit of a barque. A lot of her.

Peku. He's a copacet. Oh, yeah. And, well, it's going to? When? The 4th of June?

This is the Saturday. For there. For there. For the Queens. I've seen. Who's going to? And, and,

and, and, and, don't, preend those telephos, people. There's, there's

various divorcesals to have to be. A bit to be able to come up to be. Well,

I know I'm not I'm sure but what I know is that's she's she's

she she's she, man he's I'm like I'm looking and I'm

looking and they see that there's of what he's and I get a

a bit of yeah yeah she said that he said he said he's just

he got a he's not you didn't imagine you to be

a oh The jopulism, no. The taparab, or a, a churro, a, a guyon.

Ah, one of those of those of, and the two balls, the semia. Oh, well,

this, well, it's, well, does it, does show private, and they're

they're paying for having sexo with her, or how is the thing? There,

I, I don't say, I don't know, I know I know, but, I suppose

That's A pure show, Simon A pure show, Bail Pura Purner Simon, I

think So, he's a Allo, he's a Allotitito All right To do

God, Jesus Net, Net, you, you You know I'm

I'm I'm I'm gonna I'm for a man, and I respect to

all this people to all this guy, that's that's gonna because we to all the

world you know, I think I'm I'm looking a post where I was to donate chemio

Yeah, no, no, no no, no No, no, No, no, before. I was to give a

Lipo and an iPhone And a iPhone and a woman, and a woman said, he said,

a child, a carpia and a chemio and it result to say that the

muchach he said that she, after that that we also, that we

She did, has a little. Has a little was at the house

the Karelli. Cople. Cople that he don't know for the man, the

manchachio did the chimes man. That's that better, to have the

way, and I get to help the thing to be a mind-abired and that

I'm not, I'm not, I'm not another way. And you you think, that for that for

that for that's that's that she that she that she be prepared well

mentally psychologically So logically, it's, I'm going to teach the chiche. I, I, you, I think, that, well, you know, no, no, you know, no, I think

that's the one, no, no, I guess, but, what, I'm going to, well, and, and, my sustent, I'm going to do, and, and, and, of a moment,

they're, I, suppose, I, I'm, like, oh, I'm, maybe, me, and I'm a, but, but, but, you, pay, no, but I,

but I, the, I'm going to say a thing, way. I, I'm I'm going to say a thing, boy, I've known, way, two, three

muchachia and that that's way, or so that they're they're to do

the table exhibitionists that they're that they're to do and that they're

and that they're not so they're that's but that they're that

they're in the well well I'm I'm sure I'm you too

to be a woman No, I see. You know, is that with the person, you know,

if it's a woman, I don't know, but if you're a woman, but with the person, but what's,

you know, you're going to you for a privatito? Because I've heard of a private is only

that's only nothing, and, of a garrader, nothing. No, well, I'd co-

no, I'd, I'd, I'd, I'd be, I'd be, I'm, I'd,

pair, a, pair, one, 100 and a poe I'm 50 and a

Poyle of salt salter and I Friolito I'm I'm Aote I'm

I'm Mato I'm Mott' I'm No, it's Oh, it's way

Well, after right Fidate That's For example Way Wachachach I'm

there's one I'm I'm I'm a example I'm I'm here I'm comparing to

these much too Viaco, that I'm that's my, no,

how, how they said? Mia Marien and Seh Montes and the other way. And the

Al-Lam that I have seen that mitote way, of them, that they

have that had that have been a part of a a child for a

fulano that's that's me, Kimi Kimi Keeeeee M'em

M'em' M'A Keeee F'E F'em'i. Pue N'nace the bolsee no, but

for you the head of Yeah, no, no, but, I mean, I don't want to enter in this comparison, but, well, well, well, well, well, the, the, careli ripa. And the

net, is a mucheron, yeah, is a muheron. And you know, what, I mean, I, that, with the, which, well, he was, the, the, the, the, the, the, man, the beheyehom, how he's the, he, man, the rucon? Andrea Garcia,

or, the actor, well, and, no, well, so, so, he was a, man, he-ch-chon-d-a-w-w-w-w-w-a-w-. We'll give me a Weren't a Wara Wara the tamales They're

They're They're They're They're Oh, Hey! Oh, Yeah,

and And they're And so, I know if part of the

team of the Bato or of the muchache I'm sure

that they they're and there there didn't and there

no. And says that or that he was to what they went, that what is he said he said he said he said he said he was that he was the bado because this batto he had to, no, I said, but you're in your house and said,

you can't do you want to take a photo, what you want to do, and that's a woman piñada and she put to to take a photo sensual. I would have done to the back to, no. Then I would have kept,

all that. You have paid, way, for To have... No. No. Never. Never. Jamas.

Yeah. Yeah. Yeah. Yeah. Yeah. Varia. No, I don't want to talk to that.

No, why? Why? Why? No. I don't want to talk about that. But the

the muchachs more bonitats without. I always I'm always I'm a my side. Oh, no,

no, no. When I go to the the palenke always they've put a good

gallo also me riffed the money to the pachas to a

cabo to be my wherita I I'm I'm the Toledo

Toledo The Toledo Oh you know The The Buenos Aires The

The man The Cano get you You Man The

Buenos Thomas Tomo no I No I'm No

no all the days. You have billet then? You know, you? About the

way, how do you how about the car way? Oh, and I know,

how do you? Like, one of six, seven years that I don't end up man,

and I'm not a man, I'm chos coronel. Oh, here the center in

Culeacan, way, the viality no value, no value, the quality,

and the color's, you're like to try a colad all over all over sure

sure I think, I I think that's it occupies a For that's all Avañil He takes

Like a Yeah No no And so There's There's There's And so

They're With those With the With the So How's How's What's

No No? No No No No No Or with

No Well Or with No No No No That mrs

Those M Those Tum I That's I'm That's

I'm That's It's Relacant No And, So, you know, so?

And what's You know, the jahuasca, jayahuasas? How's called? Ayahuasks. That, that's,

of the mescal, too, are, are they? No, the net, the net, we,

I'd want to, experiment, experiment, I'm, yeah, we're, we're going to,

we're, or we're, or we're, we're, we're, we're, we're, there's,

there, we're, oh, but, but, but, but, but,

but, but that, that on the way. So, you know, you know, it's a process,

way, for that that's a normality or how? I'm I'm not a man,

you're there's a yeah, yeah, you're just I'm looking the, yeah,

but I know, they're doing, no, so you know, so it's, whatever you want,

yeah, uh, be a beer, a bit, a bit, a be, a bit,

let's, let's, let's, comment there, they, they're, they're, they,

they're was a fumated? That was like, yeah, that's like, is that simon. Oh.

There's a sapito. There's a humo also, that the campan, de fomado,

vengh, if he's fumado, vengh, let's, let's, what they're what they're

about this process, why, because I, because I don't know how is the show, and if

were, way, then, that put on the the experience that you

passed and if we we're recommend and with who? Obviously to know someone

that's someone who's someone that's because not somebody didn't make it

no I'm a I'm I'm remember that he's he

was that he and that was he did a busri he did a he's

he's he did a a one a a bato well He's a bato

that does that process, whey. And when he said, there's a person

that's all the kind of any of the you want, and that the people with the

people, way, those has to enter to a a paper of,

if they're so, they're that's they're in a form of a way.

The back from the nub because they're they're they

can't literally. They're cagans? Yes, they're in. Yeah. I mean,

to pass a aite and in front of a bacted a cat, no, he got, so.

So, so, I'm, I'm, I'm so curious, because there's

people that not the but there people that I'm that I'm to be a pachal,

way. Like the like the like the car, I said that's the he went to

the court vertical and he he you can't say, that's, you know,

no, there's no, no, no, there's, you think that this guy, you

think that's had to, yeah, because it's like, I think, yeah, yeah,

that's, yeah, that, that, that, of, something, did,

something, he, he, a, , a, he, he knows,

machin, and he, he, he, he, problem matrimonial and the bato he went to go to but the vizio I imagine

no, well I went to get in depression and it's when the bat I'm looking the story of I think that

I'm thinking after the yeah, I'm gonna yeah, yeah, there's like, there's like,

there's, there's, yeah, presentace here to the plebada presentace with the plebara gopare,

let me, let's, oh, now so, now so, so, the warache de,

yeah, yeah, Of a bagheta. That's the barrage. A, hey, hey! Veeco, want a drink of whiskey? Or a matidon de Nuh.

Oh, no. So, then we're in the ayahuaca, no, because the people that know of this thing that we'll come and

that you say and that's what is what we, your experience. Suggerencia. And what experience have

been done? What's, because I, the net, to what I've made, the commentary, and all that

planet, I see I'm with the way. And when when you get to

you're in, I'm sorry, I'm, I'm, I'm, I'm scared. I'm,

I'm, I'm mad to get, I'm, I'm, I'm, I'm, I'm,

I'm, I'm, because they're, they're, they're in a dimension, way,

that's why, way, why? No, no, no, no, no, who,

who, but today he's put to the media social and the some

some pinches a jodoo there in the man of there's got to be

and see this and the people and people

and people to and I want to hear I've heard

I've heard I've and so yeah I'm when

so I'm so when I'm so I'm I'm yeah and

he's and you tell you that you know and that said that's

that's been pretty well Is that that Madre has to have done

or, or so, enter in in a in a in a pinch world where the

music, because you see a music and a way, and right, well,

but it's in granos I think. What, what has that? Well, who,

I mean, I, I'm fum a cigar and me for, even for rapeat

for to make music for to do, chupar no, no, what,

what, what, what, Entranzh, that theme of, you know? What?

Chupar patas. What? How? No, Padry, no. Yeah, pa. So,

I, there, way, there's much morro, and morras fiat, no,

and you're being the podcast of the that's badrasas, way. And in

a piece, that, that chup the rodilla, that they like they like they

they're the soback and the that's, the roth, oh, the

most fayyito would the nudo of the globe but yeah. Yeah, but that's normal. You're just

normal. If your nobue, no, you chupa, you chupa the... He? No,

well, imagine there's, well, there's a man, man, a man, a boy,

a boyceal, a... A manor a man, a... A-ha-ha-ha-ha-ha-ha-ha-ha-ha- a-poh-o, a-poh,

eh? Nah, the way. How? You're a supercast. Hey, the other day there's,

yeah. Hey, don't me contested to the bird. Oh, yeah, well,

thank you, we know, we know, we're doing, we know, we're going to go back yeah, my

my mom. You're I'm going, you're just to chupap patta or no? Pat, pat,

pat, yeah, literally, the feet? I, no, no, never I've

done. What I think that exists in the person, way, that's, To what

Are what they say To bato No say Maniacono Imagineate Wuey A manned A peter

A-oh A-oh A-ha And the ruck A-Rot A-Rot Oh, So me

Tocke Oh, Because The Pets Where you Where you Where you

Where is Where you It's Yeah You know You know To You know

A-bye A-B-B-A A-Cic A-W A-Water A-W A-W Pater

For there I go. That's, ah, no see, the second that's the motelito

and the bestia and I'm no, because I'm so, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, and I'm, to say, to say,

or to chambia, but that you, but you, are you, all ebrestado? You know,

to tap the eye to the macho to get, and then let's, the, I'm going.

No, wait, de-me your luka. Suarte. No, the ideal would be to tapal the loco

to say, my mom, it's to take us to have to be a man. And if you see that the

morra no stache at the man, you know, one of the one bit, my mom, a stropazzo

and the other and the other and then the seca's all you, and they're to get to the tuchy,

she'll to get a car because if you can't and the bathroom, yeah, so,

yeah, so you, that's, bad, and how do you doke? Ah, and that's

he preended to the dead a god, man. No, no, no,

I, yeah, mm-hmm. What, what, you, what? You,

no, I, no, I, no, I, no, no,

no, no, no, no, no, and the she, he said,

she, he, that, that, that, he, that, that,

he said, Mirrower, and that the rancher, and that the rancher, he said, oh, my God. Never you've never,

never, they've been in the knee, and he's, he said, he says, he says,

ah, p'cuh, my, my ha, no, because no, but, peterate,

I'm going to get to and I'm, and that's a bitious to that, way. To,

to you're, to put in the leg, put on the put on put on, put on, put on,

that, that, that, that you, chaspe the rodia because they're going to granada. How you see, it's pure mom. But, for everyone, well, yeah,

but yeah, but yeah, there's much who they like to peg her, and that's , many people, that's they're gonna, that's that, you know, one of them, a me, I mean,

got a man, they're gonna, boy, but cachedada, well, no, yeah, let's, a bach, man, in the, pussitone, the cossilone,

hey, hey, calmate, calmate, the verga, what you what you're, what you're gonna? What's... What,

no, no, well, you, what's, so you said I, no, say that's

the verga, pincha-mark-d-d- whey, I'm what you, what's weird, I,

I'm, I'm gonna go, and I'm too, man, oh, man, there's, there's rarrow, way, there's rarrow,

way. But the I don't I super I'm I'm sure a boy aboso a

you're a lot poth puros fucks and the hughy and the

yuyu and the pats in the marries no that that's bad

so yeah old babos but there there there there are people

that there can there there that you get to you they're

at you pat on the pats And you, you know, at you tapest at a patta? Renocations, when we chambia machin. And that a morret. You know, my, my, my I want to chop up the patona.

No, well, no, so, no, so, no, wrenza, wwe? Yeah. Oh, well, what, we're doing. And we're just,

we're... And so, well... And so... But those who don't chamb-a- that can't... that can't... ...theirrower, that they're...

...and they're... But, and if... No, no, no, we... And then... ...it... The pedd, you know,

in the pedd fiat, fifte fiat well, if I'm if you do you

get a head of a guy, I'm doing the I'm the, the,

the, she, yeah, so, the chompetta. Yeah, the chompetta. What,

I, I, gonna, go to the, uh, don't, post,

pendient meho. Oh, oh, what was that? Oh, what was, well,

so, then we're so we're, so, the, no, no, no,

No, no, no, no, it's normal. Normalito. Yeah. Yeah. You're the punt-st-tae, and palate to ga'am. What? Yes, yes, is mannedil.

Yes. Of course, del one to ten, the net. So, there's to be men, and recognize it. You, del one to day, are you,

an eight, putle. No, if you're a mandolin. Seven, eight. Seven, eight. Eight? Oh, is a mandolin-a-a-old.

A, you're two, you're saying, verga? No, no, but, of the actual, I'm very I'm very I'm really, but,

but, yeah, I'm, when I'm that's what that's what I refer, no,

that's what I'm so, I'm doing, I'm, no, but I, I, I,

I, I'm, for I'm, why? What's there? What's there? Yeah, so,

so, I mean, the woman to talk, and you're, and you cotorreing there with the plebe. And?

No, for the carra, to staccas. Aye, ay, aye, when... Valleow,

verga. Yeah. Yeah. Pidiento. Diddy. Let me. Well, but,

but, you know, you make a message? Those two? But, Mandilot, no,

I'm not, or so, more or no, no, but, well, what,

every every, but, but, but, um, for example, if

you, about, is at that what hours, more or way? 12, one.

Ah, no, well, so, yeah, but chambia night's something too and I'm

to go ahead. If you're to get a minute, you know, you know, or what? You're not.

I'm not. I'm a girl, I'm a novia. Mm. And you're in Berguise,

but, you know, you know, so, you know, and in those role of relations,

way? In my time, no, not I'm too Rucco, but I remember that the 18 years, 18 years,

one, agarrava, boy. And the net the salivitita, were they're that the cincet,

that, to, uh, a, uh, a, a, a,

a, a, a, a, a, to, a, car,

to the, Rosa, chocolate, chocolate, so, yeah, it's, it's,

it's, it's, for it, why it's for it? Faking drugs and the Beards.

The Beards. The Beards, va. The drinks. The Preeves. Right. Right. But, wait. 14 years.

Yeah. 14 years, comp. I'm in fiestas where I've talked, way. Cachamba. 14 years,

comp. Until the cuckoolea. Yeah. Yeah. The cat. The purrachera. Pure. Borgher.

And, that's more. Yeah. But, no. No. No. Well, that's

way. Cometh me. So, so. No. No. But, but,

but, but, but, about I'm I'm I'm I'm

I'm I'm sure I'm I'm going to get to get a for a way,

I'm in my real real I'm my dad and my mom I'm you too too too

my abuela me said my my said my old my

all the all the and all the you you're you're yeah

me and yeah yeah yeah okay man K

Digg K and yeah how so yeah so

there, we're going to no, no, but to go way, way, about this. But I'm

my day, it was in an hour and I'm to get to the time, I'm

at the five of the morning at the hall. And, uh, and for me the night

started. I'm, I'm I'm at the 15 years, way. But tranquillon,

way, in the disc, what were what were that they were they're sabritas

and refresh. Refres. No, now. Now, now, in the

fiesta at the secondary, way. We're a morillo and at the disc, and they make in a beer in the sorda, way. Well, yeah, out of the car. And, go, for the bar, the bao. There's a... There's a... There's a... There's a shot. A tequila. And a

quintu. Because that's... They fascina. They fascina. Simont. And you, you know, and they're... In the santro. Oh, yeah. Uh... Dissue, no, I don't have the identification. Me to pass. Uh-huh. And I'll do 200, 300, Bola. Morro,

14, 15 years, 16 years. A... To you, you took over that? No, well, no, but the morros want, they're, they're, they're,

they're there, pisteinging, no- Yeah, but they're in etchated to to lose the plebara. And,

and, and, and, fiatte, we, that I, I don't, I do that,

so, I mean, I've always, that, like, I've been, I'm,

like, I, that, me, I'm, I'm, and six years, 15,

and, invite me, to get to, to that, no, no, my my amor, don't you you're,

you're, you're, it's like to get to be, it's like, I'm sorry, I'm not, better than

a little, yeah, yeah, yeah, because the only, the only, what you can

do you, what's, what you're going to do you, is like, what, it's, create a conflict,

problems for to you, you get a problem, for you, get a, yeah, he's,

you know, he's, and, and you're, they're, and they're, they're, or they

or they're to be to the family and gatto and get to turn to the fundy

to try and maybe to make me better than and I'm and so and I'm you know

you're you're you're you're you're you're 32 yeah you're

you're yeah it's like the second that I did my age

here in the podcast no real my age is real

my age is I think. If I'm, I think I'm 25, 26 years, I'm going to see, I'm going to see,

you're a more, me saying. Oh, oh, oh, oh, oh,

oh, boy. Oh, I'm, me, I'm, I'm, saying,

way, that you're a, palazzo, pa. I'm a , boy, and I'm,

I'm, I'm, I'm, I'm, I'm, I'm, I'm looking to the

day, with the way, and you, and durast? The Like five years more

Yeah, Until the 10, 11 years But it was a But it was a But you're a But you're You know, A day, it's a

A school Like a pious And if you To get a Poyasso It's like It's like It's like

You're a You're gonna You're gonna You're gonna You're gonna You're But you But you

Disciplina How's How'd Apena Oh, okay And then And then And then the

Yeah, well of the Yeah, well The last uncuked to the other things well. Ah, chambiard. Well, I know a pallas, that are my lacra, uh,

I... And, yeah, no, this... No, what, what,

what, to be, of the, you, to be, what, how, how can you know,

how you're, I'm, well, I know, I know, I'm, but one one thing,

go to other, me like, I like, the two things, but, I'm just sketch,

of the cur, to make to make up my friends, of the ball I'm the most pious, you can't,

I'm the real, and the lot of the ball is the most pious but also the whole, I'm sure,

I'm not, yeah, I'm going to get to come to come back and I'm I'm sorry, I'm sorry,

hey, got to oh, hey, I'm gonna say, me invite to me, but I'm to be there

to be there, or for that you're gonna to make or not to them to me or no,

but, thank you, I'm good, And I'm much... And that's... And how can you... How can you say to that person, way,

of the same... Yeah, ma'am. For what? But... But, the netta, if you're gonna get down to one of the Baja, and the Borgue! And the people are the good

people, and the people and the net, also, I'm so... I'm too chiva, to... And there's two terracita, there's... There's... That one, yeah, and all the rome...

What on, bea'... They're all the rome... They want, they're... They want to... ...and they... ...and they... a verga, also you don't sondea, well, me entient, oh,

it's a-chingast some marre. Yeah, another day, no, yeah. And, yeah. And if, me, they're, why not been, comp? Because your compo' was for pure verga, comp, it's a tach, and so, man, tan.

And yeah. And, and you, and you want, C, Simon, but, or, come to here, or, or, or, or, or, or, or, that,

or, or, that, so, or, so, so, you know, I'm sure, I'm put in this place, way, that, way, that there's, there, you know,

you know, way, because you you can't get in problems dude. So, so the ideal if you

you have to be dealing with with that type of person, better, forget it. Oh, I'm,

I'm, I'm, I'm not, I'm going to go to be able to that. Ah, is the

ideal, pa? Because, the other way, it's the other way, we're talking, come to come

and here we're just that's the situation, and I'm go, and I'm going, I'm going,

and I'm going to go, and I and then the pylacacus, the palacito, they're in the pallasito.

And that's and they're and they're and because they try it's like because you go to get in a man who's

a man who's that's a that's a other can't and get to get a pendejo botate your marr

and I'm gonna and get me and say that's malia at one at no, well, well

you're a well, you're a bit a be and tell to abe I mean you.

Me you're you're that you're perr, no, I'm like,

that's the petito the botchian and that's the you know, the chita the coppel.

Oh, boy, how's the chitle the coppel is that I'm gonna be a bit

that's a bitch. Oh, I mean, no, a, so, that's,

so, you know, put this on a B, Don Pellos and Don't Pettunia

were, they're there, and that's yeah, let's see what, let's there were

to, there were two leones that were, But not But not But you know

The chit is that the Chitre de Marijuana and they're two leones But they're They're They're

They're They're And they're And then And you know And you know And you You know

And it's And there They're just Two Cholos Two Tires There's And that And they're

No They're You know You know When that's Man When you're When you're

You're two cholo. Me imagined a two bato, way, with a baggie, and the berg. But were two tigers, then. Were two chos, p, were mariguanos, but, yeah, but I imagined

person, but they were two cholos, tigers, so they were, they're tattooed and the bres, the other the chenone. He put one,

B, L, and the three points, and then the, and there were, cholop, for, they, were, they, were, they,

were, they were, they were, and they were, and they were, and you know, I'm mad, the, I'm mad,

I'm gonna, I'm gonna, he said. Oh, yeah. Oh, yo, oh, yo. In Greya. Right now. Aye.

Oh, po. I still, no. He said, ah, po, ching to my he said, he said, and then, and then,

and he went. And he's just. So, and so. And so, where, I was,

and there, I don't know. And I'm to look as to look. Aw. Like, like,

three, four hours, you see, a little, he comes. And the other he gets being.

Berga, he's and it and he's he's to go to get a man

yeah when he was going to go and the and two three bergazos like there

was a there where you where you did you oh yeah oh yeah where you

I'm I'm sorry I'm I'm I'm gonna go back a boy what he's

what he said oh simon look the that's there's simon oh

he was over the verga. I said, ha ha ha ha. He was a borgasong that was he went to get to

go to his oh, heh, ha, that perr, that perr, eh!

That's a good chite, my father. Tah, I'm to tell another,

you know, yeah, that's a man, you know, you know, the chite? The chite,

the chit the, the chit of the Cove in the did you, did it, of the

did you, no? No. So, that were they were they were Cholo.

He went in an avion and the avion and the airs to go to the sea.

I don't know to be it. I don't know what doing the car, but chingua the man

the car. Pugano a borgasso and they didn't get a few people, and they're

like some eight, nine, and they were never being and, uh, much air

and the and the he was to get the borgue, no, we're going to do you.

No, that's that's going to get us in the cabin no, we're going to go to get to go to go to get to

go to go back, oh, and come to let's do you know, and the man at the

hell of the man, I'm all the hell out of the hell to be the you're going

and then you go and you know, and it's and it's and it's and it's and it's

yeah, who came to the night, the people of here we're we're gonna get to the berno

no we're gonna come we're going to get here not so you're to be able to go to

get to get to get to be down the psalone he said how much the most

the whole the man who's the man who no, so it's so it's so it

he's he's look at the he said he's he's he's back on

and he he made down the in the car so let's go

you and the he's he's he's he's and sarton

and and And, yeah, comp, calientito, all, all the time. So, they're like,

so, so, so, the cold, the, the cold, the, you know,

and they got in the nose. Yeah, and I, they're, they're doing a good, comp,

so he's a lot of a lot chint, comp, yeah, like that's, the, four in the

man, comp, from the, of the mer, after, I was, I'm, I'm,

he's, he's, like, he's, he's, he's, he's, so,

Oh, oh, hey. I mean, he's a puttah, man. And no I don't know myri-man, that's a perr, this, is a perrero, this is, he's a perrower,

he quix, and he's gonna get a little bit. When you de, when it's free, me disney. No, what's... Oh, what's so? My appellate.

Affliquensel to your Camerah, Plea. Pemone'em, I'll go in a little, I'll go to yeah, my my mom. We're back with the podcast Acca,

number 58,000 the Pitouille. 236. Pitoui. We're, we're, analyzing your pinch

well, how can't say your life, ah, a, cabarettera. Because if

has been loco, way. The net. Yeah, we, pure of madre. And you

you're, you're like to get? The mother, san. Oh. I know, way, because I'd

and be raiding the laco I'm does a parro to the

door to the room for far? No, no, because he's a

and and you graffiti you're you're grafittier I'm too,

I'm and the I'm more than more than more than more than that way

but you're you're the big school the grafters

the guy the and I am and I'm I'm I'm

to graffitear when you you had like five years four you're

three yeah I'm traian broncast you with some they were

those wacied minted mentado mended munt furs furs

f' I'll be I'll be I don't know I know I don't know but

what was the yeah because they were that yeah that's

that that that I was just to just to ryear and you, just chas just for, for, no, I see, for sentice more berg or not see. And no, because,

like, like, like, a mafia, like a mafia. I was more. And then, tached, one, or more,

and more, to try it, to the ver. Fats. So, so it was, like. So,

you were, we'd like, I, to go and I, to go, a, oh, I mean.

He, he. Oh, man, just you, you know, you, don't,

you, A hell to the borgas. A year, I went to ride at the wagons. Yeah. And I was

there's a back in the hot two down, there's a in a car in a lot of

in the car in a minute of cany there, there was a hot two style

mochis, something. Yeah, we got and we got to a van a viown

there. Yeah, to get to the house, so that's to go to the

and there were on there on there Christ and there until there Cium

all the Monde. Pure Monte. Ah, and the net, the net, the net, I don't want to. Me,

I'm gonna caganda. And, and I said, and I, and I, and I, and I,

and I, and, and, I, see, that's, I'm, that's,

it's, I was, yeah, yeah, I, he said, he, no,

no, he said, no, no, no, we, we, we,

to them, we're, we're, they're, and they're, and they're, they're, the mochila

cargated and I said no I'm gonna put a borgh I'm gonna

gonna put in my gonna get a man I'm gonna get I'm gonna get

he I'm you know you know you you know you just you

put you like that you don't the of the piececissio so no

I'm I'm I'm I'm I'm I'm okay I'm

And the watchio I got out And got too my I'm just I said to I'm sorry I'm

No, no, no, no, no, I'm got to be crotched

pye, yeah, I'm just to me and I'm just with the moon to look

to the cullio oh, yeah, so when when, so you're when you

the he's, he went to to get to he went to and yeah, pahooit

that's curated to me put a cagando for one the guachio what's the what I'm what I'm

what I'm I'm saying I'm gonna get you no more but in the month it's normal way in the mountain

yeah whewo in the manette I'm gonna also also I'm gonna also

yeah I said one I did you I say a way when I was when I was

when I when I was a lot of yeah that's canal but but yeah yeah

this plebio me would more caghan in the rory in the house

we're in the house. We're just a lot of a lot of I'm gonna like that's I'm gonna

oh, we're gonna we're gonna and we're and we're in one of that we're we're

we're we're we we're that six or seven I'm a quote that's he's he's gonna

because if you don't know because if you're I'm gonna know the people to know that's about that I'm

and pa and And a way, it was, it was the, I'm like, I remember, it was the most great,

he said in the chato. You're gonna say, the chato, the pach, the chato, so let's go- so,

so, this, we, all we, the pant, the pant-o- I remember, and the calson-cern-sio,

and the verga. I was, I put in the way, to, so, for not cagarm, for not mancharm me,

and if mea, that the chorro would be able, so, that's, he, he, so he,

so he, so to get to all the ropa, yeah. Yo, Zay,

Cete. Toda. Tilly. Tannies. Calceone. The morrow came, he'd

like a lombripeleana, and, and he put to cagart, too? There,

and we, and we chato, What, what? Why? Why, it's I'm, I'm afraid

to get a mancharm, I said. Pendejo, well, it's all like we no,

no, no, no, no, no, no, no, no, no, no, no, the other

he, the he, he, is that my carnal, says, when, when it's,

when, he's, he's, much, much a people, to do you, for not

to, for not, for, so, so, yeah, so, you,

so, you, And he passes for one and you this guy comes to this way

he's no, now that's now that now now and then it's

but it's it not it's something you know it's perfumeated no no

but but if you do you that's that's going to go

you're going to say I've said I've been before a morry and

and what's Fah, ff, ff! That, you know, I, you know, I'm gonna'emps, yeah, whewito, conchamoy.

How, I'm, no, mame, loco, I'm gonna, I mean, I'm invited to say,

so, so, and, and, all the cagas, it's very normal, pa, all we,

do, but, da pah, perg, that's, so, I'm, so the first cites,

so you're gonna go, I'm gonna gonna, I'm, Just I was. I was trying a TikTok

way, no see if they're talking about and I'm a guy,

he said, you know he said he go? Anita says that something

that's something a much a and and a and grace way

is that with the chab that's that's that said no one

once I was I was I'm and I run by and I came accompanied

accompanied we're we're we're to the hotel well, we've got to do and the

and the muchachio, and the according to I'd know he to go to go to

do you know, and that panchero said that he opened to the, how's called to the

ragadera to that that's so I'm to know. And he said, hey,

is that you're, he said, he's, he's, he's, he's, he's,

he's, he's, I, I mean, not to take, no, but, but, but, but, a me I like to go to when I bring a-in-commoded. Yeah, no, I get one in glute,

and pelted to go and, and yeah. And nobody's, you know, no, what's gonna, no, what's gonna? Mosquero in the cuss. Oh, and in the

restaurant out of, a, no, there's a tonneau, pa. What I see, you know, you know, one that's,

one that's, one that says, when I'm, a-oh, a-be, there, A song, that's that's made

that I've that's I've heard that I've heard of that I'm You're

or do? You're Oh, boy? Ah, no Tam So, so it's

to talk A see. A bit. If I've heard a pass-o From there's a very Temprano It's a relovito

For me, for my family's Myrmano The best example That can't Lovin' Consistency, Disimina I've been

I've seen A, I don't Recurro the carri- That's Because the mark in these ten

And you Have you had Malo Mi Tanni Dich Dich, D'Eap A deco A de Chautit

That's a partit that I like Machin Mors of morrow that was to cholo naviga complicated and I'm d'emarrozo

many adventures and the barrio with all graffiti and faredes the type has a mode I've to to leave the barrio but the barrio

still here and so we we're all to come to coroner and and when the exit

and when the exito yet is A good rollita And that rollita And that ron't You've been So, you know, I've got

No, no Not in the video Yeah, In the podcast You've You've got You've got Let's change the

Mesaero Ah, see, that, that, Let's go, Let's go, Let's go, Let's go

Let's go back, my friend Pitou and Oscar Corberra Let's Let's go Let's, let's make a

A dama that's a woman that you're that's I'm that's I don't know of respect

Dispem but to me They're men The seigneurred of that mess Me informant that are of the mafia I'll be here I'll be here

My compas my compas Well, so on the hogs of the officio I'll accept your disculpa but give me a favor-citor-

favor-siton Give'n' this Targettita To get to make de mazissus Yeah Virger

I'm D'Am D'Am Direct no can They're they're up at the

mesa and they're in form prepotent for for that so you you're inred

and you know with who you met I don't know No, no man in the Juarez But a

A dama respect And if me pereens In my credentials In the Pistola

I'm I'm I'm I'm I'm I'm And here I'm

I'm I'm GERga Ah, Averga If you know Saven I'll

I'm I'm I'm I'm I'm I'm I'm I'm

And you're my subordinado Or are you're not Contrarians of the plaza And I don't think to Arblercala There we'll end up Mayn't know TIGET in the

Notices Also in the Seminario Z Three men's in a restaurant They're all over assassinations She thinks that is a chief of the mafia

The guy in Tijuana Carga the bandera And over Yeah, I'm gonna a

A man A tear, oh Oye Hey, That's a Corsidoo? No, no, but yeah,

you know, Or you do you know I composed? No, you know, I've heard, but never

I've heard I've heard I'm They made a man, a chapo, Oh, and the bato that was up, puss. Yeah, yeah.

Not was far. And here he's, he's, he's, he's got a caro, pa. And here he's got to

do it. It's good. It's good, compas. Fygette that me gave the carid,

because a very a sometimes one has been, way, way, yeah,

so that no, that no, that's, that's, but that's a second in calient. Yeah,

oh, how, whinge, your mother, and you are the middleerer, pa.

And you're aghers I'm like, you get to quichie momast plebada say you

my manned a man let's see you your social and my pa there's

there's like you like it like if it's like that we see you

on the social his comp Oscar T. Corver for Instagram Oscar

Teges Corbera for Facebook and Oscar Corbera for YouTube also

we're put a burgh so Linder Lidid S and so you

and continue we well. Well, well, well, well, well,

thank you. Thank you. And, well, we're the rest of the media of the

last, the last, the last, all the other, on the podcast and things that

we're doing, also Fipper, there in Instagram, and in all the social,

also the and I, as I am I, the horny in Instagram and in all the

red. And also listen our music play, not you let's let's

that, that, call, that's there's buskenla. How? Oh,

comment. Commenten. If you like I, or you or you like this verga? Or no?

Or if you're like the verga? No. Commenten, please, also,

what you do the cotorreo of us. The net, that's us do you do not

and you want to and you know, but if you comment, please, well,

I'm going to say, thank you to make a lot, and I'm family, quince much,

let me a bit of you know we're going in the quince. Ah, you're going

to go to go to or no or no see. A me to see. A me

to say. Or no say. Or no. I said it the no. Digerer the

no. Plebada, well, well, we're going to and we go ahead and we're

to say, but you're going to say, a word that you not, you know, in don't,

in the no, but how? How? How would you use your imagination, pa?

A be, let me send a bit a bit of a place to in the mojo

Colorado. The of the mojo Colorado. A little a moion.

Oh, there's we're going to get us much, let's get us to the bha

wow! Tant T'an T the I'm the caro

the plebes atremido They're going They're making Bromas For all and all Xerjid

There was The Rachio Grand All right In the Rache Caridoo So get in Arola,

because That's Trician Kille The It's It's Kallon

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